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#Page Films
deforest · 4 months
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BETTIE PAGE & TEMPEST STORM in TEASERAMA — 1955, dir. Irving Klaw
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inthedarktrees · 1 year
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Bettie Page
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creamyberries-lovely · 2 months
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she's literally a queen, don't @ me
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cozylittleartblog · 2 months
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Columbo and the Knight (1984)
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
Autism W!
#columbo#knight rider#art#michael knight#kitt#comic#highlight reel#crossover#telebeast#there are two small easter eggs here. can you find them. they were somehow not Entirely lost when i resized these for the public#this is what i mean when i say I Draw And It's Everyone Else's Problem. look at my INCREDIBLY niche crossover comic boy#if the knight rider fandom has like 12 people in it. how many of y'all have seen columbo#this comic is for like 4 people and me and phoenix are already two of them#niche is my specialty lets be real. weird niche obscure shit and ships nobody's paid attention to yet#not to suggest this is ship art. columbo has his wife and michael has his car lmfao#stylizing real people is EXTREMELY hard btw sorry for when they get off model. its partly a 'better imperfect than never finished' situatio#cant tell you how much i redrew some of these panels. weeps#this took me 2 weeks but i think i thumbnailed it all in may and the ideas been rollin around in my head since march#is anybody good at editing. please edit michael and columbo into an image together like its a screenshot. NOT generated. edited.#it would be so cool#ive drawn columbo a lot but i haven't drawn a lot of michaels. i was learning things about his outfit AS I WAS DOING THE DAMN#COLORS ON THIS. all the lines done. it was too late to change anything. i did all the lines and colored page by page#i realized my mistakes on like page 3. 1 and 2 were already done. it was Too Late.#imagine it though. them working a case together. switching between the more serious tone of columbo vs the goofier#action antics of michael and kitt. columbo being so impressed by Modern Technology. there's more i could say but phoenix may write#more of this crossover and i don't want to spoil it :'3#there's opportunity here though i swear. there's gold to be dug.#i like how kitt gets shading but columbo's junker peugeot doesn't. kitt looked wrong without any. columbo's car is matte and dirty#i also applied effects to this to make it look a little film-grainy and VHS like. some CRT TV vibes#the only question left is. did they put knight rider into columbo; or columbo into knight rider 🤔
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forecast0ctopus · 5 months
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not divulging my thoughts on star trek (2009) rn. but this scene is like a cartoon to me
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orangesinwinter · 7 months
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metropolitan tokyo
scans from Japanese Graphics Now! (2003)
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writingwithfolklore · 9 months
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Your Readers Don't Know
                So recently I shared the first 30 pages of my WIP with my writing mentor, and she had some pretty brutal feedback. It was too slow, you didn’t get to know the characters very well, and she said my worst nightmare “it was hard to get into, and I didn’t want to keep going.”
                Oof.
                My first reaction was to think, well that’s because it’s only the first 30 pages. If she only read a little bit more the characters really start to shine in the next bit—and that question she had about the world is answered just a few pages later.
                Then I realized I was missing the point. It didn’t matter if I had the most amazing story after page 30 that would have brought her to tears. Because she would never know—she wouldn’t have read past the point that I lost her.
                That was the moment I realized I needed to completely rewrite my first 30 pages. The point was—the reader doesn’t know when it’ll get good. They don’t know that your characters are amazing once you get past a certain point, because in all likelihood, they won’t suffer through to get to that point.
                It has to be solid from page one all the way through to the end. Most books and authors don’t have the liberty to retain readers through anything less.
                We’re going to be talking about the advice she gave me a bit more in the next few posts, so watch out for that :-)
Part 2
Part 3
Part 4
Part 5
Part 6
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eywaseclipse · 4 months
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Friendly reminder that we were robbed
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quarriart · 4 months
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The Darkroom. Part 1. (Part 2, Part 3)
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deforest · 4 months
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BETTIE PAGE & TEMPEST STORM in TEASERAMA — 1955, dir. Irving Klaw
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inthedarktrees · 10 months
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Bettie Page | “Return of the Teaser Girl”
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zegalba · 1 year
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Teinosuke Kinugasa: A Page of Madness (1926)
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blognkodeeter · 9 months
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some stills from juno (2007)
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freckleslikestars · 1 month
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I never realize how much I like being home unless I've been somewhere really different for a while.
25 films for 25 years {9/25} JUNO (2007) dir. Jason Reitman
plot description from IMdB, [insp: ☆★☆★ ]
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friendlessghoul · 2 months
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Buster Keaton and Anita Page Free and Easy - 1930
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pdalicedraws · 3 months
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Have you ever even briefly picked up someone much bigger than you? It delights them.
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