#ITS GOOD IGNORE ME

[charlesemersonwinchesteriii]

STARKY THE TRAILER

DO YOU KNOW WHAT IT'S LIKE WHEN YOU DON'T KNOW ANYTHING

A T A L L

AND YET YOU'RE TOTALLY CERTAIN THAT

EVERYTHING WOULD BE BETTER IF YOU WERE JUST NEAR

ONE

PARTICULAR

PERSON

[hinamie]

long way home

[ilynpilled]

it frankly pisses me off that what is essentially “rapists and abusers should be depicted as monstrous caricatures because humanizing them is inappropriate” is considered a very moral and enlightened position to have on art by so many people. a rapist can feel pain, have moments of vulnerability, be amiable and charming, express remorse and compassion at times, be a victim themselves, and so on in real life. they are even capable of doing good things. they can have different sides to them and have individuals in their lives that they are kind to or have a decent relationship with. they will be a human being, and that fact encompasses a lot. conflating that with the claim that they are entitled to and deserve forgiveness or absolution is an issue. nurturing a mindset that believes they need to be one note and uncomplicated to be a correct and tasteful depiction of a rapist inadvertently falls in line with the logic of “how could they have possibly raped you? they are so normal and kind to me. they did all these good things here and there.” ok that doesn’t change that they are a rapist.

[tianhai03]

i watched re death island today!!!!!1 it was really good!!!!!!!!! had to draw smth to celebrate :)

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[choccy-milky]

another batch of MCs as thanks for drawing clora!!🧎‍♀️🙏TY AGAINNN I HAD A LOT OF FUN DRAWIN ALL UR CUTIES🥹💕 (in order: @kerimcberry / @noelles-legacy / @lara-kaminari @serpentsillusion / @slytherincursebreaker / @kaviary-blog @4ever2000lover / @bassicallymaestra )

[iooiu]

playing around with future donnie’s design and all i can say for sure is this:

1) lose an arm gain three

2) dies

[bread-wizards]

I actually think Dorian and Orym should fight more.

Remember when their slowly building tension over and entire episode (full of passive aggressive remarks and blame throwing) led to threats? And how after, Orym thanked Dorian for handing over the crown sadly because he knew Dorian would be mad at him? And Dorian couldn't even look at him because he was legitimately hurt, thinking Orym was disappointed in him for doing what he thought was right? That was peak.

The fact they went from that to their current closeness and trust is the best part of their entire dynamic. Their relationship was hard fought and still will be. They will fight for it because they respect and care for one another deeply, and their disagreements don't change that, only improve it.

[joayoscorner]

nightmares

[myoonmii]

I keep thinking about Merlin’s love for Arthur and how it’s so clearly portrayed in the show to the point that it practically drives the plot of the show. However when it comes to Arthur’s love for Merlin it’s more subtle and sometimes difficult to even grasp, and I started thinking why that was, aside from the obvious fact that Arthur has a lot of trouble expressing his emotions affection or otherwise. I think it also lies in the fact that Merlin knows Arthur intrinsically throughout the show; he is one of the closest people to Arthur, and sees him for who he really is. Arthur admits as much.

Sure, Arthur knows Merlin but the main part of the plot is that he really doesn't know Merlin. Merlin wants him to desperately understand him and “see me for who I am” but he can't yet. And I think this subconsciously creates a barrier in the way in which Arthur can care for Merlin, and how Merlin can let himself be seen by Arthur.

Which is why I think he was also so hurt when the magic reveal happens because more than the betrayal of Merlin having magic, it was the betrayal of Merlin not letting Arthur see him for who he really is and for hiding a main part of himself. Arthur says it himself “why did you never tell me” that’s what hurt him the most.

I think the most damning piece of evidence for this is the fact that while we see snippets of Arthur’s feelings for Merlin thought the show, the biggest signs are in the last episode after the magic reveal; in which he finally gets to understand Merlin, and this time REALLY know Merlin, and as the barriers of what held them back from understanding each other truly fall away, Arthur evidently “falls in love with Merlin all over again”. We see him actually express himself to Merlin.

This is another reason why I think if anyone was ever to create another season of Merlin after Arthur’s return, it’s physically impossible not to make it about Merlin and Arthur acknowledging their feelings for each other. Because there is no way forward without them acknowledging how deeply they care for each other, obviously anyone is free to argue what kind of love that is, but its impossible not to see the deep love there either way.

They always knew they loved each other, just maybe never realising how much and what that means, because its almost second nature to everything that they do.

[expolikestoart]

. I may have gone a bit crazy but also. why would scar say this/lh

outfit is based off of a skin by @ink-ghoul

[guinevereslancelot]

what was with cameron house md she spends 90% of the episode saying she wants their patient to die bc he's a genocidal dictator and her colleague husband says "babe it bothers me for ethical reasons that you want our patient to die :(" and she said "hm maybe you're right :/" but when it comes down to it the genocidal dictator lays a finger on her in an aggressive manner and chase instantly commits medical malpractice to murder the guy and then when he tells her she LEAVES HIM bc boo hoo he's a murderer now like GIRL he killed a man for you!!! he's wracked with catholic guilt!!! he's being crushed beneath the weight of his sins because he chose his devotion to you over his devotion to god!!! he literally could not get any sexier at this moment in time!!!

[hinamie]

brighter days ahead

[actual-changeling]

no but i'm still thinking about this post and now i want a fic that's just duke of hell crowley and archangel aziraphale somehow always ending up in the elevator together, having a silent fight over whether they go up or down first in the mornings and tense silence in the evening when they both return to earth.

because they're not talking. about any of it. aziraphale is in the bookshop with muriel whenever he goes back to earth and crowley has his (renovated) flat. it's horrible. they miss each other. crowley refuses to cave and it's a matter of pride, spite, and heartbreak he needs to process. aziraphale still went back to heaven, even if he's technically 'living' on earth. he went back to hell because fuck it, he might as well try to stop the second coming himself.

it starts slow. aziraphale brings him a coffee one morning and crowley looks at it for a long while before taking it just before he gets off. crowley brings him a muffin the next day. they do small talk, they begin to say "good morning" and "see you tomorrow" and most of it is lingering looks and almost-touches, but it helps.

then one evening, late, later than usual, they're both exhausted and had horrible days caused by the same bureaucratic bullshit, and when they part in front of the pub, aziraphale hesitates.

nightcap? he tries to smile, tries to not seem too hopeful, tries to ignore the way his heart beatsbeatsbeats.

sure. crowley decides one drink can't hurt.

(it's not just one drink. it's a bottle. they talk about nothing important, complain about work and idiotic celestial beings.

two bottles in, aziraphale grows brave.

two bottles in, crowley grows desperate.

crowley, he says in that tone of voice that means something big is about to follow, and he cannot do that, not tonight, not yet. so he kisses him, leans into his instincts to shut him up, and as it does, one thing leads to another, and the next morning the elevator ride is awkward.

they both come out of the bookshop. not a single word is spoken.)

two things happened that night, and i have only told you about one of them, but it's the other one that changes things.

they figure it out eventually, they always do, but for now their fingers brush when they both try to go for the buttons, and crowley flinches back like he's been burned. aziraphale swallows apologies and tears, and, after a moment of thought, presses 'down' first.

it's a start.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[ipostmysimpingstuffanonymously]

My entry for the SatoSho Discord Weekly Prompt: Just Friends