#also this is probably the first time a lot of you have seen me draw Bronica lol

[masterqwertster]

You know, I do have to wonder if the reason the gods of Exandria are panicking so much about the release of Predathos isn't solely the threat of being eaten, but also that they can't seal it again.

Like, what you can achieve once can be done again. And you've had thousands of years to look back and consider how to do it better, how you could have maybe prevented Vordo and Ethedok from being eaten by sealing sooner. What happened to their two siblings, the struggle to survive where they landed, has to weigh in the gods' minds at times.

And yet, the gods don't seem to be doing any prep work to stuff Predathos back into Ruidus (or a new prison), and instead are going all in on the fight to stop the seals from releasing in the first place.

Sure, preparation for resealing should the worst happen could be happening in the background where we can't see it. But it doesn't particularly feel that way. Everything we've seen is "All hands on deck so that this thing never gets out, period" with seemingly no back up if that directive is failed.

So I would posit that the gods can't seal Predathos again, because they got rid of the titans.

We know that the titans helped the gods seal Predathos away. We know that Predathos resists the divine power of the gods. We know that an enormous hunk of Exandria was turned into the prison-turned-moon Ruidus.

So it really makes sense to me if the titans were instrumental to the sealing process.

As best I can tell, elemental power is separate from divine power in the cosmos of Exandria. Which means that the titans did not face penalties as the gods did in using their powers against Predathos. So if/when they needed to pin it in place for whatever sealing rituals/ceremonies, the titans would be best suited to it with gods being bait to draw Predathos in.

Next is carving up Exandria. Who could better do that than titans of earth? The earth of Exandria is their element, their birthplace, and their home. If anyone could easily rip up a continent (as the theory of Ruidus's origin on Exandria is), it would be the titans of earth.

I will also point out that glass, like what we've been recently led to believe is what Predathos's form is in its sealed state, is a result of fire and earth, melting sand into a cohesive whole. So the titans might have helped with that part too.

What we know the gods did in the sealing of Predathos seems to be mostly outer bindings. Divine seals on the layers of glass to keep people from cracking it open, the Divine Gate-like cage around Ruidus itself.

So it seems to me that there's a good chance the titans contributed a lot to the sealing of Predathos.

And now they're all gone. The gods killed them

...And maybe sealed a few in other Planes? It's a bit unclear, but Vox Machina did encounter what was called a Dust Titan in Pandmonium in The Search For Bob, and Errevon the Rimelord is thought to be some sort of Ice Titan. Still, the killing and sealing isn't going to do the gods any favors in getting help again. Especially since such surviving titans don't really have a stake in Exandria anymore and probably aren't on Predathos's menu (but may be on it's revenge list).

The closest things the gods have these days to allied titans are Ashton and Fearne, who both only hold tiny fragments of a full titan's power. Even if those fragments are from two of the most powerful titans to walk Exandria.

So yeah, the gods sort of accidentally fucked themselves over in being able to reseal Predathos by wiping out the titans, I think.

[orb-the-watchman]

Gramma

[theoldkyokodied]

I start writhing like a wild animal every time I see your re animator art it's all so good ouuuu

fhajdhsjbfjshfksg thank youuu!!!

i am but a little guy who's brain won't stop conjuring up images and feeling that i need to share, until i remember that i have a human body that requires doing silly little tasks for maintenance ;u;

[codgod-moved]

okay so the bad news is that my wifi is out (in that it is very very slow most of the time rn) and i have very little data and don’t really wanna buy more so that’s why i’ve been less active. the good news (for Me) is that netflix still mostly works so i’ve been watching through the entirety of yugioh duel monsters so like at least i’m not bored and stuck in 144p youtube land. the great news is that i’ve decided that i think it’d be fun to try and make my own trading card game. because all i’ve been doing for the past two days has been watching an anime about a tcg. this is a very good idea with no flaws

[kellystar321]

here we go again~!

[cy-cyborg]

Tips for writing and drawing Wheelchair using characters: Your character's wheelchair can tell us a lot about them

When you first start learning character design, you'll often be told something to the effect of "use your character's outfit to tell us more about them" - and this same principles can be applied to a disabled character's mobility aids.

Mobility aids like wheelchairs, to many disabled people, are a part of us. They can be an extension to a person's body and chances are, if you're going to be using this piece of equipment every day for the foreseeable future (or at least for a good amount of time for the foreseeable future), it's going to start reflecting some aspects of your personality, your interests, your passions, especially when you remember, a lot of people get their wheelchairs custom built for them.

You can use your character's wheelchair to tell us a lot about them without ever needing to show/describe them directly.

Let me show you two examples:

Take a look at these two wheelchairs. they're similar in shape and build, but still pretty different to each other. Can you make some guesses about their users based only on what's shown here?

intended answers below:

Please note, the following points are all generalisations and the real world is rarely this simple. This is to demonstrate how to use disability aids to contribute to your character's design, not how to make assumptions about real people in real life.

So here are some similarities between the chairs:

Both wheelchairs have ridged frames, this means the wheelchair can't be folded in any way. These kinds of chairs can imply a few different things depending on the person. They are typically lighter, sturdier and more durable, and indicate the person probably will be using the wheelchair for a long time and/or has the money to get something built to last (or lives in a place where cost not an issue due to universal/subsidised access to healthcare). They are also typically better to travel with when flying, as they are less likely to be broken by airport security/staff.

Both wheelchairs also lack anti-tip wheels, which are a third set of wheels that extend from the back of the chair. Them not being present could indicate the person is likely pretty confident in their ability to use the chair without worrying about tipping out. It could also indicate they are in an environment where the anti-tips could be more of a hazard than a help, such as on rough terrain.

So lets look at some specifics for the green wheelchair:

Take a look at the wheels. The front wheels are pretty small and appear to be solid, while the back wheels appear to be quite narrow (compared to the orange chair anyway). This indicates the user likely lives somewhere with decent accessibility like a (well funded) city where they are unlikely to encounter unpaved/dirt roads/grass. Small front wheels and thin back wheels are good for manoeuvrability and a smooth ride over even terrain, but they will get stuck as soon as bumps appear, so this probably isn't an issue for this person.

While its a bit hard to tell unless you have seen other similar wheelchairs, this wheelchair is very long in the front, meaning the footplate and front wheels are further away from the seat than most. There could be a few reasons for this. One either indicates the person has very long legs, or a lack of motion in their knees, making it harder to bend their legs. This is moves the chair's centre of gravity forward by a decent amount, making it harder to tip back, which could indicate the person's legs are very light. You tend to see this most often in the wheelchairs of bilateral leg amputees, who are at a greater risk of tipping backwards due to a lack of weight at the front of the chair (even if they wear their prosthetics).

The colour of the chair is bright. This could simply be the character's favourite colour, or maybe this colour has some significance to them?

There are stickers on the side of the chair relating to the Paralympics. This could indicate the person is a fan, or perhaps had some involvement in the games?

The wheelchair has handles on the back, but they are able to be folded down. This is a popular feature for people who are independent enough to go out on their own, but still want to have the option for some help. folding down the handles also deters random strangers from grabbing at you (an unfortunately common experience for wheelchair users).

There is some mild paint scratching to the front of the wheelchair, but nothing too noticable. This is typical of older chairs and people who are a little rough on their chairs. Maybe they've had a few stacks and falls throughout the years, probably going a decent speed.

Ok, now let's look at the orange chair

This wheelchair has very large, inflatable front wheels, and very thick back wheels. This will make the chair slower and less manoeuvrable on flat/even surfaces, but much, much easier to push on rough terrain. This is supported by the amount of mud on the wheelchair.

The seat on this wheelchair tilts upwards slightly. This is called a bucket (or according to an old basketball teammate of mine, a dump-truck lol). This is a feature you typically see in wheelchairs made for people with spinal injuries who are unable to move their legs and engage their lower bodies or core to help keep them stable.

The back of this chair is very low, indicating that if this wheelchair user has a spinal injury, it's probably pretty low on their spine, likely fairly close to the hips, making the person a low-level paraplegic. Higher-level paraplegics and quadriplegics usually need a higher back to help support them and keep them from flopping over, since all the muscles below their place where their spine broke either doesn't work, or is significantly weaker. Higher backs though can get in the way of pushing and reduce mobility, so people who need less support will likely opt for a lower back rest.

This wheelchair has no handles, which indicates the user is probably very independent and doesn't need a lot of help getting around.

The paint on this wheelchair is very scratched up, showing the person is very tough on their wheelchair and doesn't care to get the paint touched up.

This wheelchair has no breaks. This is very common on chairs with larger tiers as they don't tend to be as effective, but also on many outdoor wheelchairs, for two reasons. One is because they are made for rough terrain, so chances are, you aren't going to go far without a big push to get you moving. The second reason is that to get over large bumps and obsticals in a wheelchair, it can be helpful to do very large pushes using the top and front of the wheel. When pushing a normal chair, most people will only use the top section of the wheel to push since it's closest, but these big pushes that use the front of the wheel make it easier to push, since you can benefit from downwards momentum. However, this is also where the breaks are located on most wheelchairs, which can create a hazard. I've lost entire fingernails by them getting snagged on the breaks when pushing this way. So if you live somewhere where the breaks are not going to be helpful to you often, it makes sense to not get them.

And here are the characters who own these wheelchairs

The owner of the green wheelchair is an amalgamation of a few people I knew from when I played wheelchair basketball. They're a bilateral leg amputee, and judging by their outfit (The Official National Wheelchair Basketball uniform for Australia), they're an elite athlete. This wheelchair is not the one they play sport in, but it still needs to be durable enough to withstand the rough treatment of airport staff when traveling, as well as heavy day-to-day use that comes with being an active person. While it needs to be rough, the person also seemed to want to prioritise speed and manoeuvrability, and likely doesn't need to worry about rough terrain too much, so they probably live in a major city.

The owner of the orange chair was inspired by a family friend of mine. They live on a farm, and need a chair that can handle life in those conditions, rough terrain and all. This comes at the cost of speed and manoeuvrability on smoother terrain, but honestly, anyone who's lived in the country knows you won't find many of those around there anyway, so that's not too big of a sacrifice. They are paraplegic, are very confident in their ability to use their wheelchair, and probably doesn't need help too often, but still benefit from some extra stability support from the raised seat on their chair.

Conclusion

Once again, these are generalisations, and in real life there are always exceptions, but I hope this helped demonstrate what I meant when I said you can use your character's wheelchair to tell us more info about them if you're smart about it.

I originally planned to do a whole series of these, showing a wider variety of wheelchairs and the people who they belong to, but I guess I kind of forgot because they've been sitting, abandoned on my hard drive for the last 2 years 😅. If that's something you folks would be interested in seeing though, let me know, I'd happily revive the series lol.

[mayordoi]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[araminakilla]

Regarding Death Wolf...

Hear me out (NO, it's not the kind you are thinking)

We know Death has a job, right? To collect souls and most likely release them to the afterlife.

And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.

Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.

Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.

And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."

Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.

But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.

While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.

Someone with a code of honor, morals, opinions, beliefs, etc.

Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.

The answer is something you may relate to, and that is: Creativity and escapism.

To be the embodiment of Death, the guy is a very creative fella.

First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.

Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.

His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.

The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.

As for the escapism part...

When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.

But what has to do with Death Wolf you may ask?

Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.

He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.

It was a way to escape a monotonous, grim "life", if just for a short moment.

So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"

And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"

Death knew the chase had to end eventually, but he didn't want it to end.

He didn't want to return to his own world

And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.

In the Shrek Franchise:

Monsters can be loved

Princesses don't have to fit the perfect standards of beauty

Handsome guys can be possesive jerks

Love at first sight doesn't work like one would think

Happily ever afters had to be built and not just obtain them with magic

And Death is the most creative and "full of life" being in the world

Because he would absolutely go crazy with his life/work if he wasn't.

Because in a world of Kings, Poets and Soldiers, he's the Supreme King

And he's also a perky goth but none of you are ready for that conversation.

[kozachenko]

I swear to god, Zanmu has just been on my mind recently, she's taking over my fucking brain please send help

Artist's Note:

Why is it that everytime I do a drawing of Zanmu I always make the canvas size fucking huge and it ends up being a living nightmare to fucking export. I swear to god I had to go from 1200 DPI to 600 to 350.

Exporting hell aside, I loved working on this piece. With Zanmu's design, I wanted to combine all the design details that I love and have seen in other people's drawings of Zanmu and give them my own personal touches. First of all, her sleeves were inspired by @amemenojaku's design for Zanmu, and I absolutley love that detail because not only does it make her feel more regal, it also can be a callback to Satori and old hell, and also gives me the idea that Satori's fashion sense was inspired by Zanmu because IRL a lot of historical fashion was inspired by what the nobles were wearing at the time, and since Satori was around since when Old Hell used to be Hell, she probably took some wardrobe inspo from her (or it could be my headcanon that Satori could've been Zanmu's royal advisor or she was in her court or something but that theory is kinda grasping at strings from other headcanons I have, but that's for a different post). Also, the eye makeup she has was inspired by @jothelion's drawings of Zanmu, and like, I fucking love that detail because it just adds so much like omg I just love it sm.

And now for the design details I put in. I gave Zanmu tassel earrings because I think they'd look great on her. I also really like to exaggerate her hair and really try to make it look wild, as well as having little grey hairs here and there. I also try to add some wrinkles to the corners of her eyes, but TBH I don't know how visible that detail is, since the image is pretty fucking big. I also really exaggerated the tassles/strings on her outfit, since I really wanted to play around with the potential flow they could have. Also, big fan of giving Zanmu longer sleeves and pants. IDK why but I just like how it flows better. Also big fan of making her taller, idk why a lot of fanart makes her short. Also, I placed her horns closer to the front of her head as I just think placing horns in that position looks cool.

Also, if you're wondering about the halo, I took some inspiration from a few of Caravaggio's paintings where he often depicts saints with this very thin halo around the top of their heads. I just liked that detail a lot so I thought I'd include it.

Fun fact, I was originally gonna make the four skeletons Chiyari, Biten, Enoko, and Hisami but I didn't like the prospect of having to draw four more characters, so I chose to replace them with skeletons (if you wanna get silly with it, Zanmu got Hisami to kidnap Aya, set up some skeletons with bones from her bone collection and told her to take a picture of her).

I kinda gave up on Zanmu's feet and the one skeleton's hands (as if drawing hands normally is hard enough but NOPE, HAD TO MAKE IT LIVING HELL FOR MYSELF BY MAKING IT A SKELETON) and the quality of the image may suffer because of how much I had to fucking compress it (Zanmu's presence alone was enough to make the computer lose all of it's desire and motivation to export the drawing of her lmao), but I have been hacking at this piece for a while now, plus I need to learn when to call it quits when it comes to drawings). Also as I was fixing up the hands there was one spot where I forgot to clean up with the sketch and I can't fucking unsee that now and it's going to fucking bother me until I fix it but fixing it requires going back and putting my computer through hell so yeah.

So yeah, that's about all I have to say with this drawing, it was fun but also a nightmare lol

[unsleepingtales]

FANTASY HIGH JUNIOR YEAR TRAILER CHARACTER ART BREAKDOWN

The character artist credited for this season on the FAQ is Cait May! Without further ado, let's get into it.

Each character card has the PC art, the PC's name, the player's name, and a couple extra details such as an NPC they're connected to and/or plot points from the previous seasons.

Here is Adaine's character card! Boggy gets pride of place of course, with his backpack and ESF (Emotional Support Frog) flag. The sword is possibly a step towards confirming the popular prediction that Adaine will multiclass as a Fighter this season. There's also a small sketch of Jawbone in the corner. Adaine's jacket has an owlbears patch on the sleeve!

Fabian's character card follows a similar formula. There's a small sketch of Bill Seacaster in the upper left corner (titled PA-PA), and there are many references to dancing. Fabian holds his sheet. In several places the words Toxic Masculinity have been crossed out! He dances now! One of Fabian's first defining lines is referenced: "I'm here to be great!"

It's not very clear what this ticket is for, but to me it looks like a ticket to a dance recital!

Kristen's character card is next! The many holy symbols she has previously believed in are seen, a sun has been crossed out, as well as "yes?". Cassandra appears in the upper right corner, while an ear of corn appears in the lower left, not crossed out!

Cassandra looks vaguely worried, which could be their natural state, or it could indicate that Kristen's questions of faith are still just as present as they have been previously.

Riz's character card is a lot more detailed than the previous ones. Trailer analysts far more intense than I will have a field day with this, I'm gonna give the sparknotes. Riz takes front and center, with his (un)license above his shoulder! Next to him is a sketch of Coach Daybreak. Several sticky notes with the words Night Yorb appear, as well as references Riz's previous cases. Drawings of Kalvaxus and a Corn Cutie are next to each other. The photo of Pok and Kalina is shown, as is a drawing of Baron. There's also a sticky note with "Jorjug" on it, which probably isn't as important but I certainly enjoy it.

Fig's character card features her art for the season, a large Anarchy symbol, and her bass guitar. A small sketch of Gilear is shown, as well as a ticket to what's likely a Cig Figs concert, and a skateboard!

The toe of a combat boot is poking out from behind the paper with the skateboard on it. Burn Towns, Get Money is also written in the corner, which is the name of one of Fig and the Cig Figs' hit songs. The Sig Figs Collective put out a fan song version that slaps, which you can find here! (Tbh you should just check out their whole discography)

Gorgug and his greatest hits appear on this character card! The 'are you my dad' bit keeps on running. Keep Going is also written several times. The white streaks are still in his hair, headphones around his neck, and his axe gets the most movement we've seen in one of these cards.

(Gorgug gets a small animation in the transition to his character card!)

The word metal is shown, as well as a sketch of the metal flower from the very first episode.

There are also a couple of group shots!

Look at them go! The Bad Kids are back and I am so excited to see where they go this year.

[gisellecnz]

Cherished moments.

(≧∇≦)/ Sypnosis. This is after your wedding with satoru. Your honeymoon together.

•Contents. Pure fluff, just fluff, reader is fem, gojo crying cuz your too pretty, cuddles

•note. I'm kinda new to writing + I'm new to tumbler, and english isn't my first language. So I'm sorry if my writing is kinda off, p.s if someone made a similar fic, please don't misunderstand. That might be just a coincidence, the moment I saw that picture of gojo (the one I used above this post) that inspired me to write a fic about it. Also, credits to the owner of the drawing! I just saw it on Pinterest and I don't know who the artist is.

It is now 11:48pm, it has been a long day and is probably one of your best days of your life. You are now married with the man of your dreams, the one and only Satoru Gojo.

6 hours ago was your wedding, the moment you started walking down the aisle, Satoru was in tears. You were also in tears, but Satoru was more emotional. You found it cute how his eyes were red and puffy after, you wiped his tears as you brushed your thumb over his wet lashes. You've done this before but now it felt so much more different- you've felt alot of butterflies in your stomach as satoru opens those eyes of his which you've adored a lot since you were in highschool. They were so pretty, they were as blue as the ocean.

You also couldn't believe you now have Satoru's surname. You are now called as Mrs. Gojo.

In Satoru's pov, he couldn't hold back his tears from seeing you. You were so beautiful, he thinks you were the most prettiest woman that has ever stepped into earth. His heart raced with anticipation, the way your pretty smile was illuminating the room, and how your veil was delicately flowing over your face like a cascade of dreams. The way your gown trailed behind you, your eyes sparkled with so much love and joy as you looked at him. He swore that if he was stuck in a time loop in this situation, he wouldnt get tired from it.

After you and Satoru exchanged your vows and said your "I dos", your friends: Shoko, geto, yuuji, Megumi, Tsumiki, nobara gathered for a group photo. Along side with that there's a seperate photo of you and Satoru kissing from the wedding. They are now framed, sitting on the lamp table beside you.

Right now, you are lying down on a hotel bed. Satoru made sure to book in a very luxurious hotel for your honeymoon. (It's also canon that he's rich rich)

You were very tired. Today was so much fun, you exchanged your clothes to a more comfortable one, which is why you are wearing satoru's shirt right now. It also has his scent in it which is why you always preffered to sleep in his clothes.

And there, your love of your life came out from the bathroom. He just took a shower, his fluffy white snowy hair is now wet. AND DAMN his towel was wrapped around his waist, his abs were showing. You've seen it a lot of times already but you just couldn't get used to it. Your face was now pink.

Satoru laughed at your actions, you were so cute. He dried his hair and changed into his clothes, he got into the bed and snuggled beside you.

"Tired, hm?"

Satoru layed down his head to your chest, he loves lying down there, he loves hearing your heart beats and the way your breasts were squishing his cheeks.

"Mmn, yeah."

You chuckled as you gave a kiss to his forehead, your fingers combing through his fluffy hair.

He looks at you with pleading eyes, looking like he wants something from you.

"More kisses- please?"

You gave a kiss to his cheek and his lips. "Gosh, so clingy as ever."

You said as you chuckled and smiled at Satoru. But suddenly you gasped as he rolls you over, making you the one on top of him now, laying down on his chest.

He gives you that cheeky smile, "I love you so much y/n, I literally couldn't hold in my tears back from seeing you in that wedding dress. "

You were about to say something but he cuts you off by kissing you in the lips. And starts saying one of the most sweetest things to you.

"The most-" a kiss on your forehead. "Gorgeous-" a kiss on your nose. "Prettiest-" a kiss on your lips again. "Sweetest-" a kiss on your left cheek. "Girl I've ever met. " a kiss in your right cheek.

His actions made you tear up, hes so sweet. But he wasn't expecting you to react like that.

"Hey, why're y' cryin? Don't cry." He frowns as he pulls you closer to him and gives you one last kiss to your forehead. You chuckle and tell him that's it's okay.

You both finally fell asleep, embracing each other. You will cherish this day forever.

note: I'm sorry if this is short and it's rushed plus again I'm sleepy and it's like 3:14 am, I'm gonna sleep now cuz I'm finally finished 🥰

[missmonsters2]

—Lips Over Your Nightmares

Pairing: Wednesday Addams x Fem!Reader/OFC

Summary: You've been having trouble sleeping. Nightmares haunt you every time you close your eyes, and Wednesday offers a solution in the form of comfort only she is capable of.

Warnings: Soft!Wednesday. Possessive!Wednesday. Intimate. Wednesday ran out of patience. Emotionally charged confessions. Kissing. Lots and lots of kissing.

Masterlist | Library Blog | AO3

Reminder there's no taglist but you can follow my library blog for notifications 💘

Note: I said wednesday is soft for her girl and I will take no arguments about it. The act of kissing in this fic is peak wlw. I'm sleeping on the highway tonight and taking you all with me.

Count: 2.6k

Please do not copy, repost, or translate my work anywhere else.

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷

Nighttime could be hellish.

It was probably why Wednesday adored it so much. 

You loved it too. There was something divine about the nighttime. People feared the dark, but you saw it as an opportunity to rest your weary eyes and bones. The night gave way to being invisible, and there were some days when that was all you could bear to be. 

But to Wednesday Addams, who loved the dark, you could never be invisible to her.

It was a blessing and a curse. 

To be seen by Wednesday—it was something more than many people could ever hope for. 

But to be seen when you wanted to be invisible? It was like being dragged without anything to hold onto. 

Nighttime was hellish, and you wanted to disappear into the dark as your nightmares plagued you until you couldn't even tell what was the dream and what was the reality.

But Wednesday Addams saw you. 

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 

You've missed Enid's late-night studying session again. It's the second week in a row that Enid's gotten a text from you two minutes before the session started.

"I guess we can start," Enid told the group with a disappointed smile. "She's not coming today either."

"Fuck," Xavier sighed. "She's the only one who's good at art restoration. I was hoping she'd help me with my assignment."

Wednesday's face scrunched together mildly, and Xavier rolled his eyes. "Except for you, Wednesday. But you hate teaching me and I hate learning from you."

"I can't help it if you're stupid," Wednesday dully replied. 

"Not all of us can do it perfectly after being told what to do—told only once might I add," Xavier raised his brow at her.

Wednesday shrugged, which only seemed to irk Xavier more and to prevent them from bickering further, Yoko turned to Enid and asked, "Why isn't she coming?"

Enid shrugged, her lips quirked to the side as they pressed together. "She texted to say she wasn't feeling well and couldn't make it."

"She does seem tired lately," Bianca commented, her expression in deep thought as she recalled the last two weeks when she saw you. "Also, really quiet. Well, quieter than she normally is."

There were murmurs of agreement around while Wednesday sat silently. Of course, she also noticed, but she was waiting for you to say something to her. You always told her whatever was plaguing you, even when Wednesday told you she didn't ask. Wednesday was used to hearing your mundane thoughts or solving your problems. 

But there was nothing this time, and Wednesday couldn't figure it out. She tried to think back to see if anything had changed—if something had happened, but there was nothing. 

Two weeks of leaving you be was enough, though, Wednesday decided as she packed her things into her bag.

"What! Wednesday, are you leaving too?" Enid groaned. "But I need help with botanical sciences!" 

"Ask Bianca," Wednesday didn't even look up.

Enid looked at the siren, who had a deceitful, happy smile.

"I'd be happy to help you, Sinclair. Let's talk The Poe Cup negotiations first."

"Absolutely not!" Enid scoffed before turning back to Wednesday with pleading eyes. "Wednesday..." she whined.

"Ask Xavier," Wednesday didn't budge.

"But all he does is draw in class. There's no way he's doing well."

"I'll have you know I'm getting a C," Xavier looked affronted.

Enid merely stared at the sullen boy for a long moment before she turned back to Wednesday. "I'll just wait for you tomorrow after school."

Xavier was about to say something else when Wednesday briskly nodded, standing up and leaving the group behind without another word. 

⊶⊷⊶⊷⊶⊷†⊶⊷⊶⊷⊶⊷ 

It was completely silent on the other side of your door, and from its looks, it was dark as no lights were shining underneath it.

Wednesday knocked in three successions. 

There was no answer. 

If it were anyone else, they would've believed you weren't there and left, but not Wednesday.

No, she knew you far too well. 

This was a place where you could truly be invisible with no roommate.

Wednesday knocked insistently until she heard shuffling, an agitated huff, and footsteps approaching the door. 

The door only opened marginally. You looked mildly surprised to see her, but Wednesday supposed you had too little energy to manage anything more. 

There were dark circles under your eyes, and they looked puffy and slightly red around the edges from lack of sleep. Your skin was pallor, which suited someone like Wednesday, but she decided it was not on you. Your hair lacked its usual shine, and Wednesday's eyes narrowed as she finished scrutinizing you.

"What are you doing here?" You asked quietly. 

"Are you going to just let me stand out here?"

"I'm not in the mood for company, Wednesday," you blinked slowly. 

It was new.

You were usually happy for Wednesday's company whenever she stopped by, and you often visited her dorm. 

"I have had enough of this," Wednesday glared at you through the gap in the door. "You will let me in."

"And if I don't?" You challenged back, and Wednesday almost wanted to applaud the snippy attitude you've mustered through the tiredness.

"Then I will wait out here and ensure you don't get a. Single. Wink. Of. Sleep." It was a threat that tugged at your nerves. You looked at Wednesday, and for a brief moment, she thought she won before you shut the door in her face. 

Disbelief clouded over Wednesday's eyes. 

Then, Wednesday began to knock incessantly over and over on your door. Her knuckles knock with a vengeance, and she'll be damned if you think she doesn't take absolute joy in torturing you. 

It worked because you open the door wider this time, as you stare at Wednesday with a glare.

"What part of 'I'm not in the mood for company' was unclear, Wednesday?" Your voice was gruff, and Wednesday could tell that you were still trying to not snap at her despite how tired you were. 

And that in itself was everything. It was like that all the time. 

You were always trying to be considerate of whatever feelings you thought Wednesday might have while gently pushing her to admit which ones she was truly feeling. 

Maybe that was why Wednesday could never leave you alone now.

You were a gateway to things Wednesday never wanted, and she genuinely thought you should pay for making her desire things she swore she'd never want. 

"Say you don't want my company then," Wednesday said haughtily. 

Wednesday knew you wouldn't—couldn't, even. You never would. 

Just as you were her exception, she was yours. 

You pursed your lip at her, starting to close the door swiftly, and Wednesday stuck her foot partially into your room, preventing you from shutting the door in her face again.

"Wednesday!" You called her name, concerned you might've hurt her when the door hit her foot, but the macabre girl used the opportunity to press her palm flat against your door and pushed it wide open.

She took a step forward menacingly, forcing you to take a step back. She took another step, and you took another one back. When she was inside your room fully, she used the back of her heel to shut your door.

The resounding click of it made you swallow.

"Wednesday," you clenched your jaw, fighting against something you weren't even really sure why. But you were terrified—of her, you don't think, but rather what she was capable of doing to your heart.

"I have been patient," Wednesday's voice is quiet, but her tone is sharp, expressing every bit of her lost tolerance. "I have waited for you silently."

Wednesday kept walking towards you, backing you up until your back bumped into your desk. She looked positively irritated. "I have even refrained from saying a single unkind thing despite them running through my mind at the sight of you moping at whatever has been keeping you up at night."

"How did you know—"

"Do you take me for an idiot?" Wednesday's eyes flashed dangerously at your insinuation. You shook your head.

"Then you must take me for a fool with endless patience," Wednesday glared at you. "I don't take kindly to the kind of games you're playing."

"I'm not playing anything—"

Wednesday cut you off again. "Then explain concisely what has been keeping you up and why you've been keeping it to yourself."

Silence filled the room as you didn't speak, but Wednesday had already waited this long. She could wait a little more. 

Wednesday watched how you gripped the edge of your desk, your finger tapping underneath in rapid succession before you closed your arms over her chest. 

The stance was defensive, but you looked more reluctant than wary.

"I'm having nightmares about you."

The admittance stunned Wednesday, and she didn't know how to take it. Initially, it felt like a compliment because nightmares were so fascinating and exhilarating to experience, and Wednesday hoped to have nightmares every night she slept based on that logic. 

But you were not her. 

Nightmares, illogically, were typically not desirable.

"Wednesday, I—" You swallowed. "I have feelings for you. You're the best and worst part of my days because I actually feel clinically insane everytime I see you, spend time with you and then have to face the fact that you're not mine and I'm not yours."

Wednesday's jaw clenched, and it was noticeable. She wanted to open her mouth and demand how you could feel the exact same way she did, but she kept her mouth shut, waiting for you to continue on. 

"And I have nightmares about losing you," you confessed. "I have nightmares about losing you to Tyler or another deranged supernatural being. I have nightmares about losing you to Xavier or Enid or somebody like Tyler, minus the whole mass genocide. I have nightmares about losing you in every single imaginable way, only to wake up and realize you're not mine, and you can't lose what you don't have."

"I can't tell if the nightmare is when I'm asleep or when I'm awake." You put your hands to your face, laughing hollowly. Tears well up in the back of your eyes, burning as they were so dry from lack of sleep. "I think I'm going crazy."

Wednesday wanted to tell you that going crazy was supposed to be wonderful. But she, herself, has been experiencing the whirlwind of elation and torment you put her through and believed that going crazy wasn't as wonderful as she thought. 

But Wednesday decided then and there that there was no way up from crazy. And while it's unfortunate that she's not the brand of crazy like Uncle Fester, she's been driven mad nonetheless. It's the only thing that could explain all of this and everything that's about to come. 

Wednesday grabbed your wrist, moving your hand away from her face. No visions plague her, and all she knows is that this meant her decision wouldn't end in misfortune and it wouldn't drive her down a lonely path. 

"Enid's not expecting me back tonight," Wednesday told you as she dragged you over to your bed. Her succinct tone leaves no room for you to ask any questions. 

"Um, okay?" You said anyway, thrown off by her response and feeling exhaustion saw at your bones, dragging the invisible knife back and forth.

Wednesday guided you to get into bed, and you complied. Resignation settled over you as you rested your head on your pillow. It was cold again with you being away from it, but it brought no comfort. 

You lay facing the wall, about to pull the blanket up to your chin, when you heard something drop against the floor. You turned your head and saw that Wednesday had set her backpack down, and now she was zipping off her sweater, hanging it on the pole of your bed frame, leaving her in her black long-sleeve.

Wednesday took her shoes off before using every bit of her vulnerability to steadily and carefully climb into bed with you. It was dark, with only a little light from the moonlight shining just barely into the room, and you could make out the barest hint of her features and knew she was staring intently at you, trying to ascertain if this was a boundary both of you could bear to cross. 

Her touch was slow and hesitant, revealing this was something she's never done before, but the moment you were in her arms, you clicked into place like a puzzle piece. 

Wednesday was cool against your body, but she was warming from your touch and shared heat trapped under the blanket. She smelt like rain and dry leaves, and you felt like you were going insane. You buried your face into her neck. 

Wednesday wrapped her arms around you, holding you close, allowing the things she's been desiring for a while to come to fruition. She couldn't tell if this was making her saner or driving her closer to insanity.

It was deliriously pleasant.

"Who said you're not mine?" Wednesday muttered into the shell of your ear.

It's suddenly not enough, and Wednesday now knew the answer was that it was driving her closer to insanity. 

Wednesday pulled back slightly, looking into your eyes that were so tired just moments ago. The dark circles remained, but you were wide awake, speckles of oblivion in your eyes.

Despite how everything else changed as you became sleep deprived, your lips still remained full and soft. 

Wednesday moved to close the gap, sighing softly as her lips slanted against yours. 

How could she feel like jagged glass, splintered and sharp, while you felt so soft, practically melting around her serrated edges?

Wednesday only pulled back marginally, cupping your jaw and the back of your neck. "Who told you that you don't already have me? I want names."

You couldn't even think straight with how her breath felt on your lips. You pushed forward again, pressing your lips against Wednesday's insistently.

Was it possible for reality to be better than a dream? 

Your lips slotted over Wednesday's over and over and over. Wednesday tugged at your bottom lip, smoothing over it with her tongue before it dipped at the edge of your mouth where your tongue met hers. 

It was dizzying, something that frequently happened to Wednesday when it was too warm. She usually hated the sensation of it, but, of course, as many things were exceptions when it came to you, this was one of them too. 

"Your nightmares are inane."

You couldn't help but laugh against Wednesday's lip. 

"I think I am actually insane," you grinned, and you saw a ghost of something similar on Wednesday's lips. 

"Sleep," Wednesday ordered you, kissing you chastely initially but ending up biting your bottom lip tenderly. Her hands pull you closer, her lips resting on your forehead. "I'm here, so nothing will plague you."

The softness of Wednesday is unimaginable, and you're nearly skeptical.

"But—"

"No." Wednesday countered bluntly. "I'm telling you that I'm here and yours. You may come to regret it, knowing how...difficult I am. But you're stuck with me. Congratulations," Wednesday tilts her head slightly, brushing against yours, "or condolences."

But you could hear Wednesday's heartbeat, and it was dark, and you were so tired, but you were close enough to hear Wednesday's heartbeat. 

Your lips tingle from Wednesday's kisses. You felt your eyelids grow heavy along with your body, and the way Wednesday shifted told you she was satisfied.

Nighttime could be hellish, but Wednesday Addams saw you—she always would. And all she had to do was put her lips over your nightmares.

[noose-lion]

Maybe it was just my childhood special interest in martial arts and combat, but the bsd fandom drives me absolutely crazy on how they talk about the characters.

Specifically in combat abilities, fighting 'stats', body builds, ect. ect.

I mostly blame the anime, because it made everyone into twigs, but still. Some of my fellow fans out there are sometimes outright drawing lines over a character in a manga panel and going 'Look at this snatched waist' all the while ignoring basic perspective and forshortening rules. Chuuya is victim to this a fuckton.

For a starting example I'll talk about Kunikida. (Because if I start with Dazai or Chuuya I'll get the "He's petite it's not a crime to call him that" hecklers again).

Because remember folks, no need to get heated about fictional characters that were made up to tell a story.

Kunikida is a martial artist. He has a strong center of gravity, and a great deal of muscle mass. He's shown, (even in the anime mind you), to be competent against opponents who have both the height and mass advantage (that one time he swapped with Dazai mid fight, doing the cool grappling hook switch thing). He's a tall guy and he's drawn in the main manga as very broad shouldered and thick limbed. He's your average combat driven male. Built like a boxer.

He's not really the main talking point I see though. He's usually never called petite or delicate or any of the, quite frankly, ridiculous descriptors for a man of his size and build. It's usually Chuuya and in extension Dazai.

First off, ripping the bandaid off quick and easy. Chuuya isn't petite. (Sure technically petite only means short, but ancient also technically only means old. It's about the connotation.)

Chuuya is also a martial artist. Unlike Kunikida, who relies heavily on grappling technique and using his opponents own momentum and mass against them (a defensive fighter) Chuuya is almost purely offensive (most defense being left to his ability). His center of gravity is less stagnate, more fluid. He's acts quickly, crushing his opponent with efficient and well calculated brute force. Chuuya's body build reflects this. He's got a strong torso and thick limbs, strong shoulders that are lined with cords of muscle that absorb the impact of his attacks. He uses his legs a lot, kicks and jumps, and there is muscle concentration in his thighs and calves as a result. In the main manga, he's drawn with a lean torso, broader shoulders and thicker thighs. He's got a baseball player or a mixed martial artist build. (Broad shoulders and large thighs paired with his choice of suit cut is what creates his 'hourglass figure' so many of yall are obsessed with.)

Second bandaid I'm ripping off. Dazai isn't weak or delicate or whatever, but he is not buff or a tank either. And against men built for combat like Kunikida and Chuuya he's at a fairly large disadvantage.

Most of the athletic ability we've seen Dazai exhibit is evasion based. In the main manga he's drawn broad shouldered and thin, usually cloaked by his coat. Dazai has lean, muscle concentration in his shoulders, upper back and core. He doesn't have the thicker limbs of a boxer or martial artist. He better resembles a swimmer, gymnast, or even rock climber. He's not a stick, as flat as he may be. He's also probably a good deal softer then his martial artist counterparts, not living the stricter healthy life style most martial artist adhere to. Dazai doesn't do well against large heavily muscled opponents, he just doesn't have the needed mass for it. If he doesn't get the upperhand quickly he will loose. Evident in how he struggled so much against that one guy he did the cool grappling hook swap thing with Kunikida.

All this to say, almost every individual in bsd is built for their combat filled life, specialized to fit their fighting styles. It's not a big deal, but I find such thinking and analysis fun.

[punksocks]

Astro Observations No.19

(Thank you so much for the support everyone! I appreciate you following my blog c:)

*Just based on my experiences, only take what resonates

-Starting a new relationship during Venus in retrograde is guaranteed to teach you a karmic lesson with a probably karmic partner (I’ll never forget mine oml)

-Under developed Venus ruled men/ Men with heavy Venus placements are a nightmare. Underdeveloped ones choose to be chaotic with charming energy. Like f-boys or like vampires. They just tend to run through people and use them for validation. Sometimes they grow out of it and become better. A lot of times they just get too big of an ego and get narcissistic in this energy and are just destructive.

-The house your Juno is in could be an indicator of your soulmate’s placements (ex if your Juno is in Aries your partner may have Juno in first. Or if your Juno is in 5th they may have Leo in Juno. If your Juno is in Libra they may have Juno in 7th.)

-Libra/Taurus/Venus in 1st house people can get away with such criminal behavior lol, people will never blame them or they will always want to see the best in their actions. I feel like Leo Asc/Sun in 1st can get through a lot of actions with confidence but they usually do face blow back at some point if they’re behaving badly.

-Neptune 1st house/Pisces rising will have a more erratic sort of filter applied to them. Like usually they’ll get like subconsciously softened and idealized by others but they’ll also get certain traits like air head or spacey applied to them. Basically getting elevated and infantilized the most imo.

-Having North Node in Pisces can be a murky karmic placement. I’ve found that North Node in Pisces can manifest as anything from spiritual devotion and detachment from others to lifelong addiction and reliance on substances, any path that has heavy Neptunian themes which feels like a roulette since Neptune rules over confusion.

-Mars MC can be a sex symbol placement for any gender, someone known for their body or having a striking presence.

-Venus MC is definitely someone that’s known for being a charmer at best and a player at worst. Still very good with people either way.

-MC in Scorpio can manifest as someone that’s seen as constantly going through transformations and tribulations in their career and public life. Alchemy or catastrophe, always at an extreme.

-Venus can show where you are the most appealing to others (Venus in 1st would be seen as charming and probably having a very pretty face, Venus in 2nd would been seen as luxurious and having many resources and having a pretty body, Venus in 3rd would be a very charming speaker and likely have a voice that draws in others, etc I can make a whole post on this if anyone’s curious)

-Aquarius Venus/Venus in 11th fall in love with someone unconventional, or someone they met in an unconventional way (online dating, penpal programs, stuff like that)

-I find all fixed moons have really intense emotions, they just express it in different ways (yo if you’ve ever just disagreed with an Aquarius moon you know they can get touchy if you’re not on the same page with their logic)

-Aquarius is not a great way to figure out if someone is queer imo. The connotation of being lgbtqia+ being essentially strange/out of the norm is … something already but plenty of queer icons that live with their careers/lives revolving around the queer community have no Aquarius in their charts at all (I was looking at Elvira’s chart after this Matt Baume video on YouTube about how she’s a queer icon that was elevated by the queer community and was a closeted lesbian and she turned out not to have a single Aquarius placement, a Virgo stellium and Leo placements stood out the most to me). Sappho is the asteroid to check out for wlw I’m not sure for mlm but I’m sure Greek mythology has given us a great asteroid for the mascs

-Squares to north node can present “delays” with your destiny (more so having to hone aspects of your personality, having certain experiences beforehand, and coming into your destiny later in life, Joe Biden is an interesting example of this lots of squares and harsh aspects to north node and he ran for president like 7 times before he won, even became Vice President before, so interesting)

- (TW scars, harm) Scorpio can show where you have organic scars/birthmarks (Scorpio in 1st birth marks/freckles just appear on my face) where as Pluto can show where you get scars through experiences (I have Pluto in 2nd and I got burned on the lower third of my body when my dad left me in a hot water bath as a baby :/)

[illustromic]

My thoughts on drawing wings (an unofficial tutorial)

Do you want to get better at drawing your favorite winged character? Do you have winged OCs? Just want to learn something new? I can't promise this post will help, but maybe it'll give you some helpful tips.

I know, I knowww, wing tutorials have been done to death. I don't care. This was initially inspired by a conversation on twitter, but actually I've wanted to write down my notes on the topic for a long time lol. Basically wings are one of my special interests so it's very important, for me, to draw them both nicely and also realistically.

On that note, let me first show you my resume *distant sound of floodgates opening*

Like what you see? Read on! (Oh, and I will only be covering feathered/avian wings bc those are the type I know best.)

Now, I'm not here to give you a step-by-step guide on wing anatomy and aerodynamics, because there are plenty of other resources that cover this already, and I'll list my faves at the end of the post. Right now, I'm going to give you some easy guidelines and tricks that I wish more artists knew.

1: Wings do, in fact, have bones (crazy, I know) and are actually very rigid because they have to support the weight of a living creature. There are some positions you cannot physically force a wing into irl.

2: Flight feathers are not placed willy-nilly on the wing, because then they wouldn't catch the air properly. Again, like the bones, they are rigid and strong, so don't draw them like fur or ribbons. All wings have the same pattern of feather placement, with slight variation depending on species. If you learn the feather sections, it will automatically improve your drawings a lot.

2.5: Feathers overlap each other like a handful of playing cards, and this looks different depending on which side of the wing you're drawing. They always do this unless they're extremely untidy.

3: The size of the wingspan is important if you're going for a more realistic design. There is no "scientifically accurate" measurement when it comes to fictional creatures, but my general rule is when in doubt, you probably need to make them bigger. Personally, for my original winged human species, I give them wings that can be up to 12 feet long each (the artistic sacrifice is that it's really hard to fit the wings on the dang page lmao, so make your own call).

4: Get used to drawing folded wings. Most of the time, birds keep their wings folded because it prevents them from getting damaged and it conserves energy. The trick is to get good at visualizing how the joints bend and overlap (look at plenty of photos!) In general, they can fold much tighter than you think.

5: Wings and feathers take a lot of patience to draw, but the results are worth it. I've seen so so many incredibly beautiful and skillful artworks that are---well, maybe not ruined, but still negatively affected by a pair of wings that look like an afterthought, or not even like wings at all. You have no idea how much a little extra time and practice will add to your work until you see for yourself.

Finally, some notes on "stylized" wings: Of course it's perfectly ok to draw more simplified/cartoony wings if that's your preference!! BUT there is a difference between a stylistic choice and a lack of effort/poor understanding of the subject matter. Even cartoonists have to learn the fundamentals of realism so they know how to make their designs logical and appealing. Here are some examples of more stylized wings that I feel retain the core principles of anatomy/aesthetics:

And last but not least: A list of helpful links I use personally for reference and inspiration!

I made this pinterest board for general artsy inspo, and this board to curate my very favorite tutorials/refs/information, focusing on the scientific aspect of wings and flight in general. Feel free to use both! (I also suggest pinterest in general for pose refs and such, but try to only practice using photos at first and not other drawings.)

I highly recommend this blog and this blog if you want examples of artists who draw more realism-based winged creatures!! They are both huge inspirations for me and I think you should totally follow them even if you don't plan to draw wings lol <3

If you're REALLY serious about it, my favorite ref books are: Winged Fantasy, a lovely drawing book by Brenda Lyons; Proctor & Lynch's Manual of Ornithology; and Angelus vincens by R. Spano, which is essentially an artbook by someone who (I believe) designed biologically plausible "angels" for their senior thesis.

Ok, idk how to end this lol but I hope it helped! I know it's not my normal kind of post but I'm super busy with college stuff rn and this was all I had time for. If you guys have any questions or feedback, please let me know!!!

-Aloe <3

[mugiwarahostclub]

Some of the one piece men as boyfriends

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤluffy, zoro, sanji, ace, law,ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ shanks, bartolomeo editionㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ㅤmale/fem/non bi reader ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤ ㅤㅤone piece world setting

— LUFFY

He'll interact with you the same way he does with his closest friends, but he would probably be careful when he carries you around just like he does with Robin. You'll have to initiate every hugs and kisses, cause he'll only jump on you and hug you first if you two haven't seen each other for a month or more. Over all, I think he'd treat you as a bestfriend rather than a lover, trying to make you laugh, making you the first person he shows random things to, etc.

Y/n: Hi Luffy~ Happy 3rd anniversary!

Luffy: ... Eh? Anniversary?

Y/n: Wh- Luffy, we've been dating for 3 years now...

Luffy: Yosh ! Anniversary ! Let's have Sanji cook *stretches himself to kitchen*

— ZORO

This guy values man codes or whatever, so he'd probably be the type to show affection towards you through actions, not words. Sick? Would quickly find the nearest pharmacy and give the medicine to Chopper. Hungry? Would kill the largest fish present and give it to you, it's up to you to cook it though. Sad? Well, he's not very good at comforting and will just end up telling you about the harsh reality of the world, then give you some wise advice afterwards like most grandpas do.

Y/n: Love you, Zoro

Zoro: Hm *cooly smirks with his eyes closed*

Y/n: ... I love you, Zoro

Zoro: *continues to smirk in a cool way, still staying silent cause he knows that you're aware deep down that he loves you back*

Y/n: Man.. just say it back

— SANJI

Boyfriend material. Would gladly simp and swoon over you. Sanji likes to make every woman feel like a princess though, so he'd still fanboy over girls and treat them well too. He would immediately reassure you after complimenting/serving a girl in front of you. Kissing them is where he'd draw a line. I mean, I would hope so.

Sanji to a random woman: Oh, your hair is just lovely~

Sanji: A-ah..! *quickly stands next to Y/n* Of course! Your hair is very lovely as well, Y/n! Oh~♡⁠ how the faint scent of your welcoming shampoo just wraps me around and— (he goes on for a few minutes)

— ACE

He'd be a supportive and loyal boyfriend, affectionate and would recklessly fight anyone who'll drag your name in the mud. Though he'll tell you a lot of stories about his little brother Luffy even though you didn't ask for them. If Luffy's around, he will probably not spend as much time with you like he'd normally do.

[ Y/n and Ace on a date ]

Ace: and then.. Luffy ran away, so me and Sabo also ran away! Hahahaha!

Y/n: Ahahahaha.. that's sooo funny... (has heard that story a million times already)

— LAW

It'll be hard to communicate with this guy, he's not the type to say what he's feeling at first. Though, as his feelings build up inside of him, he'd just eventually burst it all out soon in an angry manner. He'd probably give you physical affection with a straight face if you asked for it. I think he'd watch over you closely from time to time, walking up behind you just to tell you if something could damage your health. He won't force you to take care of yourself, but he will say 'i told you so' when you later suffer the consequences.

Y/n: *grabs chocolate from the fridge*

Law: *comes up from behind out of nowhere*

Y/n: Wha-? Law??? Where did you-?

Law: Chocolate at midnight is not very good... *walks away*

— SHANKS

I think he'd be a cute and shy boyfriend when he's sober. When he's drunk, maybe he could be a bit more honest with his feelings. Goodluck getting this guy to spend more time with you though, cause he'd probably use him being a captain as an excuse to not give you affection, when really he's just shy. He only tells you that he loves you when he's about to leave.

Y/n: Shanks! Let's go on a date!

Shanks: *blushes* .. oh.. haha, sorry Y/n, captain stuff-

Y/n: What? but you just got here

Shanks: Gotta go! Bye! *is already in a distance* Love you!

— BARTOLOMEO

Your relationship will consist of you, him.. and his unhealthy obsession with the strawhats.

Bartolomeo: Y/n, have you seen my limited edition Luffy figurine?!?!??

Y/n: Honey, it's 2 in the morning.. go back to bed....

Bartolomeo: ITS LIMITED EDITION, Y/N!

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