#Nobody is expected to like any art

[honestlyvan]

Thinking about image model generated art and gifmaking is giving me some weird vibrations about how there really is some weird association of the virtuesvirtues of a medium with the virtues of the people working in it. Gifmaking being associated with KPop fans doesn't make the concept of frame interpolation racist, and someone marketing themselves as a cheaper alternative to some other artist doesn't make the concept of generative art inherently class antagonistic.

It's somehow reminiscent of CJ the X's distinction between "stupid art" and "evil art", how a medium that has a low skill floor can produce things that are very stupid and easy to perceive as low-effort but how that's not the same as them having something wrong with them. If you look at my animation tag, most of it is motion graphics done with AfterEffects, and while it's probably wrong to call it a low skill floor program the way an AI art generator is... there is still a world where instead of programmatically telling shapes to whizz by on a screen, a different Van would have drawn those same animations frame by frame, producing exactly the same animation.

And I don't think the fact that I did them programmatically somehow invalidates the artistic intent that went into them, y'know? I could open AE right now and produce a 250x250 looping gif of clouds and while I know how to do that quick, to make it look good and to make me like it, I would have to spend time considering how the various elements, colours, timings and whatever the particle system/noise generator I use spits out fit together. I would have to fiddle with seeds and levels and timings to make it look good. I would have to spend a long time just staring and thinking about what I'm making before I could make it good.

I don't know enough about generative art tools to know how much fiddling goes into them once they're taught and ready to go, but I do know enough about deep learning to know it's a haphazard, frustrating process that you as the artist have only limited control over, which is why it doesn't appeal to me. But I have made gifs in the past, and I know how that process requires an eye for consistency and composition, framing and colour that a lot of other visual artists don't have because they're not working with time as one of the creative dimensions.

And like... who am I, from my high horse as someone in possession of these skills, to tell someone who is still developing these skills or who has a different aesthetic concept of what is good than me, what they're making is low-effort. That's not my judgement to make. I didn't make it. Only the artist themselves can say if somehing was low-effort or not. I don't see why I should have so little faith in other artists to assume they have no interest in putting in any effort.

[cozylittleartblog]

if star wars was pitched for the first time in today's entertainment industry it would be turned down. and so would any other thing that's currently a "big IP". where do idiot executives think the IPs come from to begin with???

[mako-island-moon-pool]

I really do deserve a fucking apology for all the times my friends and family valued strangers on the internet and their opinions more than me

How am I supposed to be just fine with being ignored for years and years or bullied for openly liking what I like, only for those same fucking people to then turn around YEARS LATER, AFTER THE DAMAGE WAS ALREADY DONE, and be like "actually this is cool, so glad I found it" while still ignoring me. Why am I not allowed to be fucking pissed about it? Why is it considered ""gatekeepy"" when I get upset someone who deliberately ignored me for years and insulted the shit I enjoy when I asked them to get into it cuz I thought they'd like it suddenly finds interest in it because it got popular online, not because I'd been begging them to give it a chance and to listen to me for years???? Why is that not allowed????? THAT'S SUCH AN ASSHOLE MOVE, WHY IS IT 'NOT OKAY' TO BE MAD? WHY DON'T THEY GROW A SPINE AND APOLOGIZE FOR DISMISSING ME FIRST? HOW ABOUT THAT?????

[tofupixel]

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

🔹 Do I need money?

NO!!! Pixel art is one of the most accessible mediums out there.

I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.

Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.

✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!

🔹 What software should I use?

Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐

💰 Paid options:

⭐⭐⭐ Aseprite (for PC) - $19.99

This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.

Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.

If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!

⭐ Photoshop (for PC) - Monthly $$

A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.

Animation is also much more tedious on PS which you may want to consider before investing time!

⭐⭐ ProMotion NG (for PC) - $19.00

An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.

⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)

Probably the best app available for iPad users, in active development, with new features added all the time.

Look! My buddy Jon recommends it highly, and uses it often.

One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.

⭐ Procreate (for iOS) - $12.99

If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.

⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly

ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!

🆓 Free options:

⭐⭐⭐ Libresprite (for PC)

Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.

⭐⭐ Pixilart (for PC and mobile)

A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.

⭐⭐ Dotpict (for mobile)

Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.

🔹 So I got my software, now what?

◽Nice! Now it's time for the basics of pixel art.

❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.

The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍

◽Phew! With that out of the way...

🔸"The Rules"

There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.

🔹Scaling method

There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.

Both are scaled up x10. See the difference?

On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 

(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)

🔹Mixels

Mixels are when there are different (mixed) pixel sizes in the same image.

Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!

As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!

Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.

Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.

🔹Saving Your Files

We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.

For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!

Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.

🔹Pixel Art Fundamentals - Techniques and Jargon

❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗

As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!

🔸How To Learn

Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.

⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.

⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.

⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.

⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.

⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!

🔸 How to choose a canvas size

When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.

What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.

Imagine I have characters in a scene like this:

I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.

If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.

It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.

🔸Where To Post

Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.

⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.

⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.

⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.

⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!

⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol

🔸 Where To Find Work

You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:

Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!

Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.

Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby

Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.

/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.

/r/GameDevClassifieds Same as above, but specifically for game-related projects.

Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.

VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.

The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...

🔸 Community

I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!

Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.

Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.

🔸 Other Helpful Websites

Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.

The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.

VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.

Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!

Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!

Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite

🔸 The End?

This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!

I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!

This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.

And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕

My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting

[teaboot]

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

[186-3]

courting antisemitism

so i recently decided to take a look at the latest stonetoss comics (probably because i love suffering). and while i was expecting some content on the israel palestine conflict, what i did not expect was how... standard it seemed. well, most of it at least, but i'll get to that in a second.

for context, if you don't know what stonetoss is, it's a (poorly drawn) webcomic known for having radical alt-right views - meaning it's incredibly racist, homophobic, transphobic, islamophobic, antisemitic. all that fun stuff.

so while i was expecting to see bad stuff, one of the first things i saw on the topic of israel was this:

terrible art aside, this comic is making a point that i usually see in left wing circles: that israel is pinkwashing genocide.

curious if there was more like this, i kept looking, and the comic right before that one was this:

again, this makes points that i usually see in left wing circles. that american healthcare is crazy expensive, that canada tells poor people to commit suicide, and that israel is bombing hospitals.

why does stonetoss, this well known alt-right nutjob, now seem to be bringing up left-wing talking points?

curious, i kept going deeper:

well this is... odd. clearly, stonetoss is trying to say that israel is on another level of bad, even worse than russia, iran, and north korea. i can possibly see someone on the left making the argument that the russian invasion of ukraine isn't as bad as what israel is doing in gaza, or that at least north korea isn't invading any other countries, but... iran??? the country that has a police force designed to enforce religious law, and gets away with murdering women who do not properly cover their hair? the country that props up paramilitary groups in countries all over the middle east, including lebanon, yemen, and yes, palestine?? that's completely ridiculous

but, given how much more israel is in the news nowadays than any of these other countries, i could see why someone would buy this

and now, we're starting to get to the crux of what stonetoss is trying to do. when someone sees this, they might be inclined to agree with it. they might begin to think that israel is the worst country on the planet

and that might not seem so bad at first. but the more you hate israel, especially irrationally, the more you feel allowed to dehumanize those who support it. the more you might be willing to agree with this comic, which came out two days prior to the one above

this comic says that jews, as a whole have no desire to exist with other people. it is blatantly antisemitic

i'm sure you could imagine some young leftist who sees the comics above this one and thinks, "this guy makes some good points". and then, when they get to this one, they might realize that this is antisemitism

or, they may not.

and that would start them down the road to becoming an antisemite.

this is what stonetoss and other alt-right nutjobs are hoping to achieve. to take left wing fury at israel, and direct it at jews.

we saw it with those neo-nazis at the palestine rally, and we're seeing it again here.

and if you've found yourself agreeing with what stonetoss has said so far, i would like you to see the last comic stonetoss put out before october 7th:

this horrifically racist comic is in reference to an environmental activist who was murdered by a black man in early october. this blatantly racist garbage is the kind of stuff stonetoss usually puts out.

but as soon as october 7th happened? these were his next two comics:

stonetoss completely changed the comic's tone as soon as the current crisis started. why?

to get as many people as possible to get on board with hating jews.

and i know many of you might be thinking that "well, everyone knows that stonetoss is racist garbage. nobody is going to fall for this"

except, as we saw with the neo-nazis at the rally for palestine, it's not always that obvious who the antisemites are and who is just rallying for peace. they are often a lot better at disguising it than stonetoss is.

AND EVERYONE NEEDS TO BE AWARE OF THAT

EVERYONE, no matter HOW much experience you have, can fall victim to propoganda. EVERYONE needs to be aware of what people around them are saying, and able to pick out hateful rhetoric, because even the stuff that is just kind of toeing the line of what's hateful is still putting your foot in the door

be cautious, everyone. and stomp out hate where you see it.

[variuss-petals]

spending a lot of time making something and then no one buys it or even looks at it, like what’s the point in even trying, you know, like, what

[tkingfisher]

I might misremember but was it you that at some point had a cat that threw knives at people? Just exactly how does a cat manage the art of knife-throwing with their paws?

Sigh. Yes, that was me, and that is Sergei. He’s got the color of a Russian blue but definitely is not one. Nevertheless, the rescue named him Prince Sergei because he is a haughty, imperious little bastard.

I should have known he was gonna be trouble when I brought him into the vet to ask about his eye—he was born with only one, but still has the eyelids and everything on other side—and the vet uttered the phrase “Whoa! I’ve never seen THAT before.” (Most animals born with one eye have microphthalmia, an undersized or underdeveloped eye. Sergei does not. There is no eye there at all, just a socket full of—well—meat. This gives him a particularly diabolical red glare.)

He is also very, very smart. Smart cats are dangerous. I walked into the bathroom one day, saw him on the toilet, reflexively said “Oh, excuse me,” and hastily retreated. Only to realize that the cat had taught himself to use the toilet. Fortunately he does not flush, but he will bully any human in the vicinity to flush for him, because if he needs to go again, you cannot expect him to go in a dirty toilet, like a peasant!

Like most cats, the sight of a thing on top of another thing fills him with unbridled rage. Particularly if he wants attention—if, say, his toilet needs flushing—he will begin knocking everything on the kitchen counter off onto the floor.

“Fine!” we replied, and removed all the various spoonrests, bowls, etc from the counter. “I guess nobody gets to use the counter now!”

But we also have a magnetic knife rack. Sergei discovered that with sufficient pressure and sufficient stealth, he could swat a knife off the rack, toward the feet of any human who was digging through the pantry instead of attending to Sergei’s emotional needs. Our buddy Shepherd was staying with us during the pandemic and nearly had his toes filleted on several occasions.

If he were human, this would be a horrible dysfunctional relationship, but since he is a cat, we forgive him everything because he likes to cling to people like a small malevolent tree sloth and to be the little spoon at night.

[hauntedhokage]

miscommunication

summary: Toge's been distant, you finally confront him to find out why

word count: 2.5k

warnings: explicit sexual content (minors dni), emotional conflict, Inumaki uses his cursed speech

note: for my beloved @silverrings-n-prettythings who drew some inspirational Inumaki art. Ily bbygirl

It felt like with every day that passed, he’d become more distant. Late nights that were once spent talking about the future, kisses exchanged between soft touches and other intimate gestures that replaced the words that he couldn’t use himself, turned into nights spent apart with you going to bed alone and waking up with cold sheets and a note. Did he love you anymore? You weren’t sure, and that uncertainty hurts more. The anxiety that came with waiting for that shoe to drop - waiting for the note written in his messy handwriting that tells you that he didn’t love you and wanted to separate. 

What would you do if it came to that? A life without him didn’t feel like something that you could do, considering the way he’d steadily been a constant in your life over the past year. Nobody made tea the way he did, or knew exactly how to scratch the itch at the base of your scalp when it was bothering you. Squeezes of your hand in his when you were feeling anxious, how it felt to be wrapped around him after a particularly rough mission - the despair you felt when he left, and the relief when he returned. 

These things all became constants, things you’d come to expect like the sun rising in the east and setting in the west. Your sunrise was Inumaki Toge; morning, afternoon, midday and the evenings - but you’re worried that the sun was beginning to set on your relationship. You didn’t think it was fair for him to just distance himself, not even try to talk to you about what was bothering him that he’d feel the need to do this to you. Even with his limited verbal communication ability, you’d spend hours on the couch texting back and forth or learning sign language to develop something that was more efficient than texting and note writing. 

Tonight was worse than any other night, only because you’d had plans. Plans made in advance; plans to stay in and have a nice dinner, play some silly board and card games, and then cuddle up for a movie or two. Plans that he was now two hours late for, plans that had you sitting at a dinner table with two plates of a dinner that was a blend of his and your favorite dishes. Dinner that was now about as cold as you’re Toge felt about you, dinner that had you crying as you stood to pick up the plates that clearly wouldn’t be touched tonight. To punish yourself; you’d probably eat the leftovers for a couple days, reminding yourself that Toge would rather do anything but share a meal with you. 

The front door opening has you slamming the fridge shut, and you’re making eye contact with your boyfriend as he takes his shoes off. Your obvious emotional state has him immediately concerned, closing in on you to try and assess the situation until your hands smack him away to put some space between you both. 

“You don’t get to pretend to care after missing game night for the third week in a row.” Your statement has his eyes widening, phone coming out of his pocket while his other hand pulls his collar down. “Don’t even bother, Toge, I get it. You don’t love me anymore and you’re tired of pretending, so you don’t have to pretend anymore! And to think I started taking sign language classes just for you to…”

You turn away as his fingers start to rapidly tap against the screen, needing to clean up the table and finish cleaning the kitchen. The whole time, though, you can’t stop talking at him. Telling him that you know he thinks you’re more of a burden because you don’t have any cool talents like his, that you must be overbearing since you like to know his schedule, how awful you most be to be around that he never wants to be home when you are or spend time with you. Those kinds of things that you’re not even sure where it all had been bottled up but you do hear his frantic tapping behind you as he tries to respond only to have to pause, backspace a bunch, and type some more. 

You catch him gesturing, frantic “tuna, tuna” leaving him while he tries to show you his screen, but you keep your gaze fixed on the task before you because you fear that if you look at him you’ll start crying. You didn’t want to cry when you were trying to yell at him for putting off breaking up with you, that would make you look more pathetic to him than you’re sure you already did.

“Please stop.” 

Two words uttered so softly yet full of desperation have you freezing, though you’re sure even without the cursed speech you’d be frozen at the sound of Toge’s using words that weren’t his usual safe words. You’re afraid to even look at him, but you face that fear as you turn to face him and the phone extended towards you with a screen full of words intended for you to read. 

“Toge?”

“Please,” he whispers again, angling the phone towards you in a silent plea for you to take it and let him defend himself. You do; your fingers grazing against his as you take the device into you hand with your thumb tapping the screen out of habit to keep the screen awake. 

I love you so much. 

I’m so afraid that I’ll let something slip and hurt you by accident so I’ve been trying to stay away while figuring out words that can be safe for us to use together. 

Didn’t know that my distance would hurt you

I’m so sorry

“Toge,” you whisper, nearly dropping his phone in your rush to pull him into your arms. Tears burn at your eyes while you feel his dampen the skin of your neck, his arms tight around your waist to keep you pressed flush against him - as if you could be apart from him after this. “Don’t you ever try to hide from me again.”

“Salmon,” is mumbled into your neck, and you give your own nod before you pull back to kiss his cheek.  A kiss to your cheek becomes a kiss on your lips, Toge’s mouth carefully coaxing yours open to allow him the opportunity to deepen the kiss. You feel small shockwaves along your tongue as it brushes against his, the sensation caused by his cursed markings sorely missed by you in the period of distance he’d forced between you now a source of comfort and a reminder that he was with you again and just as desperate for your touch as you were for his with the way his mouth worked against yours. Your back hits something sturdy, you think it’s probably the fridge but don’t have time to think too much about it because Toge is bringing your leg up to rest on his hip to press the growing tent in his pants to your core in search of friction that would bring pleasure to you both. 

“T-Tore,” you breathe when he pulls back, watching as his eyes search the space beside your head for something while keeping himself pressed against you. When he finds it, he’s reaching for it, and you recognize that it’s one of the magnet strips with pre printed statements on it that he’d been searching for. This one had been originally something unimportant to your life with Toge, so you’d used a label maker to make it something that would have real purpose in your home.

Would you like to fuck? Stares at you in bold black font, the smiley face after bringing a smile to your own face as you take the magnet from him to slap on the fridge above your head before you’re kissing him again. It’s not a kiss that lasts long before he’s pulling away, slowly lowering himself to his knees before you and pulling at your pants and underwear as he goes. 

He only bothers to free one of your legs from its confinement, bringing it to rest over his shoulder so he could be close to your core, his eyes closing as he takes a deep inhale of your scent. It was clear that he’d missed you just as much as you’d been missing him, the pure relief that you see in his relaxing features bringing a new wave of calm through your body. He was here, he was happy, any doubt that may have lingered regarding whether or not he wanted to be with you is calmed in this moment - only to be replaced with the sparks that come with the feeling of his tongue against your clit. With the way his cursed markings seemed to vibrate against your skin, it’s like you feel him in your skin in all the best ways while his fingers carefully probe your wet slit. 

“Toge,” you whine, your hand in his hair while your other hand grips the handle of the refrigerator door. “Please, no marathons.”

That earns you a displeased grunt against your clit, but he had to understand that his forced distance was the reason why you needed him to go easy on you. But you continue to stare at him, eyes locked on his own as you push his hair back away from his forehead until he gives a more affirmative grunt with a nod that would serve as his agreement that he would not intentionally seek to overstimulate you like he typically enjoyed doing. 

Two of his slender fingers ease into your cunt, the wet sound so loud in your ears but drowned out by the loud groan Toge let out when he got a taste of how wet you were already. His tongue moves eagerly around your clit, the cursed appendage rolling around the sensitive bud in tight circles while his lips maintain a tight suction that keeps you clenching around his fingers as they fuck you. You’re not sure what is louder; your moans of pleasure, Toge’s moans and groans of delight, or the sinful squelching of your wet pussy being attacked from the inside and outside by your attentive lover’s hand and mouth. His eyes open, the look he gives you full of pure adoration as he opens his mouth to press the pulsing flat of his tongue against your clit as his fingers continue their fast strokes inside your cunt. 

“Cum for me,” is mumbled against your clit, the command forcing your eyes closed as your body tightens up around him while he does his best to keep you upright and prevent injury. Your pleasured cry is music to his ears as his tongue laps at your throbbing clit to try and keep you on the edge of overstimulation. You said no marathon, you didn’t say he couldn’t use his cursed speech and that loophole was an unfair advantage you’d truly scold him for later. 

“You’re cheating,” you scold; voice nothing more than a whisper as you push his head away from your core, pouting down at him as he grins, his free hand massaging your thigh that rest on his shoulder as he brings his fingers to his mouth. Your leg is carefully removed from his shoulder, and he’s carefully pulling you down to the floor to sit with him. There’s a delightful awkwardness in trying to get each other undressed while sitting on the kitchen floor, and it all reaches its intended outcome when Toge is carefully lying you back against the cold tile of the kitchen floor. Your feeble attempt at an offer to reciprocate the oral pleasure you’d received is met with a shake of his head as he settles between your spread legs, his fingers trailing along your slit before you feel the blunt tip of his cock trying to make its entrance. 

Your hands settle on his chest as he kisses you, his length working its way into your neglected pussy. You feel his groan rattle his chest, the sound reverberating through your mouth with the additional hum of his cursed energy overwhelming your senses. He’s all that matters to you at this moment, the slow grind of his hips into yours to keep close as he savors this reunion. His pace is slow, hard strokes pressing deep into your core and sending waves of pleasure along your spine as your hands move to clasp at the back of his neck. 

“I missed you,” you whisper, a statement that has him frowning, an apology in his eyes that has you regretting your honesty only momentarily before he’s smiling again as he shakes his head. Everything was going to be okay, you know that and trust in that. He sits up slightly, his hands taking your thighs in his hands and pushing them back towards your chest to allow for closer contact. He’s checking only momentarily to make sure you’re okay, the nod on your end allowing him to continue with his forceful thrusts. 

“T-Toge,” you gasp, the deeper angle forcing the wind out of you as he rests his forehead against yours. The only sound that follows is the sound of skin on skin with his hard thrusts, the primary soundtrack to your lovemaking as his mouth leaves yours in face of kissing along your face down to your neck to that spot that made you squirm as you feel yourself approaching the cusp of your orgasm. He knows you’re close, the pace of his strokes slowing down to try and force you to hold out for him. He wouldn’t dare tell you to wait, and you’re relieved when he whispers in your ear for you to cum for him. The cry that leaves you has him smiling against your cheek, his own groans flooding your ears as he finds his own release inside your pussy.��

He finally pulls out, moving to lay on his side beside you and gently stroking your cheek as he smiles at you before poking your nose and getting a giggle out of you that has him chuckling. In return, you reach out to poke his nose, which results in a poke competition as you’re both laughing until your arm gets tired. Your eyes close, relief washing over your system at the fact that you still had Toge, he still loved you and wanted to be with you, but his need to protect you from himself had him doing something stupid and not communicating his fears. That would need to be discussed when you weren’t naked on the kitchen floor.

There’s a gentle nudge to your side, and your eyes open to see Toge sitting up and looking down at you with a fond smile while nudging you with his knee. There’s a head nod towards the hallway that led to your bedroom, you know he’s trying to get you either to the bedroom to rest on a more comfortable surface than the kitchen tile. 

“Get into bed.”

“You’re a menace!” And you’re standing, Toge taking your hand in his own so he could walk with you to the bedroom. 

[hermajestyimher]

Toughen up. Yeah, I said it. It's time you stop expecting the world around you to bend to your feelings. The harsh reality is that other people don't care about you and only you are responsible for your well-being. Stop taking what others say personally and stop placing so much value on the opinions of nobodies. So what if they don't like you? Do they even like themselves? Do YOU like them?.

Once you've mastered the art of detachment from the perception of others and lower your expectations of people who haven't made any pledge of commitment towards you, it will become easier to develop a thicker skin, to become more laser-focused on you and your own well-being, and to disregard that and those who do you no good.

In a world of snowflakes, be a diamond, which never breaks or bends under pressure.

[jedi-hawkins]

I’m literally such a dumbass. HUGE (mini?) CROSSHAIR INSIGHT (This is spoiler safe 💕)

I’ve always glazed over the extra little piece over Crosshair’s chest plate on his Bad Batch armor. Always just thought "oh, his armor design is cool and unique."

IT'S LITERALLY A CUSHION FOR THE STOCK OF HIS RIFLE FOR THE RECOIL.

I've shot some rifles here and there and GD your shoulder gets sore from getting punched with the recoil, no matter how good you are at compensating/bracing. Even with his katarn-class armor, I'm sure it wouldn't be comfy. Because Crosshair is the only clone we really see with something like this, I'm going to assume it's not standard-issue. Which then means he went to Space-JoAnn's or raided the GAR supply closet for some scraps and arts-and-crafts-ed it himself.

Then I noticed his Empire armor doesn’t have that cushion. Yes de-individualization, but it’s also an indication that the Empire doesn’t care about any discomfort/pain that Crosshair may suffer from his rifle recoil. I can’t with this 😭

Thank you for coming to my TED Talk 😭🫠

also tagging some friends who witnessed this epiphany/may be interested since I added a few things lmao

@arctrooper69 @photogirl894 @probadbatch @moonstrider9904 @freesia-writes @totallyunidentified @starrylothcat @griffedeloup @nahoney22 @dragonrider9905 @starqueensthings @nobody-expects-the-inquisitorius

[kazumist]

THE NAME OF LOVE .ᐟ

✩ — the three times hoshina soshiro dismissed his feelings for you as something that friends do and the one time he realized otherwise.

✩ — request: IVE BEEN WANTING TO REQ U SOMETHING FOR SO LONG NOW I HOPE U DONT MIND !! can i ask for hopeless romantic reader and hoshina soushirou.... the way he... is...... (LOVE PESSIMIST 🫵) I'm a sucker for hoshina falling first or confessing first but it is truly up to you!! i genuinely have no idea where im going with this so pls feel free to change anything to your liking

✩ — includes: hoshina soshiro x gn!reader. fluff. cw: uhm funky pacing bc this is just pure word vom LAWLZ. wc: 3583 (i did not expect for it to be this long i swear). reader works for operations and is considered as second best to okonogi (is also okonogi's assitant). ikaruga and okonogi cameo yipee! hoshina is bad at feelings ™. reblogs and feedback are much appreciated !!

to love is something you cannot name.

that’s a saying that stitched itself onto your brain because it just makes sense. loving someone has way too much depth, depending on the person who is the one lending out their heart and who they are giving it out to in the first place. it could be named as anything, depicted as anything, or interpreted as anything.

especially for you, who had witnessed, watched, read, and consumed all sorts of media that named love as numerous things. sometimes love is tragic, making two people feel so much just for them to get pulled away from each other when they were so close to running into each other’s arms. sometimes love is mirthful, having two people become the best versions of themselves around the person they love because they feel safe becoming vulnerable with the other. yet sometimes love is bittersweet, accepting the art of letting go as it was for the best—accepting that things weren’t just meant to be but not forgetting the emotions the person made you feel.

well, how were you supposed to know what love really is? a hopeless romantic is hopeless for a reason.

having a day off is quite rare, even for the employees of the operations department. the work was quite demanding, as any job involving the JAKDF was. but you still made time to relax and enjoy your rest from time to time, whether that was rewatching a good old romcom film from the 2000s or reading a new romance novel you decided to pick up.

it was normal for a hopeless romantic to dream. to fantasize. that maybe they could experience an extraordinary love like it is portrayed in films or described in songs. so naturally, as a hopeless romantic yourself, you weren’t any different. you just wanted to experience love—to be loved.

then again, liking someone does count as experiencing romance in a sense. admiring someone with traits the public doesn’t really notice is… rare. but that’s how it always went with you. though you wouldn’t really say that you actually acted upon your feelings, they're usually be gone once that person has stepped out of the current environment you’re in.

that’s how it was before.

vice captain hoshina was a respectable man. he is talented, and he sure as hell knows it. as the ton put it, you and the vice captain had a strange relationship—nobody really knows what to call you two. as the secondary leader of operations and okonogi’s assistant, it was only natural to be in the presence of the vice captain most of the time. but there’s just something different when it comes to how you two treated each other.

from flirtatious remarks and confusing gestures that you aren’t sure if you’re supposed to interpret as romantic, just what were you to the vice captain? you’ve observed long enough that he only does this to you. though you don’t really hate it. in fact, you like it that he’s only like that to you—but you weren’t supposed to like him, you swear! but honestly speaking, how could you not? you had plenty of reasons to like the vice captain in that way. you just pray that no one has really noticed it.

however, okonogi wasn’t stupid. she gets praised for her analytical skills for a reason and you wish she didn’t have to use those skills when it came to your romantic interest in the vice captain of all things. she promised to keep it a secret, though, and keeping secrets is a thing okonogi was really good at (to your surprise).

— — — — — — — — 

the first time hoshina denied his feelings for you was when he overheard some rookies talking about you.

“(l/n) is such a blessing to the third division, don’t you think?” one said as the other hummed in agreement. “i know, right? they’re so nice! did you know that they helped me once? they gave me tips on what i should do to enhance my combat power for my fighting style; it was really helpful too!” the rookie beamed. hoshina had an unsettling feeling churning inside of him as he eavesdropped on the conversation. but he quickly shook it off, thinking that he probably ate something funny earlier.

but why hasn’t he received such treatment from you? you were closer to him than some rookies, right? 

right?

wait, what the hell is wrong with me? hoshina thinks, snapping out of his earlier thoughts. he was not jealous of some rookies. those were just rookies, for christ’s sake! hoshina walks away, only to be greeted by the sight of you and ikaruga talking this time.

“thanks again for the film recommendation the other day, (l/n). i didn’t expect to enjoy it so much—you were completely right! it did suit my preferences,” he excitedly says. hoshina watches silently, observing everything in detail. and one thing he notices is that ikaruga is standing close to you—way too close than he preferred.

“really? i’m glad you liked them, ikaruga. feel free to ask for more film recs when you’re free.” you laughed at his enthusiasm. ikaruga had always been a fun person to converse with, in your opinion. and you two bonded over films! but it was really nothing more than that. “will definitely do!” he replies, giving you a two finger wave as he excuses himself.

he was definitely not jealous. why would he be jealous in the first place? you two were just friends.

and friends don’t get jealous like this.

— — — — — — — — 

the second time was when he was undergoing recovery after the whole fiasco of the tachikawa base raid. everyone was exhausted. it was fortunate that the third division didn’t get any casualties during the incident; the majority of the troops were only injured for the most part. soshiro was counted among the severely injured troops but he doesn’t regret it one bit.

or so he thought.

soshiro wakes up slowly, blinking and squirting his eyes at the sudden brightness of the light above him. he felt a weight on the side of his bed when he tried to get up, as if something (or someone) was pressing down on the blanket. looking down, he wouldn’t mistake your hair for anyone else. he knew it was you with just a glance.

and there you were, sleeping softly on the side of hoshina soshiro’s bed. soshiro takes note of your appearance that he could see right now—which was really just your messy hair. he gets up, making sure that you don’t wake up. it is likely that the operation has not had much sleep up to this point, which is why you ended up sleeping in his hospital room of all places.

he feels bad. a hand slowly reaches out to your head, stroking it ever so gently. if he were to be honest, he was worried for he operations team during the attack. he recalls regularly checking in to see if things were okay on your end, and you kept reassuring him that everyone was unscathed. his other hand reaches out to his phone on his bedside, checking to see if he missed anything. he was unconscious until now, he thinks. and the text from okonogi just confirmed all of his suspicions.

you’re probably still unconscious by the time i sent this, but they’ve been there every day since you got admitted. 

that’s all the message contained. soshiro glances at you again, a soft smile tugging on his lips. he doesn’t get why okonogi felt the need to send him that text, but the thought of you waiting for him to be conscious again made him feel… warm inside. but it all went away as he pulled back his hand from your head as you stirred awake. you raised your head, adjusting yourself to be in a more comfortable position as you rubbed your eyes with your knuckles. 

shock was an understatement when you realized that he was finally awake.

“vice captain! i—sorry, i didn’t mean to sleep on your bed. wait, are you okay? does anything hurt?” he just stared at your eyes, trying to process something. shock was still present in your eyes, and relief was mixed in them too. you noticed him not answering anything you said. worried that he might be suffering from some aftereffects, you asked him again. “uhm… vice captain hoshina?”

he snaps out of it as soon as he hears his name. “sorry, i was just thinking. what were you saying?”

“er… is there something on my face? you’ve been staring at my face the whole time since i woke up…”

hoshina blinks once. twice. then thrice. before he focuses his gaze on something else, looking away from you. you held back a laugh at the sight of red tinting his ears as he apologized for his actions. 

“i’m glad you’re alright, vice captain.”

hoshina freezes. he didn’t expect those words to have a bigger impact on him than they do now. but this is all natural, isn’t it? friends worry about each other. friends wish and hope that the other is okay.

yet why does he feel bitter when he labels this as something that friends—no, snap out of it. he thinks.

“i’m glad you’re alright too.”

— — — — — — — — 

the third time was when you were sent to work to the first division of all places. he was completely against it, of course, but he doesn’t have any concrete reason to actually protest against it. 

it was quite boring to not have you there. he didn’t really have anyone to disturb anymore. and the sudden change in the vice captain’s demeanor doesn’t go unnoticed by the platoon leaders. sure, he still had the same toothy grin on his lips, with his fang peeking out ever so often but deep down, you can’t really point out if it was genuine.

after all, hoshina soshiro was good at concealing his emotions and thoughts.

but then again, okonogi wasn’t stupid. it pains her to be the one who’s stuck between the vice captain and her subordinate. soshiro was the same as the night he didn’t get to neutralize kaiju no. 8 back then. shoulder slumped, arms crossed, a slight pout on his lips, and an expression that clearly stated he was pondering about something—or perhaps someone?

“you miss them, don’t you?” okonogi suddenly asks as she organizes the paperwork in front of her. working with hoshina when it came to paperwork wasn’t really new, except for this time because you would also be present in times like these. “miss who?” he decided to play dumb (or is the right term indenial?)

“please don’t make me spell it out for you, vice captain.” she replied, pushing up her glasses.

hoshina doesn’t reply, zoning out as he thinks about okonogi’s words. well, it wasn’t really false that your sudden absence had changed things in the vice captain’s usual routine. he doesn’t see you making a cup of coffee after he finishes training in the middle of the night. nor does he see you drowning yourself in research at the library when you’re not in the operations room, where soshiro would personally lend you a hand and provide his own insights on whatever you’re researching.

oh. 

oh.

he does miss you.

but that’s just normal, right? friends miss each other. and friends tend to leave sometimes but they will always come back when the time is right. however, the head of operations for the third division didn’t have to be some kind of genius to put two and two together. 

the vice captain has some sort of interest in you as well; he just hasn’t realized it himself.

— — — — — — — — 

the day you returned from the first division was the day everything went back to normal for soshiro.

it was currently a quarter after one in the morning, and he had just finished his training. he ended up going more overtime than usual, but if he hadn't, he probably would’ve missed the open door to the library at this hour. and of course, being the ever so curious man he is, he takes a peek in.

and again, there you were. but this time, you were drowning yourself again in research. your hair was a bit messy, and the eyebags doesn’t go unnoticed by him. yet in spite of that, soshiro still found your appearance to be lovely. maybe it was just the fatigue from his training, or perhaps it’s the thought of you being so determined in your work that sparked such a thought in him.

regardless of what the reason actually was, soshiro found your appearance lovely despite it all.

“you should head to bed soon.” he says, approaching the table you were currently working on. you looked up, surprised to see him awake at this hour. but you put your focus back on your work, not even giving him a second glance—which surprised the vice captain. he reads on whatever you were working on, noticing that they were mostly reports of kaiju no. 9. 

“researching on kaiju no. 9, i see. need a hand?”

“there’s just something off about him and i can’t put my finger on it. also thanks, but no thanks. i can handle this myself, vice captain.”

“it’s almost two in the morning, are you sure about that?”

he didn’t quite catch on to what your reply was, but he was positive that you just declined his offer either way. hoshina decides to pull up the chair beside you and grab the small stack of reports in front of you. he rotates the lamp a bit in his direction, but just enough to leave some light for you to read as well if you needed to.

you sigh at him. “vice captain, you really don’t have to—”

“but i want to. it’s the least i could do.”

truth be told, you really can’t bring yourself to be in the presence of the vice captain now. everything was just confusing. you were aware that the vice captain doesn’t really like paperwork in general (who even likes paperwork in the first place?) but you don’t get why he’s so insistent on helping you every time he finds you here.  

you don’t get why he likes your company so much. you considered yourself to be plain, a bit mundane for someone to actually spend some time with. especially when your interests don’t really spark any others for the most part. 

and while you may be a hopeless romantic, you weren’t foolish. even if you like the vice captain who’s currently making an effort to help you with your work, he’s just way out of your league. he’s too high to reach, and you were sure as hell that he would never actually look at you in that way. not now, not ever.

but why? why does a part of you keep saying that maybe he does? he wouldn’t do all of that if he didn’t actually look at you in that way, right? hope is a dangerous thing for someone who doesn’t know how to stop. for someone like you who refuses to give up on most occasions. it was stupid. foolish. naive.

not now, not ever would hoshina soshiro actually look at you that way.

“vice captain, please get some rest.”

“i could say the same to you.”

god, why is this man so stubborn? is he not tired from all the late night training he does? you thought, slowly getting frustrated. hoshina tells you his observations based on the reports in his hands and shares his hypothesis on the matter. he had some valid points and he’s lending a great hand at the moment. but frustration was just getting the best of you at the moment from your numerous trains of thought.

“the fact that he can adapt so easily is scary in itself. and the recent report of him breaking in the operations room in the first division states that—”

“why are you doing this?” you cut him off.

hoshina stares at you, dumbfounded at your question. he opens his mouth to answer, but no words actually come out of him. he chuckles bitterly in his mind. soshiro would like an answer to that question as well. but then it dawned on him. every flashed across his mind in seconds, and he finally realized it.

yet the result of that still scared him.

he was in love. hoshina soshiro is in love—with you nonetheless. the person he swore was just a friend. it took him quite a while to realize it, always being in denial that it was just normal for friends to act the way you two were. but he was in love. and that scared him. because what is he supposed to do when he finally realizes that you have consumed him? he never wanted this to happen, not in a million years.

but perhaps he was in love with you long before he started tripping along the lines of being friends and something more.

why are you doing this? your question echoed in his head. because i love you, he swallows back down his throat. he can’t say it. there’s no way things would work out. he could die any day and he’d rather not see you miserable because of his death. it would be better if you found someone else—but how ironic. he couldn’t really handle the thought of you being with someone else in the first place.

why are you doing this? your question echoes again. “because i love you.” he finally says, hesitant even. hesitant to know what you’re reaction was going to be. your eyes went wide at the sudden confession, and hoshina was certain that you wouldn’t believe him (well, he couldn’t really believe it either). “you’re kidding me,” you replied.

“i’m not.”

and surely enough, the look on the vice captain’s eyes said it all. he was dead serious. "i... why?” it's ten past two in the fucking morning, and you were too scared to accept that all of this was occurring right now, so you were afraid to ask. you were too scared to just randomly wake up and realize that maybe it was all a dream. too scared to believe that your feelings are being reciprocated.

“because you’re different—different to me, if that makes sense. it’s like you have this effect when it comes to me. food tastes better whenever i share a meal with you; my day just feels more peaceful whenever i get to see you’re doing fine, and i realized that maybe i haven’t actually looked at you like a friend or coworker for as long as i can remember; i was just too stupid to realize it earlier.” he avoids his gaze for a moment before looking at you again.

“i love you. i want you to look at me and love me too. we’ve come too far to turn back. i’m already too deep into you.”

you were speechless. 

he loves you. he loves you. he loves you. it repeated like some sort of chant inside of your head as you processed everything. hoshina soshiro loves you back—who would’ve thought? you hadn’t realized that he was sitting so close to you. the tension was so thick, but you easily cut it down as you started with your response.

“you’re an amazing man, vice captain, and i truly cannot grasp how you could feel such feelings towards me, but i love you too.” you could see hoshina jump in his seat in shock at your confession, but you continued. “i love you in ways you have never been loved, for reasons that you may not have been told, for longer than you think you deserve and with more than you will ever know existed inside of me. yet i can’t help but still wonder… how? why? wait no, why was already answered—”

he chuckles at you. stopping you with your words. “what’s so funny?” you pouted at him. “it’s nothing. i just can’t believe that we’re seriously having this moment at two in the morning.”

“sorry, i think that may have been on my part. i kind of snapped there because i was just so… confused.”

“confused?”

“yeah, confused if we’ve crossed the line between friends or lovers without actually realizing it. crazy, right?”

hoshina moves a bit closer to you, making the distance between the two of you smaller than before. he puts his forehead against yours. “not really, but i look at you, and i just love you, and it terrifies me. it terrifies me what i would do for you. i’m in love but i’m also terrified—that’s what i think is crazy.”

“then let’s be terrified together,” you whispered to him.

a soft laugh leaves his lips this time. “i like the sound of that.” he whispers back.

he loves you.

and you love him back.

that’s all what matters.

love, in general, can make you feel all sorts of things. joy, confusion, anger, fear, and many more. it can also make you do all sorts of things. it can make you do things you never really imagined doing for or with someone in the first place. it tends to be irrational—ridiculous, even. but the thought of doing all of it for the person you care most about? you finally realized that’s simply what love is all about for you.

to love is something you truly cannot name.

[andreablog2]

Talking shit about J Lo is the most human thing a person could do…..i hate this era of celebrity we’re in where like everyone is an icon you can’t talk shit about unless they did some horrific thing. That’s the only reason people get mad at celebs over the most benign/banal actions…nobody can just hate on a grown ass pop star for making bad art and being stupid any more. Most celebrities who made it into the mainstream post 2015 all dress like video game characters and have the most filtered manicured personalized to avoid any sort of conversation about how they present themselves. New celebrities just get shoved in peoples faces and they are expected to respect them as cultural liaisons for whatever consumer tribe they are meant to represent it’s insane.

[livelaughpeg]

I'm writing this from a throwaway account, because you know...Scientology.

I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.

But one thing that did always rub me up the wrong way was the way he talked about getting work.

I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:

I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.

I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.

I think someone had more financial cushion that he was letting on.

And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.

And then I saw Jeff's tweets. Oh, that's why...

I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.

I suspect it's all a lie.

[wistfulpoltergeist]

Episode 1

Amadeo stood at the rusty gates of his newly bought manor, gazing at the intricate windows and confusing aisles that transfixed him with their immensity and extraordinary.

That architect must have been mad. Came the thought.

Amadeo pushed the gate, and it squeaked open, jingling with a heavy padlock on a chain.

He noted installing the modern security system and wondered why the brokers hadn’t set it up to protect the lonely house, lost in the pine woods. Middle Ages!

Amadeo walked up to the entrance, reached for the door hammer, and politely knocked it twice. Nobody answered. He knocked harder, and the door cracked open.

“Hello, anyone?” He called out, walking in. “Mr and Mrs Rogers? It’s Amadeo Goldfield, the new house owner.”

Only echo from the dim halls came in reply.

The house looked solemn, dark… expectant, and smelled of roses. Amadeo looked around the stucco walls in the vivid Art Nouveau style and shabby chic furniture as if frozen in time, preserved from decaying in this secluded place.

He swept a finger over the nearest tabletop. Clean. So the servants, his broker introduced as locals who tended to the house, did their job.

“I see the front yard is in a terrible state!” Amadeo cried toward what he assumed was the kitchen. “The shrubs need trimming.”

He noticed a vase with freshly picked flowers on the table. The rose fragrance hung in the air like the morning mist. There was a note beside it, lined with steady, stiff handwriting.

“Dear Mr Goldfield,

Welcome to Hill House. We don’t stay on the premises after four o’clock. If you are reading this, then you are late. The dinner is in the oven. Help yourself to any side dishes and snacks I left in the fridge. Your master bedroom and guest rooms are ready. The old boiler is on, though the water runs gurgling. The plumber you hired hasn’t finished his job. I’d say ‘make yourself at home’ if I believed you could. Help you, God.

Yours sincerely, Mrs Rogers.”

---------------------------------- Characters Next

Amazing building is by @simsontherope! Thank you so much for this piece of art. Not in any case I consider you mad for building this masterpiece!:D

[lamentationsofalonelypotato]

You Call It Madness But I Call It Love

Chapter 1: You Shouldn't Have Answered The Door

Pairing: Soldier Boy x f!reader, Reader POV

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter one of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)

Word Count: 3.6K

Warnings: References to sex, Cursing (once or twice), Soldier Boy might be, is, really, absolutely, a little OOC,

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal Monologue is in first person and is in italics

Masterlist

Chapter 2

******************************************

Present Day

Your head rests against your forearms on your desk, jerking upwards as a loud rhythmic knocking assaults the front door of your apartment.

What?

You think to yourself, rubbing your face with your hands. Your sketchpad was laid open on your desk beneath your head, the rough sketch of an egret bowing its head along the bank of a small pond splayed over the page in shades of gray. It would be the first in your new series of nature paintings that you would be unveiling in a month.

At least I didn't poke my eye out with the pencil. You think eyeing the sharpened point of the pencil that was dangerously close to your face a few seconds ago.

You turn your wrist to glance at your watch and note the time. It was an antique, square faced and strung on a simple black band, a reminder of a past life that you couldn't bear to part with.

Who would come see me at 8:00 am on a Monday?

For a minute you try to remember if you'd received a call from the curator of the gallery downtown, or if there had been a meeting or a lunch with your agent to discuss your next installment of work, but nothing comes to mind.

When you officially retired from being a hero you decided to become a full time artist, a hobby you had since you were a child. You hadn't expected it explode. You had enough money from your heroing career to live several lifetimes, not unwelcome given the fact that you couldn't die, not in the traditional sense at least, so art was supposed to just be a way for you to off steam. But you were happy with your life now, a lot happier than you had been when you were a hero on Payback. The thought of your previous employment with Vought sours in your mouth followed by the unavoidable thought of Ben that you push down with a well practiced sigh.

You didn't feel like reliving all that over again right now, though you knew it would probably happen later. It came in waves, especially at night when you found it difficult to sleep, the melatonin wasn't working, and all you really wanted was a hard drink.

Sobriety sucked.

The knocking persists, rattling around in your head like a bee trying to get out of a plastic cup.

"Fine. I'm coming." You shout standing up from your desk and making your way from the wall that serves as your studio towards the front door of your apartment, while trying to rub away the line the page made on your cheek.

Your apartment was the one extravagance you allowed yourself. Despite the amount of money you had, flashing it had never been a priority even in your hero days. The apartment was open concept with exposed brick walls, tall North facing windows that angled away from the inside and jutted outward over a raised wooden floored area that served as your studio. A large modern kitchen sat just to the right of the front door with stainless steel appliances, on another wall a tv hung above a leather couch and held a dark hallway that lead to your bedroom and the guest bedroom, the other walls were covered in your work, and the final wall held several bookshelves with art supplies and your vinyl record collection. A collection you started forever ago and that continued to grow with each passing year.

Need to get another bookshelf. You note looking at the limited space that remained.

You look through the peep hole in the solid metal apartment door. A tall dark haired man wearing a Hawaiian shirt and a black duster and a thin younger guy with brown curly hair stare back at you.

"I don't want to buy any girl scout cookies." You shout through the heavy metal of the door.

The younger guy snorts.

"y/f/n y/l/n?" The dark haired man asks an accent tilting the ends of his words.

"Who's asking?"

He pulls out a badge, holding it up to the peep hole. "I'm Agent Butcher, this is Agent Campbell. We’re from the CIA, here to ask you a couple of questions about Soldier Boy."

At the mention of Ben's hero name you pause. You had avoided thinking about your former best friend as much as possible over the past forty years. Your relationship with Ben was complicated, the final few days you spent together even more complicated than the early years.

It hurt to compare what your life with him was like before you both became supes to the life you had together after. You had grown up together, forced into close proximity because your parents were friends and then became best friends yourselves. You stayed friends, before you both got injected with Compound V and a few years later moved on to Payback together. You were the only person able to keep Ben in check and as violent as his temper was, he didn't like to cross you. You were the only person who knew the real him, had been with him longer than anyone else. Not that he ever admitted that to you or admitted that he cared about you, but you thought somewhere deep down that he had to, felt at least something for you.

That was the problem. You were in love with him, cared deeply about him, cared more about him than anyone else you'd ever had in your life. On the night you finally slept together you were happy, you thought he felt the same way, and then the next day at his premiere you found him in the bathroom with Countess bent over a sink. The fight that followed had been your resignation from Payback and also the reason why you weren't there when Ben died.

Your jaw clenches together at the memory, followed by guilt. You were always there for him, you had his back just as he had yours, but the one time you hadn't been there-

You open the door to look at them. "The singer?"

"What?" Agent Butcher looks confused.

"The artist? Soulja Boy-" You arch a brow feigning confusion. "Because honestly I don't understand why the CIA would be asking me about that."

“No.” Agent Butcher holds up a photo.

You keep your face impassive. It’s a photo of Ben and you at a movie premiere the week before he left to go to Nicaragua. Both of you were standing in your supe suits, your own was a sleeveless black one piece suit with purple embellishments that traced from the sides of your ankles and stretched up under your armpits, while a dark hood covered your head and a black mask hid the bottom of your face. You always thought you looked more like a supervillain in it, but you were thankful that it hid your identity. It was so long ago, but you still remember that night clearly. The ridiculous movie, the afterparty where everyone was so tipsy and the smell of alcohol burned against your nose, and finally when you went to the bathroom and found Ben and Countess together, the immeasurable rage followed by heartbreak that you felt when you saw them.  Not to mention the fight that followed when Ben trampled all over your heart and stated that you meant nothing to him.

“You’re here to talk to me about my mom?” You flit your eyes back to the two men standing in the doorway, easily slipping into the lie that you and Legend invented.

“Your mom?” Agent Campbell looks confused.

“Yeah. Indigo? I mean y’all can come in if you want-“ You open the door wider, understanding that they won't leave, before you begin to move towards the kitchen. “I apologize in advance. I’m not quite myself, I was up late working.” You pause halfway into the kitchen. “I’m going to make some coffee, you guys want some?” You eye the man in the black coat. "Or tea?"

“Coffee is fine."

You find the coffee filters and shuffle through the cupboards to find a bag of coffee, still trying to wake up. Staying up late wasn't unusual for you. You tended to find the urge to create in the wee hours of the morning, not to mention everything that happened in the past kept you up.

You open the bag of coffee to smell the grounds, thinking that it will wake you up, but as soon as you do the smell of Agent Butcher and Agent Campbell washes over you.

You could smell the compound V in their veins pumping through their bodies with every beat of their hearts.

So, they're supes. You think to yourself, pouring the grounds into the coffeemaker. Which means they probably aren't from the CIA.

Despite the realization, you weren't worried. Your particular ability was a well-kept secret, a secret that only Ben knew despite you being on Payback. Stan Edgar and the others had believed that "Indigo," the hero name assigned to you, had enhanced strength and senses, but it was more than that. You had an ability that, if brought to the public, would probably land you in a government facility. Laying low had it's perks, your freedom was one of them.

You watch them begin to walk around your living room examining the artifacts of your new life, the one you crafted when everything fell apart. There wasn't anything in the living room to arouse suspicion that you were the original Indigo. The only remnants of your past life that remained were in a wooden trunk at the back of your walk in closet, hidden behind a collection of paint splattered overalls almost identical to the pair you were wearing right now.

"You've got a nice place." The younger guy says looking around.

"Thanks. It's rent controlled. I got lucky-" You fiddle with the coffeemaker to buy yourself some time.

Why were they here to ask me about Ben? It had been 40 years, hardly seems relevant now. And why were they pretending to be CIA?

"You're an artist?" Agent Butcher asks, staring at the canvas sitting on an easel by your desk. It was a collection of multicolored dark greens that swirled together, flecked with pieces of gold that shone in the brilliant sunlight from the wall of windows where your studio was.

"Yeah. And I tend to paint my best at night. Hence the coffee" You turn, placing your hands on the island to face the two men.

“You’re really good.” Agent Campbell says examining some of the canvases on the wall.

“Thanks.”

“So your mum eh?” Agent Butcher turns to look at you. You note the smirk on his face and incredulous raising of his brow.

He doesn't believe me. Hard not to. I don't age.

“Yes?” You raise an eyebrow to challenge him

“You look a lot like her.”

“Thanks. I think there’s a compliment in there somewhere.” You look from Butcher to the younger guy who has moved on to look at your vinyl collection. "And I'm pretty sure that most kids look like their parents. But I'm not a geneticist."

"NO WAY! You have a signed copy of Billy Joel's Glass House!" Agent Campbell shouts holding up the vinyl cover in awe.

"Yeah." You can't help but smile at his enthusiasm.

"How did you-“

"Hughie." Agent Butcher sighs.

The younger guy now identified as Hughie puts the record back with a frown, before turning back to the collection.

“But you have the same name.” Agent Butcher's eyes flit to yours.

“She named me after herself. I’m sure the CIA can locate my birth certificate."

“Right.” Agent Butcher smiles, but it’s tight lipped.

You stand there for another minute looking from Agent Butcher to Hughie, trying to think of why they're here. "So what do you want to know?”

“Well is your mum around-“

You allow your shoulders to droop and take in a shaky breath. "She died about a year ago. Cancer."

They weren't the first to come here and accuse you of being Indigo. Legend and you had come up with the farce to protect you, help you start over, but you hadn't wanted to part with your name. So other precautions were put in place: a funeral plot was purchased and a death certificate was issued as was a fake passport, I.D, and birth certificate that made you thirty two rather than over one hundred.

“Really? I thought Indigo-“ It’s enough to make Hughie turn around and look at you.

“Don’t read everything Vought says." You interrupt. "That experimental shit they put in her veins may have made her powerful, but it couldn’t protect her from that.” You sigh again to sell the lie, before turning to the coffee maker, to pour them and yourself a cup. "There should be some milk in there, sugar's in the bowl." You gesture to the refrigerator and the small blown glass sugar bowl on the counter next to the coffee maker.

Hughie moves into the kitchen to pour himself a cup, but Agent Butcher continues to eye you suspiciously.

“It wasn’t in the news.” He grunts.

“They covered it up pretty well. I mean do you blame them? One of the first supes gets killed by something like cancer. Can’t be good for Vought given they pride themselves on showcasing unstoppable heroes. I mean can you imagine if Homelander or Queen Maeve died of something like cancer? Doesn’t look good.” You shrug your shoulders and take a sip from the coffee in your hands. “What did you want to talk to her about?”

“Soldier Boy.” Butcher moves to the coffeemaker and it takes a strong amount of willpower to stop the urge to turn towards him, but you know that you need to act indifferent.

“Did she talk to you at all about him?” Hughie moves to one of the bar stools on the opposite side of the island with his coffee in front of him.

“Yeah.” You look down at the mug with a sigh, rolling the warm glass between your hands. “He really did a number on her. Plus towards the end she started seeing him everywhere."

The emotion that you summon is not fake. You allow a small amount to trickle over the dam you built to protect yourself from falling back into the pit you fell into when Ben broke your heart and then died. When you broke every piece of glass in your apartment and threw your couch through the wall.

“I’m so sorry for your loss.” Hughie looks sincere when he says it.

Why is someone like him hanging out with this guy? You think to yourself eyeing Agent Butcher again.

“It’s been hard. But I took care of her, sometimes it was only me. It’s kind of hard to restrain an 103 year old with super strength.” You smile to yourself at the joke.

“So you’re a supe?” Hughie takes a sip from his coffee mug.

“No I was just able to talk her down. Guess that first batch of Compound V doesn’t work the same way. Never transferred. Plus my dad wasn’t a supe so maybe it just diluted.” You shrug, the lies weaving easily through the air. 

“But she did talk to you about him?” Agent Butcher presses. He's leaning against the counter to your left.

“Yeah.”

“And?”

“I mean what do you want to hear? There’s a lot.” The mug sends a pleasant warmth through your hands as you hold it, but does little to stop the chill of the past from creeping up your spine.

“Start at the beginning.”

“Well.” You take another sip of coffee. “I don’t know details-details but- I just know that she grew up with him, they were from the same neighborhood in Philadelphia.  All that shit they made up about Soldier Boy being from a poor family was just propaganda. His dad owned half the steel mills in the state of Pennsylvania. Used to invest in property with my grandfather. Soldier Boy and my mom were friends. When he got the Compound V shot, she did too. They were looking for female and male volunteers. I think he asked her to? Or-“ You shrug your shoulders to push away the memory of the day Ben told you about the experiments. When he told you he was finally going to make something of himself and convinced you to go with him.

“They were dating?” Agent Butcher asks.

The question makes you pause. It was difficult to think about that, difficult to relive the memories of Ben continuing to push you away and his final refusal to admit he loved you. Ben never did say that to you. You had been through so much together, so many years as friends and then after the night you finally were together he threw you away like you meant nothing.

“No, but he really hurt her-“ You avoid their gaze.

“What did he do?” Hughie asks leaning forward on the counter.

“They had been through a lot together and I think when their friendship began to transfer to relationship he pushed her away. My mother said something about him refusing to admit he loved her. I think the last straw when she caught him with Countess.”

“Do you know anything about how he died?”

The memory of the phone call strikes you in the chest, when Stan Edgar himself called to tell you Ben was dead. When the darkness swallowed you whole and all you felt was guilt and heart break over the fight you had and how you left him alone when he needed you most.

“It hurt my mother a lot. Broke her. She never really got over him, no one was good enough, not even my dad. She drove him away too and then it was just us.”

“Was she there when Soldier Boy died?” Hughie spins the coffee mug in his hands.

“No. She left Payback  before that mission. It was right after she caught Countess and him together.” You force a shrug. “I think she regretted not being there. She was almost as indestructible as him, but I think she felt worse because they had a big fight right before.”

“So she didn’t know about Nicaragua or the thing that killed him?” Agent Butcher raises an eyebrow.

You cock your head to the side feigning confusion. “What are you talking about? Soldier Boy got vaporized in a nuclear explosion.”

“Well I think we’ve wasted enough of your time.”

They get up to leave.

“Wait-“

 Agent Butcher turns to look at you. 

“Why are you asking me about him? It's been what? Forty years since he died-"

"That's classified love. Thank you for your time."

You watch them leave, but listen to them as they walk down the hallway.

“So do you believe her?” Hughie’s voice echoes in your ears.

“Not a bit. Maybe we trail her for a day. See if she really is an artist." Agent Butcher grunts. "At least until we go to Russia."

Russia? Why would they go to Russia?

You stand there for a second, holding the coffee mug in your hands. As you do the memories of the past 90 years wash across your mind, breaking through the damn that you built to protect yourself.

You were friends for years. You loved him since the moment you met. There were good times before the serum and then the bad, when he got famous and you were there to keep him in check. Sure you may have annoyed him, but he liked that about you, that you were able to bring him back from the edge. The day you finally had sex you remembered it, it was special, or you thought it was. You were excited that finally he loved you as much as you loved him. But then it all fell apart. That fight hadn’t been pretty. When you left him you felt yourself begin to slip, you didn’t eat or drink for days and when you finally got the phone call you thought it was him trying to apologize, but it was Stan.

You think again about Russia and finally your mind drifts to Countess.

She was the one that said that the Russians killed Ben, she saw it happen, saw his body get taken away-

Your jaw clenches together in anger and frustration as you remember the last time you saw her, when she taunted you and you almost ripped off her head. You never heard it directly from her that Ben was dead, only heard it from Stan. Of course the ridiculous funeral for Ben that you were expected to go to would mean that you saw her, but you hadn't gone, didn't want to keep up the charade. Instead you went to Philadelphia and walked the streets aimlessly with a bottle of whiskey in your hand, remembering what it was like when you were kids. Sometimes you think it all would have been different if you never got the injection, if you said no when he showed up in your bedroom and asked you to come with him. He was your oldest friend. The only real person you'd ever loved or cared about. The memory of the fight rings in your ears but you push it down.

You think again about Countess.  She was the reason why Ben and you had the fight. The reason you weren't there in Nicaragua. Regret spikes in your chest. You should have been there that day, should have tried to save him. You always had each others backs and the one time you weren't there he died.

Maybe it was time to pay her a visit.

**********************************************

Thank you for reading! If you'd like to be added to the taglist for this series let me know :)

Taglist: @roseblue373