#Part of me feels like he never would BUT I MEAN LOOK AT ABIGAIL-

[wowifinallymadeanaccount]

Will: *Talking about his Grief and longing to see Abigail again*

Hannibal: Well, you saw part of her

Me: HANNIBAL- HANNIBAL GO TO THE NAUGHTY CORNER RIGHT NOW.

[ravengards-rogue]

i thought of you so often.

arthur morgan x reader.

✧ tags : fem!reader (gendered language, explicit use of she/her in reference to reader), children / planning on children, generally sappiness, fluff, au where nothing bad happens to arthur hdskjsdkfhsj.

✧ wc : 2.4k (???)

✧ a/n : arthur morgan.... save me arthur morgan....also not a super original thought but i can't Stop thinking about it.

✧ synopsis : a collection of love letters, all unfinished, tucked somewhere you aren't meant to find them. oh, arthur loves you more than you knew.

.𖥔 ݁ ˖˚☽˚｡⋆

You try to keep out of Arthur's belongings.

He's owed some privacy, for one. More than that, you've never felt any reason to look into it. Arthur isn't a man of many words, though you catch moments of his introspection should you pry. He isn't stoic, neither. And above all things, he's kind. Really truly kind in a way that makes him different from other men.

You don't have any complaints about him is what you mean. Unlike the men you've loved before, there are no short-comings of Arthur that would drive you to wanting to investigate his own personal things. Especially something so personal like his journals, prior or present.

On top of that, you were there with him through everything. You were part of the gang and stayed by him when it all fell apart. It was towards the end of that that Arthur came to you near frenzied, told you his plans, his thoughts. Confided in you and no less than begged to go with him where he ran.

You loved Arthur enough to stay, and so things ended - and you ran. There isn't much his journal could tell that you couldn't surmise on your own.

It's been years now, and you've long since left that life. You live with Arthur quietly, peaceful in the moments with a garden and kitty sweet as sugar.

It's a good life. An honest, quiet one sometimes to the point of being boring. You rarely miss the action, though occasionally you'll take up a bounty just to feel alive and make some money.

Mostly though, you live as unassuming folk. No bloodshed, no wardens, no gunslinging.

Been talk between you both about having a baby, recently. Serious talk. You've made some money between here and there, and you've got a good life. You've traveled too. But it gets a little lonely, and you don't really get your fill with just Jack when John and Abi are ways away.

Before anything like that, though - you need to clear some space. Empty out some belongings and things collecting dust. Living in one place for too long creates all sorts of mess, you find. When Arthur is home to help, he does - but he's been busy lately figuring something out with Charles. Some business venture related to ranching that you know nothing about so far. They'll tell you when its ready.

Usually when you're tidying, you keep to just your things, or your shared things - but Arthur has lived more life than you. It shows in that big closet space filled with nick-knacks he has yet to toss.

You'd mentioned it to him not too long ago and he'd given you permission to go through them.

(A kiss to your forehead from chapped lips and hands holding your waist, Arthur hums in acknowledgement as you ask his permission.

"Ain't nothing I gotta hide from you. Do whatever you need.)

But like you said - you try to keep your nose out of his business if it's not necessary for you to be in it in anyway.

You weren't trying to look through his things, really. You started cleaning, worked your way to that last box. Up on a shelf in his closet, a little too high for you to reach easily. You made a misstep and dropped the damn thing. It barely missed your head as the whole thing fell open, and out came journals and papers and photographs.

You've always known Arthur to be sentimental, so none of it has been particularly surprising. A photo of wolves and him on a horse, the picture from John and Abigail's engagement. Some other scraps of sentimental value.

And then there was a journal. Not Arthur's journal that he's always using, but another you've never seen before. You know Arthur journals, seen the thing plenty though you never look unless he shows you first.

A journal with a dark brown stained leather binding, fallen open and your name scrawled out in pencil lead at the top of it.

The curiosity got the better of you, okay? Not your damn fault.

So you're thinking on it.

The fabric of your skirt is pooled out underneath you as you hold the thing in your hands, sitting down on the ground surrounded by things. You've stowed away everything else that fell out from the box after ensuring it was intact, including Arthur's journals. Everything with the exception of the one you're holding.

Some guilt eats at you. You don't wanna upset him potentially by having looked. Even if he gave you permission, looking in the damn thing is a little different. But your name was there so clearly, and well - you didn't think he wrote about you. Apart from here and there, maybe.

You hold the book out in front of you with a sigh, looking fondly at his name ingrained in the leather. You press your forehead against it with, resigning yourself completely.

"Lord forgive my pryin'," You mumble, hoping it's enough to absolve you.

Your heart feels funny as you let your fingers trace over the hard edge of the front cover, one eye shut as you start to open it slow.

The first few pages are nothing special.

A page outlining who the journal belongs to and when it was started, and some doodles of yarrow and oleander. The pages after that filled with mundane entries. About people he met or things he saw, all endearing to you. The corners of your lips tug up slightly.

You really love this man helplessly.

You flip through a few more pages, many of them blank before writing starts to appear again. Little by little, you find passages. You look to the dates up at the corner (though not all of them have one) and trace the timeline. This is from all the way back in Horseshoe Overlook.

It feels like ages ago now.

You look at a page with no date, and reading the writing in it. There's doodles of flowers and trees along the bottom of the page. The words are easy enough to make out - because Arthur has the most unusually beautiful handwriting.

There's some entries about you. At first, they all include your name in some context. Mentioned in the same way Arthur might mention Hosea or Abigail. The further you go, the less you see it. The more you become her and she.

It's a trend. The longer you read, the less there is about anyone else. Just you and all your silly idiosyncrasies tucked between pages. Something lovestruck and foolish lights its match in you.

Saw a body hanging at the tracks at Valentine. A gruesome sight. I told her about it and she laughed. Asked me to take her to see it. A strange woman, by all accounts.

You feel yourself smile a little as you continue to flip through the pages.

She joined me riding into town today. Said she had some business to attend but would not tell me any details. After, she came with me to purchase a new gun. I engraved a snake into it's handle, per her request.

Another few pages littered with drawings of delicate berries and waterfalls before you stumble across more writing. The more you flip, the longer the passages become you.

You can't tear your eyes away.

Rained today. Nothing too terrible or worth mentioning, except that she nearly caught a cold playing in it. I brought her coffee to keep her warm, but could not scold her further upon seeing her delight.

Another passage, this time written with messier hand writing. A coffee stain splatters on the white of the page.

Your heart tugs on itself. Swells about a thousand sizes. To think he wrote so much of your time together between these pages.

You read and read and read - and each passage is a little more mundane at the last. Some pages go on in vivid detail, but others are so short you aren't sure what to make of the fact he wrote them at all. As if such little details were important enough to keep in mind.

I picked a flower for her. I thought it would suit her taste. It was white with delicate petals. I did not know the name.

She wore it in her hair this evening. I find I can't stop grinning.

One passage on the next few pages, longer than the rest, catches your eye. From later in your time together, written when you were in Leymone. Near Scarlett Meadows and before the mess in Saint Denis.

After Arthur had been kidnapped.

I have gone on and on about the business with Colm O'Driscoll in many entries before this one. Yet, I find it difficult to forget. Many times I have come close to death, and still no experience lingers on my mind quite like this one. Everyone has done their best to look after me. For that I am grateful, though I do not care for being looked after. What use am I like this, I wonder? Perhaps, I should simply be grateful to be alive and in one piece, if a little uglier than I was. Alongside Miss Grimshaw and Miss Tilly, she has been by my side while I recovered. Such a carefree woman and yet I have seen her cry and weep over me countless times in the last few weeks alone. The decent man in me is apologetic for causing sorrow. Perhaps, it is the outlaw in me that feels some strange relief or satisfaction. Her fussing does not give me any grief. If anything, I find myself all the more endeared. Such a decent woman does not belong in a place like this. I hope she is able to go somewhere far away and live peacefully. I am not so shameless to want anything more. The time together we have spent, I will make sure to cherish.

Something painful and pitiful tugs at your heart. Even when Arthur admitted his feelings for you, he had started it on a similar tangent. You tell him often that you're the one who feels out of bounds with him. That a man as decent and as honest as him often feels like too much for you to have so easily.

A tear slips from your eye and you laugh at your own sentimentality, wiping it away before it can splatter onto the pages.

The further you read, the more sporadic entries become. You find that there are pages filled with sketches of you, but many of them are scratched out or half erased - like he did not find them good enough. Of your side profile, of your hands, of you pointing at a target with a gun. You feel a strange feeling of love wash over you.

Instead of concrete thoughts, you're met with Arthur's abstract. Subtle complexities and studies. There's honest tenderness in the way he sketches you and the words he chooses to caption each with. Lighter, thinner lines. Smaller doodles like stray daydreams caught onto a page.

You've never doubted Arthur in his love for you, quiet man he is - but it proves to overwhelm when presented to you in such a way.

You get to back pages. There, you're finally met with more writing. Except, instead of journal entries, there's the start of letters. You find your name at the top of the page.

Over and over. Love letters, all unfinished or scrapped. Written over and over and over, but not completed. There's tens of them at least. You've never received a love letter from Arthur before, though it's nothing you fault him for.

Now you're almost glad. You like this much better.

My darling girl My muse The better half of me, I must find some way to tell you all of what I think of you. It seems no words do it justice, I'm afraid. Still, it is in my best interest to try.

Damn that man.

When you find yourself starting to weep, you don't fight the feeling. You merely shut the book closed and set it in your lap before crying into your hands.

Such overwhelmingly happy tears. You feel off balance. If the whole world turned on its head this very minute, you're unsure you'd notice. What a decent, honest man you've come to love. What a tender one.

In the middle of your crying, you don't hear the door open or close. Nor do you hear Arthur's heavy footfall until he's in the doorway, with a voice worried half to death.

"Sweetheart, what in the hell?"

You turn your head to look at him, watching his eyes widen at your tear stained face. You clamber to your feet hurriedly, book dropping onto the ground next to you as you throw yourself at him as soon as you can.

Arthur is a steady enough man not to stumble when you do, though you can feel his apprehension. Eventually, he circles his arms around your waist. His hugs are strong. Bout strong as him and then some. An arm wrapped around your waist, the other crossed over your back all around your shoulder. Full pressure as he squeezes you tight, patting the back of your head.

"I leave you alone for a few hours. What has gotten into you, little lady?"

You pull back and and look at him, wet lashes and all, before leaning up to kiss him. Arthur meets your lips chastely at first before making a noise of surprise as you kiss him further. You use both hands to grab his face as you do, scruff scratching against your skin. His lips are soft, welcoming. He melts into the touch, so easily - blue eyes lovestruck as you pull away.

"You know I love you, don't you Arthur? More than anyone in this crazy world we live in,"

His face softens visibly. He smiles at you, touching his head to yours.

"Somehow, I do. Though, I'm wonderin' what the hell brought this on."

You tuck your face against his chest, feeling his laughter reverb through you at the way you cling to him so fervently. You sniffle as you talk.

"Found your journal. The one about me,"

He goes stiff, then silent. When you look up again, he's blushing red. He pinches his brow.

"Lord, I'd forgotten all about it,"

You shake your head.

"Ain't nothing for you to be embarrassed about. You are so wonderful,"

He pouts at you. Your heart swells. "You ain't helping with the embarrassment."

You hold him further. Hug him so tight, worried he'll disappear if you don't.

"I love you, Arthur."

"You already told me once, didn'tcha?"

"And I'll tell you one thousand times over," You emphasize, pouting at him. "Really. I love you,"

"I love you too sweetheart," His hand cups your face, thumb brushing along your waterline. "Don't cry no more. Spoils that pretty face."

"I'll try but I don't know if it's all out of me,"

Arthur laughs, pressing a kiss against your hairline. "Guess I'll just have to wipe your tears."

.𖥔 ݁ ˖˚☽˚｡⋆

[phoenixkaptain]

I love Stardew Valley and I love the community and I love how we all bond over pixelated chickens like we’re seventy-year-old women bonding over grandchildren- - -

But I get so annoyed with the character hate, like!!! All the characters are great!! All the romance-able characters are great!! I keep getting recommended videos about the bad parts of characters and I just want to scream!!

Penny: lovely. Charming. Kids are a big part of dating her because she teaches kids, of course she’s going to react a bit badly if you hate children. She is trying to teach kids so that they don’t have to have the same life she and her mother do, why do you hate this woman who is just anxious?

Shane: lovely. Charming. Perfect. “He still drinks after we get married, which ruins the whole story” NO. No. Shane is an alcoholic, and a severe one. If he quit cold-turkey, he would fucking die. “Harvey pumped his stomach” HE WOULD DIE. And I don’t care that my husband is messy, he has his own room and I don’t have to go over there!!

Maru: lovely. Charming. She hates working. She loves working on machines. She thinks about machines to build for you to make life easier. She’s adorable. She has a complicated relationship with her brother and I want to help them fix it goddangit because I love fictional siblings.

Elliott: lovely. Charming. An artist. He only leaves his home for like four hours a day. I can really relate to the desire to shave off all of one’s own hair. I feel that in my bones. Also, is friends with Willy and I fucking love Willy so A++

Leah: “she’s a lesbian” She’s fucking bi stop erasing bi rep in Bi Rep the Video Game

Sam: he’s a musician and a skater. This is what the perfect man looks like.

Emily: just the most charming. She has a complicated relationship with her sister because she takes care of her. She works at a saloon, how can someone not love a literal saloon worker? She’s crazy, she’s wild, she’s a flower child, I’m in love with her

Harvey: glasses. Doctor man. Occasionally puts on headphones to not so subtly hint that he doesn’t want to talk to you. This is what the perfect man looks lik-

Abigail: I don’t see a lot of people complain about Abigal, but I’ve seen a few and it just feels like- you guys love Sebastian so much but don’t like Abigail? What type of double standard is this?

Alex: everyone always says not to date him if your playing a female farmer, but honestly, his dialogue only cuts out parts if you play male. Like, he still says he felt different about you from day one even if you’re playing as a girl. The character affected the most by your gender choice in regards to dating Alex is George, and if you’ve already befriended George, he’ll apologize for being mean about your sexuality when he never even said anything mean about your sexuality, which is kind of funny

I never see people complain about Haley or Sebastian, which is fair, because Haley has a cute character arc and Sebastian loves frogs (this is what the perfect man lo-) My only problem is that people praise these two but rag on everyone else when I feel like all the characters are balanced pretty evenly in terms of good-bad traits.

Which trait is which is dependent on the person playing the game anyway, so when someone like me plays, I can’t help but find the characters perfect because I’m very forgiving when it comes to fictional characters’ undesirable traits. I mean, my favourite trait of all is stupidity, pure and unbridled, I’m talking facepalm-inducing, groan-worthy, the type of character people complain about the most; the type of stupid that makes people stop enjoying things. How can I dislike these characters who are cute and a bit awkward and so ready to bed the first hot farmer they come across even when that farmer sifts through their trash and passes out three steps away from their own house and drinks mayonnaise and would eat hay given half the chance. Like come on. They’re all moron-sexual. I can relate to that.

In conclusion: your favourite bachelor and/or bachelorette is as wonderful as you think they are and screw the people who try to tell you otherwise. The characters are great because they appeal to different people. Enjoy the game and enjoy the dating and I swear to God if I see another person say that certain farm layouts are bad because they don’t make enough money- the game doesn’t have a time limit! You can make as much money as you want! You could sell one sap everyday and nothing else and you would still be able to make it to however much money you desire to have. There’s not really a fast way to make ten billion gold, that doesn’t mean that the farm layouts you don’t like are bad and yes I’m ranting just because I love the slopes of the mining farm its layout is chamrjng and picturesque and provides a unique challenge to decorating and placing buildings and it’s actually the BEST farm layout because I just decided so and-!

Stardew Valley is a great game, 10/10 would recommend, and the new update is already great because I found carrot seeds and I like carrots :)

[swarvey]

🎉🎉🎈🎊🎈🎊🎉🎊🎈🎊 CONGRATULATIONS!!!

Maybe a ask of your favorite characters celebrating? Like you finished the community center and had the big party but your bookie bear wants to celebrate with you at home?

Ya know keep the celebration going for everyone

get a room! | harvey x f!reader

summary -> you finally finish the community center and celebrate with everyone in town. harvey would rather take things back home. warnings -> none! wc -> 787

a/n: i actually love this prompt sm, thank you anon!!! ik you didn't specifically request nsfw but i'm lowkey inspired so y'all lmk if you want a part two with what harvey would do hehe

-

"y/n! i can't believe it, you actually did it!"

emily tackles you with a hug, squeezing you tightly before looking at you with a proud gleam in her eyes. leah stands behind her with a warm smile on her face, while haley takes off her earbuds and begins looking around the finished community center. it took you countless seasons and, quite literally, your own blood, sweat, and tears to do it, but you've finally completed all the bundles in the building.

everyone in pelican town has joined you in celebration at the restored building. penny walks with jas and vincent, pointing to the different bundles and explaining the work you put behind them; alex stands in front of the fireplace and poses while haley begrudgingly takes a photo of him; sam and abigail excitedly make their way from room to room, sebastian trailing behind them and admiring the refurbished spaces.

"i have to say, i am quite impressed, my friend!" elliott declares broadly, walking up to you with a grin. "this explains all the running around i always see you doing, correct?"

"that's right," you reply, laughing as your friend gives you a round of applause. "please, at least this means that stupid joja mart will finally shut down."

"it also means i am currently unemployed, prick," another voice grumbles. you smile sheepishly at shane as he joins the two of you, arms crossed and an amused look in his eye. "thanks for that."

"now is not the time to drag her down," emily scolds. "look at all the wonderful energy surrounding this place!"

"oh, enough with that energy bullshit. it looks nice, i'll give her that."

"nice?" elliott repeats, suddenly looking personally offended. "why, i believe that's the understatement of the past hundred centuries."

as he continues on with his theatrics with leah pulling on his sleeve to stop, you can't help but listen with a warm feeling in your chest. despite everyone's differences, they were all willing to come here to celebrate your success. you realize how attached you've become to the town and its people, grateful to have the luck of living in such a place.

you startle slightly when you feel elliott's arm tightly wrap around your shoulders, drawing you to his side.

"she is the pride of pelican town, shane," elliott continues dramatically, shaking your body for emphasis. "the work she has done for all of us will be recognized years from now!"

shane laughs — wholeheartedly laughs — and you immediately grin back. it's not every day you get to see the grumpy guy crack a smile. "it looks like the 'pride of our town' might be dying of embarrassment in your arm, pretty boy."

"i have to agree." a hand gently grabs yours, tugging you out of elliott's grasp. "i hope i'm not interrupting."

harvey smiles at you, his gaze filled with love and pride. out of everyone, he definitely understands the efforts you put in the most — especially after long nights spent in the mines, or early morning visits to the clinic after you exhausted yourself a little too much.

"you never cease to amaze me, my dear," he expresses warmly, and suddenly, the rest of the room seems to fade away. "you're incredible."

you rub the back of your neck, shaking your head. "lewis is the one who told me what to do, and those little junimos helped out a bunch—"

"now is not the time to be humble." he squeezes your hand. "you're one of a kind. i can only hope this means you won't be going to the mines as often." harvey frowns then, a look of protectiveness taking over him. "i typically prefer not having to bandage you up, you know."

you laugh, but before you can respond, a gruff voice sounds from beside the two of you.

"and i usually prefer not having to see you guys eye-fuck each other in front of the entire damn population," shane groans, leaving to look at another section of the center. "get a room!"

you and harvey look at each other with raised brows, and you notice the others slowly inching away.

"if i have to admit," he starts, slightly pulling you closer to him, "i would prefer having you all to myself, as selfish as it sounds." you can see a blush creeping up his neck at his statement, looking at the floor in embarrassment.

"what's stopping you, then?"

his eyes meet yours, reaffirming your words, and you nod.

then, you suddenly find yourself all but sprinting out the community center doors. your laugh fills the air as harvey drags you along with him, face beet red as he leads you back to the farm.

[machetegirl109]

Synopsis: After spending the whole Bible study daydreaming of Abby, she finally makes your fantasies come true. *inspiration: vacation bible school by ayesha erotica*

Warnings: 18+, MDNI, F/F, modern!AU, suggestive and offensive language, religion, abby&reader are 18, smut, angst, switch!abby&reader, dom!abby, sub!reader, thigh riding, fingering(r&a!receiving), oral(a!receiving), no aftercare, mean!abby x reader

important info about my stories here

©machetegirl109 (credits to VBS by ayesha erotica that inspired me to write this) DO NOT copy/steal my work OR post it on any platforms

Word Count: 2.6k+

Oneshot: Vacation Bible School

❝︎and like every other shitty love story

you came and went❞︎

Church camp happens every year during the summer. It lasts for a week; during this time, you live together in cabins, explore the outdoors, and dine in community, all while learning about religion.

You’ve been taking part in attending ever since you were a little kid. The campgrounds are filled with kids, teens, and young adults. The VBS director would be supervising the assisting staff that consisted of other members of the Christian church, where they were divided into group leaders, an audio/video coordinator, music director, Bible story tellers, game leaders, craft supervisors, and kitchen staff.

This year would be the last summer camp trip for you and the other 18 year-olds before you all start college.

Every year you’d be eager for the summertime, wanting nothing more than to arrive at the huge campsite with lots of green space, bushes and trees, picnic tables and a bonfire. Paths that led to the big main cabin where indoor activities and supper were held, another that led to multiple smaller cabins scattered around a secluded area with some portable wooden toilets by the end of the trail and finally a path that led to the forest where a beautiful river was at as well as a hiking trail.

Although you did enjoy being surrounded by the calming nature and your fellow church peers, what made you anxiously wait for the one week vacation every year was her. Abby Anderson. You two met years ago when you were kids, having to spend the days around each other as you two learned about Jesus and his rules. You and the blonde girl quickly became friends; however you never spoke to each other outside the camping grounds. In day-to-day life, you would only admire her from a distance. Whether it was on the Sunday evening services, or at the school; you paid attention to Abby’s movement as she kneeled to pray, or when she talked to those around her.

Something about her made your hands shake with nervousness, your heart skipped beats just by the thought of her so, so pretty eyes and her strong arms—

“What do you say, miss Y/N?” The pastor interrupts your thoughts and you move your eyes from Abby who’s sitting in front of you to his direction.

“I’m sorry, pastor. What was the question again?”

“What is the message in Ephesians 5:3?” He asks again and your peers, who are seated in a chair circle as the pastor stands in the middle, turn their heads towards you as they all wait for an answer.

“Uh, I… I don’t know…I’m sorry.” You shamefully look at your hands down on lap.

“That is okay, Y/N. We are all here to learn, isn't that right kids?” They all move their heads up and down, agreeing with the pastor. “Can anyone tell me what is the message in Ephesians 5:3?”

“I can.” One of the students complied.

“Yes, Abigail. Go ahead.” As soon as he calls out her name, your head shots up and you’re looking at the girl in front of you again. She clears her throat and before she begins to speak, her eyes meet yours.

“But fornication, and all uncleanness, or covetousness, let it not be onced named among you, as becometh saints;” Abby concludes, her blue eyes never leaving yours. Soon, the priest thanks her for the answer, proceeding with his class and the blonde gives you a small smile. She manspreads on her chair and you feel the blood pump faster into your veins as your body grows hot.

Abby is wearing a white tank top that exposes her strong muscles, black skinny jeans with a heavy-looking belt as well as a pair of black chuck taylor’s. You can’t help but wonder how she would look on top of you, with her blonde hair forming a curtain around your head and her big hands roaming through your body.

After spending the rest of the Bible study distracted staring at the pretty blonde across from you, the class comes to an end. “Alright,kids, that will be all for today. Go ahead and enjoy your last day here and make sure to be ready to attend the bonfire tonight!” The priest leaves the open room located inside the main cabin and soon the students follow behind. Each leaving at their own pace as they conversate with their friends. You look around you and notice Abby is still seated in her chair, like you. She smirks before standing up, making her way to you.

“You seemed a bit distracted. Anything interesting in your mind?” Abby reaches her hand out for you to hold as you leave your chair.

“Oh, nothing, it’s stupid. “ You smile shyly and hold onto her, who soon drops your hand after helping you up. She hums in response as she licks her lips and points her head towards the door, hinting you to follow her as she begins to walk.

“Well, now I need to know what stupid thing you were possibly thinking about while you stared at me the whole study.” You hide your face in your palms, cringing at how you shamelessly looked at her during the class.

“Sorry…” You muffle through your hands before dropping them to your sides again. “I didn’t mean to stare.” Abby lets out a small laugh at your reaction, loving the way you get so shy around her. You two keep walking until you reach the path that led to the area where many small cabins were scattered around.

“It’s fine, I don’t mind.” She quickly scans the area around, checking to see if anyone can see or hear the two of you. “I think I already know what you were thinking about, though.” Her eyes drop to your plump lips and your throat goes dry.

“I don’t know what you’re talking about.” You play dumb and Abby chuckles.

“Hm. I think we were both thinking about the same stupid things.” She raises her hand to your cheek, lightly massaging the pad of her thumb onto your soft skin and then pushing it down to your bottom lip. You feel as if your heart dropped to your core as heat and pulse grows inside your panties. Her hand teasingly grips your neck before she drops it and takes one of your hands into hers, guiding two walk towards the portable wood toilets by the end of the trail.

She looks around once again, checking for people and opens the door as she rushly gets in, pulling you with her and shutting the door closed. Your back presses into the wood as one of her hands pushes you against the wall by the neck. Abby’s blue eyes turned a shade darker, desired in them as she placed her knee between your legs, earning a small moan from you.

“You’ve been watching me the whole week,” She says as her free hand creeps under the hem of your shirt, fingers lightly tingling the skin of your stomach. “But I’ve been watching you too.” She palms your left breast harshly, flicking her calloused finger on your nipple and you feel yourself getting wetter by the second. “You know the expression you make when you stare at me?”

You stay silent and her grip around your neck tightens.

“When I ask something, you answer.” Abby says softly and removes her hand from your chest, sliding it down to the side of your hips, carving her short nails into your skin as she moves you to grind against her hard thigh; making you bite your lips as you feel your clothed cunt rub deliciously against the material of her jeans. “Answer me, Y/N.”

“I-I don’t know, Abby…”

“You stare at me with this really pathetic expression on your face,” The lights inside the small compartment die down suddenly before turning back on – And as you look at Abby again, a shit-eating grin appear on her pretty lips.

“The expression of someone who just really wants me to fuck them stupid.” You snake your arms around her neck and she lets go of yours, now hugging your waist as she guides your movements. “Do you want me to fuck you stupid?” Abby whispers in your ear with a rough voice.

“Yes-Yes, Abby. Ple-please.” You ask as you hide your face onto her neck, her pinewood scent filling your nostrils and you moan into her skin. Your hot breath hits against her neck and Abby feels your arousal mark a spot on her pants. A soft blush runs over her soft freckled face and her boxers start to feel heavy by her own wetness.

“Please what, angel?”

“Ple-please fuck me, Abby.” You remove your head from its previous position and forcefully grabs the back of her hair, pulling her face towards yours as your lips smack together. Abby bites and pulls onto your bottom lip and soon her tongue sneaks into your mouth, making the kiss become more heated and sloppy. She hugs your waist tighter. “I want you,” You say in between the kisses. “Jus-just fuck me already, ple-please.”

Abby lets out a moan by hearing your pleas and holds your hips still as she lower her lips to your neck. She nibbles and licks at your skin and you let out heavy breaths and pleasure filled moans. She moves one of her hands to your exposed thigh due your skirt riding up, and she slowly slides it closer and closer to your heat as she caresses your hot skin. Soon enough she cups your pussy through your dripping wet panties, the feeling of her warm hand sends a wave of electricity through your body and you moan her name out.

“I've been wanting to do this all week,” Abby confesses. She slowly drags your panties to the side and runs two fingers up your slick, collecting the liquid of your excitement. “Fuck… You’re so fucking wet for me. So ready for me, baby.” She gives you a quick and soft peck on the lips and suddenly thrusts her ring and middle finger inside your weeping cunt.

“Ah ah ah Abby!” You moan as you feel her fingers filling you. Abby begins to move her fingers in-and-out of you, starting off slow and soon she picks up the pace, pumping them fast and with precision inside you. You rock your hips, following her fingers' pace, causing your clit to deliciously and harshly rub against the palm of her hand. “Fuck Abby,,, you're–ahh fucking me so good…”

Abby lets out a quiet laugh and leans in for another messy kiss, saliva dripping off of both your chins as you make out. She soon fingers into you deeper than before, the tip of her fingers meeting that spongy spot inside you. She presses onto it and you rub your clit harder into her palm. You break the kiss, lips swollen for the biting and sucking.

“I'm gon-gonna cum,”

“I'm here, angel. Cum for me, baby.” Soon something inside you snaps and you feel your body shake as a pleasure washes over you.

“Such a good fucking girl, making a mess all over my hand.” Abby helps you ride out your high, her hand and leg drenched from you as she carefully removes her fingers from your sensitive cunt, letting out a hiccup once you feel empty again. You attempt to catch your breath, chest rising up and down rapidly as you both look at eachother. You hold her hand towards your mouth, cleaning her sticky fingers from your orgasm and she opens a small smile.

“You're so hot,” Abby says giving you one more kiss before removing her leg from in between yours.”So fuckin’ dirty for me.” You kiss her back, pulling at her bottom lip and asking for tongue passage which she happily obliged to. Pushing Abby against the wall, your hands fall to her hips, undoing her white studded belt and letting it fall to the ground. “You're gonna make me feel good, Angel?” She smirks upon seeing a naughty look on your face and you nod.

“Yeah, Abby, I'll make you feel so good…” You kiss her lips and neck one last time before you move towards her breasts and stomach. When you reach her crotch, you shamelessly rub your face against it, causing her to gasp and moan as she forces you onto the floor by your shoulders.

Abby helps you unbutton her pants and you bring them down along with her boxers as you kneel in front of her, the smell of her pussy makes your mouth water. She frees one of her ankles from the clothes, propping her leg over your shoulder and you snake your arm around her tight to keep her secure. She looks down at you, looking like a pretty and desperate little slut just for her. One of her hands goes to the back of your neck, pulling you closer to her glistening lips. You lay your tongue out and you slowly lick her slick bottom to top, reaching her throbbing bud and giving it a harsh suck.

“Uhmm, fuck,” She moans upon the contact, pushing her hips closer to you mouth. “Yeah, just like that, baby.” You finally bury your tongue into her cunt, exploring her as she lets out a string of breathless moans. Abby begins to grind against your face, your soft muscle lapping on her mouthwatering pussy and your nose softly and deliciously brushing against her clit. “Look at me,” She pats your head and you bring your eyes up to her but never stopping fucking your tongue into her. “Lookin’ so beautiful on your knees for me, ahh– s-so so fucking perfect,”

Abby soon feels the tension that sits on the bottom of her stomach is about to explode. Her moves become more messy and rapid as she chases your face. The leg that is up your shoulder starts to shake, the trembling of her body making her to hold onto your free shoulder for support. You notice Abby will soon break and change the focus of your thrust to her needy button, lick and circling your tongue on it and adding two fingers into her.

“D-don't stop, fuckfuckfuc–” Her hips stutter as you scissor your fingers into her, never stopping giving attention to her clit. You feel her pussy gushing around you and she soon releases her juices, making a mess on your hand and face. Abby breaks eye contact as she presses the back of her head onto the wooden wall. She closes her eyes and furrows her brows while coming down from her orgasm. You distance your mouth from her now sensitive clit and gently remove your fingers from her. She drops her leg off of your shoulder and you, still on your knees, move to help her fix her pants and belt.

“No, it’s okay,” Abby moves away from your touch, making you slowly stand back on your feet. “I can do it.” She pushes her black jeans back up and grabs her belt off the floor, quickly wrapping them around the waistband of her jeans. You quietly observe her, hopeful thoughts run around your head, thoughts about you and Abby becoming closer after today – The last day of camp. “So, uhh,” She nervously runs her hand through her blonde strands as her face displays a shameful and regretful expression.

“We should get going, th-the last bonfire will start soon…” You feel as if the ground disappeared, your heart squeezes inside your chest and tears form in your eyes. “Uhm… I'll see you around, yeah?” She quickly exits, leaving you alone in the compartment. You look down at your knees, red and swollen from all the kneeling, and then you look around the small porta wooden potty, your hand palms your face as you take in what just happened. Regret fills you for what you and Abby just did – In a damn porta potty, at church camp nonetheless – and at how easy you gave yourself to her, only to be tossed away just as easily.

ೃ⁀➷ thank you for reading! feel free to comment your thoughts, reblog, leave a heart and follow me˚ ༘♡ ⋆｡˚

x-18 banner by @fic-dumpster

[ladykailitha]

Well Met By Moonlight Part 4

I'm back with our boys, I just couldn't leaving the poor people reading Royal Pain hanging like that. I'm an author, not a monster. So it's a little longer a chapter to make up for the wait.

Part 1 Part 2 Part 3

We get hints of plot and backstory. Enjoy!

***

The sky was starting to lighten and Steve groaned.

“Make time stop,” he murmured into Eddie’s neck.

Eddie chuckled. “Sorry, princess, but you promised Lucas that you would be back at dawn.”

Steve grumped, but crawled off his boyfriend and stretched. “Who would have thought vampires have better stamina then werewolves.”

Eddie’s answering grin was positively feral.

“Who’s to say I wasn’t like that before I got turned?” He winked at Steve as he pulled on his clothes.

Steve laughed. “I’ll guess I’ll never know.”

Eddie straightened up and looked at him curiously. “What do you mean?”

Steve shrugged. “A couple things, really. Like I don’t know what you were like before you changed and I won’t know if it’s just you or all vampires that are that good, because I don’t intend to sleep with anyone else. Ever.”

Eddie finished putting on his clothes and put his arms around Steve’s waist from behind. “You are very romantic for someone who comes from a race that is infamous for fucking everything willing.”

Steve huffed out a laugh. “Everyone says I’m too romantic for my own good, for the pack’s good.”

Eddie kissed Steve’s throat without so much as the hint of teeth. “Too bad, baby, because I am into that shit.”

Steve moaned. “If you keep that up, I won’t make it back to the compound in time.”

Eddie chuckled again, his warm breath huffing against the skin of Steve’s neck. He let go of Steve’s waist. “Go on, sweet cheeks,” he teased. “I’ve got to report back to my uncle before the sun fully comes up.”

Steve nodded and waited until Eddie was in the sky before he transformed.

*

Steve made it to the pack compound before the first true ray of dawn even peeked over the horizon.

Lucas huffed out a wolfy laugh. “Cutting it little close, aren’t we?”

Steve shrugged. “What can I say? I’m horny teenager that hasn’t gotten laid in over a year. So sue me.”

Lucas rolled on the ground laughing. “Come on, it’s time for Murray to do guard duty.”

Steve nodded. “Can you have Erica and Holly play nearby while he does his watch?”

Lucas sat up and nodded. “Still don’t trust him?”

Steve shook his head. The alpha watched as the scrawny wolf that was Murray’s alter came oozing out of the woods. He bowed his head to Steve and kept it down as the alpha and younger teen passed him.

As the two wolves went further into the forest that surrounded their home, they could feel the gaze of the older wolf on them.

*

Eddie made it back to the trailer park well before the sky lightened enough to hurt him. He smiled at the structure that had been his home since he was young. It didn’t look like it held the most dangerous and powerful vampire in Indiana. But looks were deceiving for both the man and his home.

Wayne had been turned in Kentucky around the beginning of the 18th century. When he sided against the South’s right to own people, he was chased out of his home into Indiana, only barely a couple decades into statehood.

There with the help of Dr Martin Brenner, the coven Dominus and Clarence Harrington, the alpha, Steve’s great, great, great grandfather (werewolves live longer, so not as many generations between Steve and his ancestor as there was between Eddie and his) and the reason it’s called the Harrington Pack, founded Hawkins as a safe haven for the supernatural and humans alike.

Wayne looked rough, because he was born rough. The oldest son of a farmer. He had six siblings but of those six, only two lived to adulthood. Abigail, and the youngest, Lawrence. When he was attacked, he fought back, getting the vampire’s blood in his teeth, accidentally starting the turning process.

He learned how to hunt and be a vampire all his own, breaking all the stereotypes of a turned vampire being feral.

Because of his rough looks it made people underestimate him, so he dug into that hard. He moved with the poor and disenfranchised wherever the people in power put them. He finally settled in Forest Hills. His trailer looked as rough as the man himself.

But it was built like fortress. Not a single ray of light pierced its metal hide and the windows were mainly for show. It was a tough old thing, too. Eddie had heard stories of tornadoes ripping through the area only to be the only thing left standing.

Eddie wasn’t sure what it was made of, but it was home. He slipped into the trailer like a shadow to find his uncle waiting for him.

“Cutting it pretty fine, aren’t you, boy?” Wayne asked from his comfortable arm chair.

Eddie grinned. “You know me, I like to push the boundaries as far as I can.”

Wayne scoffed. “And one day it’s going to get you killed.”

They stared at each other for a moment before Wayne got to his feet and gave Eddie a hug.

“I’m glad you’re home, Ed,” he murmured. “I worried that Hopper had finally crossed a line he couldn’t come back from.”

Eddie nodded, “It was a near thing, Uncle Wayne, but Steve had finally healed enough to use his alpha voice and force submission.”

“I worry that he had to use it all,” Wayne said.

“Yeah, well,” Eddie said cocking his head to the side, “at least Operation Vamp Out was a success. So there’s that at least.”

Wayne pulled back, putting Eddie at arms length to see him properly. “You got the alpha to do what exactly? Because this shit’s important, Ed.”

Eddie ran his tongue over his teeth thoughtfully, “I’m not sure I feel comfortable telling you about that, if I’m honest.”

Wayne’s eyebrows went up and his eyelids fluttered to a close. “You fucked him, didn’t you? You fucked the alpha of the Harrington pack.” He opened his eyes.

Eddie pursed his lips to try and hide his smile, but the sparkle in his eyes betrayed him.

“Hop was against it until I said you were my maker,” Eddie hedged.

“Yeah, because that meant he wouldn’t have to fight off Bill Hargrove for the pleasure.”

Eddie frowned. “S’that because the Dominus is a racist piece of shit who is absolutely grinding his fangs to powder because his half-sister is dating a werewolf?”

Wayne chuckled. “The very like.”

“He’s also very scared of you,” Eddie said moving to sit on the sofa, “Hop I mean.”

Wayne’s grin was vicious in its unfurling. “That’s because Hop knows what I’d do to him if he toed out of line.”

“I’ve always wondered why you didn’t do anything about him when he drunk off his ass most of the time.”

Wayne knelt in front Eddie and took his hands gently. “Because around the time Sara died, you came into my life. You were already a frightened little boy who was thrown into my care, not know what kind of vampire I was. Would you have warmed up to me as well as you did if I had torn Jim Hopper to shreds?”

Eddie blinked up at him, his mouth wide with shock. “No.”

“There, you have your answer,” Wayne said softly. “I couldn’t deal with a wayward alpha when I had a sweet boy to look after.”

He moved to sit next to Eddie on the sofa and bumped him with his shoulder. “I can’t be everywhere and I’ve learned that I can’t throw my weight around like I used to. I’m actually worried that I’m losing control of the town.”

“Is this about Jason and the other boys?” Eddie asked.

Wayne nodded. “It never should have gotten as far as it did. Let alone to the attempted murder of the pack’s alpha. And Sheriff Powell has been fractious to put it mildly.”

Eddie pursed his lips and then licked them slowly. “It would be better if Hopper was police chief again.”

Wayne nodded again. “Powell as sheriff is bad for the town. I’ll talk to Mayor Roberts and see if we can’t at least get him suspended for not taking a threat to the Harrington Pack alpha seriously.”

“Have Steve and Billy with you,” Eddie suggested. “Especially Steve. Because at least he can show the mayor the scars that the silver made.”

“That’s a good idea, Ed,” Wayne said. “I’ll get right on that.” He bumped Eddie’s shoulder again. “You’ve got a good head on you. Maybe in a few years, I’ll have you take over as leader here.”

Eddie blushed and ducked his head. “Only if that means you’re still around. I don’t want to lose you.”

Wayne pulled him close. “I won’t leave you. Not if it’s in my power.”

Eddie wrapped his arms around him and buried his head into his neck like he did that first night all those years ago. “I love you.”

Wayne kissed the top of his head. “I love you, too, boy.”

*

Mayor Roberts was pissed. He had especially placed Danny Powell as sheriff when the whole town thought Jim Hopper was dead. But the man had placed him between a rock and two vampires and a werewolf alpha all chomping on the bit for justice.

Justice that was rightly deserved. Hunters were like vigilantes. Outside the law, but respected by those who thought them necessary. Hunters that were very much barred from the town of Hawkins for a reason.

To be honest he was a little surprised it took five days for the three men in question to darken his door.

Wayne Munson walked in flanked by the teen leaders of the coven and pack. Billy Hargrove stood on the elder vampire’s right, while Steve Harrington stood on Wayne’s left.

The young werewolf looked more than a little worse for wear, he winced when he moved into the room, favoring his left leg. The leg Roberts was told had not only been shot with a silver bullet but caught in a silver foot trap.

It was inhumane what those boys did to Steve, but it was thing to hear about it and it was quite another to see its effects.

“Hello, gentlemen,” Roberts greeted solemnly. “I’m sorry we have to meet like this under these circumstances. Please have a seat.”

Harrington looked like he wanted to but when Munson and Hargrove didn’t he couldn’t without looking weak in front everyone. Something the alpha could not do.

He shifted his weight to his foot, straightening his spine so it looked as though he was standing on both legs equally.

Hargrove caught the movement and smirked. Munson ignored them both.

“We’ve come to see what is being done,” Munson said gravely.

“Jason and Patrick are both eighteen and will be charged with the full extent of the law,” Roberts said. “Andy, Chase, and Josh are all underaged and it’s trickier. Josh and Chase are only sixteen, while Andy is seventeen.”

All three supernaturals winced.

“Try Andy as child,” Steve said, “and then force the younger two boys to do community service in both the pack and the coven. Six weeks with each sect.”

Wayne and Billy looked over at Steve in shock. Mayor Roberts raised an eyebrow.

“What is the basis for that assessment?” the mayor asked.

Steve properly straightened up and all the boy next door persona dropped away to reveal a very powerful alpha. “I was there. I could tell that the two pups were only along for what they thought was prank. They are young enough that if they see what being in coven is like, what being in a pack is like, I believe they can change.” He crossed his arms over his chest and looked down.

“Andy was a more willing participant,” he continued seriously, “but perhaps one that could be persuaded that he was in the wrong. The other two knew full well of what they were doing and should be punished for it.” He looked up at Mayor Roberts, fire burning in his eyes.

Hargrove let out a long whistle. “Got some brains on you after all. I agree with alpha Harrington’s assessment and terms.”

All three men looked to Munson who was considering it. He rubbed the stubble on his chin. “It is sound judgment but I would like to add one thing, if I may?”

Mayor Roberts nodded. “Go on.”

“That the justice for Steve concerning the fate of Jason and Patrick be placed in my hands,” he growled.

The other three men blanched.

“They are still boys,” Mayor Roberts said, twisting a tissue in his hands nervously.

“I won’t kill them,” Munson promised. “But it’s time again I showed this town why I am its master.”

The mayor gulped, but nodded. Munson lowered his head slightly and then back up, not quite a nod, but an acknowledgment nonetheless.

Munson turned on his heel and walked out, the alpha and Dominus close behind.

***

Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15 Part 16 Part 17 Part 18 Part 19 Part 20

Tag List: @spectrum-spectre @estrellami-1 @zerokrox-blog @artiststarme @swimmingbirdrunningrock @gregre369 @pyrohonk ​ @renaissan-vvitch @goodolefashionedloverboi @chaoticlovingdreamer @maya-custodios-dionach @messrs-weasley @val-from-lawrence @a-little-unsteddie @i-must-potato @danili666 @carlyv @rozzieroos @wonderland-girl143-blog @itsall-taken @justforthedead89 @emly03 @bookworm0690 @bookbinderbitch @littlewildflowerkitten @vecnuthy @redfreckledwolf @scheodingers-muppet @mira-jadeamethyst @just-a-tiny-void @potato-of-the-lord @goosesister

[lockedtombbrainworms]

TLT characters and smoking: Judith: got peer-pressured into it as a teenager because someone told her Coronabeth and/or Marta would think it was cool. Nearly passed out coughing and has never been willingly within six feet of a cigarette since Marta: Only smokes after she fucks. Which is a lot, by the way. Coronabeth: No particular interest in smoking, but would 1000% take it up if she thought it would make her more interesting to someone. May in fact do that now that Ianthe smokes. Ianthe: Canonically does smoke as of the end of NTN. Probably wasn't especially interested beforehand, especially given her dodgy necromancer lungs, but once she was a lyctor the psychosexual drama of the mithraeum was always gonna give her some sort of vice Naberius: no interest whatsoever, he's an athlete and he's too concerned about his looks and the potential for premature ageing. Not that it would matter, as Ianthe would just fix him, but he doesn't strike me as the type. Would definitely vape though, and let's be real, if any house has vapes, it's the third. Isaac: Teenage rebellion phase might include smoking, might even include weed. The Fifth would be horrified by this. Jeannemary: Probably more likely to smoke than Isaac as part of the aforementioned teenage rebellion phase, if I'm honest. Abigail: nope, she'd be too aware that it's bad for you to enjoy it. I can see her enjoying edibles though, it feels like they might help with certain kinds of spirit magic. Magnus: Cigars. Look at the guy. Palamedes: absolutely the fuck not, although he did at least pick up the muscle memory for it during The Unwanted Guest shenanigans. Cam: Equally absolutely the fuck not. Paul: Until I read TUG, I'd have said just as much of a no as with Cam and Pal, but now I know Palamedes went into that whole thing with Ianthe's smoking habit rubbed off on him, there's an outside chance they'll share one with Pyrrha Dulcinea: Would never be allowed to smoke, which I suspect would mean she'd very much want to given the "sick of roses and horny for revenge" thing. She should've been chuffing fat darts every minute we saw her in the river bubble. Maybe she was, just not around Harrow. Protesilaus: Doesn't strike me as the sort, although we don't see much of him. Silas: no, he's a weird sixteen-year-old temperance freak and also a frail necromancer Colum: Definitely smokes. Rolls his own. May not even bother with filters given how he knows the siphoning is fucking him up faster than the cigs ever could. Gideon Nav: Might try it to impress girls, but is probably too aware of the possibility of it messing up her fitness, which she also uses to try to impress girls. Harrow: Nah. Just being around cigarette smoke would overstimulate her.

[chewing-drywall]

How attractive I think the band are

*I am bisexual and mentally ill so take that as you will

Skiwsgaar- he's like a fine piece of art that I'd like to draw, he's beautiful objectively but speaking frankly I am FIVE FOOT NOTHING and his 6-foot-something tall ass would be LOOMING over me. Like I could not see him from any good angles if I was up close and that's the main reason. I mean hey he could help me get things from the top shelf I guess??(but yea also he probably has a multitude of stds that I don't really feel like potentially getting, same with any other member of the band I guess)

Toki- yea he's attractive, energetic personality, fucking shredded and likes cats and other crafty things (which is a plus for me). As a collector I like how decorated his room is. Either good or truly horrendous in the bedroom no inbetween. I however am not entirely into the facial hair, it's not something I could imagine on a real person existing. But yes he's hot he'd be an insane ass boyfriend though the baggage is INSANE

Nathan- I'd fuck him. I'd date him. I would be so good for him, please God I'd even get over my weird aversion to chips for him. He's like, not 100% my type, but he fits like 97% of it. He could throw me across the room, or so easily carry me it's got me giggling and kicking my feet. He's the guy I'd have a crush on in high school (more the ripped scary looking metalhead vibe than the football part). He's autistic and I'm autistic and unfortunately, we would probably clash on some ends but otherwise we would both use eachother as weighted blankets

Murderface- you know, I've seen some really fucking good fanart over time and honestly some of those art pieces I could get into. He's hot as a butch chick like ladyklok, and more alternative with some more piercings and hair maintenance and that'd really do it for me. I like his passion for his hobbies and his loyalty to his friends.

Magnus- freaknasty sex in like the back of a shitbox car or something. I don't think I would be sober but neither would he, not for anything long term but bro would give head like a champ and immediately ghost me afterwards which is expected

Charles- I TOOK HIM TO MY PENTHOUSE AND I FREAKED IT!!! you guys. I-, Like- let's be so honest he'd never be interested in me and I'm totally chill with that, however this is MY insane fantasy!!! And if I walked in a room with that man, locked it and came out three hours later one of us is gonna be pregnant and it's NOT! gonna be me

Pickles: (SORRY I FORGOT HIM GUYS CHARLES OVERTOOK ANY MENTAL FUNCTIONS)- his hair was one of the main reasons I didn't watch metalocalypse sooner, the goatee with the disconnected sideburns going up to smelly white people dread locks COMBOVER??? honey pick a struggle because good God. However. His confidence is attractive, any (good) fics I've read of him make him even more attractive considering his laid back personality (hiding buckets of anxiety me too twin), his sleeper build is definitely hot but I think his drug problem make him generally poor in bed considering he has whiskey dick and coordinations out the window, and has definitely vomited during sex before so that kinda doesn't work well. I mean sober though (hahaha when? I mean like 85% aware of his surroundings) he's probably a fantastic lay when he can lock in and concentrate. But yea he's pretty solidly attractive (ESPECIALLY the fanart of young pickles I want to tear into him like a chew toy)

Abigail- yea she's hot as fuck. Like you can't hate her her eyes are sooo pretty and she pulls of that pant suit too well. She would have me barking like a dog in a Walmart if she asked nicely enough. 100000/10

Knubbler-nah, not big into his personality or looks, also his eyes do freak me out slightly

[miller-n-morgan-2]

I bring to you a snippet of the next chapter, rightfully labled John Fucking Marston:

-

“Arthur?” 

“Yeah?” He turned his head again.

“The day he was born… that argument between you and John,” you wanted to make sure you phrased this correctly, unsure if it was a sensitive topic. “He’d apologized for sayin’ something… Sayin’ that you didn’t do any better? What was he talkin’ about?” 

Arthur took a deep inhale and shifted around in his seat, the ground beneath him feeling like it could cave in just at your words. John had struck deep with what he’d said, but having to rehash it, and with you… it wasn’t a thing he’d ever do for fun, to put it nicely. 

“I mean, him talkin’ about leaving Abigail, and you givin’ her your offer… You’re already better than he is.”

“I wasn’t always,” he shook his head. “Holdin’ him like this, it makes me remember just how terrible I am.”

You sank down from the log and scooted closer to him. No one in camp was around to see, so you didn’t bother looking. His eyes got foggy without even going into detail, so you didn’t push… but he seemed to open up on his own. 

“I had a boy when I was John’s age. Same situation n’ all,” he shook his head, trying to keep his sights on the ground in front of him. The longer he held Jack, the worse this feeling got, but he knew it wouldn’t ever go away, not really. Not with a new and constant reminder of his past. “His momma and I, we didn’t get on too well, so I kept with the gang. Didn’t ever come around except when we passed through that town. Could count on two hands the times I saw my own son…”

You didn’t know what to make of this. He has a son? Does he keep contact with him? You’re unsure if you want to know all the details, because hearing it as is, sounds messy. 

“Where does he live?” 

You had no idea that you’d just asked the worst question in response… but how else were you supposed to know? This was the first you’d heard of Arthur’s son. 

“He uh… he died, about three years ago,” Arthur shook his head, swallowing back the lump in his throat, though his teary eyes persisted. “They both did... I came back one day, and found two crosses in the yard. I asked around, townsfolk said a group of robbers came through and raided several homes.”

“Arthur…” you grabbed his arm gently, trying to convey your sympathy, and your sadness. 

“I knew it had been my fault. If I had been there, my son would be alive, his mother, too.” 

A cloud had rolled over the sun, and shrouded in a temporary shade of darkened light, the mood felt heavier than even his words could convey. This man and his layers, being peeled away before you… it was both touching, and terrible. You had no idea a man was capable of feeling so deeply, of being so open about his past and regrets. You’d never seen a man cry before. 

“Issac and Eliza were their names,” he finally looked at you, tears escaping his eyes at a rapid pace. He let them fall, somehow knowing you wouldn’t judge him for it. “And they aren’t here because of me.” 

You gently raised a hand and wiped his cheeks with your thumb, leaving your hand there for as long as he would let you. 

“I’m so sorry, Arthur…” 

Nothing you could say or do would help to heal his wounds, but you wanted to try. Wanted to be there for him, whatever that meant. You and him got on well. You were friends, but there was competition between you, all a part of your banter. You supposed you’d feel inclined to let him win in any circumstance from now on, just because you couldn’t bear to make him upset. Seeing him this way broke your heart, but it also empowered you in some way. To be more empathetic, and kind, and to not let your anger get the better of you. You’ve proven to him in the past that you were a hot head, no pun intended. You would have to be mindful of letting yourself fly off the hinge to him in the future.

-

Let me know if you wanna be added to the taglist 😊

[phantomoftheorpheum]

The Umbrella Academy Season 4 Review/Critique

Fair warning- this is ridiculously long. If you expand this post and don't actually want to read it, it will be a pain in the ass to scroll through; I would advise against it.

Just to be 100% clear, these are my opinions and interpretations of the show. If you don't want to see criticism (and quite a lot of it) or read a pretty raw, unfiltered/unedited review of the season, this is not for you. This is a casual platform, so I tend to just let myself think out loud on these posts, meaning that I don't go back and heavily edit my thoughts. I may express ideas for the storylines that would need some refining, I'm generally just spitballing.

This is a very criticism heavy post, I have a lot of issues with this season, so if that will upset you, please just don't bother to read this. I will be tagging anti tags (due to the large amount of criticism I have for the show) for filtering purposes.

*** Spoilers for all 4 seasons of Umbrella Academy ***

Good Stuff First

I always like to start with my favorite stuff from the show, because usually if I am bothering to critique, it means I have a lot of criticisms, but I always want to acknowledge what the show does well before I start getting into what it does not do well.

Individual Characters & Dynamics - In particular, I thought Klaus's unique character voice was present and well written and the performance continued to be top notch (I have some criticisms about the actual storyline, but I think Robert nailed what he was given from an acting standpoint). Many of the specific dialogue and character dynamics felt consistent to earlier seasons, which can be difficult with such a wacky show. There are definitely some characters who were able to shine, regardless of what they were given.

Visuals/Sets - The show still looks as good as it ever has. It's never been groundbreaking cinematography, but you can feel the budget in the aesthetics of the show. It has been able to maintain this weird "almost our world, but not quite" reality in a visual manner since season 1. It has a distinct style and look. The sets largely feel big and textured and expansive, even when they're fairly simple. I like that we've at least glimpsed the house in every season.

Tone/Humor - The Umbrella Academy is weird. It has always been weird. It must be weird or else it would feel... bad weird? It does succeed in continuing to be weird AF. I like that the show isn't afraid to be incredibly strange. It is a show that swings big. The humor is still there. Humor is hard, and I think they hit more often than they miss.

Family Road Trip - The group dynamic, family bickering, montage effect of 4x02, etc. was one of the lighter and more enjoyable choices made in season 4. The bit of "annoying song stuck on a loop" that continued to crop up throughout the season worked for me.

Abigail Completely Failing at Being Gene - This is only a very small part of the season, but Nick Offerman playing an alien cloaked in a (very weird) human skin and very poorly pulling it off added some levity while it lasted.

Soundtrack - While I think there are fewer distinctly standout tracks for this season (but this is entirely a personal opinion, maybe others feel differently), the show's commitment to its distinctive sound and use of music is still solid. I particularly appreciated the callbacks to season 1, obviously I Think We're Alone Now, but also by selecting Dead To The World in 4x06 for Five (I prefer In The Heat Of The Moment as a song, personally, but the choice was very clever). This is a show that I genuinely like to go listen to the soundtrack of after the season, and I intend to do that with this season as well (except for the Christmas stuff, I am not a big Christmas songs person).

The Cast - This is related to point one, but I really think 99% of the cast did they best they could with the material they had to work with.

Despite all my criticisms, I still found myself sad to be at the end of the journey. And I think that says something about the strength of these characters. A perfect journey? No. But one I'm still glad that I took.

My Criticisms

I want to start by saying that if I bother to critique something, that means I believe it has enough potential to be worth discussing. If it didn't, I absolutely would not bother. So while I think this is going to come off quite harshly, it is coming from a place of "I love what this show can be when it's at its best, and here's how I personally think we could have been closer to its best."

A lot of times when I write up my thoughts about a show, I start with my most specific criticisms, and as I examine those, it points me to a bigger underlying issue. Sometimes I work the other way around, thinking about the larger elements I have criticisms of, then searching out examples. But in this case, either way, I find myself ending up at the same place with the same issue, and that issue (perhaps ironically for this particular show) is time.

I believe the largest issue with season 4 is time management, crafting storylines that are interconnected and therefore justify their screen time, and pacing. Yes, I have some criticisms that could not be fixed with better time management, but a lot of my issues lead back to this. Pacing is always a tricky element, is at the top of many criticism lists of many shows, and has been at the top of my list for several shows I reviewed this year. Pacing issues seem to be cropping up more and more with streaming service based shows on all platforms, and I don't think that's coincidental. But, imo, Netflix is our best example.

One of the greatest strengths of Netflix Originals, back when they first started, was the guarantee of a full season before a cancellation. Because they had no feedback on a show before producing and releasing an entire season, there were no early mid-season cancellations. This allowed writers a little more room to stretch out, knowing they wouldn't walk into work the next day and be told they have 2 or 3 episodes to wrap up a story, or worse, wake up to just no job at all. So while the seasons were shorter, the time was guaranteed. Many of Netflix's early properties, particularly if their first season was successful, were greenlit for multiple seasons at a time, a practice which has been all but abandoned (Bridgerton and Stranger Things have been afforded this luxury in recent years, but few other shows). But as Netflix (and other streaming services) got its legs under itself, it came to realize that there was more profit in producing the first season of many shows, then cancelling all but the most successful. This epidemic of unfinished stories has been spreading rapidly. Now, not only does Netflix have an extremely high cancellation rate and rarely renews a show for more than a season at a time, it has also been shortening seasons, bringing down production costs, and trying to minimize risk and maximize "safe" profits. Minimizing risk in favor of maximizing safe profits rarely results in good art. Which explains a lot.

And so, unfortunately, I think The Umbrella Academy is a casualty of this increasingly mercenary system. Not only was it forced to make creative decisions with the constant threat of "This could be the end, but you won't know it until after it airs, so it also has to work as not the end," during the first three seasons, but though it got warning of its final season, it received a limited run to complete the show. Now, I can't fault anyone for wanting to write each season as a possible ending, considering how often Netflix cancels shows. Is this smart? Yes. Is this also limiting? Yes. And shows like The Umbrella Academy, with universes that become increasingly complicated with increasingly detailed lore, suffer quite a lot when trying to contain a story to each individual season. And finale seasons are particularly difficult. Expectations are high. Netflix's production model gives audiences years to build up their anticipation for the finale. Too much time to think, to pick holes in what has already been created, to cool to something they were once passionate about. Delivering a genuinely satisfying finale under these circumstances would be a daunting task.

But with all that being said. Season 4 only has 6 episodes, and it somehow manages to waste so much time. I don't know what's in the water over at Netflix, because I don't know if anyone knows how to waste limited time like Netflix does. If it weren't so irritating, it would almost be impressive.

The truth is, very few of the main characters really matter to the overarching plot of the season, which is a very weird choice, particularly in a final season. It's basically Ben, Jennifer (who we barely know and just met), Hargreeves, Abigail, and tangentially Viktor. Five & Lila are basically completely taken out of play for an episode and a half, where their actions have practically no relevance to the main plot, and the critical information Five gets while using his "new" power could easily have happened without this storyline. Luther & Diego are similarly sidelined by the CIA storyline. And, again, Klaus & Allison are occupied with a side plot that removes them from the main conflict of the season and does not tie in to the finale.

I do not mind the centering of Ben & Jennifer for a season of the show in theory, but with only 6 episodes to tell this story, I think it was a stretch to believe they had the time to do this plotline justice and waste so much time elsewhere. I don't know if this was solely a me issue, but I just... didn't care about Jennifer. I mean, sure, I rooted for her in a passive "she seems nice" kind of way, but even by the end we barely know anything about her. I can live with a "cosmic connection" insta-love situation between Ben & Jennifer (not my favorite trope, but it can be okay), but just because Ben instantly connects with Jennifer, that doesn't mean the audience does. And, to make matters worse, this version of Ben is one that we don't know that well, anyway. Like... his defining character trait is that he's mean and angry. I didn't mind that in season 3, as he was new to us and at odds with our protagonists for most of the season, but we don't really learn much new about him in season 4, either. The bit of Ben's history that we get is from Umbrella Ben, not Sparrow Ben. And Sparrow Ben's personality and history isn't touched on. Why is he like this? It's never explored, not beyond the shallow "the Sparrow Academy wasn't raised as the family that the Umbrella Academy was" that was established in season 3. The fact that we know so little about this version of Ben makes it harder for me to connect with him, as well. So to center these two characters in the final season, and then not even give us scenes to flesh them out as individuals, it just feels like such a waste of time. It didn't need to be Ben and Jennifer. In fact, it very much felt like it was only Ben and Jennifer because everyone has always wanted them to tie "the Jennifer incident" into everything. Again, I think this plot could work fine if given the correct amount of screen time, but as it is, it feels rushed and shallow. We might care about Sparrow Ben (might), but we don't have much reason to care about Jennifer.

Lack of direction - There are only six episodes in this season! Every minute needs to be used wisely. This should be the most focused of all the seasons, every storyline streamlined to tie into the finale of the show. Which is the opposite of what we got. For the vast majority of the show, nothing Klaus or Allison does matters. Nothing Diego or Luther does matters. Nothing Five or Lila does matters. Sure, those storylines touch on individual character development, but when you're planning to kill everyone off in a couple hours anyway, why are we starting down unconnected character arcs that are destined to be left hanging? Every bit of interpersonal character development should be written in a way that ties into the finale plot of the show, so scenes can pull double duty and maximize the limited time available. What was the purpose of Lila and Diego fighting (other than to physically separate them)? What did they learn? How did they change or grow? They didn't. They are split apart, sent down different dead end roads, only to be gathered back up in time to die. They speak words of understanding, but we don't actually get to see them learn or put those changes into practice.

I think about it this way- if Lila and Five had gotten lost into the weird limbo subway system and we never saw what happened to them, and instead they just reappeared from that adventure for the finale, would that fundamentally change anything about how the show’s main plot plays out? No. It wouldn’t. If Klaus had stormed off in 4x03 and Allison had gone after him and we’d never seen either of them again until the finale, would that fundamentally change anything about how the show’s main plot plays out? No. It wouldn’t. If Diego and Luther had gotten their CIA passes and walked into that building and vanished from the story until the final episode of the show, would that fundamentally change anything about how the show’s main plot plays out? No. It wouldn’t. Even Viktor, who is directly addressing the main plot point of Ben & Jennifer’s connection becoming apocalyptic, has very little impact on that storyline leading up to the finale. He speaks to Ben once, he insists on trying to save Ben, and spends the rest of the time working through personal issues with his dad or being attacked in a sequence that has no consequences. The conflicts that these characters encounter have very little bearing on the physical events of the show (they get shot at, they escape. They fight, they escape. They are chased, they escape) and what are the specific consequences? There aren’t any. Viktor gets to use his powers to save Hargreeves and gets shot (I think??) doing it, but he’s fine, and it doesn’t change their approach or goals in any way. Five and Lila are trapped together for years and have a romantic relationship, but then they “go home” and it doesn’t lead to any of the characters deeply changing or acting notably differently in the following events (Five and Diego fight at a bad time, we get a funny reaction from the other siblings, etc. but it doesn't change anything) and then it is never truly resolved. Luther and Diego go to the CIA and this plot is used as a vehicle to reveal the villainy of Five’s boss (so??), but ultimately Luther and Diego get a big fight sequence, learn very little, and take up a lot of screen time for a reveal that could easily have happened in seconds. None of their actions in this storyline blatantly effects the outcome of the show. And Diego feels set up for some character work, but all it really leads to is him being like "I get it," and that change never getting a chance to be actionable. Allison and Klaus reconcile, but only after a lot of screen time is spent on another side quest. Do they really change as people from this story? We don't know because there's not enough time to see. This is clearly not a legit substitution for actually addressing the issues between them, but we don’t have time to do that, either. Not to mention, the conflict between Klaus and Allison isn’t some slow burn issue. It’s doesn’t exist before this season. What is the point of any of these plot lines? Why send Allison and Klaus off together to resolve issues that we only just found out exist, when Allison has canonically been estranged from all of her other siblings since the events of season 3? That is blatantly an unresolved issue, but instead of using her screen time to address her season 3 actions, they create a whole new issue for her and Klaus to fight and then reconcile about. Wouldn’t it be much more interesting to see Allison and Viktor work through their issues once and for all? Or to address all of the ways Allison betrayed Luther in season 3? What about Klaus reconnecting with this version of Ben? What about Luther working through being betrayed by his father? What about Diego and Lila actually being parents? What about really getting to see how this life that Allison sold them all out for isn't even the dream she thought it would be? What if, instead of getting a montage of Lila & Five’s romance, we got a montage of Jennifer and Ben finding and destroying each other in many different worlds? You want to sell me on this tragic, cosmic connection between them? Okay. Sell me on it. Make it hurt. 

Five - I'm just going to be brutally honest here- I believe Five is the strongest driving force of the show and his sidelining in season 4 was a huge mistake. Five might not be the emotional core of The Umbrella Academy, but he is absolutely central and critical to what has worked well in previous seasons. And yet, in season 4, he's pushed to the side and basically written out of the main plot for half of 4x04 and all of 4x05. And then, even when he is around, he's lost a lot of the elements that make him a fan favorite. Let's talk about that- in season 1, Five's return and his mission is where it all kicks off. Yes, technically the inciting incident is Hargreeves' death, but gathering the family without Five's arrival would have been useless and led nowhere. Five drives the entire plot of season 1, while the rest of the siblings get character arcs around him. He makes things happen. He withholds information from his siblings and from the audience. Without him moving the plot forward and tying things together, season 1 would have been a disjointed mess. In season 2, we follow Five's attempts to reunite the family and fix yet another doomsday. Again, he is the one that pushes the plot forward, while the other siblings wander down various other storylines (which is not to say that they are not involved and don't contribute, just that they don't move the plot along to the same degree). In season 3, Five attempts to "retire," but pretty quickly he's back in the thick of things in search of answers and solutions. He is set against Hargreeves in an intellectual face off and is ultimately the one who pieces together the hotel's puzzle. He also discovers that he is, essentially, his own nemesis and behind a lot of what happened in previous seasons (a storyline that feels like it had a lot more to give, possibly, but is abandoned and explained away as "something a version of him did in some timelines,"). But in season 4, Five is... Well, he's suddenly not that relevant. He starts out fine, undercover and attempting to infiltrate The Keepers, and he does push the initial plot forward with his investigation, but then he just drops off the map (literally and figuratively). Five, who has always been the character to seek out answers and the character the audience trails through the bigger plot points of the story, is suddenly out of play. Now we're watching him wander around the multiverse (presumably for an attempt at character development, which ultimately falls flat) where he learns nothing important and falls unconvincingly in love with his brother's wife for an episode and half. Why? Because... they didn't know what to do with him? Honestly, I can't explain why. Five's acerbic wit, his tendency to be one step ahead of the audience, his cockiness, the uncanny personality that is a quirk of being an old man trapped in a young man's body, his absolutely brutal and ruthless methods to protect his family, and his cool fight scenes, it all just vanishes. Suddenly, for the first time, he feels the age of the actor. He feels erased long before he literally is. After 3 seasons of him having one of the coolest powers that leads to some of the coolest scenes, we're suddenly in a world where everyone else has some useful version of their power, while Five's kind of sucks. And like his teleporting power only reappearing at the very end (spurred on to save Lila specifically, rather than his family, because ???), Five's personality is frequently missing. Which leads me to-

Five and Lila - This may be a controversial opinion, but in concept this could have worked. Am I mad at the idea that two characters who are stuck together for years with no one else as company might fall in love, even if they're an odd pairing? No. Like I said, it's okay in concept. But only in concept. In reality, there was neither the time, nor the necessary casting to make this storyline hit properly. Regardless of Five's character's age, or the fact that his actor is (technically) an adult now, this felt flat out wrong to watch. Not only does Five still very much look like a teenager (inevitable, as while Aidan has aged over the course of filming the show, the age of young Five would now, still, vastly outstrip his real age of 20), but we also know that Lila was introduced to him as a child. Lila and Five meet in season 2, in which he is (physically) still a 13 year old boy, while Lila is an adult woman (considering she has the same birthday as the rest of the Umbrella Academy, this would put her at approximately 30 years old at this time). Yes, the exact ages of these characters is a bit messy to track, but no amount of text on the screen telling me so many years have passed is going to allow me to forget this detail, which makes this whole situation, at best, deeply uncomfortable. The fifteen year age gap between the actors is incredibly evident, and this romance is ultimately completely unnecessary for them to evolve in the (frankly minimal) ways that they do. They also pretty brutally sacrificed Diego's character for this. All of Diego's negative traits are cranked up to 100 this season, while Lila's are generally turned down to a low simmer (until she nearly dooms everyone to a meaningless death). While I don't think their relationship being on the rocks, or either of their character's struggle to fit into domestic life, is a bad idea, I again find myself questioning what the point of this storyline was for this particular season. We don't get much of a conclusion. Diego is basically a buffoon all season, Lila is less blatantly fucked up most of the time and also somehow less likable for it, and Five feels out of place in this storyline. Why did we do this? As far as I can tell, it's because they didn't have any other ideas to keep these characters busy while the actual plot happens around them. That's really not a good reason to blow up a dysfunctional but well liked dynamic (Diego and Lila) and never even bother to mop up the blood. And that leads me to-

Lila - Just, in general, I found myself asking "who in the writer's room is ridiculously obsessed with Lila, because that is the only explanation for any of this." For example, Klaus names everybody's problems and can't think of any real issues for Lila?? LILA? Her erratic, risk taking behavior and serious mommy/family issues are the most intensely Lila thing about her?? This is what her entire character is built upon? Why are we acting like she's not been a complete wildcard for the last two seasons?? Her new power doesn't make any kind of sense. Everyone else basically got some version of their old power back (and we eventually learn that Lila does have that power back as well, despite wildly underusing it), but now she has laser eyes.... Because? Her inability to properly control the laser eyes is funny, but also doesn't make any sense. In previous seasons we see Lila quickly adapt to using new powers only moments after acquiring them. If there is any one single person in this whole show who should have adapted to a new power immediately, it would be Lila. And somehow, for some reason, they center Lila during the finale conflict. Everything rests on her decision to stay or go. On her connection to her family (despite us barely seeing her in a room with them all season), instead of literally any of the main Umbrellas we've been following all along. And she gets the last line of dialogue from our main characters. We spend an extended sequence watching The Umbrella Academy slowly sacrifice themselves and Lila gets the last word?? And all of this is coming from someone who actually really loved Lila in seasons 2 and 3. She was one of my favorite characters coming into this season, but this... It just felt blatantly disrespectful to all the other main characters.

Everyone Dying is a Bummer - Okay, don't get me wrong, I'm not set against tragic endings in general, but... I don't think The Umbrella Academy earned this ending (at least not in this way). This idea of the world being better off without them, like they are a mistake that fundamentally ruins the world and must choose to sacrifice themselves in the name of saving humanity, that would (could) be fine. Except that it doesn't feel thematically well supported by the previous seasons, or even just season 4. At its heart, seasons 1-3 followed the ups and downs of Five's journey to save his siblings from the apocalypse, even though they are the ones to cause it. This is his entire goal. He wavers, he actively tries to walk away from this, but he cannot help himself, he always comes back around to this goal. This is what we buy into in season 1. So the idea that this is impossible and that they all must die anyway, feels antithetical to why we are asked to care in the first place. We haven't been asked to care about the world (not in any tangible sense). We watch random, innocent people, or vaguely antagonistic people, get killed in horrible ways left and right in the show and we are not asked to care. We're often asked to laugh. We care about them saving the world because we care about them saving the family, this dysfunctional group of oddballs. Sure, on a very basic and fundamental level we don't want humanity to be wiped out, but the humanity of the surrounding world is never deeply touched upon in the show. And their death wipes out infinite universes. We're told this is "right," but we don't tie any real emotional stakes to it.

Season 4, which centers around saving (or failing to save) Ben and Jennifer, around Viktor's desire to find another way because he loves his brother (even this version of him) and his siblings have always fought so hard to find another way because they love Viktor, asks us to care for these same reasons. Not for the world, but because we care about these particular characters. And the writers decide to sideline Five, whose centering I believe is absolutely essential to pulling off a "they must all die at the end" storyline to begin with. Why? Because he's the one who has fought so hard to save them. To have him not be at the center of the storyline where saving them is not possible makes absolutely no sense. Do I think that a final season where we follow Five coming to the conclusion that they are all doomed could possibly work? Yeah, if they had (and here it is again) the time to dig into that story and show us how he grapples with and fights that resolution tooth and nail until he cannot anymore (they point at it with the diner scene, but don't have the time to let us feel the weight of it). But they don't do that. We don't get to follow him throughout a season trying to cope with this impossible truth. Instead, he accepts that fate in a matter of onscreen minutes and with immediate resignation. (Yes, you could argue this is what he has been doing the last 3 seasons, but we're never truly given the impression that he is trying to prevent an absolute inevitability, only that he is trying to prevent a specific reality). It undermines the foundation of his character, and because Five is the driving force of the first three seasons, it undermines the foundation of those storylines as well. With the limited amount of time they were given to wrap up this show, instead of ending with a "everyone must sacrifice themselves" storyline, I would have, instead, centered Five's personal journey in season 4, which concludes with him realizing there can be one universe in which his family can all live, but only if he dies. They live, but he must sacrifice himself and be erased from existence so they will never mourn him, never know him, never know to be grateful. What could be more fitting for the show, more simultaneously sad and happy, than Five achieving what he set out to do in 1x01 and saving his family and that costing him everything?

Now... how to work that in and fill in some major plot holes at the same time? Well, I have some ideas, but I'm gonna save them for a different post, because while writing this review, I found myself re-outlining season 4 and trying to fix some of nonsensical elements of this season and if I get into that, it needs its own post. But I think it could be done. And speaking of nonsensical events.... Why do the Umbrellas have to die now? Like, logistically speaking, if The Cleanse is a necessary event and every single other world except the "perfect" timeline ends in apocalypse, then why can't they jump on that subway to a different universe where they have more time to be really, truly sure that's the only answer? At the very least they would have had a chance to really say goodbye to each other. We know there are plenty of universes where Ben & Jennifer both exist, there's no reason it has to be now. Since there are infinite "wrong" universes, they have all the time in the world. This is not a decision that has to be made exclusively in this moment, despite being portrayed that way. They don't die, The Cleanse doesn't work, they fact check their solution in a different universe, they get a chance to say their goodbyes, etc. etc. The urgency makes no sense. For that matter, why doesn't Five blip them all down to the subway where the show has already established in this season that time does not pass, so they can have a real conversation about this? There is literally no reason not to do this. They, quite literally, have a character who can take them to a timeless limbo where they can take as much time as they want/need to sort this out. They, quite literally, have that character take an entire family to this place, proving that he is capable of bringing a group of people there, and they don't use it.

It Doesn't Get Better - One of the major themes of Umbrella Academy is dysfunctional family and the way we cope (or don't) with childhood trauma. How burying that pain is destructive and hurts the people around us. And while I don't think the show's intent was to send the ultimate message of, "Actually, it doesn't get better, you'll never heal those wounds, and your existence is a destructive mistake," that's... kind of what it implies anyway. Throughout the whole show we explore the ways these characters are trying to work through the abusive household they grew up in, to move past the things that happened to them, and we watch them process and come together as a family and stand up against their abuser and grow into better versions of themselves and lose their way and pick each other back up. And then we're told that it doesn't matter because they all have to die. It sends a strange message. Personally, I think the show may not ever have intended to really send a message at all. It's absurd and irreverent and tragic and silly. It has never shied away from violence. It's always had a bit of a flippant nihilism hanging about it. And I think there is an argument for "People don't always get what they deserve. Sometimes they just get the short end of the stick and it sucks, but that's just how it is," being an underlying theme worth exploring. It's just... they don't really explore it, they just kind of dump it on us at the end. And because we don't have time to come to terms with this messaging (time, it's all about time), I think a lot of people feel like there's this bait & switch happening. For the last 3 seasons, we've been watching a show that is constantly addressing this childhood trauma and a toxic family dynamic, but then the end of that show is like "and all of these kids are a casualty of their abuser's arrogance and there was literally, not from the moment they were born, anything they ever could have done to grow away from that." It's pretty fucking bleak, to say the least.

Plot Holes For Days - There are more plot holes in this show than a block of Swiss Cheese. There are so many, that I'm still mentally trying to sort out an ending that feels... somewhat in the spirit of what season 4 was intending, and doesn't leave us up to our eyeballs in nonsensical plot points. For example- in The Umbrella's original universe, they already changed things so that they don't exist anymore long before the apocalypse. One of the major plot points of season 3 is that Harlan accidentally killed The Umbrellas' mothers before they were even born (obviously this is a paradox, as Harlan could never do that without meeting Viktor). But Hargreeves was still able to adopt Marigold enhanced children! Marigold kids were still born! We're told in 1x01 that 43 women spontaneously gave birth without having been pregnant, but we're supposed to believe that The Umbrellas, right here and now, have definitely got all of the Marigold in this universe? (And that doesn't even get into the questions surrounding the Marigold's presence in this world, since The Umbrellas did not bring it with them, we see no sign of other super powered versions of them existing in this universe, but if it didn't already exist here in some capacity and no children were born with these powers, then there's nothing inherently wrong with this universe, meaning the apocalypse wouldn't need to happen, and on and on and on. Like if all the Marigold was just in that jar and that counts as being in this world, then they could have just chucked that thing at Jennifer and bam, problem solved.) We know that in the original timeline Hargreeves didn't adopt all the Marigold children, because that's the entire point of Lila's backstory. And what about the other 35 women who spontaneously gave birth and those kids? So how could The Umbrellas possibly know if they are destroying all the Marigold by sacrificing themselves in this world? They can't know that. The existence of The Sparrows (and in another universe The Phoenix Academy) also implies that there could be many universes where The Umbrella kids don't all even exist, but other children were born with their powers, so specifically The Umbrella kids all dying isn't something that would need to be set in stone, since none of the other Marigold kids had to die for The Cleanse to work in this universe. Now, a lot of shows have plot holes or paradoxes or questions left at the end, and a lot of shows I would cut some slack. I'm even willing to ignore a lot of the smaller plot holes in this show, but this is the culmination of the entire series, the explanation for what must happen and why, and the justification for all our main characters being wiped out, and it just doesn't hold up under more than a moment's scrutiny. And that, imo, is a pretty big problem.

Gene & Jean/Villains - So, on a slightly lighter note, another thing that I don't have a problem with in concept is Gene & Jean. They're weird and quirky, as all Umbrella Academy villains seem to be, and I love both actors. It's just that season 4 has a serious problem with its villains in general. That is, there are too many of them and their plans are too convoluted. The ultimate villains being in some way connected back to Hargreeves (and specifically Abigail, who up until this point has had very little to justify her existence in the show) makes sense to me. But the absolutely convoluted mess that is The Keepers cult led by Gene & Jean being at odds with Hargreeves' men who are hiding Jennifer, being at odds with Abigail masquerading as Sy Grossman and then as Gene (I still don't understand why she needed to kill Gene or Jean, like Gene & Jean were already trying to bring about The Cleanse, why is she infiltrating them??), instead of using her resources/position as Hargreeves' wife, is ridiculously messy. The person I watched this season with actually asked me after 4x04 if I had any idea what was happening because they were completely lost. Generally, I am pretty patient about how a show shares information. I always assume that I am picking up what they're putting down, and if I don't understand something, I will when I'm supposed to. That... didn't always feel like the case to me this season. I don't think it was so much that it was hard to follow, but that it just didn't make a lot of sense. The "why" for so many character actions, but particularly the villains, just never fully materializes. Abigail and Hargreeves' sides are fighting in this season, with him attempting to prevent the apocalypse and her trying to bring it about... But what is the justification for the completely convoluted nonsensical path it takes to get there? She seems to have plenty of power over Hargreeves when the kids visit. Why does she need to infiltrate The Keepers? Why do The Keepers need to exist at all? It's just a coincidence that they have the same goals as Abigail? If she actually started them, then I assume she would have installed herself into the organization and not needed Gene to infiltrate it. I don't understand her choices. There were many, many simpler ways to get where they ended up.

So... it's not as if The Umbrella Academy is the first show to do this ending. In fact, one of my favorite shows of all time does this ending (not mentioning it by name because that would be a massive spoiler, obviously). I think this ending is completely possible to pull off. But I also am neither convinced from an in-universe logical point, nor from a storyteller's point, that it earned this ending. Did I want it to be a happily ever after? No. I don't think that would fit tonally with the show. But I wanted it to feel necessary, truly inevitable, and both physically and thematically, I don't buy that it was.

My advice to anyone who was starting this show for the first time would have to be, "don't think too hard about it," because ultimately, if you do it will crumble. Just enjoy the vibes and the bickering and the comedy and strangeness. There's no point in asking too many questions. And for some people, that's totally okay. That's enough. I'm just (shockingly) not one of those people.

So, if you're still with me, I'd love to hear what you guys think. Did you feel emotionally fulfilled? Were there particular plot points you loved or hated? What was your favorite musical choice of season 4? Should I release my redesigned season 4 outline? What ending would you have chosen? I'm open to all opinions! I don't agree with all opinions, but I will very much consider them.

[eskildit]

the unwanted guest incoherent ramblings under read more so spoilers below:

did tamsyn muir enter my brain and ask "oh what would drive flora just absolutely insane" and then write that????? i have to WORK today!!!

i was literally just thinking about naberius and how different his relationships to ianthe and corona were. hes socially beneath both of them but ianthe and babs had more of a back and forth compared to the far more unbalanced dynamic between corona and babs.

and naberius' care for rules!!!! i was rereading the duel between gideon and naberius a bit ago and in addition to the obvious part of gideon breaking the rules, theres this tiny moment between naberius and magnus. naberius points out that hed be embarrassed to admit to losing to a fourteen year old, to which magnus makes a joke, gives babs a look, and naberius looks scolded. like for all his bitchy attitude he steps back into line when told to!

im forever gonna be rotating around in my mind the fact that babs was continuously cheated on. what a fascinating character detail. also my favorite line of the whole story was "I ruled him through fear and poison and he relaxed into it like a warm bath." woof.

AAAAAAAAA i am such a paldulcie girl so i dont even have interesting thoughts i just feel insane. i figured out around the third scene that the voice was dulcie and i had to take a lap around my apartment. them!!!! THEM!!!! other people smarter than me can unpack what the bible verse means but at a minimum hes saying shes like an angel. and the fact we never see her? that its this off stage revelation? i really think this story made great use of the stage play format but dulcie being a voice in the audience palamedes is speaking to is just. muah. perfection.

okay soul stuff!!! i had a prediction that this story was going to go into river or soul dynamics because like, its palamedes and ianthe. that sounds like what they would get up to. but im so intrigued by what this is now setting up! this certainly puts any remaining expectations of a true perfect lyctorhood to bed. it also presents a possible answer to why pyrrha was piloting g1deons body, that they had compartmentalized too much but her soul was still trying to graft on.

also have we officially proven abigail correct? that there is in fact something beyond the river? because thats what two shores would mean. one shore is the living crossing into the river, and the other shore crossing onto whatever lies past it. dulcie said she is out of the river, meaning she is at the shore beyond the river.

anyway, i love that ianthe is a liar who lies but also is just unwilling to accept facts that go against her worldview. queen of justification and denial <3

[tinyfishtits]

Would love to know your opinion on what you think Micah’s deal with Abigail was. I know he hits on pretty much all the women at camp but to me he always seemed more serious/persistent with her??!

Ooooo okay okay. Well my immediate thought was that - because she has a history as a working girl and canonically slept with most of the men in the gang when she joined - Micah would have instantly felt like he was owed her affection in a way.

And I mean he’s always looking for ways to one up and piss off arthur and John and getting Abigail would be the biggest prize for him on both those accounts, god, imagine how furious they’d be. I mean just flirting with her pisses them off, i bet he loves it. He'd be all over Mary Linton if she ended up in the gang with Arthur too mark my words!

But mostly i think its because Abigail is fucking badass and beautiful and he sees that. Holds her in a higher regard than the other girls in camp who he sees as weak, drunk, old, sensitive, not worth the effort. 

And if ya want me to get really deep into it I think she might remind him of his mother who I personally believe had to be some kind of badass outlaw and a working woman as well to have fallen in with his, as he puts it, Pair of wild horses Father and grandfather. She probably gave him high standards for what a ‘real’ woman is and he sees that in Abigail. 

I also think that seeing her raise Jack in the gang cracked something open in him, made him feel like maybe there is a way to walk the line, be a murdering, asshole outlaw and have a woman who loves you enough and can hold her own enough to be a part of that life with him. A working woman choosing him out of everyone else is his wet dream and John of all people is living his dream?? Unacceptable.

Though I don’t think he genuinely wants her that way, just the possibility she represents. he has too big an ego and pride for the time to raise another man’s son. I mean he’s no better than John and look what even the possibility of that did to him.

Plus he just seems like the kind of guy that gets off on seeing a woman be all mothery and maternal and he secretly wants her to stroke his hair and call him sweet names. Say it with me gang ((breeding kink)) 🤭

ANYWAY… i guess these are my opinions lol. Gosh you guys are opening the floodgates I'm never going to be able to shut up now.

Thanks for the ask anon ❣️

[competitivedust]

So I completed Season 4 of TUA and wow guys this was bad.

I mean Lila and Five isn't even my major complaint because I kind of get it. But I don't see it working or being a genuine thing. It only happened because they were the only two people and didn't have anyone else for six years. As Lila said, they were surviving.

But my major issue is that I still don't get who Reginald and Abigail really are. I am guessing they are sort of an alien species with the way they speak of humans. But what planet did they live on? How did it get destroyed? How did they just create those particles and stuff? Are they godly beings?

And instead of adding this weird Durango plot we could have done countless other things like look for Sloane? And why did Luther get his monkey body back after drinking the Marigold? He didn't even have it originally.

I don't know, this whole thing just feels so unsatisfying. The only good part was that we got to see Viktor being happy and powerful, and not meek and sad like he was in the previous seasons. I love that he got to have some closure even though it was with a variant of Reginald and not his actual dad.

Another thing, while I mentioned that Lila and Five didn't bother me much but what did bother me was Diego and Five fighting about it during the fucking mission. I mean! Your siblings are dying! Can you focus on that very important, literal world ending catastrophe?

Also another thing, when Allison says she was the one who always looked out for Klaus when he hit rock bottom, am I remembering this show wrong because I don't really remember that at all...?

I swear this dumpster fire show is gaslighting me.

Anyway, so not a great season. In fact, I would go as far as to say that it made the previous seasons retroactively worse. I mean, I loved the first season but then I was just watching it for the sake of my curiosity but that never got anywhere and I can say that this was a complete waste of my time. That said, the actors and the music were great. If I ever do rewatch this show, season 4 will be skipped because holy shit this was messy.

[obsidiancreates]

Catching Up (With No Murders This Time!)

(I just wanted Shawn and Abigail to like, see each other again and get a little closure since they broke up under such horrible circumstances.)

"Hey, sweetheart. I just wrapped up a case and I just so happen to be next to that awesome bakery you love, do you want- sweet! Uh, no, no Gus with me, your croissant will make it to you with no bites taken out of it. ... No, I'll buy my own so I'm not tempted either. Yeah, well, Selene called and told him Charlie is running a fever so he sped off before I even finished the wrap-up. Oh, gotta go, someone is about to try and get the last Nutella-filled one."

Shawn hangs up and rushes up to the counter as the person who's eyes were lingering on the Nutella-filled croissant is about to order. "You know, I am amazed you guys still make these, because I heard that hazelnuts and chocolate combined can give you hair loss."

The woman freezes, and Shawn almost does a little celebratory shimmy- until she turns around.

Shawn's mouth parts in shock. "Abigail?"

"Shawn?" Abigail blinks. "Are you really..." She leans in and whispers, "Why are you in San Fransisco?"

"I- I uh, moved here. A few years ago with- uh, well with my wife." He holds up his hand. Please don't let this be awkward, please don't let this be-

Abigail holds up her hand, showing off her own wedding ring. "We match."

A tension Shawn hadn't realized he was holding bleeds out of him. "Look at that!" He grins at her. "Who knew us crazy kids would ever find that, huh?"

"Who knew. ... Oh, you um, wanted the Nutella."

"Yeah, if- it's Jules's favorite so I just-"

"Jules? The detective you worked with? ... Actually, that makes sense."

"... Is that a... bad, 'that makes sense'?"

"No, just... it makes sense. Here, uh, I'll have the regular chocolate instead. My husband is allergic to hazelnuts anyway, I'd have to brush my teeth before kissing him, it's... a whole thing."

They order, and sit together while waiting for the coffees.

"So, um... how long have you been married?" Abigail asks before taking a bite of her pastry.

"Let me see, uh... six years, now? ... Holy crap, I've been married for six years. ... What uh, what about you?"

"Four. We met through the program I do, for teaching abroad."

"Ha, that's cool. I'm a detective, I married a detective, you're a teacher, you married a teacher... fits, it-it fits good."

"Yup."

"... Sorry about uh... all the stuff I put you through, back then. Taking you to crime scenes and client's houses was a little-"

"Stupid?"

"I was going to say offbeat, but... stupid works too." They both give a small laugh. Shawn awkwardly picks at his own pastry, Jules's sitting in his lap. There's a beat of silence that's just agonizing.

"How's Gus?" Abigail looks up at Shawn again. "I mean, I just assume you're both still doing the psychic detective thing."

"Oh, Gus is great. He uh, he got married too, about four years ago now, just before the whole uh... pandemic, thing. She's basically a clone of him, but a woman, and they've got a kid."

"Let me guess. You're the godfather."

"Which still freaks me out, by the way. He's a great kid though. Smart and awesome, just like his dad, and it looks like he got The Super Sniffer too. Gus says it's too early to tell, but-" Shawn puts a finger by his temple. The movement feels weird. He hasn't really leaned into the whole "psychic" thing for a few years now, and when he does he usually use the finger-to-eyebrow device anymore. When was the last time he did? ... Dear god, it's been ten years. Ten years since he moved out of Santa Barbara.

"Time really flies," he finds himself saying."

"Tell me about it." Abigail shakes her head. "My husband and I adopted, about two years ago now, and she's just... shooting right up. When she started walking I couldn't believe it."

"Gus couldn't either. I think he showed me the video about a billion times."

"Crying?"

"Absolutely weeping, yes."

"Nice to know some people never really change."

"Mmmm, I wouldn't say that. He's done some pretty badass stuff since you last met him."

"You do know that seems... a little far-fetched."

"More far-fetched than the time we had to prove a polar bear was framed for murder?"

"... I'm not sure if I believe you about that."

"If we had time, I could condense each little weekly adventure into about a forty-three minute story each."

"That's not very condensed."

"... You're right, it's not." Shawn nods, and looks up as the bell on the door jingles- he hears Abigail laugh a little about it and mumble that yeah, people don't really change.

The man at the door spots Abigail and grins. Shawn hones in on a wedding ring, a tie with Abigail's favorite flowers as the design, and hair that just may rival Shawn's own.

"Hey, honey." The man sweeps right over to Abigail and leans down to kiss her in her chair. "Finally sorted out the issue with our plane, we should be on our way day after tomorrow."

"Oh, thank god," Abigail groans, holding her husband's hand as he pulls over another chair to sit next to her. "I'm so tired of hotel food."

"You and me both," her husband chuckles. He looks at Shawn. "Who's this?"

"Oh, um, this is Shawn Spencer."

"Ooooh, you're the guy who took her to a crime scene as a date one time."

"Guilty," Shawn says with a laugh.

"Nice to meet you, I've heard a lot about you. Good things!"

"And some not-so-good things, I'm guessing?"

"No, no. ... Not about you as a person, anyway. Plenty of bad things about your job."

"Yeah, I figured. ... Oh, there's our coffees." Shawn takes his paper tray with 4 coffees (Gus and Selene will need them) and stands up. "Well, this was totally unexpected, but I'm glad it happened. It was nice seeing you again, Abigail."

"Nice seeing you too, Shawn." She smiles at him. "I'm glad you're doing well."

"Me too. Doing well is pretty great. Oh, and, glad for you, I guess."

Abigail laughs again. "Bye, Shawn.

"Bye, Abigail."

He walks out of the bakery, the sound of Abigail chatting with her husband following him until the door closes. She sounds happy. Happy and relaxed in a way that even on their best days, she never was with him. And he's glad.

He's just genuinely happy for her. That's a really, really nice feeling. No jealousy, no feeling of missed chances, no wondering of 'what-ifs'. Just... actual, authentic happiness that she's doing well.

He tucks Jules's croissant into his pocket and pulls out his phone.

"... Hey, babe! Yeah, got the last Nutella for you, and a coffee. ... Yup, that perp was our case. Really? Described being caught by 'some kind of ninjas or something?' Well, babe, as much as I'd love to tell you I've secretly been a martial arts master our whole marriage, you can put in your report that he's absolutely lying because he's very embarrassed. Truth is Gus accidentally knocked over some marble statue onto him while he was chasing me through the art exhibit. ... Can I fill out the statement later tonight? I got coffee for Gus and Selene too. Awesome! I will hang around to tell you who I just ran into, though. Of course I'm neglecting paperwork in favor of personal matters, if I ever don't then your husband has been replaced by a pod person. Okay, love you, I'll be there as soon as I find a ride..."

[bluemoonscape]

GENTLY GRABS YOU (endearing)

HEADCANONS FOR FAUST AND SOME OF THE CAST PLEASEE (I'm curious what you think he's like with the forensic team, Alana, or Freddie Lounds- idk if i told you ideas i had for Jack / Chilton but i wanna hear from YOUUUU)

FAUST HEADCANONSSS some of which I’m leeching off of ideas you’ve mentioned:

-So I headcanon this for Will too and I think it makes a lot of sense for Faust: I read him as demisexual. I feel like he specifically becomes attracted to Will and Hannibal because of their emotional connections—it doesn’t read as being influenced by physical attraction.

-I’m agreeing with you so hard that the name given to him at birth was Fawn like THE HUNTER AND THE FAWN SYMBOLISM GOES HARD

-He sees Abigail and Chiyoh as sister figures of a sort. Losing Abigail was extremely difficult for him.

-He doesn’t feel insecure about his scars until Hannibal talks about the fact that his wrist scars were a consequence of love. At this point, Faust’s apathy towards his scars starts to deteriorate.

-Sometimes he psyches himself out when he’s alone and thinks he’s back in that place. It’s a big part of why he started going to therapy with Hannibal.

-His near-constant expression since he was little appears very serious and deep in thought. He spends a lot of time in his head and has for as long as he can remember.

-A funnier headcanon based on something I’ve experienced: He once cut his hair short when he was a kid, then immediately regretted it because “oh my god I look like a lesbian.” He’s never not had long hair since.

-He has a big encyclopedia on his shelf about the language of flowers.

-I don’t know much about Faust as a child but I can’t help feeling like it would make a lot of sense if he was very sheltered and isolated as a child? That could’ve spurred his irrepressible curiosity.

As for his relationships with the aforementioned characters, here’s my guesses on how their interactions would go:

-Faust likes Alana in some respects. He appreciates her strong personality and her understanding of the mind. Her inclination towards Will being based on “professional curiosity” however, rubs him the wrong way and makes him a little more cautious about what he says and does around her.

-Jimmy and Brian are a little overbearing, and Faust sometimes feels like he’s on the outside of the forensic team, but he sneaks a joke in every now and then while they work together and they seem to like him for it. Beverly is more his pace and puts more of an effort into keeping him in the loop than the other two (mostly because they’re oblivious). Shouts out to her for inadvertently bringing Faust and Will together in Chapter 1 of the fic, thanks Beverly very cool

-OK SO HEAR ME OUT: FAUST DOES ACTUALLY HAVE A FUNDAMENTAL UNDERSTANDING OF FREDDIE? She craves knowledge. She seeks to understand and make others understand. Her arrogance and curiosity is directly aligned with Faust’s own. They see themselves in one another and are suspicious of one another because of it because “oh no it’s the worst version of me”

-Feeling like Faust would be chronically pissed off at Jack. He knows Will can handle himself with Jack, but does that mean he should have to? No.

-As for my man Chilton, Faust isn’t scared of him, but he is scared of what he represents to him: Isolation and captivity. In Season 2, when Chilton starts being more of a Will-is-innocent believer, I can see them working together in some capacity, though.

LMK WHAT YOU WERE THINKING FOR JACK AND CHILTON, this was so fun to think about!!

[tua-five]

Season 3 Episode 10

"Oblivion"

There's a couple references to all seasons here

The last episode of season 3. Tomorrow is the day.

Ben flicking the tail 😭

This is so sad. I'm not ready. I'm so scared. Just thinking that Luther and Klaus died... I mean, I know everything is fine at the end of the episode, but right now... they're like, dead dead.

It's crazy how Klaus doesn't like pineapple on pizza. Him out of all the siblings, should.

"Nah, it's like the old man said. Once is happenstance, twice is coincidence, and three times ain't gonna happen 'cause I'm not a gibbering idiot." Fair enough.

"Hey, buddy 🤗"

"You 👿"

Speaking of the bouncy house. When Klaus lands, he says, "This is someone's idea of heaven?"

There's a couple of things with that. First of all, yes. Second of all, the fact that it is, means it's most likely a kid. And it's really sad to think that a kid died. There's a whole birthday party behind them... so that just makes me curious.

Also, him saying this means that that is how it works. When you die, you go to a place that you imagine to be heaven.

Reginald does have a point. Ben says that he made it happen. Being in Hotel Oblivion. But seriously. He did nothing to contribute to that fact.

Love how Five came out of the room, and it changed to number 5.

Reginald is genuinely surprised when Klaus comes. Just thought I'd point it out.

"You're going to ruin everything!"

"Oh, if I had a nickel for every time I heard that, I'd have a dollar."

Well, you know. Maybe this time, it's better to ruin everything.

They're all like, which idiot sibling rang the bell, when really it was the idiotic manipulative Sir Reginald Hargreeves.

Diego panicking and asking what floor is so real, though.

"Revenge looks good on her."

"Would you shut up and help us kill this thing?"

And then Ben just sits there. Watching.

And again, Five with the axe 😭

Love that for him.

Oh, yay. Ben finally contributing. I think part of it is because part of him is still umbrella Ben. And scared of his powers.

That or he's just a wimp.

And I love the Lila-Viktor duo. "This feels oddly familiar."

"At least this time we're not aiming at each other."

Very true. Now kill it.

Great. Now Five has lost his arm.

And Luther... 🥺😢

And the life being sucked out of them... (for some of them again if we go back to season 1).

The most impressive thing about reginald isn't that he is an alien. It's that his monocle stayed on when he fell over and died.

Ray being here, in this timeline, isn't right. He said it himself in season 2. He didn't want to come with to 2019. He had to stay for the movement. And now he's here. That's got to mess things up. The huterrfly effect. I don't care if it's a whole new timeline and it's reset. It isn't supposed to be like this.

"Obsidian Memorial Park. Graciously donated by Sir Reginald Hargreeves this 1st day of October 1989."

That date seems to always pop up. We all connect it to the Hargreeves's birthday. But it was never about them, was it? No. It's always been about Reginald. And Abigail. I'd say it's the day she died, but that isn't true. Reginald came to Dalas after she died way before 1989. So something else happened.

"Well, what are we supposed to do?"

"Live our lives." Yeah. And that's what you do. For six years, five months, and two days. Because you guys will never get peace.

What I don't like is Five looks so distraught. Confused. Yet there are no words when he looks at Viktor. Then turns and leaves.

And they all live their lives separately. Trying to figure out how to be normal again. For some, just trying to figure out how to be normal, how to live, for the first time. While Allison and Reginald get the life they wanted.

And Ben goes away on train. After being rude and grouchy, he smiles.

Here's a few gifs, but I'll actually create separate posts of just todays gifs.