#IN DEATH

[christadeguchi]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[ochibrochi]

🐣 ok we are so back………..

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[ominouspuff]

Reflection / Reflecting

Completed request for this

Requested by @blackat-t7t - palette #5 - Savage & Maul - Nature Settings to Rouse the Spirit

Thank you for the request, @blackat-t7t ! When you put in Maul as an option for this palette I got so excited, this was such an interesting one. Enjoy!

Taking my time with these, still planning to finish them all.

[tossawary]

Bail Organa is barely in "Revenge of the Sith" and he's such a badass in those few moments that it's wonderful. The Jedi have been declared traitors? Better go pick some Jedi Council members up personally and smuggle them onto Coruscant to destroy the trap beacon. Yoda tries to assassinate the new Emperor? Bail Organa is waiting solo outside in the getaway speeder, giving free taxi rides for people trying to kill dictators. Anakin Skywalker has turned to the Dark Side and killed Padmé? Better adopt and raise Darth Vader's daughter with unconditional love. And after this movie is over, Bail is apparently going to go right back to work in the Imperial Senate while helping to found the Rebellion, because this superspy does not fucking blink.

[rin-may-1103]

The Disappointment.

This may or may not have multiple parts, depending on whether I feel like writing more. (dcxdp, demon twin au.) also based on some post I read a while ago... can't remember for the life of me who wrote it but if any of you guys do, let me know.

"This way," Mother hissed, snatching Danny's wrist tightly. Damian lagged behind, twisting his head this way and that, keeping an eye out for anyone following them.

"Quick now, we must hurry." She hissed again, her eyes darting back and forth, eyeing the small nicks and scratches she had left previously to lead them away.

Danny glanced back at his brother, watching as he scowled and defiantly lifted his head. His baby brother would die before he allowed anyone to see him defeated.

Glancing back to the path, Danny watched as Mother took down anyone who was in their way, killing without hesitation. As he watched another body hit the floor, Grandfather's muttered words from when he left dinner, ran through the back of his head, "Bring the disappointment to me after sundown. I've seen enough."

There was nowhere in the world they could hide that Grandfather wouldn't follow. They would be hunted for the rest of their short lives, hiding in fear like cowards. Grandfather would not rest until he drew blood.

"In here, Habibi, quiet now. Quickly, both of you." Mother finally let Danny's wrist go, darting across the hall to open the secret door. Danny moved to the side, signaling to Damian that he would keep watch. His brother nodded his head and quickly made his way over, ducking into the small, dark, and eerie corridor.

Mother crouched next to Damian, running her hands over his face like this would be the last time she would see it. knowing her, she probably expected it to be. No one went against their grandfather without severe consequences.

Glancing over his shoulder, Danny studied the shadows; there was a lookout patrol moving closer, which meant they only had a minute before they were discovered. Gritting his teeth, Danny darted across the hall, but instead of joining his mother and brother in the dark corridor, he pushed the wall back, leaving only the missing brick his mother had initially taken out.

"Danyal!" his mother hissed, her voice full of stern panic.

"Apologies Mother, but I can not let you do this," Danny replied, glancing to the side to see how much time he had left. Forty seconds. Crouching down, he picked up the brick and looked back at his mother. Damian stood next to her, his brows furrowed in confusion. Obviously, he hadn't figured out Danny's plan, otherwise he would have started shouting at him.

Mother stared at him for a second, her stern eyes wavering for the first time in Danny's life that he could remember. "Take care of him for me, keep him safe when I can not," Danny asked, grabbing the hood hanging around the back of his neck.

Mother's eyes teared up, but she straightened her back, her black hair framing her pretty face. "You've made up your mind then," she said, her voice low and steady. She rested her hand on Damian's shoulder, giving Danny a nod of understanding. "You are like your father, his love makes him weak."

"But," she continued, kneeling down in a bow, "You are of the demon's blood, it runs in your veins just like mine. Your actions will not be forgotten, nor will they be for nothing. You have my word, tifl alqamar. I love you, Habibi."

Danny nodded his head, unable to voice the thoughts clogging his throat. Instead, he took a silent breath, pulled his hood and mask into place, and shoved the final brick into place. Sealing off his precious family just in time to hear the guards around the corner.

Turning around, Danny silently stalked forward, drawing his shoulders back. The group rounded the corner and stopped, watching him in anticipation. Pitching his voice just slightly to the left and rolling his tongue, Danny spoke in a neutral voice, "take me to grandfather."

The two guards in front shared a look, but the ones in the back straightened up and moved aside. Marching forward, Danny passed the two hesitating guards and with a quick slice, brought them to their knees. He needed this to work, there was no room for mercy, no matter how much he hated it.

"I am the grandson of the demon head, you will respect me as you respect him. there will be no next time." Danny continued walking, pretending to not care if the two managed to follow or not. the remaining guards trailed behind him, silently observing him.

Danny was glad Mother had insisted on them matching today. otherwise, his plan would have failed long before he made it to his grandfather's door.

Stopping in front of the painted carved wood that was grandfather's door, Danny idly studied the carvings and statues around the grand hall. He remembered all the stories of how grandfather had collected them over his lifetime; grand stories of bloodshed and cunning manipulation.

His eyes settled on the one farthest away, with the least interesting story. It was considered ordinary, placed next to art worth billions. But it was Danny's favorite. It was a simple green crystal, carved like a crescent moon.

so simple, yet the most beautiful piece in Danny's opinion. He had always hoped he would die beneath the stars and his ever-faithful friend the moon. Maybe, instead of beneath them, he could die amongst them.

He would take it with him, he decided.

Turning sharply, Danny marched over to the small pedistal and plucked the crystal into his hand. Wrapping his fingers around it, he shoved it into a side pocket and returned back to his position.

They only had to wait for another minute before the door opened, grandfather's servants clearing a path for Danny to walk through.

"I see your mother did not drag you away," Grandfather mused, sitting in his large chair. His dark eyes studied Danny's form, taking in the katana on his back, and the hood and mask concealing his face. He was dressed like he would for a mission; no discernable features, no sign of who he was or wasn't. The perfect image of an assassin.

"at least you aren't a coward," Grandfather hummed, standing from his seat. He slowly pulled out his own katana, aiming it at Danny in a challenge. "no, just disappointing. but you are my blood and that earns you the right to die an honorable death. Draw your sword child, and fight like the warrior you are."

Danny bowed like he had been taught, then without another moment of hesitation, drew his sword and lunged.

He wished he could say it was a drawn-out battle of strength and minds, but it was not. for Danny was only ten years old, and his grandfather had hundreds of years of training and discipline behind him.

he gazed up at his grandfather as his knees hit the ground, his katana dropping to the ground as his hand reached up to the sword impaling his chest. Grandfather's eyes were filled with nothing but contempt, contempt for the useless boy he had just sentenced to death.

but his contempt did not bother Danny, no instead it drew a smile to his face. As much as Grandfather lorded his sharp mind over them, he had never been able to stop Danny from surprising him. So, with a burst of adrenaline, Danny allowed the small shuriken he hid in his sleeve to drop to his left hand and buried it deep into his grandfather's chest.

grandfather lunged back, pulling his katana with him, removing the only thing keeping Danny upright. Danny's body hit the ground, and with the last of his strength, he twisted his head so he could listen as his grandfather cried out in anger.

Grandfather's breath was heavy, the sound of him removing the dagger filling the silence. the shuriken was dropped to the ground with a sharp clatter, falling just a few feet from Danny's face.

"you," Grandfather huffed, "aren't such a disappointment after all. I'll grant you one last honor and keep you in the family tomb. Rest now, Damian, you have fought well."

Danny smiled, the cold feeling of blood loss crawling through his body, but not fast enough to block out the pressure of the moon crystal still in his pocket. He hoped Mother had gotten Damian out in time, and he hoped Damian could forgive him for what he had done.

[fizzlo-and-the-cubes]

guys help i spun "ATLA Bloodbender Chayanne Who Is Afraid Of His Abilities" around in my head too fast and it turned into this. 'This' being "Former Warlord Phil Doesn't Know What Decade It Is And The Orphan Kids That Follow Him Around Have SO Much More Money Than He Does ($5.36). They Keep Calling Him Dad. And This Random Spirit No One Else Can Tell Is A Spirit Keeps Giving The Three Of Them Food. It's Hella Sus. Help Him."

Edit: alright i made a follow-up you can check out here

[captainmera]

"ℙℍ𝕀𝕃𝕀ℙ---!!!!"

ᴬⁿᵈ ᵗʰᵉⁿ ˢʰᵉ ᶜᵘʳˢᵉᵈ ʰᶦᵐ ᵗᵒ ʳᵒᵗ.

[tenowls]

teacher getou au...... wauh

[stere0typical]

they should invent gay people that can effectively communicate with each other

[mildarka]

Big fan of immortals finding joy in very mortal things... like mcdonalds

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[p1xzels]

i never realized light holds L’s hand but not misa’s ohhhhhh I’m sick. I’m sick

[megamagimugi]

I Was-a Too Late

CW: blood, implied character death(s)

[insert your favorite Mario game over jingle here]

I have nothing to say for myself.

I'm so sorry.

@wahooitsamee @peaches2217 You guys seemed interested, so... enjoy?

EDIT: I have a Luigi version (well, sort of) now too, called He's-a Gone if anyone's interested!

[demigods-posts]

imagine a world where the heroes of olympus series was one big crossover. a world where we meet an eleven year old boy named jason, no last name because it reminds him of his mother — a drunk who literally threw him to the wolves as a toddler. jason, who's earliest memory is chewing on a stapler and his older sister tending to the wound on his bottom lip — but he hasn't seen or heard from her since they were separated years ago. jason, who grew up reaching for the sky like a purpose, desperate for a chance to prove himself. jason, who fought to save the world at fifteen years old. and jason, who finds himself in the grand canyon four months later with no memory of who he is or where he came from, feet away from some frantic sixteen year old girl in search of some dude named percy jackson. imagine what this could have been.