#We love a restful king

[the-mediocre-witch]

Champion of naptime.

Ao3: MediocreWitch | Twitter: _MediocreWitch_

[hunsa-jars]

Couldn't sleep so turned the sol statues into separate pngs, take them from me now

Also bonus early concept Kuafu statue?

[freyadragonlord]

Finished Heavenly Tyrant and my first comment is.........

......... Qin Zheng was WAY too funny for how much he sucked. Made me feel so conflicted.

Anyways, Heavenly Tyrant is an amazing book, highly reccomend!!!

Power to the people ✊️

[queenlucythevaliant]

clean your sword

i. Peter had thought many times about dying for his brother, killing for his sisters, as all oldest children do.

ii. He'd imagined it a hundred times: how if his mother and father were ever killed, he'd get some low-skill job and make sure Lucy's clothes still fit her as she grew. How he'd make fists and fight dirty if Susan was ever threatened. What he'd do if Edmund ever had to flee the country on a dark, windswept night.

iii. Yet when he heard Susan's horn that day, he still froze. Only for an instant, he thought, "this can't be my job, right?"

iv. The blood on his sword shone red when it was all over. When he wiped it on the grass, the stain it left was almost black.

v. They'd put Susan in his arms when he was two years old. Peter didn't remember it, but he knew he'd been waiting for her till then. He wasn't a real person until he was a brother.

vi. And when they walked back to the pavilion, Rhindon bumping Peter's hip, all he could say to his sisters was, "I'm sorry I didn't come faster."

vii. The High King was almost obsessive in the way he cared for Rhindon. When he grew older and required weapons larger than those made for a child, he obsessed over them too.

viii. He told the others, in no uncertain terms, that if it ever came to it in battle, they were to leave him and live. As their brother and high king, he commanded it.

ix. The first time Edmund risked himself for Peter's sake, Peter didn't speak to him for a week.

x. He was oiling his sword when Edmund found him. "See, the thing is, Peter, being brothers goes both ways. If you can love me enough to die for me, than I get to love you just the same."

xi. Peter agreed with him then, to avoid the argument. He was sick of not talking to his brother. Yet privately, he knew that Edmund was wrong. That sacrifice was Peter's special prerogative, as the first-born.

xii. Back in England, his mother noticed that Peter had become more fastidious. She didn't notice that his protective streak has grown - and maybe it hadn't, really.

xiii. It was uncanny, how Peter would always show up just when his siblings needed him. He'd round a corner, and there was Lucy stamping her feet and scowling at a bully. There was Susan, crying, and now his knuckles were bloody.

xiv. He cleaned the blood off in the sink so carefully. The water ran red for a second, and it almost seemed black.

xv. When Caspian asked for the High King's advice, looking so very young, Peter jerked his chin towards the sword a Caspian's hip. "Be ready to use that," he said. "Keep it clean, and close."

xvi. Susan forgot Narnia and she forgot Aslan. Yet selfishly, Peter still hoped that she would never forget how quickly he came when she called.

[starryeyeddreamer21]

I think Alastor would ALWAYS have a problem with the people his friends are dating

I bet he often flaunted how close he was with Rosie to every single one of her husbands and Rosie thought it was hilarious. Those two are scheming or gossiping 24/7 which means when they talk they are standing very close and whispering so no one would hear what they say. Every single one of her husbands hated it and it was step one of their downfall EVERY SINGLE TIME

He's absolutely killed/helped kill Niffty and Mimzy's exes and men that wouldn't leave them alone in general (this is literally canon with Mimzy)

He constantly says Charlie is too good for Vaggie even when him and Vaggie become more civil but it's fine because he's joking... Mostly

And when him and Vox were still close??? Omg he was convinced Vox had the worst taste in men EVER and him ending up with Valentino honestly just proved his point

It takes a little bit of a turn with Husk and Angel because he's just equally unimpressed with both of them like he'll look at Angel and be like "Really? The drunk?" And then he'll turn to Husk like "Really? The whore?" And then decide that neither of them can do better in the most derogatory and secretly caring way possible

[mirandimoo]

showed my mom sk8 the infinity and she told me that she thinks ‘langa is in love with reki and reki might be but he doesn’t know it yet’ which is crazy coming from my mom bc she literally watched yuri on ice and genuinely felt victor and yuri were just “good friends”

[evelynpr]

Katsuki is always the number 1 fan favorite because the story comes from Izuku's POV. From witnessing the story through his eyes, the reader just can't help but admire Bakugo, like how Izuku can't help but love him too.

[casualavocados]

What are you proud of?

KISEKI: DEAR TO ME Ep. 03 / Ep. 06

Bonus:

[pensymbols]

ah yes the brook/franky/robin/jimbei polycule also known as the babysitters also known as monkey d luffys biggest enablers

[cassandra-silver]

Let me release some character headcanons into the wild real quick, specifically about Odysseus and his family. And by headcanons I mean my canon-compliant (as far as I'm aware) interpretation of their characters and arcs.

Penelope: A quiet, gentle, book-smart girl underestimated by everyone and considered "plain" especially next to Helen. Odysseus was the one who saw her for the interesting amazing person she was, hence why she fell in love with him.

She's logical, introverted, a bit of a nerd, and a little shy; she prefers to remain in the background instead of the spotlight. When Odysseus is away for 20 years and she deals with the suitors Penelope grows to be more resolute and bold, having to step into a leadership role even if she doesn't prefer to do so. She can kick ass if she has to (both verbally and physically) but doesn't enjoy doing it herself (setting her apart from the usual Spartan.) Even over the years, she remains introverted, preferring her books and her son's company over politics, battles, and annoying strangers.

She admires Odysseus for his bold leadership, his talent for improvising and handling crowds and attention, his cunning, and his battle prowess, the fact that he has and would never diminish or humiliate himself to impress or please anyone (even her), as well as his undying loyalty. Moreover, his bold, adventurous energy has always made each day an adventure and without him, her life feels really empty and dull. She's always been the steady, level-headed one in the relationship who doesn't shy away from telling him when he might be making a mistake and grounding and supporting him when he needs it.

Odysseus: A bold, somewhat reckless, confident boy who grew into a decisive, cunning king. Penelope was the one who saw his good heart underneath his carefree and somewhat condescending demeanor, acknowledging him for the well-intentioned person he really is hence why he fell in love with her.

He's got the smartest mouth in all of Greece and can talk his way in or out of *almost* anything. He's more street-smart than book-smart, able to improvise, lead, and think on his feet. He's unafraid to speak up and talk back (even to the gods), which has gotten him in trouble countless times (not that he'd ever stop.) During his 20-year-long ordeal, he naturally became more ruthless, less over-confident, and more willing to do what was necessary to reach his goal, but he never actually lost either his good heart or his true values, only covered them up because he thought he had to. Before and after he was a natural leader and diplomat, a cunning and strong warrior, and someone who isn't afraid to be in the spotlight and take responsibility when he has to. If anything, he tends to blame himself too much. Although after his return his trauma and bad experiences leave him more hesitant and insecure in his leadership than he's ever been; it takes a while and a lot of support for him to grow back into it and stop seeing himself as the monster and the one who is to blame for the deaths of his entire crew.

In Penelope, he admires her intelligence, her steadiness, her undying loyalty, and the fact that she will always ground him, call him out, and support him in often the same breath. He's always been the decisive one in the relationship with better people skills, but without her reassurance that he's doing the right thing, he is only half as confident in any decision made. He finds strength and assurance in knowing that she would follow him to the ends of the earth, but also keep him from straying onto the wrong path without hesitation.

Telemachus: While inheriting his father's bold, fearless attitude, he has also his mother's gentleness and dislike for politics. Growing up seeing how dejected and miserable she was because of his father's absence, he has developed a positive, sunshine attitude, also to brighten her life a little.

He's both naive and not at the same time; being bullied by the suitors for so long, he knows human depravity very well, but being stuck in Ithaca, he doesn't understand the sacrifice and pain that comes with being a hero. He's somewhat of an ambivert—book-smart like his mother but also fearless like his father. Mostly he's just a kind, good person who wants to bring light to the people in his life that he cares about and will always choose to greet the world with open arms when possible.

When his father returns, he becomes the new light in his life as well, helping him to open his heart again after what he's been through and giving him new hope in the way that Polites used to. He admires his mother's intelligence and dedication, and her endurance and ability to step out of her comfort zone and confront bad people when she has to. In his father, he admires his leadership, his loyalty, his endurance, his battle prowess, and ruthlessness—his ability to do what he has to do. Telemachus sees his own inability to be so ruthless as a shortcoming, even though Odysseus is more than happy that his son is not like him in this regard and tries to shield him from anything that may change this.

[duahauuoplanh]

[lightgamble]

DAREDEVIL: BORN AGAIN | 1.09

Frank's entrance.

[beatx-mavie-archangelx]

there should've been at least a full view of Fíli's body in the funeral scene

"Fíli you didn't deserve any of this" we all say in unison

[laesas]

RamKing + Venus Flytrap || by kinnbig

[morganafayes]

the thing that bothers me most about the whole exile arc isn’t even that arthur exiles gwen necessarily (though i maintain that the way it was done was still absolutely unnecessarily cruel) but it's more so the way that the narrative presents it. like the narrative framing the writers chose to go with is essentially that what he's doing is wrong because WE, the audience, know that she didn't actually cheat - therefore he’s overreacting about something she didn't do. instead of it being that a) regardless of whether she cheated or not it would STILL BE WRONG for him to exile her even if she did - because she’s a commoner without status and a single woman being thrown out of the only home she’s ever known without provisions or a place to go on the pain of death, and that he’s abusing his power without realising it. (like what happened to all that about class equality... ok!!). and also that b) regardless of whether she cheated she would still be sympathetic and that one mistake doesn't define you and that relationships are messy and people have flaws. idk it is just so ridiculous to me that she’s not allowed to make even one mistake before he exiles her after all that talk about how he would give up his kingdom for her. its a choice!

like ultimately regardless of whether she did it or not. how he responded was still wrong and it really bothers me that that ENTIRE arc (which did nothing but traumatise her!!!!) is made to about arthur and him deciding to take his mistake back and realising he regrets it. like SHE GETS EXILED and somehow the story is still only interested in arthur…. like truly what the fuck. they just put her through trauma and then discarded it all without ever giving it the space it needed to be processed either by her or the audience. it’s the way her pain and trauma are just sooo constantly sidelined by the show's narrative in order to better serve arthur and his 'character development' or whatever. im just so done !

[gingermintpepper]

Little idle thought I've been having recently but I think Cyparissus' story is very important for characterising Apollo and Apollo's love. It's so easy to think of love and loss as two ends of a spectrum, likewise, so often, death is seen as an ultimate and tragic end in love stories - something final and inescapably tragic, the only force that halts love by separating the lovers.

Cyparissus' story is... not that. Yes, the deer dies and one can conclude then that death is once more at the heart of separating two lovers, but I think Cyparissus specifically requesting to die, specifically begging Apollo to let him grieve forever even after Apollo has done his best to help Cyparissus move on from the accident and Apollo letting him is a powerful thing.

Because Apollo not only puts Cyparissus' wishes over his own, he's also able to see past his own building grief to immortalise Cyparissus in such a way that both grants him his wish and allows other people to glorify Cyparissus as well! And I think such a beautiful thing is something criminally overlooked!

It's become something of a joke that 'all Apollo's lovers turn into plants' but from a functional perspective, flowers are the most brilliant way to keep the spirit of a beloved thing alive. Flowers are like stars - as long as there are humans, humans will always contemplate the nature of flowers and as the god of poetry and song, Apollo creating opportunities for his beloved mortals to be remembered eternally even if they never seized glory in the traditional way is such an intimate and beautiful thing. Even then, Cyparissus is elevated to a similar status as Daphne with Apollo's actions - not merely a plant or flower but one that specifically symbolises him, one that is extremely fragrant and beloved by him. Just as Daphne's laurels were synonymous with glory and victory, Cyparissus' cypress became a emblematic of grief and remembrance. Even today, thousands of years later, people still view cypress trees as mourning trees and plant them in cemeteries and use the ash in incense burnt in remembrance of others. How's that for Apollo keeping his word.