#actually not only recognize it but value it

[unnonexistence]

i think a large chunk of my media taste is just "this has deeply moving & emotional character arcs, but isn't afraid to get a little silly with it"

[alluralater]

hey everyone, i won’t be as active for a while. got home last night super late after being on the road for 20 some odd hours. dealing with some family things and as an older sister, my priority of taking care of my siblings comes first before anything else. being on here is amazing for me but i don’t think i’ll have much time for it. reminder to please treat those in your life who are battling addiction with patience and care. i lost my older brother (sweetest person i’ve ever known and he remained that way up until his last night) to suicide and alcoholism, trauma and ptsd, depression and his feelings of hopelessness. talk with the people you care about. another of my siblings is dealing with the same and i refuse to let it escalate to such a terrifying end twice in less than a fucking year. remind the people you care about that there are beautiful things to live for. show them kindness and love. there is all kinds of misinformation out there but know this, you can make a difference for someone. don’t let them suffer in silence.

[fulgurbugs]

what do you think is the worst octopath take you’ve ever seen

ok i’ve seen a lot on reddit. because sadly i do crosspost there… so i can’t remember everything but one from recent memory that i remember clowning on with my friend is someone on reddit saying that alfyn and tressa wouldn’t like each other. literally why the fuck would they dislike each other they’re actually best friends forever

[todayisafridaynight]

What do you think Mine’s reaction to Masato / Aoki be like?

tbh they'd probably be. amicable. at the very least.

[artunderwraps]

ok so i was sorting through my binder from eighth grade and i found something very important

(yakkos world style narratoon) and now, the reasons why homework sucks, presented to you by me!

(written by my group and yours truly, sing this to the tune of old macdonald)

Homework all day is the worst,

Free me from this curse!

It always messes with my sleep,

Every night it hurts!

A question here

a question there

Here a question

there a question

Everywhere a question!

I wish homework dissappeared,

Every year its worse!

I'm sleep deprived and not okay,

free me from this curse!

I cannot take it anymore,

every night it hurts!

A minute's passed

ten minute's passed,

How long will this homework last?

I wish homework dissappeared,

EVERY YEAR ITS WORSE!

(yiu need to scream that last part its very important emphasis matteres)

[bat-the-misfit]

the way Ti doms see people is so funny

like they gather info to "how someone works" like they're some kind of machine or puzzle they want to solve

[b0nelessdoodles]

hehehehe silly goblin doodles from the year

[slugandthorn]

pain and agony of having so much to learn to make more things but I need a job/further schooling to learn but I have to have made the things first

[paper-mario-wiki]

hey you want to know why the only major selling points of AI right now are the types of generative mock-art that it creates, while all other uses are mostly just talked about and all real-world tests of it have been catastrophic failures?

art is one of the only human-made things that does not require any degree of precision to be considered acceptable. an AI cant code because it would need to master precise, contextual syntax. it cant design the floor plan of a building because it would need to comprehend precisely how to arrange a room. it cant drive a car because it would need to make sense of everything that could possibly happen on a roadway to make decisions that are on par with a human acting on instinct.

there is so little AI can actually do, and the freak cunts trying to cram these LLMs down our throats are painfully aware that as soon as people start to recognize AI art as inherently flimsy and low production value (already happening), and AI writing becomes so incestuously self-fed that it's instantly recognizable to the human eye (kinda also already happening), theyre gonna be fucking sunk.

thats why youre seeing advertisments everywhere pushing AI so hard, with taglines like "you cant stop the future" or "welcome to the future" or whatever. it's the same reason crypto bros got a super bowl ad. they got what everyone wishes for: to get rich quick. unfortunately, after they flew up that mountain at breakneck speed, all they found was a sheer cliff face that they now see themselves barreling towards.

we can only hope their wheels are greased and their brakes are cut.

[yanderenightmare]

TW: yandere, classism, degradation, possessiveness, obsessiveness, blackmail

gn reader - feminine clothing (jewelry: earrings, necklace)

Thinking about your rich boyfriend…

Rich boyfriend – who buys you clothes and jewelry every time you have a date, even when you tell him you feel bad receiving them all – that you have nowhere to wear such nice things – that a simple date is really more than enough. 

Rich boyfriend – who ignores you with a smile and shake of his head, asking you how you expect him to stop when you’re just the absolute cutest? Looking at him with those moon-big eyes, humble crinkle between your brows, and your lip tucked nervously between your teeth to keep from gawking. 

Rich boyfriend – who orders for you at all the restaurants he takes you to because he knows you’ve never been anywhere like it. Looking so adorably lost in your seat, flushed when staring at the menu written in a language you can’t read – knowing even if you could, you still wouldn't know what any of it meant. You’re so, so, so precious – eyes peeled like you’re a pet who’s just been allowed at the table for the first time.

Rich boyfriend – who plays four instruments, speaks five languages, went to an Ivy League institution, and will inherit his entire family’s business being the spoiled only child that he is.

Rich boyfriend – who just loves the messy household you grew up in – loves how you and your siblings interact with each other, looking like a bundle of pups all crammed in the same cage at a pet store – how your childhood bedroom is the size of his closet – filled with all sorts of trinkets you’ve kept growing up – stuff that would usually wind up in the trash at his house – polaroids of you as a teenager, past boyfriends in kissing booths, prom pictures, concert tickets, and old rusty friendship lockets. 

It’s all so… He scoffs. The word for it escapes him.

Suppose he doesn’t quite recognize the pricelessness of sentimental value as opposed to something actually sellable – but he finds it cute that you do. 

Though, it bothers him to some degree as well… that you would value an old pair of earrings gifted you by your grandmother instead of the actual antique diamond pair he’d procured for you. After all, one was a real historic piece worth a fortune a Russian duchess had snuck into England during the war, and the other was old junk made by a noname jeweler.

Rich boyfriend – who chokes on his spit when you sit him down and tell him you want to break up – who thinks he’s misheard – that you’re joking, playing some uncultured game he’s never been exposed to, some ill-taste past-time only poor people do to escape their bitter reality. 

But you’re not joking… 

You’re breaking up with him…You.. You… broke trash of worker-class scum… you’re breaking up with him?

You give him back all his gifts in a cardboard box – telling him you’re grateful but that you truly don’t have any use for such things – that you think your worlds are too different to coincide. 

Of course, you refrain from telling him you think he’s a classist snob. You have a feeling it would have gone completely over his head if you’d tried anyway, so there really was no point to it.

Rich ex-boyfriend – who’s never been told no in his entire life…

Rich ex-boyfriend – who buys your street and plans on scrapping it to make brand new mansions in a project he dubs “cleaning up the slums” – evicting and putting you and your entire family out of the home you’d spent your entire life growing up in.

Rich ex-boyfriend – who thinks you’re crawling back to him when you schedule an appointment at his office – who thinks you’re going to come in with bleary wet eyes and grovel like the lowly peasant you are – let him save you from poverty and homelessness, make you his charity case – his pretty diamond in the rough who’s never quite able to wash all the coal off.

Rich ex-boyfriend – who trashes that same office when you leave after having given him the address to the pawnshop you sold the one pearl necklace you’d kept as a token of your relationship – telling him he should feel free to go down there and get it back – that you’re using the money to buy a better house and you just wanted to come and thank him for that. 

Of course, you wanted to slap him too – spit on his tie or maybe just take a piss on his desk – but you left it at that.

Rich ex-boyfriend – whose next move is to buy your family business, who hires a private eye to dig up dirt on you and all your family, burying you in fines from age-old petty crimes, gets you kicked from your scholarship.

Rich ex-boyfriend – who goes to that pawnshop and reports the pearl necklace as a stolen item and has the police arrest you. Spinning a story about how he thought you were this humble sweet thing, only for you to rob him behind his back.

Rich ex-boyfriend – who comes to visit you in the custody suite where you sit cooped up with all the other wretched mutts on the cold concrete floors – scolding you for making him come down to a dirty police precinct, for having him breathe the same air as all the lowlives held up there.

Rich ex-boyfriend – who tells you he’ll make it all go away.

He’ll drop the charges, let your family keep their house – or buy them an even better one, whichever you prefer – he’ll even promote your family business and pay for all your siblings' education – he’ll give you everything. 

Anything you want, it’s yours.

But he owns you.

BNHA – Bakugou, Shoto, Dabi, Hawks, Overhaul

JJK – Sukuna, Gojo, Naoya

HQ – Oikawa, Sakusa, Miya twins

BLLK – Reo, Rin

HxH – Illumi

[humanlyimprobable]

Its funny, I used to dislike Father's day due to my own trauma with my bio father. But now it's genuinely one of my favourite holidays with my chosen father.

Theres no paperwork saying it, but he's given me more than my bio dad ever has. And for that I'm unendingly grateful.

[ladystoneboobs]

so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.

oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.

[deadsetobsessions]

Summonings

Ever since Danny Phantom became the Ghost King, he’s had to deal with an endless amount of crap. An eternity of it, actually, and it was constantly causing him unending amount of existential crises and stress.

First, there was the paperwork. Pariah Dark, the incompetent asshole, had left him decades worth of bureaucracy to painfully sift through. He ended up hiring some ghosts with paperwork obsessions to sort some of that out. Who knew ruling the infinite realms would require this much paperwork? He’s lucky each section of the underworld had their own systems to report to their own rulers who, in turn, report to him.

Secondly, there were the Observers. And other ghosts, like his own rogues, but they were the main issues. Eyeball menaces. They protested his appointment, something he actually agreed with. Putting a fifteen year old on the throne is rarely a smart decision. But the Infinite Realm values strength, the only type of currency that matters in the land of the gods and the dead. Danny? Phantom? He’s got strength in spades. With only a few months of being a ghost, Danny had managed to defeat Pariah Dark, who had cowered gods and struck fear into the hearts of ghost heroes.

But Danny hasn’t quite realized the significance of that yet, too focused on the realization that he was about to be in charge of the infinite realms. The Observants, since his reluctant and extremely limited coronation, has been up his ass about doing things the “proper way.”

Danny’s main problem lies with the ridiculous amount of paperwork though. It’s fine. Tedious. But fine.

But if he gets one more fifteen page essay style complaint form about some guy named Constantine, Danny might seriously reconsider donning Dan’s ruthlessness and offing the guy himself. Perhaps grab the man by his shoulders and shake him like a rag doll and ask who the fuck told him it was a good idea to sell his soul out like that? Danny eventually just sent out Skulker to hunt down the contracts and trade minor services for them. He owns most of the soul now, and perhaps he’ll hunt this guy down and force him to do paperwork.

Regardless, paperwork was just often tedious. He’s worked out a system for himself. The halfa, true to his teenage form, had better things to be doing. His homework, for one. Hanging out with his friends and logging in hours for Doomed 2 would be another. But no, he’s here, twirling a pen as he glared down at a stack of forms for a zone expansion. What the fuck does Zeus want to expand his zone for? The current share space of the sky domain is literally a perfect balance with respect towards the other gods. For the love of- Danny slams down a red ‘REJECTED’ stamp on top of the stack. His hair flickers wildly in annoyance, the iced over Crown floating above his head emitting concerning levels of frost. To anyone else but himself, of course.

He then feels a soft tug on his core.

Right. The third most annoying thing about becoming King: the fucking summoning. Danny taps his pen against his lips, clicking it against his fangs, as he considers the summoning circle that calls him. Huh. Desperation. Mildly bloody. Fear. Resignation- ah, fuck it, it’s not like he’s too enthusiastic about staying to do work with the Observers poking around. He takes the summoning, allowing his regalia to overtake his normal hazmat-clad form, and approves the summoning.

Oh hey, Danny thinks he recognizes that ugly ass trenchcoat.

—-

John Constantine has had more than enough practice summoning things that would give people nightmares. But there are things he normally refuses to touch, refuses to even entertain the idea of trying. As usual, desperation made John its bitch and the Justice League’s battered and bruised faces tugged on his shriveled heart.

He’s going to summon something from the Infinite Realms. Oh, but he wasn’t just summoning any old ghost. No, he thought, I’m just going to summon the one being that’s guaranteed to be able to crush our universe without breaking a sweat. Bollocks.

“Is it ready?”

“Untwist your pants, spooky,” John snaps, wishing he had a crate of whiskey he could down. “We’re trying to summon the Ghost King, not your average demon.”

“What do we know about him?” Batman’s gravelly voice demanded.

“Powerful enough to take us all out without even breaking a sweat. Defeated the bloody tyrant who ruled over the Realms last I heard.”

“That’s it?”

“You could ask Deadman, but I heard he’s on the outs with the Infinite Realms on the fact that he’s made of pure magic, not ectoplasm.”

“There’s no guarantee the king will work with us.” Zatanna says, pressing her fingertips together tiredly. She had been at the forefront of the battle and had paid the price for it. “But he’s supposedly more benevolent than his predecessor… and we’re out of options.”

“Hm.”

“Just make sure to shut up and let me do the talking.”

“Hn.”

John rolls his eyes and takes a fortifying breath, something that does not go unnoticed by the League. They all tense up, preparing themselves for a battle. Another one, seeing as they all got their ass kicked by a ghost only ten hours ago. The League is spread thin, running interference to distract the ghost in question and evacuating civilians.

John Constantine started chanting, the glow of his magic lighting up the circle as he spills his blood into the circle.

He waits, heart in his throat, for the summoning to work.

“Is it supposed to take-” Red Robin asks, only to cut himself off as the circle flares once more. Power pulsates outwards from the circle. Frost crackles on the frost resistant floors, spreading outwards as a green portal rips open the fabric of time and space. Long, spindly imitations of a hand grabs the edges of space and pulls, heaving the rest of his celestial body out of the tear in reality. John does not look away. He can not look away, not from the eerie green pallor of the King, not from his torrential white wisps of hair, not from the black-hole like material of his outfit, not from the nebulas and beginnings and endings tailored onto the King’s cape. John could not look away from the ice crown that floated like a bastion of power above the king’s head.

His mouth is dry. What price will he have to pay to save the world? What price will this being demand of him, of the Justice League, to save the world?

John desperately needs that drink.

—-

Oh! He’s in his home dimension! His core purrs at coming home, at the close proximity to his first haunt.

He was expecting cultists, or even the Winchesters again, but this is nice.

The Justice League- summoning him. Sam and Tucker are going to flip when they hear about this.

They’ve been staring at him in silence for a bit now. It was getting awkward.

“Why have you summoned me?” He asks, softening his tone. By their winces, he didn’t get it as well as he thought. Danny grimaces. At the first sign of discomfort though, the man in the trenchcoat- is that fucking Constantine?!- launches into a nerve filled tirade.

“Your, uh, Majesty.” He starts. “One of… One of your subjects is wreaking havoc on the world. We would be extremely grateful if… if you could reign him in?”

Danny’s face sours, only to quickly clear his expression as he realized how much even a small hint of displeasure causes the jumpiness in Constantine and the others.

“To do that, I will have to make a contract with you, seeing as you’ve summoned me.” Danny drawls, letting his overly long digits wave at the summoning circle in question. He could break it, of course, but Danny’s bored and trying to draw this out. He’s not saying he’d take a batch of cookies as payment but that’s exactly what he’s saying.

“The price… you could always have my soul?”

Danny pauses. “Your… soul?”

Oh, he did not say what he just said.

“Yes. My soul.”

Oh, he did.

Fuck it. Danny’s flashbacks of suffering through the reports pushes green into his irises and urgency to his action.

He breaks out of the circle, hands lunging and gripping Constantine’s jaw tightly. Danny ignores the shouts of alarm as he allows the thrown weapons to pass through him.

John Constantine is panicking now, struggling in the air as Danny lifts him an inch off the floor in agitation.

Good.

“Your soul, little wizard? The one you’ve split eight ways till the thirtieth of February? The one that caused,” he tightens his grip, no doubt bruising the man. “An insane amount of paperwork that I’ve had to suffer through. Your soul, John Constantine?”

Danny hisses his name. The man makes a warbling noise that Danny takes as acknowledgement. Danny bats away the weak spell Zatanna sends at him with a hand.

“You’ll find that I am in the possession of most of your soul contracts. To simply put,” he grins, teeth made of dying stars on display. “I own your soul. My soul, now.”

He drops the wizard who collapses onto his knees to stare up at him in horror, eyes flicking between the circle that was meant to contain him and Danny, who is very much not contained. He crouches down- something necessary but disjointed as he’s not used to this taller form- and speaks to Constantine in a slow, dead serious, drawl.

“If you ever sell your soul again, you and I are going to have issues. Is that clear, John Constantine?”

“Uh- yeah, yes, yes, your majesty.”

Patting his cheek condescendingly, Danny gets up and sighs, stress relieved. He’s starting to feel bad, though, so he allows his form to ripple back to his normal teenage Phantom self.

“Well, it’s not like anyone will buy it, since they know they’ll have to go against me.” He chirps, flipping 180 from his terror inducing eldritch voice. “So, what’ll you pay me to get rid of whatever ghost you’ve got?”

“…. Nothing?”

Red Robin holds out a bag, eyebags betraying his exhaustion. “I’ve got fifty dollars and a bag of cookies.”

Phantom beams at him. “Throw in a couple of autographs and you’ve got a deal.”

“That’s- yeah, okay.” Red Robin says, inching forward cautiously to hand him the bag.

“Great. I’ll be back for them later. You can call me Phantom. ‘Your Majesty’ gets annoying after a while.”

“Thank- thank you for your mercy, Your- Phantom.” Wonder Woman says.

“Sure. Make sure this idiot doesn’t make any more deals with demons while I’m out, yeah?”

With that, Danny Phantom grabs the bag of cookies and fifty dollars and flies through the wall to do his job.

John slams his head onto the space station floor.

“Fuck.”

—-

Danny: lol I’ll do it for the shits and giggles

Constantine and the League: he’s terrifying, a bastion of pure power and authority

Red Robin, Young “we commit war crimes bc it gets shit done” Justice leader and fellow gremlin: he’d probably do it for cookies. I would.

[lizzieheartsfanclub]

The most effective thing about Ever After High is that every student has their own personal struggle that adds another element to just how life-ruining the destiny system is.

Apple is so terrified of what will happen to her if she doesn’t follow her destiny, that she is willing to compromise everyone else’s happiness to make sure it happens. This disregard for other people is only encouraged by the influential adults in her life.

Ashlynn has to be a servant to an abusive family and live knowing that the ultimate end to her supposedly happy ending is dying to set the stage for her daughters traumatic backstory, starting the whole cycle over again with no chance for any of them to escape.

Blondie feels so pressured to fit in to a deeply classist/monarchist society and ashamed of her parentage that she constantly presents a fake version of herself to everyone she knows, even her best friends.

Briar has to spend her whole life waiting for the moment her destiny comes and she falls asleep for a century. She knows that when she’s woken up, she will be forced to marry a boy dozens of years younger than her who she’s never met and live knowing that everyone she ever loved is dead and gone, the very things that she watched cause her mother’s emotional breakdown.

Cedar’s father was so afraid of watching her repeat his mistakes that he overcorrected, making it impossible for her to ever learn lessons for herself. She is also forced to share incredibly personal details with anyone who asks her questions, and can’t be trusted by her friends with any of their secrets, and it’s all because of her father’s past trauma.

Cerise has to hide who she truly is and never gets to see her family together and happy despite the fact that her parents have potentially the most healthy and mutually beneficial marriage in the whole franchise.

Daring was groomed from birth for a destiny that ends up not actually being his at all, leaving him aimless, feeling as though he has no purpose and has wasted his entire life.

Darling is forbidden by patriarchy and destiny to become a knight, the only thing she really wants, and at which she would be better than both of her brothers. She has to hide who she is and what she loves from everyone she knows

Dexter lived his whole life never knowing what his destiny would be but also knowing that whatever it was he’d have to commit to it forever the moment he discovered it at Legacy Day.

Duchess has spent her whole life knowing that the story she’s commited to living out ends in tragedy for her, and then had to watch the very people she’s been jealous of for years because of their seemingly happy endings give up those endings, while Duchess, loyal and rule following Duchess, is still stuck with her tragedy.

Faybelle tries so hard to commit to what she sees at her destiny that she’s never had a real friend in her life. Even still, no one recognizes her for all that effort and all she’s given up to be a suitable villain. Everyone is more afraid of Raven, who doesn’t even want to be evil.

Hunter has to constantly go against his moral compass to fulfill his destined role as a Huntsman and to try and make his father proud of him.

Kitty has been taught over and over again to value her Mother’s approval over all else, even at the expense of her friends. Her destiny is to create mischief, but how much more mischief can a dissolving world take before it’s too much?

Lizzie finds it almost impossible to express love or care for anyone else due to her mothers excessive conditioning that’s nearly akin to brainwashing. The saddest thing might be that her mother is actually, in her own way, trying her best to prepare Lizzie for a world that will only ever see her one way—as a villain. Now she lives in Ever After, princess to a kingdom that might not even exist for much longer, having given up everything for a destiny that may soon be impossible.

Maddie is a refugee forced from her home into a world she barely understands at a tender age. But she cannot express any angst or negative feelings about this circumstance, because to do so would go against her character. She lives in a world obsessed with destiny and stories while not even knowing if she’ll ever be able to return home and live out her story.

Raven is judged by almost everyone around her for her mothers crimes, many of which were required of her by destiny in the first place. She is nearly forced to commit to becoming a tyrannical megalomaniac (and almost falls into it herself, several times) who would be sentenced to lifelong punishment and torture for committing acts that weren’t even her idea in the first place, and the one punishing her would have been the very girl who begged so often for her to stop being so difficult and just follow her destiny.

[skaldish]

Alright folks. Here it is, my theory of what Ragnarok actually represents. It is very messy and I'm not sure I'm going to be able to actually convey my understanding clearly like I try with most things, because genuinely this is shit I would write a doctorate-level thesis on.

But we're going to try anyway.

So. After doing a lot to try to replicate animistic thinking, as well as taking a VERY deep read of the Norse myths, my theory is that Ragnarok is specifically allegory for societal collapse—the "end of the world" imagery and such is meant to convey what this feels like.

Recall what Odin says in Grimnismal. It goes something like this, since I can't be arsed to find the exact quote:

Huginn and Muninn fly over the world every day; while I fear Huginn ("thought") may not return, I fear Muninn's ("memory's") absence most.

When a society collapses, so does it's memory. It loses its technology, its methodologies, its paradigms, and everything it has learned about the world up to that point. Gone. Entire chapters of history erased.

What causes societal collapse is not always a conquering force, but is oftentimes the result of circumstances that a society orchestrates for itself. Think Rome.

People who have gone through societal collapse will probably develop an invested interest in figuring out how to prevent it entirely, so they don't have to start society all over again.

It's one thing to preserve the memory of "things collapsed and here's why" using a story. But it's another thing to do what apparently the Norse people did, which is cultivate a methodology for cognitively hardening their own society against collapse, using stories as a way to do it.

Like...I'm not kidding when I say they legitimately knew how the human mind works, and then built an entire system of stories and narratives that intentionally support the mind's freedom, cultivation, and agency. I can only convey a fraction of how this works in this post because the rest requires a deep-dive into behavioral psychology and neurological development.

All the tales leading to Ragnarok demonstrate various instances where the gods choose to follow their own agendas at the expense of the real people and forces in the world. All of these little things contribute to the magnitude of the event that is Ragnarok.

The tales represent these transgressions using allegories rather than literal events. This is because these stories were designed for children, who don't process information through a prefrontal cortex like we do as adults. They don't have them yet. But this gives kids an intuitive understanding for how circumstances of collapse feel, so they can recognize them in all their forms.

Loki is an allegory for the mischief we feel as children, and for the behaviors we demonstrate before we get to the age where we start valuing cooperation. In the myths, every time Loki causes mischief in ways that creates problems, the gods get mad at him and threaten Loki's life until he fixes his mess. Loki eventually becomes vindictive, kills Baldr in a jealous fit, and then is punished by being bound and buried beneath the ground, only to fight against the gods in Ragnarok.

The surface-level takeaway is a lesson in parenting: If we punish kids for their mischief, they're going to become vindictive adults, and these adults are going to have it out for the rest of society because they've been disenfranchised.

But it doesn't just end here. Consider how we punish ourselves for our own sense of mischief, beating ourselves up for having "problematic" thoughts and trying to bind and bury those thoughts in the depths of our mind.

These thoughts come from a place our mind known as the limbic system, which is focused on avoiding pain and seeking pleasure, and—most importantly—does not understand the world or make decisions using logic and reason, but in terms of what feels enjoyable and what doesn't.

We tend to call this system our inner child.

When we punish our inner child, that child starts doing exactly what Loki does and resorts to malicious and petty tricks. We can hold this behavior at bay until something causes us to "snap" (like Jörmungandr's tail does) and out comes the malice of the disenfranchised inner child, which creates a terrible cascade of social consequences for us.

Now, if we were to listen to these stories as kids, we would naturally be very upset whenever Loki was threatened of punished, because we think out of the limbic system at that age and Loki is meant to represent us—specifically, the state of being a kid. We would see what comes to pass, with Loki being imprisoned and fighting the gods against Ragnarok, and it would become clear to us that there's consequences for punishing mischief AND also causing too much of it.

Now I don't know about you, but I was very motivated by a sense of justice as a kid. Hearing Loki's arc would have inspired me to learn how to be friends with my sense of mischief while also learning to use it in ways that were cooperative and social, because this would have been how I could right the wrong I felt was done to Loki. It would also mean my own limbic system will not fight against me in the future, but be a modality of thought I can always access. (This is the beauty of the way the Norse myths are crafted; they are designed to instill knowledge of the world using mechanisms that reinforce one's own sense of agency and competency, so rather than being told the moral of this tale, it sets me up to run right into the conclusion it wants me to draw, but in a way that makes me feel smart and therefore inspires me to value it.)

The binding of Fenrir serves a similar allegory. When we become explosively angry in the way that Fenrir represents, it consumes our wisemind the same way Fenrir consumes Odin during Ragnarok. But this only happens if we bind Fenrir/our anger. By demonizing this nature of ours simply for existing, it will not only refuse to listen to us, but also turn against us. Remember that Fenrir was willing to socialize and cooperate with the gods before his betrayal.

(Honestly, I believe this is why ulfheiðnar existed the way they did. Even though the animalistic rage of ulfheiðnar was too terrible for domestic society, it was not demonized, but instead given a social function. People would learn to understand and partner with their own sense of rage, and I'm guessing this is also how they were able to keep their sense of reason and priorities straight even while going berserk from psychoactives.)

These two examples serve to illustrate how societal collapse stems from binding or punishing our own natures. But also fearing our own nature as mortals factors into it.

For example, Naglfar. This is a ship constructed of dead people's fingernails, and its completion is part of what signals the beginning of Ragnarok. But as the story goes, we can delay Naglfar's construction by trimming the nails of the dead before we bury them.

Naglfar represents "neglect for the dead," and this is significant because the act of no longer viewing the dead as people is sort of like the canary in the coal mine for no longer view each other as people...and no longer seeing people as people is what defines Ragnarok.

A society is at peace when its people have no fear of death, and having no fear of death comes only by incorporating death as a normal and familiar part of life, just like we do with birth. Our relationship with death is a litmus test for our relationship with our own humanity—if we fear the dead and cannot see them as human beings, then we are always going to fear a part of our own humanity, and be at war with it. The simple act of keeping the nails of the dead well-groomed because it stalls Naglfar's construction was a way to remind people why such a simple act was profoundly important.

And these are just the things that I can think of off the top of my head that are the most obvious examples. There are—and I shit you not—multitudes of these things laced within the Norse myths.

(I haven't even gotten to the part about how the Norse creation myth uses what the womb feels like to characterize it. Telling this story to very little children helps them establish a sense of familiarity, belonging, and secure attachment with the entire world from the get-go. If they learn the world is everything they've already experienced, then their bodies will never be afraid of it, because nothing about it will feel unknown or unknowable. Like, how fucking dope can you get.)

So here's where we get to the really dense irony of all this: Why we don't pick up on all these nuances as Westerners and have so far missed this entirely.

It is for two reasons.

The first is because our society values the things that the Norse people identified as contributing to societal collapse—namely, the act of conquering/competing against other forces and conquering/competing against our own natures. The transgressions of the Aesir are not things we register as problematic because to us they're normal.

The second is that we don't think animistically. The way we are taught to convey, interpret, and transmit information is designed PURELY by and for the prefrontal cortex, with neglect to everything else (if you ever wonder why Americans look weird in how we behave, this is why). But because we only prioritize communicating this way, we're missing out on all the context added within the Norse myths. These myths function the same way Old Norse kennings did, in that they are designed to speak to ALL areas of the brain at once and in tandem, but if we only engage with it using one part of the brain, we're only going to get a small piece of the picture and the rest is going to look weird.

(Little experiment for you: Try to logic something out in your mind or think through a complex problem without using words or sentences to do it. Use any other kind of thought-process besides language. I promise you that not only is this possible, but it yields a completely different kind of experience and conclusion than you might otherwise reach.)

Honestly, I don't even think Snorri himself fully understood what he was looking at when he was recording the Norse myths. I think he was just writing them down according to how they were told, word-for-word. But his cluelessness is our good fortune now, because he not only preserved the cultural stories, but also what I consider an entire cognitive technology.

And every time I look at it, I can't help but think about the generations of people who sat around the fire in the dead of winter, weaving, crafting, and figuring out better ways to fortify their society, raise kids so they became fine and truly fearless people, and conserve information. This is, as far as I'm concerned, real magic.

They knew some shit.

[animentality]

Elon Musk tries to pretend he wanted to buy Twitter when actually he just talked too much shit on Twitter, and his board was fucking pissed at him for fucking the stock market with his bullshit tweets.

He then gets caught in a fucking legal battle because Twitter is also pissed at his bullshit and plus, Twitter actually isn't that profitable in terms of the social media business.

He then gets forced to buy Twitter seriously, for over 3x the fucking market value, and nasty severance packages for the executive staff.

He gets to pretend he "fired" them when actually he's forced to pay them all 200 million plus certain profits for an extended time frame.

All because he's a trust fund brat who doesn't know how to conduct himself like a fucking business professional.

He then also fires the legal and safety departments AND the algorithm engineers and replaces them with his Tesla engineers.

I'm sure that'll go well.

Twitter's algorithm may suck donkey dick but with Elon firing 75% of the Twitter staff, well.

I'm sure they'll figure it out.

It's Tesla, right, they don't make mistakes 😤

Anyway, so I think Elon also fails to recognize that there is a very real chance that if he doesn't conduct business on Twitter similar to the standards of the previous Twitter policies that he "hates" then Twitter might be fucking banned in Europe.

Their hate speech laws are tighter than American laws.

I for one hope the entire world bans Twitter.

And it gets funnier guys.

Because there are already major advertising companies threatening to leave Twitter if Elon Musk does what he's threatening.

Which is to bring Trump back on.

See they weren't that happy when Trump incited that January 6th riot at the Capitol building.

Plus there are already people spamming the n word and neo Nazi garbage and racist anti semitic homophobic shit.

Capitol fucking One isn't gonna promote itself beside a fucking swastika.

This is kind of amazing to watch.

Ads are just about the only thing that make Twitter profitable.

So right now we just wait and see.

I think he's trying to bring dogecoin and Bitcoin and nft shit directly to Twitter, like use those to monetize it, but.

But I'm not sure how well that'll work in his favor.

We'll see but.

The situation is funny in a dark way.

Very succession levels of dick measuring and feather primping.

I wish Elon Musk a very merry bankruptcy though!

Hope liquidating assets and begging other companies for money satisfied his humiliation kink.

44 billion...hm.

It's like he's trying to become Kanye West.