#but like he didnt kill her just for killing her

[joinmeinjoy]

Very interesting to me that Abigail preferred Hannibal over Will, but Will had an emotional connection to her that Hannibal didn't - or at least not to the same extent.

I think maybe one day he could've found a stronger bond considering she had also killed and eaten people, but during the series she's really just a tool. Hannibal uses her to like... babytrap Will. And tbf it worked, Will didn't tell Jack what he knew when he discovered Abigail murdered that guy - if he was willing to cover for her, maybe eventually he'd cover for Hannibal too, the 3 of them too intrinsically tied for him to separate, I mean that's the trapping part. But she was just a means to an end, a relationship Hannibal nurtured for his own gain with Will....whereas Will really did view her as his daughter.

Very interesting to me...off-put by Will (especially towards the end of s1), but he had the most vested interest in her well-being out of the pair...

[angelpuns]

Lil Hater Au Prequel Blurb:

Leo stormed through the lair, trying his hardest not to look incredibly worried. He rushed past the living room, a sound of general confusion following him. He didn't bother looking back, he thinks by how deep the voice was it must have been Raph. 

He didn't have time to stop and he didn't have time to explain. He hurried to his room, huffing at the effort it took to slide his doors open. He needed to make a mental note to ask Donnie to oil it. Or he could himself. Whatever, he probably wouldn't remember regardless. 

Leo leaned his crutches against the wall and hurried to pull his gear on. Wraps, pants, belt, knee brace. 

He struggled with the second one, but ultimately decided to wear it. He planned to be fighting, whether it was his friend or someone else, and he'd need the support.

Leo fumbled with the cool metal of his battle shell, cursing under his breath at all the time he was wasting. He needed to hurry! He wasn't gonna make it if he didn't hurry! He quickly pressed the button to adjust the pressure and did a little stretch to test it. Perfect as always. 

One sword was slotted into the holster on His back, the other held tight as he hurriedly reached for his crutches. 

He spotted Raph poking his head in the door just as he opened a portal, shooting his older brother a (hopefully) reassuring smile before stepping inside. 

He winced at the high pitched ring of electricity that always accompanied it, his cochlear quickly readjusting as he was transported to the back room of Run of the Mill. 

It was quiet back here, the voices of patrons far enough away that even he couldn't hear it. And just as he thought, Yuichi was standing with his hand on the back door’s handle. 

He had quickly turner at Leo’s arrival, a knowing scowl already on his face. 

“ Leo, I told you not to bother,” He huffed, turning to face him fully, “ nothing you say is gonna stop me.” 

Leo gave him a once-over. Yuichi was in his old Nexus gear, though it didn't seem to fit him well anymore. In personality or in size. 

“ What you're doing is idiotic. What if you take another hit to the head? Or you have a seizure?” Leo started, slotting his sword into its holster, “ you think those guys in the arena are gonna wait and make sure you're okay?”

Yuichi didn't answer, grimacing. He didn't meet Leo's eyes, hunching in on himself further. 

Leo swallowed. The thought of it had him tossing and turning most nights, new nightmares adding to an already startling collection. He didnt want to say it in case it became a reality. 

But how was he gonna get it through this fluffbrain's thick skull if he didn't voice It?

“ They'all kill you, Yuichi…” 

The words felt like glue in his mouth, sticking badly to his teeth. Like Leo was sentencing his friend to death with just that statement. 

“They won't! I'm… I'm not weak, Leo!” Yuichi fired back, letting out a sigh and letting his hands dall to his sides, fists clenching. 

He stood up a little straighter, eyes meeting Leo's for the first time since he'd gotten here. 

“ I have to do this. She has my sword, and I have no intention of letting her get away with keeping it for another day longer,” 

He turned to leave, Leo stumbling forward to reach out and grab his arm. It stopped him for a moment, and Leo seized the opportunity to squeeze a little tighter. 

“ Yui, come on, you're not this stupid. You know she won't give it up without a fight, “ He started. He never understood why Yuichi was always so serious about getting the sword back. Leo understood more than anyone about how it felt to lose a precious weapon, but it had never been worth his life. It had never meant making such a dogshit deal with the devil herself. 

“ Leo, let me go…” 

Yuichi pulled weakly at his arm, but Leo pulled him back a little, letting out a weak laugh. 

He was getting desperate. 

“ its just a sword, Cottontail! We can get another-”

Yuichi ripped his arm from Leo's grasp, the slider stumbling forward to catch himself at the sudden balance shift. 

Yuichi's face was shattered, tears threatening to spill and cheeks flush with anger. He bared his teeth for a second, words choked out UB angry hiss. 

“ it's not just a sword, Leo!” 

He let out a shuddery breath and quickly wiped his eyes, hand on the door handle again. 

“ you don't understand! I have to do this, I have to be the one to do this!” He opened the door, the roar of a crowd and the bright lights of the battle nexus arena suddenly flooding the dark, quiet backroom.with light and sound. 

Leo flinched at the adjustment in his tympana and grimaced, “ at least me me help you! I'm- I can help you!” 

“ NO!” Yuichi didn't even turn to look at him, “ I have to do this alone!” 

He stepped through the door, leaving it open behind him as he started through the long corridor leading out to the arena.  

Leo could only watch, heart in his throat. Whether that was because of the thudding of the arena past the door or because he as fucking terrified, he didn't know. He trued one last time, leaning and shouting through the door. 

“ YOU’RE GONNA DIE OUT THERE!” 

and in the last second before the door shut itself, he saw Yuichu turn with such a fearful look and lock eyes with him. 

He was scared. And Leo couldn't help him in the slightest. 

[rainroses45]

Imagine being on your period with the winchester brothers.

i mean i’m currently late for mine (AND NO IM NOT PREGNANT) and lately i’ve been feeling like i could strangle any man that approaches me

like just picture dean starring at you like “wtf” as you just beat up the demon barehanded

the sick son of a bitch doesn’t even have time to react back..you are just going full WWE mode on them

not to mention sam would be so worried he would try to walk towards you but dean would just put his hand in front of him like “sammy let her cook”

you would just be throwing punches and screaming “TELL EVE WHEN I SEE HER I WILL FUCKEN RIP OUT HER UTERUS”

to which caused sam to slowly walk back from the scene infront of him, hands in the air in surrender

afterwards dean wouldn’t even complain about the blood dripping down from your face when you enter the impala (he would never say this out loud but you scared him)

sam would sit still the entire car ride trying to not provoke you into fighting, which to his luck, you almost ended up killing the drive thru worker for forgetting your fries

“Y/n! LET GO OF HIS APRON!” “NOT UNTIL THIS MF GIVES ME MY CURLY FRIES!!”

the guy ended up giving you two boxes filled with fries and sam just did the awkward hand motion he did when dean was about to shoot the pigeon (PLS UNDERSTAND THIS REFERENCE)

dean would be throwing fries at you the entire car ride back to the motel while announcing“the beast has been fed!”

bonus points if they need to stop to buy you more pads

dean would totally look at you and ask “what size of pussy do you have and what flavor you want?” as he checked out the pads

in the end he got you “some night time ones with lime flavor” to which you almost strangled him for forgetting your candy bar

“I SWEAR DEAN WINCHESTER IF YOU DIDNT GET ME MY CANDY BAR I WILL KILL YOU AND CUT YOU UP JUST TO DUNK THE LITTLE PIECES IN CEMENT AND HIDE THEM ACROSS THE WORLD SO THEY NEVER FIND YOUR FULL CORSPE!”

let’s just say after that dean never forgot your candy bar ever again

[empressgeekt]

I'm feeling like angst today so what if in the FOF egg au the egg DIDNT survive? Because if barb was feeling guilty before she going to feel miserable now HA HA HA

Branch would've gone grey again, and goes catatonic for a few days. In his mind it was entirely his fault. During the spiral he finds himself wondering if, he really should even have Keith or Poppy in his life since all he does is ruin everything. It takes a lot for Poppy and Keith to get through to him.

Barb feels awful. She just killed a baby before their first breath, made their father go grey and slowly lose his mind, and might have just broken up an entire family. She takes any punishment the other leaders give her, she deserves far far worse.

Branch still isn't okay by the time TBT rolls around. He's still recovering from the stillbirth, both physically and mentally, so he doesn't go to the wedding. Poppy takes John back to the Bunker thinking maybe he could help Branch. She doesn't tell him the full story of the baby loss, since she wasn't sure if Branch would want to share that. All she tells him is that Branch wasn't doing well.

The trip does not do Branch any good, (Keith stayed with Guy Diamond since he knew sneaking on the trip would not help Branch) Seeing Bruce's kids hurts. Viva's instance that all trolls are safe, pisses him off, since it was other trolls that got his baby killed. The fight makes Branch go catatonic again, and the others don't understand what's going as Poppy begs for him to react. She turns to them and spits venom at their faces.

"I thought, maybe you could help him, make him understand that he does deserve a family. That he didn't need to make himself suffer, because people love him regardless. Then you take all his fears polish them like fucking jewels and throw them in his face as a joke."

Branch doesn't come out of the catatonia for another week. Poppy has to call in the funk tribe for back up. To help with the mission and to get Branch admitted because he wouldn't come out of his trance.

It takes years for Branch to work through his grief. When he finds himself pregnant with his and Poppy's son Ash, he's paranoid throughout. He doesn't leave the bunker, unless for doctors appointments which he attends religiously. Due to the stress, Ash was born early but he survived and Branch suffers from PPD, despite receiving the gift he had been begging years for.

[wowifinallymadeanaccount]

Will: *Talking about his Grief and longing to see Abigail again*

Hannibal: Well, you saw part of her

Me: HANNIBAL- HANNIBAL GO TO THE NAUGHTY CORNER RIGHT NOW.

[zarnzarn]

The doors to Olympus are sturdy and strong, given everyone's preferences for drama and slamming said doors open and sending them cracking into the wall whenever the opportunity arises. Which is why it's a surprise when they creak open during the once-a-decade pantheon meeting; less so because no entity worth their salt would take so long to open the doors, and more so because everyone who is anyone is already there.

But if everyone is being honest with themselves- which no one is, usually- these gatherings are boring enough that the bland conversation is dropped immediately in favour of craning their necks to catch a glimpse of whatever is coming to relieve them of their boredom.

When the doors finally open however, several of the pantheon murmur in surprise.

"Odysseus," Athena whispers, wide-eyed as she pushes herself off her throne to her feet. It is him- in the king's garb he was buried in but the face he has when he reached home, hair till the shoulders and speckled with grey, face oddly blank. His feet are transparent.

"What are you doing here, sceptre?" Poseidon booms, hair the color of a stormy sea. Zeus, beside him, looks reserved, observing the ghost with something approaching curiosity- eyes flicking to the lightning scars on his daughter's face and back. "Your time has long passed, and Hades-"

"It is a temporary agreement," Odysseus says curtly, barely sparing him a glance as he approaches his patron. "Athena."

Her armour clinks as she steps forward and the gods all twitch, trading glances. Owls are silent creatures- to have her aspect so affected to make noise was... uneasy to say the least. She even holds herself different than usual, something like confused delight shining in her eyes. "How did you-"

"Did you sleep with my wife?"

The throne room is silent. Several jaws drop.

Athena straightens back up, blinking in surprise. She looks a bit shifty, some of the nymphs closest whisper to each other, which- well, almost every single god present owed some part of their existence to the mere story of Odysseus loving his wife.

Would he fight his own patron goddess over it in front of Mount Olympus, though? He certainly was unbalanced enough; Athena herself looked rather uncertain of her odds, even though-

"Are you addled in death, King of Ithaka?" Artemis drawls, looking amused. "Did you forget that your own patron is celibate? Whatever rumor you-"

"No, I-" Athena says suddenly, shifting her spear to her other hand. "I did."

Artemis chokes on her breath and several assorted divine beings gasp in shock and the rest shouting for explanations, although everyone is nearly drowned out by Aphrodite's loud, "WHAT?"

Odysseus inhales sharply and pinches the bridge of his nose. "I cannot believe you."

"She asked-" Athena starts, only to be drowned out by the din of various beings screeching and shouting about the scandal.

"ATHENA!" Hera hisses, peacock tail fanning behind her sharply as she pushes herself up. "Explain yourself!"

Athena half-turns to face her, face creased in a frown. "Mother, I-"

"LET ME REPHRASE!" Odysseus cuts in loudly, and the shouting settles down into silence. He walks to his patron, eyes blazing. "I cannot believe," he throws his clenched fists wide as he growls the last word, "-you took Penelope to bed-" Athena surprisingly stays still as he reaches her, mouth falling open as he grabs her by the chiton to yank her down, uncaring of the gasps of horror from all around as he snarls, "-before you ever kissed me."

And then Odysseus grabs Athena by the face roughly and kisses her.

This time Aphrodite's shriek cannot be escaped by anyone.

"Aphrodite, please," Zeus says a few moments later, wincing as his throne reforms around him, stained oddly pink. Quite a few minor entities have discorporated, and the ones nearest to her are still trying to regenerate their hearing. "Control yourself."

Their eyes land back on where Athena has dropped her spear- dropped her spear, Ares in the corner seems to be having some minor hysteria over this, well warranted- and is also on the floor, still being thoroughly kissed by that insufferable, mannerless hero of hers, perched on her stomach to reach. Zeus inhales in fury, Poseidon close behind him as the shock wears off, lightning crackling around his fingers as he opens his mouth to shout- of all the indignities-

"If you two ruin this for me," Aphrodite thunders, warping in front of them and glaring. "I will make you both regret it."

Both gods visibly blanch at the threat, taken aback for one brief moment. Threats from Aphrodite are far worse than any of her more violent siblings, at the end of the day.

Zeus visibly gathers himself just as Athena's helmet clatters to the floor, and he gains a second wind immediately, eye twitching as he spreads a hand to the spectacle in the middle of the hall. "WHAT MANNER OF DISRESPECT IS THIS? TO BARGE INTO OUR MEETING AND THROW ONE OF THE OLDEST GODDESSES TO THE FLOOR LIKE A COMMON WENCH-"

"Zeus," Hera says quietly. Everyone falls silent, although it's not quite enough to stop the two tangled together on the ground. She clears her throat, which finally seems to get through to Athena, who had finally seemed to have gotten over her shock enough to reach out, hands hovering over Odysseus hesitantly. Still, at the noise she seems to remember herself, pushing herself up on an elbow and dislodging him enough to break their necking. He pouts at her, but Athena's eyes are too glazed over to notice, heaving for breath.

Hera opens her mouth to speak, crown manifesting on her brow as she steps in front of the throne, but closes it as the door rattles again.

This time, the spectre shimmers with a faint hint of scales that comes with a freshwater nymph's heritage and excited whispers starved for drama explode across the room as the Queen of Ithaka steps into the room, skirts hitched in her hand and panting as if she'd been running.

"Your Graces," She bows respectfully before entering, Spartan princess through and through, until she catches sight of her husband and Athena, the former of whom seems to have taken the opportunity to start kissing the wisdom goddess again, fingers in her curls.

"What are you doing?" She snaps, rushing over. The entire courtroom holds its breath. She slaps her husband upside the head, making him yelp and move back to shoot her a betrayed look. Athena looks even further dazed than before, cheeks red. "Argos has more manners than you! No wonder Lady Athena wanted nothing to do with you- ah, hello, darling, by the way."

"Penelope," Athena murmurs hoarsely, and the Queen of Ithaka leans down to kiss her as well.

Odysseus chuckles, then jumps with everyone else as Hera slams a hand down on the throne elegantly, cracking it to the base.

"Ah, goddess-" He says, clambering off Athena to bow.

"Silence," Hera interrupts, holding up a hand, eyes cold. "You will not say anything to me apart from an explanation. My agreement for your release from Ogygia was due to the assurance that your marriage was one of the truest I have ever witnessed, conveyed by Athena herself when bartered with all of us to let you go. Tell me, was it a ploy? Because from the disgraceful looks of it, this seems to not be the case in the slightest."

Odysseus frowns, face twisting in confusion. "Athena bartered with...?" He turns to look at his patron, who stares back, unspeaking. His eyes flicker to the lightning scar over her right eye as Penelope traces it with horrified eyes and a gentle thumb, and understanding seems to dawn.

For a moment, rage seems to fill him, glaring with a hatred towards Zeus that everyone whispered later wasn't met by the god king with anger, but a flicker of remorse- before he visibly throws it away behind Athena's old smile and bows.

"God-queen," He says formally, gracefully. Hera twitches a bit, and they'll all talk later about how odd it was to so clearly see Athena's younger mannerisms in the man, down to the curl of the letters. "My marriage to Penelope has never been false, never been broken, this I promise you." He takes Penelope's hand and squeezes it for emphasis, and she raises them as acknowledgement. "But... can you not argue that Athena has been part of our marriage all this time? From its start, where she advised me on courting and her on what to look for, to the twenty years she spent with both of us- me on the battlefield and Penelope in the court; to say nothing of how she helped raise our son and lived in our palace in the days after. And is she not so unbearably beautiful that even my Penelope couldn't wait-" He shoots a glare at her, which Penelope returns with a smile. "-when the chance was presented? How can you fault us for disgrace, after being so long apart from our wife?"

Hera raises both eyebrows at the impudence, the kind of disbelieving expression that hides a warning to tread carefully. "So you claim to be both married to Pallas Athena?"

"In every way that matters except legality," Odysseus says, fearlessly. He is dead, after all, what much can you do to a shade that they didn't already put him through when alive. He is sort of worried about Athena, though, as they both help her back to her feet, Penelope busy whispering compliments and updates and endearments in turn- she's not usually one to be quiet in face of a problem.

Hera tilts her head. "Ah, but you see. I need the legality, if I am to finally-" A helpless, excited smile pulls at her lips once, twice, before unfolding into a bright grin, peacock tails unfolding to their full wingspan. "-finally arrange for a marriage for my eldest daughter who has not once- oh finally, I can hardly believe this day has come-"

"I do not like the way you grabbed her, Sacker of Troy," Ares steps forward as Hera starts ranting half to herself, half to an equally loud assemblage of joyful entities about wedding arrangements, eyes narrowed.

Odysseus barks an incredulous, loud laugh, gesturing to Athena with a slightly crazed look in his eyes. "This lady has broken- and I do not exaggerate- every single bone in my body before I saw my sixteenth year. I have punched her a hundred times in the face when she taught me how to fight. We'll survive, thanks."

"That is fair," Ares steps back, hands raised.

"What duties will you provide as spouses, Ithakan Queen?" Hestia questions, stepping forward.

"Oh, the same we did when we were living," Penelope huffs a laugh. "Keep her busy, make her laugh, be of mild frustration to her, love her well, worship her-"

"I do not. Need to know," Hestia closes her eyes and raises a hand to cut her off, stepping back. Around them, the din catches speed and volume as no further objections arise, excitement spilling into the air.

"What is happening?" Athena says faintly, looking around as if she was just waking up.

"-oh, and we can get out the decor once more! Hebe, Aphrodite, loves, do you remember where we kept the fountains-"

"-finally, a reason to celebrate! Call them all out of hiding-"

"-can't believe this is finally happening, oh sister, what songs should we-

"Why am I getting married," Athena says with much more alarm and horror. She turns to Odysseus and shakes him by the shoulder, eyes wild. "What did you do?"

"Nothing!"

"How is this nothing? Do you have any idea the headache-"

"Athena, sweetheart, will you consider changing into that beautiful piece you made for the ceremony?"

"Oh, I'll make a deal with Hades or something, you hush!" Aphrodite leans forward and snaps, before her irritation melts back into a manic joy. "Oh, what paint shall we do?"

Creakily, she turns her head to Hera, disbelief pasted across her face. "Mother," She says slowly. "They are both dead."

Paint, Athena mouths, looking afraid for possibly the first time since her conception.

Penelope laughs and tugs on Athena's hand to make her turn, tucking dishevelled curls behind her ear. She wonders if the goddess knows how beautiful she is when she's flustered. "Take us away," She whispers. On Athena's other side, Odysseus leans against their patron with a besotted, helpless smile as he stares up at her, her helmet and spear in hand. She'd missed Athena like a limb, missed her deep laugh at night when they'd discussed the day's court, the dry jokes, the hands over hers as she weaved- but Odysseus wasn't himself without her, happy though they were in Hades' lands together, all of them.

"I'm-" Athena wavers, then looks around once more at all the excited screaming, something unreadable flashing in her eyes. Almost against her will, her eyes fall to Zeus, who is sitting silently and staring back at her. Poseidon looks like he still wants to start a fight, but clearly by his wary looks below can tell he will be heavily outnumbered by the overexcited crowd to not try, but Zeus just stares back at her, face blank of any emotion.

"We ask you formally this time," King Odysseus says, walking in front of her to take her attention away, holding onto her hand. His voice has strength in it, drawing the eyes of the murmuring crowd, but he's deaf to it as he stares up at her.

"Will you be our wife?" Queen Penelope asks, joining him, watching their beautiful patron shudder for breath she does not need as her eyes flick to one of them and then the other.

"Yes," She whispers and cheers erupt all across Mount Olympus.

"Finally!" Odysseus complains, and then pulls her down once more to kiss her, all three of them fading at the edges as one of the generous gods present there- who seems to realize that they're not very inclined to stop anytime soon- thankfully teleports them away into a nice room with a large bed.

"Finally," He whispers as he breaks apart to lay her down, cupping her face, voice heavy with the longing of a full lifetime and more. Penelope circles to the head of the bed and starts undoing Athena's braid, staring at them both lovingly.

Later the ones closest will murmur, as the silhouettes faded away, that tears had slipped from proud Pallas Athena's eyes as she placed one hand against Odysseus' cheek, trembling.

"I missed you," She will whisper back, and all three of them fade away to their own story, yet to be made.

[justaz]

like i’ve said time and time again, i haven’t watched bbc merlin in years but i was just wondering when the first time merlin called arthur by his name to his face and im scrolling thru the transcripts on the fandom wiki (supposedly it was s1ep4 btw) and im skimming the script for all these episodes and getting angrier and angrier. gaius was wrong for all that. morgana deserved so much better. edwin muirden was valid as hell (for targeting uther AND gaius. yeah. i said it.). also kilgharrah ate with that one lil line “then turn a blind eye. that is, after all, your talent” okay lizard brain pop offff.

[bread-wizards]

I think a lot of the meta about Orym forgets that Orym isn't just an adventurer, he is a former bodyguard. His self worth is tied up in how well he can protect people and especially his loved ones. Thats why he sold his future to a hag, because its all he had left to give in order to be able to help.

Thats also why he seems so angry after FCG's death.

Otohan has killed his husband and father. Then him. Then he is brought back and told she also killed Fearne and Laudna. She killed Eshteross. She almost kills Keyleth. Now FCG has to sacrifice himself to save them all and kill Otohan and Orym was knocked out for it.

His job is to protect people and even with the added power from Nana Morri, it's still not enough. 6 years later and his loved ones are still dying and he can do nothing but watch.

[princessdarth-vader]

I think my ultimate thoughts re; Kipperlilly is that I wish we got a scene where a character was allowed to show her... sympathy. I know there's a tone you wanna hit with a victorious season finale, and a somber note of a teenager falling into a deep well of rage doesnt match that tone but it would've been nice to see.

In my dream world, we get an extra epilogue scene where Riz goes to see Jawbone to go and talk to him, and brings up the thing he mentioned about "seeing Kipperlilly in himself" -- relating that to what Jawbone said at the beginning of the year, and wanting to talk about that deeply set in need for control, and the latent anger he has, and all the ways he is like Kipperlilly, and doesn't want to be.

And in response, Jawbone is able to address the ways in which he failed Kipperlilly, and let her down. That she needed more help than he could provide, that she needed someone who wasn't too afraid of their own biases to shut down her anger, someone who could maybe have given her a support system to turn to instead of Porter. Someone external to the school and the social dynamics within it. Just an acknowledgement from, as far as we know, the only adult in Kipperlilly's life who earnestly tried -- and earnestly failed -- to help her find a better path than her rage.

Just a small moment of acknowledgement that Kipperlilly was a child, an angry, scared, biased and deeply insecure child who was looking for help when she first walked into Jawbone's office, and because of all the adults who failed her, she was turned into something unrecognisable by the time she was 17.

[tradingjack]

yuppeeee just having fun!!!! ig!!!!! consistency Who (i dont know her :)) (thank you for tagging me @creepycoffins i used this opportunity to simply vibe i hope that's ok 😭)

[iknowwhereyousnoozeatnight]

this one's for all the yuri enjoyers out there — nsft under cut

meronia event prompt(s): scar

[moeblob]

I changed my mind, you guys can take the doodle page of OCs on main.

A villain, his wife, and their daughter. There is so much info I could ramble about them but I think the biggest thing to know is I got so angry at someone acting like a wife holding a husband responsible for things he said is a reason to not get married. And I decided in my spiteful rage at the spousal hate for no reason... what if there was a husband who loved his wife and the fact she held him responsible? They're just super in love and she's willing to be the memory bank and he appreciates her so much.

So here's a family that loves each other a whole lot because I got mad at a tacky "i hate my spouse" meme.

[spacedlexi]

people who think clem surviving makes no sense are so funny. "they were literally foreshadowing her death the entire season" let me introduce you to the concept of a red herring. she tells lilly she isnt lee and shes right. the narrative was forcing her down that path, a path she saw as an inevitable fate waiting to take her too, but its a narrative broken by aj, who is also his own person and not S1 clem

"it happened to lee, and itll happen to you" lilly tells clem she'll die protecting aj from some mistake he makes, when in reality his defiance of her will is what saves her life after she had already accepted her fate. he breaks clem free from the lee cycle and they get their relatively happy ending. good for them

[poisonousquinzel]

idk yall, something about members of the Batfam calling her Dr. Quinzel while she's in recovery just gets me

-

Batman: Gotham Adventures #10

Writer: Ty Templeton Pencils: Rick Burchett Inks: Terry Beatty Letters: Tim Harkins Colors: Lee Loughridge Editor: Darren Vincenzo

[makotonaegiunderstander]

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)