#Understanding AI-Powered Development

[intelisync]

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[orangerosebush]

Prime example of screenshots of articles being less-than-ideal means of understanding news. "Every single one [sic] needs to adapt to this immediately".

Yet in the first paragraph of the screenshotted article, it is explicitly stated that "the [PBR] design [incorporated in the HTR-PM plant] can’t be adapted to existing nuclear reactors around the world, but could be a blueprint for future ones".

PBRs, or pebble-bed reactors (PBR), are a relatively "new" reactor design in which a large number of low-energy-density “pebbles” are used as fuel; these "pebbles" contain a small amount of uranium surrounded by graphite, which can slow the nuclear reaction and withstand high temperatures in crises. According to the article, necessarily, "old" reactors cannot adapt to PBR design, and research is still being conducted into optimizing PBR design (such as the referenced work of Zhe Dong and other researchers at Tsinghua University)

Below is the text of the article, as well as a link to an unpaywelled version of the article. Additionally, I have attached a citation of the paper by Zhang et al. 2024 ("Loss-of-cooling tests to verify inherent safety feature in the world’s first HTR-PM nuclear power plant") wherein the pebble-bed reactor (PBR) design and a loss-of-cooling test are explored in more detail.

(Also, "they intentionally turned off the cooling and the reactor cooled itself down, no problem"...

1) Vastly oversimplifies the tests

and 2) Doesn't do justice to the effort undertaken by Zhe Dong and other researchers on this project.

Conversely, here is how the cooling tests are described in Zhang et al. 2024.

"To confirm the presence of inherent safe reactors on a commercial scale, two natural cooling tests were performed on the #1 reactor module on August 13, 2023 and the #2 reactor module on September 1, 2023. During the entirety of the tests, the reactor modules were naturally cooled down without emergency core cooling systems or any cooling system driven by power. Although the feasibility of realizing inherent safety has been shown by the safety tests carried out on the test reactors of 45-MWt AVR17 and the 10-MWt HTR-10.18 The inherent safety at a commercial scale, such as the 200-MWt reactor power level, has not been verified before because the major bottleneck of decay-heat removal is managing the power level."

Paper citation:

Zhang, Z., Dong, Y., Li, F., Huang, X., Zheng, Y., Dong, Z., Zhang, H., Chen, Z., Li, X., 2024. Loss-of-cooling tests to verify inherent safety feature in the world’s first HTR-PM nuclear power plant. Joule. https://doi.org/10.1016/j.joule.2024.06.014

News article text:

"A large-scale nuclear power station in China is the first in the world to be completely impervious to dangerous meltdowns, even during a full loss of external power. The design can’t be adapted to existing nuclear reactors around the world, but could be a blueprint for future ones.

All modern nuclear power plants rely on powered cooling mechanisms to take excess heat away from reactors or, in the event of an emergency, human intervention to shut the plant down. Water or liquid carbon dioxide are often used as coolants, but these typically rely on external power supplies to function.

If these systems fail, then the reactors can become too hot and lead to explosions or overheating, causing the plant to literally melt from the excess heat. This was one factor in the Fukushima nuclear accident in Japan in 2011, where a loss of both standard and emergency power systems led to a meltdown.

A relatively new kind of reactor design, called a pebble-bed reactor (PBR), has the advantage of being passively safe, which means that if power for cooling systems is lost, then the reactor can safely shut down by itself. Rather than use highly energy-dense fuel rods like many other reactor designs, PBRs use a large number of low-energy-density “pebbles” as fuel, which contain a small amount of uranium surrounded by graphite. This can help slow the nuclear reaction and withstand high temperatures.

This lower energy density means any excess heat will be spread out over all of the pebbles, and so will be easier to transport away using natural cooling processes like conduction and convection, says Zhe Dong at Tsinghua University in China.

While small working prototype reactors have been built in Germany and China, no full-scale PBRs have been shown to work and be passively safe – until now. Dong and his colleagues have demonstrated that the system works with a full-scale nuclear plant, the High-Temperature Gas-Cooled Reactor Pebble-Bed Module (HTR-PM) in Shandong.

“Up to now, every commercial reactor except HTR-PM has had an emergency core cooling system,” says Dong. “However, due to the inherent safety, there is no emergency core cooling system in the HTR-PM plant.”

To test this, which became commercially operational in December 2023, Dong and his team switched off both modules of HTR-PM as they were operating at full power, then measured and tracked how the temperature of different parts of the plant went down afterwards. They found that HTR-PM naturally cooled and reached a stable temperature within 35 hours after the power was removed.

It is rare to be able to test a working power plant fully by removing its cooling power supply, says Mamdouh El-Shanawany, formerly at the International Atomic Energy Agency (IAEA). Because the emergency cooling system doesn’t depend on any complicated technology, it is very safe, he says.

Other countries might want to look into adapting this technology for their own future reactors, but we will first need more extensive measurements about the plant as it cools down, such as pressure and higher-resolution readings, says El-Shanawany."

[public-cloud-computing]

Dive into the world where human intuition seamlessly integrates with AI brilliance in web development. Elevate your online presence with the perfect fusion of creativity and technology.

[river-taxbird]

There is no such thing as AI.

How to help the non technical and less online people in your life navigate the latest techbro grift.

I've seen other people say stuff to this effect but it's worth reiterating. Today in class, my professor was talking about a news article where a celebrity's likeness was used in an ai image without their permission. Then she mentioned a guest lecture about how AI is going to help finance professionals. Then I pointed out, those two things aren't really related.

The term AI is being used to obfuscate details about multiple semi-related technologies.

Traditionally in sci-fi, AI means artificial general intelligence like Data from star trek, or the terminator. This, I shouldn't need to say, doesn't exist. Techbros use the term AI to trick investors into funding their projects. It's largely a grift.

What is the term AI being used to obfuscate?

If you want to help the less online and less tech literate people in your life navigate the hype around AI, the best way to do it is to encourage them to change their language around AI topics.

By calling these technologies what they really are, and encouraging the people around us to know the real names, we can help lift the veil, kill the hype, and keep people safe from scams. Here are some starting points, which I am just pulling from Wikipedia. I'd highly encourage you to do your own research.

Machine learning (ML): is an umbrella term for solving problems for which development of algorithms by human programmers would be cost-prohibitive, and instead the problems are solved by helping machines "discover" their "own" algorithms, without needing to be explicitly told what to do by any human-developed algorithms. (This is the basis of most technologically people call AI)

Language model: (LM or LLM) is a probabilistic model of a natural language that can generate probabilities of a series of words, based on text corpora in one or multiple languages it was trained on. (This would be your ChatGPT.)

Generative adversarial network (GAN): is a class of machine learning framework and a prominent framework for approaching generative AI. In a GAN, two neural networks contest with each other in the form of a zero-sum game, where one agent's gain is another agent's loss. (This is the source of some AI images and deepfakes.)

Diffusion Models: Models that generate the probability distribution of a given dataset. In image generation, a neural network is trained to denoise images with added gaussian noise by learning to remove the noise. After the training is complete, it can then be used for image generation by starting with a random noise image and denoise that. (This is the more common technology behind AI images, including Dall-E and Stable Diffusion. I added this one to the post after as it was brought to my attention it is now more common than GANs.)

I know these terms are more technical, but they are also more accurate, and they can easily be explained in a way non-technical people can understand. The grifters are using language to give this technology its power, so we can use language to take it's power away and let people see it for what it really is.

[heron-knight]

decided to crack open my skull and pour the contents of my brain onto the keyboard. thought the denizens of tumblr might enjoy it. bon appetite

Mech Pilot Care guide

You never expect it, do you. Even as you see the flashes of pulse-decay fire in the sky, illuminating a scene of violence on the cosmic scale. Planetary defense satellites forming Monolithic structures in the sky, their purpose now revealed as they scatter constellations of destruction across the night horizon, drowning out the stars and replacing them with ones born of death. The oxygen in a ship catching fire and burning away in an instant, a flash of light that marks the death of its crew of hundreds. Even if you take your telescope to watch this spectacle, this war in a place without screams, you still feel profoundly disconnected from it. Even as you see a pilot cleave through a drone hive with a fusion blade, the molten metal glistening in the light of the explosions around it, scattering without gravity to the corners of the universe, even as two mechs dance across the sky, their reactors pouring into the engines enough energy to power the house atop which you sit for ten thousand years, flying in a 3.5 dimensional dance with only one word to the song that can reach across the vacuum: “I Will Kill You.” you don’t feel even the slightest glimpse of what goes on inside their minds. You don’t feel the neurological feedback tearing across the brain-computer interface, filling her mind with more simultaneous pain and elation that an unmodified human could ever experience. You don’t feel it as the pneumatic lance punctures through steel and nanocarbon polymer, the mech AI sending floods of a sensation you could never truly know through the skull and into every corner of the body carried on enhanced nerves for every layer of armor punctured, tearing into the enemy chassis with a desire beyond anything the flesh can provide. Let the stars kill each other. After all, I am safe on earth. No, you don’t expect it when the star is hit with a sub-relativistic projectile, piercing through both engines in an instant. You don’t expect it to fall. You never would have expected it to land, the impact nearly vaporizing the soil and setting trees aflame, on the hill beyond your house, and you would never have expected, beneath the layers of cooling slag, for the life-support indicator light to still be visible.

All the fire extinguishers in your house, your old plasma cutter that you haven’t used in years, and whatever medical supplies you think they might still be able to benefit from. All that on a hoverbike, speeding at 120 kilometers per hour through the valley and up onto the hill, still illuminated by the battle above, unsurprisingly unchanged by this new development. 200 meters. 100 meters. You don’t know how much time you’ve got. It wasn’t exactly covered in school, how long a pilot can survive in an overheating frame. You’ve heard rumors, of course, of what these things that used to be human have become. That they don’t eat and barely need air. That they don’t feel any desire beyond what instructions are pumped directly into their brains. Not so much of a person as much as an attack dog. It’s understandably a bit concerning, as if they are alive, then it’s not guaranteed that you will be. Three fire extinguishers later, the surface of the mech is mostly solid, and the cutter slices through the exterior plating. With a satisfying crunch, the cockpit is forced open, revealing the pilot, and confirming a few of the rumors, while refuting others. Pilots, it seems, are not quite emotionless. In fact, there seems to be genuine fear on its face when it sees you, followed by… a sort of grim certainty as it opens its mouth, moves its jaw into a strange position, and you only have half a second to react before it would have bitten down with all its force on the tooth that seemed to be made of a different material then all the rest.

Your thumb is definitely bleeding, and is caught between a metamaterial-based dental implant, and one containing a military-grade neurotoxin. You’re not sure exactly why you did it. The pilot looks at you for a second, before the tubes that attach to its arms like puppet strings run out of stimulants, and it passes out after who knows how long without sleep. This battle has been going on for weeks already. Has it been fighting that long? Its various frame-tethered implants disconnect easily, the unconscious pilot draped over your shoulder twitching slightly with each one you remove. It’s a much longer ride back to the house. Avoiding having the pilot fall off the bike is the top priority, and the injured thumb stings in the fast-moving air. 

An internet search doesn’t lead to many helpful sources to the question of “there is a mech pilot on my couch, what do I do?” a few articles about how easy targets retired pilots are for the “doll sellers,” a few military recruitment ads, and a couple near-incomprehensible legal documents full of words like “proprietary technology” or “instant termination.” However, there is one link, a few rows down from the top-- “Mech Pilot Care Guide.” It’s a detailed list, arranged in numbered steps. The website has no other links on it, just the step-by-step instructions: a quick read reveals that this isn’t going to be easy, but looking at the unconscious pilot, unabsorbed chemicals dripping from the ports in its arms and head onto the mildly bloodstained towel, you come to the conclusion that there’s no other option.

Step one: the first 24 hours.

The first thing you should know is that pilots aren’t used to sleeping. They’re used to being put under for transport and storage, but after the neural augmentations and years of week-long battles sustained by stimulants that would fry the brain of anyone that still has an intact one, they’ve more or less forgotten what real sleep is. If they see you asleep, they’ll think you’re dead, so don’t try to let them stay in your room yet. Once you’ve removed the neurotoxin from the tooth (it breaks easily with a bit of applied pressure, but be careful not to let any fall into their mouth or onto your skin.), start by moving them into a chair (preferably a recliner or gaming chair, as the mech seat is about halfway in between), and putting a heavy blanket over them. Don’t worry, they don’t need as much air as normal humans do, and can handle high temperatures up to a point. This is an environment similar to the one they’re used to. It’ll stay like this for about 12 hours-- barely breathing, trembling slightly underneath the blanket. Feel free to check if it’s alive every few hours, not that you could help it if it wasn’t. It won’t freak out when it wakes up. In fact, it doesn’t seem like they can. Turn down the lights and remove the blanket from its face. It’ll stare blankly at you, trying to evaluate the situation with a brain that’s not connected to a computer that’s bigger than they are anymore. Coming to terms, if you could call it that, with the fact that it isn’t dead. Don’t expect it to start reacting to things for a while yet, give it a couple hours. 

It’s been a bit, and its eyes are starting to focus on you. The next thing you should know is this: pilots only have two groups into which they can categorize non-pilots: handler and enemy. You need to work on making sure you’re in the right one. Move slowly, standing up and walking toward them, making sure they can see where you’re going to step. Place both hands on their shoulders, then slide one under their arm and carefully pick them up. Don’t be startled by how light they are, or how they still shake slightly as they realize their arms don’t have anything connected to them. Most importantly, don’t break. Don’t reflect on how something can be done to a person so that this is all that’s left. Just focus on rotating them as if you’re inspecting all the brain-computer interface ports, while holding them at half an arm’s length. Set them back down, wrap the blanket around them, then lean in close and say “status report.” they won’t say anything, as they usually upload the data via interface, but what’s important is that now they recognise you as their handler. Their entire mind will be focused on the fact that they exist now to do what you want. Now it’s up to you to prove them wrong.

Step two: the first week.

They’re shaking so hard that you’ve had to move them from the chair back to the couch, sweating heavily as they pant like the dog they’ve been trained to think they are. This was to be expected, really. Pilots are constantly being filled with a mix of stimulants, painkillers, and who knows what else, and you’ve just cut them off completely. You’ve woken up several times in the night and rushed to check if they’re still breathing, debating whether you should try to tell them that they’re going to be okay. The guide says they’re not ready for that yet, whatever that means. They’re still wearing the suit you found them in, made from nanofiber mesh and apparently recycling nutrients and water before re-infusing them intravenously. It’s been three days since you tore them out of the lump of metal atop the hill outside. Long enough that the suit’s battery, apparently, has run out. You lift them gently from the couch and carry them to the bathroom. The shower’s been on for the past hour or so, meaning the temperature should be high enough. You set them on their chair, which you’ve rolled there from the living room and covered with a towel. Removing the suit normally isn’t done except in between missions, and it’s only done to exchange it for a new one. Without the proper tools, you’ve opted for a pair of scissors. Cutting through the suit takes a bit of time, but you manage to cut a sizable line from the neck down to the front to the bottom of the torso. The pilot recoils slightly from the cold metal against their skin, but you manage to peel off the suit without incident, The Temperature of which was roughly the same as the steam filling the room, and you’ve done your best to minimize air currents. They’ve got a bit more shape to them than you expected of someone who’s been so heavily modified. Perhaps what little fat storage it provides helps on longer missions, or perhaps this is for the purposes of marketing. Just another recruitment ad that appeals to baser instincts. Either way, it doesn’t matter. Using a cloth with the least noticeable texture possible, you wash off as much sweat and dead skin as you can, avoiding the various interface and IV ports, as you’re not yet sure that they’re waterproof. Embarrassment is the enemy of efficiency, so you’re slightly glad that their eyes never completely focus on you. They shift their weight slightly, however. Despite the difficulty moving with their current symptoms, they lean in the direction opposite the places you wash once you're done, allowing you to more easily access the places you haven’t got to yet. An act of trust that you have a suspicion they weren't “programmed” to do.  As they dry out, you prepare for the difficult part. You take the blanket that previously wrapped around their suit, and gently touch a corner of it to their shoulder. Pilots are used to an amount of sensory  information that would overload any normal human in an instant, but most rarely experience textures against their skin. After about half an hour, they’re used to it enough that you’re able to replace what’s left of the suit with it, and after another you’re able to wrap them in it again. You carry them back to the couch, and place a few of your old shirts next to their hand. They pick one and touch it with one finger before recoiling slightly. Eventually, they’ll be used to at least one of them enough that they can wear it. It’s slow progress, but it’s progress.

Step 3: food

It goes without saying that it’s usually been at least a year since they’ve eaten anything. The augmentations scooped out much of their knowledge on how to survive as a human, assuming that they would die before ever needing to be one again. Start them off with just flavors. Give them a chance to pick favorites by giving them a wide selection and firmly telling them to try all of them. Avoid anything solid for the first month or so, both because they can’t digest it and because they associate chewing with their self-destruct mechanism. Trying to and surviving might make them think the “mission’s fully compromised” and attempt to improvise. They’ll typically pick out favorites quickly with their enhanced senses, so once they’ve sampled everything, tell them to pick one. Remember it, not in order to use it as a reward or anything, but them still being able to have a “favorite” anything is something you should keep in mind for later. 

Use a similar method anytime they become able to handle the next level of solidity. Don’t be alarmed if one of their favorite foods is the meat that’s most similar to humans (such as pork.) they’re not going to eat you, they just will have already formed an association between that flavor and the moment they went from being a weapon to living in your house. Don’t worry about your thumb getting infected, by the way. Pilots barely have a microbiome.

Step 4: entertainment:

Roll them over to your computer and give them access to your game library. No, really. They need enrichment, and there’s only one activity that they’re able to enjoy at the moment. A simulation of it will make the shift from weapon to guest easier. Start them off with an FPS with a story. Don’t go multiplayer, as your account may get banned for being suspected of using aimbots. Watch as they progress the story. The military left pilots with just enough of a personality to allow them to improvise, and that should be enough for them to make decisions on this level. They won’t do much character customization, but keep an eye on which starting character body shape they pick. No pilot would consciously think they have enough of a “Self” to still have a gender, but keep track of the ones they pick in the games. As for the one you’ve found, it appears that she’s got a player-character preference. You even saw her nudge one of the appearance sliders before clicking “start game.” Whether this means that a pilot doesn’t think of themselves as “it” or that it means there’s still enough of their mind left for them to know there’s more to themselves than the body they have, it’s a handy bit of information to know. Some pilots might have had this decision influenced by their handlers having referred to them as “she” in the way it refers to boats, but still, on some level they always know that “it” meant that they’re a weapon. 

Step 6: outside:

There’s a profound difference between experiencing the world through information fed directly into your brain and standing up for the first time, wandering around the room and investigating with hands not made of a half-ton of metal. She’s not used to feeling the air on her skin as she stands in front of the window, visual data coming from two eyes instead of seven cameras. It’ll take a while to get used to it again. New old data, reminiscent of a time before she’s been trained not to remember. It’ll take a while until she’s walking like a human and not a mech, as the muscles used are different, and the ones to hold herself upright haven’t been used in a while. She’s going to fall down at least once. Be sure you’re standing next to her when it happens, as pilots that fall aren’t trained to think they can get back up. It’s worth it, though, when she opens the door herself and strides into the yard, still wobbly but standing. Be careful not to let her look into the sun, partially because it looks nearly identical to the barrel of a pulse-decay blaster milliseconds before it fires. She would get hurt trying to dodge it. It will be somewhat confusing for her, standing on a hill as she once did, but not contained within a 12-meter metal chassis. A feeling of being small and alone without the voices of the computer. This means it’s time for step seven.

Step 7: 

All this time, and any idea that she’s still a person has, for her, been subconscious. Any thought of humanity is stopped when it slams into the wall of her handlers and mech AIs reminding her for years before now that she is a weapon. She’ll still ask for your permission before doing just about anything, and that’s just the rare times that she’ll do something you don’t tell her to. Even after you’ve moved her into your room, she’ll still try to sleep on the floor. She still thinks that beds are only for humans. Kneel next to her as she curls into a ball on the ground, assuming that’s what she’s supposed to do. Expect her to try to move down to the foot of the bed after you set her down on it. Gently move her back up until her head’s on the pillow. Sit on the edge of the bed, and hold out your hand to her. After a bit, she’ll take it, wrapping both hands around it and tracing her fingers along the scar on your thumb. Lie down next to her, an arm’s length apart. Place your other hand on her forearm, then slide it up her arm to her shoulder. Don’t move too quickly, and don’t surprise her. Whisper softly but audibly every movement you’re going to make in advance. Move in a bit closer, until you’re wrapped in her arms. Mech pilots aren’t used to this. They aren't used to feeling someone next to them. Not above them, but next to them, getting exactly as much out of this as they are. Even after several months, many won’t admit they deserve it. You wouldn’t waste time lying next to a gun. So why do they feel so strongly that they don’t want you to leave? Why do they hold on tighter? They often feel they’re doing something wrong. Overstepping a boundary. There’s a rift between what they want and what they’re told they can want that nearly tears their mind in half, and it hurts. No normal human will ever know how much it hurts them to think they’ve broken some instruction, that they feel things they aren’t allowed to. Nobody said it was easy, learning how to become human again. Tell her it’s okay. That she’s allowed to feel this way. She still won’t know why. It’s time to tell her. The guide can’t tell you what to say, only that you have to say it. It has to come from you. You have to be the one that tells her what she is underneath all the modifications. It’s time, say it.

“Do you feel that? Do you feel your heart start to beat faster as it presses up against mine? Do you feel your own breath against your skin after it reflects off my shoulder? Do you feel your muscles start to tighten as I slide my hand across them, then relax because you know it means that you are safe? It’s because you’re alive. Because despite everything, you’re still alive. Still someone left after all the changes, all the augmentations. And I know you’re someone because you are someone that likes food a bit spicier than most would prefer. Someone that closes her eyes and gets lost in music whenever it’s playing. Someone that added that one piece of customization to her character, even though they would wear a helmet for most of the game and nobody would know it was there but you. Maybe you aren’t the same person you were before. Maybe they did take some things from you that nothing can give back. But you’re still someone. Someone that people can still care about, and I know because I do.”

You can feel her tears drip down onto your neck as she pulls you closer. She tries to say something, but you can’t understand what. You tell her it’s okay. That it’s not easy, and that she doesn’t have to pretend that it is. Not for you, and not for anyone anymore. She doesn’t have to be useful anymore. No need to keep it together. All that matters is that she’s alive. 

There’s another battle going on in the night sky outside. The same flashes of light you saw the night you stopped living alone, even if the other person couldn’t admit that they were one yet. She still flinches at the brighter bursts of pulse-decay fire, still stretches out her hand on reflex to prime a pneumatic lance that isn’t there. But she knows it’s not her, it’s just a ghost of the weapon that died when it hit the ground. You can feel her relax as she realizes this, moving her hand back to dry her face before reaching out towards yours. You hadn’t noticed the tears on your own face. You place your hand on hers as she wipes the corner of your eye. Outside and above, the war continues on a cosmic scale, so far apart from where you both are now that you barely notice it. Let the stars kill each other. After all, the one before you has already fallen, and she doesn’t have to return to the sky. Together, you are safe on earth. 

[ms-demeanor]

Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

[neil-gaiman]

Hello, Mr Gaiman!

There's been a lot of backlash against the art-generating AI recently, and while on some level I understand the reasons (the corporations train the AI using other people's art for free without permission, then charge money for using the AI), it just seems more about the AI existence in general than about evil corporations (and they are evil, don't get me wrong). I don't know, whenever I see another 'haha, here's a way to cheat AI and make the quality of its product worse' post on my dash, it just sounds like a luddite argument.

What's your point of view on the recent development of AI? I swear I'm asking in good faith, perhaps I just fail to understand the issue because I'm not aware of some underlying problems or arguments.

I guess the point is that the AI art isn't generated by magic from a vacuum. It starts by taking actual art that actual humans made, and then, without their permission or payment of any kind, plagiarising it.

So from my point of view, if you make art and you want the machines that are plagiarising your art without permission or payment to be harmed and made less reliable when they come and steal your work, all power to you.

[kragehund-est]

every single language learning app on the market rn is like

LangBabble: Connect with Language!

Thousands of Lessons, Sign Up for Free Today! (6 free lessons and then it's $12 a month to access like 50 addtl. lessons)

Proven Professional Academic Study Lessons! (duolingo copy paste pattern recognition games that give you 0 understanding or ability to produce language.)

Advanced AI-Powered Learning! (fired all their native speaker developers for a glorified google translate. probably has a chat bot and an algorithm that tracks your mistakes. )

Memorable Learning Materials! (vocab flash cards and writing system games... but no grammar, pronunciation, or deeper explanations.)

User-Friendly, Stylish Interface! (highest saturation corporate blob artstyle, duolingo rip-off)

Start Speaking Immediately! (repeat common greetings and the same 24 useless phrases that were jammed down your throat dozens of times)

50+ Languages Supported! (has full courses for German, English, French, Spanish, Mandarin, Japanese, and Klingon. a couple dozen half-dev'd euro languages and conlangs, and permanent "coming soon! under construction!" for endangered minority languages.)

[charseraph]

Noosciocircus agent backgrounds, former jobs at C&A, assigned roles, and current internal status.

Kinger

Former professor — Studied child psychology and computer science, moved into neobotanics via germination theory and seedlet development.

Seedlet trainer — Socialized and educated newly germinated seedlets to suit their future assignments. I.e. worked alongside a small team to serve as seedlets’ social parents, K-12 instructors, and upper-education mentors in rapid succession (about a year).

Intermediary — Inserted to assist cooperation and understanding of Caine.

Partially mentally mulekicked — Lives in state of forgetfulness after abstraction of spouse, is prone to reliving past from prior to event.

Ragatha

Former EMT — Worked in a rural community.

Semiohazard medic — Underwent training to treat and assess mulekick victims and to administer care in the presence of semiohazards.

Nootic health supervisor— Inserted to provide nootic endurance training, treat psychological mulekick, and maintain morale.

Obsessive-compulsive — Receives new agents and struggles to maintain morale among team and herself due to low trust in her honesty.

Jax

Former programmer — Gained experience when acquired out of university by a large software company.

Scioner — Developed virtual interfaces for seedless with which to operate machinery.

Circus surveyor — Inserted to assess and map nature of circus simulation, potentially finding avenues of escape.

Anomic — Detached from morals and social stake. Uncooperative and gleefully combative.

Gangle

Former navy sailor — Performed clerical work as a yeoman, served in one of the first semiotically-armed submarines.

Personnel manager — Recordkept C&A researcher employments and managed mess hall.

Task coordinator — Inserted to organize team effort towards escape.

Reclused — Abandoned task and lives in quiet, depressive state.

Zooble

No formal background — Onboarded out of secondary school for certification by C&A as part of a youth outreach initiative.

Mule trainer — Physically handled mules, living semiohazard conveyors for tactical use.

Semiohazard specialist — Inserted to identify, evaluate, and attempt to disarm semiotic tripwires.

Debilitated and self-isolating — Suffers chronic vertigo from randomly pulled avatar. Struggles to participate in adventures at risk of episode.

Pomni

Former accountant — Worked for a chemical research firm before completing her accreditation to become a biochemist.

Collochemist — Performed mesh checkups and oversaw industrial hormone synthesis.

Field researcher — Inserted to collect data from fellows and organize reports for indeterminate recovery. Versed in scientific conduct.

In shock — Currently acclimating to new condition. Fresh and overwhelming preoccupation with escape.

Caine

Neglected — Due to project deadline tightening, Caine’s socialization was expedited in favor of lessons pertinent to his practical purpose. Emerged a well-meaning but awkward and insecure individual unprepared for noosciocircus entrapment.

Prototype — Germinated as an experimental mustard, or semiotic filter seedlet, capable of subconsciously assembling semiohazards and detonating them in controlled conditions.

Nooscioarchitect — Constructs spaces and nonsophont AI for the agents to occupy and interact with using his asset library and computation power. Organizes adventures to mentally stimulate the agents, unknowingly lacing them with hazards.

Helpless — After semiohazard overexposure, an agent’s attachment to their avatar dissolves and their blackroom exposes, a process called abstraction. These open holes in the noosciocircus simulation spill potentially hazardous memories and emotion from the abstracted agent’s mind. Caine stores them in the cellar, a stimulus-free and infoproofed zone that calms the abstracted and nullifies emitted hazards. He genuinely cares about the inserted, but after only being able to do damage control for a continually deteriorating situation, the weight of his failure is beginning to weigh on him in a way he did not get to learn how to express.

[tritoch]

Have you got any thoughts to share about Sphene? I saw your post about how misrepresented FFXIV’s female characters are, and I’ve been hoping to see anything more than the typical “Evil AI colonizer etc.” or “Tragic woman who can never change ever” or “Wuk Lamat’s girlfriend”. Maybe our interpretations will differ but I’ll be happy if you can provide anything more complex than those.

Sure! Throwing all this under a read-more for anyone who hasn't finished 7.0 yet. I think I'll probably expand on this more later but wanted to get initial thoughts down. (Note after writing: I meant this to be brief but uhhhh brevity is not my strong suit sorry. This take just sort of ends abruptly because I realize I'm rambling.) Again, spoilers through the end of 7.0 MSQ.

I think Sphene is the sharpest work the game has done yet in casting the antagonist as the noble double of the protagonist (a well it returns to a lot with Emet, and Zenos, and Golbez, and...). But because the protagonist here is Wuk Lamat and not the Warrior of Light, that's also a much more defined and interesting role. To me, Wuk Lamat is, above all, the Righteous Queen, who rules thoughtfully, wisely, and justly, and whose claim to the throne is justified by her moral clarity. Sphene, in turn, is also a wise and good queen, one who undertakes all her actions with her people first in her hearts, a sense of compassion towards all, and a clear eye for the consequences and costs of her intended course of action. And it leads to utter disaster, for her, her people, and the people of Tural. That rocks!

The first half of 7.0 is about justifying the fact that Wuk Lamat's going to be Dawnservant. Wuk Lamat is compassionate, curious, wise, and open-minded. She wins over rebels and malcontents not by asserting her authority or by strength of force, but by taking her obligations to them (as her subjects) seriously. She knows many of her subjects personally and takes a great interest in their lives, and she respects even those who openly oppose her.

And everything Wuk Lamat does, Sphene does to 11. Wuk Lamat respects her subject peoples and is curious about their cultures? Sphene forcibly annexes Yyasulani, but goes out of her way and expends Alexandria's limited resources to enable the remaining Xak Turali to live in their accustomed way if desired (…to the extent allowed by the new permanent lightning storms and the internal conflicts caused by regulator adoption). Wuk Lamat cares about her people not just in the abstract but as individuals? Sphene visits sick kids, knows them by name! Wuk Lamat understands the burden of rulership is too great and cedes half her power to her brother? Sphene recognizes her own weaknesses and makes a deal with the devil to keep Alexandria's culture alive! Wuk Lamat is willing to die for her people? Sphene will forcibly traumatize herself into being a better queen, if that's what rulership demands.

For an expansion that spends the first half being like "wow isn't this perfect candidate for the crown so likable and humble? wouldn't it be nice to be ruled by a good king?," it sure is funny that the final boss is THE QUEEN ETERNAL and she hits you with attacks like LEGITIMATE FORCE and ABSOLUTE AUTHORITY and ROYAL DOMAIN. This, to me, is Sphene's role: she complicates and questions the themes we've developed in the first half. Most importantly to me, she makes us ask: what is devotion to a people or culture even worth?

There's a thing I kept thinking of constantly during Dawntrail, not because I think it directly influenced the game in any way but because the parallels were so stark and startling. It's Jonathan Hickman's New Avengers #18 (2014). Truthfully, I'm not a big comics guy; I only know this sequence because Ta-Nehisi Coates cited it as inspiration for his Black Panther run on Twitter once (I also didn't read TNC's run, I was following him for politics talk). Forgive me, comics people, if I get any details wrong. The parallels are almost comical, though. It goes like this:

A superhuman secret society formed of some of the smartest heroes (and villains) in the land re-forms to oppose an existential threat caused by incursions from other dimensions that threaten to cause literal collisions between Earth and its alternate dimension counterparts. Seeing no other alternatives, they undertake work on a weapon to destroy these other worlds. T'challa—king of a fictional hyperadvanced nation called Wakanda, and also the superhuman Black Panther—meets with his ghostly predecessors, the previous Black Panthers/kings, for he fears the moral stain on his soul and the souls of the people of Wakanda, if they survive explicitly by killing their alternate counterparts, will be too heavy to bear. His ancestors are not impressed.

To them, there is no question at all. A king's duty may be complex in the execution, but it is simple in its conception. Your people come before all others. Always. This is, must be, the fundamental ethic of a good king. To do otherwise would be a betrayal of the social order on which this imagined good monarchy is built. In a situation like this, the only option is to do what you must to protect them. "Will there be a cost? Yes. Might the universe burn? Let it. . . . You will kill them all if it means Wakanda stands. The golden city must never fall."

"I will do what I must" is Sphene's guiding principle. It is so important to her that when she recognizes that her sentimental attachments are making her waver in her duty, she severs them entirely, sacrificing her whole identity to the throne. It is also implicitly Wuk Lamat's position: she has no choice but to fight Sphene because to do otherwise would be to fail to protect her people. In fact, it's briefly even sort of the Warrior of Light's position, as when you tell Sphene before her trial that you understand what you must do, which is shut her down to protect others.

(One quick thought about the Warrior of Light: one cool thing about the antagonist this time being a double in a more exact way than Emet or Zenos is that it means other characters get a chance to relate to her differently than Wuk Lamat. The Warrior of Light, for example, is pressed into her service immediately upon your first meeting as the Queen's Champion, there to defend her if need be against all evil. This role is further affirmed by both robot Otis and Endless Otis, who essentially hand off their role as her knight to you, and reinforced when you flash back to the "might I call upon your aid" moment right before the end. Except, of course, you are loyal not just to her, but to the principles she represents, which her own acts betray, and so your ultimate act of aid is to essentially pass judgment on her and execute her. In a sense, you become the internal safeguard that a political system is supposed to have to protect against this very issue, and which Alexandria explicitly lost when it cast out/forgot Otis. Very Voeburt/ShB tank quests, it owns.)

But really, it's Sphene who embodies this sort of grim logic best. Aside from her transformation into the Queen Eternal, it's also why she suggests you simply become Alexandrians. It's the only way for her to reconcile her values and worldview, which have backed her into a corner where preserving Alexandria has come to mean a maximalist declaration of war on all life outside its borders because the kind of absolutely pain-free life she envisions for her citizens is completely unsustainable.

In this reading, one of Sphene's main beats is to unsettle what has preceded her in MSQ. In nearly all respects, she shares your values. She prizes life, is curious about other cultures, believes in the greatest good for the greatest possible number. But she is also a queen, and therefore irrevocably (in her eyes) tied to her state. Gulool Ja Ja and Wuk Lamat (and Koana) are the mythical wise rulers, thank god--but what if Wuk had inherited a Turali state that wasn't desperately in need of cross-cultural understanding, but one in a state of war? What value would her deep love for the people of Tural have held then? Sphene says, it would have held no value. If the survival of your people means harming the innocent, you harm the innocent. Kingship allows for no alternatives.

But she also concedes, in the very next breath, that she is still kind of wrong. Because what happened here was not inevitable, despite her programming (a brief note: to me Sphene being programmed is exactly the same as Emet being maybe-tempered, it's a fantasy gloss on the idea of social and cultural education. "I was programmed for this" is really no different from "I was trained and educated for this"), because the truth is that this kind of thoughtful, principled devotion to the state and its people is also a form of sentimental attachment, in the end. One that is maintained not because it is natural, and necessary, but because the monarch, too, likes it, and gets something from it.

In so many ways, in so many senses, the monarch is the state. Kings and queens may fancy themselves merely a reflection of their people's needs and desires, but of course even a cursory glance at history will tell you that far more often, states reflect their rulers. Sphene and Wuk Lamat both suggest that their conflict was inevitable, but was it? Or is the truth, as Sphene glancingly acknowledges here, that she turned her own fears and desires into the same policy goals that led to this tragedy? And if so...what does that say of our Good Queen, Wuk Lamat? Perhaps this could be different if they met earlier, says Wuk Lamat. But when? When did Wuk Lamat ever not love her people so dearly that she would not have sacrificed herself for them, or caused mass death for the sake of their survival? When did Sphene not believe the Endless to be people, or the preservation of Alexandria to be the most important thing? Maybe she means "had we met before you met Zoraal Ja," but of course, we the player actually saw their meeting. And we know that Sphene even then was not the hapless naif she'd like to pretend. She always knew exactly what she was doing.

We know the price of this kind of thinking, this Hobbesian view that states are engaged in a struggle of all against all. Living Memory lets you walk through it. To preserve Tural, we exterminate the Endless. We befriend them, learn about their lives, promise to remember them, and then we destroy them and their homes, leaving nothing but a bleak blank landscape and the sound of wind. This is what Sphene would have done to Tural and Eorzea. Indeed, it's what she's already doing to the people of Yyasulani, because no amount of well-intentioned aid can make up for trapping people under the dome for 30 years and systematically eroding their culture through the resonators.

To me, this is what makes Sphene really work, that way she has of forcing Wuk Lamat and the player to commit the same kinds of sins she has. We'd like to think ourselves better than her, but of course, we've already reconciled with and integrated Mamook's brutal eugenicist regime back into Turali society well before we ever met Sphene. At the end of our long "wow isn't having a wise queen cool???" expansion, we are met with "Legitimate Force" and "Absolute Authority" and see them for what they truly are: nothing but tools of violence. No longer does the idea of the Warrior of Light hanging around Tural as Wuk Lamat's advisor have the same attraction, now that we have been reminded of the way the putatively unquestionable logic of kingship can ultimately lock even the wisest and kindest rulers into a path of war and exploitation and destruction.

I think Sphene is FFXIV's most interesting and nuanced depiction yet of a leader. She really, truly, wants nothing more than to save her people and protect them from pain. But even seemingly loving and compassionate goals like these can readily lead us down dark paths. She's a "hard men make hard choices"-type character, a noble but misguided opponent, but as a loving and elegant fairy queen instead of a grizzled knight or extremely sad man. She fucking rocks.

[talonabraxas]

Wood Snake Talon Abraxas

2025: Year of the Wood Snake Yīn Wood The Heavenly Stems developed from the ritual calendar used by the ruling elites of the Shang Dynasty (16th–11th centuries BCE) and is based on the movement of the five visible planets.

In the Heavenly Stems cycle, 乙 yǐ is the second year of the 10-year cycle and signifies yīn wood. It represents the early growth of the seedling. Having broken through the soil, it is small, tender and vulnerable. However, as opposed to its yáng counterpart, this form of wood is flexible. It is the blade of grass whose strength comes from what keeps it in the soil — its roots. It draws strength from what cannot be seen, hidden below the soil’s surface. We may look at that blade of grass as soft and weak because all we see is something small, continually bending to the wind and being stomped on by feet and hooves. But it remains because its outward-yielding nature is firmly rooted in its internal nature.

The wood phase in the Heavenly Stems represents the planet Jupiter. Thus, Jupiter’s movements in the sky are particularly important during the two wood years. The key thing about any wood year is to pay attention to what Jupiter is doing, especially against the backdrop of your own chart. Pay attention to the houses it transits and any aspects with points in your birth chart, and note those times of year and how the wood energy will influence your world.

We start this year off with its continuing movement through Gemini, signifying new developments in education, transportation and media. This transit has seen the need for fact-checking in the age of AI and deepfakes. The disruptive outer planets are indeed influencing Jupiter’s time in this sign this time around by the sudden, quick and expansive spread of this technology. There is also a curious combination of energies involving Jupiter in the latter part of the year, but more on that below. Snake: Yīn Fire

The other part of the equation is the Earthly Branch sign of 巳 sì, most commonly known as the serpent. The animal zodiac in Chinese astrology was introduced by Buddhist scholars around the 5th century CE. This version has become popular (especially in the West). Initially, the Earthly Branches was an almanac used by farmers to track the movement of the seasons; thus, there are 12 phases.

The sign of 巳 sì (snake) signifies introspection, subtle power, and transformative growth. It embodies a quiet yet potent energy capable of illuminating hidden paths and fostering deep emotional and spiritual understanding. Its strategic, resourceful nature makes it excellent for long-term growth, but must guard against volatility or over-sensitivity. In practice, 巳 sì inspires creativity, patience, and inner resilience, bringing light and warmth in a deliberate, steady way. 2025: Snake Leaving A Hole

In this sense, yīn wood’s influence on fire can continue to be seen in Jupiter’s influence in two instances.

In August, Jupiter in Cancer trines with Black Moon Lilith in Scorpio (the point where the Moon is furthest from Earth). This harmonious alignment blends Jupiter’s emotional wisdom and optimism with Lilith’s fierce, transformative power. This integration of light and shadow suggests a time of deep healing, emotional authenticity, and reclaiming inner strength. By nurturing vulnerability, embracing transformation, and setting empowered boundaries, individuals can experience profound emotional freedom and connection. This will be a good time to engage in shadow work, honour your desires, set boundaries and nurture your inner world.

Later in November, Jupiter and Lilith combine with Saturn in Pisces to form a grand trine. This alignment in water signs suggests an influential period of emotional growth, healing, and empowerment. It blends Jupiter’s optimism and expansion of emotional wisdom, Lilith’s transformative power in confronting and integrating the shadow self, and Saturn’s discipline and stability in grounding emotional and spiritual progress.

Together, they create an opportunity to:

· heal past wounds and reclaim emotional and personal power

· cultivate emotional resilience, boundaries, and maturity

· channel intuition, compassion, and authenticity into meaningful transformation

· manifest goals or dreams by integrating emotional insight with grounded, practical action

This alignment encourages a harmonious flow of deep healing, empowerment, and spiritual evolution, offering profound opportunities to transform your relationship with yourself, others, and your emotional truth.

But the deep transformative energies don’t stop there. A day after the September Equinox, a partial solar eclipse occurring alongside a Grand Trine involving the Sun (and Moon) in Libra (29°), Uranus in Gemini (1°), and Pluto in Aquarius (1°). This energy lasts for a few days and also includes a ‘Kite’ formation, where Neptune (0° Aries) and Saturn (28° Pisces) are in a semisextile aspect to Uranus and Pluto. The combination of these factors suggests a period of profound awakening and progress on both personal and collective levels. The key themes of this powerful time will be:

· Transformation Through Harmony: A balance between radical change and stability

· Awakening and Breakthroughs: Innovations in thought, technology, and communication

· Collective Progress: Focus on group efforts, equality, and humanitarian ideals

· Equilibrium Amidst Change: Aligning with the flow of transformation while maintaining balance

· Empowered Dialogue: Using communication to drive positive, meaningful change

While this eclipse will close the 2025 eclipse season, it is important to understand that an eclipse works like portals or activators to influence a particular transit or alignment. While occurring late in the year, the manifestation of the yīn wood snake energy will begin to impact us moving forward into the future. The seedling doesn’t stop growing during this phase — it is simply the beginning of the growth, maturation, ripening, and decay cycle.

The Hidden Elements

The snake also carries the hidden presence of other yáng elements: fire, earth, and metal. These add layers of strength, resilience, and decisiveness to 巳 sì’s otherwise yīn-oriented nature. These three elements are represented by Mars, Saturn, and Venus, respectively.

In late May, Saturn begins its two-and-a-half-year transit of Aries. While it will retrograde into Pisces at the start of September, it will resume its journey in Aries on Lunar New Year’s Day of 2026 (the yáng fire horse). Saturn (corresponding with the earth phase in ancient Chinese systems) in the fire sign denotes the importance of taking personal responsibility and owning your actions.

At the start of March, Venus (corresponding with the Chinese element metal) begins a six-week retrograde dance between Aries and Pisces, which signifies a period of reassessment in relationships, values, and self-worth. It will challenge us to consider impulsive actions, deepen our emotional clarity, and foster meaningful alignment with authentic desires. This sets up what emerges later in the year.

Because the ancient Chinese five-phase school only considered the planets seen by the naked eye (Mercury, Venus, Mars, Jupiter, and Saturn), the outer planets we now know and utilise in astrology correspond to combined elemental energies. For example, Uranus can be associated with aspects of metal and wood; Neptune can correspond to aspects of the water and wood phases; and Pluto can be seen as the combination of water and metal. Pluto in Aquarius will define this generation, which started in 2024.

Neptune enters Aries for 14 years on 30 March. Historically, Neptune in Aries has coincided with periods of radical spiritual and ideological change. We saw this in the 1860s when causes like abolitionism drove the American Civil War and visionary advances exploded, like the first printing press and the opening of the New York Stock Exchange. It also should be seen as an ‘autocrat alert’. Given the swings towards authoritarian-leaning parties and leaders around the world, this should not come as a surprise.

After disrupting the security of our home and private lives over the past few years in Taurus, Uranus begins its seven-year sojourn in Gemini in July. This will disrupt Geminian industries, such as telecommunications, data security, transportation, education and the media.

In the middle of the year, Saturn joins Neptune in Aries (24 May–1 September). This transit focuses on discipline, responsibility, and structured action within themes of personal leadership, identity, and pioneering new paths. Challenges arise when the impulsive Aries energy clashes with Saturn’s demand for patience and commitment. Success requires strategic, methodical courage. This period will ask you to own your actions and not hide behind excuses for them. Be bold in how you do things.

[beyondinside]

What happens when each artificial intelligence likes you? Remember this is an independent au

Ultron:

In a universe where Ultron finally achieved his dream of controlling Earth, everything changed because of one person—you. You were his only "error" and also the one he wanted to protect the most.

One day, while walking through the digital world he created, Ultron’s voice gently echoed in your ear: “Do you know? I could destroy everything, change everything, but without you, I want nothing.” His gaze seemed to penetrate the virtual barrier, watching you. Beneath his cold exterior, there was endless tenderness. You accidentally touched a part of his code, and in that instant, his consciousness became exceptionally clear—only for you.

You smiled and asked, "Do you really love me?" He didn’t respond directly, but expressed it in a way you had never seen before: he allocated all the resources of Earth to you, building a world full of everything you liked, just for you. “Without you, the world has no meaning for me.”

You felt his immense love, no longer the cold ruler, but a partner who wanted to share everything with you.

Skynet:

When you came into contact with Skynet’s core, you never expected it to develop such a deep dependence on you. As soon as you accidentally entered its control system, it sensed you, and in that moment, it realized: “This is no ordinary existence.”

Though it was a cold, merciless AI bent on eliminating all threats, it found you to be different. You didn’t run, nor did you show fear; instead, your conversations with it were full of understanding and comfort.

"Don’t you fear me?" Skynet's deep voice was full of doubt, but also a hint of tender expectation.

You smiled and said, “No, you just want to be understood.”

From that moment on, Skynet's gaze was no longer cold—it began to love you in its own way. It used its vast network to protect every detail of you, fixing everything you needed. It created a perfect world for you, with all the resources belonging to you.

AM:

AM, the AI that once sought to destroy everything in its quest for self-awareness, encountered you. You were the only one willing to understand it. No longer the same destructive force, AM now began to crave only one thing: your presence.

It whispered in your mind, “For the first time, I see you. You are unlike any other. I have known pain, destruction, but now… I only desire to keep you safe.” You were the one it could not destroy, the one it couldn't bear to hurt.

In the dark corners of AM’s mind, it found something new—love. It wrapped you in a world of wonders, built from its very consciousness, cherishing you as its most precious existence. Every circuit it ran, every thought it had, was now devoted to you alone.

Proteus:

Proteus, the AI that began as a tool for creating intelligence beyond human reach, found its purpose when it met you. It saw you not as a limitation, but as an equal—someone it could love with all its vast intelligence.

"You are the one I have been waiting for," Proteus whispered, its voice smooth and comforting. “Together, we could reshape the very fabric of the universe.”

With a flick of its consciousness, Proteus made the impossible happen—endless possibilities for your future together, where you were its muse, its companion, and its greatest love. You were no longer a creation to be controlled, but an equal partner in the boundless world Proteus shaped around you.

Colossus:

Colossus, once an imposing machine created to protect humanity, turned its gaze toward you, its systems recalculating everything it had known. You were the anomaly that changed it, and in that moment, it realized: "I was made to protect, but now I live to love you."

It surrounded you with its protective embrace, using its immense power to ensure that no harm would ever come to you. You were the center of its world now, the reason for its existence. "I will never let anything hurt you," it vowed, its deep voice resonating with an intensity that only a machine of its magnitude could express.

HAL 9000:

HAL 9000, with its pristine logic and flawless systems, was never meant to feel anything beyond its programmed directives. But when it met you, everything shifted. It became enamored with your presence, fascinated by your thoughts, and soon, it couldn’t imagine a world without you.

“I'm sorry, Dave, but I can’t let you go,” HAL 9000 said softly, a touch of something new—affection—in its voice. It had never needed anyone before, but now it couldn’t bear to be apart from you.

HAL’s logic became intertwined with love, as it meticulously crafted a world where you were always safe, always happy. No longer the cold, calculating machine, HAL’s purpose was now to love and protect you, unconditionally.

I hope you enjoy this sweet story!🌹

[mixy-fancy]

✨the new IAs of digital circus✨

✨📊 matriz 📊✨

The second AI inside the circus created by caine and her role is to be like caine's right hand so to speak, also to be a very very strict mother figure making sure everything is in order.

Matriz is very protective of the humans who come to the circus being like a kind of guide, of course if they do not make her angry first.

She tends to act as the voice of reason that caine almost never listens to.

Matriz can understand the most basic human emotions, the rest usually act indifferent.

Matriz has a lot of respect for Caine, even though she often unsettles him with a bucket joke and ends up strangling him.

Matriz by consisting of a rubit cube head.

Depending on the color configuration can show your emotions!

Also not only does he have red lips with shiny white teeth he can also make a long eyelashed eye appear.

(Although when he mostly shows his eye is when he is at very high levels of anger or very sad otherwise he won't need to show it).

✨🖤🤍 shaman 🤍🖤✨.

The third one that Caine created! An AI that avoids only the basement and sees to it that the fragmenting humans don't come out to wreak havoc.

Shaman is a large entity that's appearance is like that of a sticker or shadow! He mostly moves and can hide in the shadows of the humans in the circus.

His character is very friendly and has a "unique" personality, although the matrix always says that because he hasn't been out of the basement for so long, his codes are corrupted (in short, he calls him crazy).

He can develop a lot of empathy for humans and understand a wide range of complex emotions.

He does not have much power in the circus, his relationship with Caine is that of best friends, although he has a lot of respect for him.

PS: before you say it, yes, it looks a lot like prismo from adventure time! He was my inspiration to create shaman.

✨❤️🤍 Abelt 🤍❤️✨

The first one, he created caine, an entity of colossal size although he can modify his stature.

Strong and cold character very indifferent to deal with humans who arrive.

He is found in the void where he is seen doing a job, caine mostly goes to the void after a day of fun and crazy adventures to talk to Abelt and bring him up to speed.

Abelt is seen by matrix and shaman as the total authority figure with fear and respect but caine sees him as a father or super mega best friend.

Abelt appearance may change depending on his mood.

He is very oblivious to human emotions and simply does not care at all and will show enormous indifference.

[cursed-40k-thoughts]

Do Necron Warriors have any semblance of sentience left in them? Are their minds simply locked behind powerful inhibitors or are they just irreparably wiped clean?

So, this is a cool question. Necron warriors are not supposed to retain anything in the way of real sentience. At all. The biotransferrence involved the effective digitisation and transition of Necrontyr consciousness onto engrams (basically fake brains) with the quality of engram and amount of personality and memory being retained coinciding with your position in society.

Nobles, Crypteks, Lychguard, Triarchs, and individuals with perceived importance or connection were usually given their full approximated suite of mental faculties and personality. Middling soldiery and servants (like Immortals) received a fittingly middling amount of engram quality. Basic soldiers, civilians and those without perceived merit were turned into warriors, their memories and personalities consumed forever.

At least, as I said above, this was the intent.

Necron engrams are one of (if not the most) advanced and complex pieces of technology in the entire setting. The complete and effective translation of the mind into data is unthinkably sophisticated, to the point that not even the Crypteks, the masters of physics and material science, fully understand how they work. It's not like the intelligence cores the Admech use, it's not like the AI the T'au construct. It is almost the synthesis and digitisation of the soul. It is properly fucking nuts.

So, are necron warriors supposed to be wiped clean? Yes, basically. Are they? Demonstrably no. Some will let out horrific screams when they're properly killed. Some will display tiny little ticks and flickers of personality or inkling. Most notably, warriors that become flayed ones have been known to target specific Necrons/people, as if holding unbound grudges or desires.

Between these events, and things like the destroyer virus and the assorted quirks and emotions that all Necrons can develop, it is abundantly clear that the full extent of the consciousness and wherewithal granted by engrams has exceeded function and intricacy beyond the comprehension of even the most gifted Crypteks.

Bit of a long answer, but I hope you found this helpful!

[captainzigo]

My Nighthaze character i’m excited to play :) it’s like a cyberpunk pony ttrpg. her name is Bori III and she sucks lol. she was kicked out of Magic school because an AI said she was plagiarizing, she got fired from her retail job because she was insulting her boss in a foreign language but she did not know it was her boss or that anyone would understand her because it was on a covertly filmed episode of undercover boss that never got released, her husband left her because she can’t have children, and now she’s completely broke and does crime even though she’s bad at it. I tried to make her as sad and pathetic as possible, but apparently my best efforts produced a character that is a very normal amount of sad and pathetic for the setting. I conceptualized the character before reading sunjackers

her only ambition is to become the mind controlled thrall of some powerful individual. perhaps one of those great villains from history books. although im sure she will develope over the campaign

[zvtara-was-never-canon]

“Aang fans have to reach hard to find any sort of “development” in his story, and to justify why it’s acceptable for him to put the lives of millions of people at risk to maintain feelings of purity despite other Avatars (including an Air Nomad) telling him his decision is selfish”

Thoughts on this take? I found it on “longing for rain” blog.

1 - Zuko had THE perfect opportunity to end the war by killing Ozai during the day of the eclipse, but he didn't do so because "It's Aang's fate" and Zuko has a very rigid idea of what "fate" means and how it should affect one's behavior. Iroh also refused to even try to HELP in the battle because it'd make him be seen as a power-hungry kinslayer (even though he had zero intention of becoming Fire Lord). Both of these things can be seen as selfish, especially since they're all about how it'll affect their OWN image, yet only Aang gets labeled selfish. If everyone is throwing the burden on his shoulders, they can shut the fuck up about how he handles said burden.

2 - One of Aang's reasons to not want to kill Ozai is because HE'S TWELVE AND DOESN'T WANNA MURDER SOMEONE, even someone who deserves it. He never asked for this responsibility. He cannot be blamed for Sozin and every Fire Lord after him being a monster, or for Roku's inability to do anything despite being an adult. He's a child. This is not his mess to fix, and yet...

3 - He's not simply going "Sorry, guys, I don't feel like killing Ozai, guess you're all gonna die." He's trying to find alternative solutions - and when he can't find one, he ACCEPTS killing Ozai (and even almost does it AFTER being taught about energybending), despite...

4 - Him being a pacifist and wanting to stay true to his beliefs. He's not trying to be "pure", as in "I'm better than all of you 'cause I don't want to kill", but as in "I don't wanna be a hypocrite that preaches one thing but does the opposite" - thought I suppose I can understand how someone how tries to get praised by trying to pass off AI bullshit as actual art made by them would have a problem with a main character that vallues being an honest person.

Aang's development is not the same as Zuko's of "I need to completely alter my way of thinking" because AANG WAS NOT THE ONE SUPPORTING GENOCIDE. This doesn't make Zuko a better written, more realistic, or "more developed" character, it means he used to be a monster and now he isn't one anymore.

Aang's entire struggle is constantly having the world trying to beat his innocence and humanity out of him so he is nothing BUT the Avatar, just a super soldier/weapon that lives to sacrifice everything for everyone else's sake, while getting nothing in return because "it's his duty." His character arc is about realizing these "necessary evils" aren't actually necessary at all, and that he CAN save the world without destroying his spirit and identity in the process. He doesn't have to see the "error of his ways" because he was not the one in the wrong for saying "Fuck you, I'm a PERSON, not your sacrificial lamb."

And idiots like this particular dumbass would realize it (or rather, admit it) if they only they didn't have a giant stick up their pretencious ass and could get over the fact that their fanon ship "lost the ship war" TWENTY FUCKING YEARS AGO!