#It's been years and I still hate them

[uncompromising-villainy]

When you're out of a toxic relationship and you realize you were both throwing hella red flags the whole way thru.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[melancholyfleurs]

orgasming just from the feeling of my clit brushing against my strap combined with the overwhelming rush that came from pleasing and taking in the naked form of one of the most gorgeous people i ever met underneath me will forever top the list of most mind blowing and pleasurable things i have experienced in this lifetime

[stealingyourbones]

Submitted Prompts #160

I was listening to that song "Space is Cool" that a fan made with Markiplier videos (what can I say, the music is really good).

And it reminded me of Danny, who's also so very in love with space.

And now I'm getting a clear mental picture of Danny full-on GUSHING about Space, in a sort of Outside POV thing.

Like, a Danny who's going to Uni in somewhere like Gotham or Star City, and got into the Astronomy club. And their "recruitment video" is just the cute freshman who adores space and will take any chance he gets to gush about it.

There's a lot of shots zoomed in on his pupils doing the cat thing of going from slits to big pools of black (like a black hole at the center of a galaxy) and his freckles start glowing in constellation patterns.

They go on an outing to the nearest Observatory, make it a sleepover thing, and sleepy Danny stretches and howls like a star, flops onto the nearest classmate and Club Member, and starts purring whenever they pet him.

He may be a meta, but they'll be damned if anyone blabbers to Batman about it.

Cue one Conner Kent coming to Gotham to tour their University, to pick where he wants to go when it's his turn next year, and find himself sitting next to Danny when he goes off on a rant about some deep space scans that caught images of Krypton before the explosion.

When asked about his opinion on the Supers, Danny, who's gotten so used to casual affections being directed towards him in the form of head scratches and hugs (they make Danny purr and light up in all kinds of patterns, so the club members do it as often as they can), pats him on the head and quietly praises Superboy for all the important work he does, and how his cloned little sister has always seen him as a mark that being a clone means nothing in the grand scheme of things, and it's who you are that counts.

Conner goes back to his parents in happy tears and with an invitation to attend Gotham U if he so chooses.

[waveoftheocean]

06.10.23 happy birthday iwa-chan!! sorry for inflicting paperwork on you for your bday but at least you have oikawa to help (coughdistractcough) you 🥰

[firstkanaphans]

I dream of a future where people who don't like GMMTV BLs stop watching them

[pinkd3mon]

Gardening pals

[royalarchivist]

Fit: Where are you, Pac? I got you, I got you, I gotchu!

Pac: I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...

Fit: No, you're not in heaven yet! You're not going to heaven, no no no–

Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...

Fit: Stay with me, stay with me! Stay with me.

Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.

Fit: You're good, you're good.

[Full Transcript ↓ ]

—

Tina: Wow, the radius for that is huge.

Pac: [Steps on a mine and gets blown up] Whoa!

Fit: Oh, those are all mines, arent' they? Those are all mines, you bastard.

Aypierre: Let- let- let me fix this road... [He starts placing blocks]

Foolish: See? This is why mines need to be allowed, they're too fun.

Fit: [Laughs]

Pac: Yeah, actually.

Aypierre: Look, look– it's perfect, it's perfect.

Pac: [Steps on one of the blocks Aypierre placed, which was a mine, and immediately blows up]

Fit: Pac! No, Pac–! NOOO!!!

Pac: [Laughs and then shouts at Aypierre]

Aypierre: Where are you, Pac?

[Time skip]

Foolish: Did you get your stuff, Tina?

Tina: I will... I'll find a way... [She steps on a mine and blows up] AAAAAAAAA–

[Fit and Pac laugh]

Tina: PLEASE!

Fit: Those are all mines!

Tina: No, please! My stuff! I gotta go– [She gets lit on fire and screams again] PLEASE!

Pac: God damnnit!

Tina: Please, I just want my stuff back!

[They all laugh]

Fit: Jesus.

Tina: I'm gonna go get it! I'm gonna get it! Aghhhh–

Foolish: [Jumping in after Tina] Wait, there could be another landmine!

Tina: I want my things, Foolish!!!

Pac: [Jumps in too and steps on a landmmine, which immediately downs him] AAAAA!!!

Fit: Sht– Where are you, Pac? I got you, I got you, I gotchu!

Pac: [Overlapping with Fit] I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...

Fit: No, you're not in heaven yet! You're not going to heaven, no no no–

Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...

Fit: Stay with me, stay with me! Stay with me.

Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.

Fit: You're good, you're good.

Tina: Oh god... I'm scared, I'm scared!

Foolish: You did it!

[puns-and-musicals]

I headcanon that Ford’s eyesight is really quite abysmal which makes getting his hair cut a huge problem. On top of being an inconvenience and a waste of his precious time, he’s giving complete control over to a stranger for the entire duration, Long story short, Stan got pretty good at cutting hair, before he was kicked out.

When Mabel finds out she insists he cuts her hair, and when he gives in he does surprisingly well, topping it off with a headband of her choice, of course.

Dipper absolutely refuses to let Stan anywhere near him with a set of scissors, which is fair enough all things considered.

During his time through the portal, Ford cuts his own hair when it gets too unruly but never quite gets the hang of it. He spends 30 years on the run in dimensions of varying levels of hostility where the idea of letting someone hold a blade to his head is foolish at best.

When they leave on the Stan-o-War II, Stan packs his clippers and a cheap pair of barber scissors. He isn’t really sure why, but it feels important, somehow.

[brother-emperors]

It’s a little bit ‘I was the match and you were the rock, maybe we started this fire/We sat apart and watched all we had burn on the pyre,’ and ‘Do you understand that we will never be the same again?’ from Bastille’s The Things We Lost In The Fire

and a little bit:

‘A l’instar de son aîné, Caius Antonius sait se montrer délicieux. Il est cultivé, intelligent, plein d’esprit, gracieux, amiable. Surtout, il appartient à la même génération que Brutus, au même milieu. Depuis le départ de Cassius pour l’Orient, il y à quatre mois, Marcus a vécu avec des hommes dont il pourrait être le père, ou avec les soldats, des bas officiers plus âgés mais qui ne sont pas de son monde.’

and also

‘En juin, Cassius a enlevé Laodicée et définitivement défait les forces de Dolabella. Jugeant les autres à sq propre mesur, le beau Publius Cornelius s'est souvenu de ce qu'il avait fait subir à Trebonius…Cassius passant pour un homme violent et rancunier, pour un ami fidèle aussi, Dolabella s'est dit qu'il allait payer la mort horrible de l'ancien gouverneur.’

Brutus: Assassin par idéal, Anne Berner

actually it’s mostly about how my entire playlist for the road leading up to Philippi (after both Brutus and Cassius leave Rome after the assassination of Caesar) is Bastille’s Bad Blood album on repeat. I want their relationship to get messy. There’s another version of this scene that gets a lot more teeth to the subtext of the conversation, but I wanted to play around with it first before committing to like. room layouts. there was originally a couple of transitional panels before the last 2 because I wanted Brutus to really chew on this thought he has, but augh. stairs. didn’t feel like drawing those.

ko-fi⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app

[throwawayasoiafaccount]

i still cannot believe that people consider having lovers outside of a political marriage as cheating

a lot can be discussed about how raging misogyny and the patriarchy in westeros has led to unequal standards for women to uphold and suffer from

as highborn women are not allowed the same sexual freedom that highborn men get to experience, and even if these women do have relationships outside of their marriages, they are usually scorned and shunned by society for daring to practice sexual autonomy

it’s unfair, i am very aware of this fact

(that’s why i’ll never understand team green stans)

but george has never ever condemned his characters for finding and experiencing love outside of doing their duty.

never.

we’re not unfeeling machines that lack emotions. we’re humans who are, more often than not, led by our hearts. and grrm does a phenomenal job when creating characters, as they truly feel human.

so yeah, it’s a bit disappointing that people dumb down what is clearly a very complex situation to “cheating” (btw george himself calls rhaegar and elias relationship complex and he’s never implied that they loved each other in a romantic sense).

to reiterate, i am well aware that highborn women and men are held to different standards, however, if you have a problem with characters working through, around, and sometimes failing to overcome the social structures that cause their suffering, then you must have a major issue with george’s exploration of the human heart in conflict with itself.

george’s characters aren’t robots and that’s what makes them interesting. they do things for very human reasons. they’re biased. they’re traumatized. they’re conflicted. but they’re still reaching for a better tomorrow and they’re still trying to find happiness.

so i’ll never consider rhaegar and lyannas relationship as cheating, or something unsightly that should be scorned. for they simply dared to find and grasp love in a society that would rather shackle them to unhappy marriages, which is very commendable.

oh… and do you know what george does criticize?

political marriages lol

he makes it clear that selling women off as broodmares and forcing men into marriages they don’t want is a recipe for disaster.

of course the eventual fallouts of these relationships is super interesting to read about, but you should never ever support the systems in place and the societies that benefit from pushing people/characters into these incredibly unhealthy relationships

so while i find it interesting to read about characters navigating these relationships, i’ll always be the first person to condemn these societies for forcing this fate onto them. i’ll also always be the first person to root for characters who do their best to find happiness outside of their political/arranged marriage

sorry that i don’t condemn a character for finding love outside of a loveless marriage

instead of getting angry at rhaegar and lyanna and being very nonsensical in the main tags about it, how about you turn that anger onto the patriarchy, which is rooted in every single institution and family in westeros, the patriarchy that refuses to allow women to have the same amount of sexual autonomy as men?

(this is why i despise team green :))

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[lover-of-mine]

No, but this is definitely my most controversial opinion, but the whole thing with Buck and Eddie being the same age comes back to the fact that they are mirrors of each other. Down to the tattoos with mirrored placement, yes, but like, narratively speaking too. They've been running parallel to each other their whole lives and them being the same age makes that even more intense. Eddie had to grow up too fast and Buck didn't have to grow up at all. Eddie was forced to take care of more than he could and Buck was never allowed to care as much as he wanted. Both of them ran because their lives were overwhelming. Buck gives Eddie the tools to slow down for the first time in years while Eddie gives Buck something he's allowed to care about. They're two sides of the same coin. They complement each other. They're each other's missing piece. And that's so much better when they're the same age.

[scorpiusmalfoylovesoscarwilde]

I've said it before, I'll say it again, and I'm sure it won't be the last time. I AM SICK AND BLOODY TIRED OF THESE MFS, HALF OF WHO DONT EVEN CARE ABOUT CURSED CHILD, BITCHING AND MOANING ABOUT AN ANGSTY TEEN DARING TO BE AN ANGSTY TEEN, I WILL FIGHT THE LOT OF YOU

(this is gonna be a bit long and probably incoherent so sit down and fucking listen to me 🔫 stick with me because I'm not just complaining about albus haters)

eVERYBODY wants cOoMmpllEeXx relatable HUMAN characters - and then SHIT themselves when the flaws a CHILD has isn't just 🥺 uwu im socially awkward and traumatised 🥺. that's why scorpius doesn't get this fuckass treatment, because his terrible human flaw is that he's a bit shit at conversation and gets sad about his dead mum (generalised understatement, but this post isnt about him. dont come for me i love him 🫶🏻)

god forbid albus, who feels unloved and unwanted (with valid evidence for a teenager), albus who feels completely out of place and outcast from his entire famously-close-knit family, ablus who is well known by the world by default via Harry and hates the attention and high expectations, albus who then gets targeted and bullied by his peers because he's not as perfect and brilliant as his father, albus who is then isolated from his one friend because Harry is making irrational ptsd fueled decisions, albus who tells Harry completely sincerely that he knows he's unlikeable but he'll try and change himself and be more like his siblings because he genuinely believes that's what Harry and everyone else whos had the misfortune of meeting him wants, albus who spends the entire play trying to prove himself and fix things via idiotic childish decisions BECAUSE HES A WHOLE UNSTABLE CHILD

god forbid that CHILD doesn't react like a patient, supported, well adjusted, level headed adult. god forbid he reacts outwardly. god forbid he reacts at all, my bad. clearly he should just sniffle a bit as if he doesn't feel suffocated and helpless by everything in his life, because obviously hes just a spoiled brat who doesn't know what real suffering is. god forbid he complains or feels anything negatively, or doesn't quite grasp that other people are struggling too because he is too busy trying so hard to deal with himself and his declining mental health the best he can with basically no support or understanding. god forbid he isn't completely perfect.

you all sound like some fucking boomer telling teenagers they don't know what real struggling is, they aren't mentally ill, they dont have any problems because they have a roof over their head, they should all go to war kids are too soft these days 😫😖😱 fUCKING‼️SHUT UP‼️

he does things wrong but he knows he does and he does everything he can to fix it! and he is fourteen!!! do none of you remember what being fourteen is like 😭😭 I swear half of you have got to be basically fourteen yourselves cmon man

cause I'm seeing this fucking pattern a lot recently. not just for albus, not just in this fandom, everywhere. ‼️ no one can fucking handle flawed characters anymore ‼️ the only thing any character is allowed to have wrong with them is trauma apparently, otherwise they have to be perfect, and I'm getting sick of it. characters and stories are meant to reflect real life, they're meant to help shape our world view, why are you expecting everyone to be fucking perfect??? what happened to nuance? what happened to understanding character development? you are all acting like characters and people are so black and white. either they're perfect or they're insufferable and evil. I won't lie, the most common victims i've noticed of this are women. but the flawed women are typically demonised, whereas the men are typically turned into uwu baby boys who actually aren't capable of doing anything wrong and then fanon goes nuts making them into ittle wittle victims. and I'm so fucking sick of all of it, I hate this. (obviously this is not a strict rule. Albus Potter, and also Albus Dumbledore now I mention it, are demonised beyond belief)

BRING BACK FLAWS AND BRING BACK NOT COMPLETELY WRITING OFF A CHARACTER BECAUSE THEY DARE TO BE HUMAN

I AM FED UP, ALBUS POTTER GET BEHIND ME