#I'm understanding now many people just... Can see things and just go “that's a thing” and not think about... It more?

[justagalwhowrites]

Yearling - Ch. 37: Pieces

Mitchum sends you to where he wants you as Joel questions Cody. A continuation of Yearling ch. 1-36 found on Tumblr here.

Pairing: Joel Miller x Female Reader

Warnings: Canon-typical violence and several steps beyond that. Fairly graphic torture (not of reader.) Mention of past sexual assault, not described. No use of Y/N. Minors DNI 18+ Only 

Length: 6k

A/N: As with the last chapter, I want to state, real quick, that Bambi is NOT going to be sexually assaulted again. This is a highly triggering subject and, given the situation she's in, I understand if folks are bracing for it. That's not going to happen. The threat of it is there but it's not going to happen.

We are into the final arc of Yearling and we are going to see some TLOU 2 OVERLAP again. There isn't any this chapter but there will be in this arc and here's how: a character from that game will be mentioned as will the spoiler-y incident from a few chapters ago. What happens plot wise in this arc is completely separate from the game and entirely original content BUT there is that character overlap and more specific mentions of the incident and the motives behind it. This character returns THIS CHAPTER. If you're trying to go in blind to season 2, it might be wise to step back. Feel free to send me a DM, I'm happy to answer any and all questions!

AO3 | Chapter One | Previous Chapter

They were talking about you like you weren’t there. 

You’d been used to that once but it had been a long time since you’d been just a thing, separate from that life about as long as you’d suffered it. You had forgotten just how much you hated this part of being a prisoner. You’d internalized so many of the more acute horrors that the smaller things had slipped away, but the change from human being to livestock was sharp. You didn’t have much in you to fight against anything - still barely able to stand - but it seemed what little there was faded quickly just listening to the men talk about you as though you were some unruly animal. 

“Take her back to the main camp,” Mitchum said, taking your arm and turning you around so he could look you over. “She’s good on a horse, don’t let her near the reins. Don’t be stupid enough to think this one won’t take off just because she’s down some fingers, she’s a feral thing. That fucking moron… Get her there and don’t fuck her, understand? She’s mine and I gotta make sure she’s broken in right. Been wild too long, gonna have to start from scratch.” 

He took your chin in his hand, forcing your eyes to meet his own. 

“Gonna bring you back where you belong,” he said. “I tamed you once, I can do it again.” 

You didn’t say anything, all your energy going in to keeping yourself standing. You tried to think about something, anything, beyond how close Mitchum was to you again, every alarm bell your body had ringing. Where his fingers were on you burned and your heart raced, the blood loss and fear making your head spin.

The only thing that could be worse than being this close to him again was Savvy and Ellie being this close to him. The thought that you’d saved them from this was a small comfort. You hoped they made it back. You had to believe they made it. You weren’t sure you’d have the strength to keep going otherwise. They made it, they made it back to Jackson, they were safe there. 

But the men were talking about Jackson, too. Like it was something they could take. What’s worse, they sounded confident that they could do it. It was something that had seemed impossible when you were within the walls, everything so strong and permanent. How could the will of men destroy something like that? But now that you were here, back in the grip of what terrified you, it didn’t seem so impossible anymore. Jackson was just people, too. Good people, strong people who had decided to survive and work and love alongside each other but people all the same. It doesn’t take some act of God to destroy a person, just one other, determined person can do the job. 

You couldn’t handle considering that, not when the only things in the world that mattered were dependent on Jackson to be safe. You had to believe that Jackson could withstand whatever came its way, that Ellie and Savvy had made it back, that they would be safe within its walls and would never have to face men like Mitchum and Cody again. They made it, they made it back to Jackson and they were safe. The whole city was.

You thought it over and over again in your head, a mantra of sorts, as they brought you to a horse and forced you on its back. You were too out of it to grab the reins immediately, a man mounting up in front of you before you could think twice about taking control of the animal. 

“Better not try anything back there if you know what’s good for you,” the man snapped before making the horse move. You just tried to stay upright and tried to think of ways to escape once you were strong enough to run. You had to resist the urge to try now, every nerve in your body on fire and driving you to run or fight. But you couldn’t. You’d never survive a fight right now and you’d only be able to walk a mile - maybe two - before you’d collapse and then they’d have you again. You needed to save your strength or you’d never get out. 

You tried to remind yourself that you’d done all this before. You’d survived what they did to you and made it out. You’d lived and built a life and found your daughter and protected what mattered. You’d done it once, you could do it again. You just had to survive. 

You focused on the people that you wanted to survive for - Savvy and Ellie and Joel and Maria and Tommy and William and Julie and and and - and tried to settle into the sway of the horse as it walked.

Time was strange like this, pulling and warping. It seemed like it was dark longer than it should have been when the sun started to rise and then, when the men stopped for a break, the sun seemed higher than it should have been. You drank water when it was offered. You watched for a chance to steal a horse - the only way you thought you’d be able to make it far in that moment - but didn’t get one. 

The light hadn’t yet taken on the soft, hazy quality of evening when you reached where you were headed. It was an unfamiliar place, a small subdivision - maybe two dozen houses total - with mountains at its back. There was a guarded perimeter, men in cowboy hats who gave the men you were with a nod as they rode in. 

They brought you to the center of the neighborhood, to a house that was small but looked to be in good repair, two men stationed outside. 

“Down,” the man you were riding with ordered. You obeyed, sliding off the horse and stumbling, head spinning. He dismounted more smoothly before grabbing you by the collar of your shirt - Joel’s shirt - and hauled you for the door, one of the guards meeting him there. He took a padlock off the front door before opening it and shoving you inside, past a small living room with a sunken sofa and a kitchen with counters covered in a thick layer of dust. He forced you down a hall to a bedroom. You were almost positive it had been a little girl’s room once but it had been stripped of all forms of childish comfort. There were two twin sized mattresses on the floor, tucked into corners on opposite pink walls. There had been carpet once, you were sure, but it had been pulled up, just the plywood below remaining. There was a bucket at the foot of each bed and some drywall had been pulled away near each bed, exposing the frame of the walls, chains wrapped around a stud near either bed. 

“On the bed,” the man ordered, shoving you toward it and making you stumble. You more fell onto the mattress than sat on it but it didn’t seem to make a difference. He approached you and you went to kick him, not about to let him just take what he wanted without a fight, but he caught your boot, giving you a sharp shake when he did. “Just making sure you don’t run. Sit still or this will hurt a lot more than it needs to.” 

He pulled your boot off before you had a chance to respond and tossed it near the door before picking up the chain. It was thick and heavy, no cuff on the end. He wrapped it around your ankle, tight enough that it cut into your flesh a little, and put a padlock through the loops to hold it in place. He gave it a testing pull and it didn’t budge. He nodded. 

“Recommend you rest while you can,” he said, dropping your leg. “Mitchum’s back in a day or two, don’t imagine you’ll have much while he’s here.” 

He turned to leave and you looked to the other mattress. There was a smear of blood near the chain that was still bright red, like it hadn’t dried yet. There was someone else who had been here, someone recently. The door closed and locked and you stretched out on the bed, trying to force your body and mind to still enough that you could rest. 

It didn’t work very well. You faded in and out of consciousness for a while - you weren’t entirely sure how long but you were fairly certain night had fallen. The window in the room was covered with yellowed newspaper but you were pretty sure you’d seen light coming through it earlier in the day. It was dark now. 

It took you a moment to realize what had pulled you back to consciousness. There was a scuffle outside your door, the sound of someone being wrestled inside. You shot up, scrambling to find something you might be able to use as a weapon but came up empty, the room stripped of anything that could be a tool and your mind still working slowly. You were still down a lot of blood. 

The door opened and you braced yourself to claw and bite but the man there paid you no mind. Instead, he shoved a tall, broad young woman in, one with a blonde fishtail braid that hung down her back. Something inside you twinged at the sight of her, a distant alarm bell ringing. She was familiar, you couldn’t see her face but you knew her. You could feel it.

The man forced her onto the opposite mattress and all but threw the chain around her ankle before locking it into place. 

“If you’re fuckin’ smart, you’ll behave yourself,” the man backed away from her, panting for breath with a cut on his cheek. “If you weren’t one of Mitchum’s favorite toys, I’d kill you myself.” 

“Fuck you,” she spat, lifting her head from the mattress, her teeth bared in a snarl. Your breath caught, the fingers from your intact hand groping for the chain attached to your ankle, your best hope for a weapon. 

You did know this woman - almost more of a girl in spite of her size and strength, she couldn’t be much older than Ellie and definitely young enough to be your daughter. You didn’t know her name or where she was from or why she had tried to murder your husband but you knew her, knew how she looked when she was filled with rage and desperate to kill a man. Knew how she looked as she beat Joel until he was bloody and half dead. Your grip on the chain tightened. 

The man left and you weren’t sure if the two of them had said anything else, the high pitched whine that had taken over your ears only just beginning to fade. 

She seemed to notice you then, straining to sit up, her eyes wide at first but narrowing when she reached your face. 

She recognized you, too. 

“You,” she was still panting for breath, leaning against the wall at her back, sneering at you. Watching you. “I should have known they’d find some other fucking way to torture me.” 

You watched her back, ready to defend yourself in case she made a move. 

“I could have said the same thing about you.” 

***

Joel wasn’t aware of much. 

There were gunshots but they were of little consequence. The screams didn’t register, either. Neither did the sweat on his neck or the pain in his back or the pull in his leg that had been there ever since he was shot by the girl who wanted him dead. 

He could feel your blood on his hands, though, and the feel of your fingers in his pocket and hear the thud of his heart and he could see. He could see Cody on his horse but he could see how you’d been afraid of him, too. That day in the stable when Joel held you and you were so scared you could barely stay standing. He could see how it would have happened, how this man would have cut away pieces of you. How scared you would have been, how you would have fought anyway, how you would have screamed. 

All Joel really knew in that moment was that he needed to hurt this man. He needed to take every ounce of pain from his body until there was nothing else left inside of him and he needed him to know, as he died, that he was dying for you. 

Cody tried to dodge Joel as he threw himself at him, the horse stutter stepping away as Cody tried to pull it back while also grabbing his gun. But he wasn’t fast enough, Joel’s hands closing around the edges of the man’s jacket as he yanked him to the ground, Cody’s gun flying into the trees. 

But Cody was not a small man and his thrashing weight threw Joel off balance, the two of them sprawling to the forest floor. Cody was younger and more agile and got to his feet first, pulling his knife free from his belt, lunging for Joel. But Joel was ready for him, kicking him in the gut so hard that it knocked the wind out of him and sent him stumbling back. He got to his feet, too, Cody leaning against a tree, knife out as he caught his breath. 

“You’re not gonna get her back,” he panted, a sneer on his face as he watched Joel. “She’s with him now and he’s not gonna let her go so easy this time. And when he’s done with her, don’t think you’ll even want her back.” 

There was commotion at Joel’s back but it barely registered. 

“I should have fucking killed you when I had the chance,” Joel said, watching him closely. “She was too good to you. She’s always been better than anyone left fuckin’ deserved, least of all you.” 

“And she should’ve known what I gave her when I let her go,” he said, standing up a little straighter now, breath caught. “Instead of being an ungrateful cunt.” 

Joel roared and threw himself at Cody, the other man striking out at him with his knife. He nicked Joel’s shoulder with the blade but he barely noticed it, the blow not really hurting so much as being filed away as information, things he would need to contend with at some point when Cody’s blood was cold on the ground. 

Joel threw a punch, catching Cody on the jaw and he stumbled for a moment before lunging at Joel, striking out with the knife again but falling short and following up with a clumsy fist after. Joel caught his hand and twisted it, the other man giving a sharp yelp. Joel liked the sound, the evidence of his pain soothing the gnawing desperation inside him. 

But his satisfaction was short lived, the knife slamming into Joel’s shoulder making him seize up for a moment. He was aware that it should hurt, that there was metal inside him now that didn’t belong, but all it did was bring everything into sharper focus. This knife was probably the one that had drawn your blood, too. It seemed right that he should suffer it with you after he’d failed at doing what he’d vowed to do. 

The split second of the shock of the stab passed quickly and Joel drove Cody back into the tree, slamming his back into the trunk of it and knocking the air out of him, his head hitting the bark with a sickening thud. Joel didn’t relent. Instead, he punched him across the face, one arm holding the man in place as he hit him again and again. 

This satisfaction held longer. Cody’s fingers scramble and clawed at Joel, trying to find purchase somewhere they could pull him away from his singular mission but that was impossible. Joel’s physical body didn’t matter to him anymore, not without you, and every small hurt was swallowed by the drive to destroy. 

“Joel!” Tommy’s arm looped around Joel’s neck, pulling him back from Cody who slipped down the tree trunk, his hands limp on the blood coated leaves, his chest still rising and falling, eyes blinking as he stared into space. Joel strained to pull away from Tommy’s grip but his brother held him firm as he panted for breath. “Joel, you can’t kill him yet, we need information. We kept one of the others alive but we need information or we’ll never find her. He’s alive, we need him to stay a live a little longer.” 

Joel slumped forward in Tommy’s grip and his hold on him loosened, starting to feel his body again. His knuckles hurt and were slick with blood. Joel wasn’t sure how much was Cody’s and how much was his own. There was a sharp, stabbing pain in his shoulder and he reached back with his other arm, flinching as he did, before taking hold of the knife and pulling the blade free. He heard Tommy wince as he did and Joel brought the weapon around in front of him, holding it up for a moment. His blood was slick over half the blade, the edge serrated. 

“You cut off my wife’s fingers with this?” Joel panted, squatting down to be on Cody’s level, holding the knife up. His own voice sounded odd to him, so normal when everything was so wrong. 

“Wait, what?” Ellie stalked over to him and Joel glanced up at her. There was a cut on her cheek and her eyes were wide. Joel turned back to Cody and reached into his pocket, gently pulling your fingers free before setting them on Cody’s stomach. “Motherfucker!” 

Joel barely registered the sound of Tommy wrestling Ellie away, too focused on the man in front of him to worry about anything else. 

“Did you cut off my wife’s fingers with this?” Joel said again, voice flat. 

Cody struggled to swallow and Joel took hold of his jaw, yanking his head around so he was looking right at him. 

“Answer the question.” 

Cody blinked a few times before taking a shaky breath. 

“Yes.” 

There was a rattle in his voice and blood on his teeth. 

“Good.” 

Joel took the knife and thrust it into his thigh, just over his knee. Cody screamed and squirmed uselessly under him and Joel waited, keeping constant pressure down on the blade, giving him no relief. 

As he quieted - gasping for breath, eyes wide and bloodshot - Joel pulled the knife from his leg and wiped the blood on his jeans. 

“Gonna hurt you like you hurt her,” he said, picking up Cody’s hand from the ground. He started trying to pull it away, heavy breaths shifting to hyperventilation, but Joel held firm, forcing the hand down to the man’s thigh. “What, you afraid of me usin’ your knife the way you do? That it? Can’t be that bad, can it?” 

“No,” he panted. “No, please, I’ll give you whatever you want, I’ll…” 

Joel lined the blade up with the smallest knuckle on Cody’s pinky and cut through it in one devastating push, the man screaming and writhing and trying to pull his hand into his chest to comfort himself but Joel didn’t let him. 

“You’ll give me what I want?” Joel asked, putting the knife at the next joint down. “But what if what I want is my wife? What if what I want is your pain, hm? You give me that?” 

He cut again, the blade meeting more resistance this time. Joel pushed through it, the knife cutting through the denim of his jeans on the other side of his hand as he screamed again. Cody closed his eyes and leaned his head back against the tree and Joel resisted the urge to beat his face in. He had to leave him alive for a little while longer. 

And besides, he couldn’t take more pain from him if he was dead. 

“No, you don’t get to fuckin’ pass out on me,” Joel stabbed the knife through his hand, pinning it to his thigh before grabbing his hair by the fistful, bringing his head forward so it was only inches from Joel’s own. He could smell the blood on his skin, clearly see the trails of salt on his cheeks. “You get to be awake for this. Doubt you ever let her pass out, did you? Not about to do you any favors. Now, you focus on me, understand?” 

Cody managed a nod. Joel dragged the blade through is palm, between the webbing of his fingers, cutting a path through the delicate bones of his hand and the thick muscle of his thigh as Cody begged and screamed. The wound at Joel’s shoulder ached. He couldn’t bring himself to care about either thing. 

He held Cody’s hand in place again and gave him a second to quiet and catch his breath before lining the knife up at the base of his pinky. 

“Please,” he panted, eyes so desperate as they met Joel’s. “Please, I can’t…” 

“Can’t what?” Joel asked, brows raised. “Can’t survive what you did to her?” 

Joel cut, separating the bloody remains of the finger from Cody’s hand and casting it aside. Cody’s screams were growing hoarse and Joel ground his teeth. He still needed answers from him and he needed to be able to talk for that. 

He pulled the knife away, holding it firmly and watching as the other man caught his breath. 

“I can make this easier,” Joel said after a moment. “You tell me where she is? I kill you. Quick. Maybe not painless but not as bad as this. You’re not leavin’ here alive. Should have killed you in Jackson months ago. Hell, should have fucking found you years ago and killed you then but I didn’t. Not about to let you go again. But it’s up to you if how I kill you is for you or for me, if it’s fast or if it’s slow.”

“I…” the wet rattle of Cody’s breath was sharper now. “I can’t… I can’t trust you to do it quick…” 

“Yes you can,” Joel said. “You tell me where my wife is? I’m gonna go get her. Not gonna want to waste more time here with you. It’ll be quick if you just tell me.” 

Cody’s eyes searched Joel’s for a moment, like he would find some kind of answer in them. Joel didn’t need to see his reflection to know that the only thing Cody would find in his gaze was the hollow, desperate pain of your loss. There wasn’t anything else left in him to see. 

“I traded her,” he said. “To Mitchum. Met… met him about 10 miles north east of here but he won’t still be there. I don’t think he’d keep her with him - he never did before, always… always had her at his base…” 

“And where’s that,” Joel asked when he trailed off. Cody’s neck went limp and Joel grabbed his chin again, giving him a sharp shake and forcing his eyes to spring open. “Stay with me, focus right here. Where is Mitchum’s base? Where would he take her?” 

“Little spot,” he panted. “Just… a bunch of houses, don’t know if it’s got a name…” 

“Tommy!” Joel called without even glancing back at him. “Need a map.” 

It took a few seconds before Tommy appeared, handing Joel a wrinkled and worn map. 

“Point to where it is on this map,” Joel said, releasing his bloody, four fingered hand. “Your buddy over there know where it is?” Cody nodded, shaky, once. “Good. You point where it is. He’d better point to the same goddamn spot.”

He handed the map back to Tommy and kept Cody in his sights, watching as his skin grew pale and his head listless and limp. There was a scuffle and scream behind him, loud enough that Cody shocked back to full consciousness with it. 

“Sounds like your friend don’t know what’s good for him,” Joel said, taking Cody’s bloodied hand and forcing it to his thigh again. “Or what’s good for you.” 

“No,” he shook his head, his eyes so wide. “No, please!” 

“Tell him to cooperate,” Joel said. 

“Do what he says!” Cody screamed. “Just do it, please!” 

Joel pressed the knife to the base of his ring finger and cut. He was almost surprised at how easy it was to force the blade through the bone and sinew. He could barely feel the strain of it as Cody screamed below him. The knife sank a bit into his leg as it cut through the last of the skin and Joel picked the finger up, holding it in front of Cody’s crying eyes. 

“She scream like you?” Joel asked, turning the piece of his captive slowly before them both, the wet of his blood catching the light like the fractures in the glass of his watch. “You like hearin’ it like I like hearin’ you?” 

“Please,” Cody managed, voice ragged and hoarse.

“Why’d you do it?” He asked, lowering the severed finger but keeping it firmly in his grip. “You already took her, already were handing her over to that… animal. Why’d you need to hurt her, too.” 

“I’m sorry,” he whispered. Joel thrust the knife into his upper thigh, inches shy of the man’s crotch and he gasped, mouth open in a silent scream. He was wearing out, inching closer and closer to death. 

“Don’t give a shit about your sorry,” Joel said. “Why. Tell me.” 

He gave Cody a second to start to recover from the pain before twisting the knife, making him seize again. 

“Tell me.” 

“She tried to run!” He sobbed, collapsing back down again. “She… she tried to run, killed two of my men. And she never… never appreciated what I did for her then…” 

Joel just nodded slowly. You’d been able to try to run, at least before Cody took your fingers. You weren’t so scared that you couldn’t move, weren’t so beaten that you couldn’t run. That was a good sign. You were a survivor. He had to remember that. You’d survived before. You would now, too. You would still be alive for him to find, for him to save, and he would save you. If it was the last thing he did, he would save you.

“Joel,” Tommy was at his side and it was quiet at his back. “Same spot.” 

“Good,” Joel said. He carefully picked your fingers up from where they’d fallen in the leaves at Cody’s side and tucked them away in his pocket again before getting to his feet. Ellie was at his side, her rifle in her hands. 

“I want to hurt him,” she said, her voice flat. 

Joel looked at her, really looked at her for the first time since they’d found Cody. There was a darkness in her eyes that terrified him in its familiarity. It was the look she’d had for a split second when he’d found her after David had taken her from him. It was sharp and vicious and demanding and Joel wasn’t sure she knew how to come back from it. 

“Will hurtin’ him help you?” Joel asked as gently as he could. She looked up at him, that sharp look still in her eyes. 

“He hurt my mother,” she said, a hint of barely contained rage on her face. “I need to make him pay.” 

He considered her for a second, trying to think clearly as he looked at the young woman who had once been the girl he’d shepherded across the country. In so many ways, she was still that little girl, one who he’d protected and failed at protecting, one who he had saved and had led to her near demise.

Would this be any worse than anything she had already suffered? Would it hurt her any worse than the things that Joel had allowed on his watch before, when he hadn’t been good enough to take care of her the way she deserved? Would it be, somehow, any more terrible because he allowed it? 

Ellie was so like him in so many ways, ways that terrified him when he thought about it. There was a passion in her that so easily bloomed into rage and he knew what it was to keep that stifled and smothered. He knew, too, what it was to take it out on another human being, even one who deserved it. 

He adjusted his grip on the knife and held the handle out to her. She went to take it but he pulled it back for a moment. 

“Can’t kill him,” Joel said. “Understand?” 

“Joel…” Tommy said at his back, but Joel just held out his empty hand, silencing him. 

“Understand?” He repeated, watching Ellie closely. 

She hesitated a moment, watching him back with those sharp, dark eyes. 

“I understand,” she said, taking the knife from him and turning to Cody. She cocked her head, examining him cooly. 

“Please,” the man whispered, looking up at her. 

“Which fingers did he take?” Ellie asked, not looking back at Joel. 

“Outside two,” Joel said, a twinge in his chest as he said it. “Her wedding ring with ‘em.” 

Ellie nodded, her grip tightening on the knife before lowering her knee to pin Cody’s wrist of his intact hand to the ground. 

“I told you I was gonna fucking kill you,” she said, her voice dangerous as the man tried weakly to pull his arm away from her. “My dad told me not to do that. But I am going to make you fucking pay.” 

She slammed the knife into his hand with a sharp, angry cry, more hacking at him than cutting, striking him again and again until she was splattered with blood and Cody had screamed himself to silence. Joel’s stomach twisted at the sight of it, the satisfaction at knowing Cody’s agony twinged with an ache of his own at the sound of Ellie’s pained scream. 

“If you’re just gonna let her fuckin’…” Tommy snapped, nudging Joel roughly to the side and stepping around him to wrap his arms around Ellie from behind, forcing her to still. She quieted then, no longer screaming and just sobbing instead. “It’s OK baby girl. C’mon, let’s get you cleaned up…” 

“No!” She tried to shake him loose but he held firm. “I want him to hurt! I want to make him hurt, I want him fucking dead, he doesn’t deserve it, he doesn’t deserve to live, he doesn’t…” 

“I know,” Tommy said gently. “I know. But you hear him? He’s passed out, you’re not gonna make him regret this any more than he already does and Joel’s gonna finish him. He’s not gonna live, OK? He’s paid for it, he’s hurt for it, it’s OK baby girl.” 

The knife slipped from her hold then, lying beside the mangled flesh and bone that had once been Cody’s hand. His pinky and ring fingers were completely gone. 

“C’mon,” Tommy said again. “Gonna get you cleaned up, let Joel finish the job, then we’ll get movin’. You’re OK.” 

He pulled her gently to her feet and gave Joel a deadly look as he passed, Ellie gathered against his side as he led her away. 

Joel knelt and picked up the knife, every inch of it splattered in blood now. He didn’t care. He took Cody’s chin in his hand and gave his head a sharp shake and the man gave a sharp gasp before trying to cough but choked on his own blood instead, his eyes opening slowly. He couldn’t even lift his head now, his eyes the only thing it seemed he could really move. 

“Wanted you to be awake for this,” Joel said, his voice a deadly calm. “Wanted to make sure you felt it. Wanted to be sure you knew why you were dying.”

Joel thrust the knife into Cody’s side, burying it fully between two ribs and twisting it there. His eyes went wide and his body thrashed as much as it could but it was a useless endeavor. He started gasping for breath, the gurgling sound of him starting to drown in his own blood overwhelming the sound of the woods around them as Joel pulled the knife from his side. 

“You could have lived, you know,” Joel continued. “Could have spent the rest of your years anywhere but Jackson, never would have looked for you. She asked me not to look for you, to just leave you alive. Felt like she owed you somethin’. Maybe she thought you’d been a good man once, long time ago. But you and me, we know the truth. You were never a good man, never had it in you to be good. You didn’t deserve her mercy so you ain’t gettin’ mine.”

“You…” he gasped and choked. “Promised…” 

“Promised what?” He asked. “To make it quick for you?” 

He didn’t give Cody a chance to respond. Joel just shrugged. 

“I lied.” 

He thrust the knife in between the same ribs on the other side, twisting it and pulling it free before wiping the worst of the blood on Cody’s pants and getting back to his feet. He put his hand in his pocket, the one that held the pieces of you. He traced your wedding band with his thumb, feeling your cold skin below his touch. How many times had this flesh laced with his? How many times had it tangled in his hair or squeezed his arm or touched his cheek? 

He held it himself now, trying to keep the pieces of you warm as Cody drowned in his own blood. His dying breaths were harsh and rasping and desperate, the last gasp of his mortality clinging to this life as though there was anything but pain to be found for him here. As if there was anything he deserved beyond pain. Just before the light left his eyes, Joel picked Cody’s fingers up off the ground and opened his mouth, forcing them inside. He stood back again, watching as he tried to take two quick, shallow breaths around them before going completely still. 

“Joel,” Tommy said from behind him. 

Joel looked down at Cody’s body for a moment longer. This man had hurt you, raped you, taken you. He was dead now, at Joel’s hand. There was justice in that. He spit on his body all the same. 

He turned to find his brother and daughter standing side by side, Ellie’s eyes still sharp but rimmed in red, her cheeks puffy. Both of them were wet, Ellie no longer splattered in blood. 

“We should move,” Joel said, stalking toward Cody’s horse. Tommy just watched him as Joel mounted up, the horse pawing at the ground for a moment as he got settled. He looked back at his brother. “If you ain’t got the stomach, Tommy, I’ll do this myself…” 

“I’m comin’,” Tommy said, going to another horse and mounting up, too. “Just hope you don’t get lost in the process.” 

Joel didn’t say anything. What was there to say? That the man he had the potential to be had left when you did? That, without you, there was nothing left to lose? 

He didn’t need to say it. Somehow, he was sure, Tommy knew. 

Instead, he nudged his horse forward, starting on the path given to him by the man he’d left in pieces on the ground. 

A/N: So Joel is pretttttttty damn feral at this point. I'm not sure I've ever written a Joel quite this unhinged and that's not even accounting for the fact that the juxtaposition between Jackson Joel and Feral Joel is pretty harsh. He's just gone, at least for now.

There are just three chapters left of this fic now (I think, the way some of this chapter flowed means it may grow to 41 chapters but I don't think so)! Next chapter is going to be a big one, one that's been building for the whole of this fic and I'm so excited for it. I hope you are, too!

Thanks for being here through this INSANELY lengthy journey both in word/chapter count and in time. It feels like we've been with Joel and Bambi forever and that's because we kind of have been - almost a year now! I hope you've enjoyed the ride. I know I have.

Love you!

Taglist: @ashleymsnodgrass@planet-marz1@kalea-bane @juneswonderlust @ilovepedro @h-annahayy @starstruckmusiciansartghost @beccerjune @mumma-moonchild @netonetoneto @mellymbee @purplelye @n7cje @flugazi @evyiione @randomhoex @aliengirl99 @orcasoul @reds-ramblings @pedropascalsbbg @fupoola @tinypotatothing @knopes-waffles @lilmizmoz @ayamenimthiriel @jenispunk @panda-pascal @sarap-77 @flugazi @your-slutty-gf @daniegraceg @partyofone3413 @cumberpegg @noisynightmarepoetry. @fifia-writes @grumpygrumperton @srmacaroni @txlady37 @bigboiseason123 @ashleyfilm @arizonadreamingg

[moonshynecybin]

okay i'm sorry for this but. you mentioning marc crying + showing hole on ig at the same time made me think. he would so be an overstimulation kinda crier.

he literally is thank you so much. genuinely before AND after reconciliation it’s like. he is genuinely crying by the time vale gets inside him. ummmmmm this got lawng. under the cut !

EYE think. marc has this insane ability to have this vice grip handle on his body and his reactions to physical input thereof… high pain tolerance high pleasure tolerance i would wager. think about how clear headed he is on track despite an INSANE amount of sensation and physical input and adrenaline… like it all speaks to his freak ass nature. you can’t just turn that shit off !!

SO it’s fun for MEEE to take that to its logical conclusion. sex with vale valentino rossi. where (at the beginning especially) he’s starstruck and responsive and sweet, but he’s also very clearly still ALL there. no getting lost in the hedonistic haze for marc— instead he’s absolutely DIALED IN on vale, cataloging information like a crazy person. he’s like. vale likes it when i move my hips like X and i incorporate more tongue here and just. trying to win at sex. make it good for vale make it good overall (ITS ALREADY INSANE MIND YOU). trying to get a good grade in fucking vale trying to WIN ! and i think it results creating a little competitive streak in vale where he NOTICES and. well he wants to make marc absolutely lose his god damn mind. and it’s not ONLY as a “winning at sex” kind of thing (trust that is at play. the crazy ego of getting there— the desire to see this hyper, neurotic, COMPETITIVE (a RIVAL. the fastest guy on track even !) guy CHILL OUT), it’s also coupled with grade A 100% pure and earnest horniness. crucially. it bothers him that his baseline effort gets marc there but doesn’t make him LOSE HIS MIND!! BEST HE EVER HAD!! crazy possessive streak he ABSOLUTELY doesn’t quite understand… he wants him to not be able to SPEAK… he wants the only thing swimming around in marc’s little intelligent fucked up noggin to be VALENTINO ROSSI in bright flashing letters… so. he sets about achieving that goal with typical rakish whimsy

so they fuck normal style and marc comes and it’s Good (knee wobbly) and he’s laughing like. jajaja okay now i will take a shower :3 and he’s got one knee off the bed stupid blue underwear in hand looking ENTIRELY too unruffled for someone who just got their back blown out by THEE valentino rossi… ass insane abs go crazy hair all over the place flush on his cheeks… just casually LEAVING the bed while vale’s still strung out breathing hard all sweaty from fucking and tangled in sheets lounging like a roman emperor. and that’s when the irritation meets competitiveness meets horny and some neuron fires in vale’s head and the switch FLIPS. and vale catches marc by the wrist. pulls him back. flips him against the mattress gets a thumb under his knee. marc shivers mouth like :o vale slings his legs over his shoulderssssssssss and he gets to WORK.

genuinely vale like. sorry nasty zone. getting him off as many times as humanely possible. relentless. fingers him blows him fucks him then eats his own come out of his hole absolutely NASTY. hickies on thighs thumbs on his nipple. marc doesn’t even know what to DO with all of it… and marc can handle a lot of sensation he LIKES a lot of sensation…. the things that would be WAY too much for normal people are justttt enough for our boy marc marquez… but his knees were jello forty minutes ago and vale’s got two fingers tugging on the oversensitive rim of his hole and his tongue is playing slick on the underside of his cock and vale’s STARING at him blue eyes clear and lasered in… and vale takes his other hand and presses his fingers, feather light against the outside of marc’s thigh, a caress, and marc is coming and his breath is catching and tears are hitting the light in the corner of his eyes like he’s an old hollywood star and he’s SO overwhelmed and loving it SO much and his head is EMPTY and he has maybe the most insane orgasm of his life. shoots all over his chest with a cracked open sob hands white knuckled on vale’s shoulders….. doesn’t leave the bed for ten full hours after that….

[cy-cyborg]

I'm getting a little tierd of the idea because amputees get more representation in media, it means rep for our disability is better and we "have enough"

People are right, we do have way more rep than really any other disability, im not going to deny that, and ive joked before about how often people write amputees without even realising it. So you would think, by sheer numbers, we should have at least some good representation, but by-and-large that is not the case. Legitimatly, the closest example I can think of to point to of good amputee rep is Full Metal Alchemist Brotherhood and even that uses multiple tropes I hate (the miracle cure/quest for the miracle cure, the almost perfect prosthetic replacement/forgetting the chatacter is an amputee until it breaks or needs repairs, refusal to call prosthetics, "prosthetics" (automail), the amputee who can't do anything without a prosthetic) and they call Ed a slur for another disability (m*dget) CONSTANTLY. I love fmab deeply, it legitimatly helped me feel seen and represented as a childhood amputee in a way no other show has even come close to, and when it gets it right, it gets it really right, but it's also very far from great and should not be the best example I can think of. Especially nearly 15 years after it released...

A big part of the reason why I don't read many books anymore is because of the sheer amount of books with downright offensively bad amputee rep, some of which were touted as good by people with other disabilities and were recommended to me as good examples. others times, I wasn't even looking for books with amputee/disability rep, it just popped up. It has ruined one of my childhood hobbies for me. Ive tried to get back into reading again as an adult but it hasn't gotten better in that time i was away. I was kicked out of 3 different scifi writing groups on facebook and reddit for asking people to remember "cybernetic enhancement" users are amputees - a real group of people, and maybe debating weather or not we're less human isnt great, and for pointing out seeing those discussions every day was making me feel pretty unwelcome in that space (yes i know, "real" cyberpunk isnt trying to say that, i had to turn notifications off on my post about the topic, it doesnt change the fact that newer creators in the genre dont seem to get that bit, that ive seen cyberpunk writers in these spaces say that debating weather people who loose more parts of their body were less human was, in fact, their intent but they hadnt even considered the fact this made their chatacters amputees, it doesnt change the fact that these tropes, intentionally or not, help make those spaces hostile for disabled fans/creators, especially amputees).

But yeah, I should be thankful I get more rep than other disabilities, no matter the quality, right?

It doesn't just stop at being me being made uncomfortable, though. The sheer, overwhelming amount of amputee chatacters with "perfect prosthetics" has had a noticeable impact on how we are perceived irl. In my lifetime, the general idea people have about multi-limbed amputees in particular has gone from "literally the worst thing that can happen to a person and the worst disability to have" to "is it even a disability? The prosthetic fixes it". These are both wildly untrue and harmful ideas about my disability that were both perpetuated by media, but now that the second one is taking root, it's causing real problems. I have not been shy in talking about how I have to fight to maintain my NDIS funding every time I get something done with my prosthetics, and had to get my prosthetist to sign off, twice, that my fancy prosthetic knee that costs the same as a higher-end new car ($125,000 AUD) is not, in fact a cure and I still need help with other things. It took me nearly 2 years to get a new wheelchair because they didn't understand why I needed it if I had the prosthetics - which to be honest, is not comfortable for me to wear, let alone use all day every day. Guys this isn't just assholes on the street or on twitter saying dumb shit, it's the people in the government body who decide how much funding I get to help with my disability who beleive it. People who have very real control over my life. It's not entirely the media's fault, but when the sheer, overwhelming majority of representation for people like me confirms that belief, it's hard to ignore the possibility that these portrayals are contributing to it, you know?

Which makes it so frustrating when I come on here and see other disability writing advice blogs saying to not write amputees because they have so much representation already. We do, I can acknowledge that, but the vast, vast majority of it is shit, and no one, not even other disabled people, are listening to us about it. And what makes it even worse, is the people they're advising to not writing amputees are the creators who care enough to be doing the research. They're the ones willing to listen, to ask questions. They could be the start of the positive change. But instead they're advised to not even bother with us.

And don't get me wrong, other disabilities ARE under-represented. There are so many disabilities, including some I have myself, that I've never seen represented as anything other than the butt of a joke. There does need to be more reprentation of disabilities other than amputation and limb differences. 100%! but can you please talk about that without saying "amputees have enough"

This isn't even touching on how amputees/people with limb differences who dont/cant use prosthetics, or even folks who use prosthetics sometimes but not others, are almost never represented unless it's for pitty-porn, or how the non-fictional media's (news outlets, etc) portrayal of amputees in particular is used to justify hurting very real, very vunderable people but this rant is long enough and honestly, ive got enough thoughts to make whole other posts on those subjects. That second one in particular deserves its own (more thought-out) spotlight and shouldn't be a footnote in a frustrated rant post lol.

[trans-androgyne]

hey, thank you for having and running this blog. you're doing the equivalent of gods work.

first, i'm sorry for the amounts of jerk anons you have to deal with. you literally articulate yourself very well and clearly, and still, people will find a way to twist it or not take it seriously. it reminds me of me "arguing" with terfs back in 2022 on twitter. (shudders.)

and second, how do you deal with the constant negativity? i have found myself doomscrolling the transandrophobia tag, and, well, to no ones surprise, my mental health is down the gutter. do you have any tips to deal with it? mainly with the transandrophobia in general? it is more than exhausting existing as a (gnc & enby) trans guy atm, and it's really getting to me. the thing is, I wouldn't mind it if it were non-queer bigots, but the fact it's coming from inside the community is devastating. i am more than hurt. this intense hatred for men and masculinity, queer, trans, or not, is incomprehensible to me. it never does anything good. anyone who says "i hate all men and anything masculine" is definitely going in the "yep that's either a radfem or a radfem hatchling" box. i partially understand as to why- i had a fear of men myself when i still identified as a girl, and slipped into the "all men bad. kill" side of the internet for a short while but ONLY because of this rhetoric ("you need to be afraid because there are men outside." , "men and masculinity are inherently predatory or dangerous")- but i got out of it because i saw how fucked it was eventually (thank goodness)- but nothing should ever be an excuse to excessively hate a gender or masculinity this badly. and its mostly gender essentialist bs anyways imo, so i do not understand it at all...it reminds me of people saying men/mascs cant be asexual because it's "in their nature to be sexual"- because testosterone. its hard. i just wish we all could respect each other. you're either "one of the bad bad evil men" or "noooooo not YOU. you're AFAB!! never!! youre a girl/woman in spirit!!" from my personal experience with terfs/radfems/idiots.

anyways, sorry for invading your anon space with this long rant, but i just wanted to leave this and the question. i hope you have a nice day/night, and thank you for reporting on transandrophobia as much as you do. it's sadly very much needed right now.

Thank you so much, this is such a kind ask to receive. To be honest with you: I don’t handle my mental health very well around it </3 It’s weighed on me pretty heavily these last few months especially. The things keeping me running this blog anyway are my passion for the transmasc community and lovely anons like yourself cheering me up. When it comes to trying to manage it, the most important thing for me has been finding people I can vent to about it who will understand. I’m lucky enough to have a wonderful discord server full of awesome trans people who will talk it through with me, and that’s been a life-saver. Staying offline for a bit and trying to engage in person with people who are unlikely to be transandrophobic towards you can be a nice relief. I catch myself doomscrolling constantly too, and it doesn’t feel great. If you need to set some sort of time limit on your phone even just to remind yourself not to do it, that’s helped me before and might help you too.

Having this much hatred levied at me for my identity from my own community lately has been devastating. I completely understand you. I’ve always been vocal about supporting transfems in particular, so it really hurts to see so many turn against me for speaking up. I understand how the queer community got this way, though. Antimasculinism has been an issue in queer and feminist spaces for ages. I think people are starting to notice it more and understand why it sucks and how much it negatively affects trans men and mascs. It feels like a losing battle sometimes with how much cultural feminism — the Men Bad Women Good flavor of pop feminism — has pervaded our communities and often led to very overt radical feminism that people still can’t always recognize because they don’t know anything about TERFs outside of them hating trans women. I believe the culture will start to shift soon such that people are able to recognize sexism and gender essentialism that harms all genders, and I will be doing my part to help that happen.

[cooloddball]

Ok, so I would like to throw in my opinion on the "fell first/fell harder" Lestappen take.

Let me preface this by saying I'm very new to F1 racing and am learning quickly about the sport and the racers (and falling absolutely in love with all these adorable goobers too!)

I only looked into it because a coworker of mine is in love with Daniel lol. In searching Daniel I found a pic of Charles and was IMMEDIATELY like 👀👀 'Damn ok I see you, gorgeous, who are you??' And in searching him, I saw MANY pics of him and MAX.

In lengthy conclusion, MY hot take is this: Max fell first in a heavy moment of bi panic. Let's face it, Charles is the kinda guy that could definitely make "straight" men questions themselves for a hot minute. I can FULLY see, understand, and sympathize with the idea of Karting Day Max being genuinely confused about what exactly it is he's feeling for Charles because, no, absolutely NOT is he attracted to boys! (Read: his dad would probably get pretty pissed to hear/know his champion racing "straight" son has a huge boy crush on his rival of all people)

So it's treated like an early school crush where you're young and immature and kinda mean to them only because you don't want them to know you actually like them, y'know? Plus, he has to be a bit ruthless! This is his rival, for corn's sake!

Flash forward, Max goes to F1, his crush probably simmers/dies down now that he's got all new focus. In comes Charles to F1 bringing all those emotions and memories back to the surface. But Max is determined to stay focused this time. And in this time I believe is when Charles starts really dealing with HIS side of the crush because look at (his) Max now! All grown up and racing in F1 and giving him a serious run for his money and looking damn fine while doing it and Charles has trouble not letting it effect him.

Eventually time progresses, they grow and mature and come to realize they're both equally deserving to be where they are at and they're both amazing drivers and Max has now allowed himself to start letting go of the school yard crush tendencies and started really appreciating Charles for who and what he is. I think he's now allowing himself to just enjoy being with and around Charles. He's come to realize he LOVES the giggles and the dimples and the shimmer in the sea green eyes and, hey, Charles is a damn good driver so why shouldn't he be honest about that and tell the world?

I look at his body language and how he acts and speaks around Charles (and vice versa) and, for all the years they've known each other, they're still so bashful and giddy around each other. I've noticed that when Charles might be giving an interview, Max will just walk over and start talking, and Charles gives him his FULL attention despite the fact he was originally talking to someone else first. Maybe Max and Charles can't have each other romantically, so they take the best they can get.

I'm so sorry for such a long (and probably confusing) rant but I've really no one else to talk with about this and I'm OBSSESSED with their obsession with each other that I could go on for literal HOURS about these two lovesick knuckleheads 🥰🥰

no apologies needed i love you and this ask because long asks are the best. i also like the fact that you are of a different opinion because we can’t all see things the same way.

as for the who fell first vs who fell harder i get why you see it that way but from my side i feel charles fell first because that’s who he is, like it would take something very little to happen for him to get a him to like something/someone and he loses interest just as quickly. meanwhile max is the kind of person who takes his time to understand things/ people and it takes a while to like these things/people but once he’s in it’ll take a lot to get out/dislike something etc.

also, as i mentioned in an earlier post, it’s charles’ “hostility” towards max when they were younger that did it for me. like from the lore we have there’s nothing that max could’ve done that warranted charles disliking him so much. and no, charles got his revenge for the inchident. i think charles realised he had a crush and max was oblivious (at first) because all he was focused on at the time was racing (thanks to jos 😡) so he probably didn’t care to form many relationships/friendships with the other karters which probably made charles feel some type of way like max didn’t care enough to like him so he decided “if it’s only racing you care about i might as well give you something to remember me by” so he focused his energy on racing against him and just outright being a track terror. little did he know that’s what max needed to steer him to liking him (charles)but it was too late, max had a target on his back…and here we are.

if you ever want to talk about them, i’m here to listen and offer whatever take.

[d1sc01nf3rn0]

I'm seeing a lot of people with neurodivergency, specially under the autism spectrum say that "Laios is annoying, never shuts up, is insensitive, and I can't stand him"; and the irony is not lost on me lmao.

[taegularities]

being here has never felt this suffocating.. it feels impossible sometimes to continue

[tendercoretroglodyke]

I have some kind of weird evil wizard curse on me where I feel deeply sad and uniquely horrible when my beloved bestie roommate is home but feel Normal and Emotionally Regulated when theyre out like literally what is wrong with me good GOD get that girl some therapy !!!!

[nerdnag]

I hope everyone who reads this is having a better day than I am 🙏

[savage-rhi]

I'm very much a, "fuck yeah and fuck you, I don't need validation! I'm me, cunts!" kinda fella, but sometimes I could use support.

[mrfoox]

When I realized many people (mostly dudes in my life) see and think of the world as facts and not attaching their opinion to it... I am doing better at understanding them

[unproduciblesmackdown]

that moment when: everyone's lives are restricted and constricted and these imposed consequences are attributed to anyone's continual individual failures to seek, find, and follow the Correct Path through Life, and so everyone is left on their own to only be seeking & finding these failures as well as the only answer to how their lives can be better....versus Not seeing the world as the free marketplace meritocracy of everyone's personal failures/successes, nor everything in your own life, and thus not forever having to scrutinize Where You Must Be Bringing It Upon Yourself by fucking up or at least failing to do the correct thing, and exist only in perpetual punishment for your ongoing failure and occasional temporary reprieves from it. recognizing everything that wasn't & isn't & wouldn't be [this is because you're bringing it upon yourself] and thus having more capacity & capability to look at the realm of your personal individual self, reality, experiences, life through the perpetual instances of seeking, finding, and following your own needs/wants through one's inherent personhood and exercises of autonomy and recognition of where & when & how one recognizes moments of their existing freely & in more resonant genuine alignment with themself, you know? endless examples to be found in endless fractals of [where & how are people's lives made smaller]. and that of course this doesn't preclude the ability/option at any time to question one's choices, since you'll be able to find more Actual choices available to you (and, also crucially, find more actual choices made by others that are in the pursuit of limiting Yours) to look at, and people getting to exercise their autonomy isn't the same as "everyone doing anything they want regardless of how it affects others" since that [how does it affect others?] element instead being Regarded would be able to lead to recognizing that, in fact, an effect might be the infringement on others' autonomy, hence: There's A Problem....like the ability to just go ham with [questioning???] anything in existence, certainly including oneself, b/c the "norm" is such that rather you're only supposed to be able to question yourself for your failings (or those positioned as less than, thus, beneath you) and not even have the language to express a questioning of aspects of life beyond that b/c stop calling anyone "cis" they're just Normal, Just Be Normal and it would all be fine

[brothersonahotelbed]

when you're talking to a trans person about their identity & the way they view themselves, there comes a point when you really just need to take a step back and say . i will not, and probably never will be able to understand exactly what this person is feeling. i need to accept that, as much as i want to interrogate and question and throw hypotheticals into the air like they're rice at a wedding, i won't understand what they're going through. i just need to trust that they understand themselves enough to make decisions that are good for them.

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[inkskinned]

it's been said before and i'm sure said better than i can phrase it. but really, really - if you like making "i'm going to kill myself" jokes, please try switching to being ironically conceited instead.

anytime something goes wrong, say things like "ah well at least i'm beautiful and charming and everyone loves me." when you forget something, try "my big huge brain is so smart and thinking about too many other very big wizardly thoughts you wouldn't even understand." when you're frustrated by one of your symptoms, start talking like you're in My Immortal. "Life has come for me but my eyes are beautiful pools of gorgeous fire and my hair is amazing. I stuck my middle finger up at life and told it to fuck off and it did."

just... try it for a month or two. try saying the most absurdly self-congratulatory shit you can think of.

i know it's tempting to make suicide or self-harm jokes. and for me at least, a decade ago (!) when someone suggested i stop making those kinds of jokes, i was kind of at a loss for what to replace them with. i wanted to make light of these moments, but genuinely (at the time) my first thought really was suicidal ideation. there was a part of me that even felt like ... i was kind of "making light" of that voice. that if i could say i want to die lol, it would help take the sting out of that genuine (albeit passive) desire. like i could turn my illness into a joke.

when i started complimenting myself instead, it felt awkward and stupid. it felt really, really ironic. what i was actually saying was nobody would ever think this stuff about me, that's what makes it so fucking funny.

but. the effect was immediate. first thing i noticed was the people around me. when i dropped a glass and said ah my skin is too beautiful and sleek the glass has swooned and broken for me, other people were suddenly overjoyed to jump in with the joke. rather than making an awkward moment, we'd both start cracking up. ah princess sleek hands, i've heard of you.

i was 19. i hadn't noticed i'd been making others tense when i said i want it all to end. i know now that it's incredibly hard to know how to walk that moment - do you talk to them about your concern? do you potentially make them uncomfortable by asking if they're okay? do you ignore the situation? do you help them pick up the glass, or do they need to do it by themselves? are they genuinely made suicidal over this small moment? and most importantly, how do you - without professional training or supplies - actually help?

most people want to help you pick up the glass in your life, they just have no fucking idea how to do it. they don't want to make anything worse. they don't want to make assumptions about you. they love you, they're scared for you - and being scared makes people kind of freeze up. it's not because they don't love you. it's because they do.

now when something bad happens, my first thought is how can i make a stupid joke about this. it isn't my brain saying you're a dumb fucking bitch. i spend more time laughing. i spend more time being gentle with myself. i spend more time feeling good.

and the thing is - what's kind of funny - is that you'd be surprised by how many people agree with you. the first time i said i'm too pretty to understand that, someone else said to be fair you're the prettiest person in this room. i promise - you really don't know how kindly your friends see you. but they love you for a reason. they sort of reverse-velveteen-rabbit you. your weird and ugly spots fade away and you just become... the love they want to give you.

go love yourself ironically. the worst thing that happens is that you end up tricking your reflection into actually loving you.

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)