#I'm not okay after this chapter

[all-too-unwell-13]

"it's just a one off" "i'm not asking you to join us again"

LIAR. anthony lockwood, i can practically see it in your eyes.

tell me that wasn't him trying to ask her to come back!!!! bc it totally was!!!!!

[buttercupshands]

I did not sketch this one in the park nor is it canon

but I've been thinking about this one for a long time

oh, and here's Dabi yelling stuff because I was thinking about spoilers for this chapter again

[kyouka-supremacy]

So no sskk?

[slurpyboii]

That ended exactly how I expected it to and, as expected, I am entirely neutral on it. Wasn't a satisfying ending or a super hype ending or anything like that, literally just the ending that may as well have happened. Not a single thing surprised me that whole conclusion, it felt unfortunately predictable. You can tell he's excited for it's end though so I'm happy for Horikoshi regardless, hope he can get proper rest now.

[every-sanji]

[soupbtch]

ummm. my fic is done.

[tumblasha]

final panel of the series is bkdk handhold as they cut the ribbon at the grand opening of their joint agency TRUST

[kimjunnoodle]

“Shut up. I said sit still.”

Auri frowns, but again, she does as he says. Astarion dips into a pan of molasses-colored paint with his middle finger, and when he presses it to her lips, she flinches. “Sit still,” Astarion repeats again, but he’s smiling.

A gift for the amazing @aevallare of this adorable scene from Kindred!! 10/10 recommend 100/10 Cry every time

[dazais-guardian-angel]

Okay but forreal, now more than ever I desperately NEED Aya to eventually wreck Fyodor's shit somehow. I already wanted her to get her revenge before, but I didn't think Fyodor would even remember or know who she was, and would massively underestimate her for that reason (just like Jouno knew that Fukuchi would underestimate her). But now the story has instead created this twisted, fucked-up dynamic between them, where Fyodor not only knows her, but is protective of her for reasons that are not his own: he has taken the pure, noble, kind, fatherly love motivating Bram to protect Aya and warped it into something horrific, vowing to protect her body only while not caring how much her heart and mind has been scarred, and claiming to be doing it for her own salvation, when he cannot possibly understand the selfless feelings Bram had that made him want to protect her and care for her — feelings that he does not have. He may genuinely have some sort of affection for children (the way he treated Karma, "blessings for the children", this), but it is twisted and hollow and is quite possibly only him unconsciously acting out the motions due to behavior instilled in him from the feelings of all the people he's subsumed in the past.

All this is to say that, now the narrative has specifically pitted Aya and Fyodor together as direct enemies: she not only had reason already to hate him because he killed Bram, but because he's also taken Bram's love for her and defiled it, dishonored it and him and all that he was; meanwhile, Fyodor has given himself an arch nemesis that he no doubt takes great pleasure in seeing how much she hates him/how much despair he's brought her, but paradoxically at the same time feels a compulsion to "protect" her that draws himself to her and that he can't ignore. Aya has to defeat him somehow (not permanently, mind you; Dazai will undoubtedly be his final end), and the setup for Bram being able to fight back enough to stop Fyodor from the inside with her help is all right there, too. Their love for each other is still enduring, stronger than ever, Fyodor is proof of that right now, and they will be able to defeat him together, at least enough that Bram can be freed and come back to Aya. Dazai told Fyodor that he would lose because he doesn't understand and underestimates the power of friendship bonds and love, and there is no better a time for that to happen than here, when he is literally using someone's strong love for and connection with someone (acting as that person and claiming to know how they feel and to be the same as them) in a way that he cannot understand, which will be his undoing.

[queerweewoo]

When there's now this thing in your life, a new thing between you and another person, a thing you can't quite put your finger on to be able to try and describe it.

When you start to become so comfortable with this person that they start to become your person, and before you're really aware that anything has changed between you, you've just suddenly become one hundred percent theirs.

When you then get so close to that person that you don't really realise that things have shifted so significantly between you, because it's so infinitesimally and yet so dramatically all at once, and because everything just feels so damn right all the time and exactly the way you feel things are supposed to feel, so why would you ever think about changing it?

When it dawns on both you and that person—maybe one of you gets there before the other, maybe both at the same time?—that the two of you have moved on from being just friends and are morphing into something else, so seamlessly and with such ease that you don't have to question it, because it is just a thing that sort of is now.

When your touches become lighter, lingering things, softer and warmer and more frequent than before, and occurring much, much more and in a very different way than with anybody else in your life.

When you and your person and this thing that you now share become more wanting and more needy, and yet somehow so unerringly steady, and also so wonderfully and assuredly grounding and immovable, all as one, all at the very same time.

When together, you become more.

When you find you have found your way to your person, and to this thing, the thing that you now mold and nurture and that molds and nurtures you, slowly; unwaveringly; absolutely; discovering that it's helps you to move in new ways and to unfold as a person, to breathe, to settle into yourself.

When you have this thing (all of these things) in your life and realise that this is it, this is the thing they've been writing about throughout the ages.

When you realise that this thing—your thing—is a thing called love.

[marcsnuffy]

I don't think that differently about Kaiser now

[amxrany]

Nah but imagine being Malleus tho...

Everyone fears you because of the power you hold over them, which is why you have no friends and don't get invited anywhere. There is only one person who has raised you like a son and treated you normally, and you care about them so much.

But the only time you get invited is when that person is hosting a party, as they will be leaving your life.

Don't talk me to ya'll I'm overthinking again ;-;

[buttercupshands]

wait a minute

stop.

stop it.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[crookedghosts]

beware yall chapter 4 WILL be hitting you in the "real or not real" feels. I am weaving a web as intricately as Leo has woven his lies (disasterously, gayly). characters will be thrown into this mess and misunderstandings will be had. I'm not sorry 🫡🫡

[every-sanji]