Fiona and Cake spoilers seriously
(Something I noticed abt Betty and Simons relationship)
I love Betty and Simon’s relationship, I think their back story is so cute and romantic and all that lovely stuff don’t get me wrong.
But there’s this under tone of Betty constantly giving things up for Simon and we don’t really talk about it a lot???
Like, Betty let Simon have his moment with the artifact and the pubic, she also doesn’t go to her trip in favor of going on an expedition with Simon. Then when she goes to leave again she stays for Simon.
Even Fiona is like “you went with her on the bus?” And Simon just looks all confused like “what? No, why would I do that?” Like- hello???
Then after that she gave up her entire life and mind to get Simon back to the point where she literally says “I don’t know who I am without him anymore.” And that just sucks! Since the beginning Betty has been the one giving up the most, her mind, her own possible career, and it’s a story of love of course and it’s very sweet but it’s also a story of sacrifice.
Their love wasn’t a perfect solution, it was already sort of imbalanced when it started and I lowkey love how we see those cracks even before they’re together.
Again, I love their relationship and I think it’s sweet. I just think we should talk about Betty’s side more, especially when she tells a story of what most women do in relationships, sacrifice.
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for the writer ask
💭🚦💛 💌
💭 What inspires you and your writing?
this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.
writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.
i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.
and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow
🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?
look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)
come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.
💛 What is the most impactful lesson you’ve learned about writing?
honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.
to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.
i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.
💌 Is there a favorite trope you like to write?
actually Just answered this in another ask!
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I hope one day we learn what happened with the Halo show. It got a lot of unfair criticism from people who didn’t watch it or wanted it to be a retread of the games (which would’ve been terrible).
The show clearly had people on board who had deep knowledge and respect for Halo and its themes, much more than many of the detractors who decried that the show “wasn’t Halo” because it had civilians and mister chief took off his helmet. One of the main characters of the show, Soren, was only ever mentioned in a single short story in an anthology book that’s not even popular among people who like the books. And I love that dude! I lost it when he showed up!
It focuses on Madrigal and the Rubble and the insurrectionist conflict there, something only brought up in a single book primarily about unimportant side characters, and yeah, it changed some details around (like making it a mostly Korean colony instead of Mexican, which I didn’t love) but like, if years ago you asked me what my ideal Halo show would be, I’d talk about the insurrectionist conflict, and the best I would realistically hope for is a “both sides bad” story, but we didn’t get that! We’re meant to root for the anarchist terrorist group!
But I say all this upfront because the show had so many baffling design choices, leaning in hard on chosen one prophecy junk with Forerunners, putting in Master Chief at all, having Master Chief have a straight sex scene. There’s a lot that wasn’t great, and I have to wonder, why?
People like to say it was just made by people who don’t care about halo but that clearly isn’t true. Was it just a case of having lots of writers on the team who all wanted different things, and thus the show came out as a patchwork of different aspects of halo poorly stitched together? Was it executives fighting with the writers and shoehorning in more easily marketable material like Master Chief and the sex scene and whatnot?
Was it a mix of a lot of factors? Probably! Will we ever really know? Probably not! But I can’t help but wonder at why this happened, and what else could’ve been
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Did you like it?
I did! I posted a very insubstantial review on my (wildly popular) twitter lol. Basically I though Harry was very good, particularly at shouting and at wide-eyed beseeching looks. I thought Olivia was great as Bunny—her scene towards the end with Alice was the most moving one of the film IMO, along with the car scene (and the interaction that led to it) with Jack & Alice. I didn’t yawn even once which is very impressive considering I’m an old lady and it was past my bedtime and I’ve had a particularly exhausting week. There are a couple things I’m still mulling over—I actually wish it were based on a book, because it’s exactly the sort of film that had an interesting enough storyline to make me think okay I need more details, I’m going to read the book. I prefer neatly wrapped endings (a “3 years later” is ideal) but i knew going in that wasn’t going to be the case so I dealt with it. It was beautiful to look at, interesting, and I’m going to put some spoiler-y stuff in my tags ☺️
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