#YOURE SHAPE …..

[n4rval]

i lied. here's a bonus.

[glacier-shrimp]

Some flowers for you ❤️

[poorly-drawn-mdzs]

You keep telling yourself that Namari.

[mobius-m-mobius]

#obsessed with their priorities

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[stefisdoingthings]

wings

[earl-of-221b]

I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?

On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.

I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.

And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.

And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.

So she can get revenge on her father, for revenge on herself.

[pigswithwings]

PRINTER?? or brick phones :3

hi its been like 4 months enjoy

[shushmal]

"I think it's sweet," Steve says.

Robin wrinkles her nose. "Nothing about Eddie Munson is sweet. He's a sewer rat, at best. Or like twenty opossums in a trench coat."

"Opossums are cute."

"He probably has rabies."

"You say that about me all the time, so I guess that's good. We'll have rabies together."

"He gave you a rock."

"You give me rocks all the time," Steve says, rolling his eyes. He runs his thumb along the textured edge of the rock Eddie'd handed to him.

"Yeah, good rocks." Robin scoffs. "That one sucks."

[void-dude]

ok but he must be at least a little bit jealous!!!!!

Oh he's totally upset and jealous if he sees them being all lovey-dovey!

Tad really easily slips into old habits, so they just end up bickering! (Bill gets grounded by the end and it takes him an embarrassingly long time to realize that Tad, in fact, does not have that authority over him anymore)

Btw your art is just so hrghhh it's so fucking nice to look at I CAAAAAANT AAAA

[ithinkdogshouldvote]

Rip Bill Cipher, you would have loved Chapelle Roan.

[ambrosiagourmet]

This is just a smaller observation that will hopefully someday be part of a larger analysis on Kabru's view of Laios & how Laios impacts him...

But I think it really interesting that Kabru surrenders something for Laios twice, and that these moments are inversions of each other.

The first time, Kabru gives up his life to maintain his control. He changes the course of the entire story with this action, and is willing to die to achieve that. Kabru is (supposedly) entrusting the future to Laios, but he is still very much the primary actor in the overall narrative. He is still the one choosing what the story should be.

The second time, however, Kabru gives up his control to keep hold of something personal and selfish (in the way of dungeon meshi selfishness - it is a good thing to keep this desire. It small piece of what makes him a living creature). He steps aside to let Laios choose the way forward. He surrenders narrative agency for personal agency... not changing the story, but changing himself.

[short-wooloo]

"None of the Jedi recognize that darkness exists in them"

Incorrect, recognizing one's own darkness and rejecting that darkness is a basic and fundamental aspect of Jedi teachings

[circesoracle]

Destiny 2 is a silly little looter shooter but also its a story about love and it did matter and continues to matter at every turn. Destiny 2 is the opposite of that post about the love being there but not changing anything. the love is there and it changes everything. we succeed because Elsie tells her sister that she's there and she loves her and she trusts her and she won't leave again. we get Mara back because Shuro Chi loved her. we defeat Savathun because she cares, because she feels betrayed, because she feels her sisters were betrayed with her and that care and love blinds her. we live because Mara learns to open herself up to love and refuses to walk away from her brother again and turns back for him this time. we win because Eramis loves her people too much to fully buy into the Witness and we win because Eido believes there's good in everyone and refuses to live in a world where people can't change. we win because Taranis loved Riven and their children and defied his own nature and starved himself to give them that love. we win because Rasputin loves humanity so much even though he was never meant to because Ana loved him so much she taught him every beautiful thing she knew. we win because despite their differences Ikora loves Zavala and Zavala loves Ikora and they couldn't live without each other. we win because Eris loved her fireteam too much to let phantoms of them ruin that love and she lived because Brya loved her enough to give her one last chance. we win because our ghost loves us. just because he loves us so much. and because we love him. and because Cayde loves Sundance and wants to spend eternity with her. we win because at every turn the characters choose to love and trust and forgive.

[redysetdare]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[ionomycin]

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