#Of course some people will completely disagree with me

[ace-and-the-rpg-horrors]

i feel like some of the fandom is a bit harsh on Monty... like, trauma is definitely not an excuse, but it does give pretty much all of his actions an understandable explanation?

like... Monty was actively being abused by Esther in practically any scene they were together. he said something she didn't like, and she yelled and grabbed him threateningly. both of the times she transformed him, from crow to human and then back again, she literally stabbed and ripped him up in a really gory way.

i sure wonder why an evil witch's familiar who's constantly treated like that would follow her orders even if he disagreed with them!!

and considering that Esther is potentially one of the only humans Monty came into contact with before meeting the others, and she's like that - he turned out alright, didn't he? he's petty, a bit rude sometimes, and takes things personally, but generally, he's a shockingly decent person.

yes, he didn't take it well when Edwin rejected him. but, as others have pointed out - how was Monty genuinely meant to know any better? he had lived his whole life as a crow in a cage too small for him, where the only person he knew was his extremely nasty and cruel owner. and then, all of a sudden, he's forced into a new body and has humanity thrust upon him against his will. he explicitly expressed this discomfort himself when Esther degraded him for getting "too emotional" for her liking.

"i never asked to be human. with all these... feelings."

even after the bitterness of the rejection, Monty never actually wanted to hurt the Dead Boy Detectives. turns out, he didn't even know that Esther's plan intended to end them completely, and was so horrified upon finding out that he made an attempt to lead them to safety, which was, by the way, putting himself at massive risk. Esther already punished him likely under the assumption that he just didn't put enough effort into manipulating them - can you imagine what she'd have done to him if she knew about his last-minute attempt to actually save them?

of course, i don't think Edwin was wrong for not forgiving Monty. he deserved that. Monty still helped in the scheme that aimed to destroy him. he also fully deserved to reject Monty if he wanted to (conversely, i do also see people say that Edwin "could have handled it better," but honestly, i don't know if it's just me not being neurotypical or something, but i genuinely do not see how Edwin could have been nicer about it? he was straightforward and polite, then afterwards, still tried to be Monty's friend until the betrayal.)

however, Monty was still very much a victim himself, and any harm he did was not from his own will, instead motivated by fear of the terrifying witch who had him fully reliant upon her, often through both verbal and physical force. Esther never hesitated to hurt him. he was painfully aware of that. she didn't care about him beyond how useful he could be. and when he failed at that, her reaction was violent.

but he didn't have anyone else.

[thrumbolt]

So, in November my girlfriend gifted my all the Dragon Age games because our DnD sessions were cancelled. 'Go date some elves there!' - and so I did. I went in completely blind, knew basically nothing about the series (except that you could date elves). So now, a month after finishing the last one, I feel my thoughts have rested enough to voice an opinion™. I'll drop my personal ratings here and elaborate under the cut.

Dragon Age: Origins 8/10

Dragon Age Awakening 6/10

Dragon Age 2 9/10

Dragon Age: Inquisition 4/10

Dragon Age: Trespasser 7/10

In short, I thought DA:O was pretty dope. Very solid adventure rpg fantasy dating sim. The characters are very fun and mostly lovable and the lore is interesting enough even if the art direction was pretty generic fantasy.

I was really surprised just how much they crammed into this game. The several different origins was a huge surprise and very nice incentive to replay the game, though so far I only played as a melf (mage elf). The storyline was engaging enough for me to follow and it makes you travel to all the different origin places, so everyone gets to connect with something in the main plot - smart!

I have to add however that I played as a male character - as I usually do - and I am very glad I did because despite the promise that men and women are equal (and the dominant religion being female centric) the writers did not really manage to capture that as it seems haha. I would've probably given the game a lower rating if I wouldn't have played as a dude as I'm a sensitive snowflake that way. And not even because of the rape as plot device or the brood mothers, but more the casual 'wow a woman with sword wow' stuff. I'll excuse it as 'it was a different time' kinda, but still would ruin my immersion.

Awakening I mention separately as it's kind of a sequel rather than just a DLC. I liked it. It's a nice extra adventure for your Warden character and the companions are very good (though I could've done without Oghren, sorry Oghren fans). I especially liked the Legion of the dead dwarf, she was adorable - and Anders, of course. You can give him a kitty!

So why am I rating it so low? They changed how shit works, don't tell you about it and it makes you miss half the game lol. Idk, it just pissed me off you had to click on background shit to talk to your companions and I didn't notice it until I was already halfway done. It's such a stupid idea, too. Click on this tree to talk to Nathaniel?? Weird tbh. It's especially bad for me, as I am not playing a lot of games (I am a filthy casual) and am not a completionist - also I already know who Andraste is, so why would I click her statue?

So yeah, that's my personal gripe with Awakening. At least it's short enough to replay, so hopefully I will catch all the stuff next time haha.

Dragon Age 2....ahh, I was very surprised to hear that it was so unpopular, several of my friends said they had not played it at all because they heard it was so bad. And I am very confused, because it is my favorite. I can see how it got flack for being on a smaller scale, the dungeons and areas repeat - but honestly, I didn't care much. I enjoyed the smaller scale and the more personal story greatly. I feel it makes more sense for a 'choice' based game anyway, as it lets you tell more stories without problems. And in this instance, a story about a refugee family and a bigger focus on social justice issues just vibed well with me. I can see how it's not everyone's cake I guess, but it's definitely worth playing! I think it has the best companions in all the games. They're all great fun and the dating options are amazing. I personally prefer when everyone is date-able by either gender - it makes me not having to worry and research ahead of time on what character to make (looking at you inquisition) and I can just headcanon for myself who is queer, straight, whatever. Yes, I might still be upset I wasn't able to date Alistair haha in DA:O.

I loved the 3 act structure and longer time period. I liked how people you meet/help in your side quests write you letters or get updates. I just loved how personal it was.

My only gripes with DA2 is the rushed Act 3 (can't even give everyone another gift ;_; ) and how the ending was handled. Chosing between templars and mages - sure, fun. But when you choose the mages, how come 80% of the people you are fighting are mages? Why is Orsino turning into an abomination and attacking *you*? It makes no sense. Poor Orsino. They did him dirty.

But otherwise I had great fun. Needless to say this game cemented my chantry hate lol. Doesn't help I live in a pretty gay oppressing catholic country now, but it felt fucking personal. I cheered when that fucking building blew up. It was cathartic. So I was hyped for the next game!

Which leads me to Inquisition. By the rating you can already see: I didn't like this game. For many reasons. The church dick riding was definitely one of them. But I mean, if you write it well I probably wouldn't have minded to get a different viewpoint (and there was still plenty of critical content in this game like with the former Inquisitor and all), sadly though, for me it didn't work in so many ways.

First of all I had to restart the game after 30 minutes because my girlfriend told me I can only date the elves if I'm a girl. Gee, good to know, or my tripple elf combo would've been ruined.

And I have to say: I liked how un-segregated the whole gender selection screen was. I got to make a pretty boyish looking twink even by choosing female, up to the point I was forgetting I was playing a girl until someone called me LADY Lavellan and ruined my immersion, so....props to that. I also liked the art design? Like all the little character cards, all the artworks just felt like they finally found their own style, kinda. (This was already started in DA2, which I really liked, I feel this series needs it's own, distinct look in some way, so it was nice to see they were trying to). Anyway, nice looks.

But the gameplay immediately felt weird and sluggish to me. It was way too hard even on the easiest setting. Enemies take FOREVER to die, even a stupid wolf or bear takes a gazillion hits. It wasn't fun. Not for me anyway, just tedious.

And the story....I just didn't feel it. It didn't help that you don't even have a proper origin (for a good while you have amnesia even). It made it difficult to even understand my own motivations imho. Playing it as an elf was definitely a bad choice as well, as this whole plot was clearly written with a human in mind. Pretty wild a DALISH elf is even an option. If they kept you as a prisoner, it would've made sense, maybe? But it just feels off to put this random Dalish immediately on top of your organization and calling them the herald of Andraste even though you keep insisting you don't even believe in that stuff haha. A wild ride indeed. Also I screamed at the whole 'Dalish only have 3 mages per clan and just YEET THE EXTRA CHILDREN INTO THE FOREST TO DIE' retcon. It absolutely makes zero sense with how the Dalish were described up to that point (as people who greatly care for their own and also really want to honor and learn about their roots. They know the elves were all originally magical. Why would they have a fucking mage limit. Why would they yeet a child out to die when they already suffer from diminishing numbers? What the FUCK Inquisition?).

The maps were too big, the game is sooo bloated and the main plot for the larger part completely disconnected from everything else (and also, pretty short in theory). Because of this, the pacing was kind of off. The war table....the WAR table. I did not like it. So many things that got shoved there should've been quests, while many of the actual quests should've just been deleted. And apparently my whole clan can just die in a small war table side thing and no one will care. lol

I also did not vibe with most of the companions that much. I liked Dorian a lot, but other than that most were just a lot of missed opportunities. Like, they were ok, but not as great as any of the other games.

Though I feel nothing quite shows the pacing issues of this game like Solas' romance haha. I still can't believe he breaks up with you immediately after kissing you and offering to take your vallaslin. It would've made so much more sense if he left during the ending party ceremony. What were they thinking?

Generally my issue was how a lot of characters just talk at you, not so much with you. You ask them questions, but they hardly ever ask you questions back, even though it would've been a great way to learn more about your characters backstory as well. I think Josephine was one of the only characters who ever asks how you're holding up. In the other games, it is way more interactive.

This resulted in me just never really connecting as much in Inquisition. Felt more like hanging with coworkers than friends. It was also weird how everyone acts like you're achieving great things, when really, none of it is something you do. The inquisition itself, the army, it already exists. Solas literally just points at Skyhold (you do not even have to fight anything to get it) and so on.

I hated that you have an animated main plot cut scene where your Dalish elf asks a human who Mythal is. And of course I really disliked how the mage rebellion was handled. Why do I have to choose between templars and mages AGAIN when, in this game at least, being able to recruit both would've kinda made more sense? Unite against a bigger enemy, bla. I wouldn't have super liked it as a resolution for the mage oppression issue, but at least it would've given that conflict SOME form of resolution.

So yeah. Did not enjoy it that much. Was very surprised to learn how many did and that it won game of the year. Maybe it would've been more enjoyable just on its own, without context, but coming in right after DA2 it was quite the clash in my opinion.

There was definitely potential for a good game. It had good elements. I think they fixed a bunch of issues in Trespasser, which I quite enjoyed. But I kind of am not looking AS much forward to the 4th installment. I'll play it for sure, but I feel the writers just want to do something different with this series than what I enjoy about it.

Overall though I still had great fun! I like Dragon Age. Seeing everyone's oc's is so cute and I will definitely keep on enjoying that no matter what.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[rieamena]

totally (not) beating the allegations

best friend!takuma ino headcanons

contains... best friends to lovers, mutual pining, casual confession of love, kisses (platonic), kisses (romantic), modern au, high school to university au, living together-ish, fem intended reader, pet names (baby, babe, love, sexy, handsome, beautiful, sweetie, the list goes on and on), lots of physical touch, nicknames (you call takuma, kuma.), reader has a mother and a father, y'all are basically dating just without the label...

word count: 2.3k (this wasn't supposed to be long. i told myself 0.8k maximum...)

riea's comments: all sixteen people living in takuma city RISE UP! i miss my husband of 35 years so much, come back to me loml :(( something to munch on while y'all wait for the next full throttle chapter. also not too much on me if this is a drabble and not hcs idk the difference :))

first off... i just wanna say that i KNOW I KNOW that ino is one of the funniest people in the jjk cast idc idc!!! if he had more screentime (and if the situation wasnt dire) my boy would be crackin some jokes!!!!

you've been friends with takuma for around 7 years, your first meeting happening in tenth grade, when your teacher paired you two up for an interview project. when time came to actually record the interviews, it was hard to edit out you two laughing uncontrollably every fifteen seconds or so

i mean, you two just had so much in common!!! same favorite color, same favorite franchise, same favorite tv show, same favorite video game; it was like yall were the same person. there was just one thing you both disagreed on: whether hex code #286061 was blue or green

your argument ended up being the last ten minutes of the final video you submitted...

without a doubt, after that, you two became inseparable. in school, people would take notice of your closeness. when one of you were absent, teachers would jokingly ask "where's the other one?"

there was not a single thing you didn't do together, homework, go to the gym, gossip, eavesdrop, etc etc. so of course, you ended up applying to the same universities and when it came time for college acceptance season...

takuma invited you over, forcing you to bring your mailed letters from the eight universities. sprawling out over his lap, you took in the all too familiar sight of his room. you've been in his room more times than you've been in your own (and vice versa!)

i mean ino's been over to your place so many times that he calls your parents mom and dad. and you've been over to his house so much that takuma's mom practically jumped for joy every time you burst through the front doors with a "guess who's home!!!" so it was completely normal that you guys knew the ins and outs of each other's rooms, right?

"kuma, baby," you started with a sigh, reveling in your best friend's repetitive motions. running his hand through your hair, ino looked down at you, eyes showing that he was listening. "i'm scared, what if we don't–"

"ah-ah-ah! no negativity here!" he cut you off, pushing you off his lap and grabbing the letters you left on his desk. "listen here beautiful," takuma says, bringing a hand to your cheek, his heart swelling when you subconsciously leaned into it, "we're gonna take each other's letters, and open them," he handed you a white envelope, the logo of both of yours dream university on it, "starting with, kyōmei."

taking a well needed deep breath, you nodded. "okay," you and ino began to open the envelopes at the same time, only looking at each other when you saw the status. "accepted or rejected in 3...2...1..."

"ACCEPTED"

"ACCEPTED"

cue the mandatory silence before the screaming. "holy shit. you got in." "you got in." "WE GOT IN!!! WE'RE GOING TO KYŌMEI!!!!" you two practically flew off the bed, jumping up and down in celebration. peppering his face in kisses, you nuzzled your face into takuma's neck. "i'm so proud of us! i mean, kyōmei," you pulled away from his neck, shaking his shoulders harshly, "the kyōmei?!!!"

anyways, soon enough, you both realized that you'd have to move away, resulting in a seven hour search for apartments near the university's campus. and just as takuma was about to give up, you found a listing for units 19A and 19B, right in the heart of the city and just a five minute walk from kyōmei

and with that, it was moving day, well, days is more like it considering that the whole process took like ten days... finding cute furniture is really hard! and moving all of it is even harder!! and don't even get me started on the appliances! although, you and takuma found a way around it

like what do both of you need a microwave for? and there isn't a reason to have two dishwashers, there wasn't even a reason to have one! y'all kept your fridges though... who was gonna be banging on the other's door in the middle of the night for some cold water??

with time, it came for the highly anticipated freshman formal, an welcome event hosted by kyōmei itself, and of course, you had to go. so here you were, staring at your figure in the mirror as your best friend's large hand rubbed your shoulder, the other zipping up your black dress. "all done!" he breathed, taking a step away so that you could see for yourself. "i look so cute~" you giggled, hearing the clack of your heels as you twirled. "you do!" he paused, looking you up and down, "when did you get that dress?"

"your mom gave it to me a couple days ago! where'd you get that tux? i don't think i've seen it before," you walked over and straightened takuma's suit, as he laughed in response, "your mom gave it to me..."

"this was planned."

"this was definitely planned."

"we should send a picture in the family group chat!"

"we should!!! but, hair first!"

notice how i said family group chat, singular, not plural. and that's because there's a gc for both of your families! it's name was a mix between "ino" and your last name, since, in all seriousness, your families were close

so here you were, sitting pretty on takuma's lap as you focused on straightening the front pieces of his hair, because that's what best friends do!

"okayyyy sexyyyy," you squealed, moving out of the way so that takuma could see himself in your vanity mirror, "damnn, i look hot!" he smiled as he checked himself out, his hand firmly on your waist (to make sure that you wouldn't fall, of course!). "i knew i was fine but, did i always look this fine?" he asked, looking up at you with his big dark brown eyes, a playful smirk evident on his face. "yes, takuma. you're the sexiest man ever. just a bit of eyeliner on you and we'll be on our way, okay?"

turning back to your station, you grabbed some brown and black pencils before starting to lightly draw over ino's outer eye corner, "do men as sexy as me really need eyeliner?" a look from you was all he needed to know to shut up and close his eyes

and oh, how he loved being so close to you. not just emotionally but physically as well. like, not every duo can say that they barge into the other's apartment to steal snacks! and speaking of snacks... let me just say, there's a whole cabinet in his kitchen reserved for your favorite foods and! he keeps your favorite ice cream flavor stocked in his freezer

you, on the other hand, have a little space where you hide takuma's favorite anything. chips, gummies, takeout menus, you name it, you have it. because your best friend is oh-so-optimistic, it can be harder for him when he's just not having the best of days. which is why when you go your (not so) separate ways at the end of the day, you pack up a basket for him. ribbons in his favorite color, his top 15 favorite snacks from that one time y'all bought one of everything in a nearby convenience store and ranked them, takeout on the way, horror flicks he's been wanting on dvd because he said "its cooler that way", and a handwritten letter from you, for my kuma, scribbled on the envelope

dropping off the basket at his door and retreating back to your place, you'd press your ear against the wall separating your units, physically feeling your heart break when you heard sniffles. that was all you needed to practically fly over to his, a few boxes of tissues in hand. because that's what best friends do!

and don't even get me started on how many belongings y'all have at the other's place... like that one time takuma walked into your apartment announcing his presence, only to be met with silence. let me set up the scene for you. you are taking a relaxing shower when you hear a knock on the door followed by four more and then three more. "come in!" you called out, unbeknownst to you, ino's voice was closer than you thought

"already in here..., anyways. is my shampoo in there?"

"the one with the purple cap?"

"yeah, thanks babe!"

"wait, can you get me my towel?"

or that time when you causally opened the door to his unit (because it was basically yours too) and greeted him with a simple pat on his head before skipping off to find those jeans you thrifted

slight cohabitation aside, the university life was definitely... something. it was clear and obvious that you two were close, a blind man could see it. but close is a really really really vague word, and it's surely not the word that describes the way the two of you act. in this friendship, terms of endearment drop like rain from clouds. every. other. sentence. contains a "babe" or "baby" or "sweetheart" or "darling" WE GET IT OKAY...

and it seems like if y'all go a single day without touching each other, a bomb will fall from the sky and earth would blow up. his hands are constantly on you, his favorite places (when in public) being your shoulders and arms, and when at home it was without a doubt your waist and thighs. just imagine how difficult it must be for people speak to you both on campus when his arm is slung around you and your hand is holding onto his side. the rumors practically created themselves....

and when i say people were shocked, i mean they were SHOCKED when y'all were like "haha, no, we're not dating!!! we're best friends!" everyone was thinking: yeah best friends who FUCK. best friends who are IN LOVE WITH EACH OTHER. y'all became the campus' it couple without being a couple. how does that happen??!??

however... there were a couple of people who were particularly excited to hear that you both were single. a few girls approached you one day while in the general area, asking if it was true that you and ino weren't dating. "we aren't... why?" one of the girls shifted on her feet, clearly nervous. "well... could you um... give this to him for me?!" she bowed, presenting a pretty pink envelope. you froze, staring at the item before giggling. "i see what this is about! don't worry! i'll make sure this gets to him safely!" long story short, that letter was never delivered

and on ino's side, he had some classmates pestering him about you. asking for your favorite show, candy, date style, everything under the sun. "guys, guys! she doesn't even want a boyfriend right now!" takuma shouted, even though two days prior you were complaining about how spending too much time with him was scaring all the hotties away

but let's get into the real stuff... the realization of love

for takuma, there wasn't a "wow, i'm in love with her" moment. what he does know though is that he started feeling something different for you a few months before college admission season. to him, the world was always bright with you by his side but now... it was so much brighter. it was like looking directly into the sun; it hurt but he couldn't look away, he doesn't want to look away. you're the best thing to ever happen to him, and the mere thought of ruining what you have just for some feeling—no matter how intense—isn't... right to him

and you figured it out after a dream you had one night back in high school. you dreamt of being in takuma's arms, the ones you snuck glances at when he wasn't paying attention to you. in not dream world, all you had to do was ask and he'd gladly envelop you but the vibes in this dream were different. there was tension. and it was thick. his beanie was off and thrown somewhere on the bed, your bed. looking back at him, your breath caught in your throat, "hey pretty," he slurred, drunk off tiredness. ino's called you beautiful more times than you can count; he made sure to do it at least once a week, so why... just why did this time make your stomach heat up and your heart race? you woke up with a flushed face, queasy feeling in your gut, and a deep understanding. it wasn't just platonic love anymore

"hey," you started, eyes trained on the movie in front of you, but your mind was focused on something else, "y'know how everyone thinks we're dating?" ino nodded as you reached over to grab the bowl of popcorn. "i've been thinking... maybe they're onto something..."

takuma's gulp could be heard from miles away, "wh-what are you trying to say?"

"what are we? seriously. because i can't sit here and pretend like i don't wish we were something more."

"something more like...?"

"now's not the time to be oblivious! don't you get it?! i'm—"

"i'm in love with you,"

it was like time stood still as you looked at your best friend. his face was lit by the tv screen a couple feet away, his hair was a mess, and slightly prominent dark circles were under his eyes, but... he's never looked more beautiful to you. "have been. for a long time. we've basically been dating for like four years already. four more and then we'll get married?" he flashed his signature smile

"oh, shut up," he brought your face millimeters away from his, whispering "make me." before kissing you deeply, not on your cheek, or your forehead, or your shoulders, but on your lips this time. and all the times after that too

because that's what best friends lovers do, right?

jjk taglist

@blendingcaramal @gzchaos @theamazingrain @woah-girlz @voloslobotomyservice

@kyozvy @obessionofagrl @bubybubsters @sugurusbaobei @raindropsonrwses

@c-moon20-12 @saltynanobeanie @theamazingrain @synthiiiiis @ghostlyluminarycloud

@poopyyy @supernatrualqueen @bxrbie-jadeee @laitifly @discipleofthem

@cheesecake95 @strawberry-cherrypie @makeshiftproject @magiamad0ka @ncitygreen

@stillnotherapy @oniondrip @cloudy-yyy @definitely-not-leena @kidd3ath

@atigerandabear @russianremy @ohnoitsamistakee18 @ivy-vivii @ourfinalisation

@1ndee @yourhornysister @ancientimes

[gothhabiba]

Hi, this is very ignorant. I'm trying to read as much as I can on Palestine and Zionism but there is one point I cannot find an answer for. Given that Zionism is not Judaism, given that at the beginning most Jewish people did not share this view and was actually supported by christians with antisemitic views, given that it was conceptualized as a colonial project that could only be actualized by ethnically cleanse Palestine, one thing I don't know how to disagree with Zionists is the idea that Jewish people do come from that land. Even if European jews are probably not genetically related to the Jewish people from there, I think Jewishness is something that can be constructed as related to that land. This of course does not mean that Palestinians are not natives too and they have every right to their land. However I don't really know how to answer when Jewish (Zionists) tell me that Jewish people fled that land during the diaspora. Other than "yeah but the people that stayed are native that underwent christianization before, arabization later, grew a sense of nationhood in the 19th century and are Palestinians now"

It's a fundamental misunderstanding of what "indigeneity" is to believe that it means "whoever has the oldest claim to the land." Rather, to describe a people as "indigenous" is a reference to their current relationship to the government and to the land—namely that they have been or are being dispossessed from that land in favour of other private owners (settlers); they have a separate, inferior status to settlers according to the law, explicitly; they are shut out of institutions created by the settler state, explicitly; they are targeted implicitly by the laws of the settler state (e.g. Israeli prohibitions against harvesting wild thyme or using donkeys or horses for transportation); the settler state does not punish violence against them; &c. &c.

It is a settler-colonialist state that creates indigeneity; without one, it is perfectly possible for immigrants to move to and live in a new location without becoming settlers, with the superior cultural and legal status and suppression of a legally inferior population that that entails.

If all that were going on were some Jewish people feeling a personal or religious connexion to this land and wanting to move there, accepting the existing people and culture and living with them, not expelling and killing local populations and creating a settler-colonialist state that privileges them at the expense of extant populations, that would be a completely different situation. But any assertion of the land's fundamental Jewish-ness (really they mean white or European Jewishness—the Jewish Arabs who were already in Palestine never seem to figure in these arguments) is a canard that distracts from the fundamental issue, which is a people's right to resist dispossession, ethnic cleansing, and genocide.

Decolonize Palestine lays out some of the ethnic and cultural history of the region, but follows it up with:

So, what does this all mean for Palestine? Absolutely nothing. Although the argument has many ahistorical assumptions and claims, it is not these which form its greatest weakness. The whole argument is a trap. The basic implication of this line of argumentation is as follows: If the Jewish people were in Palestine before the Arabs, then the land belongs to them. Therefore, the creation of Israel would be justified. From my experience, whenever this argument is used, the automatic response of Palestinians is to say that their ancestors were there first. These ancestors being the Canaanites. The idea that Palestinians are the descendants of only one particular group in a region with mass migrations and dozens of different empires and peoples is not only ahistorical, but this line of thought indirectly legitimizes the original argument they are fighting against. This is because it implies that the only reason Israel’s creation is unjustified is because their Palestinian ancestors were there first. It implies that the problem with the argument lies in the details, not that the argument as a whole is absolute nonsense and shouldn’t even be entertained. The ethnic cleansing, massacres and colonialism needed to establish Israel can never be justified, regardless of who was there first. It’s a moot point. Even if we follow the argument that Palestinians have only been there for 1300 years, does this suddenly legitimize the expulsion of hundreds of thousands? Of course not. There is no possible scenario where it is excusable to ethnically cleanse a people and colonize their lands. Human rights apply to people universally, regardless of whether they have lived in an area for a year or ten thousand years. If we reject the “we were there first” argument, and not treat it as a legitimizing factor for Israel’s creation, then we can focus on the real history, without any ideological agendas. We could trace how our pasts intersected throughout the centuries. After all, there is indeed Jewish history in Palestine. This history forms a part of the Palestinian past and heritage, just like every other group, kingdom or empire that settled there does. We must stop viewing Palestinian and Jewish histories as competing, mutually exclusive entities, because for most of history they have not been. These positions can be maintained while simultaneously rejecting Zionism and its colonialism. After all, this ideologically driven impulse to imagine our ancestors as some closed, well defined, unchanging homogenous group having exclusive ownership over lands corresponding to modern day borders has nothing to do with the actual history of the area, and everything to do with modern notions of ethnic nationalism and colonialism.

I would also be careful about mentioning a sense of "nationhood" or "national identity" in this context, as it could seem to imply that people need a "national" identity (a very specific and very new idea) in order not to deserve genocide. Actually the idea that Palestinians lacked a national identity (of the kind that developed in 19th-century Europe) is commonly used to justify Zionism. Again from Decolonize Palestine:

This slogan ["A land without a people for a people without a land"] persists to this day because it was never meant to be literal, but colonial and ideological. This phrase is yet another formulation of the concept of Terra Nullius meaning “nobody’s land”. In one form or the other, this concept played a significant role in legitimizing the erasure of the native population in virtually every settler colony, and laying down the ‘legal’ and ‘moral’ basis for seizing native land. According to this principle, any lands not managed in a ‘modern’ fashion were considered empty by the colonists, and therefore up for grabs. Essentially, yes there are people there but no people that mattered or were worth considering. There is no doubt that Zionism is a settler colonial movement intent on replacing the natives. As a matter of fact, this was a point of pride for the early Zionists, as they saw the inhabitants of the land as backwards and barbaric, and that a positive aspect of Zionism would be the establishment of a modern nation state there to act as a bulwark against these ‘regressive’ forces in the east [You can read more about this here]. A characteristic feature of early Zionist political discourse is pretending that Palestinians exist only as individuals or sometimes communities, but never as constituting a people or a nation. This was accompanied by the typical arrogance and condescension towards the natives seen in virtually every settler colonial movement. That the early settlers interacted with the natives while simultaneously claiming the land was empty was not seen as contradictory to them. According to these colonists, even if some scattered, disorganized people did exist, they were not worthy of the land they inhabited. They were unable to transform the land into a modern functioning nation state, extract resources efficiently and contribute to ‘civilization’ through the free market, unlike the settlers. Patrick Wolfe’s scholarship on Australia illustrates this dynamic and how it was exploited to establish the settler colony.

[steddiealltheway]

Steve sighs as Robin cackles and opens the door to the break room to add yet another tally to the “You Suck” side of her whiteboard. He hopes she lingers for a bit so he can get a break from the constant reminder that yes, he does suck. But the stupid hat and sailor uniform is enough of a reminder already.

And okay, maybe he enjoys Robin’s company a little bit, so maybe he doesn’t want her to linger for too long.

But he’ll never tell her that. Not in a million years.

Out of the corner of his eye, he spots someone walk into the entrance and he turns to give his “ahoy there” speech that Robin refuses to utter a single word of. Only, he gets a little choked up when he realizes he knows the person.

Well, not exactly knows him. But it’s hard not to know of Eddie “The Freak” Munson. Especially if you go to high school with him and happen to be a jock, god forbid. Not that Steve ever disagreed with the things he said, although some of it went right over his head - okay, most of it did. But! All things said, Eddie had a habit of making himself known to people.

“Ahoy there!” Steve announces louder than intended. “Would you like to set sail on this ocean of flavor with me? I’ll be your captain.” He leaves out his name because what’s the point? It’s not like Eddie isn’t aware of his existence or at least his last name which sometimes made a feature in his tabletop speeches.

“Steve Harrington,” Eddie says for him, apparently knowing his first name. “I didn’t expect to see you here.” Surprisingly, it’s not said in complete distaste. In fact, Eddie is smiling widely at him, eyes roaming over the uniform and landing on the hat.

Steve sighs, “Trust me, I know. So, what can I get for you today?”

Eddie smiles wickedly and asks, “Why don’t we set sail on this ocean of flavor and you can show me around, captain?”

A blush creeps its way up Steve’s neck and begins to burn at his cheeks. Probably from the humiliation. Nevertheless, he points out each different flavor and goes into detail about what’s in each since Eddie seems to be enjoying the humiliation, but Steve doesn’t mind it too much since he feels like he’s getting his undivided attention. And something about that makes Steve feel… less sucky.

He glances up at the end of his speech about the last flavor and catches Eddie staring at him with a small smile on his face, more genuine than before.

“What?” Steve can’t help but ask.

Eddie shakes his head. “Nothing,” he says, but the lie is clear to both of them. “I’ll get the USS Butterscotch.”

Something about the flavor makes Steve hesitate.

“What?” Eddie asks this time, slightly defensive.

“Nothing,” Steve says with a shake of his head. “Cup or cone?”

Eddie laughs, “Come on, you can’t do that.”

“Do what?”

Eddie gestures at him. “Make that face and then pretend like you weren’t thinking anything.”

Steve raises his eyebrows at him. “And you can?”

Eddie’s mouth opens and closes a few times before he leans across the top of the glass dramatically and puts his head in his hands. “I’ll get a cone please.”

Something about the image makes Steve laugh as he grabs a cone and scoop, making the order for Eddie. "You know." he says, wishing the ice cream was the slightest bit softer, "I was expecting you to get something like death by chocolate or coffee."

"Why's that?" Eddie asks curiously.

Steve glances up at him and shrugs. “Those flavors are more…” he struggles to find the right word.

“Metal?” Eddie asks, sounding almost hopeful.

“Exactly.”

The smile on his face grows. “Well, I’m glad you see me as someone metal, Steve. But what, just because you’re a jock, I’m supposed to expect you to like some gross flavor like bubblegum?”

Steve frowns. “I like bubblegum ice cream.”

Eddie sighs and runs his hands over his face. “Of course you do.” He takes a moment to look over Steve again. “But looking at you now, I’d assume your favorite flavor would be the USS butterscotch.”

“Because of the stupid hat, right?” Steve asks as he drizzles extra caramel on the top of the cone.

“I think the hat is cute,” Eddie replies.

The comment sends Steve’s heart into a bit of a frenzy for a moment before he collects himself and hands the cone over in exchange for the bill in Eddie’s hand. He counts the change two times, trying to make sure he doesn’t make a mistake as a bunch of panicky thoughts go through his head. He hands the change over quickly but hesitates when Eddie stares at it and frowns. “Something wrong?” Steve asks.

Eddie glances up at the menu, down at his change, and takes a moment before saying, “Sorry, you just charged me for a single scoop when this is a double with an extra topping.”

Steve frowns and looks at the cone. “The topping is on the house, but that’s a single scoop.”

Eddie glances up at him and raises his eyebrows.

“A generous single scoop,” Steve corrects himself.

There’s a pause before Eddie’s smile widens, and the corners of his eyes crinkle up cutely. “I think i just found my new favorite ice cream place.”

Steve laughs, “Better than Linda’s Ice Cream Parlor?”

“Linda would call this a triple scoop and wouldn’t give me a topping but she would still make me pay the extra just for asking,” Eddie complains with a smile.

“Well, I would never do that to you.”

“Is that so?” Eddie asks, leaning forward a bit.

Steve’s eyes glance down at Eddie’s lips momentarily as he tries to come up with a response.

“Hey dingus, there was a horrible delivery you missed…” Robin trails off as she looks between the two, effectively ruining the moment.

“See you around, Harrington,” Eddie says with a wink, tongue darting out and gathering up a bit of white ice cream and letting it disappear into his mouth.

Steve feels a familiar heat in the pit of his stomach and nearly groans. Instead he hurriedly tells Robin, “I’m taking my break!” And effectively ignores the look she’s giving him.

Back in the break room, Steve walks up to the board and stares at it, glancing at the “You Rule” column and whispering, “Almost,” before sighing and putting his head in his hands.

He can’t believe that Eddie Munson is sending him into a sexuality crisis. Yet, he hopes he comes back often the rest of summer. And maybe he’ll finally be able to get that “You Rule” tally.

[luckykiwiii101]

HOW TO ENTER THE VOID STATE WITHOUT VOID CONCEPT!!! (Guaranteed) ❦❦❦❦❦❦❦

(Warning!!!Long post ahead)

————————————————————————————————————————

🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

I know some people will heavily disagree with me about this. But I really believe there is a way to enter the void without having to have a good void concept.

All you need is to believe in the void state. That’s it.

The technique:

- Get into a comfortable position.🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

- Clear your mind with a meditation or something. Maybe by breathing etc, whatever works for you. I really recommend DMT waves to calm your mind. Know that it is important to feel calm physically and mentally. Although it is not completely necessary if you are experienced.🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

- Once you feel relaxed and have a clear mind, start to affirm your affs for the void state. E.g. “I am pure consciousness” “I am void” “I am in the void state” (You don’t need to affirm, just do anything that distracts you from the 3D, like focusing on your breath, or focusing on the darkness behind your eyes. Anything is alright as long as it doesn’t lead to you falling asleep or paying attention to the 3D).🖤🖤🖤🖤🖤

- Acknowledge that you do not need to completely block out the 3D. What i mean by “block out” is that you may still be able to hear and feel the 3D. Just don’t focus your attention onto it. Your attention should be on your affirmations or whatever else you chose to focus on (doesn’t have to be affirmations). Also if you get an itch, ignore it, but if it’s too unbearable and it’s completely ruining your focus, there’s no harm in scratching it. You may ask “but why can i scratch it? I have to stay still or i won’t enter the void.” The thing is, this technique does not require you to turn off your left brain as you will normally start to feel symptoms within 2-5 minutes within doing so, and it takes 15-20 minutes to turn off your left brain. Of course you can turn off your left brain by relaxing whilst staying still for 15-20 minutes if that is what you resonate with better. Know that scratching an itch, or shuffling around does not stop you from entering the void. It does not “ruin your progress” either. That is impossible. The void is within you, you cannot run from yourself. YOU ARE THE VOID!🖤🖤🖤

- Know that you do not have to feel symptoms like floating. This is a big misconception. Ofcourse symptoms are very common, but not everyone experiences them. People feel like they can’t enter the void because the symptoms aren’t there to “tell them” that they are “doing it right”. As long as you are not focused on the 3D, you ARE doing it right. Stop stressing. You are supposed to feel relaxed. Stressing is the opposite of relaxation.🖤🖤🖤🖤

- This process will probably take you around 5 minutes. Ofcourse it depends on you as a person. Like how long it takes you to clear your mind. Or how long it takes you to feel comfortable. This should not take more than 1-10 minutes. Most likely will take 2-5 minutes. But don’t worry if it takes longer than that. Erase the stress and anxiety from your mind because you know for a fact that you are going to enter the void. I promise that this cannot fail you. It is literally impossible. It is not based on assumption. It doesn’t matter whether you believe it’s difficult to enter the void state. Just know that you are going to enter the void very quickly because there is no other outcome after doing this. There is no “failure”. 🖤🖤🖤🖤

- You will most likely start to feel floating symptoms etc. Spinning, falling (If you are someone who doesn’t usually feel symptoms, that is fine). When things get more intense the floating feeling might make you feel like you are “panicking”. But don’t worry, just focus and relax. 🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

- THIS IS A VERY CRUCIAL PART!!! Do not focus on your symptoms. Of course you can feel them, but do not pay attention to them. Do not focus on them. There you go. You are in the void.🖤🖤🖤🖤🖤🖤🖤

See how easy it is. Try it for yourself and watch how failure doesn’t exist. I don’t care what your void concept is like. I don’t care whether you think you can’t do it. You have no choice when doing this method. This has been used for years and years. It is literally just detachment from the 3D. It is not difficult.🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

BIG MISTAKES PEOPLE MAKE:

Some people make some really silly mistakes and then complain about “not being able to enter the void.”🖤🖤🖤

MISTAKE NUMBER 1:

- Anticipating entering the void. Your goal should be to relax. Of course to eventually enter the void, but if you are anticipating by thinking “When am i going to enter the void?!” “When am i going to start feeling symptoms?” then you are just going to stress yourself out. Do not do this! When you are clearing your mind, set the intention of entering the void and just relax and know that you are going to enter.🖤🖤🖤

MISTAKE NUMBER 2:

- Thinking that movement is not allowed. You ARE allowed to move around and adjust your position. It doesn’t “slow you down” or “ruin your progress”. It doesn’t stop you from entering. So stop stressing. Moving around only matters when you are turning your left brain off, but this method does not require that. I’ve moved around plenty of times and i’ve seen many success stories of people who have moved around whilst literally having a terrible void concept on top of that.🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

MISTAKE NUMBER 3:

- When people start to feel the symptoms, they drift their attention to the 3D and how their physical body feels. DO NOT DO THIS!! Just keep focusing on what you were focusing on before, then you will enter the void in a few seconds. Literally. I always used to do this and just yesterday i stopped letting the symptoms get the best of me and get distracted by them, i kept persisting in my affirmations whilst affirming to enter the void and i felt myself entering but since i didn’t want to enter (because i am a dumbass), i woke myself up. But it’s TOO easy. Okay. Ignoring symptoms are ridiculously easy.

WHAT TO DO IF I FIND IT DIFFICULT TO IGNORE SYMPTOMS?

There are many ways you can ignore symptoms:

For mild focus (when you don’t feel symptoms yet):

- Focus on breathing and breathing only.

- Focus on affirming and affirming only.

- Focus on the darkness behind eyes only

For when you start to feel symptoms but they aren’t that intense:

- Focus on breathing and affirming only.

- Focus on breathing and darkness only.

- Focus on affirming and darkness only.

For when symptoms start to get really intense and you can feel yourself entering the void:

- Focus on all three simultaneously.

If you still find it easy to focus on ONE thing when things get intense (which they might not) then that’s fine. You don’t have to focus on more than one thing. That’s just a solution for people who can’t. Also i just have examples of what to focus on. Ofc you can focus on random thoughts or anything detached from the 3D. Whatever makes you feel most comfortable.🖤🖤🖤🖤🖤🖤🖤🖤🖤

See how easy it is. Go enter the void rn and have fun whether you just wanted peace or to manifest something!!!🖤🖤🖤

————————————————————————————————————————

🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤

Sincerely, - Gossip Girl 💋💋💋

[togenabi]

things I won't tell you

vinsmoke sanji (opla) x princess!reader

♡—the new royal chef doesn't seem to recognize you without your crown. who's going to tell him? . . . certainly not you.

word count♡— 7.3k (cries)

genre♡— fluff, royal chef x princess au

content notes♡— opla sanji, afab!reader is a princess, reader wears dresses, reader has siblings (oc's), sanji made me google fancy food, mentions of zeff, sanji gets jealous if you squint, no use of y/n, proofread (but only a little)

also on♡— ao3

author's note♡— this is detached from any canon, its basically just a big chunk of sanji fluff. please enjoy!

You've never really dreamed for yourself. You had always just let life fall into place around you.

The kingdom is prospering, entering a new age of commerce. Artists, craftsmen, and inventors sail seas just to be part of it.

Your sister Chrysanth is a wise queen, as you always knew she would be. She’s fair and just, always knowing what’s best for her people.

On the other hand, your brother August is Captain of the Royal Guard. He’s an excellent swordsman, who has yet to be beaten ever since he took command.

As for you, the youngest of the three, you have no idea what you’re doing.

The most likely outcome would be for you to be married off to settle some political arrangement. Unpleasant as it sounds, you would have agreed to it for the sake of the kingdom.

But the moment you said so, Chrysanth gave you a look unbecoming of a queen and immediately shut it down.

“Look,” She gestured to the view outside. “Does that seem like a kingdom who needs help to you? I work my butt off precisely so that we won’t have to depend on anyone else.”

“Besides,” She adds, “if anyone wants your hand, they should fight to the death for it.”

And so, for now, you work for your sister. Helping manage general affairs and the kingdom’s business agreements—even though she could easily hire someone else.

“I love that you insist on working,” Your brother told you once. “You could have been a socialite, but you’re here with us, serving the people.”

Of course you are. Because even though you didn’t necessarily plan it, you are proud and committed to your work. You’re happy with your own, mundane accomplishments.

Or at least that’s what you try to remember when you glance at the tall pile of documents on your desk. You’ll relish the satisfaction that will come when it’s gone.

The candle beside you burns low, flame becoming dimmer and dimmer as the hour grows late. You should probably replace that. Pulling open your drawer, your eyes scan its contents for a candle.

You’re fresh out of the tall ones that fit in the candleholder, but you have one sculpted like a cinnamon bun—a gift from August a few birthdays ago. It’s not exactly the best for illuminating your work, but something makes you strike a match and light it still.

It smells like freshly baked cinnamon rolls, you can’t help but inhale the decadent scent deeply.

The aroma triggers an embarrassing grumble from your stomach. You feel your ears burn despite the fact that no one else is around to have heard it. Perhaps a midnight snack is in order.

Unexpectedly, light seeps through the gap beneath the large wooden double doors to the kitchen. In all your years, you’ve never encountered anyone in the kitchen at two in the morning.

Normally, you wouldn’t want to disturb them. Knowing the chefs, they would likely fuss over you and put whatever they were doing on hold.

But you fear that your stomach will disagree with that, so you decide to knock and enter the kitchen anyway.

There’s only one chef inside—a tall, blond man with his back to you. You don’t think you recognize him. He must be one of the new hires.

When he hears your footsteps on the stone tiles, he turns around.

His expression, at first, is curious. But after a beat, his mouth curves into a charming grin that catches you completely off guard.

“Hello there, miss.” He nods in greeting, eyes alight with a look that no one usually dares when it comes to you.

“I’d be happy to fix up something for you if there’s anything you’re… craving.”

When you expected the chef to fuss over you, this isn’t what you meant.

Your first instinct is to look at his surroundings for alcohol. Perhaps he’s intoxicated and not in his right mind?

But the (sober) chef seems to have mistaken your silence for bashfulness, because he presses you further, “Trust me. I may be new around here, but I know my stuff.”

Unsure how to respond to his blatant (or insolent, your sister would say) behavior, you try to gently decline his offer.

“It’s alright,” You say, still uncertain about him. “I was only going to make a sandwich and be on my way.”

“Nonsense!” He insists. “If you’re hungry at this hour, it means you’ve been busy working too hard.”

He approaches the pantry, retrieving one too many things for a mere sandwich. Your concern grows when he grabs garlic, several leafy vegetables, and a lemon.

“You, my dear,” He points at you with, is that a cucumber? “—deserve a proper treat.”

You sigh, it looks like he doesn’t intend to back down. Maybe you should just let him do what he wants and see if he can back up all the talk. Pulling one of the chairs from beneath the kitchen island, you take a seat as you observe the flirtatious chef.

At least he seems to be enjoying himself. His hands work with the kind of precision that only comes from years of experience; and he smiles proudly when he sees you watching.

“I meant what I said, I’m a damn good cook.” He’s begun chopping the vegetables. “My name’s Sanji, by the way.”

The question now is whether or not you properly introduce yourself. It's difficult to deny that you enjoy his attention. The casual and relaxed manner he addresses you with is… a nice kind of different. When else are you going to experience that if you let this go?

Alright. For tonight, you're not a princess. You're someone who stumbled upon a chef—a handsome one, it dawns on you. This is a chance encounter in the palace kitchens. And, you glance over at the dressing and ingredients he prepared, why should you turn down good food?

You decide to only give him your name. It feels strange introducing yourself without your title, but you don't tell him that.

“It makes sense that your name is as captivating as you are.” Sanji's voice is smooth, easygoing as he moves around the kitchen.

Nothing about his demeanor changes. Either he really doesn't know anything about this country's royalty, or he's skillfully controlled his reaction and is hiding that he knows.

There's also a third possibility: that you look so haggard and tired that you simply do not appear royal anymore.

Subconsciously, you look at your typical office clothes… Maybe you should go on that fitting the royal stylist has been pestering you about.

On the topic of style, however, your companion has unusual attire for a chef. He’s wearing a buttoned shirt with a necktie. His black slacks match the suit jacket draped over one of the chairs.

Your attention is diverted when Sanji begins rolling up his sleeves. He juices the lemon he had sliced in half, arms flexing as he twists the fruit.

Clearing your throat, you ask him a question to distract yourself. “What are you making?”

He smiles as if he’s glad you asked. “A dish that suits a beauty like you, of course.”

Several minutes later, he presents you with a sandwich. The slices of bread are whole wheat; the layers of ingredients between them are all in varying shades of green.

“A green goddess sandwich, made with care for the goddess in front of me.” Sanji pushes the plate towards you. 

It's easy to stay composed despite the flattery because your hunger makes you focus on the food. “It really does look excellent.” You compliment earnestly.

He gestures to the plate before placing his hands in his pockets. “Tastes excellent too, try it.” Shaking your head at how confident he’s being, you pick up the sandwich.

It might just be the best sandwich you’ve ever had in your life. The flavors are fresh, and you catch the hints of lemon blending with the dressing. The bread is soft, contrasting with the crunch of the cucumbers and sprouts.

You're completely surprised, and it must be obvious based on how Sanji reacts. He lets out an adorable, pleased laugh that makes you want to hear it again.

“I knew you’d like it, ma chèrie.” Sanji reaches a hand towards your face. Your heart just about stops when he brushes his thumb to wipe at the corner of your mouth. His eyes look so intense, like you'll drown in them if you stare too much. 

It feels as if your face could burst into flames at any second, so you turn away to hide your flush.

As Sanji grabs you a glass of water, you ask him if he’s eaten. “I did, but it’s nice that you’re worried about me.” He answers. You almost choke on your drink.

Once you've finished your meal, you stand then grab your empty plate and glass. But Sanji mirrors you, blocking the way to the sink. Why must a chef have such broad shoulders?

He shakes his head, trying to get the dishes from you. “Can’t let you do that, love.”

“Why not?” You frown, pulling your arms back so he doesn’t reach them.

“It’s late. You shouldn’t be working any more—”

“But you’re allowed to?” You look up at him defiantly.

Sanji stares at you. You stare back. There's a few seconds of silence before you sprint the other way, running around the kitchen island to get to a different sink.

“Oh, no you don’t!” Sanji yells after you.

You’re almost there, but Sanji catches up to you easily. Before you know it, he’s blocking the way again and you curse, remembering his long legs.

“Sanji, let me do the dishes.” You plead, but he’s as stubborn as it gets.

“The knives I used need to be washed anyway, and I’m not about to let your pretty hands do that.” Sanji winks, and you give up. He pries the dishes from your hands.

Seeing your shoulders slump disappointedly, he offers you a compromise. “If you really want, you could throw the rubbish in the bin and wipe down the counters.” Okay, you can do that.

“Are you sure this is the only way I can repay you?” You ask, grabbing a washcloth to begin cleaning up.

“That’s plenty of help, my dear.” Sanji answers.

But after a moment, he seems to have gotten an idea. Your brows raise in curiosity as you question him, “What?”

“...I was just wondering,” He begins, looking at you with that flirtatious glint in his eye. “Since we had such a wonderful time tonight, would you be willing to join me again?”

“That depends,” You press your lips together to suppress the smile blooming on your lips. “Will you cook for me again?”

Sanji laughs, throwing his head back. “Darling, that’s a given.”

He gazes at you while he dries his hands. There’s a grin on his face as he asks, like he already knows your answer. He probably does. He’s probably right.

“Same time tomorrow?”

Even though you got back to your chambers at an ungodly hour in the morning, you woke up feeling the most refreshed you’ve ever been. There’s a spring in your step as you get ready for the day, and you pick clothes that are slightly more dressy than your usual attire. Sanji shouldn’t be able to notice that you dressed up for him, right?

But your sister does. 

Seated at the head of the table, Chrysanth stops eating to analyze your clothes the instant you show up to the dining hall for breakfast.

You could practically hear the gears in her head turning. Avoiding her gaze, you bow to greet her before taking your seat, “Good morning.”

The queen only smiles at you knowingly, eyes still flickering over you with enraptured excitement. Very much unlike a queen, however, she kicks your shin underneath the table.

“Ow!” You yelp.

“So…” She lets the syllable drag on. “Who’s the guy?”

You focus on piling food onto your plate, choosing to ignore her. “What guy?”

“Your guy.” She says, giddy. “Is he your guy yet?”

“Hm?” Is your only response. Breakfast looks lovely. Should you ask for coffee or tea today?

Chrysanth kicks you again.

“Hey!” You rub the skin to dull the pain. “Stop that!”

“Stop avoiding the question!” She persists, waving a hand to gesture at your clothes. “You only wear that skirt when you want to impress someone.”

Mentally cursing her for knowing you too well, you continue to act nonchalant.

“Really, it’s nothing.” You try to clarify. “I just thought that it would be a nice change.”

She doesn't believe it. Not one bit of it. Thankfully though, she drops the topic. Your shoulders relax as the discussion switches to work-related ones. She’s telling you about her plans to approve a restaurant in the museum when your brother joins you for breakfast.

Once he’s seated, August takes one look at you before tilting his head. “Who’s the guy?”

Chrysanth looks far too smug and triumphant than you’d like. You bury your face in your hands. Would Sanji also tease you if he knew?

The rest of the day is uneventful, the only change to your typical work day being that you avoid your siblings like the plague. You have lunch brought to your office and skip on dinner.

Sanji had already started cooking by the time you got to the kitchen. “I hope you don’t mind,” He says. Of course you don’t, whatever it is smells amazing. “I thought I’d start early so you wouldn’t have to wait too long.”

“Thank you for going through the trouble.” You say, glancing at the ingredients he had laid out: there are crushed tomatoes on the counter. Pasta simmers in a pot on the stove. You recognize the tubed shapes with ridges surrounding them.

“Rigatoni?” You ask, turning to the chef.

Sanji nods, “With a simple, creamy tomato sauce. Nothing too extravagant, but still specially made for you.” 

He puts the pasta into two bowls, grating parmesan cheese on top. Your mouth waters.

“Here you are, darling.” It pleases you more than you thought it would when Sanji sits across from you to eat as well.

There’s something homey and yet luscious about the taste. He really outdid himself. “It’s delicious, Sanji.”

“I live to please.” Sanji says before standing to retrieve two wine glasses and a bottle of red. “Zweigelt.” He says as he pours for you both. “Juicy and fresh, with just the right amount of acidity.”

You almost swoon at the rasp in his voice. You never realized someone could be so attractive when talking about wine.

As he clinks his glass with yours, you think to yourself that this might be your favorite dish from him. However, true to his word, he surpasses your expectations every time.

After a few weeks, on your sixth (or is it seventh?) time meeting Sanji past midnight, you've reached the point where you're able to open up to each other beyond the pleasantries that come with the food.

He tells you about his dream of traveling the seas in search for the best ingredients the world has to offer. You admit how you sometimes feel like life is just taking you along with the current—that you’ve never had a burning, passionate dream to aspire to.

“I don’t think that’s a bad thing,” Sanji hums contemplatively. “There aren’t any deadlines when it comes to finding dreams.”

“I do worry that you’re working yourself to the bone, though.” He adds, and for once, his smile looks different somehow. It’s a fond, gentle smile that’s sweeter than the macarons he made for you.

“What do you mean?” You take a sip of water.

“While I'm flattered you enjoy my food so well, do you eat properly? Shouldn't the palace be treating you better?” This time, you actually choke on your drink.

Could it get more embarrassing than this? Your ears burn as you cough, trying to clear your throat and settle your heart.

“Breathe, love." Sanji, ever the gentleman, is next to you in a flash of a second. He pats your back gently and supportively. “I'm sorry if I startled you.”

“It's alright—and, I do eat,” Your voice comes out raspy. “It's just that I don't usually have an appetite for dinner.”

“But that leaves you hungry for a midnight snack?” Sanji asks, a knowing expression on his face as he refills your glass.

“Exactly.” You smile. Thankfully, your throat has calmed down. Picking up a vanilla-flavored macaron, you savor the taste that melts sweetly on your tongue. Returning to his chair across from you, Sanji watches you eat happily. 

“I take pride in my desserts, but that chocolatier in Belltower street… The sweets are just—out of this world, I tell you.” He looks so excited as he talks, eyes aglow and gestures animated. “The chocolates are handmade and everything. I'm sure you've heard of it?”

“Um…” Hesitating, you certainly remember issuing a business permit for a chocolatier; but you can’t say you’ve gone there yourself.

Sanji’s eyes widen in disbelief. “Surely you’re pulling my leg. You haven’t been?”

“...”

He observes you quietly, like he's considering what to do next. There have been instances when Sanji stays quiet, doesn't eat, and only watches you chew. The times where he insists that he's content with seeing you eating well. Those were awkward at first, but you learned that was just part of spending time with him. Your reaction was a reward on its own.

But this isn't like that. Something feels oddly different in the way he seems to be gathering his composure. The silence almost worries you, but thankfully he breaks it first.

“You’ve saved me the trouble of thinking of a place to take you to.” Laughing, Sanji practically glows in elation. “You’ll love it, I promise.”

You had a peculiar sense that you would’ve loved going anywhere, as long as you were with him. 

Feeling bold, you suggest, “I’m free this Saturday if that’s good for you?”

He gives you that soft, enamoured look again. Something makes you hold your breath, your fingers tingle and the entire rest of the world slows down. You’re almost certain you’re giving him the same look.

“Even if I wasn’t, love, I would have gone to you anyway.”

The next day, a Thursday, your brother unexpectedly knocks on your office door.

“Hey,” You smile. “Is something wrong?” 

It’s rare for August to look for you in the middle of the day. If either of you need to speak, it’s usually you who heads into the training grounds to talk to him. The other way around occurring is curious.

“I wanted to invite you to watch the knights train this Saturday.” He says coolly. “It would boost their morale if you spoke a few words.”

The commander goes on to speak, not catching that you’ve short circuited somewhat, trying to rack your brain for a valid excuse to decline him.

“And maybe, you could pick out a personal knight like I’ve been telling you.” August prompts. “You really should—”

When he pauses, squinting his eyes at you suspiciously, you suddenly recall why you stopped trying to hide anything from him. 

“You already have plans.” He says, face carefully blank.

“Yes.” Thank goodness he understood. But wait, his eyes are widening. Why is he making that face? Why is he looking at you like he just figured out—

“You have a date.” Darn it all.

August is bewildered, not knowing what to do with the information he put together. He awkwardly brushes his fingers through his hair.

“...Is he a good guy, at least?” He settles with, asking carefully in that concerned way he does when he looks out for you.

Biting your lip, you nod. “He seems to be, so far.”

“Okay.” August responds. “Does Chrysanth know?”

“It’s nothing serious.” Yet. Yet? Do you want it to be? “You’re the first I’ve told.”

A worrying thought suddenly pops in your mind. Your turn to him, distressed. “Please don’t tell her yet, August.”

“Why?” His frown deepens, like he’s about to ask more questions. Unfortunately for him, you decide you’ve had enough talking about Sanji to your brother for today.

“Aren’t you busy?” You grab his arm, guiding him out of your office. “Don’t you have training to get to?”

“I do, but—why can't Chrysanth know?” You open the door for him and try to push him out, but August plants his feet; still trying to figure you out. He doesn’t budge an inch.

But then he makes that face again. That annoying ‘aha!’ face.

“You really need to go, good luck with training! Tell the knights I said hi—” You manage to shove him out with all your strength, but at the last second before you close the door, August turns around again.

“He’s a commoner, isn’t he?” You slam the door at his face. 

It doesn't matter. Sanji's status will never matter to you. Not when he's holding your hand so sweetly while he guides you through the winding streets of the city. You recognize some shops by name, knowing who owns what and when they established their business. But Sanji knows these streets, and he's more than happy to show you.

“Ah, one moment, my dear.” Sanji pulls you towards a quaint little cart overflowing with flowers. He flicks a coin to the vendor, eyes scanning all the vibrant colors and bursting petals. 

Somehow, without you needing to tell him, he picks one in your favorite color. You're starting to feel like that's just part of being with Sanji—that he knows what you want, and knows what you need before you do.

The flower is soon tucked into your hair, behind your ear. His fingers linger on the side of your face—and normally, you'd break eye contact and shy away. Maybe let out a halfhearted excuse that you should continue on your way. But you don't.

You smile back at him, not bothering to hide the genuine happiness you feel. And when Sanji pulls back, you're already holding out your hand before he reaches for it. There’s something in his eyes. Something that makes you feel like you're walking on air when he tugs you along again.

As planned, Sanji takes you to the chocolatier he told you about. The building is small, tucked between larger shops in the middle of a busy street, but there’s no doubting the quality of their confections.

The elderly chef behind the counter greets Sanji like a grandson she hasn’t seen in forever. She ushers him in, enthusiastically pointing to this and that, saying she moved some furniture around as he suggested.

“It looks perfect, grand-mère.” Sanji smiles, taking in the beautiful glass display. Chocolates of every flavor cover the shelves from end to end.

Grand-mère’s eyes light up when she sees you. She casts an approving look at Sanji, “I like this one. She might even be too good for you.”

“That’s because she is.” Sanji laughs, and you pretend to browse the menu while they talk.

“No need for that, ma chèrie.” The menu is plucked from your hands. Sanji sets it aside, pointing instead to where grand-mère is behind the counter. She's wrapping up a box of chocolates that she hands to you.

“No need to pay, dear.” She smiles, patting your hand. “If he ever gives you trouble, let me know.”

Sanji whisks you away through the streets again. You've never been this far into the city before. Looking back at the path you've taken and not recognizing any of it, you know you’d be absolutely lost without Sanji by your side.

“Almost there.” He tells you, pointing to a cobbled path that inclines upwards. 

What meets you at the top of the path is a small clearing. A stunning tree with blossoms on its branches stands at the center. Flowers and petals flutter away and fall onto the iron bench beneath it.

“Sanji, this is lovely...” You trail off, letting go of his hand to catch a flower into your palms. The flower twirls delicately between your fingers before you turn back to Sanji, tucking the blossom into the pocket of his suit.

Sanji takes your hand before you can pull away, bending down to press a kiss to your knuckles. 

“Not nearly as lovely as you.”

The two of you spent hours under that tree, sharing chocolates and stories—feeling like this is how things are supposed to be. Not necessarily the flowers, or the chocolates, or even the sun setting beautifully in so many warm colors.

Just Sanji. With you, next to you. 

All at once, it sinks in that he could be the dream you've been waiting for. But you don't tell him that.

Being enlightened on your feelings for Sanji becomes a second thought, however, when you’re swamped with work the following week.

“Don’t these people ever get tired?” Chrysanth groans, leaning back on her chair. “Why is planning a festival so hard?”

You approach her desk and place another stack of documents onto it. The numerous piles are getting concerning.

She scowls at the papers, then scowls at you. “Don’t you ever get tired?”

“Of course I do.” You tap a stack of documents to her left. “The guest list for the ball needs to be approved by tonight so we can send invitations out.” She groans again, but picks up the list anyway.

You’re unable to see Sanji as often as you’d like, but you both promised to meet once a week. Even if it’s only for a few short heartbeats together.

You dearly miss him. You think about him as you hand Chrysanth menu plans for the ball. If he saw it, he’d say that he could come up with something better.

She glances at the menu, studying it. Or at least, that’s what you thought she was doing—until her next words proved you wrong.

“So, how are you and that chef doing?”

Your heart isn’t in your chest anymore. It sank down, deep into the depths of the earth. It also must have taken all the air in the room along with it. How did she—

“August?” You blurt out.

Chrysanth shakes her head, “Zeff.” Oh no. Sanji’s boss knows? Does Sanji know that you’re—

“According to Zeff,” She proceeds, cutting off your thoughts. “One of his subordinates has been cooking a lot of personal meals over the last few weeks.”

“I can explain—” But your sister holds up a hand. Your mouth snaps shut.

She calls your name, and then you realize how serious her tone is. “Are you familiar with the kitchen’s rules when it comes to using ingredients and supplies for personal use?”

“...I’m afraid I'm not.” You didn’t know the kitchen had any such rules… but surely Sanji does. Your voice stutters, “I, did—is he in trouble?”

“He isn’t.” She answers, though her expression is still grave. “But I think that you should be aware of how much he’s doing for you.”

Chrysanth opens a drawer to retrieve a list of kitchen rules. Reading it over, everything is standard and straight to the point. You find the answer to your confusion towards the end, a small, nondescript bullet that reads:

All staff must reimburse the cost of all ingredients used for any reason outside of official duties.

“He must know who I am, then.” You say, feeling relieved that he didn’t break some sort of impossible rule. “He wouldn’t have done so much for me if he didn’t.”

Your sister purses her lips, letting the silence linger for a second before responding, “He doesn’t know, love.” She hands you another document. “He’s been paying back every cent out of pocket.”

Tracing over the timestamps and the different ingredients listed, you stare at an outline of your time with Sanji. It’s nice to reminisce, but you can’t help but wince whenever you spot something particularly pricey. What on earth are you to do with this man?

“Zeff recognized your name when he asked Sanji who he was cooking for.” Chrysanth explains. “He didn’t tell him, but he came to me and requested for Sanji to be repaid.”

“Since anything served to me counts as official duties of a royal chef.” You piece together. 

“Exactly.” Chrysanth nods. “However, doing that would expose your title to him. Which is why I wanted to speak to you about this first… You should tell him.”

“I know.” Letting out a deep sigh, you agree. Sanji deserves to know more than anything. Nevertheless, the thought of him changing how he treats you—or worse, leaving—because of your status, frightens you to your core. 

“I’ll talk to him tonight.” You say, but your sister’s expression slowly changes. What did she plan this time?

“Or maybe, you could put the kitchen dates on pause and tell him in a few weeks.” Surprisingly, she hands you an invitation to the ball.

“I can’t bring Sanji as my date.” No matter how much you wish you could.

“Are you sure about that?” Chrysanth is unable to contain her grin. “Open it!”

‘…you are cordially invited to the spring masquerade ball.’

You gasp, “You turned it into a masquerade?”

“Yes, I did. You won’t believe how much convincing it took for the ministers to agree.” She rolls her eyes, but then her smile returns. “Don’t waste my hard work and have fun with your man, littlest sister.”

You laugh, not expecting this outcome after all that. “I love you, even if you made me go through so much emotional turmoil for fun.” She cackles.

“Of course I had to make you sweat after what you put me through.” Chrysanth scoffs, “I can’t believe I had to hear about your love life from Zeff, of all people.”

“Ah,” She says, remembering something. “Speaking of, why’d you guess August first earlier?”

“...”

“...Did you tell him before me?” She gasps. “How could you! Give that invite back!”

“I didn’t think you’d approve.” You admit shyly. “He’s a commoner.”

“If he treats you well—which, he obviously does—I could care less about all that.” Chrysanth reaches for your hand, giving it a reassuring squeeze. “Only those stuck up ministers will react negatively, I’m sure. We can deal with them easily enough.”

When she lets you go, she abruptly adds, “He better be cute though.”

That sends you laughing again. “Oh, Chrysanth, he’s the cutest!”

He certainly is. Especially when he sees you and grins, opening his arms wide in expectation. You fall into his embrace when you’re near enough.

Sanji takes your hand and places it on his arm, leading you away from the kitchens.

“Some of the others are still in there planning for the ball.” He explains. “It seems preparations are keeping us both busy.”

Sanji takes you to the greenhouse, which you’ve never seen at night before. Various patches of vegetables and shrubs line the space. There are trees and flowers towards the back too. It feels like a secret hideout, being here with Sanji. 

“I miss spending more time with you, love.” He whispers.

“Me too.” Your heart melts thinking about how much he gave for you. You wish you had the courage to tell him the truth now, while he’s looking at you like you put up the stars in the sky, but you can’t. You’re not ready yet.

Reaching your hands up, you caress his face gently, brushing your thumb across his cheek. He places his hands over yours, keeping them there. 

Sanji closes his eyes to savor the moment, and you let him. You two stay like that, your hands becoming enveloped in so much of Sanji you feel like you could recognize him with your eyes closed, with a single touch.

There’s a certain familiarity to him at this point. You would probably have some difficulty adjusting back to life without him in it. He’s so familiar that you could probably draw him. He makes you want to try.

“...I was just wondering,” You say with a knowing glint in your eye. Does he remember those words when he said them to you that first night? “We’ve been working hard for this ball, wouldn’t it be a shame not to enjoy it together?”

You give him the invitation, and he throws his head back laughing. You send him a confused look, but it all becomes clear when he pulls out an identical invitation from his jacket.

“Ah, how brilliant you are, mamour.” Sanji embraces you again, and you bask in how perfect it feels to tuck your head into the curve of his neck.

“It will be easy to find you even with a mask.” You murmur into his skin. He shivers. “You’re so goddamn tall it’s not fair.”

“I’m not too worried about you finding you, either.” Sanji begins to sway slowly with you still in his arms. It makes your heart skip a beat. You can’t wait to dance with him.

“Are you confident you’ll find me first, then?” You ask, adjusting your hold around his middle to snuggle in better.

“I’m not sure about being first,” He ponders. “But I’ll be sure it’s you when I find you.”

The greenhouse became your new meeting place while the palace was buzzing to prepare for the ball. You could only meet for a few minutes, but you treasured the time you shared just the same. 

Once, Sanji tried to feed you one of the expensive fruits growing there, but you declined, making up an excuse that you were allergic. He had looked at you strangely, but didn’t press you further.

You couldn’t find the time to see Sanji the week of the ball at all. Your time was spent welcoming foreign dignitaries, discussing business and trade. You and your sister had a marvelous time shutting down a marriage proposal from some duke from the north.

It amazes you how much you’ve changed since meeting Sanji. Had the duke asked before you met him, you probably would have considered it seriously. Whereas now, your standard is far too high. The man you choose must be able to get to your heart by cooking you the best food in the kingdom and all the seas. 

You’re glowing by the time you finish getting ready for the masquerade. The dress you chose is in your favorite color, with the skirt twirling dreamily when you turn. 

Chrysanth permitted you to enter the ballroom a few minutes late to avoid a royal entrance. You use the time to compose what you want to say to Sanji when you tell him the truth.

‘I’m a princess, and I think I might love you’, is that a lot to say? You sigh, smoothing your hands over your dress.

The clock on the wall chimes. It’s been fifteen minutes since the ball officially started. You put on your mask, tying the ribbon behind your head to secure it.

After one last glance at yourself in the mirror, you head to the ballroom—looking much more collected than you actually feel.

Maybe you shouldn’t have bragged to Sanji that you would find him easily, because you don’t.

You were mistaken when you thought all you’d had to do was look for a tall, blond man with a blue mask. (Sanji’s mask is surely going to be blue. He wouldn’t consider any other color. You bet your foot on it.) It’s unnerving how many people fit that description tonight.

You even find your brother before you find Sanji. August is dressed in surprisingly simple, all black attire. He looks more like a gentleman than a commander, lacking all those sparkly medals he’s usually required to wear at events.

“Where’s your date?” August asks, ducking his head slightly so that you can hear him over the crowd. “Chrysanth bragged about setting you two up.”

“I haven’t found him yet.” You answer dispiritedly. “I thought it would be easy.” 

August looks around, and you know that if he knew what Sanji looked like, he would be able to track him down in a flash. You’re about to ask what you should do when August suddenly bows, extending a hand to you.

“May I have this dance, fair lady?” He asks in a fake pretentious accent that instantly makes you laugh.

It would be nice to say yes, but you desperately want Sanji to be your first dance. August would understand. 

But you aren’t able to decline, someone else beats you to it.

“I’m afraid her first dance is spoken for.” Sanji’s voice reaches your ears and suddenly the room is brighter than it was.

You almost gasp, elated that he found you. Were it not for that frown on his face, you would have voiced out your joy.

August and Sanji stare each other down. Neither of them say anything, but it’s clear that their first impressions of each other aren’t the most pleasant. Not liking the hostility you’re sensing is building, you tug at Sanji’s hand. 

Your brother’s eyes soften at that, and he bows again, this time to say goodbye. “I’ll see you later then.”

You watch August go, and Sanji grumbles something you don’t catch under his breath. You'll have to properly introduce them at some point, but worrying about their relationship can wait. You really must cheer up this grump who thought he was going to miss your first dance.

“Dance with me, stranger?” Intertwining your fingers together, you smile and take in how handsome he looks. His suit is still black, but there are several accents in dark blue—the same color as his mask.

The deep navy color makes his eyes look almost crystalline, and you recognize why you love him so immensely when he smiles.

“I would be honored.”

Sanji is more graceful than you expected. His movements are controlled and precise, never moving too fast and always making sure you’re falling into step beside him.

He’s proven, once again, that he can surpass your every expectation. Sanji spins you around, catching you by your waist and grinning before sweeping you off your feet again.

By the end of it, you’re left breathless due to far too many reasons, and they all involve him.

You had tried bringing Sanji to a romantic spot; maybe a balcony, or somewhere by a fountain in the gardens—but it seems that a lot of other people had the same idea.

Everywhere was crowded, but you suppose where you ended up is romantic in its own way. With the sky being cloudless tonight, you could see every star twinkling away through the greenhouse’s glass roof. 

Let the stars bear witness to you pouring out your heart to this man.

“Sanji…” You start, mentally preparing yourself.

“Yes, ma chèrie?” Sanji tucks a lock of your hair behind your ear, you have his complete attention.

“There are things I must tell you.” You swallow the lump in your throat, not brave enough to look him in the eye yet; though you grip his hands tightly in yours.

Sanji waits. He doesn’t complain that you might be holding onto him too tightly, or nag at you for taking too long to put your words together.

When you finally look up to meet his eyes, you find the strength to breathe it out, “...I’m a princess.”

There’s this moment again, when you hold your breath and wait for his reaction; like when you first told him your name. Suddenly, it feels like you’re in the kitchen eating sandwiches with him again.

And, just as it did back then, his reaction surprises you.

His expression barely changes, the only difference being the barely-there furrow of his brows in concern. 

“I know, love.” He says.

“What?!” You drop his hands in shock. “Since when?”

Sanji blinks. “Since the moment we met.”

“But, I—why did you pay everything back? Why didn’t you ever mention it?”

His eyes widen, “Ah, is that why you wouldn’t eat anything from me these past few weeks? I knew you couldn’t be allergic to pineberries.” 

“Sanji, answer the question.” You pout, and he rubs your arms in an attempt to soothe you.

It’s Sanji’s turn to compose himself, you notice. He looks like he wants for your time together to stay lighthearted, when the thoughts in his mind are far from it.

“You didn’t want to talk about your duties, so I never asked.” Sanji shrugs, but you can see him getting nervous. 

“As for reimbursing the ingredients, I suppose I was worried that… you wouldn’t think of our time together dearly if I was just another chef on your staff.” 

Your heart shudders when he lets out a shaky breath. Oh Sanji.

“But that’s the truth isn’t it? I am, and yet I—” He pauses, eyes searching yours desperately. “If I didn’t pay for it, I would be admitting that a chef was all I’d ever be to you.”

You open your mouth to speak, but he cuts you off. “I don’t regret it. I would make the same choice if I had to.” Through the mask, you can see his resolve, but his hands shake as he holds you.

“I didn’t expect to feel this strongly about you.” Sanji continues, “You’re just so lovely, making me feel like I could take on the world for you.”

With your hands quivering the slightest bit, you pull at the ribbon behind your head. Your mask clatters to the floor. Raising your hands towards him, you push his mask up until it’s off, revealing the face of the man who has completely enamoured you; body and soul and all.

You think back to how the colors lit him up beautifully, that one sunset you shared under that blossoming tree. And now, he’s still just as beautiful, in this greenhouse under the moon and the stars. 

You love him all the same as you did then and every moment before. With the weight from keeping secrets gone from your chest, you finally let yourself admit it out loud.

“I love you, Sanji.” You confess. “I’ll go with you, if you’ll take on the world.” You try to say it calmly, but tears build up in your eyes. “You mean so much to me. You’re my dream.”

Sanji inches you closer, wrapping one arm around your waist while his other hand cradles the back of your head. “I love you too. More than you could possibly imagine.”

You quip back at him while wrapping your arms around his neck, “I think I have a pretty good idea.”

Sanji leans in the same moment you do, lips meeting in a passionate kiss that sends sparks running through every inch of your being. He pulls you impossibly tighter against him, strong hands caressing your back and holding firm at your waist. Your fingers rake through his hair, touching him to make sure he’s real. He’s here. He loves you. He knew. He always knew.

That night, you realized that your favorite taste from Sanji is his lips on yours. But, once again, he won’t hear you tell him that.

…

Sanji first saw you when a ceremony was held to welcome the new palace staff.

Everyone’s attention had been on your sister, the queen. Understandably so, but his eyes always strayed back to you. You looked gorgeous, wearing a stunning dress perfect for a princess as yourself. A cape draped tastefully down your back. And your crown sparkled brightly under the sun; but try as it might, it couldn’t be as dazzling as you.

Sanji was drawn to you instantly, and he thought he would go on with his life never understanding why.

That is, until you walked into the kitchen at two in the morning to make a sandwich.

It would have been impossible for him to not recognize you. Regular office clothes or not, something was different in the way you carried yourself. It was difficult to miss.

Other people would have thought you appeared mundane. And yet, Sanji found you the most beautiful then.

Because you let yourself smile more when you don't wear your crown. 

But he won’t tell you that.

© togenabi 2023 | see here to be added to my taglist ♡

tags: @songsofadelaide-archive @amitydoodlez @sweetexistentialism @writingmysanity @hotchocolattee @dimplewonie @hearts4zoro @kenkenmaaa @ay0nha @watercolorskyy @holymusicalmothman @appalost

author's note (yes, again)♡— sooo, what do we think about sworn knight!zoro x princess!reader ? 👀

[xitsensunmoon]

People often talk how inaccurate self diagnoses can be for things like autism and while I personally disagree, I found it to be true to some degree. But in a completely opposite direction.

When I just found out about a possibility of me being neurodivergent, maybe, like, a year ago? (Thanks to a peer review by my friends💀) I took an online test for a self diagnosis - RAADS-R. And there's a reason they say "it can be inaccurate".

I think my first "score" was something close to 80 out of 240 possible. It meant I had some of the traits, but a lot of neurotypical people could score that high too.

But I got curious. And so for the next year I was doing my research. Finding out about spoon theory, about energy levels, about light and sound sensitivity, struggles with social cues and such.

I took the test again, a year later. I scored 167.

If your conclusion is "well, obviously you were influenced and the results are biased" you won't be entirely wrong. But the reason for it is not that I faked it. It's that I paid more attention to myself.

If you're living your whole life masking, you're taught to ignore absolutely every symptom of what may be autism or ADHD. My whole life I was thinking that I'm "weird" or "broken" or "different" or or or. I knew that I'm living my life somehow different than people around me. It felt like everyone got a tutorial how to live this life and I skipped it. But I could never understand why.

So, why did I score higher the second time I took the test? Because the first time all of the "weird" situations were never linked to autism in my brain. I had two dots, the connection between them being autism. But I never recognised the said connection, due to the high-masking nature that helped me to cope with everyday struggles.

But the second I made the connection, suddenly everything made sense. Suddenly, it's not "I'm too sensitive", it's not "something is wrong with me", it's not "why am I not enjoying this while others do?". It's fucking autism(and ADHD too, lol.)

That's the reason your diagnosis may be not as accurate as you think. Your brain can try and protect you from making the connection between your experiences and the diagnosis. Or, of course, there's a possibility to make a wrong connection, too.

But you're the only one who can find out. There's no one out there who knows you better than yourself.

[theemporium]

[1.6k] sick of their lovesick friend crushing on you, remus and sirius take it upon themselves to give james the boost he needs to talk to you. it doesn’t quite work out the way they planned.

. 

It wasn’t meant to happen like this.

Or, to accurately rephrase that, it wasn’t meant to be this fucking intense. 

Sirius Black and Remus Lupin were nothing but good friends. They were there when you needed someone to listen, they were there to offer advice, they were there to make you laugh when all you really needed was a distraction. 

They were good friends. 

But even this was pushing their limits. 

It was no surprise to anyone at Hogwarts that James Potter fell hard and fast. It may not happen often as people like to make it out to be, but the second that boy sets his eyes on someone, he’s a goner. And there’s no one better than his friends to know that. 

They had seen it with crushes over the last few years, but none of them hit the boy as hard as you did. 

One snarky comment, a broom race and one infirmary  visit later, and James Potter was completely besotted by you. 

And as his best friends, Remus and Sirius had been subjected to far too many rambles the bespectacled boy had given over the months since he first laid his eyes on you. 

But even they had their limits and their patience was quickly running out. That’s why they had a plan, a simple plan. It was honestly the simplest of plans where nothing could go wrong. 

Or at least, that’s what they had thought. 

The main problem was that for all he was confident and arrogant and loud, James Potter seemed to lose all confidence and suave when he was around you. The boy got flustered and stumbled on his words and struggled to even say anything remotely impressive, and it was a disheartening sight to see. 

So when Remus suggested a simple confidence boosting potion from the alchemy in Hogsmeade, the plan was set in stone. They’d sneak him the potion, convince him to ask you out and the rest would be history. 

The task to acquire the potion was left to Sirius considering Remus had prefect rounds and would be unable to get the potion himself. But Sirius didn’t think some measly potion from Hogsmeade would be enough, so he didn’t see the big deal in grabbing one from his family’s favourite upend alchemy instead. 

As it turns out, it was a very big deal. 

Not only were the potions stronger, but they were laced with extra festive elements for witches and wizards who were stupid enough to buy potions during holidays. 

And this confidence potion was laced with a very, very strong love potion—-in celebration of Valentines Day. 

“What the fuck did you buy?!” 

“The man in the store said it would enhance!” 

“Enhance what? His bloody insanity?!” 

“Stop yelling at me, Moony, I am sensitive!” 

Both boys stared at their friend who sat on the bed in front of them, a cheesy grin on his face and his tousled hair falling into his eyes. They thought it would be easiest to slip in the potion in the morning, just before they headed down for breakfast. 

Now, they realised, it would probably be best if they hadn’t given him the potion at all. 

James Potter sat on his bed, a badly drawn picture of you that was no better than a stickman on a piece of parchment in his hand as he sighed hopelessly. 

“She’s so pretty,” James murmured happily. 

“That’s a bit of ink and paper, mate,” Sirius replied, looking at James with the caution one would have for a wild beast. 

“She’s even pretty when she’s a drawing,” James continued as he lifted his head to look at his friends. “Don’t you think?” 

“Uh, sure,” Remus murmured, unsure if disagreeing with a lovesick fool would be the best course of action. He turned to look at Sirius, a glimmer of annoyance in his gaze. “We can’t let him leave this room when he is acting like…that.”  

“He will be fine, Moony,” Sirius scoffed and waved his hand dismissively. “It’s barely noticeable anyways.” 

Remus raised his brows. “Oh really?”

“Hey, buddy, how ya feeling?” Sirius asked as he turned back to James. 

James jumped onto his feet, puffing his chest out. “I feel like I wanna sing to the world how much I love my girl—“ 

“Yeah, okay, maybe he’s not ready to leave the room just yet.” 

Remus let out a heavy sigh and pinched the bridge of his nose. “Okay, I’m gonna go down and grab us some food and possibly some books from the library that can help us…reverse whatever this is,” he announced as he turned back to Sirius and fitted him with a glare. “Keep an eye on him, and do not let him leave.”

Sirius rolled his eyes. “Aye, aye, captain.” 

“I’m serious.” 

“I thought I was Sirius.” 

“I swear to Merlin—“ 

“I promise, I promise!” Sirius eventually sighed and raised his hands in mock surrender. “Now go, before Prongs starts spouting sonnets and you start correcting him.” 

It didn’t sit well with Remus has he quickly exited the Gryffindor common room, heading into the halls of the school and making his way down to the Great Hall. Leaving Sirius in charge of a very…odd James was not reassuring in the slightest, but at this point they had little choice in the matter. They needed to get this sorted out and get it sorted out soon without alarming any of the teachers. 

Or worse, James’ mother. 

Remus suppressed his shudder as he made his way through the throng of students, heading towards the Gryffindor table so he could grab some food for the lot of them and make a quick escape. 

However, the boy failed to notice the group sitting just a few feet away from him. 

“Remus, hey!” 

Remus froze, a piece of toast hanging between his fingers before he turned his head to the left, giving you what he hoped was a casual smile—although it looked more like a grimace. 

“Hey,” he answered lamely. 

“You’re late this morning,” you joked lightly, your attention purely on the boy. You stretched your neck to try and catch a glimpse of his friends but he was alone. “Hey, where’s—”

“James is sick!” Remus blurted out and watched as you frowned in concern. “Not like, deathly sick. But just enough for him to stay in bed for the day.” 

“Oh,” you murmured and the disappointment was clear in your voice. “Is there anything I can do to help? I have some potions my mum gave me—“ 

“No, no,” Remus waved you off. “Potions can’t fix this.” 

But that only seemed to deepen your worries. “Remus, are you sure he’s okay?” 

However, before Remus could even open his mouth to spout another lie, another voice yelled through the hallway just outside the Great Hall. 

“OH TREASURE OF MY HEART!” 

Remus closed his eyes. “Fuck.” 

“OH DARLING APPLE OF MY EYE!” 

“He had one fucking job,” Remus muttered to himself. “One. Fucking. Job.” 

“WHERE IS THE LOVE OF MY LIFE?!” 

Your wide eyes met Remus’. “Is that—” 

Just then a figure came bursting through the entrance of the Great Hall, standing in nothing but socks, a pair of boxers and a white shirt. But James Potter didn’t care about the gasps or gawking eyes, he was looking for one person—you. 

“My love!” His eyes brightened as he spotted you on the table and quickly began making his way over to you. 

Not even seconds later, Sirius came running after him as he panted heavily. “Fucking…prick…hexed me.” 

Remus would’ve snorted if James approaching you wasn't the priority. 

Your eyebrows furrowed together as a partially dressed James kneeled down in front of you. “James—”

“Love of my life, you look absolutely stunning today, it wounds me!” James sighed dramatically as he reached to take your hands in his, pressing kisses on the back of each knuckle. 

“I wound you?” you murmured as the boy looked up at you with wide eyes. 

“Don’t you know, darling? It wounds me to even be apart from you!” James exclaimed. 

“Okay, buddy, how about we head back to the dorm?” Remus murmured as he tried to pull James up, but his hands were quickly batted away. 

“Leave me alone, Moony, you are getting in the way of true love!” 

“True love?” you repeated, biting back the smile growing on your lips. You were still very confused, but at least you were amused. 

“The truest!” James said as he looked you in the eyes before taking a deep breath. “Oh darling, do me the pleasure of becoming Mrs Potter—“ 

“OKAY!” Remus clapped his hands together, finally pulling James away from you as Sirius cackled beside him. 

“You’ve ruined my proposal, Moony!” James whined. “You’re officially taken off the best man list.” 

“I’ll keep that in mind,” Remus muttered before flashing you a sheepish smile. “Just…pretend this never happened.” 

Before Remus could make proper move of herding a boisterous James out of the Great Hall and back towards the Gryffindor dormitories, you were out of your seat and chasing after them. 

“James!” 

His head quickly snapped around, big eyes finding yours as his face split into a grin. “Yes, my love?”

You stopped when you stood in front of them, your chest moving up and down quickly and your heart thundering in your chest, but it was too late now. 

Before you could second guess yourself, you leaned forward and grabbed his face in your hands, pressing a kiss on his lips before pulling back. 

“Come find me when you’re…better.”

James didn’t even get the chance to reply as you quickly skidded off, his lips parted in shock and his cheeks burning a bright pink as he aimlessly stared at the spot where you stood moments ago. 

“Moony?” 

“Yeah, Prongs?” 

“Did that really happen?” 

“Yeah it did, mate.” 

“Right…great…catch me, mate.” 

Remus opened his mouth to reply but James’ body had already sagged against his, the boy’s eyes now closed and he couldn’t help but let out a snort as he heaved the unconscious boy’s arms around his neck. 

“I better be your fucking best man now.” 

“Hey!” 

“Shut up, Pads and carry the croissants.”

.

[tragedy-of-commons]

"Do you ever think about that drunken kiss we shared?" + Dan Heng

"Do you ever think about that drunken kiss we shared?"

Dan Heng thinks you're trying to kill him.

Yes, that must be it, he lets the swarm of butterflies flapping around in his gut reason for a little too long. Surely, you're an assassin sent to kill him, cunningly playing the long game - only to one day give him a heart attack so he'll croak and you can collect your money.

(Honestly, he'd rather you don't drag the process out. But Dan Heng has never taken you for merciful, and your entirely evil expression only serves to confirm that hunch.)

The tips of his ears burn red. "Why do you insist on bringing that up?"

"Come on," you huff, elbowing him in the side with no real force, "you gotta answer the question, love. And keeping record of the past is always a good thing, right? You're always wading knee-deep in the archives, so I'm sure you'd understand."

There you are with your strange comparisons and too-close-but-not-too-close-since-you're-dating pet names. Even so, how in the world is he supposed to respond? Honesty cannot be the best policy, not when his answer will be something along the lines of 'Yes, I do think about that kiss often. Almost everyday, in fact, considering it's the best thing that's ever happened to me.'

But Dan Heng doesn't say any of that (of course he doesn't). Instead, his gaze drops back down to the table where you're both currently sitting - where he'd been mindlessly scrolling through his messages moments before you decided to throw him off kilter. It's way too early for this.

You continue to babble on, taking his silence as the admission of guilt that it is. "We were running around the Luofu, those Knight people hot on our tails, but after my work on your genius disguise, I finally convinced you to lighten up and have some fun. I dragged you to that stall, remember?"

How could he forget? Even when his past was nipping at his heels and ready to take a wolfish bite out of him, you'd found a way to insist on all play and no work. Even more debasing, he went along with it.

"I remember. You... the shopkeeper sold us that bottle, and since it was broad daylight in a nice area, we assumed it was nonalcoholic and just... drank it, right there in the central square," Dan Heng recalls.

You laugh, loud and bright. He feels like vomiting from the mortification he's constantly subjected to in your presence.

"Yeah! It didn't even taste alcoholic. Honestly, I'm surprised you didn't notice anything sooner - you're normally pretty sharp. We started getting suspicious after all those nasty looks, though..."

He remembers that too, but what you neglect to mention, thank the stars and everything that hasn't screwed him over, is that he was completely and utterly distracted. Dan Heng isn't one for such flowery language, but from his only somewhat muddled recollection, he was totally entranced.

It was probably his overlooked inebriation, but he found himself fixated on the plush of your lips. As you rambled on about how pretty the scenery was, he could only think about how pretty you were. As much as you'd disagree with him, he isn't as oblivious as to have ignored all the signs of his growing fondness for you.

The mystery alcohol gave him the push he needed then. For just a moment, Dan Heng wishes he had some liquid courage right now to get through this hellish conversation. "Yes. Everything was warm, and I kissed you."

You gasp, scandalized. The table wobbles as you kick your feet up to rest on the polished wood, somehow lax. "Hey, give yourself some credit! Even when you were practically wasted, you still did that cheesy romance movie thing and asked for permission."

His eye jumps. Aeons above. "I wasn't aware asking for consent was a 'cheesy romance movie thing'."

"I'm not talking about that," you snort, getting that look on your face when you're about to lay down a trump card of some kind, destroying the many layers of defenses he's spent the entirety of this life painstakingly building up. "I'm talking about when you tilted my chin up and looked into my eyes! You've never been that romantic since! Oh, Dan Heng, what a heartthrob you were, a real dreamboat--"

He whispers your name, voice brittle like glass.

"Sorry," you say, the apology quite genuine by your standards. The teasing grin you sported moments earlier has all but disappeared, replaced by a soft smile that makes all of the theatrics worth it. "But I can't help but reminisce. I cherish the memory dearly, you know."

Dan Heng swallows. "I know. I do too."

He does. Hopefully, one day, he'll be able to surprise you like that again. As you take his hand in yours, both of you falling back into comfortable silence, electricity crackles inside the confines of his chest.

Yes, you're surely going to be the death of him.

(Like he'd have it any other way.)

🏷️: @akutasoda, @aviiarie, @lowkeyren, @https-sourlimes

a/n: anon, i fear you've killed everything i know and love... i adored this prompt and writing it! dan heng is a special kind of soggy and i hope i did him justice.

event post here

[lazycats-stuff]

I remember back when i was a few months old and still using a baby walker, I'll wake up early morning but my parents will be too exhausted to get up yet so my older sister will put me in the walker in front of the TV and turn on something like national geographic or anything about animals then I'm entertained for hours(might take a stroll around the livingroom but with my eyes still on the tv) even though i understood nothing lol, can i see something like that with batfam and babybat? I feel like this is something batbros will definitely do if they're too tired to entertain their baby brother but still want to hangout with him(they just end up open mouthed staring at the tv just like the baby < Bruce's favourite site in the morning)

Oh my God, that is completely adorable. My parents also gave me a walker and I would only watch Incredibles and that would entertain me for hours.

Summary: A nice morning with the fam.

Warnings: fluff, fluffy morning, everyone loves the baby, Alfred love too... I just love the fam...

Taking care of a baby is exhausting. Any parent will tell you that. And it also takes a village to raise a child, which is also true. Very much true if you ask any parent who is dealing with a baby in a moment. (Y/N) Wayne joined the family a year ago, as a newborn whose mom didn't feel ready to take care of him.

Bruce didn't judge her for it and he happily took his son in, introducing him to the rest of the family. Everyone took a liking to the little baby and they showered the boy with affection and love. One of them made sure to be home at night, taking a break from patrol to take care of their brother for the night.

It was nice to take a break from the patrol and intense stress it brings and some could argue that taking care of a baby is more stressful, but the Wayne family had to disagree with those people. (Y/N) was an easy baby, by every single definition. He ate on time, slept on time, got a lot of cuddles and they all played with him.

All in all, it was amazing and stress free. All boys waited for their night off, alongside Bruce. Nothing could be better. Absolutely nothing could top that one night where they take care of their baby brother and their son.

But they were all exhausted beyond belief. And ever since (Y/N) has started walking, the little baby has a lot of energy to investigate. So Bruce got him a walker to that the little baby could walk around the living room and the kitchen. It's an adorable sight to see a baby just walking around like that, giggles and normal baby noise following him around.

Of course, the boys carried him all the time, just cuddling him and kiss his cheeks and head and smelling his scalp for that baby smell. Bruce had to admit, that baby smell is something interesting. He has heard of it, but he didn't think it was a real thing.

The more you know.

And for some reason, (Y/N) loves National Geographic. Maybe it's the colorful animals or just the voice of the narrator, but it made his eyes glued to the TV, mouth agape as he was watching the animals and listening to the voice, despite not understanding anything, he was glued to the TV.

So what do the brothers do when they are too exhausted to entertain their little brother, but still want to hang out with their baby brother?

They put the National Geographic on, put (Y/N) in his walker and then the four older kids just lay down on the couch and try to catch some sleep.

But that never really goes well, because they watch the animals too and they are shocked, mirroring (Y/N)'s expressions, but from a whole another reason. They were shocked by the facts and the looks of certain animals.

What the hell?

While every single child on the couch was in shock from the sheer diversity of their planet Earth, Bruce would just walk in quietly and watch for a few minutes. It was absolutely adorable and Bruce took a few photos and videos.

And those things will be the one thing he cherishes the most. He will print out those pictures and frame them on the wall one day and then put them on the wall. He smiled as he went to the kitchen where Alfred was already heating up a bottle of milk for their little bat.

Yes, the little bat was (Y/N)'s nickname. And yes. Bruce has made it happen.

Alfred handed the warm bottle to Bruce who made his way to the living room, taking (Y/N) into his arms and then putting him in his lap, making sure he could still the TV and then giving him his bottle to eat and be full.

The older boys didn't even bat an eyes as their brother was being fed.

" Do you see this old man? " Jason asked Bruce, not even taking his eyes off of the TV.

Bruce chuckled and nodded. " Yes, animal world is an interesting world. "

Damian tilted his head, mouth agape from the sights on the TV. (Y/N)'s eyes were still on the TV, but were closing from the feeding. Feeding often made him relaxed and sleepy, no matter what time of the day it is.

Bruce gently rocked his son as he finished feeding and then burped him. Bruce cooed at his son and then put him back into his walker. His five sons were still in trance while watching the National Geographic.

" What the hell is going on? " Tim asked as he tilted his head, eyes wide as he watched in shock.

Dick moved closer to the edge of the couch, trying to see in more detail. Bruce smile and took (Y/N) into his own arms, cuddling with the baby, gently kissing his head. (Y/N) cooed and laugh and Damian stood up, coming closer to the screen.

" What is going on here? " Damian asked as he observed the screen and animals on it.

" Now I see why (Y/N) is so in love with National Geographic. So many colors and the voice of the narrator is really nice too. " Damian said and moved to Bruce to take his brother into his arms. Both half brothers looked at the screen in wonder.

The love from animals seems to go deep in this family it seems. Everyone loves animals and the estate is slowly turning into an animal shelter. Bruce didn't mind it at all.

At that moment, Titus walked to Damian, snout sniffing (Y/N)'s socks. (Y/N) giggled from the sensation and Damian lowered down the baby so that Titus can sniff (Y/N), but not the face and hands. Titus huffed and hoped on the couch, laying his body over Tim and Jason who petted the big dog.

" Did you take Titus out for a walk Damian? " Bruce asked and Damian nodded.

" Yes I did. He did everything he needed to do and we played with his ball. " Damian explained and cooed at (Y/N), giving him a kiss on the head afterwards.

" He is just adorable. " Damian said as he held his brother and sat down on the couch. (Y/N) closed his eyes and just relaxed, almost going to sleep.

Alfred smiled from the kitchen and ever so discreetly walked over to the living room and snapped a picture for himself. It would go in his private folder, one with all pictures with his grandsons and Bruce. But this was a new folder, made in (Y/N)'s honor.

He never had a chance to have his own, biological family, but families are not bounded by blood. Families are bound by a sense of loyalty, love, support... That's what a family is all about. Alfred put his phone away and sat down on the couch, squeezing himself in with everyone.

It was cramped, but it was more cozy and more intimate. The boys greeted Alfred with smiles, but their eyes never left the screen. It seems that (Y/N) greeted him too, arms reaching out for Alfred, who took his youngest grandson into his arms, kissing his cheek.

" This is a nice morning. No one is rushing, everything is peaceful... We need more morning like this. " Alfred said and everyone has agreed to it.

They truly need more mornings like this... Alfred glanced down at his grandson, who was looking at him with his big baby eyes. Alfred sighed and smiled, kissing his cheek and wrapping him in a warm blanket to keep him warm.

[stardustbuck]

the whole “you have no media literacy” as an argument is so funny to me because the same people who yap about it are completely missing the point of buck and tommy’s failed first date. instead of understanding and asking why it ended the way it did, you’re putting blame onto tommy as if he left you standing on sidewalk irl and then never spoke to you again. narratively there had to be conflict, because when people say “he’s throwing himself back into the hamster wheel” well, maybe that’s true at first.

he once again is finding himself in some sort of romantic endeavor without much thought, which on one hand kudos to buck for not having a gay meltdown after realizing he’s into guys too, it’s really nice to see that he’s mostly really cool about this new fact about himself—until reality hits.

suddenly buck is not cool about the fact that he’s into guys and on a date with a guy because no one else knows yet. he’s so caught off guard because he wasn’t ready to share it, it’s new and nerve wracking despite being an 🏳️‍🌈 ally 🏳️‍🌈.

there had to be conflict to get buck to the place he needed to be to continue his queer arc. while its hard watching tommy cut their date short, it needed to happen for the story to continue. it gave buck time to think, gave him time to really process his feelings and work out the issues he was having with his queerness aka being open about it. tommy even said he didn’t want to pressure buck and it’s the reason he cut the date short, because buck didn’t seem ready and tommy very obviously didn’t want to drag it out and end up with them both hurt more so than ending it then and there.

even after bombing his date with tommy he still seeks his sister for advice and ends up coming out to her (accidentally but it’s the first step) and then proceeds to gush about tommy even though at that point, their little romance was over.

we witness buck try to come out to eddie once before finally pulling up his big boy pants and telling eddie “it was a date, when you and marisol ran into me and tommy. we were on a date.” and then proceeded to confide in eddie that he cannot stop thinking about tommy and eddie tells buck to call tommy, buck is scared tommy will say no, eddie says if he knows buck’s an idiot he’ll love him and if he doesn’t then screw him.

tommy says yes. he agrees to meet with buck after the chaos of their first date because “of course” he wants to hear what buck has to say. he tell’s buck he doesn’t need to apologize but lets him anyway because buck needs to apologize. for himself if no one else. he realizes his behavior was bad, that it wasn’t fair to tommy. he owns up to it but tommy still assures buck he overall ended the date because he didn’t want buck to feel pressured. buck admits he wasn’t ready but that after some time and thinking, he knows he can not stop thinking about tommy and what they could be. he invites him to be his date at a wedding, his sisters wedding and tommy albeit dare i say, flabbergasted, ultimately agrees because clearly, he also cannot stop thinking about buck or else why would he have given this a second chance?

the conflict of the failed first date is there to show buck’s growth from that hamster wheel mentality to grounding himself into something he knows that he wants.

that my friends, is media literacy.

you can agree to disagree.

[rayveneyed]

cw: smut / a/b/o dynamics / cisfem!reader

contrary to popular, old-fashioned belief, alphas and omegas can be friends.

long gone are those times of wilful ignorance, the use of nature as an excuse for shitty behaviour —well, i'm an alpha, see, so i really can't help trying to shove my hand up your skirt, so—

most people are chill nowadays, you like to think — like to being the key phrase. sure, you get the occasional tradomega trying to tell you that you need to dive into your divine feminine and serve your alpha as god intended — and you've definitely been on the receiving side of some ticking biological clock rhetoric, for sure, by snot-nosed alphas with not even a single yen to their name — but it is what it is.

all of this to say that: when sero hanta is guts deep in you, it's completely platonic. completely. cute. casual. nowadays, no hair-brained ideas of marriage or monogamy or commitment accompany your coupling — it’s animal instinct, dirty and intense and slick and hot, scratching a biological itch, and that’s it.

you really lucked out on your choice of partner, too. sero’s an alpha, yes, but not in the derogatory sense. he doesn't get pissed when he smells other alphas on you, like a territorial dog; doesn't tell you that you should be settled down, already, with a household of pups to manage at 25 years of age; doesn't push and prod when you work long hours and devote most of your time to your career. he's funny, and goofy, and tall, and lean, and — and, well, his hair is floppy and inky black, and when he's hunched over you, sweat dripping onto your collarbone from his pointed nose, his cheeks flush the cutest shade of pink…

ahem. anyways.

while there are many omegas that are no doubt stronger than you when it comes to heats, forgoing human contact in favour of 700-odd pounds of silicone, you're part of the large majority that would rather shack up with somebody real. you're not knocking it, of course! your sock drawer is testament to the fact that you love your silicone, really, but there's just something about a person. all heat and skin-to-skin, sticky and nasty in a way that leaves you more satisfied than anything else.

and sero — with his kind eyes and goofy smile (and skintight hero suit) — is not only more than willing to help you through your heats, but have you enjoy them. not an easy feat when your insides are tying themselves up in knots between orgasms, but by god does he do it. something about his hips... something about the way he bows his head to your shoulder, grinding long and slow into you, hips pressed flush to hips. his lips brushing against your skin when he groans, his fingers tangling in your hair to pull your head back. you're not sure if you should be jealous of his obvious sexual experience, or just grateful that you get to be on the receiving end of it.

there is, of course, the obvious romantic connotations of it all. you’re not stupid enough to completely ignore it; after all, heats are these romanticised, coming-of-age-esque happenings, the plot of most early 2000 rom-coms and bad pornos. cute omega roommate forgets her suppressants and goes into heat! real alpha-omega love-making guaranteed!

but its not like that, because hanta is hanta and you are you. you’re like sharkboy and lavagirl. or fireboy and watergirl. whichever pairing fits the dynamic better — you’ve always been the hothead between you two.

“that’s a really shitty idea,” a friend warns you. she’d caught you with your scarf undone, baring the hickies that hanta had left on you to the world — an embarrassing result of the occasional non-heat trysts you’d find yourself caught up in. you couldn’t even blame the heat hormones for the way you’d almost mauled him, but a girl simply has needs! “i’m telling you, casual heat sex never works. trust me.”

but it works for you and hanta, right? because no matter how much you fight, how much you disagree, how much you chastise him for putting himself directly in the line of fire — on live tv, no less! — it all melts away in a pile of blankets and pillows. no matter how deep his cock drives in you, no matter how his teeth scrape your scent glands and have your toes curling against his back, it all ends up the same — slumped in front of the tv, lazily lounging on your phone while he boots up his nintendo 64 to kick ganondorf’s ass for the billionth time.

(and it doesn’t matter that sero isn’t seeing anyone else — it doesn’t matter that he’s deleted his dating apps, or that you keep the pillow he sleeps on when he comes over so that you can scent it when he’s gone. it doesn’t matter that he reminds you to take your anxiety meds — you know, omegas are 44% more likely to have GAD than the average person? — or that he remembers how you take your tea, coffee, and pho. these are things you’d do with any friend, of course.)

it’s cute. casual. not at all romantic, so surely you shouldn’t think twice about leaving a toothbrush at his place. and what harm could a set of pyjamas do? and you could always do with an extra pair of socks, and your skincare, and perhaps an extra phone charger…?

[lacryem]

— A surprisingly long and in depth look about symbolism in the recent G-Fantasy cover by Yana Toboso ✦

Including references, flower language, how to decode the meaning of flowers, and a little too much brainrot. As well my personal interpretation drawn from all the sources I looked at. And of course what all of means (and maybe hints at?) for Sebastian and Ciel… and maybe even Sebaciel? 

Originally posted as a twitter thread, but threads suck and I forgot a couple things. so here now.

Disclaimer :

I don’t know FOR SURE that all these things were directly referenced by Yana when creating this art. But being a fan of her work for over a decade I've become familiar with her use of symbolism and reference, and believe myself to have a good eye for it at this point!   I'm also pretty familiar with the use of flower language, including different languages, due to having been involved in a project about it and having to read wayyy too much about this. 

Some of it also includes my own personal interpretation, but the meanings and info I based myself off of ARE factual. I think I made it pretty clear when referencing my personal interpretation. You're welcome to reach your own interpretation based off of the stuff provided!

And lastly, I'm not a sebaciel shipper. I'm not an anti (the complete opposite, actually) and have nothing against the ship, I like the narrative around them and how they're written but I don’t actively ship them romantically or sexually. So I'd say this is actually a pretty unbiased interpretation. Personal taste is one thing, but I don’t deny the author's intention and whats written in front of me! That is what this post is about.

Kuroshitsuji takes place in the Victorian period (1837~1901) in 1889.

The following are both important Victorian books on the language of flowers that I will be basing myself off of.

Language of Flowers by Greenaway Kate (1884), and The Language of flowers: An Alphabet of Floral Emblems (1857).

(Also, I’m treating Ciel’s rose as a deep red rose. Which is a bit different than red roses. But I am adding some relevant information about roses in general, anyway.

Now, on what they say about these flowers.

Deep rose, meaning "bashful shame". White lily, meaning "Purity and sweetness."

— The White Lily

Most people assume that the lily refers to Ciel's purity, and that’s a fair assumption. But I disagree. 

Firstly, the one holding the lily is Sebastian. Holding it on his right hand, tilted towards the right. However what's relevant here is the VIEWER. From the viewer's POV he's holding it to the left. Note he also holds the scissors on his left hand, where he bears HIS contract seal.

How you hold a flower, what position you give it to someone in, changes the meaning of the flower. These context clues are very important. It tells us that 'purity and sweetness' doesn’t refer to Ciel, but actually refers to Sebastian (…sorta).

This may be a little confusing. Purity and sweetness, Sebastian?! I know, I know. bear with me.

These books provide poems to help us understand how you may interpret the intended meaning. The lily poem is about enduring trials out of love because of the purity and sweetness he sees in his lover's eyes and soul. I believe Yana directly references the poems I will include in this post in her new artwork.

— My Interpretation

the meaning of Sebastian's lily is:

"I do all out of love for the sweetness and purity within you."

Him holding it to the contact seal and cutting the flower could stand for him destroying this sentiment (affection within himself) that has arisen in him as a result of their contract by destroying the sweetness and purity—the source of it—within Ciel (consuming his soul).

Note: This is debatable, as 'reversed' almost always means upside down. But if you consider the lily facing away from the viewer as reversed then it could mean "impurity and bitterness" which fits pretty well with Ciel, and it being held against the contract seal which is a physical representation of his impurity, brought on by his bitterness.

— The Deep Red Rose

There something I find very interesting. The rose is in a teacup, standing in for tea (I think there's even tea alongside it in the cup.) From Yana herself we know that Sebastian's eyes are a reference to the reddish brown colour of tea.

Like I said, I believe this rose to be a deep red rose, which is a bit more specific than the meaning given to red roses. However I think the poem included for roses in general very much applies here.

I was going to add my thoughts but I found this interpretation that sums it up pretty well if you replace the carpe diem theme with a more "running out of time" or "impending death" theme, which seems to be a more accurate reading for this artwork.

Looking at the rose itself, it has no thorns or leaves.

It is not a youthful rose as its already fully open and losing petals. "No hope, and no fear" fits with the poem, the rose is basically an hourglass referring to Ciel. His fate is unavoidable, but this isn't a deterrent. He's dancing on the ledge.

The deep red rose means 'bashful shame'.

When you compare it to the lily, which is a direct proclamation, the deep red rose is a quiet confession one cannot verbalize.

Debatable, to be fair but given the tie in to Sebastian's eye colour and the fact that he is always the one pouring tea for Ciel, I believe the Sebastian to be the speaker here too, but this time speaking on Ciel's feelings (Hence why he's the one holding it) rather than Sebastian's own. 

— My Interpretation

The meaning of the deep red rose Ciel holds, speaking about Ciel's feelings of guardedness, and in response saying:

"Abandon your bashful shame, and let yourself be admired without expectations (hope) or fear"

Sebastian speaks about Ciel's feelings, the deep red rose acknowledges his feelings but they remain unspoken.

The Waller poem is a plead for his beloved to seize the day, for time is short, and allow herself to be loved completely. 

Her beauty is one to be appreciated, she is not meant to be a rose unacknowledged (unloved) in the desert.

Regarding 'expectations', I think this is more about rigid ideas of how 'appreciation' or 'admiration, might be shown or received. Sebastian and Ciel's relationship defies normality or 'expectations'. So this, too, would defy expectations a young boy like Ciel, or a traumatised boy like Ciel, may have.

From Yana herself, we know Sebastian's dedication and how highly he holds 'beauty', specifically Ciel's beauty.

The author of the poem proclaims that beauty not appreciated is not beautiful indeeed, and so he calls his beloved to come to him and be appreciated wholly during the invaluable, limited time they have.

We see the deep red rose's petals fall away, in my opinion not only symbolising the withering away of time, but also the crumbling away of this "bashful shame" that Sebastian ascribes to Ciel.

How Sebastian wishes to "appreciate" this beauty is debatable. How he wants to "admire" and "desire" (per the poem) Ciel is rather open ended. Wether it be in a romantic way, a sexual way or by consuming his soul.

However, I don’t think these are mutually exclusive. And consuming Ciel can easily be a metaphor for the former two. 

— The Lily and The Rose

The Greeneaway book has this poem which im sure was directly referenced. This poem speaks about the lily and the rose in a direct power struggle and fight for dominance, until they eventually unite and reign as one.

Now when speaking about this "union", you could say it refers to their contract, but I don’t think so.

The contract ties them to each other, but it doesn’t necessarily unite them. So I believe 'unity' to be about the appreciation Sebastian speaks of Ciel opening up to. 

"The Lily" and "The Rose" might be interpreted as directly representing Sebastian and Ciel, and the unity that would come from them joining and becoming a truly complimentary pair. I think a power struggle and fight for being the one in control is very accurate way to describe their current dynamic in canon.

It may also be interpreted as "The Lily" and "The Rose" as being representations of their feelings and ideals previously. And then it would represent these two conflicting expressions—a loud  unrelenting and destructive devotion, and a guarded, bashful, unspoken reluctance— coming together and turning from conflicting to complimentary. 

Or as it tends to be with these things, both!

Either way all of this is expressed under the sense of impending doom created by their circumstances and the contract. So there's a sense of urgency permeating all of it.

Also clear to me is a sense of internal conflictedness coming from Sebastian's message that is usually only hinted at like this, and some people end up overlooking.

Sebastian desires Ciel deeply, but having him would also mean not being able to have him anymore.

Sebastian is torn and that’s why he attempts to cut the root of his wavering feelings represented by the lily. 

All of this makes me wonder about what's next, and if we will see these things said more blatantly. Foreshadowing with flower language and references like this, isn't exactly rare for Yana. I wonder if we will see this 'unity' come to be, and what necessary development Sebastian and Ciel will need to undergo to make it possible. As well as what shape it will take.

I also wonder very much about Ciel's perspective in all of this, as this was almost entirely from Sebastian's POV, but I think that's intentional. Ciel has his own goals and a lot on his mind. Sebastian's goal IS Ciel. So I assume he spends a lot more time thinking about Ciel and this kind of thing.

Thank you if you read the whole way through. Like I said before, even though the sources defending it are, my interpretation is not law and you're welcome to reach your own with the things presented.

Links for sources, including free public domain PDFs of the books mentioned are found at the end of my twitter thread.

— Thanks for reading! —

[meanbossart]

DU DROW LORE ASK COMPILATION: COMPANIONS, ASTARION'S READING HABITS, AND HIS LONG-INQUIRED OPINIONS ABOUT BODILY WASTE REVEALED.

I don't think "discussed" is the right word, more so mocked her for her blind faith and got into brief spats. It was precisely Shadowheart's water-off-a-duck's-back attitude towards his remarks that kind ingratiated her to him - DU drow spoke his mind, she took it in stride and remained firm in her beliefs without arguing or trying to push it on him. That, alongside the fact that they are surprisingly similar people is what brought them together as friends.

Even long after the events of the game he's still opposed to her hopping from Shar to Selune, also. Shadowheart's attachment to religion is simply something they agree to disagree about.

Can I answer your question with one of my own?

Am I the only idiot that killed her in their first run LOL

BUT YES, he killed Lae'zel when she tried to murder suicide the camp and I went through the whole game without her. I didn't go to the creche either!

I have since had other runs and she's actually one of my favorite characters, I just haven't had the chance to draw her yet.

ACTUALLY - scratch that. I've drawn her once-

Somewhat! But not really. He genuinely just likes jewelry, and rings are the only kind that suit his life-style (necklaces and earrings are a hazard during fighting) this is a reference to his bhaalist days when he used to be completely covered in the stuff day and night.

Hence why he finds them comforting to have on in some way or another. They change around because he gets bored of/misplaces runs out of fingers to wear the new rings that he loots constantly.

The great link in question

I don't know if it's been made clear enough, but DU drow's love for Astarion is borderline pathological, LOL. He's got a good humor about things and Astarion is definitely no stranger to having little quips and jokes made at his expense (a few references to him being Pointy And Long here and there, for sure), but the guy overwhelmingly adores him and thinks he's always the prettiest girl at the ball, even when he gets in his face and his nose looks huge.

I'll be honest, Astarion strikes me as the kind of guy that has like, 3 really weird books he really enjoys and reads them again and again very slowly over the course of years. Otherwise, not really a reader, but I digress -

DU drow was probably never a big reader himself, I would say he got started on a couple of books back in the day but likely never finished any. He's fairly intelligent, but most of his downtime was spent managing the cult and parsing through relevant documentation.

I definitely don't think he'd have the attention-span for fiction (which I picture as being said books that Astarion enjoys) but he does like to snuggle up with his beau to watch him read - every once in a while he catches a particularly scandalous line or description and they bicker about it. He makes a remark, Astarion feels obligated to explain the context, it devolves into some playful kind of argument that ends with Astarion telling him to go dig a hole and die in it while playing with his hair - The usual LOL.

Oh man I have a few more in-dept descriptions of how that went, both lore-wise and just for me as the player - but in summary, DU drow was pretty mean to everyone earlier on in the game and he did catch onto Astarion's very obvious and obnoxious seduction attempts very clearly. He doesn't like being so desperately pursued and they actually got off on the extremely wrong foot because of it, LOL.

After being unpromptedly rejected at the tiefling party he was a little more enticed by him, basically the "no" was his "go". I like to think of it like Astarion catching onto the fact that his initial strategy wasn't working and that this man in particular needed him to play hard to get - from that point on, DU drow started playing along. DU knew this was still a game, but now they were playing it on even ground so he was fine with it.

First of all - he inexplicably got butt-ass naked for the event.

All in all he liked it a whole lot and it was his re-introduction to the concept of pain being dished out as a form of love and his deep enjoyment of it.

Thank you so much, glad to hear you get some joy out of my work!

Dang it I had a pretty good write-up about his thoughts on Wyll from a long time ago, but I can't find it 😭

In summary, Wyll was a frustrating person for him to be around because of what he viewed to be a deeply ingrained naivete about the world. He shockingly didn't hate him (Wyll is kind of difficult to hate) but he never really saw him as an equal either, and definitely not as a friend. Du drow just desperately wanted him to express something that he would perceive as a genuine emotion; some kind of outburst or show of anger or frustration, but all he ever saw was someone trying to put on an act of performative heroism that he didn't buy at all.

At the same time, Wyll was far too young for him to be too mad. He might have held his father more accountable for making the guy into what he was than Wyll himself, really.

Can a man be scared of being scared? Because if so, it's that.

He also doesn't like shit a normal amount. (piss is fine depending on whose it is.)