#all the info on them was in japanese and *i* had to translate it!

[hirookouji]

hndrdsnj i bought the knb art book and the end is a section w a bunch of text and hopefully i can find a way to upload it or post it just as. documentation or something.

[analyticalstarz]

In honor of autism awareness month, here's a full comprehensible list as to why I think Rui is autistic, or at the very least, neurodivergent !!!! - 1, For starters, he was ostracized by his classmates for presumably almost a decade (2nd grade - 1st yr of high school), all because he was "different" and nobody around him could properly understand him. This has resulted in him struggling to form and maintain relationships. As stated in his second focus event, Revival My Dream, when he was a kid, Rui had a hard time conversering with his classmates because he felt as if he couldn't connect with them.

He's interested in more niche things, like robotics,

and he was also interested in things that people normally regard as "scary", such as moths;

After he became fond of shows and theater as well and attempted to include his classmates in one he thought of in an attempt to grow closer to them, his idea ultimately backfired since his classmates thought his way of directing was "dangerous", and this is where the ostracization seemed to start.

(translation by Arvon Oven) Being ostracized and shunned is unfortunately a common thing with people who have autism, and as I mentioned previously, Rui was alone for presumably seven years straight, all because he was regarded as "different". - 2, He has "restricted, obsessive interests" that can be seen as hyperfixations/special interests. Ever since he was a child, Rui's been heavily interested in both robotics/inventing and shows. A hyperfixation is described as, "A complete obsession with or absorption into a particular task. The task can be a hobby, a TV show, a subject of interest, or something else. People who hyperfixate may tune out the world around them and ignore important responsibilities, such as eating or sleeping." Rui's interest in shows specifically can be seen as a hyperfixation, as in the first side story of his Unforeseen Keynotes (or Unexpected Happenings according to the English translation) card, Rui was so engrossed in thinking about the next show they'd be doing, he had completely forgotten that Robo-Nene was due for maintenance, and Nene mentions that this wouldn't be the first time he's forgotten to eat or sleep because of how engrossed he gets in his thoughts while thinking about shows.

Nene also mentions in Wonderlands x Showtime's main story that Rui becomes so absorbed in his shows that he "loses sight of everything else", (In the original Japanese version, she says "When it comes to shows, he isn't able to look at his surroundings, so things never work out".)

and also in KAMIKOU FESTIVAL!, where he mentions that his tendency to put shows "at the center of everything" might be a flaw of his;

(translation by Ren) It's also mentioned in A Once-In-A-Lifetime Pandemonium!? that he'll get so absorbed in his thoughts while thinking of shows, he'll completely forget about his surroundings.

(translation by tsukasa’s #3 fan) - 3, He has texture issues, which is also common with people who have autism. It's been mentioned multiple times throughout the course of the game that he detests vegetables, but more specifically cucumbers and things in the cucurbitaceae family (such as watermelon & pumpkin), because they all share the same texture.

He mentions in an area conversation with Nene that he usually only eats at restaurants he's familiar with (he sticks to routine; another thing common with people who have autism), so eating out has never been an issue to him, and he even refused to eat vegetables when they were quite literally stranded on a deserted island and in a life-threatening situation.

- 4, He info-dumps. A lot.

This one is pretty self-explanatory, I think. - 5, He's overly logical and struggles with his emotions. He's had trouble on multiple occasions understanding his emotions, such as in Full Power! Wonder Halloween! where he unconsciously holds himself back after inadvertently injuring Tsukasa with one of his inventions, but he didn't realize that he was even holding himself back until somebody pointed it out, and he didn't realize that he was holding himself back because he was worried, either. Something similar happens in Heat Up! Kamikou High Cheering Squad! where he unconsciously holds himself back because he feared being shunned again, but once again, he didn't realize the reason for him holding himself back until somebody pointed it out for him. In the first side story of his I Can't Afford to Lose *4 card, Rui comes to the Sekai, hoping to talk to somebody to put his mind at ease. As he runs into Meiko and Luka and they ask him what's wrong because he seemed down, Rui says that "I just wanted to think about production, but my feelings got in the way of thinking". He then says "Feelings really are troublesome. / Sometimes, you have to hold them back with all of your might... It'd be nice if someone other than me could manage these troublesome feelings". (In the English translation, he says "Emotions are so complicated and can be so troublesome at times. / There are even times when one becomes completely overwhelmed by them... If only someone else were able to help put a lid on them.") Lastly, I'd like to mention that in Revival My Dream, after Rui asks his mom if he's different from the people around him, she responds by saying that, yes, he is different, but she also says that she was "just like him" as a child, and seeing how autism is caused mainly by genetics, his mom can very well be autistic too.

Okay, that is all!!! Thank you for listening to me yap :3

[cnovelartreblogs]

C-Novels Available in English Translation

A few weeks ago, a few of my danmei-loving friends and I got to talking about how much there is that we want to read, but that none of us have been very organized about keeping track of titles, fantranslation links, etc.

So, we decided to make a spreadsheet.

AND to combine every link we'd each separately stashed around on that spreadsheet.

The result is a list of 102 titles (currently 96 are danmei, 5 are baihe, and 1 is gen, reflecting our personal interests/preferences) with links to translations, some complete, some not. (as of 2/20/23)

Love C-Novels? Especially danmei? Looking for something to read? Check it out!

Some notes:

This is specifically for English translations from Chinese titles. Though some of the links do include other works (for example, some translators also do Japanese, and some Carrds list fantranslations in multiple languages), we're English speakers who are interested in Chinese novels, so we focused on that.

Currently, this is mostly basic information (titles, authors, links), with no summaries, genre tags, etc. We hope to ultimately expand it but that will be a lot of work and the information is already available at the provided NovelUpdates links, so we encourage you to use those.

We make no claims that this list is exhaustive; while the first sheet lists the resources we had collectively already gathered, there's a second sheet with things we know of and intend to add.

We'll try to keep links and such up-to-date but if you spot a problem please let me know!

Know of something that's not on the main list OR on the "to add" page? Please do send the info my way! Comments or ask box stuff will help.

Note that to actually access the fantranslations, you'll often need to take additional action to read them - you may need to request access, or get a password, etc. How to get this access is usually included on the pages.

Known official translations are listed. We will not link fantranslations for titles that are out officially in English. Don't send them. Don't ask for them. We won't help you pirate these titles.

(ADDED): I have also now added carrds for works that I could find carrds for, and added a third sheet, with carrds for authors. (I looked for every title and author and added the ones I could locate; Google asked if I was a bot at least 6 times lmao). Carrds are often good for summaries, information about the characters, and especially trigger warnings, so they're worth checking out! (ADDED MORE): I also added NovelUpdates links for all authors, so people can see a full list of their other works even if they don't have Carrds.

Don't forget to thank and respect translators, and honor their wishes! Without fantranslators, we wouldn't have all this amazing stuff to read in English, so THANK YOU FANTRANSLATORS!

GO FORTH, AND FIND YOUR NEW FAVORITE BOOK!

[yuurei20]

Jade and Floyd Info Compilation part 1: Family

Jade says that his and Floyd's family runs an independent business that “dabbles in a bit of everything,” assuring the prefect that it is nothing out of the ordinary.

This may connect to Book 4 when he warns Floyd that “it’s never a good idea to blindly pry into others’ family affairs.”

Floyd says that before he came on land his father gave him the advice, “People with no eye for detail don’t deserve respect. When you’re on land, pay special attention to your feet. Spare no expense.”

When Idia asks who their father is Floyd asks if he really wants to know. When he begins to explain Idia interrupts with “Uh, I changed my mind. Don’t tell me.”

Jade says that he and Floyd received a message from their mother on their birthday, but she sends them messages practically every day because she is something of a worrier.

In his second birthday vignette Jade says their father is big on birthday celebrations for them and calls them on the phone on their birthday.

Jade explains, “On our birthdays, we didn’t just celebrate with family. My father’s work associates would also come over. You can imagine the mountain of presents we’d receive…but we’d also receive luxury goods that were clearly of no use to a child. Those were not truly for us, but to flatter our father…no, to gain his trust, given by people who were desperate for it. My father always made a point to have those particular gift givers sign an agreement. It stated that the gift was purely a token of goodwill, and that the giver expected nothing in return.”

Jade says that, much like their mother, their father can also be a worrier.

We get a little information about what their parties were like from Floyd, who says that banquets would have quiet music like piano, and people would just “stand around and nibble on food. Oh, and maybe say a quick hello…everyone was as silent as a deep-sea fish. It was awful.” Kalim comments that it sounds like they had been going going to quite formal parties.

It seems that their parents send them loads of birthday presents even now, despite Floyd explaining how their dorm room is too small for anything big.

Jade says that their parents taught them the art of self-defense when they were little (“It comes in handy even now.”).

Neither Leech twin is any older or younger than the other, though Crewel mistakenly assumes Floyd is the younger brother in a vignette.

This is why the twins refer to each other exclusively by their names in the original game, as the Japanese language doesn't really have an age-neutral word for “brother.”

More here:

[crepes-suzette-373]

One Piece Magazine Reiju short story

I recently bought One Piece Magazine to read the Reiju short story. I don't know how to share this experience other than just straight up translating the whole thing, but it was utterly hilarious chaos with the brothers trying to cook and it just ended up being a disastrous mess.

I'll give a summary, I guess...

Reiju and her brothers went to another kingdom for a diplomatic discussion, but once they were done, the Germa ships that were supposed to pick them up got delayed by the weather. The bros can't wait so they demand the locals to be given a ship.

Niji/Yonji: "Oh good, they understand. So we don't have to steal a ship."

Well, they did tell the people that Germa will compensate them, but still.

And yeah, the guys were so hungry that they were like "Even though royals shouldn't do menial things like cooking, we're dying of hunger here so it can't be helped."

All writers apparently agree that Niji misses Sanji like an utter dumbass because in the kitchen he out of nowhere says "Didn't we used to have a younger brother called Sanji who likes to cook?"

Yonji says "Yeah, he was kind of lame" and Ichiji says there's been wanted posters of him being spread around.

Based on the info they got, Reiju is aware of Sanji's history with Baratie and the Straw Hat crew, and thinks that because he's listed as just a cook on the wanted posters and not "fighter/combatant", he's probably still not much stronger than before.

Ichiji found some pork, labelled to be from Broc Coli. Reiju mentioned that Broc Coli specialises in pig farming and the pigs have been selectively bred to improve the meat quality. Ichiji commented "Oh, it's similar to our lineage factor modification, then", but then the next second he suddenly gets mad about it himself, throws the meat to the ground and was like "How could pigs compare to our Vinsmoke royal family."

Reiju: "You brought it up yourself out of nowhere though? :/"

Ichiji is grumpy and wants to go fishing instead. With the Raid Suit. Don't know how, wasn't explained, maybe he Sparking Valkyrie'd the fishes.

Niji wants to make chocolates, but had a meltdown because the recipe calls for cooking/confectioner's chocolate. He was like "Why?? do you?? need chocolate?? to make chocolate??? If the chocolate is already there I'll just eat that directly???"

(Note: It's not making cake or brownies or anything, it's making something along the lines of chocolate truffles or milk chocolates or other forms of chocolate that isn't just straight up dark chocolate/confectioner's chocolate. He's confused because the final product is still just "chocolate")

Yonji wants to make bread because it looks easy. Reiju decided to try to make something too, and wanted to make tamagoyaki (Japanese rolled omelettes) because she remembered reading about it in a story book with Sora before.

Reiju's logic: "If a penguin (in the story book) can cook, then even a beginning like me can do it." (so much for Reiju being the rational one)

Yonji starts shouting for help. His bread is a goopy mess and is a total failure. Apparently he didn't add the yeast because the recipe says 3g of yeast, and that's almost 0, so he didn't add any. Reiju tells him to make sure to follow the steps properly.

Ichiji comes back with a giant fish, and is asking for poison check. No poison, so Reiju left him to cut the fish.

Yonji is still having trouble, and he says he had added the ingredients properly this time. The dough is still gloopy and will not firm up even after kneading. Reiju said that maybe because of the exoskeleton, their skin are too cold for the fermentation process to start activating.

Yonji is grumpy and asks if this means he can't make bread. Reiju suggest using hot water to warm his skin, but he's already really disgruntled and says that it's so lame that they have to rely on microorganisms to make bread (well, at least he knows yeast is microorganisms, not just another type of flour).

(Note: This part really does not sound right to me, honestly. Maybe this was just meant to show that Reiju and Yonji have zero knowledge in cooking, but bread dough not firming up and gloopy is usually not related to yeast or fermentation, but the gluten. Most cases that I know of are either caused by adding too much water, not enough kneading, the flour itself is not suitable for bread, or even the dough being over fermented. I've never heard of sticky dough problems being caused by hand temperature.)

Ichiji gave up fileting the fish because there's bones everywhere. he dumped all the dead fishes he caught back to the sea. Yonji gave up trying to make bread and tossed the failed dough away (and also threw away Reiju's egg attempt even though it was fine :/). Niji can't find any chocolate, so he has nothing.

They can't do anything except wait until they reach Germa and then just go "AAAAAAA FOOODD" (well, they act cool in front of the servants, but still).

Reiju herself showered and got cleaned up first before going to eat. Seeing the poisoned stonefish served, she wondered how normal chefs handle the poisonous ingredients and so she went to the kitchen to ask.

There was a young cook on cleaning duty that immediately panics, but then a senior cook named Beryl came out to answer her questions. Reiju says old lady Beryl has been there for a very long time, even before the kids were born.

Beryl explains that to treat the armoured stonefish to make it safe to eat is to let it swim in a tank with Ruby Wakame seaweed. The seaweed will absorb the toxins and after 3 weeks, the fish will change from purple to blue, and this indicates that the toxins is completely gone and it will be safe to eat.

An easier method would be to just skin the fish and take out the poisonous organs, but fish skin is a delicacy, and so the chefs would do this so they can serve cuts of the fish with the skin attached.

Reiju makes a comment that cooking must be very hard because her brothers are all picky eaters (not just Niji, apparently), but Beryl says she and the other chefs are happy to adjust the prep to make the food palatable to the boys.

"Ichiji-sama dislikes green vegetables, but if you chop it up finely and mix it with meat dishes such as hamburg steaks, he will eat it without noticing."

Reiju: Is he a toddler?

(Note: Dunno if this is a universal thing, but it's a Japanese thing that when toddlers hate vegetables, the parents would chop up vegetables and put it in meatballs or the toddler's other favourite food so that they can get the vegetable nutrients even though the child dislikes the vegetable's taste)

"Niji-sama dislikes things with complex seasonings, so things like the sauces and such has to be made to be very simple to the utmost extent."

Reiju: That's dumb.

"Yonji-sama doesn't like food with dry texture, but if it's served to him when he gets hungry between meal times, he'll usually eat it."

Reiju: Is he a dog?

(Note: There is a section where Reiju muses that the cooks "safeguards" their meals just like how "Germa 66 protect peace". What peace? In the main series they're fine with siding with whoever, as long as they get paid. This comment doesn't make sense unless maybe she was being ironic/sarcastic here.)

Reiju apologised for bothering the cooks at this time, and Beryl then lets slip that Sanji has been to the kitchens often. When Reiju presses further, eventually Beryl reveals that Sora likes to make desserts often. Sora would say that she hoped to someday be able to cook together with her kids.

Hearing this Reiju briefly fantasised baking together with her mother and Sanji. Knowing it's just idle fantasy, though, she thanks Beryl for telling her all these and helping her appreciate cooking more.

Reiju thinks of Sanji and reevaluates her opinions on him. He's not "just" a cook. People's lives are basically in the hands of the cook, especially on long voyages at sea. She is glad that him having a place as a ship's cook means that he's found good friends who rely on him and trust him.

She then transforms, and uses her ability to suck out the poison from the fish, saying that the cooks are welcome to ask her for help to take out the poison if they need to cook with the stonefish.

[solradguy]

GUILTY GEAR VASTEDGE XT - FULL ARCHIVE

Yeah. The canon pachislot machine. Here's everything we have for it at the moment, including a bunch of files ripped from the Android port, concept art, and a Japanese transcript of the game's dialog.

ARCHIVE.ORG

=== FOLDER CONTENTS ===

VXT CONCEPT ART - Character model sheets

FIXED COLORS - Color-corrected model sheets

VXT DIALOG TRANSCRIPTS - Transcript of the Japanese text, partial English translation

VXT MESHES + SOUNDS + TEXTURES - Assets from the game itself (graphics, etc)

MESHES

SOUNDS

TEXTURES

VXT MOBILE APP RIPPED FILES - 2 .OBB and 1 .APK files ripped from the Android port

VXT VIDEOS - Footage of the gameplay and of the physical machine in action (there were some cool moving bits, like an animatronic Junkyard Dog MK.II)

VXT ANIMATED GAME ASSETS - Anything from the game that moved (cutscenes, UI assets, etc)

CREDITS + INFO.TXT - Informational text file. Also including the credits and additional info in that file here below the cut:

=== CONCEPT ART CREDITS ===

Mister Guest (via e-hentai) Volcanic Fighter (Twitter: nincopyjasb; Tumblr: @nincopyjasb) Shmuel (Twitter: shmuelbrain; Tumblr @shmuelbrain) Renexuz (Twitter: renexuz1; Tumblr: @renexuz)

=== DIALOG MANUSCRIPT COMPILATION & PARTIAL TRANSLATION ===

Volcanic Fighter (Twitter: nincopyjasb; Tumblr: @nincopyjasb) Dialog script original host (defunct): http://priban.gozaru.jp/ggv.html

=== MOBILE .APK & .OBB FILE RIPS ===

Lux (Twitter: xaeldritch) Nainsoo (Twitter: na_insoo)

=== ANIMATED & GRAPHICAL ASSETS, MUSIC, AND MESH RIPS ===

Tillman (Twitter: validtine; Tumblr: @tillman)

=== RESTORED & REMASTERED OPENING ANIMATION ===

Shmuel (Twitter: shmuelbrain; Tumblr: @shmuelbrain)

Original video hosts:

Youtube: www.youtube.com/watch?v=3-Vj8wymN3Q

Twitter: twitter.com/ShmuelBrain/status/1650153182725636098

=== ADDITIONAL THANKS ===

Shmuel (Twitter: shmuelbrain; Tumblr: @shmuelbrain) Renexuz (Twitter: renexuz1; Tumblr: @renexuz) The GG Lore Rev server

=== ARCHIVE COMPILATION ===

Sol Radguy

=== ADDITIONAL NOTES ===

About the archive - The files here were previously scattered across multiple websites and cloud storage services, making them difficult to acquire to those outside the small Guilty Gear archival group. I did my best to gather them all in one place. Please contact me if more files are discovered and I will add them to the archive upload on Archive.org.

The ripped mobile port files - The mobile version of Vastedge XT was only online and available to even download for around a year before the servers shut down. The two .OBB and one .APK file were ripped from the Android port of the game and are what Tillman ripped the animated assets, meshes, sounds, and textures from. A lot could not be ripped because it was stored on the game's servers. The encryption also makes ripping files from these difficult. It's possible there's more on them that was not able to be ripped.

Japanese file names - The original name of the .APK was ﾊﾟﾁｽﾛ GG_com.dtechno.slotguilty.apk and had to be renamed to be compressed into a .ZIP folder. If the file runs into errors during launch/cracking attempts, try reverting the name. Likewise, the Japanese names of the videos could not be compressed and were also translated. There is a separate .TXT file within VXT VIDEOS that includes their original Japanese file names.

Duplicate concept art images - There were two archives of the concept art. One was hosted on e-hentai by Mister Guest and contained the full, uncropped, images. The second was from a folder that Volcanic had compiled. Volcanic's files were a higher resolution, but were cropped and missing some information Mister Guest's files had. I've included them both here as well as the files from a third archive where an anonymous user on Imgur had restored the colors on the character models to match how they look in the game itself.

Neon colors on the concept art - The neon sections on these character model sheets are temporary/placeholder colors and not how they appeared within the Vastedge XT game. Their true colors can be seen in the videos within the VXT VIDEOS folder or in the FIXED COLORS folder within VXT CONCEPT ART.

Dialog transcripts - What we know of Vastedge's story came from official story summaries posted by Arc System Works on the Guilty Gear websites. The dialog is exactly that: character dialog. There may be lines missing, that are inaccurate (due to typos), or other written/spoken parts of VXT not included. It may be possible to get this missing information from the videos in VXT VIDEOS or from other VXT video sources online.

[rallamajoop]

The Baker Incident Report and the Resident Evil 7 Guidebook

While I’m talking obscure sources of RE7 lore, there's a couple more I’ve been poking through lately: the Baker Incident Report file (only available with the RE8 Trauma Pack DLC), and the BIOHAZARD 7 resident evil kaitaishinsho or RE7 guidebook (only available in Japanese, though some translations have made their way online).

I’m not the biggest fan of these kinds of ‘canon’ – fans shouldn’t have to go pouring through pages of DLC-exclusive-text-dumps or untranslated supplements to find out WTF was supposed to be going on – and both of these have other problems I’ll get into below. All that said, here's some of the more interesting new info they give us.

From the BIR, the Winters were moved to ‘Eastern Europe’, as witness protection from the Connections. That's still frustratingly unspecific, but more than we’re ever explicitly told in the game.

The lab that created Eveline is in Munich, Germany, per the BIR. This one does add up: close enough to Eastern Europe for Miranda to be involved, but not so close that it would necessarily ring alarm bells for Mia when the BSAA wanted to move them right to Miranda’s doorstep. Mia’s obviously been to the Munich lab, but presumably didn’t know exactly where the mould comes from (something redacted out even in their own reports). The guidebook also places the lab in Europe, but doesn't give a city. The BIR adds that the Connections are active in Eastern Europe, and we know they have facilities in Central America. Presumably there are offices in Texas too ‒ Mia can't be commuting cross continents to get to work every day.

Eveline was shipped to Central America due to an attempted raid by the BSAA, which is far more we learn from the "Orders" file from the game. The BIR goes so far as to imply that this botched operation was indirectly responsible for the whole Baker Incident, with Chris and his team leaving due to their frustration with the BSAA's attempts to cover the incident up. The guidebook, however, tells us Chris Redfield was actually the guy leading the team behind the failed raid. I assume we’re meant to take it that the mission failed because of an info leak, but I’m still amused by just how ineffectual this franchise keeps making Chris out to be.

Post RE7, Zoe is working as a reporter for a small paper in New Orleans. We don't know if she too went through witness protection but her name was listed among the dead at the Baker mansion.

Ethan is called a systems engineer in both the guide book and the BIR (this one does seem to have been spread around fandom more widely).

Eveline was created in the early 2000s, according to the guidebook. This one really doesn't add up for me: if the project started in 2000 and had already advanced through the A-E series by the early 2000s, why did it stagnate there for the next 10 years without further progress? Did Miranda leaving the project set it back so far? They can't have been waiting for Eveline to grow up, she can age 25x faster than usual, and is being deliberately maintained at the age of a 10yo girl. IDEK, I'd be inclined to ignore this one.

The guidebook states that Mia told people she worked for a "trading company," and was often away from home for work, something which had already strained the Winters��� marriage. I'd guess she told people she spent a lot of time accompanying shipments of goods when she was really smuggling materials or taking part in covert operations for the Connections.

The guidebook gives 2010 as the year she started working for the Connections (a year before her marriage to Ethan in 2011, though it doesn’t mention when they met, which may well have been 2010 or earlier). Mind you, this is also the one bit that randomly calls her "a researcher", so take it as you will (more on this below).

Of Mia's involvement with the project that created Eveline, it says only that the Connections' Special Agents Alan and Mia were assigned to transport Eveline to America. No real indication Mia was ever involved before then.

Of Mia's relationship to Eveline, it says that Mia "found Eveline creepy, but felt sympathy for her lonely situation." You and the rest of us, Mia.

Eveline forced Mia to lure Ethan to the Bakers' property in hope that adding Ethan to their family would make Mia more compliant, according to the guidebook. Eveline was especially fixated on Mia, having known her longer than the Bakers, and was frustrated with Mia's continued resistance to her control. Mia seems to have tried to keep Ethan's existence secret from Eveline to protect him, but somehow let it slip. All this is already implied in-game, of course, but it's nice to have it spelt out.

The Bakers feed people infected food because “oral and mucosal infections” are supposedly better for mould-powered mind-control. Ethan is obviously already infected AF well before their attempts to feed him 'dinner' (there's no way his severed hand would be usable otherwise), but IDK, maybe ingesting some extra mould would have made it easier for Eveline to control him? I'm sure a 10yo girl and a family of hillbillies do not have this down to an exact science, and I wouldn't even be surprised if feeding people mould was counter-productive somehow, given their success rate.

So why did none of those infected prisoners join Eveline's "family" alongside the Bakers? The guide book tells us simply that all were "deemed unfit" as family members, and were thus killed, and converted into molded instead.

We get official names for all the molded types we meet in the game (Moulded, Blade Moulded, Quick Moulded and Fat Moulded – pretty self-explanatory).

As a side-note, Ethan himself gets referred to as a ‘molded’ around this fandom a lot, which really isn’t correct. Ethan’s infected by the mold in the same manner as the Baker family, whereas ‘molded’ is a term coined to describe what amounts to mutamycete zombies (see above): the unintelligent, inhuman monsters that made up the generic enemy types of RE7, whose whole bodies are simply “superorganisms formed of countless mycelia.”

The guide book also implies that Jack’s final, mutated form reflects that he’s starting to become a moulded himself, which is a very interesting little detail.

Notes attached to concept art suggest that most moulded are created from dead bodies, covered by mould in bathtubs to convert them. Eveline is also seen spontaneously converting people to shapeless mould though, and clearly converted much of the ship’s crew into moulded-creatures in a very short time after her escape. It’s not super-consistent, but it is all horror-logic at its best (read: the rules are whatever will make this scene scarier).

There’s a bunch of additional stuff in the BIR naming the Connections’ founder as Brandon Bailey, someone who naturally has ties to Umbrella, blah, blah, blah ‒ I’m sure it all means more to fans of some of the older games. I can't pretend to have much interest in this part myself.

So with all that interesting info, what's my big problem with these sources? Well, for one thing, you don’t have to look far into the guidebook to find info that contradicts what we already know – and sometimes even itself. One page clearly describes Mia as a special agent working for the Connections ‒ a description that matches the wording used in the Orders document, and everything we see Mia doing in the game. But then another page randomly tells us Mia was hired as "a researcher" ‒ a description that matches nothing else we know about her (though it's an irritatingly common misconception, and this book may be the reason why). No-one's checking any of this stuff for consistency.

The guidebook also features such other gems as telling us Ethan currently lives and works in Los Angeles, when both Mia’s driver’s license and all geographical logic tell us they’re from Texas. Then there's that weird bit about Eveline being created in the early 2000s... and realistically, I can only assume a lot of what made it into the book may have come from earlier concept notes that were never updated as the story developed ‒ and if you read anything else on the production of this game, you'd know that concepts changed massively as development went on.

But more frustrating is everything the book doesn’t tell us. There isn’t a word said about the oh-so-mysterious "imprinting protocol" that Mia references in the game. How does it work? Is it, as the ending text spiel seems to imply, merely something that can be implemented in a hurry when Eveline needs to be transported across the globe? Can she be imprinted on more than one person at once? Has she ever been imprinted on anyone else? That seems likely, given that the lab’s in Munich while Mia lives in Texas (and if she's really been around since the early 2000s and Mia joined the company only in 2010, she logically must have been), but we don’t find out. Does Eveline get similarly obsessed with everyone she’s imprinted on, or is Mia special? Not a clue.

Since the guidebook was released in March 2017, long before the Not a Hero and End of Zoe DLCs, neither expansion is mentioned in the text. And since we don’t even learn the name ‘The Connections’ until the Not A Hero DLC, the group that created Eveline is referred to simply as the “mysterious organisation” (with quotes) whenever it comes up.

Nothing is said in the guidebook about the new incarnation of Umbrella which was so prominently involved at the end of RE7 either. Possibly, this too was to avoid spoilers for Not A Hero, which does at least give us some info on them – but then, the Baker Incident Report doesn’t mention the new Umbrella at all either, and it doesn’t have that excuse. That omission is all the stranger, considering that Zoe’s whole purpose in writing it is supposedly to expose the cover-up after the Baker Incident – doesn’t Umbrella factor into that at all? It’s like their whole role in RE7 has just wiped clean.

It's also obvious there was so much more lore written for this game that the guide book doesn’t share. Early versions of collectable documents that can still be found in the game files give the D-series head and arm some fascinating backstory, but there’s nothing about them in the guide book, which is a real shame.

Mia especially stands out as a character who must have so much backstory we never hear anything about. How did she get involved with a company as evil as the Connections? How did she justify it to herself for so long – what excuses did she make to herself? Did she genuinely believe they were finding ways to win wars without losing soldiers? Was she gathering evidence against them, was she scared they’d kill her if she left? Not one single word in either the guidebook or the BIR to explain.

Even more annoying to me, though, is just what a wasted opportunity the Baker Incident Report is to add more to Zoe’s story, when she’s one of my favourite RE characters. Included in the text is a letter she received from Mia, giving what should have been the perfect opportunity to flesh out the relationship Zoe and Mia must have built in the three years they spent trapped in the Baker property, the only two (semi-)sane people present – and what does the letter do? Imply they hardly knew each other at all. It’s the most boring possible answer, it contradicts hints from the actual game (Marguerite outright tells us they've been working together, even!), and GDI, you do not get to tell me that my girls didn’t know each other! ;_;

Ethan and Mia similarly get the short shrift. Throughout RE7 their every interaction is building to a big scene that never actually happens where Ethan finds out the truth – Ethan knows Mia’s been keeping secrets, he never stops asking questions about it, and Mia says outright that she wants to come clean. So what does the BIR tell us? Well, post RE7, Mia mentions in an interview that she doesn’t want anyone telling Ethan. Not a word about what changed her mind. Not a word about why Ethan would just stop asking. Total cop-out.

And there’s so much more it could have covered too. There's nothing about Ethan’s ‘military training’. Nothing about the Winters' relationship with Chris. Mia’s conversation with him in RE8 suggests he was personally involved in relocating them to Eastern Europe, but the BIR doesn’t mention that either. The BIR at large is basically just an extended lore dump, and it doesn’t even sound like Zoe’s voice.

So this is about where I finish up with both of these sources: frustrating, inaccessible, inconsistent, and more missed opportunities than real material. There’s a lot in both I’ll happily go on ignoring. But I’ll still pour through them for every last interesting detail, because I am that obsessed with this canon right now, and they’re what we’ve got.

[roo-bastmoon]

IMPORTANT INFO: issues around Jimin’s album

I have an ARMY friend (who shall remain safely anonymous) who works in film production for the music and entertainment industry here in the US. They offered me some valuable insights today into production limitations and possible issues related to Jimin’s solo album.

Below the cut is a transcript of their messages to me. I share this in the hopes it better informs our discussions around fair treatment of BTS members’ releases. It is by no means a definitive account of Jimin’s situation—simply an insider’s ideas on what likely happened around a few things.

I understand there are very big feelings about this topic, especially with the apparent differences around JK’s single, and I appreciate everyone’s viewpoints. However, if you choose to interact with this post, you will be respectful to others (including members) or you will be blocked. You are always welcome to DM me privately if you need to vent—we are all human and we all need a bit of grace, so you’ll always have that with me.

Sending you guys so much love, Roo

Anonymous Insider

Some “light reading” while you’re resting up and recovering, lol. This is all just based on what I’ve been watching and seen. Of course, I don’t have access to their production budget sheet and Korea works very differently than the US when it comes to production, but this what I’ve been seeing when it comes to their videos and particularly the promotions for FACE.

(I’m sending in sections, lol)

Alrighty - I’m still like deep in edit-land (still am two days later 😭) but I started typing this on the train between meetings, ha ha. (And am still on the train doing this, lol.) Also this rambles a bit I’m sorry! So the first thing I did was go back to the interview where Jimin talked about the music videos — it was a Japanese TV show and he’s talking with a host in Korean.

He’s talking about “wanting to do it all,” laughs and says, “I wanted all the music videos” and that “they” (the company assuming) said “무리다” which has its roots in the word 무리 which means a herd, a party, a group — basically “it’s too much,” “it’s unreasonable,” and “it’s impossible” are decent translations as it refers to something or an idea being “too much” — then the host and Jimin burst out laughing and the host goes “서리와 무리다” which I read as “sorry (in konglish) but we can’t” and they continue to laugh. So based on that —it sounds very understandable.

We can imagine Jimin sitting down with his team and planning out SMFP2 and LC videos, with the 30 dancers and all the party scene extras, and then Jimin saying he wants to do the music shows with 6 different sets in rented locations so they could have total control. And if Jimin in that process went “what if we made official music videos for all of them?” the team would understandably go “that’s just not reasonable!” 1) because it would give Jimin a budget no other member had gotten and 2) there aren’t that many production houses in Korea. It’s a very small scene — it may just logistically not been possible. There aren’t enough DPs and crew and editors. Sometimes, as a producer, you have to tell your creative talent “I’m sorry, but no.” — I say it every week!

So what about the music videos? Well, here’s what I know from meticulously watching all the behind the scenes for BTS videos over the years. They work with a small team. They likely own a good deal of the gear — they shoot mainly on RED cameras and heavy expensive Cooke lenses (which you can’t get this stuff easily in Korea. I lost a lens cap for a Canon CINÉ Lens in Seoul and it was like this whole big deal because getting gear there is an import challenge but anyways) they use MOVI and Ronin gimbal stabilizers and Jimmy Rigs a lot.

Recently they’ve been using technocranes but I wonder how many technocranes there are in Seoul. As I said, they likely own a lot of this gear which can help with costs. But we’ve also been told — and I’ve heard through my industry friends — that Hybe PAYS. And in Korea there’s no unions in the entertainment world, and often the rates are shit (hence Netflix investing so much there - blerg) their standard work week is also already 12 hours longer than the US. It’s a whole thing. and they spend so much money on sets. It’s incredible.

They rent these huge spaces outside Seoul and BUILD — I mean the build out for SMFP2 was astounding. They easily dropped 1million on that video. The rigging, the build-out, the custom set and the custom camera rigs to achieve the 360 shots - the drone shots. They’re astounding videos. No US label is spending that money on videos these day. Absolutely none of them are — my friend recently produced a video for John Legend. They were trying to pull the whole thing off for $100K which is ridiculous. It’s really almost impossible.  

But on the Big videos they spend a lot of money, but they also produce a lot of other stuff too (and these are often looked at as Performance Videos vs all-caps MUSIC VIDEOS) -— like RM’s video shoot at DIA Beacon… that was a much smaller, fairly single camera shoot — all shot on drones or a MOVI handheld rig. No set, they also didn’t like pay for the set because DIA: Beacon is an art museum — and similar a little bit to Letter for Jimin, which was much smaller set and easy in-house gear.

(And it was also released on Bangtan TV channel vs Hybe Labels Channel, which is a good indicator of how they categorize these shoots.) But the big videos, they go for broke. I mean they spend so much money and again they may own a lot of the equipment but there’s still so much people-power and labor involved. Take the dancers’ rehearsals. You have to pay people for all that — you have to pay them for the weeks of rehearsal, you have to pay them to be in a video. It is so expensive — like, I would not be able to budget that video for under 1 million, that’s how much it costs.  

So then Jimin wanted to do music shows —- and so because he’s Jimin and it’s BTS, Hybe rented larger venues and locations for all of the shoots. None of them use the actual Broadcast spaces or were provided by the broadcast studios. The smaller companies do though — remember when BTS first started out they went to SBS to film on the day? — but they don’t do that anymore. They rent huge facilities so that they could be a mini concerts for ARMYs to visit with Jimin and see him.

They also have to do this kind of outside of the city and they built huge sets because they’re going to want to show off if they’re gonna be on TV but that is so expensive. (I don’t think you were an ARMY then, but when ON was released, at the time it was the “biggest broadcast performance ever” and they keep upping that ante for sure!) It’s possible the broadcast companies spend some money but what BTS is doing is so outside the usual budget and given the tension with the broadcasters and HYBE — they (Hybe) wants control of their products, and so I think they pay for that control.

I can’t imagine they got out of any of those days for under $500K; I mean, there were two different sets, all the crew; they’re paying for all of it. We add it up and they probably spent close to $3-5 million between Jimin’s music videos and his music show performances, and I would be understandably like: “That’s it!” Like, that’s the budget for an EP, you know.

I don’t think Jimin could have it all because that wasn’t the case for the other members. RM got to lead videos and J Hope had pyrotechnics, which definitely costs money and safety and insurance. You know he had visual effects his first video (a lotta visual effects) and again a lot of challenging technocrane work, but I haven’t really seen them build something on the scale of what they built for SMFP2 in a very long time (or ever?).

We heard from the Art Dept that Jimin did not want to shoot on blue screen, so they built the set for him. This cannot be the same label that is shafting him — that allows him to spend that amount of money just because the artist said “I want to shoot in a real space!” because I’m gonna be completely honest— he could’ve done that on a blue screen — I’m glad they built a real world because BTS almost always shoots on Blue/Green Screen. They build him a huge set like that. It’s absolutely incredible.

I was also reminded this morning that people are talking about radio for Like Crazy and not supporting the song — and I just keep thinking that they did exact rollout for Butter, Dynamite, and Permission to Dance. They released Like Crazy. It had both a Korean version and English version. (Obviously that wasn’t the case for the English BTS songs.) They released two additional remixes. Then they kept releasing, like, alternate cover versions — alternate covers of the main remix, alternate cover the other remix. They were trying to maximize the direct-to-consumer store and exact same way they had tried to maximize it with Dynamite and Butter and Permission to Dance.

The way you were buying Like Crazy was the same process I took on Dynamite. They did the exact same playbook. So the fact that they were unable to get the kind of radio play they wanted or maybe they weren’t prioritizing radio because they knew that they were gonna have a better chance at direct to consumer sales... Maybe they didn’t want to fight radio. Maybe Geffen was like “We don’t have the right ‘Ins’ yet!” — I’m not sure, but the fact that they got completely screwed over by Billboard doesn’t mean that they weren’t actually rolling it out in that way, because as soon as they started doing the whole alternate cover thing, I was like: “Well, they clearly want us to try to go for number one!” You know, “They clearly think that they are going to be able to get number one on the hot 100 and we’re gonna use these sales to do that!” And clearly that’s all changed now.

They keep changing the rules on us, so — with JK, they’re obviously trying to, you know, use whatever tools they have available to them at this point.

Finally, when it comes to restocking the digital single CD. There are still albums available in the store. So why would they manufacture and ship more (likely thrown away) plastic that’s just for one song, when those CD singles only serve to raise sales for the charts? All of the other member’s CD singles are out of stock except The Astronaut, which they treated more like a proper album a bit (kinda like the Butter CD releases). Because they still have both versions of his full albums in stock, so if I were Hybe, I’d be like “No,you need to buy the album, we still have albums, we’re not going to sell you a single song when you can buy the album!” That makes more sense to me. The albums cost more.

TL:DR, haha — so I feel like this narrative around Jimin’s release has been ramped up because, from my professional opinion, he’s had the most expensive release so far (by far) and if we want to compare him to, say, Beyoncé — well she owns her own production company (Parkwood Entertainment), so she can funnel her own money into a Visual Album, I don’t know if Jimin has considered that at this point in his career, but in the future, he might!

((Not including costs for Suga’s tour because that’s a whole other thing, and the tour probably made money I would expect to balance out the cost of the tour itself))

Anonymous Insider

This isn’t to say that the other things, the part where he didn’t get the cake celebration, or the posts, the issues with the linking and this general feeling that Jimin was short-changed in these things isn’t valid and understandable. I think Hybe relied too much on D2C sales and I don’t think they leveraged their might as much as could have for JM. They could have risked more for him.

{This is an end of Anonymous Insider’s messages to me. They noted that they are an intermediate non-native Korean speaker so please excuse any translation errors. They translated things themselves using Naver tools that aligned with the video subtitles.}

So, listen, I still don’t think Like Crazy was sent/promoted to radio (which was a mistake and still is a mistake) and I am furious at the shady articles and lack of celebration for Jimin…

But after reading the way the members approach their work in the Beyond the Story book and now hearing from someone who produces these works for a living, I have to wonder if the company was doing everything they knew how to do for Jimin, but the second it didn’t work out because of the western music industry culling streams and sales, they pulled back all their resources and pivoted for Yoongi and JK. (I also wonder if leadership shut up about it all due to liability issues, or not to cause bad blood with the music industry for future releases.)

Again, I’ll never forgive the lack of celebration and the split streams (not without a great explanation), but at least now I think there’s a good chance no one was actively trying to sabotage Jimin on purpose. They seemed to have wanted that #1 and then it all went to shit because Billboard and radio want to get paid. Maybe leadership decided not to put any more resources into Face but instead pivot for all the future music coming out (including PJM2.)

Perhaps I'm a cockeyed optimist. I’m just hoping like hell they never engage in payola. I want all our boys to win, but I want us to win fairly. And even if everyone cannot have the same investment every time on every project, I hope when they come back together in 2025 that everyone feels good about their solo works and each other. This is my prayer. Love, Roo

[meimi-haneoka]

Report of CLAMP's Twitter Space - April 1st, 2024 (part concerning Cardcaptor Sakura Clear Card)

As it was quite predictable, CLAMP sensei opened a Twitter Space on April 1st to celebrate this important and special day, which they consider their "birthday" as a creative group. ✨

It is also the birthday of quite a number of characters in their works, but it's hilarious they mentioned later in this Space how April 1st is actually only CCS!Sakura's and TRC!Sakura's birthday, as all the other characters have "ambiguous" situations going on. 😂 I'll delve into this part later.

You will find the full report under the cut, since the post became considerably long once again - it was inevitable since they kept bringing Sakura things up and the Space was almost 50 minutes long! 😅I also wanted to feature as many info as possible, and where I could, I wanted to translate their conversations directly rather than making a summary of it.

CLAMP celebrated April 1st going to a beloved cafè in Kyoto (they later revealed in their IG stories it's called Mont and there's always a cute dog there), spending some nice relaxing time drinking something all four together. That's when they got the idea to open a Space to celebrate with their fans too. CLAMP reiterated several times during the Space how grateful they are for being able to do a creative job like this, even after 35 years. A job none of them really imagined when they were little, as "to become a mangaka" wasn't a specific dream any of them really had.

And then, Ohkawa introduced the part of the Space where they talked about CCS Clear Card, starting by the mention of the release of volume 16 (which happened precisely on April 1st)!

Ohkawa: A serialization that lasted 7 years and a half, isn't it? Mokona: So long, right? Ohkawa: Yeah, quite long! Satsuki: Elementary schoolers have already graduated by now. Ohkawa: Yeah, the readers who were in the first year when the serialization started have graduated elementary school long ago. We had decided that Sakura would start middle school when Clear Card Arc began, and readers of her same age reached adulthood by now. Satsuki & Mokona: Ah, it's true! Ohkawa: They've stayed with us for long time, right? And now the final volume is out. *they all applaude* Mokona: It's quite a happy end, isn't it? Ohkawa: Uh? Mokona: a happy, happy, happy end. 🥰 Ohkawa: 😨...you mean, an APPEALING end, right? (Nekoi echoing her: right?) (note: happy and appealing start with the same pronounce in Japanese) Nekoi: 😅(to Mokona) What are you talking about? Ohkawa: What do you mean, Mokona? 🙃 *Mokona laughs nervously* Nekoi: Is that your headcanon or something? Ohkawa: Is this okay to say? Nekoi: Or rather, is this your conspiracy? 😂

Of course they all joked like this because they wanted to avoid spoiling how the story ended 😂 Ohkawa thanked all the readers for sticking with this story for such a long time. Long time after Sakura Card Arc, when the right opportunity came, they were able to draw this "Clear Card Arc". In that regard, Ohkawa mused that she can't even recall why the previous arc is called "Sakura Card Arc", despite no one actually calls those cards as "Sakura Cards" in the story itself (she said the characters do call them "Sakura's Cards", but not "Sakura Cards"), and Mokona seemed to agree with her, but here sensei was simply forgetting that it was Tomoyo herself the one who named them that way in volume 7 😅(in the beginning she wanted to call them "Sakura-chan Cards", then she settled for "Sakura Cards"....unforgettable Sakura's comment: "It sounds like the name of a credit card..." 😂) It was long ago, we can forgive them. 😉And they made sure to repeat the same thing with Clear Card Arc, since in this story NO ONE ever calls those as "Clear Cards" but actually just "transparent cards" or "new cards". 😂

Ohkawa added that middle schooler Sakura grew up a bit more in the last part of the story, and people who have already read the last chapter can understand what she means by that. She also said that she'd like to leave a more in-depth talk for another time, when they get the right opportunity, but the biggest reason why they decided to open this Space was to talk about unknown "behind the scenes" trivia that the fans could ask about using the hashtag of "CLAMP day" and those of the campaigns organized by Kodansha (in particular, the one to win the big A4 size clear bookmark). She also said that she wanted to give this opportunity to Satsuki and Nekoi to say something about Clear Card since the last time they all talked together, they didn't get the chance. Ohkawa also brought up the last CLAMP Kanbukai podcast, where she talked about the trivia of Fujitaka's iron kettle and that shocked both her colleagues, cause they didn't know about that detail! 😆

Ohkawa: The story I'm about to tell you is something me and Mokona know very well, since there's a precise reason behind this trivia. In Clear Card Arc there's a "key character" called Akiho. Akiho's last name is "Shinomoto" and that was decided ever since the very beginning, but her first name was originally Sairi! Her full name was Sairi Shinomoto. Mokona: It gives off a different vibe, right? Ohkawa: Indeed. I had already decided the kanji for it and all, but at some point, before we even started to draw chapter 1, whenever I talked to Mokona...(to Mokona) please explain what happened. Mokona: Whenever I tried to write the hiragana for あいお (aio) in our conversations on Line, the autocorrect on my phone would change it to 秋穂 (Akiho). (Note: another reading of the kanji in Akiho's name is indeed Ai'o) Whenever I tried to write those hiragana characters, the autocorrect would change it to akiho once the message got sent, and I was like "what's that akiho?? I didn't want to write that". I couldn't understand, because it's not like I had ever used that word with other people (note: she means the autocorrect didn't learn it from other conversations). Ohkawa: The first 2-3 times it happened I was just perplexed, but then as this "akiho, akiho, akiho" kept happening every time, I just asked her "Mokona, are you doing this on purpose??" and she was like "no, not at all!" 😂 She told me "Look what (the phone) converts this into!", but when we tried to do the same on our phones, it didn't come out to any of us! Mokona: But I did show it to you, right? That it came out like that to me. Ohkawa: Yeah, you did! I found it strange cause she said she doesn't even have any friend who's called Akiho-chan, she even tried to recall if there was a character of any series that's called like that... Mokona: Right, but I didn't know any! 😅 Ohkawa: So we started to think about it...Akiho seemed like a really cute name, it combines the characters of "autumn" (秋) with the ear of rice (穂), we pondered about it for 0.02 seconds and then I said "Let's use 'Akiho' for her name". And that's how she became Akiho Shinomoto. Satsuki: You thought that the ear of rice was a nice "opposite pole" to Sakura's spring. Nekoi: What were Sairi-chan's kanji? Ohkawa: Well, it doesn't really matter now but initially, I had designed for her name to bear a kanji only for the "ri" part, and leave the "Sai" part in hiragana. In CCSakura all the characters have their name either in hiragana or kanji, and there isn't any character who's got a name that mixes both. So I thought to do that for her. Ohkawa: Speaking of Sairi-chan, it's a good moment to mention that there's this morning drama show on NHK starting right today, called "Tiger with Wings" where Sairi Ito is starring. I really love her as an actress and I think Sairi is a really cute name, so I had decided for Akiho's name to originally be Sairi, just like hers. It's not like I created the "Akiho" character in Sairi Ito's image, but I just thought that Sairi was a really good name and there was a time when I thought that it would be better for her to have a name closer to Sakura's one, so I had initially decided for that one. But thanks to Mokona's fated intervention, she became Akiho.

Many fans who were listening started to try to type "aio" on their phones and uploaded the screenshots of how their autocorrect would suggest "Akiho" as a conversion! Ohkawa and Mokona looked at the screenshots and commented that the same result can be obtained both on an iOS phone and on a Mac computer. Mokona felt relieved that it wasn't just happening to her! 😆 Ohkawa: It might be that Mokona-san unilaterally changed her name for us, but...😆 Mokona: it's not like I was scheming for it or anything! 😆 A fan also brought up the fact that in the prefecture of Yamaguchi there's an onsen facility called "Aio Onsen" written with the same kanji of Akiho's name, and CLAMP were quite surprised to find that out.

Ohkawa: If you look at the story you'll know what I'm talking about, but in the finale Akiho reveals her true name as a 'final move', and I did think in the past that the spoiler about her true name would show through the fact that we gave her an autumnal name, but Mokona writing that 'Akiho' all those times was just so guided by fate, to the point it shocked us. And it came from writing something trivial like "Yo!" (note: Mokona wrote "ai" as a colloquial way to say "yo", "hi!") 😆 Mokona: It seems like it's quite an unusual name but don't worry, it's not like I was scheming for it! 😅

Then, Ohkawa asked Nekoi and Satsuki if there was a particular scene or part of the story they liked or if they had a fun episode to tell about...while she was waiting for their answers, she said they received lots of praises for the cover of volume 16, with many comments saying how beautiful it is, and for them it's already enough if people can even just look at the cover on the internet.

Ohkawa: By the way, you said the tone used for Kaito-san after his eyes changed was quite bothersome to you, right? Nekoi: Yeah, because I kept forgetting it! Satsuki: I wonder if people will notice...his eyes are so tiny, right? Ohkawa: Were his eyes huge, before? Satsuki: No, I mean, when turned into a tankobon his eyes look so tiny... Ohkawa: Ah, I see, I see. Nekoi: it's because we're used to see it on a screen. Ohkawa: Lots of stuff happened to Kaito-san in volume 15, and....lots of stuff happened to his eyes too, as a result. Because of that, we added a tone finish to his eyes, and it would make me happy if people noticed it. Mokona: There's quite a non-human feel to his eyes, now. Ohkawa: Indeed, indeed.

Ohkawa then asked Satsuki for her own tidbit about Clear Card, and she mentioned a color spread she really liked was the one of chapter 55, with Sakura and Akiho seemingly springing out of water, each on a side of the spread. Satsuki commented it's "a pose quite common in our artworks". Ohkawa recognized it and said the spread was actually two pieces drawn separately (as it's quite deducible by how the spread is composed). Satsuki added that in general all the art of the last volume is quite cute.

Ohkawa: What about you, Mokona? Mokona: As for me.... As you know, right in the middle of the play written by Naoko-chan, they end up in the world of the book. Well, it's not like they really go to another world. When we reach the part of Syaoran's action, both Sakura's POV and Syaoran's POV progress simultaneously...and I think if this were a video, there would be a way to portray it smoothly, but when we were working on it, Nanase told me "I want you to find a way to portray it that is fitting for a manga". So when I've got down to draw the storyboard, I've arranged the panels in a way that was quite understandable to me, but I started to have doubts whether people would be able to get easily what was going on...💦 I could understand it completely because I knew the story, but what about somebody who was seeing it for the first time...? Would it be okay...? I was quite worried about that. Ohkawa: Ooh, I see. I think somehow they were able to understand it.

After this, Ohkawa mentioned Motoko Kumai (Syaoran's, Sumomo, Nataku's VA)'s quote-retweet of their announcement of the Space, where she wished them a happy CLAMP day and said all of the meetings with those characters are a treasure to her. She added "Thank you for pouring your heart in everything you do". It was very funny to hear Ohkawa say "I wasn't the right person to read this, I get embarrassed with these praises! 😳But no, really, thank you very much." ✨

Ohkawa then said "We've been told by Kodansha that they've never had a single manga that continued for two volumes after the end was announced...well, this is our volume 16 that was extended twice 😁"

Ohkawa: I say this every single time, but in my heart, this was the story where Sakura-chan acted as a proper main character, till the very end. I think this is the story Sakura painted for herself, following her own feelings. Sorry, but this is how I feel. Of course I think it's possible to not see it this way and you're absolutely entitled to it, but we think our Sakura-chan really did her best. Mokona: She truly did. Ohkawa: Also, we got lots of comments saying that Touya used too many cheats 😆But I would like to remind everyone that Touya was a "cheater" since long time ago. Mokona: Despite not appearing often, we stacked on him many strong points. Ohkawa: He was really a cheater all along. (note: of course here with "cheater" they're meaning his abilities that allow him to do unexpected and powerful things in the plot, in order to help Sakura at the most convenient moment) I'm talking about Clow Card Arc right now (note: this is a part concerning Sakura Card Arc, actually), but to have a magical power that allows you to transfer all of it to a magical being created by Clow is already a cheat to begin with. Satsuki: he can also see (non-living beings). Ohkawa: Sakura-chan was refusing to do so, but she's also someone who can see them.

While looking at the hashtags, I can't understand if this was Nekoi's personal comment or the comment of a fan, but she said "It's good that it wasn't Touya the one finding the Cards", mocking the way he would've said the incantation to capture the Cards, and Ohkawa replied "Well, he would probably be 'Cardcaptor Touya' now. But he was an high schooler! Feels a bit off..." and Nekoi along with Satsuki mused even more on the possibility of him having a transformation scene like shoujo heroines or if he would just go capturing cards in his school uniform 😂 Mokona: I don't really think Tomoyo would put that much effort in creating costumes for anyone other than Sakura-chan 😂 Ohkawa: Yeah, Tomoyo wouldn't make a costume for him. Therefore, despite it would be quite troublesome because I don't really think Yukito is particularly skilled in sewing, what I can think of is that he would make for him some kind of awkward outfits that don't even look like cosplay costumes. Satsuki: He'll make them by himself. Ohkawa: Well, it's not like Touya would make them... Nekoi & Mokona: There's no reason for him to do it, after all. Ohkawa: He wouldn't be doing this with a serious spirit. Nekoi: So he wouldn't feel a particular reason to change clothes. Mokona: What if he wants to hide his face? What do you think? Ohkawa: Ah, you mean a mask? Nekoi: Well, it's not like Sakura-chan herself had ever any eyewitnesses, after all... Nekoi: He gives me the vibe of someone who would go and capture cards swiftly like he just dropped an item...and hey ho! It would end immediately like a yonkoma (note: four panel manga)! Mokona: He might just pay attention to not get his school uniform dirty. Ohkawa: Then, if Sakura was in Touya's place, she would just go like "Oh, I think I've heard a noise" Satsuki: "There's some rustling" Ohkawa: But I don't think Touya would try so desperately to hide it from her, like she did with him! 😁

Then, Ohkawa tried to bring the topic back to the theme of the day, Clear Card and the release of volume 16.

Ohkawa: it was the first time we happened to draw again for one of our series after almost 20 years. Of course there's been a change in the design, it was impossible for us to keep it the same. I'd be happy if you could enjoy nonetheless. Moreover, at the end of the story, the front and the back of all the Cards changed. We were able to show the back of the Cards when the special chapter was published on Nakayoshi, after the story was over, but as for the front of the Cards themselves, we have just shown a peek. Mokona: Right, and just a few of them. Ohkawa: Truth to be told, we have modified all of the Cards in their manga version. (to Mokona) It was hard, right? Mokona: Yes. Ohkawa: Mokona has rewritten all of their names, too. Because the design is different. Mokona: Yeah. I had colored them too. I thought I would die. Ohkawa: Nekoi and Satsuki worked really hard on them too. Despite that, the truth is we have no opportunity to show the new designs of all the Cards in their manga version! Mokona: It would be good if we could show somewhere the colored version of even just one Card... Nekoi: Since we worked so hard...

Many people in the "CLAMP Day" hashtag suggested for them to show them at the CLAMP exhibition of this summer. Then, back on the topic of volume 16:

Ohkawa: I know there might be people who won't think in that way about volume 16, and everything we're talking about might be a spoiler for others, but I personally think that both Sakura-chan and Syaoran-kun matured little by little during this last volume, and I'd be happy for you to see it. Eriol ended up being that kind of character, as usual... (note: she impersonated him saying something, but unfortunately I can't really understand that line) Mokona: Beside him, the "camera" of the story focused properly on all the other characters, including the Kinomoto family. Ohkawa: This is something I wanted to do since long time ago, but...Fujitaka himself didn't have any powers, and although he didn't understand very well what was going on, he trusted Sakura-chan and in the end told her something like "I knew you were going out of the house at night!" 😁 I'm really glad we could draw that scene for him. I've always wanted to portray at least once what the characters of the "parents generation" did inside the story, it's not like Fujitaka-san was spacing out in a corner oblivious to everything...and I'm glad I could portray that in the story. Satsuki: He's collected lots of suspicious books too, right? Ohkawa: Yes. There's something I asked my three colleagues to depict long time ago, and it's connected to what happens in the end. Akiho-chan in the end says something like "I want to aim for a job like this in the future!", but not only that, she also looks for rare books while travelling to many countries around the world. The first time I wanted to portray what kind of rare books she would be collecting was in a scene of long time ago, when the girls visit Fujitaka's library. I asked to please put an homage to Cthulhu over there. Mokona: It's true! Please look for it! If I remember correctly, they were some kind of grimoires that appear in the Cthulhu mythos. We have included them clearly so please everyone, have fun looking for them! Ohkawa: We have intended all of those as homages, so I'd be happy if you could look at them. (note: the chapter they're talking about is the 26th one)

Mokona: It looks like something terrible is going to come out at any moment from a corner of Dad's library....💦 Ohkawa: Yeah. But Fujitaka is like "any kind of book is welcome here!", even with books like those ones. Ohkawa: And then, there's the matter of the chocomint. There have been questions like "why do you keep bringing chocomint up?" before. Among CLAMP, the ones liking chocomint are Nekoi and Satsuki. Mokona, what about you? Mokona: I've recently started to be able to eat the chocomint ice cream from Häagen-Dazs. Ohkawa: You didn't really like it before, right? Mokona: Yes. People from the "chocomint side" will probably think it's pretty mild tasting, but...😅 Ohkawa: As for me, I can't really eat it. 😅But I feel like when a person you love eats it so eagerly, you can't help but wanting to try it too. That's the reason why we employed chocomint in the story. Maybe people who like chocomint will disagree with me, but to me it's quite a divisive kind of food, you either love it or hate it. Mokona: Its color is so overwhelmingly cute too. I always end up wishing to eat it. Ohkawa: Are you like "ugh! This was a mistake" or "well this is quite good" when you actually try it? Mokona: If I do my best, I can eat it till the end. Ohkawa: Well, we have Lilie, an older character appearing in the story, whose person she fell in love with started to like chocomint precisely because she likes it too. That's something that can happen too, right? Mokona: Indeed. For Syaoran it was the same. Ohkawa: Uhm, right, didn't Syaoran dislike it? Nekoi: Yes, but when he tried it he actually started to like it. Mokona: He could eat it because it was something Sakura made for him! Ohkawa: Isn't that amazing? Mokona: It is 🥰

After this, CLAMP started to read some messages from the fans, and also mentioned that the word "Sakura-chan" ended up trending on Twitter. Ohkawa: We have realized it today for the first time, but among our characters, Sakura-chan is the only one whose birthday is TRULY on April 1st! Satsuki: The double Sakura-chan, right? Ohkawa: Right. First of all, I'm not sure we can consider as a 'birth day' what happened to the existence of xxxHolic's Watanuki. Then we have the birthday of Tsubasa's Syaoran, which was decided deliberately by princess Sakura, so even in his case it's ambiguous. Another one is Seishirou from Tokyo Babylon, and in his case the birthday is a lie. So that leaves us basically with just Cardcaptor Sakura's Sakura and Tsubasa's Sakura as the only characters who are truly born on April 1st? Mokona: In the case of Sakura from Tsubasa, I wonder if we should consider her calendar the same as ours. Ohkawa: Ah, right!! Because she lives in another country, right? Mokona: And another world too.

After reading some more messages, Ohkawa said that she's very happy even just with fans of the old Clow Card and Sakura Card Arc loving the new arc too, but what makes her the happiest is to know there are people who have discovered the CCSakura series thanks to Clear Card Arc, and will keep treasuring it from now on. They also mused over the fact that they've been in activity as authors for more than half their lives and the time they've spent working together is far longer than the time they've lived at their parent's home. All four of them are extremely grateful for being able to do this artistic job as a creative group for such a long time.

Taking the opportunity of a fan mentioning the CLAMP Exhibition in July, Ohkawa gave a warm suggestion to try to visit the exhibition if possible, because judging by the current condition of their original artworks and the difficulties they're having moving them around, they don't think there is going to be another opportunity to do this again in the future. 💦

Then, a fan sent them a particular question: "Do you have plans for another arc of Sakura and Syaoran from CCS? Maybe about their wedding?" Ohkawa: Hum, in my idea it'd be best for everyone to imagine Sakura and Syaoran's wedding in their own hearts, but if there's the possibility of a continuation after the events of the last volume, we will certainly let you know.

The person asked about an xxxHolic continuation too, which of course Ohkawa re-confirmed (they're currently preparing everything to resume the serialization) and asked us to wait just a bit more for the announcement from the editorial team of Young Magazine!

After some more messages from the fans, CLAMP gave their final greetings on such an important day!

Nekoi: We only have you to thank for reaching this anniversary on this day. Thank you very much. (they all clap their hands) There will be lots of things to enjoy ahead, and I invite all of you to gaze at the pink color of Tokyo Tower. Ohkawa: It seems we'll be able to watch it from Youtube too, so please don't miss the chance. Satsuki: I want to thank everyone for your support. Just as Nekoi mentioned, we have plans for more things ahead, there's the return of xxxHolic too, and...I wonder if there'll be a new work too? Ohkawa: (laughs) Well, more than anything, there's the Clear Card anime adaptation too. I think it will take some more time but surely, without fail, the announcement from Kodansha will come, so please stay tuned. Mokona: This one volume marks the end of Sakura's story. (note: the term Mokona uses, 区切り, seems to not be a "definitive end", but rather seems to be indicating more a point of "break", a "delimitation", a "place to stop"; there's still a marked sense of "end" - whether it's just to an arc or the entire story is not clear, so I chose that translation but I wanted to point out the other nuances in the term). I am extremely grateful to everyone who watched over Sakura-chan's growth and even those who grew up along with her! We look forward to your continued support. Also, I would like to add something that is probably a bit off topic, but there are also some anime projects we have created character designs for. Ohkawa: Oh, right, of course!! That's very important. Mokona, I knew I could count on you, thanks for reminding me. Netflix announced the "The Grimm Variations" series, then Code Geass, which we've been making character designs for long time, will have a new series: "Rozé of the Recapture". Moreover, the new season of the Vanguard D anime series was announced too. Please watch those too. 🙏 And then, as a leader, this is my turn for the final greetings. I truly feel like you've been watching over us in many, many ways for the past 35 years. Whether you've liked us before and now you're taking your distance from us, or on the contrary you weren't interested in us before but now you're following us, please know all of you are still very precious to me. If you stopped reading our works, it's all right. I hope we can be reunited with you again one day through another work that you'd feel like you want to read. For the moment, I would like to thank all of you from the bottom of my heart for all of your efforts, your strength and lots of energy that allowed us to carry Cardcaptor Sakura Clear Card Arc to the final act. I'm sure Tokyo Tower will shine with a bright pink color tonight! Please make sure to listen to our podcasts, and to other Spaces we'll open when we can. Thank you very much! ✨🙏

[room-surprise]

New Canary Lore (Preview image from Complete Adventure Guide)

With bad translation by me.

This is really cool info!!!!!!!! And confirms a bunch of stuff we didn't know for sure.

PARTIAL TRANSLATION: The Canary Squad is a group that adventurers on the island fear. We have published materials that give a glimpse of this. Canary Corps Organization Chart The Canary Squad is made up of prisoners and the guards who manage them. This document reveals information about the members of Team 2, led by Deputy Commander Flamela.

Hard to get much from this unfortunately, but seems like there's a group of commanders above the Canaries but below the Queen that call the shots (makes sense), and also a side group for Canaries that aren't good at going into Dungeons (also makes sense).

So now we know Helki was pardoned/finished his sentence and works for Milsiril as some kind of servant (light labor, probably a house servant). We also know that a Canary prisoner can theoretically be pardoned and become a guard, like what happened with Flamela's assistant. That's probably why she's always wearing a hood, doesn't want people to see her ear notches and get confused about the chain of command. (You guys have GOT to find a better way to indicate rank than just ear notches 😂 Give the officers different colored capes or something...) Flamela's under Mithrun and a "deputy chief" or "deputy commander" I'm sure it's vague in the Japanese and that's why there's wildly different translations. Now it makes sense why Mithrun was able to tell her to "shut up" without getting in trouble, and why all the Canaries had to go along with Mithrun's promise at the end of the manga, he's the highest ranking guy there. Flamela IS related to the queen, but distantly. Also they both have relatives that seem light-skinned, which makes sense since the elves clearly have a lot of skin color diversity throughout the population. And now we also know the genders of the various background canaries! I'm so happy there's more men and they aren't just all girls 😂 I had a gut feeling that long hair freckles, bottom left corner, was a boy. Still no names for them though 😂 but that's ok, Larry, Moe and Curly my beloved.

[adachimoe]

Random tidbits from Hashino's interview in the Persona Club P4 book

At the back of the Persona Club P4 fanbook, there's a 6 page interview with Katsura Hashino about the making of Persona 4. This interview is spoilerific and you have to cut the pages of the book to even read it lol. I have 0 desire to translate the entire thing (I don't trust myself with that, ngl), but here are some fun highlights from it related to Adachi. This interview/book was published in 2009, so before the anime aired, before Golden, before Arena, etc.

The identity of the true culprit - who filled Adachi's role before Adachi?

While developing the story, it originally had Izanami (Hashino very specifically mentions Izanami was planned since the start) and Namatame, and one of the themes was "how the characters get info". From what Hashino says, Namatame's role during this earlier stage in development sounds very similar to what we got in-game. Back then, he was considered the true culprit and he was well-meaning, but he lacked some pretty critical info. After Namatame, there would be the feeling that there was still someone out there, but that someone was Izanami, not Adachi.

The staff felt the plot was lacking, so they wanted to add in a stepping stone between Namatame and Izanami as an extra plot twist - a true, true culprit. And the first character who they considered for the role of the true culprit was................... not Adachi.

The very first candidate for the true culprit was Yukiko. Yup. This came from a half-serious, half-joking convo between Hashino and Soejima. Their reasoning for picking Yukiko was because in the Kindaichi Case Files, whenever there's a murder in the sticks, it's always the lady who runs the ryokan who's the culprit.

The next person who they considered was.......... Yosuke. They thought that because of how his character was shown as a decision maker with a good head on his shoulders, maybe he'd have a relatable reason for devising everything? They talked about making him a villain who would still be adored by players regardless. But Hashino was against the idea of having one of friend group as the culprit.

Ultimately, the reason why neither Yukiko nor Yosuke became the culprit was because their motives for murder would be too personal. Hashino thought that if it's murder driven by personal motive, then players won't be as invested. A personal motive would be too much like the "Tuesday Mystery Theater", a Japanese mystery TV show that was - from my understanding - character driven drama.

Hashino went back to the theme of "how the characters get info". At the time, there existed a person in the plot who's function in the game was to give the main cast information from the police's side. This character just so happened to give you info, and seemingly consequence free on their part - after all, what you did with the info after had nothing to do with them. They were careless. And Hashino followed this train of thought, thinking that kind of carelessness went well with antagonism.

Originally, Adachi was the aforementioned character. He was not the culprit, and he gave the characters info about the police's investigation. Following Hashino's train of thought, then the person who was giving away information would become this new culprit between Namatame and Izanami.

But there was an issue - if he was giving the main cast info about the investigation, then he would stand out among the adult cast, and him standing out might spoil that he's the true culprit. Thus, Hashino changed directions during development and started to create Adachi's character.

(See bottom of this post for a footnote about Adachi's old character design and some ramblings about his old role.)

The Thousand Curses and the Myriad Truths

Per Hashino, Persona 4 is about media literacy (no seriously it says media literacy in katakana wasei-eigo even). Izanami's Thousand Curses represents the lies of the media that humans believe in. The protagonist's Myriad Truths represents how, in this sea of misinformation and lies, you can only trust and believe in the words of those who are close to you.

(I suppose now is a good time to mention that the Japanese name for Myriad Truths is "Tens of Thousands of [Mantras / True Words]". A mantra is a phrase/word you repeat over and over, so it seems the Myriad Truths is a visualization of the protagonist unleashing all of the truths from his social links and bonds. All 10,000+ of them.)

Adachi's Given Name

Adachi's given name was not always Tohru. At first, it was Tamotsu, which is written 保. Hashino changed it to Tohru because the character for Tamotsu 保 could also be read Yasu when used as a name, and at the time, the staff was trying not to spoil who the culprit was.

Why would Tamotsu / Yasu spoil the game, though? Because "Yasu did it!" is an old ancient ur-spoiler meme thing from the 1983 adventure game the Portopia Serial Murders. Think of like... "soylent green is people", "Darth Vader is Luke's father", "Sephiroth kills Aerith", etc. Not only that, but the main character of Portopia is a detective, and Yasu is your buddy cop sidekick.

Hashino was already aware of the Yasu comparisons because one of the staff who read the script reacted by going, "So Yasu did it, huh?" But Hashino thought that Portopia was so damn old that gamers wouldn't know about it. Only turbo nerds working at Atlus know Portopia, right?

Wrong lmao turns out a shit ton of people knew about the Portopia spoiler. After character art of Adachi was released in a magazine promo for Persona 4, people reacted with, "Yasu did it", so Hashino very quickly changed Adachi's given name.

They had already recorded the audio for the game at this point, which included a line of Adachi saying, "I'm Tamotsu Adachi" when he introduces himself. Hashino had the audio team cut out him saying "Tamotsu", and this is why Adachi says, "I'm Adachi" and not "I'm Tohru Adachi" in April.

I'm sure there's an alternate universe where his name stayed Tamotsu and in that universe I am instead blogging about how you can read it as "Yasu" while explaining the Portopia Serial Murders. :')

Footnote Commentary

If you're familiar with the Persona 4 Design Works, Adachi's page mentions that originally during development, he wasn't the culprit but rather a misdirect. After his role in the story was revised to be the true culprit, Adachi's design was also revamped to be the design we know of today. But this red haired design was his original design back when he was apparently just a leaky faucet. I suppose since we know his name used to be Tamotsu, we can call this version of him "Tamotsu" lol.

Hashino doesn't really go into what he meant by "create Adachi's character", but I'm assuming since the Adachi character already existed in the plot, he meant like... "re-create" the character to fit this new role as the true culprit with this consideration about how he'd come off in the plot.

Hearing that the character originally gave you legit info about the police investigation is interesting, cause in the Design Works, opposite this page of Adachi's old design, Soejima also mentions that Adachi was originally a red herring. I can see how those go hand in hand - a guy feeding you accurate info? How would that not be suspicious?

I also get the impression that Hashino is indirectly saying that the Adachi we got in-game also feeds you bullshit, as to make him seem *less* suspicious, if him giving you legit info would make him more suspicious. Which, well, considering the first thing he says is, "Yukiko did it!" ...Hmm yeah okay lol.

I was pretty amused to see that Yukiko and Yosuke were names being tossed around to be the true culprit. Wild to see that the ancient internet rumors are actually true. Notably, Dojima is still not true. Very funny to read that the real origin was some partially nonsense convo between Soejima and Hashino where they're like, "Hey, so, about the Kindaichi Case Files."

The real moral of the story here is that Adachi is truly no one's first choice. Even his role as the true culprit was originally just a confused Namatame.

[katyspersonal]

Were Marika and Radagon always the same being from the beginning or they were separate people who got fused later on?

Oh boy, I've almost missed this ask in the tidal wave of Sephi spam from THOSE TWO LITTLE PRICKS!!!!!!, but yes thank you for the question! My theory on the matter is:

This for me ties into a couple of things: 1) the idea that when something bad happens with a (demi)god, they are likely to develop an alter as defence mechanism that I mostly base on the theory that Trina and their purple 'sleep' flame happened as response to Miquella being scorched by Frenzy (more here: ( x )) and 2) theme of 'astral projections' that have transcendental knowledge compared with the 'rest of the person' which is more plain!

Recently I've also discussed theme of "if you want to defeat the thing, become the thing" like with dragons, but I decided to discard the idea that Marika willingly inflicted curse of the giants onto herself! But existence of Radagon is exactly what I think happened with Marika - a curse of the giants!

I think that "they say Marika has slain the Fell God" is taken at face value here, they 'say' it because it happened very long time ago and there are almost no witnesses left rather than a rumour! Sure, I still "await for the return of my Lord" (for the one who will precisely re-translate Japanese script), but I am happy with this for now! Yet, 'their flames will never die' refers to Marika having taken up that curse in the moment she killed the Fell God! This is why she was able to pass the curse mark onto the last Fire Giant that survived: because now the curse was her, taken from the Fell God by slaying him.

But, although she was able to get rid of the flame by giving it to the Fire Giant, the impact already left its side-effect on her very being! I still need DLC to confirm or deny whether Trina exists for 'unhappy reason' as I can't tell whether more info on them was cut due to time limitations or rewriting, I am just using it as an extra backup for now! Regardless, it is safe to say that since Fire Giants are all male and Marika was a female, it caused the conflict and so Radagon turned in to exist as male. So yeah kill gods carefully of you'll get cursed with dysphoria idk I am bad at philosophical conclusions

^ I also think that the curse left its mark on Marika genetically, and her children would show traces of it from time to time! Radahn is the biggest evidence of it in my eyes! He started to learn gravitational magic so he could still ride Leonard, which means that he was growing massive even before learning it! Other demigods have no problem staying very human-sized so I think his massive size is not an effect of his massive power, but traces of Giants' 'genes' showing!

I am also considering the ideas that 1) Morgott might have had a fire of his own as result of it, that he sealed into blade, since unlike with Mohg his fire doesn't link to interacting with Formless Mother 2) Rykard might have had natural affinity towards fires as side-effect of such 'genes', that only made his research of fire sorcery easier, and it simply was coincidental that fire reflects heresy

3) Maybe the third eye imagery that is only so far seen in Godwyn's Prince of Death form and Trina's side of Miquella is the secret less obvious effect, that only manifests after something bad happens to them? Since the cyclopic eye is the mark of the Fell God! Again, I need information on Trina first, but so far this works! So yeah. 'Evil eye'.

(Screenshot of Godwyn's model from Zullie's video: ( x ))

I also take the script occasionally from this ( x ) document, but yeah. In Japanese, it is a bit more blatant that he is her other self literally, not metaphorically! She also uses 'omae', a pretty derogatory way to refer to someone. She looks down on this side of herself, which is interesting, but also why? And why Radagon disagreed with her idea to scatter the Elden Ring and let the history sort itself?

This is what made me think of how the separation aspect of them played out! I believe that they are able to exist within the same body, as we can clearly see through the cutscene, but also to split. The thing is? There are precedents of it in the game as well! Sellen and Dung Eater both are under the situation where their real bodies, and real selves are in imprisonment and are suffering without being aware of their astral projections. Their astral projections, however? They are quite aware of where their bodies are and what is going on, but can think independently. The 'body' and the 'mind' are able to exist in separation in The Lands Between. Let's also not forget the case of powerful illusions like the ones of Rennala and Mohg, who are basically the auto-receivers that were set to kick your ass lol x) It is also my idea on why it is named The Lands Between to begin with: because this is where physical and mental blend together, to the point both are equally tangible and perceivable!

Basically? When Marika and Radagon are split, it is very much like this. He would be her 'physical body', living and thinking on his own, not aware of Marika's opinions and plans, whereas Marika would be same as those astral projections that told Tarnished 'oh by the way my actual body is imprisoned in this or that location'. Knowing more and planning more, being aware of what the 'body' thinks and experiences without the reverse being true, however, being limited until the 'body' is returned to the owner. So that's why Radagon would not think and feel exactly the same as Marika: not only he was able to live his own life, but also he understands less than the "transcendental" part which makes astral projections. Marika maybe had the plan to scatter the Ring and let it all sort itself out, so the conflict would let only someone capable of levelling with her lost Godwyn to raise at the top and come and replace her. She generally thinks very far ahead, as the 'higher self' that she is, which Radagon can't do and he just studies and understands the things as they are.

So yeah.. In the conclusion, I think it was the curse of the Giants but specifically the side-effect of slaying the Fell God, yet she sealed the curse she inherited from the act in the last survivor too late and her 'genes' already got traces of it! Radagon is valid but by all laws that strangely split people in the Lands Between he is her "lesser" half that thinks on more grounded plane. We could, again, see from Sellen and Dung Eater that 'body' and 'astral projection' are able to fuse back into one entity, yet Radagon and Marika are still in the conflict?

I like to think it came from Marika herself despising this more "human" side of herself.. Sure, she is not alien to human flaws herself, as someone that set many unfair laws in motion just because of her fears and set the world into war from her grief, but you can't just SAY that hahah; She wants to be perfect, invulnerable, all-powerful, and Radagon is just "not that", not yet. I am pretty sure a big part of it is Marika's very pragmatic view on relationship, whereas Radagon *gasp* had the nerve to truly love Rennala! She only can truly become one with him when his flaws and vulnerabilities are eradicated and he is the same cold, calculating, clever, machiavellian entity as herself, literally just her but male. And, well... this hasn't been this way so far, so in turn, the two are at the conflict. He thinks of the other people and the world, and doesn't believe it is right to betray the Greater Will and the mortals born under it like that, when she decides to just let the world suffer and burn. Ironically, her "lowly" half had more sympathy and reason than her "dignified" half, after all.

This is all very interesting to think about, but so far a lot of this lingers on the conclusions I still need to confirm or deny via DLC! Anyways it was interesting to think about and put together!

[outofcontextbokumono]

In your Allen post you mentioned Natsume is notorious for bad translations. That's super interesting, I had no idea! Is it more of spelling error stuff or just straight up mistranslations?

first of all great question anon!! it's kind of a mix of both, and it varies from game to game. most natsume dialogue just generally reads very clunky and robotic in the english versions, especially when compared to the newer games, where everyone has their own unique way of speaking, and you can usually tell who's talking just based on their mannerisms.

there's more general info on this topic + natsume's involvement with marvelous games in my masterpost here.

xseed's newer games obviously aren't immune to forgetting a few punctuation marks here and there, but natsume's was bad. like, "something about the games just feel Off and uncanny and there's no other way to explain it" bad.

i'm pretty sure it's just because the translators weren't native english speakers, so everything is translated super literally, but if you are one yourself it becomes blatantly obvious simply by looking at the dialogue for more than 5 minutes. this ranges anywhere from minor miswordings to lines that just don't make any sense at all no matter how many times you read them.

and then there's stuff that's so messed up we don't even KNOW how it got there. like some of this shit i would 100% believe you if you just said the game got corrupted because if it isn't that then i can only assume the employees did a large dose of crack cocaine before translating these games. i'm talking like... entire lines that didn't even get translated. text so butchered its straight up unreadable. that one time they misspelled their own NAME in the startup screen. TWICE.

and, last but not least, probably one of my all time favorite errors in a natsume game but one i'll never be able to post here because it's funny purely in context- and it is the singular line in harvest moon: friends of mineral town where the priest, carter, just speaks to you in fucking German

this. this is the error i don't have even the SLIGHTEST explanation for. and, correct me if i'm wrong, but i'm 99.9% sure nobody else does either.

this was....just one line. just the one line of dialogue. where he speaks german. in a japanese farming game that was being localized into english.

at least with the untranslated kanji you have some general sense of how that happened. like, yeah, okay, they just missed a line, whatever. but this isn't even remotely close to the same situation. there should be NO german in this equation whatsoever. it's like if you did 2 + 2 and somehow got 17. and nobody looked over your paper and went, "hey, that doesn't look quite right, man, maybe you should fix that", so you just turned it in and for some reason not even the TEACHER questioned it, they gave you a full grade and a gold star and put your paper on the whiteboard clear as day for all your classmates to see. that's what this feels like.

I. do not think the natsume employees are okay can someone check on them for me

[acsis-narf]

About DecaPolice's possible 18+ age rating (TGS info translation)

*Image above is from Level-5's official website's TGS Report Day 1.

So, back in September during TGS, Akihiro Hino (Level-5's President/CEO) had a stage interview with Danganronpa & Rain Code's creator Kazutaka Kodaka.

The video has since been deleted from Level-5's official channel (since they had said they'd only archive it for 3 months).

But I've rewatched that video so many times I can almost rewind a section of their conversation back in my head 😅.

And that section is about Decapolice's age rating.

Basically, what happened was:

Hino: I like the games made by Western people, it makes me feel like we Japanese people should band up and do our best as well.

Kodaka: Speaking of Western, I know Level-5 usually make family-friendly games, but don't you want to try making a CERO-Z (18+) game like them?

Hino: Well, to be honest, it's not a proclamation or anything, but the game we're currently making, Decapolice, might actually be CERO-Z (18+).

Kodaka: Seriously?

Hino: Yes. It looks cute on the outside, but the inside's just messy (dorodoro). It's hard since, when developing it I'm always told "No, you can't. That's impossible for this country and that country." (As in impossible to sell in some countries AKA banned). When faced with that, it makes me feel like, "Well, should we not then?". But still, I want to stay true to Decapolice's original essence as much as possible.

Kodaka: Then, do you like brutal scenes too?

Hino: No, no, I don't really like brutal scenes. But, I made those scenes so they could in turn elevate other better, more beautiful, scenes.

Kodaka: I've played the demo, but it feels like a team game, full of fun and light-hearted.

Hino: Oh no, the actual thing is super dark. It's filled with things like 'revenge', 'karma', etc.

Kodaka: Is that so?

Hino: Yes, this time (TGS) we're pushing it as another one of Level-5's family-friendly game. Although, in the upcoming future we'll be revealing what the game truly is, little by little.

Kodaka: I see, I'm pretty interested now.

And that's it.

I have confidence in my memory & translation ability, and you can also find the same info from both JP & ENG twitter accounts that were watching the interview, all shocked 😂.

Also, this Famitsu news article that basically wrote down their convos (in Japanese & shortened): https://s.famitsu.com/news/202309/23318239.html

One more thing...

I just want to mention that Decapolice's use of puppet forms is because Level-5 wants to sort of 'side-step' the age rating system, by making them cute puppets and dolls.

Here's a link to that bit of info's translation by user @DartsEnthusiast on twitter (they also post the original article's link there): https://twitter.com/DartsEnthusiast/status/1636145350749704194?t=R9lBFMpto7vC6qUjPqAt8Q&s=19

...And with that, see you guys later 👍🏻

[ticklinglady]

You know, I find it to be truly fun to think about connections of various writers and wonder how those might play out in the story, however then I remember that Asagiri himself isn't particularly interested in doing this, aside from some exceptions. For better or for worse, which is a matter of preference, he truly creates an entirely new story with some references to the real people, despite using their names and alluding to their works. Usually I'm rather cool with that, "Let the man go wild, he's awesome! 🥰", however sometimes I can't help, but feel like it results in some missed opportunities for the story. If you name characters after real people, might as well play with the allusions to them a little more. Here are just some examples of the connections between the real writers, that I am aware of, yet they played no role in the BSD at all:

Akutagawa Ryunosuke was the student of Natsume Soseki and loved his teacher dearly - zero interactions between the two during the story

Q/Yumeno Kyusaku was quite a huge fan of Edogawa Ranpo and Edogawa later became the benefactor of the writer - zero interactions between the two during the story

Tayama Katai and Mori Ogai became acquaintances during the Russo-Japanese war and spent lots of time talking with one another while at it - zero interactions between the two during the story

Edogawa Ranpo was the first person to translate and introduce Lovecraft's writings in Japan - zero interactions between the two during the story

Akutagawa Ryunosuke loved Poe's works and translated them into Japanese - zero interactions between the two during the story

Nathaniel Hawthorne and Herman Melville were great friends and Melville adored Hawthorne so much, that it influenced the creation of "Moby-Dick" a lot and from what I have seen many people say he was actually in love (maybe the writer was indeed in love with him, but I am afraid, I'm not qualified enough to talk about this. Feel more than free to add info to the post) - zero interactions between the two during the story

H. P. Lovecraft was quite a fan of Edgar Allan Poe and his works were heavily influenced by him - zero interactions between the two during the story

Nikolai Gogol and Alexander Pushkin were great friends and influenced each other a lot - zero interactions between the two during the story

Fyodor Dostoevsky was one hell of a fanboy of Alexander Pushkin and even had the honor to give an official speech at the anniversary of the latter's death - zero interactions between the two during the story

And etc.

I mean, don't you guys think it would have been interesting to see Mori and Katai interact, given Katai's heavy dislike for the mafia? Hell, Mori might have even been made the main reason behind Katai's strong emotions! And then there's the situation with Akutagawa and Natsume. I find it to be truly surprising that Mori and Fukuzawa were made Natsume's students in the BSD, yet the person who was actually Natsume's student in real life hasn't even talked to him so far. Nathaniel and Melville are actually part of the same organization, yet there's nothing about it, though to be fair, the Guild members suffer from the lack of screentime in general. But just imagine if there was a tragic love story between the two instead of the one we got with Margaret arffufgbh. However, like I said in the beginning, it's a matter of preference. The story still works on its own and Asagiri still gives us from time to time such interesting references so in general I am very content and happy X3 I'm just saying here my thoughts on how fun it would have been, if he had gone even further

[kazumiwrites-fanfiction]

A Letter For You

SUMMARY: Azul writes a letter to you. WORD COUNT: 500+

WARNINGS: Book 3 spoilers (just adding this in case), Azul hating his old self/being fatphobic, Azul overthinking, basically if you know Azul's backstory it talks about that A/N: Okay so I wrote this in three different languages, I did this one last, and since it's translated from the original (which I wrote in Japanese, the language I'm struggling in most with writing (somehow even though it's my mother language wtf)) it looks so formal and blocky and Idk- I'm proud of myself for writing it in three languages but when I say I hate translating- (My summaries gradually starting to suck more and more-) Also yes of course I wrote about Azul he's my favorite <3 English (this one!) - Japanese - Spanish

© kazumiwrites - All rights reserved; please do not steal, edit, copy, repost (etc) my work without my express permission.

Dear kantokusei-san,

I always had a lot of struggles.

Every day, voices in my head would tell me that I was ugly. That I was just a dumb, hideous octopus.

I can't do anything.

"I want to smile always." "I want to live happily with Floyd and Jade."

But voices are always running around in my head, making me overthink.

Are you really my friend?

Even if you saw me as a kid, would you still be able to say that I'm different from him?

You wouldn't be able to, would you.

Because no matter how you look at it, I'm just a stupid mer that wants to be human.

I'm a horrible person who can't even accept himself.

"I can't be a human."

This is the truth. No one can change it.

I thought that I had accepted these words, and yet… I couldn't.

"I don't want to be a mer again."

"I want to stay as a human forever."

"I don't want to return to being that fat, ugly octopus that I was before."

And I also wanted legs. Human legs - /real/ human legs. Legs that I could have without drinking a potion or creating a contract. Legs that I could walk, run, play and dance with. Legs that I could do anything with.

Why? Why was I born as a mer, and an octopus mer at that?

I had been living like that my whole life.

Until you arrived, that is. That was when everything changed.

The first time I met you, I wasn't sure what to make of you.

"A different world? That can't possibly be true. Are you joking around?"

That was what I thought, and I was wary of you.

However… Even after the Overblot incident, you were nice to me for a reason I couldn't explain.

How could you be so nice to a person like me? I almost killed you, didn't I? Are you insane?

I told you this thousands of times. yet you still spent time with me.

Floyd and Jade teased me a lot for it, but you always defended me against them. Do you remember doing that?

That honestly made me really happy.

"You aren't such a bad person."

And before I knew it… I was in love with you.

I was surprised at first, you know? That I could feel this way.

What made me even more surprised was the time when you told me that you felt the same way.

If you say things like that, it'll only make me fall for you more, since I'm not used to words like that.

You are such an important person to me. I wouldn't want to live in a world that you're not in.

So… Would you like to stay in this world, with me?

I know that you most likely have ambitions, a family, a good life in your previous world. But if you could leave all of that behind to stay with me… I would be overjoyed.

I'll understand if you don't want to stay here; it's not your world, after all. However, I still wanted to ask this of you. Maybe I'm too greedy, asking you for this.

Either choice you make, I'll love you, forever and always.

With love, Azul Ashengrotto

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