#Unless there’s a very good reason

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[emry-stars-art]

Hang on I actually can’t remember if I ever posted the girls

[red-moon-at-night]

remember you can vote every day! peace and love on planet earth <3

[blumineck]

How about the grenade arrows in RRR?

I'm sorry, but you've seen my videos, right? What do you honestly think my budget is?

(Seriously though, there are /so many/ topics I'd love to cover and try but can't for time/money/space reasons. I've not even covered fire arrows yet!)

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[triptychofvoids]

I consider this a science party achievement

you are correct

[clownsuu]

I hope this question doesn't make you uncomfortable (extremely sorry if it does) but do you see howdy and wally as a couple? Your art of them is very sweet and I love it a lot

[looks at all my tagged ship art of them and then back at u]

yes HDGDGSH-

[marblerose-rue]

click for better quality!

the planes of existence

[mishy-mashy]

I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.

Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.

(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)

Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."

He remembers Jirou and thinks, The braying howls of the weak...

He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.

AFO saw Yoichi in Mineta.

These scenes are near-identical to each other.

Mineta and Yoichi (at that time) are both much smaller than the normal person at their age

They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice

Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)

The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.

Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.

AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.

Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks

AFO even stole Hawks' Quirk during this time.

He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.

He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.

And this let Mineta play his part, and remind AFO of Yoichi.

"A putrid, festering Quirk Factor."

That sounds like Yoichi, AFO.

".. such garbage."

Hey hey hey, what did Yoichi throw at him when they were kids?

A discarded can. Garbage.

This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].

Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.

Even though this time, Mineta [Yoichi] offered to take that place of suffering.

Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.

Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.

Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.

Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.

Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.

Reiterating something from OP's post that I reblogged this from;

"The reminder of his brother made him uncomfortable, so he hurried away."

AFO didn't want to hurt Yoichi again.

[golvio]

Ganondorf with Alexander the Great Syndrome, where he’s dangerously clever and fantastic at military strategy, intrigue, adapting to setbacks, and inspiring people under him to action through his energizing charisma, which along with the necessary hubris from believing he is meant to rule makes him extremely effective at the “taking things over” part of attempted world domination.

However, despite his belief he is naturally inclined to lead and therefore is the best possible person to control everything, he is also absolute dogshit at actually administering his holdings and doing the basic day-to-day business required to maintain more permanent control over the territories he invades. Unless he’s motivated to stay put and hold course by a powerful grudge, he’s often moving on to the next, more exciting challenge once he’s finished his business in a location, which often involves physically leaving and abandoning whichever poor patsies he’s appointed to look after things in his absence to fend for themselves. This is why all the kingdoms he’s ever built according to his personal vision of how the world ought to be collapse into dust immediately after he dies.

Getting this man to do paperwork will get you the same response as trying to force him to chew broken glass, which is why he will always be defeated unless he eventually develops the good sense to appoint either a whole cabinet or a single reasonably competent secretary to do all the boring stuff for him.

[selfindulgentraptor]

No but actually I've been headcanoning this since the dawn of time, this con was 2 months ago how am I only learning about it now

(OG source https://www.youtube.com/watch?v=2iMiAK5i9T0)

Like this is most likely just Tom Kenny being a G and inspiring the individual he spoke to, but I'LL TAKE IT AUTISTIC SPONGEBOB CANON WE WIN TODAY

[deoidesign]

.

[leqclerc]

Looking at the way Charles’s Monaco win was celebrated by the entire team, the whole paddock, and countless fans across the world, it’s crazy to me that Binotto fumbled those three attempts (2019, 2021 and 2022) so badly. Especially the last one, obviously. I mean people will revere Vasseur now (if they weren’t already) and he will go down in history as the team principal that delivered that long-awaited Monaco win and helped Charles basically fulfill his destiny. If Binotto had thrown his whole weight behind Charles when it counted he could’ve been a part of that success

[silusvesuius]

fictional female characters and characters with insanely obvious cluster B personality disorders will never know peace as long as te/s fans keep making posts about them i mean it

[catkin-morgs-kookaburralover]

God? Are you there? Do you hear me? Did you hear me, tonight, crying instead of throwing up, for the first time in a month? Did you see me? Did you see the way I stared at the wall, while terrible thoughts passed through my mind? God? Are you there? Can you remind me, please, just this once, can you remind me of all the promises? There are stars in the sky, God. There's sand on the shore. But God, please. Are they for me? God? Are you there? Do you hear me? I'm sorry. I am so, so sorry for all the things I do, and the person I've become. I'm sorry that all I can think is that it means I should die. I know my friends, my family, wouldn't want that. God? Are you there? How do I stop feeling forsaken? I'm not even depressed, God. You brought me through that. But I'm still in the valley of the shadow of death. If they take me to the hospital, God, I'm scared I won't get a choice. I'm scared the only choice I have is the one I must not, cannot, take. God? Are you there? Do you hear me? Do you weep for me? Did your Son die for me? And, God? If that's true, why? God, I have scars that might not go away. I didn't mean to go that deep. Not with those. Unless I do something, God, I will never be able to wear shorts again. I've worn them with scarring, yes, but not that scar. God? Are you there? God? Do you love me?

[bmpmp3]

vocal synths and winter designs