#I'm just a person who wants more time and space to enjoy the things I love

[cripplecharacters]

What are possible ways an autistic character can recover from a shutdown/meltdown. And how can other characters help them recover without possibly making it worse?

Meltdowns and shutdowns are a possible brain response to overload/overwhelm. That overload comes from not being able to handle stimuli, and that stimuli can be external (like sensory input) or internal (like with emotions), or a combination of both. They're kind of like a fight (meltdown) or freeze (shutdown) fear response.

How an autistic character recovers from a meltdown or shutdown can vary, because what sets people off is different, but also because the cause of the meltdown or shutdown also varies a lot.

For example, once I had a meltdown because there was a helicopter flying very close to my apartment for almost two hours. I was already tired, and the noise was loud and constant and completely out of my control. Ear defenders were not working well. To help me during and after my meltdown, my boyfriend hugged me (because I enjoy physical touch, and especially if it's 'solid' it calms me down, got my weighted blanket for me, and talked to me only when I seemed to respond well. Then he made sure I drank water and got some rest.

These things helped because they generally are already calming to me: pressure, solid physical touch, and affection. But someone who doesn't like physical touch won't have that help them recover.

Universally, though, a meltdown or a shutdown is draining and does not feel good. It can feel a bit relieving, because usually once it's done you feel like you have less tension, but having it doesn't actually feel good – it often feels like completely losing control, and that feels awful. Things that make self-regulation harder, like being tired or frustrated, will make a meltdown a bit more likely, but they also make it harder to recover from one.

Which means that what helps people recover has a couple different elements:

One, that they are no longer in the same situation or environment that caused the shutdown/meltdown, as much as possible. This can mean physically leaving the space, or that a triggering sound is gone, or that a stressor is no longer active. Generally this is part of creating an environment that feels safe, which can often means a space with as little external stimuli as possible at least for the time being. (So quiet, sometimes dark, without asking for a lot.)

Two, that they are doing something that helps them rest and recover. Sometimes this can be a nap, or drinking some water, or having some food, or lying or sitting down as comfortably as possible. If someone's helping, they can say "Hey, I'm here for you,"

Three, that they have or do something that makes them feel good. And just like for non-autistic people, this is the most variable factor of them all. A common one can be pressure, whether that's with a weighted blanket or vest, or with another person like a hug. Having a comfort item or fidget/stim item can help as well. For some people talking can help; for some talking might be difficult or impossible after a meltdown or shutdown.

Four, just straight up time. This can be an hour or three or a whole day. It really varies. Imagine spending a huge amount of mental energy in twenty minutes, on top of being extremely stressed out. Exhausting, right? You might want to take the rest of your day pretty easy to recover.

As to other characters helping, creating a low stimuli environment is a safe bet. A partner, family member, or friend would also likely know what makes your character feel better when they're stressed — a meltdown or shutdown is an extra stress response. They can generally help by staying calm and showing their support.

Hope this helps! :)

– mod sparrow

[papermonkeyism]

Poking at the dinosaur project thingy, this time with some production technicalities point of view.

Here be musings.

I originally thought of the project as a calendar, then a series of calendars that could be collected into an art book once enough art had been made for it, and at some point I thought of just skipping the calendar part and going straight for art books.

I've been going back and forth between those options multiple times over the years, and it's still kinda open. Like on one hand a simple calendar with just thirteen illustrations (twelve months plus cover) is the easiest and cheapest option, though pretty limited (what to do once the year presented in the calendar ends, and you still got unsold leftover stock?), and the other hand art books are big projects requiring lots of work, even more money, but be a lasting and very satisfying thing to have.

Maybe I should take a middle road and make a zine instead?

Maybe.

Though, this is where the shape of the actual project comes in.

I've always planned the project as having a slice of life style format, with little story and more focus in exploring the setting. Kinda just looking in and enjoying the view while you go. But I've noticed that keeping the "narration" as illustrations kinda keeps the immersion at arm's length too. While that is fine and dandy for a calendar where the space for any narrative would be very limited anyway, if I was going to do more with the setting, I kinda need something deeper. Even if the audience is fine just looking at pretty pictures, with ADHD it would be better to have something deeper to help keep me personally invested enough to actually plan, plot and produce the materials needed.

Should I make an actual story, with plot and stuff? Feels kinda unnecessary for a thing focusing on just illustrations, and I don't know if I really "click" with a text heavy picture book format. I kinda feel it would make comic as the best option, though that has its own downsides. I've always wanted to do full colour paintings of the dinosaurs, yet going comic it would have to simplify a lot and make it grayscale just to keep me sane. And, as someone who has done well over 250 pages of a long form comic, that's still a HUGE commitment I don't think I have the resources - mental, physical nor financial - to pull off.

I also kinda feel having a plot story would sort of detract from the "exploring the world" aspect and put more heavy focus on characters, which. Well, it's not *bad* exactly, just not quite what I want.

(Also I am aware the dinosaur clan I have has a kid character, and I don't want to make her the point of view character for the story. I have no interest doing a childrens' book. I mean, I am perfectly fine if kids do eventually end up liking my stuff, but I don't consider them my target audience. My target audience is me, an adult person in their later 30s, and a handful of nerds I consider friends and/or mutuals.)

Another option I've been toying with is kind of a double edged sword.

Those who got the Almost Real speculative evolution zine volume 5 got a bit of a taste of this, as I kinda tried it out there.

So... I've gone to pretty great lengths as a layperson to work in the setting of the project thingy. It's always bothered me when dinosaurs get just dumped into a story with no regards to when and where they actually lived, making for an anachronistic hodgepodge of what's popular forming into a mismatched fantasy setting, usually with throwing humans into the mix. I don't like that. I'm more interested in seeing the actual animals as they were, when they were and where they were, where the focus is in the dinosaurs themselves. Thus the limit to Two Medicine formation (with some of the surrounding areas included too, though still keeping to the same time period).

I do not want humans in my dinosaur stories. Period.

But what if...

So, imagine a research journal. There's a scientist visiting the clan of Singing People the project focuses on, with the mission of studying them, their life and their world. The book or zine or whatever could be a story of the dinosaur clan introducing themselves and their life to this person. An outsider point of view to excuse learning about them by them teaching this POV person how their world works. There could be some interaction and maybe interviews, and of course illustrations because you need to document your subjects after all.

Like, I'm kinda excited about the idea. It would let me get into the details I want to picture without getting too into the heads of the characters to limit the chances of artistic exploration. You gotta document the surroundings your study subjects live in after all! But you'd still get to know the characters because it's the job of the POV person to learn about them. Win win!

It's just that I don't want to put too much attention on this hypothetical scientist. Like I said before I don't want to mix my settings. The dinosaur project thingy's world IS Laramidia in the Campanian period of late Cretaceous, it's not meant to be a scifi setting, nor do I want to have any focus on any time travel.

Wonder if it would be possible to leave the scientist character vague enough to never actually get explained? They're just nameless outsider from undetermined time and place who's interviewing some dinosaurs. Maybe with some peronal opinions or musings but no anecdotes about their own life or themself. And whenever there's interactions between the scientist and any of the Singing People it just gets handwaved away. (Of course the Singing People are curious about them too, but that's not the point of the study so it just doesn't get documented or something?)

I don't know. Could that work?

[raisedbythetv89]

*tw* mentions of sa throughout the btvs series:

Expanding on the thoughts in this post about fandom culture and etiquette for how to make this a safer and more enjoyable space for everyone no matter who you ship

If you are a fan of btvs or ats no matter who your favorite characters are or who you ship - you have suffered at the hands of joss whedon's narcissistic personality and the subsequent emotional abuse he not only put the actors and his characters through but the audience as well

He gave us characters and relationships we fell in love with and then always, without fail, something horrible happens to one of them or they do something horrific and we're forced to cope with the emotional whiplash that happens every time he does it and decide if we love the character or relationship enough to cope with what joss did to them or if that's it for us enjoying that character or relationship

Like Bangel? Surprise! He's gonna lose his soul and completely psychologically destroy Buffy! AND THEN he's gonna come back and turns out he's been lying to this whole time to Buffy and he actually loved Darla so much he tried to be evil even with the soul first and actually stalked Buffy for a year before he introduced himself and fell in love with the sight of her crying at 15 and we made her look SUPER childlike and innocent to really up the ick factor!

Like Spuffy? Here take the most traumatic depiction of attempted sexual assault we've ever seen in the series that comes out of absolutely nowhere and is specifically designed to punish women after Spike was the only person who could be there for Buffy besides Tara as she battles her severe depression!

Like Tillow? Well Willow goes from empowering Tara and standing up for her to yelling at her to shut the hell up and then magically drugging and sexually assaulting her! and then when Tara calls her out on in she uses the "I didn't mean to" line and then is gonna use magic on her in the exact same way! and then we're gonna rush tara forgiving her just to kill her off!

Like Fuffy? Well Faith is gonna steal Buffy's body and then sexually assault both buffy and riley simultaneously while trying to goad riley into violating buffy's body as much as possible!

The list is truly ENDLESS you either survive on btvs long enough to do something horrific or you're killed off in a brutal, shocking and senseless way (I'm not going to list every single relationship and horrific event as it seems unnecessary and I know I can expand on the above example even further but again it feels unnecessary so please don't freak out if you feel I missed something this is by no means an exhaustive list)

Joss hates people, he hates women, he hates people of color, he hates his audience. Doing horrible things to people you claim to love is incredibly normal for him and any abusive narcissist because they don't love people or even see them as fellow humans - they're just things they play with for entertainment or to make them feel good about themselves which is why this is so prevalent in the buffyverse in the first place

Liking a ship where something horrible happens, you're not condoning it - it happened TO YOU. You were going along loving a character or relationship and then the creator got bored or angry and decides to throw a narrative punch just because he can and he likes the control it gives him to make a bunch of people react in certain ways emotionally and he loves to ruin things people love that's a huge thing for narcissists - if they see someone else feeling good about themselves or experience joy they want it destroyed

We have all suffered at the hands of this man, everyone has their favorite characters for very specific and deeply personal reasons. Just because you can't move past or accept certain behaviors from a character doesn't mean you get to dictate that for everyone else. Truly loving or connecting to a character means you have more capacity for forgiveness than someone who just liked them - and loving a character also usually comes with a deeper understanding of that character in the first place that can give you perspective and understanding that helps you contextualize the bad things.

Loving even the worst fictional characters literally harms no one, but attacking, shaming, judging, feeling superior to real people for their fictional tastes does so don't come on here and "well actually" me with "well MY fav didn't do [x]" or "MY fav never did anything.." because that's not the point. The whole point of this post is other btvs or ats fans who like different characters or ship difference ships are not you enemy - JOSS WHEDON is the only enemy here - be mad at him and only him, hate on other characters all you want but being cruel to other fans who don't agree with you is exactly what joss wants and we all hate that fucker so stop playing his game and don't be a dick.

[marbledwings]

Binge watching a show to avoid spoilers just isn’t the same as looking forward to each episode coming out week by week. We wait so long and then it’s over in a flash. 

I know times have changed but I don’t think I’m going to stop being sad about it. 

[chrisbangs]

hello... (and bye ig 👋)

[musical-chick-13]

"This show is SO good, you should watch it!!"

I gotta be honest. If I look at a character list on Wikipedia and get five characters down without seeing a single woman, it's probably not for me.

[toastsnaffler]

sometimes I wish I was a more interesting + charismatic person just so I could keep conversations going bc I like sharing space with other ppl but they routinely lose all interest and leave once I run out of things to say/start talking abt things that don't concern them :-(

[thatfaerieprincess]

if one more well meaning relative asks me if i have done any drawing recently i will start screaming and flip a table 🤪🙃

[sleepinglionhearts]

some little comics about work

[magentagalaxies]

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[nonokoko13]

<<DNI if you shame people for having "cringe" interests>> *proceeds to shame or disrespect someone for having interest in fictional stuff they don't like instead of using the block button even though that person has done anything to anyone*

[brinnanza]

unfortunately, to make up for being so funny, smart, hot, and queer, I am also deeply mentally ill

[stillfruit]

it's so difficult to articulate the feelings i get when i see my friends engaging in healthy and good behaviors like asking for emotional support and taking the time they need to arrive because i just can't and i know i'm wrong for it but it still feels incredibly isolating

[petrichorvoices]

we finally caught up on WTNV

[fucktoyfelix]

Choking Safety

I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.

First you should be familiar with some basic anatomy of the neck and throat:

The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.

This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.

You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!

[latenightdaydreams]

Okay, imagine mechanic!Konig who fixes your car and is just you know- hot. And then as payment he wants a date. In the back of his car. Where he fucks your brains out and is just so sweet. Mutters the dirtiest things about always being able to fix your car if you give him a baby or something and is just- god I'm feral for this man. And your writing!

Anyway, sorry if it's a weird ask. I love your writing to death, it's fantastic! Make sure to eat yummy snacks and stay hydrated!

AHHHH THANK YOU SO MUCH!!! That means so much to me and I'm so happy to have such great supporters like you! I absolutely LOVE this idea! I hope you enjoy! Thank you so so much for your support!! 💗

Mechanic!König x reader (fem)

MDNI🔞

Part 2

>cw: fem/afab, sex for payment, p in v, breeding kink, dirty talk

Word count: 1.4k

For more click here✍🏽🔞

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You turn your car off and step out, accidently slamming the car door behind you. The ground underneath your feet is uneven as you make your way towards the open garage door. The place looks old and the location seems right out of a horror movie, but you push those thoughts aside.

Looking inside the garage you see a man bent over under the hood of a red pick-up truck. His dirty white shirt and oil-stained jeans are all you can see of him.

“Excuse me? Sir? Hi, I’m y/n, I was wondering if you could look at my car?” Your voice is small and polite, like your customer service voice.

König stops working on the truck and stands, looking over at you. His eyes roam your body, taking in your shape before his icy blue eyes finally meet yours. He looks around as if to check if you were here with anyone or if you came alone.

“What’s wrong with it?” He asks stoically not giving away how attracted to you he is just yet.

“I have trouble starting it and when it does turn on it makes this terrible screeching noise,” Your eyes scan his body, his muscles glistening from a light sheen of sweat across his body. His face is stern with scars across his cheek and upper lip, but it doesn’t take away from his handsomeness.

König stays quiet for a while before walking forward and grabbing a rag to wipe his hands off on, “Okay, let me take a look.”

Tossing the rag aside he walks forward towards you with his hand out for your keys. You place them in his palm, his eyes looking down at you as he towers over you with his 6’10 frame. You turn on your heels and walk to your car with König following close behind. His eyes are glued to the way your ass sways with every step you take.

He unlocks your car and leans in to turn the car on. His eyes watching the dashboard as the engine stalls turning over. Once your car eventually does, he hears the loud sound you spoke of and he knows the issue.

“You have a bad alternator.” He steps back and looks down at you before opening the hood of your car. “It’s an easy fix, should only take an hour, two at most.”

His eyes go back to you and his gaze lingers on your cleavage before looking back down at the car, “There are seats in the shop, you can wait there.”

“Okay, thank you.” You walk back to the garage and pull out your phone to help pass the time. You look around to see an old photo of a car and nothing else personal. The space is clean and only the sound of his radio fills the space.

An hour and a half passes by and König walks in. You put your phone back in your bag and stand.

“She turns on, no issues now.” He says as his eyes look around the shop trying not to be too intense with his gaze.

“Oh, thank you so much sir, -”

“König.” He cuts you off, his gaze going back to yours.

“Thank you, König.” You smile warmly at him. Looking down at your purse you begin to fish your wallet out, “How much do I owe you?”

König looks at the wallet in your hands before his gaze travels over your body once more. He wasn’t interested in your money. There is one thing he’s wanted since he saw you walking up to him, you. He didn’t want to be a perve and ask for it, so he just gave you a price, “$600.”

Your face drops as you only have $400 until next payday, “Can I pay $200 now, and the rest later.”

“I don’t take payments.”

“Oh...”

“But,” he walks closer to you, “I’m sure we can figure something out.” His large hand caresses the side of your face, a smirk on his lips.

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You end up in the back of his SUV with blacked out windows parked behind his garage. Your clothes stripped off and thrown on the floor, your body completely exposed to him. His shirt pulled off showing you his muscular abdomen as his pants are pulled down around his knees. A soft blonde happy trail leading from his belly button to his erection. One of his hands gripping your thigh and holding one leg up as his other hand guides his condomless cock to your pussy.

He pushes in slowly at first, letting out a soft groan as he feels how tight you are. Your warm gummy walls wrapping around his cock as he bullies his way inside.

“Mein Gott your pussy is so tight Maus,” he moans as he grabs your other leg now. His lips kiss your legs up to your feet as he slowly bucks his hips forward. Your hands grasp the seat as he fucks you. Pathetic mewls leave your lips, feeling your pussy being stretched to an almost painful point.

“You’re so beautiful…” Letting go of one leg, he moves his hands down to your breast and begins to tug on your nipple, leaning in as his lips find your nipple; licking before sucking on your sensitive peak. His tongue circling around before wrapping his lips around and pulling gently, your fingers combing through his blonde hair. His mind wished you were full of milk so he could drink from you. His hands dropping down to your stomach and caressing your soft skin. Oh, how beautiful you’d look swollen and full with his child.

“You need a man to take care of you Schatzi,” he leans back and looks at your pretty pussy stretching around his fat cock. The sound of your wet cunt sounding like angels singing to him. He pushes both legs back and leans into you more as he begins to pound your pussy harder. His eyes watching your breast bounce before his eyes travel to your stomach. You’re tiny compared to his massive body, but taking his dick so well.

“I could be that man,” he groans, “you’d never have to worry about your car ever again Liebling.” His voice was laced with lust and ecstasy. König has never desired a woman so much before as he desires you.

“Just have my baby, let me fuck my baby into you.” He growls as one of his hands goes to your sopping wet pussy as begins to rub your clit.

Legs twitching, you’re lost in the euphoria of the moment. His cock filling you and making you so dick dizzy you don’t even fully register his words. “Please, yes, fuck me.”

“That’s what I want to fucking hear.” König grabs your leg and moves you on your side. He lays his body behind you on the seat and lifts your leg up. His face by yours as he gently kisses your neck and the side of your face. His cock slipped back into your wet pussy, causing your eyes to flutter. He let out a small sigh, “That’s my girl.”

König moves hair from your face as he continues to kiss all over you, “You’re so perfect Schatzi.”

His hand slowly slips down your thigh as he begins to rub your clit again, “Cum for me Liebling, cum on my cock.”

You turn your head to look at König, his eyebrows pinched together as his mouth hangs open. His eyes meet your and he leans in to kiss your soft lips. His tongue licks your lips before pushing between them. His tongue twirling in yours and tasting you, he’s in heaven. He can feel you begin to tighten around him as your legs begin to tremble. Your kiss begins to get lazy as you concentrate on your orgasm.

“Please, please, please.” You moan out, your breathing heavy. His hand rubs over your swollen sensitive clit faster making you squirm in his arms. You feel how wet you get as your pussy begins to squeeze around his cock, his balls tightening as he is eager to get off.

König’s eyes roll back as he leans his head against the seat now, his arm under you wrapping tightly around your stomach and grabs it.  “Do you want my cum?”

“Yes,” you look back still on a high and watch his face as he closes his eyes while the pleasure takes over his whole being, “please cum in my tight pussy.”

That made him let out a loud groan as he moaned your name. His cock begins to throb as he releases deep inside of you. He leans forward to kiss your neck and check, desperately wanting your lips. You turn your head to meet his lips as you both kiss passionately.

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Nine weeks later your car is still running great, but you’re 4 days late.

Part 2