I guess it doesnt matter who I make trevors dad since all I have to work off of is his sister not even having a unique design so at this point im commiting to picking trainer classes to make his family. Grunt mom (who is the only one I have any real reason to believe is true), ace trainer sister (canon due to her model), and pokemon Ranger dad. Funnily enough the only ranger I could find from the core series that was blond and male was the Unovan one so im taking that as reason enough.
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Something I've always found fascinating about Raymond Shields is that despite seemingly having altruistic reasons for being a defense attorney, his reasons for trying to convince Miles to be one are anything but.
It seems understandable enough on the surface. After Ray comes around and agrees to work with Miles in The Imprisoned Turnabout, he sees remnants of Gregory shining through him despite von Karma's influence. Whether or not he recognizes that Miles' decision to become a prosecutor wasn't just born from that alone—that it was in tandem with wanting to distance himself from anything that reminded him of his father to alleviate the burden on his heart—is up for debate, but regardless: he acknowledges Miles as Gregory's son through and through and wants to capitalize on his dedication for pursuing justice in a way that he knows would make his father proud. He wants to let Miles in on the life he was robbed of at 9 years old—the life he once dreamed of living, where he follows in the footsteps of his father by giving everything he has to save people, by fighting like hell for the vulnerable and the condemned.
That said, as much as Ray dresses up his proposition by making it out to be as if he's looking out for Miles' best interests (and the best interests of society, even)...his motives for trying to get Miles to switch sides are almost entirely selfish. Ray's efforts (and most of his actions in general, really) are ultimately a product of his desperate attempt to cling on to anything related to Gregory out of an inability to move on from his death. Wearing his hat and coat, leaving the name of his office unchanged...and now, requesting that his son literally change jobs just because he can't bear the weight of his own loneliness anymore. Because he can't bear to think that the damage done by DL-6 is irreversible and Miles has moved on while he has stagnated for the past 17 years. Because he has an idealized vision of what he thinks Gregory would want and fails to realize that his son's occupation wouldn't matter to him as long as it brings him happiness and fulfillment. In his mind, letting Miles go means accepting the circumstances that brought him where he is and allowing both of them to move on. And that terrifies him.
It's even more deceitful when you realize that Ray's pitch comes at a very opportune time for Miles given his circumstances at that point: that is, he's under threat of investigation for prosecutorial misconduct and at risk of being stripped of his badge. Ray might fake incompetence, but he's not stupid—and he takes full advantage of Justine's warnings to try to sway Miles when he's in a more vulnerable position in terms of his job. Which is...pretty fucked up, to put it lightly. Despite having a better idea of where he came from compared to most people, through this Ray shows a lack of understanding of who Miles truly is and a lack of respect for what he's come to value, even if his path toward obtaining those values had some bumps along the road. But he's so blinded by his grief that he doesn't even stop to consider how much he's really asking of him, or what Miles is really searching for.
Ray was moved by Gregory. He values saving people. Defending the weak is an undeniably noble endeavor. But to ask that of someone else without consideration for their best interests is decidedly less so.
For all his occupation requires a certain selflessness, Raymond Shields is far more selfish than he lets on. And I for one find that contradiction fascinating to unpack.
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I desperately wish for an after-credits scene for Glass Onion where Marta scolds Benoit Blanc for trusting a billionaires weird shady COVID-B-Gone gun. There's no way that thing actually works, and also then I would get to see Marta.
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Okay so they're exploring the corpse of a long ruined kingdom. Almost like they're being eaten by the very dungeon they are eating in. Consumption leads to consumption leads to consumption
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The umb
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beatrice baudelaire!
my girl!
How I feel about this character: I've always been really interested in Beatrice because of how mysterious she is. Like, as a fandom we have a lot of headcanons and stuff we've extrapolated from the books and supplementary material, but on pure canon there's a lot of gaps in what we know about her that makes her interesting, especially when it comes to fans trying to fill in those gaps. And I like that she was just this super cool and super hot woman that everyone was so incredibly obsessed with no matter what side they were on, everyone and their mother had a complex about Beatrice.
All the people I ship romantically with this character: If Daniel Handler didn't want me to become far too obsessed with Lemony and Beatrice as a couple, he shouldn't have written five hundred thousand words of Lemony going "Beatrice I love you so much let me list it all" as a way to reassure her when she asks 'hey do you still love me' in the 200 page break up book she wrote. That's just insane, of course I ship it. I'm also really into Beatrice/Bertrand as a couple too, people can have multiple great loves. And depending on my mood I can be really into the lemonberryice throuple.
My non-romantic OTP for this character: Beatrice and Kit's relationship is always gonna be interesting to me, and Olaf and Beatrice just seem to have had the most fascinating dynamic, legit friends in childhood to some more vitriolic friendship and then she murders his parents and then he torments her innocent children, it's Good.
My unpopular opinion about this character: I don't know if I've got any necessarily unpopular ones because this fandom in general, and especially the bit focused on the sugarbowl generation, is very small and most of the stuff I've seen I agree with. I guess I might characterize Beatrice as a bit, idk, colder than most? For all her other facets, Olaf was someone she knew and seems to have gotten along with well on a personal level, and she still doesn't seem to have spent much time outwardly agonizing over what might have been straight cold blooded murder. I don't think she was evil or unfeeling, and there's a reason she pulled back from VFD stuff especially after having children, but there might be a more ruthless streak there in my view than in some other people's.
One thing I wish would happen / had happened with this character in canon: idk man, that she fuckin lived? It's a bummer that she's dead, she was a devoted mother and a good friend and an important part of a lot of people's lives and it seems like a bunch of worlds were dimmer without her in them, her kids are gonna miss her for the rest of their lives and Lemony is still deeply affected by losing her literal decades after the fact. I wish she'd been able to meet little Beatrice too, I think they would have gotten along great.
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@yokelish reminded me and I can't stop thinking about it again
The Snow Queen's most loyal knight, a boy with a shard of troll's mirror in his eye.
Except that there's no Gerda. There never was a Gerda and there never will be a Gerda. No one will come. And also the troll's mirror might be showing the truth this time.
Or maybe all the Harbingers are like that.
"Perhaps it is fair to say that only those who possess an obsession close to or even exceeding the level of delusion might be willing to join this group."
(from the Funerary Mask description. I do think the mirror stands for something Khaenri'ahn though)
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Shark Genitals & World Building
So, I've seen this Q&A a few times now and it really got me thinking about Fish-man biology.
Now, to be clear, I think it's pretty clear Oda isn't being entirely serious. When you look at how he designs his characters he goes for whatever is fun. He's not doing extensive research on whatever aquatic species he slaps on his fish-men or Merfolk characters. This is why for a lot of them, if you look up what they are mixed with they rarely share much if anything with the animal he's picked.
Saying a character has two dicks is funny, so Hody has two dicks--that's all.
But taking the answer more seriously the idea that at least some (because they do vary so widely from fish-person to fish-person) have changed genitals because of their added fish anatomy is interesting from a world-building perspective.
As someone who has a special interest in animal biology and has watched a lot of documentaries I can say that fish have really diverse breeding strategies. So, I guess, if Hody can have two dicks because he's a shark, I wonder if this could be true for any other fish-people and merfolk.
We see that at least some fish-people do have children the same way regular humans do, but to my knowledge we don't see any pregnant mermaids. Given how much larger Neptune is then his wife, and how massive Shirahoshi is, I think it makes sense that perhaps like many fish, Otohime laid eggs that were fertilized separately (this is actually how goldfish mate).
It could be possible that the way mermaids or even fish-women have children depends on the father. If they are not compatible in size they can reproduce Ovuliparity (the way I imagine Otohime did), or if they are of similar size they either go the more human route or, after copulation they lay fertilized eggs (like the skate cases often called mermaid purses you find washed up on the beach).
There's also something to be said for the variations fish have with gender. Some fish are capable of changing gender. It's more common that female fish become male (protandry), usually the largest of a group replacing the dominate male in the group. This happens mostly with coral reef fish like wrasses, groupers and parrot-fish.
Meanwhile, anemone fish, like clown fish change from male to female. When the one female dies the remaining male will become female, while an outside male will become that new female's mate.
Then there are Black Helmet fish which are both simultaneously and take turns releasing eggs and sperm when they spawn.
So, if fish-people and merfolk had similarly diverse genders and ways of reproducing I think that'd just be really neat. It could also lead to some fun misunderstandings between fish-people, merfolk and humans.
Of course, I don't think Oda ever put that much thought into it. He just does whatever he finds fun character design wise. I mean, it's not like Arlong has barrels like Sawsharks do, and Jinbe looks nothing like a whale shark. On top of that the story isn't really focused on that type of world building. Nor do I think he could really showcase something that deals so much with sex--even if it is fish sex.
Still, makes for some really great head-canons.
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Ginger and Gingerbread or something, I don't know I didn't grow up with this show
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I had another Good Omens fanfiction dream this morning.
Basically, Crowley was due to give birth. You might ask, Pestilence, what's with you and Crowley being pregnant?.. The answer is, I don't know, and neither does my therapist.
So, Crowley's due to give birth, he's scared and in pain. Beelzebub shows up, along with a few other demons (I guess I'll look through the Key of Solomon, I remember a few have to do with healing). She told him they'll support him. I have a feeling, the dream adhered to my idea that Crowley and Beelzebub are siblings (in spite Beelzebub looking like she does in S2, so Indian).
Crowley had to change to his snake form, because while his human form was male (so he couldn't give birth without surgery, which was too dangerous), his snake form was female. The demons put him in a whelping box (genius idea). Crowley gave birth to either 4 or 6 baby snakes (apparently, they're called snakelets). It was a live birth, which, fun fact, some snakes do give (i think boa constrictors, and snake Crowley kind of looks like one, aside from the colouring). The baby snakes then morphed to human form. I don't think Crowley nearly died, but he lost a lot of blood, and got extremely exhausted. No, it probably wasn't realistic to how snakes actually give birth.
(They were far larger, though)
Oh, and at some point, Aziraphale found out, but someone (possibly Beelzebub) forbade him from coming, because an angel's presence would distress the babies, and they wouldn't take human form. They could also die.
No, I don't think Aziraphale was the "father". The babies were demons, while, according to my headcanons, when an angel procreates with a demon, the baby's an angel, as it's the original form (though, they do retain some demonic features). Maybe, Crowley mated with an actual snake, or something... It would be very Greek and Norse god of him, but what the Heaven, dude... I guess, Beelzebub could act as the litter's she-father, once the two had reconciled. Which, is a word I use for maternal figures who, traditionally, would be considered more paternal. You know, kind of emotionally detached, more provider than carer, often absent, that sort of deal.
This is incoherent, but I only remember fragments. I guess, I will put it down in my notes for the future. I already did. (I'm kind of tempted to write the birth scene, I like writing birth scenes, they're brutal).
Don't you just have a love/hate relationship with when you are already swamped with WIPs, but the Fanfiction Gods send you another vision?..
Also, don't you just hate it when you give birth to a litter of snakelets, with the help of your coworkers, and your estranged sister.
What the Hell do you even name that many damn whelps...
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Hey KO, pd said the reason damon named fane.. fane was to honor rika's father since he respected him after realizing her father still wanted to raise him despite his origin. he wasnt named to honor rika but to honor her father.
That's great actually, and it makes sense. Thanks for the clarification.
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I think it would be cool if the first thing jay remembers when he starts regaining his memory is something from his experience in Skybound
Edit: okay fuck it is spent too long on these tags to not include them in the post because actually i have more to say about this
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tempting...
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Ok I've been playing Slay the Princess and I feel like if you removed all the romantic subtext it really feels like the hero and the princess have N and Cyn vibes (or rather the other way around? idk). Like just in the inherent stress and tragedy of it all.
Two pairs of inherently connected characters, forced into a cycle of hurt, and pain, and desperation. Trapped. She's capable of immense cruelty and yet...still such a terrible victim of circumstance. You can't help but want to save her even though it can and will end in your own demise.
N's just that kinda guy about all the people he cares about tho so you could probably make the princess just about any character he cares about and the theming would be the same. But Cyn specifically in that kind of role is the most compelling to me. Change the romantic vibes to family ones and it just.....fits really well
Brainrot says make a crossover au. Also a platonic version of the Slay the Princess situationship genuinely sounds interesting to write and yet....I'm too busy writing one MD au thingy so I don't have the brainspace to write another :/ guess I'll just think about it
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You've heard of mansplaining, now get ready for: dadsplaining!
Example: you're filling out paperwork and your dad sits next to you and tells you the answers to questions like: what is your name and last name (he also helps you spell it), when is your birthday, when did you graduate high scool etc.
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oo midnight beauty [opening the container] how romantic (stealing grapes)
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