#YES AT LENGTH

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[averagegriftersbonefan]

ok, i have finally gotten to season 5, and i have got to say one thing. this fanbase infantilizes martin to Hell and back and i do NOT understand how you can do it if you finished this damn podcast, i understand hes very sweet and he has a really cute voice but from 165 to 175 i think i have heard him pretty cheerfully ask jon to kill people about twice per episode on average,

[cowprintsillies]

My findings

[simandy]

do you guys mind if i go crazy for a moment

[ghostly-cabbage]

We need to talk about the worst thing about making AUs....

The fact that then when you inevitably think about crossovers you don't want the crossover with the canon you want it with your specific AU. Your brain worms, your circus, but THEN WHAT?

Oh, yeah, to understand this crossover you need to go read this entirely different fic/series? Girl help 😭 you can't do that

[cherrywhite]

I'm never going to recover from this

[mollyjeanne615]

me: wow, npmd is such a tight show! it feels like it goes by so quickly, not a single second is wasted

npmd: *is the longest hatchetfield show*

[elekinetic]

unpopular opinion but i don’t think mike’s final pokevolution is leather jackets, long hair, silver rings (eddie 2.0) bc that’s not mike—it’s an imitation of his idea of freedom. when he’s really free, it’s gonna be dnd t-shirts and open button flannels. black jeans and converse, cargo jackets and medium length hair—a grown up version of his favorite childhood looks. not karen, not eddie. mike.

[sugajimin]

2022 - YOONGI RECAP

you can also call it, yoongi’s hair evolution 

BONUS:

(cr: ptd on stage/yet to come in busan: 0613data,nba japan games: @/jung-koook)

[rhinocio]

what have we got, team

[stopthatfool]

"And here we are in heaven. For you are mine... at last!"

Nick and Carole on their wedding day! Based on the headcanon I made in this post where their first dance song is: At Last! By Etta James! (Mav took this photo)

[rad-roche]

heard rumblings of an oblivion remake. i'm not sure if that's actually substantiated, but if it is it'll be interesting to see what they do with it. part of oblivion's charm, i think, it just how busted and of its time it is. it's got that 360 near-launch look to it, that 7th gen bloomy, saturated haze, like somebody at bethesda is spit-polishing your camera in real time to keep your focus off the fact that the engine is spewing black smoke. the score is lush and soft and sweeping. oblivion has, for lack of a better term, a kind of mucilaginous quality to it, i think, but i assume part of that is the positive memories i ascribe to it through nostalgia. oblivion is bright, and dense, but there's enough in it for you to stick your hands in and gouge out something interesting yourself. if you make it cleaner, better, if you wipe the vaseline off the lens, i wonder what's left? i can't argue that they shouldn't improve things like stability, or the ai, or increase the amount of voice actors from 2 to 3, but i hope the likelihood of a quest npc saying ᶠᵃʳᵉʷᵉˡˡᵎ and then pinging straight through the wall, never to be seen again and ruining a quest you'll do 80 hours from now, is at least there. i'm looking forward to it, in any case

[ajcrowlor]

It's so clear now that you are all that I have I have no fear cos you are all that I have

so i decided i wasn't actually all that happy with the background of this piece and redid it haha :'D

again, this is from a post-series Empty rescue plotbunny, it's yet another image of Dean and Cas in freefall (which is probs from watching too much Eureka Seven in hs), and have the soundtrack that is both inspired by this scene and acted as inspiration to draw this (mostly Snow Patrol's You're All I Have and Signal Fire being blasted on repeat):

(also how the FUCK do yall size your procreate shit for tumblr? i feel like everything i post looks like a pic i took with my first slide phone circa 2008... it makes potato quality look good *sobbing*)

[caeslxys]

So I'm actually watching vox machina for the first time in full (after researching the major story beats and reveals for my mighty nein watch knowledge and watching tlovm) and I already do not agree that any of vox machina would. immediately turn down laudna's resurrection even if they knew about delilah.

because cassandra looked them in the eye and said she was a briarwood and percy—soul still caught in a battle with the entity he sold it to for this very purpose, to end the briarwoods and take his revenge—was the one to stop grog from killing her. because vax took him aside one day and told him, if he lost control, if he put vex or any of the others in danger, he would kill him. and percy gave him his blessing.

because vex took percy's face in her hands as he was losing control, and calmly told him to take off his mask. because keyleth stood by percy's side and kept him straight, worried and argued and stressed and maintained the throughline of good that she knew exists in him. because percy trusted pike enough to ask her, genuinely, what he looked like. and because she saw his deal and cast no judgement and healed him.

even throwing aside the fact that they will see the familiar devastation in bells hells of losing a friend, throwing aside that particular brand of empathy...I think even more than that they understand the power of simply staying by someone's side in their darkness. they know first hand what keeping someone in the light takes, and I think they'll take one look at bells hells and know that they have what it takes to keep laudna safe.

[draconicdeityarts]

Breaking my silence. She is built like Sonic the Hedgehog

[phoenixcatch7]

The Wayne doll house

Have some haunted doll au, since it's been bubbling away in my mind.

The bat cave is large and sprawling, many layers and tunnels and hollowed out cracks in the walls. It takes many years to fully reinforce to prevent stray kids from tripping into stagnant waters or fall down crags as he once did. The doll cave, as it becomes known, is in one of the deepest, darkest corners, one where the lights of the furnished caverns above don't reach.

It's one late night sitting at the computer when it suddenly occurs to Bruce that his first encounter with a doll was at the well entrance, many levels above.

There was nothing there when he went back.

-

The justice league stared at the subaru. The subaru, having no eyes, did not stare back.

The seven of them had just finished a very long, arduous mission, and narrowly escaped government censure after the base they'd been raiding had turned out to belong to some corrupt official. With the alert up, they couldn't escape through city airspace, or even in their hero suits.

So civilian it was.

Batman had hotwired some bloke's car while the rest of them ducked into alleys and shop bathrooms, but the problem remained. There was seven of them. And five seats.

"I can shift into something more suitable for being carried," suggested j'onn, "but I believe one of us might have to hide."

"Foot well?" Hal tried, and everyone looked around at the tall, bulky, broad heroes.

"Think they'd have to go in the boot," Barry finally said. Everyone immediately turned to him. "No."

Batman spoke up before the discussion could devolve.

"I think.... I would be best for that."

The team stared.

"Batsy?"

Having no lungs meant he could not drag in the tired sigh he wished, but whatever force allowed this body to talk was capable of approximating something suitably resigned.

"As I am, I am... incapable of fully passing as human. It would be best if I remained out of sight."

"So just? Go change? I swear we won't be weird about whoever you are under the mask. Even if you're like, bald."

"Thank you, Wally, but I'm afraid I'm being serious." Reaching for the mask in broad daylight was unpleasant, but the glue and wires held as he gave it a few thorough tugs. "It doesn't detach."

Everyone stared. Clark reached out as if he wanted to check, but withdrew.

"Do you even have a civilian identity??" Oliver eventually asked. "Because at this point I'm genuinely not sure."

Wayne Enterprises and Queen Industries had a meeting that same evening. "Hn."

"Can we go back to the 'incapable of passing as human' part?!"

"We can discuss it in the car," he snapped, stalking past Barry and popping the boot. "In case you haven't forgotten, we're on a time limit."

For once, that seemed to encourage them, and batman, with great dignity, folded his joints and cape into the small space, ignoring Hal's mutter of 'what kind of contortionist -' as he slammed the lid. With a little shuffling he managed to activate his comms.

"I will inform the watchtower of our delay."

"Batman, they're tapping all outgoing signals, you can't -"

"It won't trigger," he interrupted, before he twisted his consciousness and sent it spiralling across the country.

Bruce awoke with a groan, stretching his limbs and taking a moment to marinate in his annoyance before he reached for the comm and voice modulator on the beside table.

"Batman to watchtower, we've encountered delays. If the Texan state government calls we haven't entered the state in six weeks. Batman out."

-

"Alien?"

"No."

"Reanimated corpse?"

"No."

"Uh... Demon?"

"Hm. No."

"You're not just a meta human, are you?"

"No."

"Vampire?"

"No."

"Robot??"

"No."

"Batsy, please, someone's got to win the bet eventually. How do we even know you're not lying?!"

"You don't," Batman said, not looking up from his paperwork and Flash groaned, letting his sticky notes fall to the floor as he buried his head in his arms.

"One day," he bemoaned to the keyboard, "one day we'll figure it out."

"Until then please keep your eyes on the monitors."

Flash groaned again.

-

Robin ducked under superman's arm as he scuttled down the corridor, laden with the night's haul of snacks. The real problem wasn't getting them - stopping league members from raiding the kitchen would be extremely counterproductive - but keeping them until he could return home to his human body to eat them. Batman had started searching him each time they left and it was really cutting into his daily sugar intake. Unfair! Just because he didn't actually use energy to stay up my night to fight crime, it felt like he did!!

'Oh, you're broken, Robin, oh, don't go out until the glue has fully set, Robin' his arm was fine! It wasn't like there was much crime to be fought on the watchtower anyway! At least not physically.

So he was pretty pleased with himself until he went to set the snacks down and found that the tar like glue they used had soaked through the sleeve and gotten all over his chocolates.

With his other hand, he tried to pry them off, wincing as the wrappers tore and stuck. He tried to shake it, ignoring the way his elbow rattled in the joint.

"Come on, come on - aw, cheezits."

The arm fell off. Robin stared despondently at the limb, surrounded by torn wrappers and dripping black glue where it connected to the elbow. The sour stink of formaldehyde filled the air.

He was going to be in such trouble with Bruce.

The click of the door jerked his head up.

Flash stood in the doorway, wide eyed. Robin stared back.

Flash screamed.

Oh yeah @dehydratedmockingbird have a thing