#Song of Solomon 4:7

[bloom-with-grace-and-faith]

This has become my new favorite verse  

[unpleasantlyuncomfortable]

i literally need to talk to someone about my trigun brainrot i mean all of it i mean ALL OF IT not even just my silly little vashwood aus and not just my mashwood stuff but ALL OF IT IM GOING CRAZY

[tom4jc]

Song Of Solomon 4:7 Seen As Spotless

You are all fair, my love, and there is no spot in you. Song of Solomon 4:7 Having things be spotlessly clean is the desire of many people. Some will clean their car almost every day in order to keep it clean and spotless from any dirt or filth. Clothes are washed regularly to keep them from being dirty. During times of election, candidates are looked to determine how clean their life is in what…

[emmetton]

Song of Solomon 4:7

[ifearzombies]

Rules MC Has To Follow in HoL

Lucifer’s Rules for MC in the House of Lamentation.

1. MC is not allowed to play sexy songs that are audible to the rest of the house.

2. Following rule 1, they’re also not allowed to sing and dance along to sexy songs. Rules one and two were originally lower, but after the ‘CupcakKe: CPR’ incident where several walls were destroyed and MC could not walk for two days they were moved to be the top most rules.

3. MC is not allowed to do the other brothers’ chores. Cooking is a slight exception as if they want to cook on a night not theirs, that’s their choice. But Lucifer will not have MC doing the other brothers’ laundry or clean their rooms. It takes too much time and the brothers will use it as an excuse to occupy MC exclusively.

4. MC is not allowed to help Mammon with his schemes anymore. Not after the calendar incident. Lucifer is still unhappy about all the pin ups that MC posed for. Diavolo keeps asking when the next calendar will be done.

5. MC is not allowed to go to the Celestial Realm without a demon or Simeon or Solomon. Lucifer doesn’t trust Michael. At all.

6. MC is not allowed to wear ‘Daisy Dukes’ or anything that short around the house. Levi’s nosebleed took days to clean up from. Barbatos wondered who Satan had killed.

7. MC is not allowed any pets. They have Mammon. Lucifer’s deemed that sufficient.

8. MC is not allowed to break down any more doors. Nor are they allowed to order one of the brothers to break down any doors. No one has busted into their room since the lock was installed. There’s no need to break doors in retaliation anymore.

9. MC is not allowed to carry a second backpack of snacks. Beel has his own backpack just for snacks. Not to mention, it’s bad for their back.

10. MC is not allowed to take anyone other than Asmo into Asmo’s bath. It’s very sweet they wish to have special baths with everyone else, but Asmo nearly ripped Levi’s tail off after finding a lot of scales in there that clogged up the drain. Same with all the fur from Belphagor’s tail.

[psychicreadsgirl]

Pick a Novel: Keywords/prominent themes in your life

Pick the novel that draws your attention the most. If you can't decide between two, then look at the 2 readings. This is a general reading, so not everything will apply. Please take what resonates and leave what doesn't behind!

#1

Keywords: love, lust, passion, fun, temperament, cafe, sweet, bicycle, pen, books, music, loyalty, winter, sofa, furniture, thoughts, light, intuition, soulmate, art, obsidian, cake, carbonated water, skincare, socks, cooking

Celebrities/Public Figures: Audrey Hepburn, Min Yoongi, IU, Claude Monet, Angela Merkel, Andrew Carnegie, John Johnson, Mark Zuckerberg, Larry Page, Howard Schultz, Sam Walton, Amancio Ortega, Queen Elizabeth I, Jane Austen, Jennie Kim

Countries: Italy, Canada, South Africa, Thailand, Saudi Arabia, Singapore, Greece, Madagascar, Qatar, Sweden, Zambia, Taiwan, Solomon Islands

Numbers: 11, 1, 5, 9, 80, 888, 6

Brands: Hermes, Tiffany, Apple, Instagram, Taobao, Lamborghini, Deloitte, Microsoft, Chopard, Givenchy, Patek Phillipe, Chloe, Alaia, Kraft,

Kpop songs: Young Forever by BTS, Shine by PENTAGON, Me Gustas Tu by GFRIEND, Run to You by DJ DOC, Love Lee by AKMU, Deja vu by TXT, Back Down by P1Harmony, Love shot by EXO

#2

Keywords: economy, job loss, new opportunities, play, drama, anger, frustration, lost, compass, computers, battery, feet, head, brain, summer, pearl, avocado, junk food, fried chicken, challenge, frugal

Celebrities/Public Figures: Grace Kelly, Billie Eilish, Keanu Reeves, Rosé, Jung Hoseok, Salma Hayek, Pablo Picasso, Princess Diana, Thomas Edison, Sergey Brin, Mary I, William Shakespeare, Lee Nayeon

Countries: New Zealand, USA, Maldives, Indonesia, United Kingdom, Venezuela, Lithuania, Nepal, Portugal, Poland, Lebanon, Mali, Netherlands

Numbers: 4, 99, 101, 33, 13, 14, 0

Brands: Masion Margiela, Amazon, facebook, Shein, PWC, Missoni, Moschino Couture, Toyota, citi bank, Chaumet, Polene, Pizza Hut,

Kpop songs: Love Dive by IVE, Shangri-la by VIXX, Sweety by Clazziquai, I NEED U by BTS, The Chaser by Infinite, Magnetic by ILLIT, My House by 2PM, ICY by ITZY

#3

Keywords: tales, gossip, lies, funny, movies, theatre, cell phone, cool, kpop, magenta, ancient, history, claws, cats, tiger, fall, jealousy, games, aquamarine, lemons, makeup, pencil, groceries

Celebrities/Public Figures: Beyonce, Lady Gaga, Morgan Freeman, Kim Seokjin, Jang Wonyoung, Matt Damon, Napoleon Bonaparte, Shinzo Abe, Steve Jobs, Voltaire, Kim Jisoo,

Countries: Ethiopia, France, Russia, Ireland, Argentina, Afghanistan, Libya, Rwanda, Nigeria, Pakistan, Morocco, Malta, Kazakhstan, Kenya, Iraq,

Numbers: 2, 7, 69, 25, 55, 79, 1182

Brands: Saint Laurent, miumiu, Starbucks, Mercedez-Benz, Nestle, Oracle, Tod's, Bulgari, Rolex, KFC, SUBWAY, Carrefour, Kellog's

Kpop songs: Supernova by aespa, Maestro by seventeen, Not by the moon by GOT7, Alone by Sistar, Hip by MAMAMOO, Good Day by IU, Bite Me by ENHYPEN, Work by ATEEZ, The Feels by TWICE

#4

Keywords: foreign, spicy, peppery, rice, no, objection, resistance, control, storms, thunderstorms, shower, tension, crush, pop, paper, mango, legs, fragrance, emerald, clothing rack, tomatoes, defeat,

Celebrities/Public Figures: Judy Garland, Margot Robbie, G-Dragon, Jeon Jungkook, Pharrell Williams, Emmanuel Macron, Bill Clinton, King Charles, Warren Buffet, Cleopatra, Kim Mingyu

Countries: South Korea, Philippines, Scotland, Spain, Albania, Guatemala, Malaysia, Iran, Romania, Honduras, Georgia, Croatia, Belgium, Czech Republic, Gambia, Guinea

Numbers: 31, 75, 412, 43, 486, 640

Brands: Chanel, Prada, Bentley, Gucci, Samsung, Disney, BMW, Hyundai, cisco, Van Cleefs & Arpels, Dior, Loro Piana, Shake Shack

Kpop songs: Gee by SNSD, If you by BIGBANG, Antifragile by LE SSERAFIM, Up and Down by EXID, OMG by NewJeans, Lion by (G)I-DLE, Hello by TREASURE,

#5

Keywords: death, mystery, mirror, reflection, shadow, black, grey, white, funeral, video, sprint, pool, gym, streets, metro, subway, chocolate, broken, knees, moon, ruby, surgery, teeth, race

Celebrities/Public Figures: Marilyn Monroe, Barack Obama, Kate Winslet, Kim Taehyung, Aamir Khan, Marie Antoinette, Elon Musk, Robert F Kennedy, Jeff Bezos, Richard Branson, Edward VIII, Charles Dickens, Abraham Lincoln, Park Bogum,

Countries: North Korea, China, Vietnam, Brazil, Bangladesh, Cambodia, Germany, India, Israel, Laos, Haiti, Dominican Republic, Congo, Cuba, Egypt, Mongolia

Numbers: 3, 97, 17, 19, 52, 98

Brands: Ralph Lauren, Celine, Ferrari, Huawei, Uber, intel, UPS, Calvin Klein, Piaget, Guerlain, Berluti, Pepsi, Cadbury

Kpop songs: Shut down by Blackpink, Seven by Jeon Jungkook, God's Menu by Stray Kids, Love Love Love by Epik High, Very Nice by SEVENTEEN, Birthday by Jeon Somi, Psycho by Red Velvet,

#6

Keywords: travel, toxic, break away, departure, memory, dreams, truth, unveil, diary, journal, coffee, jacket, shoes, hands, social media, news, competition, autumn, diamonds, electricity, TV, cheat, fashion

Celebrities/Public Figures: Jane Birkin, Kim Jiwon, Gigi Hadid, Charlize Theron, Park Jimin, Salman bin Abdulaziz Al Saud, Maximilien Robespierre, Bill Gates, Queen Elizabeth II, Vladimir Putin, Henry Ford, James Joyce, Lalisa Manobal

Countries: Japan, Australia, Mexico, Iceland, Finland, Eritrea, Ecuador, Costa Rica, Cyprus, Bolivia, Botswana, Bahamas,

Numbers: 8, 646, 152, 37, 49, 22

Brands: Louis Vuitton, Lexus, Tesla, Fendi, Walmart, Nike, Siemens, Google, Cartier, Burberry, Ferragamo, Burger King, Unilever

Kpop songs: ROCKSTAR by LISA, Cherry bomb by NCT 127, Move by Taemin, Dramarama by MONSTA X, Love Scenario by iKON, Get a Guitar by RIIZE, Replay by SHINee, Candy Sugar Pop by ASTRO, Mr. Simple by Super Junior

[classypiratevoid]

I kind of have a wholesome headcanon about Kurt Wagner/Nightcrawler.

Okay, so it doesn’t matter if you are Jewish, Christian, Buddhist, Catholic, or if you simply don’t believe in religion at all. I think if you’re having a bad week or a bad day and he finds out about it, he’ll send you a little verse that relates to your situation, like, for instance, if you’re feeling subconscious and then he just hits you with Songs of Solomon 4:7. You are altogether beautiful, my darling; there is no flaw in you.

I can also see him sending you Christian songs as well, like Somebody to You by Rachael Lamp and Andrew Ripp, when you’re feeling lonely, and he’s not doing this because he’s trying to convert you; he’s just wanting to comfort you and make sure you feel better. I can see him later going to check on you to see if you are feeling better. He's just a sweetie who's got that Bible Rizz.

https://open.spotify.com/track/4TnXEn8UJaGqCa1cqWkX2z?si=f0sL7g7sRdmKy6dJOIie7A

[devildomwriter]

Beelzebub Birthday Special 100 Fun Facts

1. Beelzebub makes up elaborate stories about befriending food to try to avoid eating it

2. Before his fall, Beelzebub was a cherub and recommended for Seraph

3. Beelzebub dislikes Mammon’s cooking

4. The only food Beelzebub refuses to eat is Solomon’s cooking

5. As an angel, Beelzebub initially wanted to use his strength to fight but became depressed after Raphael made fun of him. Instead he focused on protecting thanks to Lucifer’s advice

6. Beelzebub used to guard the gates of the celestial realm

7. Beelzebub considers him and Belphegor twins because they were created the same day

8. Beelzebub is usually quiet except when around Belphegor

9. Beelzebub has survivors guilt

10. Beelzebub blames himself for Lilith’s death since he chose to save Belphegor instead and until MC got him to open up to Belphegor, he believed Belphegor blamed him too

11. Beelzebub picks his loyalty based on if he’s offered food

12. Beelzebub will usually follow orders from any of his brothers, especially when it comes to helping restrain another brother

13. Beelzebub claims he never felt insatiable hunger up until the exact moment he fell from grace

14. Beelzebub is completely unaware of his surroundings when he is eating food

15. Beelzebub was the only brother not angered that MC had a plan with Belphegor to make pacts with them all

16. Beelzebub used to be Lucifer’s personal body guard

17. Out of all the brothers, Beelzebub insults Mammon the least

18. Beelzebub is able to feel Belphegor’s feelings and to an extent, read his mind

19. Beelzebub’s name in Hebrew translates to “Lord of the Flies”

20. Beelzebub’s worst subject is potions because he tends to eat the ingredients

21. Beelzebub’s favorite song is the jingle for the ad from Hell’s Burger

22. Beelzebub prefers pop music

23. Beelzebub loves Devilcat and feels he can relate to him

24. Beelzebub mentions his type of person is someone who will make him piles of food

25. Beelzebub prefers dogs because he believes they’re loyal

26. Beelzebub states he loves food from every world equally

27. Beelzebub prefers to work out in silence

28. Beelzebub’s favorite activity is working out

29. Beelzebub hates high heels, they hurt his feet and always snap because of his weight

30. Beel’s motto is “You can’t fight when you’re hungry”

31. Beelzebub usually eats the plates his food is served in alongside the food

32. Diavolo states Beelzebub once ate a pillar at the Demon Lord’s Castle

33. If the Devildom disappeared tomorrow Beelzebub said he’d eat all the food because it’s be a pity

34. Beelzebub states he probably starts his baths washing his head but can’t remember

35. Beelzebub is the active one when it comes to love

36. When asked if he’d bind or be bound by his lover he chose “other” because he wasn’t sure

37. Beelzebub easily forgets special dates of remembrance and anniversaries

38. For a relationship with obstacles his choice is to just give up

39. He won’t have sleepless nights thinking about the person he loves

40. Beelzebub is able to express his feelings frankly

41. Beelzebub can call forth a legendary rock giant

42. Beelzebub is shown to have wind related powers

43. Beelzebub, like all demons with wings, can fly

44. Beelzebub has such a strong sense of smell he can tell if someone is a human, demon, or angel

45. Beelzebub once attempted to diet, it didn’t work out

46. Beelzebub recalls Michael smelling tasty, due to him always eating sweets

47. During dance battles Beelzebub will sometimes shout “here comes my next meal” and “that was a nice feast”

48. Beelzebub sometimes states that MC looks delicious

49. The angrier Beelzebub is the hungrier his gets

50. In exchange for food, Beelzebub will groom and walk Cerberus

51. Beelzebub thinks it’s dumb Mammon likes money, since he can’t eat it

52. According to Beelzebub poison jellyfish don’t sit well in his stomach

53. Beelzebub binged TSL with MC and Mammon specifically for the popcorn

54. Beelzebub chooses his outfits based on if they’re easy to eat in

55. Beelzebub helped choose Mammon’s human world outfit

56. Mammon usually gives Beelzebub treats, he even mentions it on the home screen

57. The first time Beelzebub attempted to attack MC it was because they were convinced by Mammon to eat his custard

58. Beelzebub seems to be the only one who knows Simeon is hiding candy from the celestial realm

59. Beelzebub still considers it his duty to protect Lucifer

60. Beelzebub is a terrible artist but doesn’t seem to realize it

61. Beelzebub believes Solomon wouldn’t taste good

62. Beelzebub loves Luke’s cakes

63. Beelzebub believes Simeon’s pancakes are the best

64. Simeon’s wishes he could clone Barbatos so he’d have him to make him food every day

65. Beelzebub thinks it’s important to work so you have money to buy snacks

66. Beelzebub asks MC if they’re good at cooking, if they are he never wants them to leave his side

67. Beelzebub refers to MC as his angel

68. Beelzebub doesn’t like it when things get mushy and gross

69. Beelzebub will take home random fauna to see what it tastes like, he once brought home a giant black slug that scared Asmodeus

70. Beelzebub mentions on several occasions to love Red Spider Sandwiches

71. When given chocolates (a special item) Beelzebub tells MC he has his eyes and ears out to make sure no drunk people lay a finger on MC

72. Beelzebub thinks trees are delicious

73. When gifted a scarf, Beelzebub initially believes it was a long donut

74. When MC gifts Beelzebub a handmade Devilcat plushie, he isn’t sure what it is

75. Beelzebub says when he was eating a cat shaped pancake that Satan was giving him suspicious looks

76. Beelzebub says he can play the music from the Hell’s Kitchen ad on the Otomatone

77. Beelzebub mistook fireworks for churros

78. Beelzebub reveals to MC he sometimes wishes they were kind only to him

79. Asmodeus would prefer not to say what the most shocking thing he saw Beelzebub eat was

80. Beelzebub often mistakes shaped bath bombs for food

81. Beelzebub was banned from the Devildom botanic gardens for eating all the cherries off the cherry picking trees

82. Beelzebub once ate a tomato meant to make you reveal things, apparently it tasted like nothing to him and Mammon says he’d never seen him look so sad while eating

83. When going out to swim, Beelzebub chose to hunt and grill squid instead

84. Beelzebub always tries to eat all the hidden Easter eggs

85. As I asked Beel for advice on cleanly eating candy apples and was disappointed when Beel recommended just eating them in one bite

86. When Beelzebub expressed interest in a car his brothers were excited and then shocked when they realized Beelzebub only likes the shape as he saw it would be good to dead lift

87. Beelzebub gave MC a Devildom star

88. Beelzebub once tried bribing Mephistopheles into allowing him to help the newspaper club by kidnapping him and trying to force him to eat mountains of food

89. Beelzebub believes a cruise ship anchor is light weight

90. Beelzebub believes he can rely most on Lucifer and Belphegor

91. Beelzebub can run .3 miles (500 meters) in two seconds

92. Beel still enjoys games of tag

93. Beelzebub once put a whole in the RAD building

94. Beelzebub often accidentally breaks through doors and walls

95. Beelzebub is very slow to reply to texts

96. Beelzebub always lifts weights before bed

97. Beelzebub often chews on his pillows in his sleep and frequently sleep walks to the kitchen

98. Beelzebub ate a keychain Barbatos gave Luke and Luke was so angry he scared Beelzebub enough that Beelzebub was running away from him

99. According the Belphegor they once decorated a cake with fireworks but Beelzebub ate them too

100. Beelzebub has been banned from drinking Super Soda water

[girlbloggercher]

how to read the Bible

this is in order!

1. John

2. Mark

3. Matthew

4. Luke

5. Genesis

6. Exodus

7. Leviticus

8. Numbers

9. Dueteronomy

10. Romans

11. Galatians

12. Colossians

13. Proverbs

14. Ecclesiastes

15. Job

16. 1 Peter

17. 1 Corinthians

18. 2 Corinthians

19. Ephesians

20. Philippians

21. 1 Thessalonians

22. 2 Thessalonians

23. 1 Timothy

24. 2 Timothy

25. James

26. 2 Peter

27. 1 John

28. 2 John

29. 3 John

30. Jude

31. Psalms

32. Joshua

33. Judges

34. 1 Samuel

35. 2 Samuel

36. 1 Kings

37. 2 Kings

38. 1 Chronicles

39. 2 Chronicles

40. Ezra

41. Nehemiah

42. Jeremiah

43. Lamentations

44. Ezekiel

45. Joel

46. Amos

47. Obadiah

48. Nahum

49. Habakkuk

50. Zephaniah

51. Haggai

52. Zechariah

53. Malachi

54. Micah

55. Hosea

56. Luke

57. Esther

58. Jonah

59. Song of Solomon

60. Acts

61. Titus

62. Philemon

63. Hebrew

64. Isaiah

65. Daniel

66. Revelation

[melverie]

⸺ LESSON 9 ⸺

Solomon

Barbatos

demons & angels (& humans)

the 'MC is human' situation

records of a banshee

misc

- lesson 8 || lesson 10 || all posts so far -

HI I JUST WANT TO SAY THAT THE REBLOGS ON LESSON 8 ARE SO SWEET!!! <3333 I thought that this would mostly just be me throwing things around to help make sense of my own theory on NB's identity, but seeing that people are actually exited to see this back means a lot, so thank you guys <3 And sorry that this part once again took a little longer ;-; General spoiler warning for all of Obey Me Nightbringer, as well as for the original Obey Me

⸺ SOLOMON ⸺

Solomon finally made it back and just casusally brings a dragon egg back with him [9-2]. Sure. I'm not questioning his antics anymore; he's nowhere near to being my main Nightbringer candidate

Solomon makes the hypothesis that maybe Nightbringer is the reason we're here?! No way!! :o [9-2] -> but in all seriousness, it's nice that he's trying to tell us as much as possible of what he knows

Solomon claims that Diavolo can definitely be trusted [lesson 9 hard mode]. I'm actually taking his word here because 1. we know that Solomon cares a lot about MC and their safety, 2. we learn next lesson that Solomon has some sort of agreement going on with Nightbringer, and 3. that Nightbringer just threatened MC's safety. I just genuinely see no reason why he would lie about who is and who isn't trustworthy here

⸺ BARBATOS ⸺

Barbatos worrying about MC [9-8; pic below]

he tells us completely umpropted where Beelzebub is held captive [9-8; pic below] -> Solomon decides to follow him since he also wants to talk with Barbatos about the entire teleportation thing [9-8] -> both Barbatos and Solomon heading to where Beelzebub is held captive caused quite a headache for me...but we'll get to that next lesson!

⸺ DEMONS & ANGELS (& HUMANS) ⸺

illusion!Diavolo and illusion!Simeon fight over who should get to lead/support humans--demons or angels [9-A] -> also, illusion!Diavolo talks about leading humans to happiness. Leading someone else to happiness seems to be Nightbringer's favorite past time, would you look at that :)

⸺ THE 'MC IS HUMAN' SITUATION ⸺

taking this opportunity to just say how much I love serious Dia, thank you for listenting <3 (putting this in here because it's in regard to MC's expulsion since Diavolo found out they are a human) -> that being said, he mentions that his father entrusted the Devildom to him [9-7], but like,, when?? He literally fell into a coma?? Did he wake up in the middle of it like "oh by the way son, before I forget" and then passed tf out again???

⸺ RECORDS OF A BANSHEE ⸺

the brothers show up during Diavolo's talk about MC's expulsion and we learn that Beelzebub is now being held prisoner because he wrecked the castle at yesterday's dinner party [9-7]. This is the timeline of it all:

1. MC gets their letter summoning them to the Demon Lord's Castle [lesson 9 hard mode], and the brothers + Simeon and Luke participate in the dinner party at the Demon Lord's Castle. We don't know which one happens first 2. at some point during the dinner party, Lucifer talks about him aquiring a record of a banshee's song [9-14] -> according to the others, this caused Beelzebub to completely lose it, which ended up with him causing significant damage to the castle -> Belphegor later on mentions that something was wrong with Beelzebub at the time [9-7] 3. the next day, Beelzebub gets a letter summoning him to the Demon Lord's Castle and is imprisonened 4. after that, MC has their meeting with Diavolo and they talk about MC having to return to the human world 5. during that meeting, the brothers show up and demand for Beelzebub to be released 6. Lucifer basically gives up right after getting there (??? WHY did you even go there in the first place then, my guy???). Before he leaves, he tells Diavolo that ultimately, he doesn't accept them either -> Diavolo is distraught by this comment 7. Barbatos suggests continuing this meeting some other time and accompanies MC and Solomon a little. Before parting ways, he explicitly tells them where Beelzebub is being held captive 8. Solomon and MC split up; Solomon follows Barbatos to where Beelzebub is being imprisoned, and MC heads to the House of Lamentation to talk to the brothers and find out what happened

withholding my thoughts for now because there is one last detail happening in lesson 10 that kinda ties the entire thing together, but I will already say that based on how the characters present described the entire situation [9-14; all three pics below], Beelzebub's meltdown seems too big to be caused by the mention of a banshee

⸺ MISC ⸺

we now know why Mammon is so afraid of ghosts [9-2]

mandatory moment where I talk about my husband: a) Satan's first time seeing a cat, you love to see it <3 [9-10] b) can you hear the sound of my heart breaking? :< [9-8; pic below]

Satan's quote from the website! [9-10; pic below]

Belphegor tells MC about Lilith [9-16]

illusion!Luke says this [9-A; pic below]. HUH :D

[littlestardescendants]

Alright I saw the poll and it made me want to draw Mirjami as all the types of troops!

Ain't she cute?? I made a Violin, Selfie, Worker, and Wedding Gown Mirjami.

Here look I even did their skills ✨️

First, the Healer Class

Default Attacks: Musical Notes

Mirjami plays her fiddle in a way that is grating to angels. Enemies hit by her music have a 3% chance of being stunned.

Ultimate: A Mother's Touch

Mirjami plays a soothing song that will heal allies in a 4 by 4 area. Allies with health less than 25% have a 2% chance of having their health completely restored.

Passive: Demure Presence

Maternal care to all allies in her vicinity. When Mirjami is set next to or in back of a troop, their health increases by 15%.

Next is Defense

Default Attacks: Solomon's Hearts

By connecting to her ancestor, Mirjami raises an array of crystal hearts to shield allies and push enemies away.

Ultimate: A Mother's Sacrifice

With her power, Mirjami creates a 5x5 barrier wherein any attacks that hits allies does damage to her. Because of her ancestor, Mirjami has a 1% chance of immunity while using her ability.

Passive: Chastising Glare

Despite her soft demeanor, Mirjami has a very stern gaze and this glare raises her troops defense by 3% while lowering enemy angels' defense.

Next is Close-Range

Default Attacks: Gas Station Bullets

Due to many nightshifts, Mirjami carries a gun she aims at anyone trying to steal candy or phone chargers. Enemies hit by the bullets are slowed down by it.

Ultimate: Minimum Wage Vigilante

Channeling her inner rage and frustration, Mirjami uses two guns to shoot at a 7 x 7 area dealing great damage to Angels. Enemies have their health cut in half from the attack with a 2% chance of instant death.

Passive: Gruff Manager

Mirjami's more serious and stern demeanor means no nonsense for those in her vicinity. When Mirjami is on the battlefield, she increases Attack Speed by 7% for any troop near her.

And lastly is Ranged

Default Attacks: Cakes and Flowers

Mirjami throws pieces of her bouquet and the wedding cake at the enemies that is imbued with her rage. Enemies hit by the cake and flowers slow down due to cake in their eyes.

Ultimate: I Object!!

Mirjami is so enraged that Leviathan and the other Kings tried to marry her she will use her coffin to summon a cake monster from a different dimension to explode itself at the enemies in a 10x10 range. Enemies in the vicinity die immediately (Except for boss monsters).

Passive: Angry Blushing Bride

Mirjami's rage and anger at being forced into marriage bubbles up so much she intimidates or attracts anyone in the vicinity. Troops near her increase Attack Power 2% and it increases the more enemy angels killed.

Anyways there we go it's done! I loved doing this actually it was fun! <3

[acotars]

books read in 2024

⋆ ⭒˚.⋆ january ⋆.˚⭒ ⋆

one dark window (the shepherd king #1) by rachel gillig

the murder on the links (hercule poirot #2) by agatha christie

pageboy by elliot page

house of sky and breath (crescent city #2) by sarah j. maas

rogue protocol (the murderbot diaries #3) by martha wells

cult classic by sloane crosley

malibu rising by taylor jenkins reid

the beauty of your face by sahar mustafah

exit strategy (the murderbot diaries #4) by martha wells

animal farm by george orwell

everyone in this room will someday be dead by emily austin

carrie soto is back by taylor jenkins reid

a court this cruel & lovely (kingdom of lies #1) by stacia stark

the rules do not apply by ariel levy

poirot investigates (hercule poirot #3) by agatha christie

yellowface by rebecca f kuang

every heart a doorway (wayward children #1) by seanan mcguire

house of flame and shadow (crescent city #3) by sarah j. maas

read: 18

* · ✦ · * february * · ✦ · *

beautyland by marie-helene bertino

bride by ali hazelwood

network effect (the murderbot diaries #5) by martha wells

fugitive telemetry (the murderbot diaries #6) by martha wells

faebound (faebound #1) by saara el-arifi

the raven boys (the raven cycle #1) by maggie stiefvater **

read: 6

.✦.· *. march .*· .✦.

interesting facts about space by emily austin

penance by eliza clark

the book that no one wanted to read by richard ayoade

pride and prejudice by jane austen

unlikeable female characters: the women pop culture wants you to hate by anna bogutskaya

the shame by makenna goodman

greta & valdin by rebecca k. reilly

read: 7

✷ · ✶ · ✧ april ✧ · ✶ · ✷

this spells love by kate robb

out on a limb by hannah bonam-young

gwen & art are not in love by lex croucher

a lady's guide to scandal by sophie irwin

the friendship study by ruby barrett

the boyfriend candidate by ashley winstead

the pumpkin spice cafe by laurie gilmore

business or pleasure by rachel lynn solomon

how to end a love story by yulin kuang

this could be us (skyland #2) by kennedy ryan

the honeymoon crashers (the unhoneymooners #1.5) by christina lauren

we could have been friends, my father and i by raja shehadeh

how to stop time by matt haig

how to fake it in hollywood by ava wilder

with love from cold world by alicia thompson

funny story by emily henry

love radio by ebony ladelle

old flames and new fortunes by sarah hogle

just for the summer by abby jimenez

don't want you like a best friend by emma r. alban

love interest by clare gilmore

the exception to the rule (the improbable meet-cute #1) by christina lauren

worst wingman ever (the improbable meet-cute #2) by abby jimenez

with any luck (the improbable meet-cute #5) by ashley poston

last call at the local by sara grunder ruiz

happily never after by lynn painter

the ex talk by rachel lynn solomon

i kissed shara wheeler by casey mcquiston

the love wager by lynn painter

morning glory milking farm by c.m. nacosta

will they or won't they by ava wilder

read: 31

.　° * ☆ may ☆ * °　.

when the sky fell on splendor by emily henry

on earth we're briefly gorgeous by ocean vuong

blizzard by marie vingtras

bright young women by jessica knoll

the age of magical overthinking: notes on modern irrationality by amanda montell

the flatshare by beth o'leary **

read: 6

⋆ ˚.⋆ june ⋆.˚ ⋆

not in love by ali hazelwood

the way of kings (the stormlight archive #1) by brandon sanderson

words of radiance (the stormlight archive #2) by brandon sanderson

read: 3

. · ☆ . july . ☆ · .

edgedancer (the stormlight archive #2.5) by brandon sanderson

blue iris: poems and essays by mary oliver

woman, eating by claire kohda

oathbringer (the stormlight archive #3) by brandon sanderson

a novel love story by ashley poston

chlorine by jade song

how to read now by elain castillo

please stop trying to leave me by alana saab

beautifully broken life by catherine cowles

the god of the woods by liz moore

edgedancer (the stormlight archive #3.5) by brandon sanderson

the dead and the dark by courtney gould

a most agreeable murder by julia seales

the murder of roger ackroyd (hercule poirot #4) by agatha christie

read: 14

. ݁₊ ⊹ . ݁august ݁. ⊹ ₊ ݁.

the bluest eye by toni morrison

more, please: on food, fat, bingeing, longing, and the lust for "enough" by emma specter

the ministry of time by kaliane bradley

system collapse (the murderbot diaries #7) by martha wells

emily wilde's encycolpedia of fairies (emily wilde #1) by heather fawcett

emily wilde's map of the other lands (emily wilde #2) by heather fawcett

catalina by karla cornejo villavicencio

roadside picnic by arkady strugatsky and boris strugatsky

read: 8

reading goal: 93/100

add me on goodreads !

[mybeautifulchristianjourney]

Joseph Interprets Two Dreams

1 And it came to pass after these things, that the butler of the king of Egypt and his baker had offended their lord the king of Egypt.

2 And Pharaoh was wroth against two of his officers, against the chief of the butlers, and against the chief of the bakers.

3 And he put them in ward in the house of the captain of the guard, into the prison, the place where Joseph was bound.

4 And the captain of the guard charged Joseph with them, and he served them: and they continued a season in ward.

5 And they dreamed a dream both of them, each man his dream in one night, each man according to the interpretation of his dream, the butler and the baker of the king of Egypt, which were bound in the prison.

6 And Joseph came in unto them in the morning, and looked upon them, and, behold, they were sad.

7 And he asked Pharaoh's officers that were with him in the ward of his lord's house, saying, Wherefore look ye so sadly to day?

8 And they said unto him, We have dreamed a dream, and there is no interpreter of it. And Joseph said unto them, Do not interpretations belong to God? tell me them, I pray you.

9 And the chief butler told his dream to Joseph, and said to him, In my dream, behold, a vine was before me;

10 And in the vine were three branches: and it was as though it budded, and her blossoms shot forth; and the clusters thereof brought forth ripe grapes:

11 And Pharaoh's cup was in my hand: and I took the grapes, and pressed them into Pharaoh's cup, and I gave the cup into Pharaoh's hand.

12 And Joseph said unto him, This is the interpretation of it: The three branches are three days:

13 Yet within three days shall Pharaoh lift up thine head, and restore thee unto thy place: and thou shalt deliver Pharaoh's cup into his hand, after the former manner when thou wast his butler.

14 But think on me when it shall be well with thee, and shew kindness, I pray thee, unto me, and make mention of me unto Pharaoh, and bring me out of this house:

15 For indeed I was stolen away out of the land of the Hebrews: and here also have I done nothing that they should put me into the dungeon.

16 When the chief baker saw that the interpretation was good, he said unto Joseph, I also was in my dream, and, behold, I had three white baskets on my head:

17 And in the uppermost basket there was of all manner of bakemeats for Pharaoh; and the birds did eat them out of the basket upon my head.

18 And Joseph answered and said, This is the interpretation thereof: The three baskets are three days:

19 Yet within three days shall Pharaoh lift up thy head from off thee, and shall hang thee on a tree; and the birds shall eat thy flesh from off thee.

20 And it came to pass the third day, which was Pharaoh's birthday, that he made a feast unto all his servants: and he lifted up the head of the chief butler and of the chief baker among his servants.

21 And he restored the chief butler unto his butlership again; and he gave the cup into Pharaoh's hand:

22 But he hanged the chief baker: as Joseph had interpreted to them.

23 Yet did not the chief butler remember Joseph, but forgat him. — Genesis 40 | King James Version (KJV) The King James Version Bible is in the public domain. Cross References: Genesis 14:13; Genesis 37:36; Genesis 39:1; Genesis 39:22; Genesis 41:1; Genesis 41:10-11; Genesis 41:13; Genesis 41:15-16; Genesis 42:17; Numbers 17:8; Joshua 2:12; 2 Kings 25:27; Nehemiah 1:11; Nehemiah 2:2; Esther 7:10; Job 19:14; Psalm 31:12; Psalm 105:19; Proverbs 16:14; Ecclesiastes 9:15; Song of Solomon 6:11; Jeremiah 52:31; Daniel 2:36; Daniel 4:18-19; Matthew 14:6

What does Genesis chapter 40 mean?

[ihopeinjesus]

Song of Solomon 4:7

You're beautiful from head to toe, my dear love, beautiful beyond compare, absolutely flawless.

[bijoumikhawal]

The Song of Songs has quite recently (1973) been assigned to the time of Solomon by a distinguished Hebraist, Professor Chaim Rabin of the Hebrew University in Jerusalem. For more than forty years now evidence has been accumulating for some kind of relationship between the cities of the Harrapan civilization of the Indus Valley and lower Mesopotamia during the latter part of the third millennium B.C. and into the second (cf. C. J. Gadd, PBA, 1932). Rabin (205) called attention to the few dozen typical Indus culture seals which have been found in various places in Mesopotamia, some of which seem to be local imitations. He suggested that these objects were imported not as knickknacks, but because of their religious symbolism by people who had been impressed by Indus religion. To the examples of Indus type seals in Mesopotamia cited by Rabin (217n2), we may add a dated document from the Yale Babylonian Collection, an unusual seal impression found on an inscribed tablet dated to the tenth year of Gimgunum, king of Larsa, in Southern Babylonia, which according to the commonly accepted "middle" chronology would be 1923 B.C. (B. Buchanan, 1967).

[...]

Rabin cited a story from the Buddhist Jatakas, the Baveru Jataka, which tells of Indian merchants delivering a trained peacock to the kingdom of Baveru, the bird having been conditioned to scream at the snapping of fingers and to dance at the clapping of hands. Since maritime connection between Mesopotamia and India lapsed after the destruction of the Indus civilization, and since the name Baveru (i.e. Babel, Babylon) would hardly have been known in the later period when trade with India went via South Arabia, Rabin concluded that the Jataka story about the peacock must ultimately date before 2000, an example of the tenacity of Indian tradition (p. 206). Ivory statuettes of peacocks found in Mesopotamia suggest that the birds themselves may also have been imported before 2000 B.C. (cf. W. F. Leemans, 1960, 161, 166), and Rabin (206) wondered whether the selection of monkeys and peacocks for export may not have derived from the Indian tendency to honor guests by presenting them with objects of religious significance. Imports of apes and peacocks are mentioned in connection with Solomon's maritime trade in I Kings 10:22 [=II Chron 9:21], the roundtrip taking three years. The word for "peacocks," tukkiyyim, singular tukki, has since the eighteenth century been explained as a borrowing of the Tamil term for "peacock," tokai. Tamil is a Dravidian language which in ancient times was spoken throughout South India, and is now spoken in the East of South India. Scandinavian scholars claim to have deciphered the script of the Indus culture as representing the Tamil language (cf. Rabin, 208, 218n20). Further evidence of contact with Tamils early in the first millennium B.C. is found in the names of Indian products in Hebrew and in other Semitic languages. In particular Rabin cites the word 'ahalot for the spice wood "aloes," Greek agallochon, Sanskrit aghal, English agal-wood, eagle-wood, or aloes, the fragrant Aquilaria agallocha which flourishes in India and Indochina. The Tamil word is akil, now pronounced ahal. Its use for perfuming clothing and bedding is mentioned in Ps 45:9 [8E] and Prov 7:17 and Rabin surmised that the method was one still current in India, the powdered wood being burned on a metal plate and the clothing or bedding held over the plate to absorb the incense. Rabin supposed that it was necessary to have observed this practice in India in order to learn the use of the substance (p.209). Aloes are mentioned in 4:14 among the aromatics which grace the bride's body. The method of perfuming bedding and clothing by burning powdered aloes beneath them may clarify the puzzling references to columns of smoke, incense, and pedlar's powders in connection with the epiphany of "Solomon's" splendiferous wedding couch ascending from the steppes (3:6-10), bearing it seems (cf. 8:5) the (divine?) bride and her royal mate. Myrrh and frankincense only are mentioned, but "all the pedlar's powders" presumably included the precious aloes from India.

Opportunity to observe Indian usages would have been afforded visitors to India in the nature of the case, since the outward journey from the West had to be made during the summer monsoon and the return trip during the winter monsoon, so that the visitor would have an enforced stay in India of some three months. Repeated visits with such layovers would provide merchant seamen with the opportunity to learn a great deal about local customs, beliefs, and arts.

After a brief critique of modern views about the Song of Songs, none of which has so far found general acceptance, Rabin ventured to propound a new theory based on Israel's commercial contacts with India during Solomon's reign.

There are three features which,in Rabin's view (pp. 210f), set the Song of Songs apart from other ancient oriental love poetry. Though occasional traces of these maybe found elsewhere, Rabin alleged that they do not recur in the same measure or in this combination:

1. The woman expresses her feelings of love, and appears as the chief person in the Song. Fifty-six verses are clearly put into the woman's mouth as against thirty-six into the man's (omitting debatable cases).

2. The role of nature in the similes of the Song and the constant reference to the phenomena of growth and renewal as the background against which the emotional life of the lovers moves, Rabin regarded as reflecting an attitude toward nature which was achieved in the West only in the eighteenth century.

3. The lover, whether a person or a dream figure, speaks with appropriate masculine aggressiveness, but the dominant note of the woman's utterances is longing. She reaches out for a lover who is remote and who approaches her only in her dreams. She is aware that her longing is sinful and will bring her into contempt (8:1) and in her dream the "watchmen" put her to shame by taking away her mantle (5:7). Ancient eastern love poetry, according to Rabin, generally expresses desire, not longing, and to find parallels one has to go to seventeenth-century Arab poetry and to the troubadours, but even there it is the man who longs and the woman who is unattainable.

These three exceptional features which Rabin attributed to the Song of Songs he found also in another body of ancient poetry, in the Sangam poetry of the Tamils. In three samples, chosen from the Golden Anthology of Ancient Tamil Literature by Nalladai R. Balakrishna Mudaliar, Rabin stressed the common theme of women in love expressing longing for the object of their affection, for their betrothed or for men with whom they have fallen in love, sometimes without the men even being aware of their love. The cause of the separation is rarely stated in the poem itself, but this is rooted in the Tamil social system and code of honor in which the man must acquire wealth or glory, or fulfill some duty to his feudal lord or to his people, and thus marriage is delayed. There is conflict between the man's world and the woman's and her desire to have her man with her. This conflict is poignantly expressed in one of the poems cited (Rabin, 212) in which a young woman whose beloved has left her in search of wealth complains: I did his manhood wrong by assuming that he would not part from me. Likewise he did my womanhood wrong by thinking that I would not languish at being separated from him. As a result of the tussle between two such great fortitudes of ours, my languishing heart whirls inagony, like suffering caused by the bite of a cobra.

In the Tamil poems the lovelorn maiden speaks to her confidante and discusses her problems with her mother, as the maiden of the Song of Songs appeals to the Jerusalem maids and mentions her mother and her lover's mother; but neither in the Tamil poems nor the Song of Songs is there mention of the maiden's father. In Rabin's view the world of men is represented by "King Solomon," surrounded by his soldiers, afraid of the night (3:7-8), with many wives and concubines (6:8), and engaged in economic enterprises (8:11). Significantly, however, according to Rabin (p. 213), Solomon's values seem to be mentioned only to be refuted or ridiculed: "his military power is worth less than the crown his mother (!) put on him on his wedding day; the queens and concubines have to concede first rank to the heroine of the Song; and she disdainfully tells Solomon (viii 12) to keep his money."

Since the Sangam poetry is the only source of information for the period with which it deals, Rabin plausibly surmised that the recurring theme of young men leaving home to seek fortune and fame, leaving their women to languish, corresponded to reality, i.e. the theme of longing and yearning of the frustrated women grew out of conditions of the society which produced these poems. Accordingly, the cause for the lover's absence need not be explicitly mentioned in the Tamil poems and is only intimated in elaborate symbolic language. Similarly, Rabin finds hints of the nonavailability of the lover in the Song of Songs. The references to fleeing shadows in 2:17, 4:6-8, and 8:14 Rabin takes to mean winter time when the shadows grow long. The invitation to the bride to come from Lebanon, from the peaks of Amana, Senir, and Hermon in 4:6-8 means merely that the lover suggests that she think of him when he traverses those places. The dream like quality of these verses need not, inRabin's view, prevent us from extracting the hard information they contain. The crossing of mountains on which or beyond which are myrrh, incense, and perfumes all lead to South Arabia, the land of myrrh and incense. Thus the young man was absent on a caravan trip. Even though he did not have to traverse Amana or Hermon to reach Jerusalem from any direction, he did have to traverse mountains on the trip and in South Arabia he had to pass mountain roads between steep crags ("cleft mountains") and it was on the slopes of such mountains that the aromatic woods grew ("mountains of perfume"). Coming from South Arabia, however, one had to cross Mount Scopus, "the mountain of those who look out," from which it is possible to see a caravan approaching at a considerable distance. In 3:6 "Who is she that is coming up from the desert, like pillars of smoke, perfumed with myrrh and incense, and all the powders of the perfume merchant?" is taken to refer to the caravan, the unexpressed word for "caravan" sayyarah, being feminine (Rabin, 214 and 219n29). "The dust raised by the caravan rises like smoke from a fire,but the sight of the smoke also raises the association of the scent a caravan spreads around it as it halts in the market and unpacks its wares."

The enigmatic passage 1:7-8 Rabin also related to a camel caravan despite the pastoral terminology. Rabin's theory encounters difficulty with the repeated use of the verb r'y, "pasture," and its participle, "pastor, shepherd" in view of which commentators commonly regard the Song as a pastoral idyl. His solution is to suggest that the term may have some technical meaning connected with the management of camels.

The list of rare and expensive spices in 4:12-14 reads so much like the bill of goods of a South Arabian caravan merchant that Rabin is tempted to believe that the author put it in as a clue.

Be it what it may, it provides the atmosphere of a period when Indian goods like spikenard, curcuma, and cinnamon, as well as South Arabian goods like incense and myrrh, passed through Judaea in a steady flow of trade. This can hardly relate to the Hellenistic period, when Indian goods were carried by ship and did not pass through Palestine: it sets the Song of Songs squarely in the First Temple period (Rabin,215).

As for the argument that the Song contains linguistic forms indicating a date in the Hellenistic period, Rabin points out that the alleged Greek origins of 'appiryon in 3:9 and talpiyyot in 4:4, the former word supposedly related to phoreion, "sedan chair," and the latter to telopia, "looking into the distance,"are dubious.

The phonetic similarity between the Greek and Hebrew words is somewhat vague, and this writer considers both attributions to be unlikely, but even acceptance of these words as Greek does not necessitate a late dating for the Song of Songs, since Mycenaean Greek antedates the Exodus. Neither word occurs elsewhere in the Bible, so that we cannot say whether in Hebrew itself these words were late. In contrast to this, pardes "garden, plantation," occurs, apart from 4:13, only in Nehemiah 2:8, where the Persian king's "keeper of the pardes" delivers wood for building, and in Ecclesiastes 2:5 next to "gardens." The word is generally agreed to be Persian, though the ancient Persian original is not quite clear. If the word is really of Persian origin, it would necessitate post-exilic dating. It seems to me, however, that this word, to which also Greek paradeisos belongs, maybe of different origin.

[...]

Rabin's summation of his view of the Song of Songs is of such interest and significance as to warrant citation of his concluding paragraphs (pp.216f):

It is thus possible to suggest that the Song of Songs was written in the heyday of Judaean trade with South Arabia and beyond (and this may include the lifetime of King Solomon) by someone who had himself travelled to South Arabia and to South India and had there become acquainted with Tamil poetry. He took over one of its recurrent themes, as well as certain stylistic features. The literary form of developing a theme by dialogue could have been familiar to this man from Babylonian-Assyrian sources (where it is frequent) and Egyptian literature (where it is rare). He was thus prepared by his experience for making a decisive departure from the Tamil practice by building what in Sangam poetry were short dialogue poems into a long work, though we may possibly discern in the Song of Songs shorter units more resembling the Tamil pieces. Instead of the vague causes for separation underlying the moods expressed in Tamil poetry, he chose an experience familiar to him and presumably common enough to be recognized by his public, the long absences of young men on commercial expeditions. I think that so far our theory is justified by the interpretations we have put forward for various details in the text of the Song of Songs. In asking what were the motives and intentions of our author in writing this poem, we must needs move into the sphere of speculation. He might, ofcourse, have been moved by witnessing the suffering of a young woman pining for her lover or husband, and got the idea of writing up this experience by learning that Tamil poets were currently dealing with the same theme. But I think we are ascribing to our author too modern an out look on literature. In the light of what we know of the intellectual climate of ancient Israel, it is more probable that he had in mind a contribution to religious or wisdom literature, in other words that he planned his work as an allegory for the pining of the people of Israel, or perhaps of the human soul, for God. He saw the erotic longing of the maiden as a simile for the need of man for God. In this he expressed by a different simile a sentiment found, for instance, in Psalm 42:24: "Like a hind that craves for brooks of water, so my soul craves for thee, O God. My soul is a thirst for God, the living god: when shall I come and show myself before the face of God? My tears are to me instead of food by day and by night, when they say to me day by day: Where is your god?" This religious attitude seems to be typical of those psalms that are now generally ascribed to the First Temple period, and, as far as I am aware, has no clear parallel in the later periods to which the Song of Songs is usually ascribed.

Rabin considered the possibility of moving a step further in speculation about Indian influence.

In Indian legend love of human women for gods, particularly Krishna, is found as a theme. Tamil legend, in particular, has amongst its best known items the story of a young village girl who loved Krishna so much that in her erotic moods she adorned herself for him with the flower-chains prepared for offering to the god's statue. When this was noticed, and she was upbraided by her father, she was taken by Krishna into heaven. Expressions of intensive love for the god are a prominent feature of mediaeval Tamil Shaivite poetry. The use of such themes to express the relation of man to god may thus have been familiar to Indians also in more ancient times, and our hypothetical Judaean poet could have been aware of it. Thus the use of the genre of love poetry of this kind for the expression of religious longing may itself have been borrowed from India.

Rabin's provocative article came to the writer's attention after most of the present study had been written. It is of particular interest in the light of other Indian affinities of the Song adduced elsewhere in this commentary.

pg 27-33, Song of Songs (commentary) by Marvin Pope

[steveahoi]

Music tag game! Thank you @transsexualpriest for the tag!

rules: put your music on shuffle and list the first ten songs and then tag ten people

1. Gossamer by j solomon

2. 20 MISSED CALLS by Braden Bales

3. Above The Clouds Of Pompeii by Bear's Den

4. hill that i'll die on by Jonah Kagen

5. Lux Lisbon by Casper ft. Tom Smith

6. Where Are You Now by Mumford&Sons

7. Cancer by Tweny One Pilots

8. Lost at Sea by Vincent Lima

9. 21, 22, 23 by AnnenMayKantereit

10. Iffy by Caamp

Non pressure tags: @multiimoments @badhairred @mercurial-witch @poetskings @lemonlans @industrations @lightningrogers @anauro @galaxostars @kiwi2229