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#Though there's other thoughts there too
bijoumikhawal · 1 year
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Oni (who is no longer on tumblr) asked me a few months ago about Cardassians, Hebitians and martial arts, and I'll post what I shared then as well as some new thoughts.
From ASIT, we know Cardassians teach people to focus on their energy fields while in combat, and that this comes up in tense conversations. This, and the details regarding regnars and their invisibility, makes me think Cardassians have an electroreceptive sense of some form (and chu'en are the corresponding sense organs). We also know Cardassians stress test students while teaching martial arts- having them hold a stance in the sun for long periods of time. We also know sabers exist in Cardassian culture and have a symbolic military related importance (at least for schools lke Bamarren).
Hebitians, meanwhile, are discussed in a manner implying they were very peaceful, Pre-Union. How much of that is true and just how much of it is Garak's own pedestalization of Hebitians as "good" is hard to tell, because he's our only viewpoint and he spends a lot of time isolated from other Hebitians (making it harder to find holes in his narration), but I do think there's some truth to it.
Tolan mentions Hebitians as having had many enemies, so I'm very skeptical that they had a limited cultural understanding of combat. However I do think the martial arts practiced by Hebitians traditionally often doubled as dances (such as tahtib in real life), and in some cases this was their primary function in life. The popularity from this additional function was practical in that it was widely practiced for leisure, and helped ensure fitness in case of times of war in the general population.
Swords in Hebitian culture exist but for a long while they haven't been featured predominantly as weapons I think- they're very beautifully made, often engraved and given layers of metal inlay. I have the vague thought they might feature in community events like weddings for some groups but haven't nailed down any specifics.
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verflares · 6 months
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(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:
"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"
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roadkill-creatures · 1 month
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bunnnali · 20 days
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maybe the term “antisemitism” seems “overused” because theres so much of it
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egophiliac · 1 year
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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mayomkun · 10 months
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You are loved, you are loved more than you know I hereby pledge all of my days to prove it so
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transmascissues · 7 months
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at this point i don’t even have any commentary to add to this. i’m just tired.
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aroaceleovaldez · 3 months
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I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.
It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).
We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.
I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.
And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.
Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.
It's exhausting. Rick write more than one relationship dynamic you can do it I promise
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nelkcats · 1 year
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Refuge
Danny was not retired, technically he came when people needed him, he helped or protected them as the case may be. It just turned out that over the years they stopped needing him.
And that was fine, it meant humanity could take care of itself, it meant they were safe. That was what had to matter, no matter that deep down, the halfa was hurt by the information.
It was harder to accept change when you weren't part of it. Danny was immortal, eternal, and powerful, things that no longer fit the world. Not with all the heroes and wizards running around, not with Amity Park fading away, becoming nothing more than a part of his memories.
He fit in perfectly in the Realms, sure, but he knew that if he stayed there too long he'd stop feeling human, and that was dangerous.
So, no, Danny wasn't retired. But he lived in a simple house in Metropolis, though sometimes he got tired of Superman being able to hear literally everything and moved to his house in Fawcett. He used to switch between the two houses frequently, not that it was difficult since he had figured out how to make portals.
He had a few friends, like the orphan boy who lived at the train station and Conner, a teenager who sometimes just needed a house to stay in when he couldn't stand his father.
Neither Conner nor Billy minded his age, which was comforting, although they both got curious when he visited the other house. Danny didn't know how to explain that Eternity Rock and Superman made him nervous if he stayed too long (he didn't like feeling watched), so he just shrugged and told them he had two houses.
Neither of the kids understood but they accepted it. They both had a habit of calling him "Uncle", Danny thought it was odd, given that his appearance wasn't exactly...adult, but it seemed they were comfortable with that, and he left them alone.
Apparently his house (occupied or not) had become a haven for them. Danny always greeted them with a sandwich, or cookies, even though he felt like a grandmother doing so. He smiled for the first time in years, feeling happy to fit into someone's life.
That's why it was quite disconcerting to find the Justice League outside his door asking him to join them. Danny chuckled internally, because the current heroes actually believed they could force him into something, but he accompanied them anyway.
Superboy and Captain Marvel scowled at the League as soon as they entered the Watchtower, when they were told they were bringing in a "dangerous individual" they didn't expect to see their unofficial uncle.
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tubbytarchia · 7 months
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@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever
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mishy-mashy · 2 months
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Toga: Someone who wanted to be happy
Uraraka: Someone who wanted to make others happy
And also,
Toga: Someone who wanted the world to be easier to live in
Uraraka: Someone who wanted to make the world easier to live in for others
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acronym49 · 3 months
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Wing talon studies! It turned out pretty good, much less awkward than I would've thought. The elbow membranes certainly get a good stretch, though, so they'd have to be heavily specialized to move like that without permanent damage or distortion. How? Who knows! I don't wanna go into tissue studies right now lmao. When there's a will there's a way ☆
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sevenines · 8 days
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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necrotic-nephilim · 1 month
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what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.
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batman (1940) #456
Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.
and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.
and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.
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teen titans (2011) #18
to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.
i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.
#necrotic festerings#batcest#jaytim#dicktim#damitim#this post was first going to just be about tim hallucinating damian but i got carried away thinking about the identity crisis arc#have whatever this is.#idk if there's much of a thesis other than “tim's fucking weird about the robin mantle and that should extend to shipping too”#been meaning to post this for forever#finally got around to it though so yay me.#now i need to go work on my jaytim in the new-52 thoughts bc. i have a whole post planned.#a stack of comics next to me for research and everything. god help me.#ALSO while rereading to grab panels#why is it that everyone talks about how jason says “robin is magic” in an attempt to mischaracterize him as sunshine boy#and not the fact that tim *also* says robin is magic?#like it's not a jason thing. it's a robin mantle thing.#that's just what robin *is*. it doesn't say much about jason's character for him to say that when he's robin. it just means he's robin.#the robin mantle is magic. that's the point.#and you could argue that's more of a meta thing that exists on the wavelength of how children where supposed to project onto robin#moreso than an in-universe commentary on what the robin mantle is#(honestly the same argument applies to tim hallucinating here for like. meta intent vs in-universe meaning.)#i hesitate to even call it hallucination it's more like. daydreaming coping.#giving a face to his internal monologue type thing and this is just how the medium depicts it#also it was just sexy and cool for characters to hallucinate loved ones in the 90s in comics. it was a convention of the genre.#but still my point stands. tim pictures all of these ppl as robin first internally#and he self soothes using their image in his head. that's wild of him like what#tim you are weird about the robin mantle more than anyone else i give you that.
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ganondoodle · 1 month
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got this reblog on one of my posts were i talked about being anxious about the future of the zelda series after totk and-
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i even went back and unblocked them just to check my own post and check twice what they meant exactly- but i still dont know how they got to these conclusions
i never said i 'want a good uwu ganondorf' (bc that would mean hes aligned with hyrule bc thats how goodness works!!!!11!1!!!), i also dont think of any of the zeldas as 'whores' (seriously, where did that come from?? neither me nor the addition of someone agreeing with me said anything like that??? did they think bc the addition called tloz misogynistic means we think zelda is a whore????? huh???)
its also funny how they say they want zelda to stay a simple fairytale rather than have 'people like me' bc .. one point i talked about in the og post was how the evil arab thing VS good white people media likes to do so much is so normalized here that its simply seen as a simple harmless fairytale trope instead of a big underlying issue in general media and the writers might not even realize it (which is worse) bc the most 'generic' appeal is to people who dont think of it as a problem in the first place, because it is so normalized
(huh, i wonder about what kind of person that part was about .. hmmmm)
(ALSO funny they mention princess hilda as nuanced villain ... like ... wow they are so nuanced about purple haired people!!- like guess why we want a nuanced/less badly/less flat written ganondorf and what he, in particular, has not in common with other villains! its not his hair color! .... or was that point supposed to mean .. look we have one female character that is a villain, its not misogynistic! idk honestly)
(and the classic, "you just call it this/dont like it bc its not what you wanted !!!!!!!2!"1!112!!")
also funny how its 'never gonna be progressive enough' like asking for the franchise to maybe put a little more thought and nuance into their white divine right vs evil desert man simulator instead of making it worse is already asking too much
(i dont know what the last point has to do with anything??)
(also yes totk is racist, like most if not all of the franchise and a alot of other media as well, shocker- you can still like it though, i and plenty of other people are still fans of it, we just wish they did a little more with their stuff and maybe not make the racism problem WORSE)
(also yes the hyrule monarchy is also evil :))) )
(and also not so secretly so either :)) )
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poorly-drawn-mdzs · 10 months
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+3 friendship with Jin Ling: He actively tries to dissuade you from further embroiling yourself in the homosexual allegations.
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