#OH AND I FORGOT TO WRITE IN.

[princema-k]

so. ethan and his manga versions huh

[farceurcole]

[thatonedudeinthecorner]

Love you Zukka you really are that blue gumball and the hot topic. Unrelated news about the state of the island….

[cheesecakethots]

Part 2 to this.

He had never been so caring for another, the guard noted. Lord Scaramouche was not the caring type, after all.

Despite that, the man had watched the lord express actual worry for you, the one huddled away in his tent as he barked orders at soldiers to find medicine, make warm soup, and heat up water. One of them had had his fingers broken for making the food too cold for the harbingers liking.

On the very few occasions the guard was permitted inside the tent, he had caught glimpses of the lord knelt beside your feverish figure in bed, the back of his hand softly resting on your forehead. If they had been any longer in finding you…

The few medics in camp were situated nearby, with any and all injuries not held by you being mostly ignored for the time being. You had barely been conscious for the past few days, slipping in and out, with some mumbled and confusing phrases leaving chapped lips.

The guard is brought out of his memories when Lord Scaramouche passes him, dramatically parting the tent covering and entering with a few quick strides. He immediately makes a beeline for your cold, limp body tucked away in bed.

Scaramouche places a hand to your cheek. His frown deepens, and you groan, glazed over eyes opening only a fraction.

“M…Mother?”

A sigh escapes him. His soulmate really is pitiful… and weak.

“… You’re safe now,” he mutters, surprised for a moment at the tinge of emotion in his own voice.

“Do… I have to help c…cook dinner?”

“No. You’ll never be doing that again.”

“Oh… okay…” A yawn leaves your throat.

“Go to sleep.”

“Can we have… chocolate later? I bought some… to share,” you murmur, trailing off until your breathing becomes light, and your eyes fully close.

The lord sighs. A shiver wracks through your body, despite the multiple animal hides you have on. He’s certain that his men have destroyed the surrounding ecosystem just to keep you warm, but, oh well.

He stands, hesitantly turning away from you. You need more blankets, maybe some more soup, anything to keep the fever from taking you away from-

Oh. His eyes widen, and he glances back to you, and then at the shaking hand pulling on his fingers.

“Don’t… leave me…”

You’re still asleep. It’s not as though you’re conscious and would know if he left, is it? It’s not as though your plea is anything more than some deluded fairytale in your mind, is it?

“I won’t.”

Curses.

Curse him, and curse you for awakening something he didn’t think he had, something in his chest that for centuries he was sure was simply an empty void of nothing.

He wants to scoff and leave you here, to tell you that he has no need for someone as weak as you in his life. He wishes he had left you tied to that tree and just kept moving, that he had never felt the touch of your skin against his own. That he had felt absolutely nothing, that he hadn’t felt a stab of fear for the first time in a long time when carrying your freezing cold body back to camp. It would’ve saved him a lot of trouble.

He doesn’t let go of your hand for a long, long while.

The next morning he leaves you alone for a short time, an hour at most. He regrets it when he comes back to you standing on two wobbly knees, the parts that make him up jolting at the sight.

“What are you doing?!”

You flinch, yelping when you abruptly turn to him and lose your balance. Hands, ones that send a feeling of static and electricity straight to your very core, are soon grasping onto you, holding you up before you can hit the ground.

“Are you daft?” The man spits out, visibly aggravated.

“Wh-What? What?”

“Get back in bed. I won’t ask you again.”

You don’t move, the sensation that comes with his touch only growing the longer the two of you stand.

“You’re… you’re…?” You whisper, eyes widening.

He pauses, the irritation in his expression dropping a little. After a beat, his lips part.

“… Yes.”

“We were in the woods, right? My village, they…”

Any softness on his face is wiped away the moment you mention your old home, and the people that resided in it. No longer waiting, he lightly pushes you back, leading you into the makeshift bed below. A blanket is soon wrapped around your quivering shoulders.

“Eat this,” he orders, pulling something out of his pocket and holding it close to your lips.

Chocolate.

“I’m not-“

“Eat.”

You tentatively take it from him, and the atmosphere grows awkward, at least for you, while he watches you chew on the rest of it.

“Thank you, it was delicious,” you tell him, truthfully. You haven’t had chocolate in a long time, as it was simply too expensive for your family to afford. Your mouth curves downwards into a frown.

“Rest.”

You don’t. You’re not sure if you can.

“My family, they let them take me. They didn’t… they didn’t stop them. They must…” A gasp is torn from you, and you meet his eyes once more. “How long has it been?”

“… Three days.”

You begin rise to your shaky feet, “I-I must go back, they’ll think that I’m-!”

He pushes you back down effortlessly.

“Are you a fucking fool?”

You can’t help but flinch at the absolute venom in his tone, but he isn’t done yet, towering over you.

“What do you think will happen if you go back, hm? That they’ll accept you with open arms, or they’ll send you right back to where I found you? Or, better yet, maybe they’ll set you alight there and then, rather than troubling themselves in having you freeze to death, they’ll instead watch you burn. Would you like to test if your family would spare you from that? Hm?”

You have never felt this small in your entire life.

“I-“

“Enough.” It appears the question was rhetorical, and your mouth closes, quickly feeling very dry.

His chest shudders with each deep breath he draws in, and he closes his eyes shut for a moment, seemingly trying to calm himself.

“Sleep. We have a long journey ahead of us. Don’t ask me anymore stupid questions,” he turns on his heel, most likely deciding that he has something better to do. However, before he fully departs, he pauses at the entrance to the tent, still not looking back at you.

“You deserve better than that village, than that family who threw you out as though you were nothing to them. Know that I do not plan on doing the same, and that you… aren’t nothing to me.”

The intimidation you feel from him dimishes when you catch sight of the pinkish tinge to the tips of his ears. He doesn’t wait for your response, swiftly departing. You miss the few words of parting he gives you, as you tuck yourself into bed.

“Besides, it’s not as though you have anything to go back to, anymore.”

[erenthology]

Assertive

Rugby boyfriend!Eren x fem!reader

collage au, possessive but in an infatuated boyfriend type of way. Size differences are mentioned. No matter your size, Eren is bigger than you. (Note: going to be more active now that Aot is ending. Feel free to send requests ♡)

I don’t mind if you’re ignoring me, cuz I’m ignoring you. “ he watches you bounce around the room in your thin, white nightdress. 

You continue looking for your phone, ignoring him. There’s no way you haven’t searched every inch of his dorm room by now, so you finally look at him. He’s laying on the bed shirtless, hands behind his neck, looking at you innocently. That f’ckin bastard.

“Do you have my phone, Eren?”

He flashes his teeth, “ugh, baby, you have no idea how nice it is to hear your voice again. C’mere.” he pats his lap.

You sternly put your hand on top of your hip, arching it to the side, giving Eren the perfect view. “Do you have it or not?” He doesn’t even try to hide his smirk.

”Do I? I'm not sure. You should come over and look,” stretching his arms out in an inviting pose.

Earlier, Eren’s roommate, Floch, made a joke about how he can hear when you and Eren are having sex. When you told Eren, he rushed out of the room and ordered Floch to apologize. Completely scolding him like a dad. You felt embarrassed since you didn’t want his friends to think you can’t take a joke.

You know he’s just going to grab and pull you towards him, so instead, you start walking towards the door. Eren tenses immediately and rushes towards you,

‘’Hey, hey” he grabs your hand. ”where do you think you’re going?’’ he questions with furrowed eyebrows.

‘’To ask if the guys have they’ve seen it?’’ 

His eyes flash red for a second. To have his friends see the outline of your nipples through that thin fabric of your so called pajamas? He looks you up and down, nope, not happening. You should be wearing his t-shirts to bed anyway.

 ‘’Not like that, you’re not,’’ he gives you an ‘’end of discussion’’ look, but you huff and turn anyway. Not that you get far at all, he has you slung over his shoulders before you’ve even fully turned.

The con of having a rugby player as a boyfriend is that he throws you around a lot without so much as breaking a sweat. When you’re mad at him, he has this irritating habit of lifting you off the ground and cuddling you until you’ve cooled down. Claiming it “breaks his heart watching you walk away angry.”

He walks towards the bed, ignoring your fists punching at his back. “You’re such a brat sometimes.” He doesn't mind at all though, Eren has the patience of a saint when it comes to his girl, he enjoys being the one to set you straight.

He carefully lies you down on his bed, positions himself on top and grins, ‘’gotcha,’’ then smacks a kiss on your cheek. ‘’You’re annoying.” you pinch his ear in retaliation.

“Ow, hey, you know you’re stronger than you look.” he scratches his reddened ear. ‘’I'm being deadass, baby, you could go pro in armwrestling or some shit.’’ You burst out laughing over how dramatic he’s being and his eyes lit up from the sound. Your smile always captivates him.

Feeling yourself being stared at, you grin cheekily, unable to hide your smile “weirdo, stop staring,’’ brushing your fingers against his stubble. His eyes follow the movement of your hand and begin tracing the shape of your figure when all of a sudden he starts attacking you in tickles.

You’re both advancing on each other playfully, laughing hysterically. In an attempt to roll out of his reach, Eren quickly reacts by by grabbing your hands and pins them above your head. The laughter is quickly replaced with heavy pants as you stare at him naively, your chest rising up and down.

Snapping out of his thoughts, he lets go of his grip and rests his head on your chest, “you know, it doesn’t matter if you’re mad. I don’t want you to feel uncomfortable staying here.’’ he gently admits, then lifts his head,

‘’plus, I’m the only one who has a say about you in bed.” he wiggles his eyebrows.

“Gross,’’ you push his chest, apparently amusing him by the look on his face. ‘‘but it’s fine, really. I just wanted to ignore the situation, but I guess he should learn that not everything needs to be said.’’ At this, he grins and takes ahold of your chin,

‘’that’s a good girl.’’

You ignore the heat rising in your face and smack his hand away when you suddenly remember, ‘’speaking off, where is my phone? You know I need to do my nightly routine check.’’

He knows. It’s the reason he slipped it under his pillow the moment you started throwing a fit. It’s nice having the most predictable girl on the planet. ‘’You can do it later, let a man enjoy his girl for a moment. You can be mad at me after.’’

‘’I'm not mad at you’’ you look genuinely offended, causing him to snicker. “Besides, I kinda liked the whole sexy, scolding dad thing you had going on. It was kinda turning me on,” you admit, looking straight into his eyes.

His hands on your hips stiffen instantly and his whole demeanor changes. “Don’t even joke, [name] I will put a baby in you right this second,” large hands grab your ass and starts grinding your body against his.  

You attempt to leave but he drags you right back, looking at you confused. Looking down, you purr, “I really need to do my routine check,” sticking out your lower lip for extra effect.

You love to rile him up and have him mock you for being greedy and bratty. His face gets closer to yours with his eyebrows all furrowed.

“Did you just pout at me?”

“Nuh uh,” you lie and tease your hand against his belt, Eren’s eyes follow your movements then trace back up to your face, where you’re innocently meeting his eyes.

He grabs a fistful of your hair and looks down at your hand playing against his bulge. ‘’You wanna get fucked?’’ he spits with disgust, or admiration. It’s hard to tell with him.

“Know you enjoy keeping me on edge, acting all innocent when we both know,” He tucks a strand of hair behind your ear, eyes lingering just a second too long on your lips. Thoughts on ways to tame you running wild in his head.

‘’Telling me it turned you on when I was commanding,’’ he shakes his head as if disappointed.‘’It's good I’m here to keep you in line. A girl like you needs that.’’

You feel the imprint of him on your stomach as his hips press you down on the bed, leaving you no space to leave. You try your best to keep your voice steady. “Just wanna make you happy,’ you breathe out. He almost laughs. 

“You know what would make me happy?‘’ Eren stands and lifts you up with him.

‘’you with my cock in your mouth.” You almost go limp in his arms from how lewd he's being. 

Giving you an expectant look, he nudges your nose with his, “are you waiting for something? get to work.” he guides you down on your knees towards his crotch. The carnal look in his eyes makes you fumble a bit with his belt, but Eren is patient. Sometimes you suspect he enjoys seeing you nervous to perform for him.

Pressing a kiss on the tip, he returns his gratitude by patting your hair in a domineering act, “make me proud.’’ he smiles, in which you relish. Keeping eye contact, you swirl your tongue around his shaft before hollowing your cheeks and start working your way down. You can’t help but gag at his size, no matter how often you blow him. 

It’s been quiet for some time now and you’re growing impatient with the lack of praise. You decide to look up at him through the tears in your eyes and catch him smiling down at you. The scene feels so filthy you can’t help but slyly drag your fingers over your panties to relieve some of the pressure, secretly humping your hips against your hand to the sound of his pants. 

He just nearly cums in your mouth when he notices what you’re up to. Shamelessly playing with yourself, mouth filled with cock, you look straight out of Eren’s nastiest fantasies, it was perfect.

He bends down and pulls your hand out from under your nightdress, “Not yet, need you to be a good girl for me.’’ Then he does the hottest thing all night, he leans down to give it a kiss. You love him. He makes you feel like a princess getting fucked by her knight.

Feeling enthusiastic again, you eagerly reach for him to continue where you left off, but are stopped yet again. Whining, you wait for him any sort of command, just to do something, anything! but he looks so unaffected it’s making you wail even louder.

 “stop whining, you don’t deserve to suck my dick.” Despite the warning, you almost do it again but stop yourself when you notice the glare you’re given. “But I really needa feel you, Eren. It hurts down there.” you were so wet it felt like you were about to explode from the lack of release. 

He's only a man after all, even he has his limits when you wail pathetically about how wet your pussy is. Now he needs to have a look. He pulls you up by your torso, ‘’does sucking me off make you wet?’’ You nod and visibly see his ego lit up.  

A thin sheen of sweat connects your bodies as he effortlessly carries you over to his bed. You take advantage of your flexibility and spread your legs as far apart as you can once he lays you down, earning a groan out of him.

He doesn't hesitate a moment further to push his face in there and peek under your dress. “such a pretty cunt, princess. no idea how often I jerk off thinking about it, about this,” kissing through your soaked panties. Your hips jerk upwards at his erotic words, desperate for friction.

“Eren, please”

He pushes your panties to the side but keeps them on. It’s like he’s so needy for you he can’t be bothered to take off either of your clothes properly, but patient enough to check out every inch of you as if seeing you like this for the first time.

Eren’s broad body consumes your smaller frame as you lie beneath him. You love this feeling, him shielding your body from anyone and anything but himself. 

 His ring covered fingers play softly with your bud, observing your reactions before lining himself against you, causing goosebumps to erupt all over your skin. The sight of Eren being almost abnormally endeavored by your pussy as he spits on his hand and pumps his cock, increases the heat pooling in your abdomen. 

You lie still, enjoying the sensation of him rubbing and tapping himself against you. His eyes are fixated entirely on your cunt and you enjoy every bit of the attention. Not to say you’re not curious about what goes on in his mind when he’s focused and quiet like this. Like your body is art and he is studying and memorizing every part of it.

Once satisfied, he pushes through the tight hindrance and sucks in a breathe, “oh, fuck.” and finally looks up at you. His heart stops a beat when he’s reminded of how beautiful you are. The urge to hide you away from anyone's eyes but his, hits him strong but he bites it back.

Time slows for a moment as you both take each other in through half lidded eyes, and for some reason, your vision has never been as clear. His fingers thread through yours as he leans in for a kiss. When he pulls away, your eyes are still closed. Eren grins and places one last kiss on your forehead before thrusting his way in. 

He’s fucking you with his hips, hard. Hands pressing down your pelvic, holding you still for him to ram into. The strap of your nightdress has slightly fallen down your shoulders, so he pushes the fabric that’s hiding you from him down further, and exposes your breasts. The moan he lets out from the sight is pure filth. 

‘’Touch yourself.’’ he demanded, pupils dilated. With glazed over eyes, you comply and start playing with yourself, twisting and grazing your nipples. The act drives him to lift your hips to reach deeper into you,’’really thought i’d let you walk out of my room looking like this.’’ he grows almost annoyed at the thought. 

Tenderly cupping his cheek, he almost flinches from how lovingly you’re looking at him, “You’re all I want, Eren.’’ and he almost melts. When you say things like that it makes him want to keep you to himself even more, resting his forehead against yours, he looks at you with almost a pained expression. ‘’that’s good, because i'm a selfish man.’’

 With your legs lifted around his waist and upper body sprawled on the bed, you’re essentially at his mercy as he connects your bodies in repeated thrusts. Again, again and again, the sound of him pushing into you echoes in the room. 

He fucks like a deprived man and speaks like a man in love. “Does it feel good, princess?’’ You nod with lovestruck eyes. ‘’Yeah? taking me so well. making me so proud.’’ The pressure feels too intense, about to snap.

He’s stretching you on his cock and looking straight into your eyes as he's doing it. Your body dissolves into pleasure as you writhe beneath him.

Your body starts squirming uncontrollably, causing him to grip your hips ever tighter, overpowering you in strength. You let out a loud sob and rake your nails on his back when your vision suddenly fades to black. He stares at you, astonished.

He raises an eyebrow, “did you just cum?” the thusting has stopped completely now but you felt his dick twitch inside you as he asked. “Tried to hold it in for you,” you stare back apologetically, eyes still sprinkled with lust. Best part is, he knows you didn’t. And you know it too. 

“Turn around,” he orders. You obey and slump towards the bed with your back against him, hiding your face in the pillows. “Don’t act all shy with me now, let’s see your face,” he leaves no room for discussion, so you slowly turn your head and face him. He looks so big staring down at you from your vulnerable position. “That’s a good, good girl.” 

Next thing you know, your cheeks are being spread and played with. Still high on ecstasy from the orgasm you just had, the energy to perform is nonexistent, so he does the job for you.

Huge hands angle your limp body upwards, then press down your back to create a beautiful arch, only for his eyes to admire. He sinks back inside and buries his cock in your warmth.

It’s hard maintaining eye contact with him when he’s like this, it feels so shameless, almost taboo, still, you can’t look away. He’s pounding into you, pulling your hips hard against him.

“This is what you’re making me do, looking at me like that. No one else will ever be able to see you like this,” he occupies his thumb by rubbing it over your clit. The contact is so delicate but rapid nonetheless.

You nod agreeably, barely able to register his words. “Are you close, Eren?’’

“Yeah,” his hands pressed down tightly on your lower abdomen, the scream you let out is almost inhumane. ‘’yes, yes.” you’re grinding back against him in heated motions, shockwaves of heat pumping through your body.

He snaps his pelvic against your ass and feels you sucking him right back in.  He thinks back to what you said before about him as a dad and his eyes roll back. The thought of you carrying his child inside you makes him come undone.

“Ugh, fuck.” He comes audibly high etc, covering you in his cum. You expect him to catch his breath but he smoothly regains his composure and pushes you on your back, his thumb finding its way right back to your clit, barely even getting started before leading you to your second orgasm.

You scream in pleasure as he cups your face, lips brushing against your ear. “That's it, princess, you did so well for daddy. made me so proud.” he praises as he pushes your hair out of your face. 

The lack of response makes him laugh, realizing he’d fucked you to sleep, litterally. chuckling, he grabs a warm cloth and cleans you up to his best effort.

You’re usually sleepy right after sex so this is a regular routine for you both. He smacks a kiss on the top of your head and covers you with his comforter then goes for a shower.

Once he’s done, he carries you up bridal style to the bathroom. “Wake up, sleepy.” he’s back to his sweet self. You grunt in response. “C’mon, you need to pee.’’ It’s true, so you comply and he leaves you to it. 

This is a conversation you’ve both had before, he feels no need to leave when you do your business but you’ve kicked him out enough times so he knows the drill by now. Eren changes the bedsheets while you clean up.

When finished, you walk back to the bed and he opens his arm for you to rest on, your phone lying beside him. You jump at the invitation and he hugs you towards him, ‘’what do you feel like eating?’’ he’s playing with your hair as you lie comfortably on his arm. 

“Not hungry.’’ you murmur.

Eren fights the urge to sigh. “Sorry, not up for debate.’’ He saves himself the trouble and orders for you both, knowing you’ll feel hungry once you see him eat.

When the food arrives, you end up wanting exactly what Eren ordered for himself.

‘’You’re a big baby.’’ he sulks and rolls his eyes, but feeds you nonetheless. You don’t miss the look on his face as you take a bite from his hand. One thing about Eren? he can and will fuck multiple times a day if you let him.

‘’down, boy. i’m not tryna have my guts rearranged after eating food.’’

He grins, ‘’I didn’t say anything’.’ knowing he’ll do exactly that when you’re done eating.

[fernsensei]

requested by my friend

[a-silly-stained-glass-anomaly]

[starkidmunson]

glitter & crimson

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7

Realistically, Steve knows the band won’t hang around Chicago forever. He knows they’re out promoting a new album; knows they’ll have to move on and that Eddie has to go with them. It doesn’t stop him from wanting Eddie to stay; to live in the quick familiarity he’s built within Steve’s little found family.

Eddie and Robin seem to have already created their own secret language, all gestures and movement and eye contact Steve picks up on but can’t quite read. He’s already picking on the Party like he’s known them their whole lives; ruffling Dustin’s hair, elbowing Mike, throwing his arm around Will’s shoulders, and giving Lucas little shoves. 

It’s easy; so easy to get caught up in how charismatic Eddie is. Steve has a hard time keeping his eyes off him, and Eddie knows. He keeps making comments, throwing winks in Steve’s direction, seeing right through every wall he’s ever built around himself and Steve is caught between being obsessed with it and terrified. 

He stops drinking after the one beer, worried he’ll make things weird if he gets anywhere near tipsy, opting to stay as far away from the possibility as he can. If anyone notices, they don’t comment.

Lucas is chatting animatedly with Jeff, Max sitting close by, twisting braids into El’s hair. Dustin, Mike and Will appear to be grilling Gareth and Freak about dungeon and dragon campaigns Eddie used to run. Nancy has her arm looped through Robin’s, but her attention is on the phone in her hands, as Eddie and Robin talk about what touring is like.

“Where else are you going on this tour?” She asks as Steve tunes back into the conversation.

“This isn’t really a tour, we just haven’t been on the road in a while and we just stopped the album, so we lined up a few shows to get our feet wet before we hit the road for real this summer. One more show out in LA on Tuesday, then we’re done until May, for now.” Eddie explains.

“We’re in LA on Thursday!” Robin exclaims, and Steve’s stomach drops because, yeah. LA on Thursday. He trains his eyes on the glass in front of him, not willing to actually look at anyone they’re around. 

“We could totally meet up again if you guys are able to swing it?” Freak offers, and Steve forces a little smile onto his face and nods.

“We can figure it out later,” Eddie says after a few beats, and Steve is grateful for how the conversation rolls onto the next topic. When he finally looks back up, though, Eddie’s still looking his way. Steve hits him with what he hopes comes off as a reassuring smile, but it doesn’t seem to pay off the way he hopes.

Once the tab is closed and the staff is tipped well, Steve catches Eddie’s elbow on their way out the door. “I would like to meet up in LA, if you’re interested. I didn’t mean to get weird about it, it’s… I’ve been in my head a bit about that game since it was announced.”

“Oh, hey, no worries. We’re in LA the whole week, then we’re heading home. So no pressure, honest.” Eddie hooks his hand over Steve’s softly.

“Well, we should get in Wednesday, but we could totally do something after the game or even Friday?” 

Eddie smiles and nods, patting over Steve’s hand. “Text me about it.”

“I can do that. How much longer are you guys in town for, anyway?” Steve asks.

“Ah, the dreaded question comes,” Eddie’s playful, and it makes Steve’s face heat up. “We’ve got just under another 24 hours in the Windy City before hitting the road again.”

“Oh,” It pulls his chest in a way he wasn’t expecting, in a way that shouldn’t be happening for a rockstar he was adjacently aware of in high school. “Are you busy tomorrow?”

“Harrington,” Eddie’s teasing again, and it does nothing to help the blush on Steve’s face. “You can’t possibly miss me this much when I haven’t even left yet.”

“Shut up,” Steve shoves him away then, crossing his arms over his chest with a pout, only for Eddie to pull him in with an arm around the shoulder.

“We can grab brunch or something? We leave around 8 to avoid rush hour, so I’ll have to be in the bus by 6, or I’d say dinner.”

“Brunch works for me.” 

~~~~

The trip back to the hotel doesn’t go as Eddie expects; everyone is silently chatting amongst themselves, nodding and tapping along to the music and not causing a scene. He almost points it out, but elects not to bring unwarranted bullying upon himself instead. The guys had been giving him shit about Steve near constantly, so this was a nice change of pace after the last few days.

There was actually quiet as he made his way back to his room. A hot shower finally restored warmth to his bones the hockey arena had stolen, and he was drying his hair when he heard his phone vibrate with a text notification.

Steve: anything you're craving for brunch tomorrow so I can pick a place?

It’s practically too easy to flirt with Steve; he sets up lines without even seeming to realize. But Eddie still can’t get a real gauge on how Steve feels about the flirting, so he sidesteps the easy pass he could have made about Steve being enough of a meal, in favor of actually answering.

Eddie: French toast?

The next series of texts come before Eddie even moves his hands back to the towel over his hair.

Steve: sick, I’ll pick you up around 10:45

Steve: you mentioned going home, did you mean like, back to Hawkins?

Eddie twists his hair up in the towel, and lays down on the side of the bed he doesn’t sleep on before firing off an answer.

Eddie: nah, I’ve got a place in Nashville and no reason to go back to Hawkins anymore. My uncle moved to Indy, so that’s usually as close as I get.

Steve: any reason you moved to Nashville?

Eddie: are we playing 20 questions?

Steve: sorry.

Eddie bites his lip, and only hesitates for a moment before flipping over onto his belly and hitting the FaceTime button. Steve answers on the second ring, looking embarrassed, but Eddie doesn’t let him get a word in.

“My mom was born and raised in Memphis, but she always told me her favorite city was Nashville. I was there with her a few times when I was little and she’d just, like, light up. And music is so heavily engraved into every inch of the city, it’s hard to not find inspiration everywhere you turn. So. I bought a place in Nashville the minute I had enough saved up, and it’s kind of my home base now.” Eddie explains, watching as Steve’s face softens and he relaxes into his chair listening to Eddie’s answer. “Do I get to ask a question now?”

“I really wasn’t trying to be annoying, “ Steve looks ready to keep going with an apology, but Eddie cuts him off.

“Why do you play hockey?” It stops Steve dead in his tracks, and he genuinely looks confused for a moment. Eddie almost offers to drop the topic, but Steve fumbles his way into an answer.

“My, uh. My dad wanted me to play before I was even born. Because he played. Professionally for a few years when I was growing up, then he went on to coach.” Steve explains, and it sounds a little rehearsed. Eddie’s sure it’s something that comes up often if his father played and coached. “Gotta keep the Harrington legacy alive, I guess.”

There was a bite to Steve’s words that wasn’t lost on Eddie. “You don’t sound too thrilled about it.”

Eddie can see Steve working over how he wants to answer before he shrugs and sighs. “Because it’s all a show for him. The part we don’t talk about is how I got hurt and benched most of my senior season and he cut me off when I didn’t get full rides. Convinced me it was better to not go to college at all, despite the other scholarship offers, than to not get promised a spot on the ice. Convinced me to self-sabotage so I had to fight tooth and fucking nail to get into the league at all.” Steve pauses, then, and lets out a quiet laugh. “Sorry, that’s so unbelievably whiny of me. I love getting to play professionally, and I don’t take the opportunity for granted.”

“Not whiny. Dads can be the fucking worst.” Eddie offers, gently, and is grateful when Steve doesn't press on that particular bruise.

Instead, he takes his turn to ask a different question. “Why music?”

“This is lame, but the answer is once again my mom.” Eddie rolls his eyes at himself, but he smiles. “She was a musician. There were always instruments around and music was always playing and we traveled for her to perform. I knew my whole life I wanted to be a musician like her, but it wasn’t until after she died that I figured out that songwriting… telling stories and painting pictures with words and melodies and making people feel something…” Eddie trails off, lost in the thought.

“I’m sorry you lost her. It sounds like you enjoyed your childhood with her.” Steve offers, hopes it doesn’t sound like a forced nicety, but Eddie smiles and his nerves ease.

“She was a force to be reckoned with. Firing on all cylinders at once, chaos and home bundled into one.” Eddie’s soft a quiet for a moment, and Steve appreciates the silence by taking in how relaxed the other is to be talking about his feelings; it’s a refreshing break from many of his experiences with teammates or opponents who don’t know how to get emotional in a healthy way. Eventually, though, Eddie clears his throat. “Anyway. Back to 20 questions,”

“I wasn’t trying to start a game, really, I just… like talking to you,” Steve admits around a blush, tucking his chin into the collar of his shirt in an effort to hide the shade of his cheeks, but Eddie’s smile says his cover is blown.

“ANYWAY!” He announces louder, then taps at his chin. “Favorite and least favorite teams to play and why, go.”

“I’m not a dog.” Steve laughs but thinks about his answer anyway. “Favorite is probably the Flyers in Philly. Their fans are absolutely brutal, and their mascot is hilariously terrifying.”

“I have seen many a Gritty TikTok, so I completely understand,” Eddie gives him a few beats before he prompts. “Least favorite?”

“The Kings. LA. Billy Hargrove.”

“The…, what the fuck? How many guys from Hawkins are professional hockey players?” Eddie asks, because honestly, how had he not known there was more than Steve?

“He’s technically from LA, which is why he went back, thank God.” Steve mumbles, before dropping his head back against the wall behind him. “But, for whatever it’s worth, there’s me, Billy, and Tommy Hagan in the league.”

“Well isn’t that a fun bunch to surround yourself with,” Eddie muses out loud. Tommy and Billy were two of the biggest assholes Eddie had ever met, and it sounded like Steve wasn’t too fond of the other pair either.

“I actually…” Steve trails off, before trying again. “I was going to invite you guys to come to the LA game, but I’m really not sure it would be a good idea, so I’m… I’m actually going to ask you guys not to come, if that’s not too much of a dick move? I can get you tickets to literally any game you want for the rest of the season, just. I don’t think it’s worth it to get Billy started, and if he’s heard any of the press about us, I’m already going to hear it even if you’re not there.”

“Homophobe extraordinaire still, then?” Eddie guesses, and Steve chokes out a laugh, before covering his mouth and holding up a finger to ask for a moment to compose himself.

“He's… a lot of things.” Is the response Steve opts for, but Eddie can tell there’s more there. Whatever the two of them are doing, it doesn’t feel like Steve is ready to elaborate, so Eddie moves on. 

“I think it’s your turn.”

~~~~

Nothing changes after Corroded Coffin leave Chicago, though. Not in the ways Eddie had expected, at least.

Steve still texts him throughout the day, answers his Facetimes whenever he’s available. Eddie makes him the playlist he promised, and Steve gives feedback on which songs he likes and which ones he really doesn’t, after Eddie promises to not take Steve’s opinions personally. Which, to be fair, he tries really hard not to.

The concert in LA comes and goes, and Steve seems to send him every TikTok he comes across from the show. It’s a refreshing break, as every few videos in Eddie’s feed are of him cheering for Steve at the game, or Steve watching from sidestage in Chicago. 

A text from Robin eventually confirms their arrival in LA, and Steve and Eddie make plans to meet up after the game. Since Steve had expressed concern about Eddie going, he decides to just watch from the bar they agree to meet at. Televised games make it easier to track the puck, but Eddie decides he likes being there in person better.

Eddie’s sipping absently on his beer and in the time it takes him to look down at a text from Chrissy, several of the people around him react to something. Eddie looks around to make sure someone in the bar hadn’t passed out. When he looks back at the screen, absolute mayhem has broken out on the ice. The refs are trying to separate players from one another, and Eddie’s scanning through the numbers on each Blackhawks jerseys before he finally spots Steve, slightly off to the side from everyone else. The camera pans away from him, zeroing in on the fight, now between a Blackhawks defenseman and none other than Billy Hargrove. 

Billy’s helmet and gloves are off, teeth shining with blood as he grins like a psycho and starts to skate in Steve’s direction. One of the refs pulls him back, though, escorting him into the penalty box while another Kings player gathers his helmet, stick and gloves and clears them to the bench. 

The camera finally pans back to Steve, who is now sitting with his back against the boards. He’s got a gloved covering the lower half of his face, but his white jersey is covered in blood. A ref and the Blackhawks goalie are kneeling on either side of him as someone else speaks with him. The camera zooms in as the TV crews work to make out what is happening, just in time for Steve to lower his hand and shows off a gnarly gash along the side of his face. He leans forward a little and spits out blood onto the ice, and the TV jumps to the announcers in the booth. 

The volume is off, but they show a slow-motion replay of the few moments Eddie’d missed; Steve passes the puck off to another player on his team, just before Billy slams into his side. The impact sends both of them into the boards and down onto the ice. Billy swings his stick around and cracks Steve in the face with the blade heel. Steve reacts, throwing his whole arm into Billy’s face, before a sea of white Blackhawks jerseys sweep in and suddenly Billy’s a few feet away, with players from both teams piled up.

Eddie’s hand hovers over his phone; has no idea what to do in this situation. Texting Steve is useless; it would likely be hours, if not days, before he even thinks about looking at his phone. He doesn’t want to bother anyone, but he’s… well, he’s stressed. Even if Steve isn’t interested in him the way Eddie’s interested in Steve, they’ve still built a weird little friendship and that was an awful lot of blood.

So, Eddie ends up firing off a text to Robin. It’s just a simple 'let me know if there’s anything I can do,' but his phone lights up with a call immediately.

“How bad is it?”

“I’m not back with him yet, but just… meet us at the hospital, if you can?” She asks. While her voice waivers a bit, she’s calmer than Eddie expected her to be.

“I’ll be right there.” He agrees, hangs up and exits the bar before the game even returns from commercial break.

[pastelhooman]

[WVW Exchange Event 2023!]

"The kisses on your lash, your ears, on the nose that keeps scrunching. The kisses on your hand, on your cheeks, and the exchanging soft words waiting for the break of day."

----- ID under break -----

A total of 6 pages of comics, starting with a close up shots of vash kissing sleeping wolfwood's nose, eyes, lashes, and he furrows them a bit. an overhead shot of the two of them in a motel room, on the bed with vash leaning over wolfwood from the left, laying soft kisses on him. their legs tangled. their normal outfits are thrown haphazardly on the floor, instead donning comfortable clothes. on the outside, the very first ray of lights are yet to shine.

"what a face you're making pfft" - vash says as he grabs both of wolfwood's cheeks, squeezing them a bit. wolfwood mumbles, "There's something that keeps landing on my face, it tickles." he grabs the hand that is on his right cheek. "Well you're letting it happens anyways right?" Vash muses, bringing the hand up to kiss on its knuckles. "Good morning Wolfwood. It's almost dawn"

"… Isn't it way too soon?" - wolfwood asks, but keeps to himself the prayers he's sending to god because the the boy on top of him was such a sight to behold. Vash flops down onto him, leaving the hand hanging and lace his own hand into Wolfwood's hair, peppering kisses to the side of his face. "Yep" - he answers - "But you woke up on your own tho" - facetiously. He giggles, saying that it was a joke after a beat of silence. A sigh, "don't make me upside you first thing in the morning." Wolfwood closes his eyes, hand combing through golden strands. "Heh, how merciful~" "We have a meet up with Milly and Meryl today, remember?" Vash reminds him, which does raise some vague memory. wolfwood hums, the other hand reaching around vash's torso, hugging him. " So, the sooner we arrive, the less likely she'll chew through my head." - Vash adds. "riiiight. And you were SO urgent in waking me up." in wolfwood's hold, both of them slowly turn to the right, towards the edge of the bed.

Well, you were just soooo cute, I couldn't help it! didn't thinkk you'll actually wakE UAA-!"

the bed creaks under the sudden shift in weight as wolfwood tosses vash over and under him, arms firmly hugging him, one at his back and one at his head, hungrily dives down to kiss. "!! Wolf-! Wait-!" Vash yelps, leg instinctively curls around the other's man hip to hang on, trying his damnest to grip on his shirt as HE is now half airborne, barely has any contact with the bed on his upper body. However, wolfwood seems to have another idea as he keeps deepening the kiss, pointedly holding Vash close, hands spread guarding the back of his head as both of them are sliding off the soft fabric.

"THUD!" a resounding fall, possibly enough to wake the room downstairs, followed shortly by laboured breaths amist wet smacks of lips. Heaves and huffs of air exchanging between the two bodies when the need to breath made itself necessary. They press close, cradling each other, and are lost to their own world. After a while they had to part. Metal arm shifts through black locks, caressing down to his nape and they hold eye contacts there, with lidded eyes, strands of saliva thins then breaks.

Wolfwood pushes up on his arms, looking smugly down at his now disheveled partner: "Now this is how it's done, Needlenoggin." he remarks. Vash tries to wrangle his thoughts back in order, but strings of Wolfwood's name and a wonderous question keeps filling his mind, of whether he should risk it all and have fun for a bit more. Regardless, snapping out of his trance, Vash sourly asks, with a wry smile and an aching head: "But did you really need to roll off the bed?" "Wrong side, whoops" - Wolfwood anwers unseriously, laughing as he finds the situation quite amusing.

----- End of ID -----

[sereniv]

Can someone who is NOT a zionist tell me why Jewish people have so much conspiracy and hate? when did it start and why? how and why did it spread?

Preferably someone who is jewish or really knows what theyre talking about answer

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[spectacledraws]

past doodle of girlfriends

[poorly-drawn-mdzs]

Advanced Hall Monitor Technique: Go To Detention

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[meirimerens]

a mask of someone else's gold

commission for @spkyct8 🔑

[heywriters]

there is a type of psychological horror story i see/read every now and then, and it's the fact that sometimes your children abandon you, deserved or not. someday your kid might look at you and you'll see that they've figured you out. the clock starts ticking from there. the worst parts of both your lives, the biggest regrets you both may ever carry, may come from that one look.

some parents fight it, either by loving their child harder or by punishing them, or by writing them off as soon as they can—the 18th birthday usually. but sometimes, the kid leaves first. sometimes the kid leaves when the chips are down and they feel the parent is nothing more than a burden

something about pouring out decades of your life to raise another person to adulthood, to keep them alive and teach them all you know, only for them to turn on you one day is horrifying in its own unique way. there are stories about marrying the enemy/monster, but ones about raising the enemy/monster seem...so much worse

and how it is written, you may have been the enemy all along. the child may be vindicated when harm befalls you, but it will seem so unfair even then. we don't always know who is writing the story. we don't always know if we will need to put the child down, or be put down by the child.

[front-facing-pokemon]