What's an average day in Khare's life?
Just when most people's days are coming to an end, Khare's has only just begun. Starting fresh at 8pm, she has a quick shower before towelling off and getting ready for her shift at the diner. From Monday to Saturday, she works between the hours of 12am to 8am, quite literally the graveyard shift according to people in Gotham.
Upon arriving at the diner, whoever's on shift passes on any and all updates before clocking off themselves. After the Scarecrow's recent attack on the Grand Avenue, Pauli is unable to work nights until having made a full recovery from Jonathan's fear gas so it's up to night staff to get prepped for the upcoming day and this is where Khare comes in, preparing meals for the early morning rush.
There's more to her shift than just prepping meals - there's last night's dishes to be washed and put away, the floor to be swept, the counters to get wiped down and that's not counting the kitchen itself with multiple machines and cook tops to scrub. Pauli prides himself on owning the best diner this side of Miagani Island and Khare works hard to maintain standards of cleanliness, to ensure that the food is as fresh as can be and up to expectations.
The first few hours usually involve cleaning, taking overnight deliveries of milk and other supplies requiring chilling on top of serving customers looking for a bite to eat at this ungodly hour. Pauli's Diner is a 24/7 joint whose doors are always open after all, so she often has to stop what she's doing in order to whip up a quick meal before getting back to what she was previously doing. At this time of night, she'll cook just about anything providing the ingredients are avaliable so it's a good time to eat if people want to avoid the crowds.
4am is usually when the rush begins. Right before dawn, the GCPD are winding down from a long night of tackling crime and tend to be (very) hungry. Pauli's Diner is one of their favourite places to hit up, looking for hearty meals in place of dinner and that's when the bacon and eggs start cooking. Pancakes, waffles, fried breakfasts - you name it, Pauli's got it and Khare will be busy cooking at this time on top of serving pots of strong coffee and tea.
After this, things quieten down for a bit, long enough to get things cleaned up and the next round of meals prepared. Muffins, biscuits, cakes and bread rolls will be baking in the ovens at this time so that people in a hurry can take a quick meal with them on their way to work, making for a pretty versatile menu suitable for most early risers who don't have the time to dine in.
By the time 8am rolls around, Khare's cleaned two or three times and prepared the majority of morning meals in time for Pauli himself to arrive and take over for the day. He's gotten better since the attack but can't come in until daylight due to lingering effects of fear gas, meaning Khare might not get to leave until later during the winter months until he's ready to handle things for the day.
After clocking out, the rest of the day is hers to do as she pleases until her shift repeats at midnight. Thanks to being experimented on, Khare has little need of sleep, only lumbering two or three hours at a time (which is fine by her - the nightmares are awful) so there's plenty of time to do whatever. Blending into the crowds, reading at the library, feeding the birds at the park, visiting the local malls and so much more, Khare will happily spend as much time as she can outside of her nasty little apartment, only spending long enough there to have a shower and a short nap before work and on days off, spends time with a coworker like Cindy, watching a movie at her place or at the cinema.
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No, but the thing is, when I was reading Harrow the Ninth, I thought it was gonna be an Orpheus situation. I thought Harrow had fucked herself up as a means to an end, that she had a plan to bring Gideon back, that the lobotomizing and everything else was her way of getting into hell to get Gideon out.
It really made me feel some type of way when it finally dawned me that she never thought that far. I mean, you'd think it makes sense that, if GOD tells you something can't be done, you accept it can't be done, BUT IT'S HARROW WE ARE TALKING ABOUT. It is INSANE to me that she just accepted she couldn't undo Gideon's death.
The trauma of living in a death cult really got to this girl. She was so awash in it she couldn't even conceive of living a life with Gideon; a more acceptable death is as far as she could go. Absolutely insane. Harrow is not Orpheus because Harrow never tried climbing back up, she couldn't look back because she never got that far, she went into hell to sit there with Gideon forever, and it just didn't occur to climb back up the stairs.
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today, my coworkers’ refusal to see me as a man put one of our patients in a position where they felt unsafe for the third time. i’ve been at this job for less than two months total. i don’t even care about getting misgendered anymore, i just want the people we’re supposed to be taking care of to feel comfortable around me.
i work at a hospital where we have to supervise our patients in a lot of vulnerable situations. there are safeguarding rules in place for certain things that male employees aren’t allowed to be present for when it comes to female patients. and yet, the people training me and telling me what to do have repeatedly put me in situations where i’ve been forced to do things that the female patients aren’t comfortable with me doing. and because they have repeatedly failed to teach me the rules for doing my job as a man, i have no way of knowing when i’m crossing one of those lines unless one of the patients tells me.
i’ve had to watch a victim of SA stare at me in abject terror as my coworkers asked her to strip naked with me still in the room. it took several minutes for her to even be able to speak enough to ask if i could leave the room. i found out after that she broke down crying the moment i walked out. my biggest regret is that i didn’t realize what was happening fast enough to leave before she ever had to say something, because she shouldn’t have had to say it. i never should’ve been allowed in the room in the first place, because that’s not something male employees are supposed to be present for. but i didn’t know that yet, because i was training and i thought surely, they wouldn’t train me to do something that directly violated their own safeguarding rules. that moment was the first time, and it’s haunted me ever since, but it wasn’t the last time. not only did it happen for the third time today — it almost happened for the fourth, and would have if someone hadn’t spoken up to say they should pick someone else. i care for these people so deeply, it’s why i took this job, and i’m so tired of hearing the fear in their voices when they have to ask me not to do something i never should’ve been told to do.
i’m very used to the personal discomfort of being misgendered. i willingly deal with it a lot at work as well as in other situations, not because i’m in the closet (at this point in my medical transition that would be impossible), but because it’s such a frequent occurrence with my coworkers that we would never get anything done if i took the time to correct them every time. but to see it get to the point of causing such visceral discomfort in other people? people i’m supposed to be taking care of and keeping safe? that’s something else entirely, and i’m fucking exhausted.
and after all of that, some of them still look at me like i have two heads when they tell me what to do and i say “i can’t do that, only female employees can” because i’m learning now. clearly i’m already seen as a man by our patients, but my coworkers would still rather put them in an unsafe situation than just train me as a man.
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lonely
[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”
The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”
The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"
The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."
The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"
The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"
The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"
The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."
The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]
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