#Musical Structure
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omegaphilosophia · 10 months ago
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The Philosophy of the Blues
The philosophy of the blues encompasses the emotional, cultural, and existential dimensions of this deeply influential musical genre. The blues, originating from the African American experience, particularly in the American South, is not just a musical form but also a profound expression of the human condition. It reflects themes of suffering, resilience, identity, and the search for meaning, often addressing the complexities of life in a way that is both raw and cathartic.
Key Themes in the Philosophy of the Blues:
Suffering and Resilience:
Expression of Pain: The blues is often associated with the expression of deep emotional pain, loss, and hardship. This includes personal experiences of love lost, economic struggle, and social injustice. The music becomes a vehicle for articulating suffering in a way that is both personal and universal.
Resilience Through Expression: Despite its focus on suffering, the blues also embodies resilience. By expressing pain, blues musicians transform it, finding strength and endurance. The act of singing the blues is itself a form of resistance, a way to cope with and rise above adversity.
Authenticity and Truth:
Realness and Honesty: The blues is often celebrated for its authenticity, with musicians valuing raw, unfiltered expression over polished perfection. This commitment to truth-telling, even when it reveals uncomfortable realities, is central to the blues philosophy.
Life as It Is: The blues doesn’t shy away from the darker aspects of life. Instead, it confronts them head-on, acknowledging that pain, loss, and struggle are intrinsic to the human experience. This acknowledgment of life's harsh realities is a key aspect of the blues' philosophical outlook.
Identity and Culture:
African American Experience: The blues is deeply rooted in the African American experience, particularly in the context of slavery, segregation, and systemic racism. It reflects a unique cultural identity that is marked by both suffering and a profound sense of community and spiritual resilience.
Cultural Expression: The blues serves as a cultural expression that communicates the history, struggles, and hopes of African Americans. It is a way of preserving and transmitting cultural memory, offering a sense of continuity and connection to the past.
Existential Themes:
Confronting Absurdity: The blues often grapples with existential themes, such as the search for meaning in an often indifferent or hostile world. The music reflects a recognition of life's absurdities and the complexities of human existence, where joy and sorrow, hope and despair, coexist.
Living with Uncertainty: The blues acknowledges the unpredictability of life and the inevitability of suffering, yet it also embraces the resilience needed to face these challenges. This acceptance of uncertainty and the transient nature of life is a core aspect of the blues' existential philosophy.
Emotion and Catharsis:
Emotional Depth: The blues is known for its emotional intensity, often evoking feelings of melancholy, longing, and heartache. Through the music, these emotions are not only expressed but also shared with others, creating a sense of empathy and collective experience.
Cathartic Release: Playing or listening to the blues can provide a cathartic release, allowing individuals to process and make sense of their emotions. The blues offers a way to confront and release inner turmoil, leading to a sense of emotional healing or relief.
The Blues as a Form of Communication:
Storytelling: The blues often tells stories of personal and communal experiences, conveying messages about life, love, loss, and social conditions. These stories are a way of communicating lived realities and shared experiences, often with a moral or lesson embedded in them.
Call and Response: The blues frequently employs a call-and-response structure, reflecting its roots in African musical traditions. This form of communication emphasizes interaction and dialogue, both between the musician and the audience and among the musicians themselves.
Freedom and Constraint:
Musical Structure: The blues often follows a specific musical structure, such as the 12-bar blues, which provides a framework within which musicians can express themselves. This balance between freedom and constraint reflects a broader philosophical tension between structure and improvisation in life.
Freedom of Expression: Within the constraints of the blues form, there is immense freedom for individual expression. Musicians are encouraged to infuse their performances with personal emotion, style, and creativity, highlighting the importance of finding one’s voice within established boundaries.
The Blues and Spirituality:
Secular and Sacred: While often seen as secular music, the blues has deep spiritual undercurrents. It shares themes with African American spirituals, such as the longing for deliverance and the expression of faith in the face of suffering. The blues can be seen as a secular form of seeking solace and meaning.
Soulful Expression: The term "soul" is often associated with the blues, referring to the music's ability to express deep, soulful emotions. The blues connects the physical and the spiritual, offering a form of expression that speaks to both the body and the soul.
Cultural Influence and Legacy:
Foundation of Modern Music: The blues is a foundational genre that has influenced a wide range of musical styles, including jazz, rock, and hip-hop. Its philosophical themes and musical elements have permeated popular culture, shaping the way emotions and stories are expressed in music.
Continuing Relevance: The philosophy of the blues remains relevant today, as it continues to resonate with people facing modern struggles and injustices. The blues’ emphasis on authenticity, resilience, and emotional expression continues to inspire artists and audiences alike.
The Blues as a Philosophy of Life:
Embracing Complexity: The blues teaches that life is complex, filled with both sorrow and joy. It encourages an acceptance of this complexity and the ability to find meaning and beauty even in difficult circumstances.
Living with Grace: The blues embodies a philosophy of living with grace under pressure, maintaining dignity and humanity in the face of life's challenges. It reflects a worldview that values perseverance, expression, and the transformative power of music.
The philosophy of the blues is a deep reflection on the human condition, rooted in the experiences of suffering, resilience, and cultural identity. It offers a unique lens through which to understand life's challenges, emphasizing authenticity, emotional expression, and the power of music to heal and connect. The blues is not just a genre of music; it is a way of seeing and experiencing the world, one that values truth, resilience, and the ability to find beauty in the midst of adversity.
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dontyouknowemma-itsyou · 1 month ago
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seaglassdinosaur · 6 days ago
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Sinners is everything. It’s a period piece. It’s a horror movie; a vampire film, and a folk horror, and a horror noir. It’s an action-thriller, and a bittersweet tragic love story, and a dark coming-of-age, with three endings, each genre with an emotionally satisfying conclusion. It’s written with such historical accuracy and honesty and attention to detail it might as well be a true story. The man who played Old Sammie lived the real thing.
#yeah fun and heart-squeezing fact: Buddy Guy? the man who played Old Sammie?#he lived the story Ryan Coogler told#in an interview piece Coogler went to meet Guy—wanting him in the film—they shared the script and then Guy told his life story#being a sharecropper growing up and moving to Chicago to become a musician#Coogler didn’t know that before but broke down hearing it bc minus the vampires? this was Guy’s real life#I find it chilling Coogler wrote a movie so real that it ends with a man who lived it. in real life and in character.#(it’s also. Black artists who respect and influence each others work. Coogler wanted Guy bc he grew up listening to that music#and his dad loved Guy’s work. Guy hasn’t been much for movies but his grandkids love Coogler’s films which inclined him to sit and listen#and then Guy decides to be in Sinners. tying it all together in such a thematically appropriate way. artists who inspire artists.#it’s the continuum of creation. it’s the spirits of ancestors and descendants all existing together)#also shoutout to the story structure; we got three endings for our three protagonists and all of them are perfect and devistating#Smoke and Stack and Sammie all have an ending in a different genre and they’re all satisfying and tie together#in a way that doesn’t detract but enhances the story#sinners#sinners 2025#sinners (2025)#Buddy guy#Ryan Coogler#sinners spoilers#(not really but mentioning Old Sammie and the ending—y’know)#my post
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the-soupgoblin · 1 month ago
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Another doodle of Kal I did while on my break at work that I got carried away with. Trying to workshop his design a bit because I think the first one I did was a bit too plain. Anyway Im so normal about this guy
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utilitycaster · 18 days ago
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I think in media analysis and just like, engaging with art of any form, you can focus on being right all the time or you can focus on enjoying yourself, and people who do the latter often end up being pretty good at predicting things (and are often delighted by being wrong in an interesting way) and people who do the former usually end up being not just miserable, but also not very good at being right in the first place.
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lookninjas · 1 year ago
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Pick a song from a bad description! You do not have to recognize any of the songs to vote (although tbh I feel like this is one of my most obvious ones -- there is an actual song title in one of the choices). Just go from the vibes. Pick whichever is funniest to you, or matches your current situation, or whatever makes a random bad song description appeal to you.
At the end of the week, I will take the poll results and use them to arrange the songs in a playlist, from the song with the lowest amount of votes to the song with the highest amount of votes. If you would like to hear the playlist, leave a comment or put it in the tags of your reblog, and I will tag you when the playlist goes up. And if you really can't wait to know what a song is, send me an ask and I will answer it.
And please reblog the poll! 'Cause this is as close as I can come to sending you guys a mixtape, so if you share it with your followers and they share it with their followers it's like we're all getting a mixtape, and that's fun. So let's keep the mixtapes moving.
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sentientstump · 3 months ago
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i have a (very evil) question to ask... who's your favorite miracle mask character? favorite to draw, favorite to think about, favorite in general? :)
i will let the images speak.....
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thank you for the ask! (⁠~⁠‾⁠▿⁠‾⁠)⁠~
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prettykendrablog · 1 month ago
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Beautiful day❤😘
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dcbutinamrev · 1 month ago
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There’s people in my neighborhood building a new house a few houses down and they’re in the process of the roof and all I can think about is Darry Shyanne Curtis Jr.
The Outsiders brainrot is real
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rosypenguins · 2 months ago
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Drew, Jake and Daisy and the misadventures of not understanding how Generative AI works.
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sic-vita · 6 months ago
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"I thought a castle would be a suitable substitute for a home, and mandatory displays of respect would be a suitable substitute for human affection. You were treated like a queen but you were my hostage, Genny what the hell did we think was going to happen?"
inspired by this post by @badsalmonella
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hellsite-proteins · 6 months ago
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be-protein the lyrics of your favorite song
if you want
its hard to choose a favourite song, so you're getting two.
my favourite overall is probably 'boys will be bugs' by cavetown, but i also watched 'I saw the TV glow' a couple weeks ago and it took over my brain, and i've been listening to 'anthems for a seventeen year-old girl' by yeule pretty much on repeat
boys will be bugs protein sequence:
ImadmteenyIeatsticksandrcksandmdIdntcareatthegvernmentAndIreallyneedahgIfeelstpidstpidglyglyPretenditdesntthermeImntverystrngtIllfckypifyremeantgsItsgettingclddwnherenderneaththeweatherIskippedclasstsitwithyIreallylikeyrspttysweaterIfladygsaregirlsHwdymakekidstgetherWhatsitlikeinafemalewrldIetitsstsmchetterIsttrnedAndIthinkthisyearImgnnaemeanDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightyswillegsrightImadmteenyAllIwannadisqitMymmtldmethatsheswrriedAndIcldntgiveashitIhavefriendswhnderstandmeTheirnamesarespidereetleeeTheydntsaymchtTheyhavealwayslistenedtmeThetherysatschlThinkitsclthateyrparentsttheyrelyingallthetimeThegsadvisedthatIshldletemAndifywannacryMakesrethattheyneverseeitrevenetteryetlckittandneverfeelitIsttrnedAndIthinkIknweverythingDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightyswillegsrightsttrnedAndIthinkthisyearImgnnaemeansttrnedAndIthinkIknweverythingsttrnedAndIthinkthisyearImgnnaemeansttrnedAndIthinkthewrldrevlvesarndmeDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsrightDntmesswithmeImaigynwandImveryscaryIpnchmywallsstaytatnightandIdkarateDntmessagemecaseIwntreplyIwannamakeycryAintthathwitsspsedteThghitisntmeyswillegsright
anthems for a seventeen year-old girl protein sequence:
sedtenefthewretchednesandIlikedyfrthatsedtenefthewretchednesandIlikedyfrthatsedtenefthewretchednesandIlikedyfrthatNwyreallgnegtyrmakepnandyrentcmingackCantycmeacksedteneftherttennesandIlikedyfrthatsedteneftherttennesandIlikedyfrthatsedteneftherttennesandIlikedyfrthatNwyreallgnegtyrmakepnandyrentcmingackleachingyrteethsmilingflashtalkingtrashnderyrreathleachingyrteethsmilingflashtalkingtrashnderyrreathleachingyrteethsmilingflashtalkingtrashnderyrreathleachingyrteethsmilingflashtalkingtrashndermywindwParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphnesleepntheflrdreamatmeParkthatcardrpthatphneParkthatcardrpthatphnedreamatmeParkthatcardrpthatphneParkthatcardrpthatphnedreamatmeParkthatcardrpthatphnesedteneftherttennesandIlikedyfrthatNwyreallgnegtyrmakepnandyrentcmingack
protein guy analysis:
i've decided to adopt a sense of fun and whimsy while looking at the cavetown protein, and i think if i angle it right it looks like a creature, although i am not creative enough to imagine how that would look. there are several spiralling loops that look like they should be something, but aren't actually making any secondary structure. there are still a few beta sheets and one notably long alpha helix stretching across the entire peptonomination. its weird, and from a scientific standpoint probably bad, but at least it looks neat i guess?
anthems for a seventeen year-old girl is a very repetitive song. if you can't tell from the protein sequence as its formatted above, i suggest you google the lyrics. because of this, i'm not surprised by how this looks. still, i'm not thrilled either. like i said the first time this happened, i'm not all that surprised that it turned into a mess of rectangular repeating loops with a few beta sheets from a mathematical perspective. still, i wish the convoluted spirals could at least stick to themselves and not intersect with each other, or maybe have the decency to have slightly more beta sheets? honestly, i didn't expect much more than this mess.
predicted protein structures:
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cavetown protein cartoon representation
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yeule protein cartoon representation
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garadinervi · 17 days ago
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Merzbow, Sedonis, (Vinyl/LP, Digital album), SNLP001, signal noise, 2025
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All Music by Masami Akita
Recorded & Mixed at Munemihouse, Tokyo July 2024 Mastered by Stephan Mathieu at Schwebung Mastering Vinyl cut by Greg Ovis at Chicago Mastering Service
Graphic Design: Joe Gilmore
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vesna-v-irkutske · 3 months ago
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"Убивать – круто!" (Killing Is Cool!) is the only Dismembered PugachOva song where Corpse (Artyom) is credited as a vocalist.
Artyom also wrote the lyrics for "Мёртвый Круг" (Dead Krug*). The lyrics were used in both Evil Gnomes and Dismembered PugachOva, but only the investigators have a recording of this song performed by Gnomes. *Mikhail Krug was one of the most popular Russian singers of the style of music known as blatnaya pesnya or Russian chanson (they depiction the criminal subculture and the urban underworld which are often romanticized and have criminally-perverted humor in nature), a genre of music that has been popular in Russia since the beginning of the 20th century. In 2002, Krug was fatally assassinated in his house in Tver by several unknown intruders. He died in the hospital a few hours later. I have the lyrics of this song, but I don't think it's that interesting. It's just about violence and them hating him.
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boltlightning · 17 days ago
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finally quit my job sayonara you little shits
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rogdona · 7 months ago
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@doyoureallyneedme I TRIED AJSDHGSH😭😭😭
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