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#PLEASE PLEASE LET ME TALK ABOUT THEM
faceless-ghostt · 5 months
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i HATE being a young justice fan with a burning passion sometimes, these silly lil guys, these dumb dumb idiots take up all my free time, just thinking about them. HOWEVER I DARE BRING THEM UP IRL? NO! why? because literally NO ONE around me knows who they are and I have to be like 'ha ha! isn't that just funny, anyways!' as if i'm not dying inside Because i NEED to talk about my beloved lil squishy and i CAN'T
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oobbbear · 9 months
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I want to post this here too because I’ve seen it happen a few times
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Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use
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hothammies · 3 days
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should we get carrots tomorrow?
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poorly-drawn-mdzs · 5 months
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Reasons to play In Stars and Time: Canon Pronoun Warfare.
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tizeline · 2 months
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Damn, they really squeezed in as many lore reveals as possible in those eight pages huh
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starry-bi-sky · 5 months
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Childhood Friends Danny and Jason: Ch2 Remastered
-------------------------------------------------------------- late at night when the stars don't look quite right -------------------------------------------------------------- there's something burning in the empty room inside of my head fill it up with doubt let it in, let it spread
Jason nearly falls flat on his face when he sees the photo of Danny. He’s in a warehouse, finishing up with a gang selling drugs on his turf. The guys he’s got tied up are cursing up a storm at him, throwing every insult under the sun his way that he’s all heard before. His eyes drag over to them, and silently Jason adjusts his jacket to reveal the guns strapped to his thighs, his hand hovering over the handle of one. 
They all fall silent, and Jason moves his hand away. His phone in his other hand, texting Oracle to alert the police. Jason hates that he has to; these guys will be out of their cells in a matter of months, and nothing will change. 
But he’ll play nice. 
And then his phone buzzes, and when Jason looks down he sees a banner from Tim. A message he planned on ignoring, but his eyes skim over the text on instinct, and suddenly the air is stolen right from his lungs, and his thumb is hitting the screen before he can really think it through.
[Hey Jason, your best friend just appeared in Gotham for the first time since your funeral.]
Impossible. He thinks, yanking his phone close to his nose, as if that will make it any less real or fake. Danny hasn’t been in Gotham in years, Jason checked. But then the image loads, and then he’s staring Danny Fenton in the face. And then he’s greedily tracing every minute, new detail he can find. The gang left half-forgotten in his mind.
Danny’s got an undercut, it looks self-done. It looks good. He looks taller. He’s got piercings in his ears, gold and jewels lining up the sides like a magpie’s find. He’s got an eyebrow piercing. 
Something old, something new; Danny is smiling and it still looks just as Jason remembers it. Crooked, lopsided, warm like the sun and belying the mischief underneath it. He remembers to breathe in that moment, and the sound comes in sharp. Danny’s eyes are as blue as they’ve ever been. 
(“I don’ get why books talk so much about peoples’ eyes.” Danny complains to him one day when he’s visiting the manor, his legs thrown over Jason’s back like an anchor tied to its ship. They’re sunk into the mattress of Jason’s bed, sunlight peering through the windows. “They’re just eyes! I don’t need t’know that they’re ‘as blue as the sky,’ or- or the ocean, or whatever blue thing in the world there is.”) 
(Jason’s smile comes to him like breathing, and he twists around to lay on his back. His arms trap Danny’s legs to his stomach. “Pretty sure it’s jus’ for emphasis on how much they’re noticing the person’s face.”)
(Danny’s face scrunches up, and Jason’s smile splits into a grin, heart swelling three sizes on instinct. “I think it’s stupid, s’just some fuckin’ eyes.”)
(“Eyes are windows to the soul, Dan.” Jason retorts, barking out a laugh when Danny gives him a deadpan look. His hands creep for a pillow, one of the soft downy ones wrapped in silk, and he throws it at Danny’s face. “And besides, speak for yourself! Your eyes are the bluest thing I’ve ever seen.”) 
But most importantly, Danny looks tired. 
Hiding is something that comes free with the purchase of living in Gotham, and Danny’s good at hiding things, he always has, but Jason knows him like the palm of his hands. He looks tired, and Jason wants to reach through the screen and ask him why. There’s an age-worn look there, catching in the flint of his iris, where his smile doesn’t quite reach his eyes. 
Jason gets the ETA from Oracle, then leaves as fast as his legs can carry him and his grappling hook can zip through the air. He needs to see Danny with his own eyes, to confirm himself that Danny was here, and that it wasn’t his mind playing tricks on him. Or that it was Tim playing a cruel joke on him — and if it was, he’ll have to rethink his whole killing thing. 
Gotham’s air is warm and suffocating, but her winds bite at him as he soars through it.
It’s second nature for him to find the west end balcony, and Jason finds himself with his feet locked in place on the building beside it. Grappling hook in hand, and a balloon in his lungs, all swelled up and squishing the air out of him. 
It’s just his luck —with whatever he has left— that Danny is there as well. In the same spot he’s always been, with a cigarette caught between his teeth. He’s stuck halfway, head tilting, eyes closed, with the shadows of Gotham on his back and the light of the gala at his front. 
For a moment, for a fleeting, terrifying moment, Jason thinks Danny’s going to tilt himself back off the side.The thought has him blindly tilting himself forward with his heart in his throat. Hands reaching for his grappling hook, swinging down to drop down beside him.
Danny is staring at him before his feet even hit the ground, face nigh unreadable beyond the small, wary furrow of his brows. Danny’s never looked at him like that before, it feels like  stumbling on the last step of the stairs. 
Then, like fire to black powder something flashes and ignites in Danny’s eyes. Mouth curling, eyes burning, for a moment, just a moment, they’re kids again, getting into fights and turning soft hands punch-rough. Danny looks at Jason like he’s going to tear him to shreds.
Jason’s mouth runs dry like a desert in the summer, but his blood chills in fear cold in his veins. Why are you looking at me like that? His mouth opens, but his tongue is leaden in his throat, and no sound comes out. It’s me. Don’t you recognize me?  
Danny yanks the cigarette from his mouth like it burns him, his free hand gripping onto the railing like it’s the tether to a leash, nails threatening to turn into talons. “Red Hood.” He says, voice low and timbre, smoke dripping from his lips like dragon’s breath.  
Oh.
That’s right. Jason suffocates on his heart as it sinks and soars with relief. Danny doesn’t know it’s him. In his tunnel vision, he forgot that simple, easy fact. It’s not because it’s Jason that he’s angry. It still doesn’t explain, though, why Danny looks at him like he ought to sink his teeth into his throat and rip him open. 
He’s half-distracted by that, and then distracted by the need to drink in the sight of Danny again. A photo is one thing; the real person is another, and with his fear subsiding, Jason rakes his eyes over his best friend and swallows him whole. His eyes are bluer in person, his memory and Tim’s photo doesn’t do them justice, and Danny inherited his dad’s height. He’s gotten so tall. They both have. They both used to be such scrawny kids. 
So distracted is he, that he forgets to respond to Danny, to say anything. Not until Danny tries to dismiss himself, and Jason kickstarts into gear. White hot panic fills in his lungs, burning him up like magma. No, no, no, he’s moving without thinking, always when he’s with him, and he nearly latches onto Danny. Nearly wraps his hands around his arm to hold him in place. Don’t leave. You’re finally here; don’t go. 
Danny stays, but he stares at Jason’s reaching hands like he’ll bite them off, stares at Jason with his eyes burning, watchful. Jason’s excuse is lousy and he knows it, but he wants, wants, wants to stay and figure out every new thing about Danny. 
And he feels like he’s losing something. Time bleeds together beside him and Jason feels trapped behind a glass wall of his own making. Something old, something new. The distance of which Danny keeps him at is foreign to him. He hates it. 
Tell me everything, he thinks, because he can’t find the words to say it. He hands Danny a cigarette instead, and hopes that it’s enough. Tell me everything and more, tell me what I’ve missed. 
In the end, he still feels like he’s losing something, but he also feels like he’s missing something. Answers that are water, and that water is slipping through his fingers. Danny leaves him with more questions than answers; something that’s never happened before, and Jason watches him walk back inside with a spinning mind. 
What do you mean you spoke to my ghost?
I told you that the Joker killed me?
Have I told you anything else? Have I already told you everything I’ve wanted to?
What happened while I was gone? 
Is that why you’re scarred?
Because Jason isn’t blind, he’s never been. Not in Crime Alley, not as Robin, not now. And not when it comes to his best friend. He sees the silver lightning scars ripped jagged up Danny’s arm, sees that they disappear under his sleeves. He saw, faded as they were, invisible until the light hit right, as they spread like tree roots up his throat and across the side of his face.
Scars that Danny’s never had before. Scars he didn’t have when Jason was alive the first time. Scars he didn’t have the last time Jason saw him. Or — what he remembers to be the last time he saw him, because apparently he saw him as a ghost. He sees the curve of his ears and how they point more than a human’s should, he saw the glint of his canines, sharper than they should be; sharper than he remembers. Metaphorical fangs turned real.   
Jason should’ve asked where he got them from, should’ve taken Danny by the front of his collar and stopped him from leaving. Who did this to you? He should have said, a fire burning in his chest and wrapping around his throat, pulling his voice into a snarl. He should have said, his guns weighing heavy on his sides; Who did it. I’ll take care of it. Just tell me who. Tell me everything. 
Instead, something crawled into his mouth and died, and his tongue is glued to the roof of it. And he doesn’t say anything, because saying something means telling his best friend who he is. It means having to take off his helmet and mask. It means telling his best friend that he’s alive, that he has been. That despite being two halves of a whole, Jason spent five years letting him think he was dead. 
He can’t tell him, not when he’s in too deep already. Not when Jason is so unrecognizable to who he used to be that if he told him, Danny would hate him.
And Danny is still grieving him. So plain as day mourning, still angry over his death. Angry enough that he wants the Joker dead, angry enough that he wants to hang the noose and kick the chair out himself. 
Jason wishes he told him that he looks tired. 
Instead he’s standing alone on the balcony, trying to get his thoughts in order as music blares muffled through the gold-light door. He’s left staring at the crushed cigarette laying on the ground, Gotham’s ambience at his back and a poem hanging in the air that he has no words for. It’s already there. Like stars on a painted ceiling.
And there are so many questions he needs answers for. 
Like his ghost. His ghost.
What did Danny mean by his ghost? 
Does he really want to kill the Joker himself? Was it just the grief talking? Jason knows — or thinks he knows — Danny like the palm of his hands. He’s been through everything with him, he’s seen him say something and then immediately follow through with it. He knows when he’s being serious, he knows when he’s not. 
Danny wants to kill the Joker. Stealing is one thing; murder is another. And Danny wore a look on his face that looked like he meant it when he told Red Hood that he wanted to kill Joker. But saying and doing are two different things. Jason doesn’t know what to think.  
Something old, something new. Danny is still the same, and yet he’s changed so much. 
What did Danny mean by his ghost? 
Jason doesn’t ever remember being a ghost. But Danny knows the Joker killed him. He knows how he killed him. Danny’s parents are ghost scientists, and Jason remembers the letter he got one day telling him about the portal they were building in the basement. 
He remembers thinking about telling Bruce — this was something beyond the glowing green samples stored in the fridge, giving life to the food inside. This was beyond the weapons, the inventions they made that only saw the light of day when the Drs. Fenton brought them up to showcase them.
And he didn’t, because if he hadn’t told Bruce about everything before, he wasn’t going to start. He admits, it was part fear that Bruce might intervene and prevent him from seeing Danny that he didn’t.  
Neither of them had expected it to work — but it sounds like it did. 
(Jason has avoided Amity Park for a reason. He knows he wouldn’t be able to stop himself from going there if he didn’t. But now, he just might have to look into it. He’s missed too much.) 
And Danny wants to kill the Joker, and Jason isn’t sure if he means it or not. Because the look on his face when he said it is oh-so familiar. It’s the one he wore when he needed Jason to distract the clerk while he snuck behind the counter to steal cigarettes from the shelves. It was the one he wore when an older kid cornered them near one of Gotham’s many alleys, threatening them over something Jason can no longer remember clearly. 
(He remembers puffing himself up, rearing for a fight. Danny, with glass in his teeth and blood between his fingers, lands a square kick to the spot between the kid’s legs. His knees hit the ground, and Danny’s hand found Jason’s to drag them both out of there.)
It’s the look of a boy, Gotham-touched grime in his soul, soft fingers turned calloused and scarred, about to do something he’s not going to regret. It’s the look of a boy that has set his mind to something and is going to do it. Some might call it the eyes of a cornered animal, but Danny’s never been cornered, not when Jason’s been with him. 
(But Jason hasn’t been with him. Not for the last five years. So can he really say it wasn’t the eyes of a cornered animal?...Yes.) 
Jason gets off the balcony before he can be seen, and he shouldn’t, but he loiters. He should get back to patrol, the night is never over. Not in Gotham. But he stays, hidden atop the roof nearby.
—---------------
An hour later, Danny walks out the doors with a man Jason recognizes as Vlad Masters — another new mystery for him to uncover. The paparazzi have long since left. Gotham’s nights are dangerous and everyone knows that, not even the vultures would stick around for a scoop, not unless there was something worth seeing. 
A black limousine pulls up beside them, and Masters walks around the back to reach the other side. He’s bristled like an angry cat. “I thought I told you not to embarrass me.” He hisses, eyes snake-narrowed.
Danny, for the most part, just looks unbothered, his hands shoved into his pockets without a care. But he narrows his eyes right back, an expression made of stone. “You have a pretty low bar for what you think is embarrassing.” 
Masters just scowls, “I don’t understand you, I would have thought you’d spend the whole time mingling with the Waynes, badger.” He says. Danny ruffles at the nickname, lips curling into a snarl. Jason finds himself unconsciously mimicking him. “And yet, I find you sequestered away in the corner like a little fly on the wall. Were they not up to your standards?”  
‘Sequestered’ Danny mouths mockingly, eyes burning like he was going to claw his hand down Masters’ face. Instead, his hands dig into his arms. “I did talk to them, that’s more than I can say for you. You couldn’t even keep Mister Wayne’s attention for more than a minute.”  
Jason frowns, and Masters scoffs, puffing up like an owl with its ego bruised. “Regardless, I am not the one losing here. Or did you forget what you promised me?” 
Jason’s frown deepens. Danny doesn’t promise anything. At least, he doesn’t promise with just anyone. He deals; he repays; he indebts. But he does not promise. Promises were power, with only one side benefiting. It was trust to promise someone something. Danny doesn’t trust easily, neither of them do.
Something that hasn’t changed. Danny rears up angrily, mouth twisting, teeth baring, snarling out a fury sound. A wire cut live and sparking. He grabs the door handle and yanks it open harshly. “I didn’t promise you anything, Vlad.” He hisses, Jason strains to hear him. “I offered and you agreed. Do not fucking twist my words.” 
There it is. Jason should’ve known better, guilt string-plucking in his chest for his doubt. Danny doesn’t promise things; not to people like this Masters guy, at least. 
Danny grabs something from the car and throws himself back. “Don’t wait up.” He snarls, a wild thing just as Jason is, and yanks on a red hoodie over his arms. It zips up, and hangs off him, smothering the vest and button-up beneath. “I’ll meet you back at the hotel.” 
Then he slams the door shut, shoulders hunched and with a scowl carved into his face. They’re both made of broken glass; independence — disobedience — and rebellion cut into them from every broken beer bottle shattered on the streets.
(Jason makes a mental note to look into Vlad Masters — Danny’s never told him about him, so they must have met after he died. The man leaves a rot in Jason’s mouth, and there is a greed festering inside him that Jason knows has left him in decay.)
(He doesn’t like how close Masters acts with him, doesn’t like the affiliations between them both. Masters reminds him of Luthor and every other rich socialite with their hands in something dirty. He hates even more that Danny is making deals with him. What has he missed?)  
Jason follows after Danny, partially concerned that Danny is wandering Gotham alone. Regardless of what he can do, Gotham is still dangerous. It is bone-rotting, lung-choking and unforgiving. Danny knows this, Jason knows he does. He’s partially curious to know just where he’s going, and whether or not it was important enough to visit in the dead of Gotham’s bloody nights.
Danny surprises him — slipping between alleyways, sticking close to the shadows. Someone taught him how to be stealthy — or, at least, refined what stealth Danny already had. More new things that Jason needs to learn. More things he will never get to know. 
Who taught you that? 
Just what, exactly, have I missed?
I want to know everything. 
Five years is a long, long time to be away from someone. If a caterpillar can become a butterfly in two weeks, then what can five years do to a human? It’s a long time to change, to become something else entirely. Jason’s become someone new, and he thinks, so has Danny. 
Dread pools in his ribs, into his lungs, and weighs heavy on his heartstrings. The urge to drop down in front of Danny, to grab him by the arms and ask him to tell him everything, returns with a vengeance. This is why he avoided Amity Park. 
Will I still know you like I used to? Jason trails behind Danny from the rooftops, like a ghost. Do you still love the stars? Do you still take tea over coffee? Will you tell me, if I ask? 
And if he doesn’t? If he doesn’t ask, like he isn’t right now? 
If he doesn’t ask about his ghost — something that still boggles his mind, because it means the Fentons were right and that portal might have worked, and Danny found Jason’s ghost? If he doesn’t ask what his ghost told him, if he told him anything else? Did his ghost tell you that he was Robin, like he always wanted to?  
He will just have to keep his questions to himself. He will just have to tuck them into a folder in his mind, and file it under all of his other regrets.  
He feels like he’s Robin again; keeping secrets and hiding things from his best friend because it simply wasn’t safe enough for him to know. It’s maddening.  
Why has nothing changed since he died? Why has nothing changed, now that he was alive?
—---------------
Danny leads him to the Gotham Cemetery. Jason freezes outside the gates. Oh, he thinks.
Oh.
He thinks back to what he thought earlier. 
What could possibly be so important that he’d go to it in the dead of Gotham’s night? The cemetery. Of course. Something old, something new, something bittersweet sets over his tongue that he swallows down. 
Jason forces himself to follow. 
“Hey.” Danny says as Jason settles behind a tree, voice gentle in foreign familiarity. He’s standing at Jason’s grave, his hands shoved into his pockets. The light is low but it doesn’t stop Jason from seeing the starlight-soft look in Danny’s eyes and his half-tilted smile, the smile that Jason is more familiar with than the wary scowls. “Sorry I’m late.”
Guiltish misery wraps its hands around Jason’s lungs. Pin-prickingly, stabbing at his heartstrings, Jason’s mouth moves on its own; “It’s okay.” but no sound comes out. Danny doesn’t hear him, and neither does Jason himself.  
Danny sits down before Jason’s tombstone, groaning low and tiredly as his legs fold beneath him. He’s older than Jason, and immediately his mind switches over to all the jokes he used to lob him with. 
(“Need help crossing the street, old man?” Jason, eight years old, asks with a grin so wide and painful across his face; giggles in his chest. He hooks his elbow with Danny, and keeps him tight against his ribs. “You’ll need all the help you can get in your ancient age.”)
(“I’m not that old.” Danny says, glaring at him before they scurry across the street with the light still green. Traffic laws are a joke in Crime Alley, it’s like a game of frogger as the sound of honking horns and screeching tires follows their heels. “We’re six months apart!”)
(“Six months and four days, actually.” Jason corrects when they reach the other side, snickering as they race down the sidewalk. Drivers lean out their windows and curse them out as they get away, Danny dodges an empty soda can thrown at his head. “Can’t forget the four days.”)
“I would’ve come sooner.” Danny tells him, pulling him from child-fuzzy memories and back into reality. Jason peers around the tree to see him running a hand through his hair, head ducked down. His palm splaying against his neck. “Sorry I didn’t. I got scared.” 
Scared? Jason blinks, he leans against the bark and bumps his helmet against the wood. The thunk is loud in his ears, but Danny makes no indication that he heard. Of what? 
But Danny doesn’t say what, he drops his hand and glances off to the side. He sits like a man who isn’t quite sure what to do, his mouth pressed into a thin line, his eyes scrunched. Grief carves into the lines of his face like a sculptor carving into marble. 
“I was gonna get you flowers on my way here.” Danny continues. His voice cracks, begins to wobble, and Jason sees Danny’s jaw tighten and his eyes close for a moment. When they open, there’s a wobbling sheen on his bottom lashes; tears threatening to bleed.   
Danny flicks at the tears with the nail of his thumb, it does nothing. It just makes his breath hitch. “Um, but they- uh, didn’t have any open on the way here.” He says, giving Jason’s grave a tremulous smile. “Sorry, I’ll make sure to pick some up on my next visit.”   
Next visit. Jason’s heart squeezes uncomfortably, before he reels at the words. Danny’s going to be visiting again, after five years of being out of Gotham? Next visit, why are you visiting again? Was this the reason he came to Bruce’s little charity ball with Vlad Masters? So that he could come visit Jason’s grave?
It couldn’t have been. There are other ways to get to Gotham that don’t require making deals with shady rich men. Danny’s smart, smarter than Danny himself gives him credit for. He’s brilliant. Why did he need Masters’ help to get him to Gotham?
There had to be another reason why.
God, there were so many questions that Jason wants the answers to. He’ll find them, one way or another. 
But, he focuses in again. Danny is only here for the night. One night, and he doesn’t know when he’ll be back again. Jason wants to commit every detail of his best friend to memory before he leaves. 
“You like zinnias, right?” Danny pets the grass at his side absently, and yes. Yes, Jason does, and Danny remembers. Even five years from his death, he remembers. Of course he does. 
“Yeah, you do. You used to pick the petals up off the sidewalk from those uh, fuck — the vendors. The Victorian flower language too, I think. Got a book on that somewhere. I’ll get you red an’ yellow ones.” 
Grief traps in Jason’s chest, and he barely tamps down the bitter laugh forcing itself out of the chokehold of his throat. You fucking sap, you big fuckin’ sap.
Red zinnias. Steadfast beating of the heart. The irony. It’s got double the meaning now, now that he’s alive. But Danny doesn’t know that, so the heart that’s beating could only belong to him. But even with Jason alive, he’s hiding. Between the both of them, the only one here with a beating heart is Danny.
(Between the two of them, the only heart here is one that's made between the two of them.)
Yellow zinnias. Daily remembrance. Of course. That doesn’t need any explanation, the writing is right there on the wall. Raised, so that even the blind may read it. It doesn’t need to be said what that means, Jason can hear it on the wind, in the grass, in the trees. His heart crumpling like a rag being twisted out to drain the dirty water soaking in it. 
I miss you.
I miss you. 
I miss you. 
I’m right here. Is what Jason wants to say. It’s what he should say. He should step out from behind the tree; should speak up and say something. To announce his presence. To do something to let Danny know that he’s speaking to someone who is more than a ghost (who feels like one anyways) and a corpse in the ground. 
Here I am. Here I am. HERE I AM.
His feet are gravebound to the dirt, his tongue cut out of his mouth and shoved into a jar. He feels, in some way, like he’s clawing out of his own grave again, but the dirt keeps falling and his arms are burning. His lungs are filled with more soil than air. He’s not getting out. 
Shame burns cigarette smoke in the back of his throat, shriveling up what little remains of his tar-filled heart. It should be his lungs, and it’s got that too. His feet are grave-bound to the floor.
Danny’s begun to cry, much to Jason’s horror. It should be more incentive for Jason to step out. He doesn’t. His best friend sniffles and scrubs at his face, soaking tears into his hoodie’s sleeve. “I’m sorry for not visitin’ sooner,” he says, voice spiraling with grief, “I don’t have an excuse. I should’ve come sooner. I’m sorry. I’m so sorry.” 
Don’t be, Jason thinks. Finds himself surprised by the truth of it. He should be upset. Five years and not a single visit. He abandoned him like everyone else. Except he didn’t. 
He’s not upset, he can’t be. Not when Danny’s finally here. Not when he’s still crying over him five years after the fact. Not when he’s going to put flowers on his grave that means he thinks of him daily. Not when Danny knows who killed him and wants him dead. 
Jason isn’t sure of what to think of that still. He wants Bruce to kill the Joker. More importantly he wants change in Gotham. He wants something to be done. He doesn’t know if Danny is being honest or not — and honesty doesn’t mean anything if someone doesn’t act on it.  
Danny continues talking to his grave, his voice full with sorrow. He talks about the gala, about running into Bruce and talking to him again. 
Jason listens in dutiful silence, soaking in Danny’s voice like a sponge. This is what he was expecting on the balcony; this easy conversation. Except it’s not a conversation, Danny is talking and not expecting a response. Jason feels like a stranger imposing on his own grave.He should slink away, let Danny have his peace on his own.
He refuses to move. He can’t bring himself to.
If he closes his eyes, he can pretend that he's sitting in front of him. He can pretend he’s thirteen again, with him and Danny crawled under the bed at the manor and trading all the stories they couldn’t fit in their letters. Danny tells him about another fight he had with Dash Baxter, eyes rolling but smug teeth flashing in a stifled smile. Then he tells him about something Sam and Tucker did; about one of Sam’s protests she led against the biology lab, and Tucker coding his PDA to play Doom. Easy, stupid middle schooler shit.
They’d sneak out to the balcony for their vices, Danny clutching a carton of cheap cigarettes in hand. Alfred always finds the ones Jason hides, so they usually share whenever Danny comes to visit. Jason tells him about Gotham Academy, about the people there and the classes. Prep school is another beast entirely, he likes seeing Danny’s reactions to the politics that goes on inside. 
Or, further back, they’re eight again, climbing a rickety fire escape to the rooftop and hanging their feet over the edge to find Batman and Robin. Danny was in the lead before he left for Amity Park. Jason remembers it clearly; they’d spent all night outside on that rooftop. 
Jason doesn’t close his eyes.
Jazz decided to change career goals; psychology’s become more of a hobby for her, and she’s going to go to med school instead. She’s thinking of doing an internship in Metropolis. Danny says he’s glad that it’s not Gotham, and when he told Jazz this, she laughed at him and told him that she was going to save that for later. 
She’s Gotham-touched too, she knows it’s blood just as much as Danny does. She wants to help the people there, but knows what Gotham’s like. She knows what she can and cannot do. Determination doesn’t equate skill, it just means the willingness to learn. 
Sam is staying in Amity Park and doing online classes for college, but Tucker got a full ride scholarship in software engineering. Danny’s thick with pride as he tells Jason’s headstone. Jason’s happy for him — they weren’t close, not like he and Danny were, but they were still friends. 
Jason soaks it all in; tell him more. He wants to know everything. 
"I don't know what I want to do." Danny says when he’s finally done talking about everyone else, his chin laying on his knees. “S’not like I can be an astronaut anymore, but there’s not anything I can see myself doing.”
The corner of his mouth coils, sardonic. “I’ve had five years to come up with somethin’ new, and I’ve come up with nothin’ at all.” He huffs. It’s a rough, bitter sound. Gotham has been steadily seeping back into his voice since he arrived in the graveyard, and now it comes out thick, like it never left. 
Danny’s face falls slack, like a puppet losing its strings, and he sinks into himself. “I guess I…” He exhales slow. “I’ve just been distracted.” A faraway glaze eclipses his eyes, and before they close, tears begin to bleed onto his eyelids. Again, grief mars the lines of his skin, settling into the curve of his mouth and threading between his brows like second nature.
Fuck, it’d be so easy for Jason to just step out. Move. His best friend is grieving. He could save him the pain of it and tell him now. Move, move, move. 
He doesn’t move.
For a while, there’s nothing but silence, just Jason hiding in his shame; a rat on the street would be bolder than him. Danny’s eyes don’t open. Eventually, his head tilts and slumps into his knees, Jason almost thinks, somehow, that he’s fallen asleep — but Danny’s hand threads into the hair on the back of his head, his finger beginning to tap an invisible beat into his skull. 
It’s the perfect opportunity for him to slip away. Danny’s distracted; lost in his thoughts. He won’t notice if Jason slinks off now. He could go and hide away on a roof nearby, ensuring that Danny gets his rightful privacy without leaving him to the teeth of the streets.  
Jason still doesn’t move. 
Danny begins to hum. It’s a low, breathy sound, and it shakes unevenly. There’s no discernible melody, but a breeze picks it up and travels it through the air anyway, rooting Jason to his spot. His throat swells, and his back sinks into the bark behind him. 
For a full minute, maybe two, Danny just hums. It’s a simple tune, but it fills the graveyard with the sound. When it goes up, he sharpens, when he goes down again, it flats, and sometimes it wobbles.  
When he lifts his head, when he finally opens his eyes, he’s still humming. Soon it dies down, and the next time Danny exhales, it comes out tumultuous and slow. His hand slips heavy from his head and drops into the grass. 
“Where’d you go, Jay?” Danny mutters, and despite his voice coming flat, he still sounds so tired. Danny’s eyes flick up, lifting off the grass to burn into the headstone. He’s not even looking at him, and yet Jason still freezes up, he still feels pinned under the weight of his stare. “I know you’re still out there, somewhere. I know it.” 
Jason breathes in shakily, a sting deep in the back of his throat. He gives no answer; guilt is an animal with claws, and it burrows deep into Jason’s heart to make itself a home between the tendons. He’s right here. 
Silence falls over them again, and this time it’s only the sound of the city around them that bleeds into the air. Danny stares at Jason’s grave, staring like he’s expecting an answer. He doesn’t get one. 
Danny sighs out low, and stands. His knees tremble slightly, and he rubs his sleeve into his eyes, catching the stray tears falling from his lashes. Like breaking a spell, Jason jolts from the fog of sorrow hanging in the air. 
“I’ll see you later, an’ I’ll make sure to bring you those flowers you like.” He tells him, and miraculously, a shadow of a smile flits over Danny’s mouth. “Y’better be here when I get back, alright? I’ll kick y’fucking ass if you’re not.” 
Jason bites back a huff, his mouth upturning in a wobble. I will, he thinks, and watches Danny trail out of the graveyard with his hands in his pockets. He waits until he’s disappeared behind the gate before following.   
Guilt is a thing with claws, and Jason leaves the cemetery with it eating his tongue. But he makes sure Danny gets back to his hotel safe before he slinks back to Crime Alley; he might not be a ghost anymore, but he can still trail behind Danny like he is. 
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ayy i finally got chapter 2 of CFAU/TMWS edited/redone! It had to get rewritten because a lot of stuff became obsolete in the wake of the new chapter 1. and also it just kinda. fucking sucked imo lmao
(you can also read it here on my ao3!)
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katabay · 7 months
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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deoidesign · 2 months
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please please please please please please please let me tell you about this comic I want to make it so bad please I can not wait I am losing it
If I don't make the comic then I'm not going to make it... I need other people to see what is in my brain so I'm not the only one going feral over them
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tcustodisart · 1 month
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Find yourself a girl that matches your silliness.
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royalarchivist · 7 months
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Pac: Fit. Where are you, Fit? Where are you, Fit? Where is my official gossip???
It's always very funny hearing Pac and Fit complaining when the other person hasn't logged onto the server yet, lmao.
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heycrymeariver · 2 months
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five and many more: a timeline summary
(For legal reasons, all of this is alleged.)
Ref. links: 1, 2, 3, 4, 5, 6
1984, is the first time Neil Gaiman released a book. 
In 1985, he got married and started his career as a comic book writer and in 1986, he assaulted Julia Hobsbawm.
This took place in Chalk Farm, London, where he forcibly kissed her and shoved her down on the sofa at her own studio flat before she escaped. According to The Crown Prosecution Service, “sexual assault is where one person intentionally touches another person sexually without their consent. The touching can be done with any part of the body or with an object.” In her own words, she described it as “an aggressive, unwanted pass” and that she still remembers it even now. 
Through 1987 and 2002 he progressed his career and published the famous book Coraline. A new year happens and he is in his early-forties and is thriving off of the success of his several money-making works, at a book signing event in Sarasota, Florida. There he hits it off with a young 18 year old (K) and they start dating. Two years later, in 2005, with two more awards under his belt, he forcibly penetrated that young twenty year old who told him not to because of a painful infection.
After another two years, he and his first wife divorced.
It's 2012, five years later and one year into a new marriage and at another book signing, Neil, age 52, immediately assaulted Claire (pseudonym) with a non-consensual kiss. Throughout keeping contact Neil had escalated this with video and phone calls that had a heavy sexual connotation where he appeared to either be naked or tried to instigate something. All of this accumulated into sexually assaulting her on a tour bus. Neil’s contact with her lasted until 2014 where he had promptly accused her in a text message that she had used him for sex.
Within the same year, Neil had enough money to buy a property, and met Caroline Wallner, 55, and her at-the time current husband. With a deal to do odd jobs for Neil and his wife to live there until she could own a five-acre plot, it wasn’t long before things turned sour. A divorce in 2017 sent everything spiraling, with her former husband fired, she in a once financially stable position, was now completely dependent on Neil Gaiman who used that to his advantage. Using her lack of financial stability to get himself sexual favors, he coerced her into a sexual-only, notably uninformed BDSM-entering territory while she was emotionally vulnerable, not accepting denials. This lasted until the summer of 2021, and in December of that year she and him went to court, what awaited her was $275k of compensation and a non-disclosure agreement (nda).
It wouldn’t take long for another woman to experience Neil Gaiman’s repeated offenses as well because in February of 2022, Scarlett (a pseudonym), age 23, a newly hired nanny, was sexually assaulted in the bathtub at his house. Neil, age 61, climbed into the bathtub with her and coerced her into having sexual relations. He too, in his coercion of her, made her financially dependent on him and brought BDSM elements to an inexperienced young woman who could not say no.
Since July 3rd of this year, 2024, five women have come out with sexual assault allegations aimed at Neil Gaiman. They all have several things in common with each other: either being young and naive, a fan of his, or put in a vulnerable spot financially or emotionally. Throughout the years and according to the stories, Neil progressively gets more bold and aggressive in his attempts for sexual gain. There are many more stories out there and whispers on the internet of how predatory Neil Gaiman has been in the industry. However, focusing on the five women who came out to speak and pushing their voice is an important part of the discussion.
Staying silent will only protect his peace.
(If you want to help keep this topic alive, please check out this post by @taraljc to see what steps you can take.)
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thelilylav · 5 months
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Hmmm... very interesting to me that Taylor Swift is trending rn and yet for some reason no one in that tag is complaining that her trending is taking away from what's going on in Palestine and what's happening in Rafah. And yet for some reason, people couldn't seem to shut up in the Kendrick Lamar tag when he was trending about how the whole beef was just two celebrities beef (it's much deeper than that) and were making up theories abt how the whole thing was taking attention away from Palestine and everyone talking about it should feel ashamed of themselves (every single account I saw in that tag was posting about Palestine too).
And the thing that's really getting me is that Taylor is trending bc of a change to the Eras tour. An objectively unimportant change to make, especially when compared to what's going on in Rafah. But that's not what gets hate, no, it's the predator getting called out in an industry known for exploitation by one of the biggest artists in said industry. The racism isn't even implicit atp...
Edit: ok so just to clarify no this wasn't meant to insinuate that Taylor trending was some setup of Israel (that's just... like objectively wrong lmao), it was to point out that when it comes to a black artist in hip hop (a predominantly non-white genre) people wouldn't let fans of said genre just enjoy the music and shenanigans happening in that genre and that's it's hypocritical to act like people can't care abt two things at once, but they can enjoy their white "feminist icon" pop star (a much whiter genre) without anyone bringing hate into that tag. like i put in the tags, the anti taylor tag is for filtering bc i honestly don't see this post as particularly negative for taylor swift, it's a critique of the fans. and i'm calling out swifties particularly bc the ones who were saying that the beef was manufactured to take eyes off of rafah were swifties, and the ones being racist in the kendrick tag were swifties. i'm not exaggerating like almost every hate post i saw mentioning the beef being manufactured was a swiftie account. it is weird to act like people caring about very serious allegations happening in a genre of music isn't reason enough to make a big deal of the situation and go INTO THE TAG and complain, but it is especially hypocritical and frankly quite infuriating to see the same people who complained about a big deal of a situation being a "distraction" from gaza and then blog abt taylor swift . it's fine if u want to blog abt music u like, honestly idc abt that, if that's all u do then this legit isn't targeted at u, this is targeted at the swifties who came into the kendrick tag to complain and then went back to talking abt swift two seconds later like they weren't doing the same thing they were complaining abt two minutes before. (sry for the long explanation, but i just don't want ppl taking my words out of context and i rlly tried to word this all clearly, but idk man sometimes u think u word something well and then nobody undrestands wtf u were on abt so i wanted to make sure it was clear) also, if you're a zionist or israel supporter, i will be blocking u if u interact with this post. ok ty bye bye
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ratatatastic · 1 month
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"That was a great opening pitch ceremony before the game today! Matthew Tkachuk from the Panthers, Jayson Tatum from the Celtics, threw out the first pitch today. Two St. Louis Champions!" "—Thought they went to high school together, they rode the bus to school together, they won Championships in the same year. That's pretty amazing!" "Well Tatum's one-uped him, he's got a gold medal too. From the Olympics." "Yeah, that's true... So I went downstairs today to go say, 'Hi,' to Keith Tkachuk, obviously, and Matthew. I have this picture of Keith and I, and Matthew when he was 5 years old in front of my locker. So we reincarnated the picture today." "Oh, did you?" "Yeah, it was pretty funny—except for Matthew was a little too tall to stand on the chair this time, and Keith has gained a few pounds as he said. But still one of the greatest people—I think—that will ever be around this city—right there, that guy, Keith Tkachuk. There's his son, Matthew, right there. What a great family! I always say the star of their family is Mrs. Tkachuk. Chantal is, obviously the mom, and she is the star of the show—"
los angeles dodgers @ st louis cardinals | 8.18.24
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triglycercule · 1 month
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sleep deprived dust can't recognize what's dream and what's real when he goes in and out of consciousness so i think dust is allowed to be incredibly reckless when he's awake but thinks he's in a dream. he will kill whoever passes by him (or attempt to. for him it's an instict to shoot bones anyways.) he will drink 4 bottles of alcohol just because he thinks its just a lucid dream. have incredibly loud conversations with phantom paps because he's asleep so nobody will hear him talk. or just have loud ass breakdowns because again he thinks he's asleep!!! nobody's gonna know what he gets up to in his dreams. and until someone (probably phantom paps) tells him that he's not asleep and this is reality he won't realize until he's done something really reckless
horror is seconds away from exploding dust's skull open with his magic while dust is trying to strangle him and FINALLY phantom paps tells him he's awake and dust snaps out of it. killer is walking around the house with bones sticking out of him like pins on a sewing pattern (casually too. another day in the life for him) and he just asks dust what that was about. dust just gets off of horror and shrugs his shoulders with an idk. and then walks away. this is the 6th time its happened this month
#horror needs to find a way for him to get back at dust for almost killing him#horror IMMEDIATELY booby traps dust's room's door with several fatal traps. and then dust just teleports away to dodge them#horrors incredibly cool bone manipulation power is incredibly underrated. neither dust nor killer can do what he does#when i say people underestimate just how powerful horror is i mean this#he has MANY shows of power where he summons a shitton of bones. or when he's clever and tricky#using tiny bones so his karma can hit the guards more and kill them faster??? GENIUS#granted kist could definitely think of something like that but that doesn't mean horror's a coughing baby#ok back to my original post. i came up with this after doing my little dusttale translation thing#dust is such a fucking asshole during it all istg and i whooped and cheered every time he was a fucking dick#when he doesn't know what to do when in doubt destroy everything you see. what a guy#he'd definitely be a lot smarter than that in real situations but again#he came up with that strategy while he was under the impression that he was in a dream#so i do think this little prick can be quite an unrestrained destructive force when he doesn't know whats real or not#can i just talk more about translated dust because GODDDD he was SO FUCKING COOL IN MAD TIME SERIES I SWEAR#when he plucked floweys petals off him one by one???? and then berated him??? and the nursing home comment??????? fuck i lov him#can you please unspill the spilled blod??? sick ass line. i think he knew from the start he was gonna betray flowey in that one#god i love canon dust so much he's such a sadistic shit. and he likes it. what a freak. HE LIKES IT#the only person he outwardly expressed regret about killing was papyrus. you'd think he'd care more about everyone else but NOPE#or maybe he did in the earlier runs. still doesn't hide from the fact that he was cruel to everyone else. because thats dusttale 4 you#youre on death row and theyve sentenced you to endless torture and then the mtt pulls up#listen man if i were on death row and they were my torturers id let them do whatever. my babies can get back at me for making them suffer#canon horrordust my beloved i love canon horror and dust#idk if killer in this is like totally canon but idc. it's such a funny idea to make him unbothered when he's injured its hilarious#horror and dust's personal little punching bag ✨✨#killer sans#dust sans#horror sans#murder time trio#utmv#tricule hc
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quirkle2 · 2 months
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i have GOT to stop drawing things for fics i haven't written yet
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sneeb-canons · 5 months
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Headcanon #500:
Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.
Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"
Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.
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