#also to all my mutuals who stick around when I’m in different fandoms and dead

[lunachubz]

Happy Snake Day Everyone! Sorry for the short hiatus and lack of art! Prepping for the upcoming convention is more nerve-wracking than I thought. Also, I’m in way too many fandoms at once 😅

Anyways, I decided to post an old yet updated reference of Shizuka because I love my sea bean ☺️. Also a height chart for all my current OCs because why not? Art blocks and different fandoms have been getting in my way but I’ll be getting back into the swing of drawing sneks again :D

Please do not repost/discredit without my permission!

[shelobussy]

ASH’S TMA HURT/COMFORT/FLUFF REC LIST 

For the gays. (And @damcrows who’s been dead for the past 24 hours. Rest in peace babe. Read some gay fic. Deny the inevitability of canon. <3)

___

the end, but the start (of all things that are left to do)  by @ajkal2

Jon wakes up.

aka. mag200 tore out my heart

(Very smol, very short, very spoiler. Def recommend for anyone who just finished the podcast.)

remind me how to smile by @tamerofdarkstars

Jon is probably fine, just hiding out somewhere while the whole murder thing blows over and that's... fine. Martin is fine with that explanation. Really. He's got plenty to distract himself - like listening through the entire What the Ghost episode library, for example. Or watching Georgie Barker's Instagram livestreams.

(Yea this was in the last rec list, but you don’t understand THE ADMIRAL GIVES CUDDLES)

Chamomile by Dribbledscribbles

Whatever the ex-tea was, if it really had ever been that last bag of chamomile Martin claimed he’d found tucked in the back of the cupboard, it was fast now.

Martin had tried catching it, chasing it, blocking its way with shoebox lids and plates and an upended footstool, but the thing was just too quick. Jon knew as well as Knew that he might have left off the attempts completely if not for the creature’s preferred game.

The game was, See How Many Times I Can Push Martin Towards Cardiac Arrest Before He Comes at Me with The Broom.

(Scottish Honeymoon Era. Adorable and weird. A vampire gets harassed.)

hey stranger by @ennuijpg

It’s a late night Tesco run, how eventful could it be? It’s not like Martin is going to run into his boss who’s wearing something absurdly different from usual and get the most acute form of whiplash possible from seeing him, right?

(Martin runs into Jon at the grocery store and has an existential crisis.)

roses roses, roses. by @judesstfrancis

Rose scented laundry detergent. Running into Jon in the breakroom. Running into Jon on his way back to his desk. Rose scented detergent. Running into Jon. Roses. Jon. Roses, roses, roses. 

(Canon enemies to friends to lovers au-ish. Martin POV. Very pining much sweet.)

go softly by doomcountry

And there is nothing else besides this. 

(More hurt/comfort than fluff. Scottish Honeymoon Era. Mild eye mutilation.)

Not Alone by @backofthebookshelf

After the coffin, Daisy and Jon are both fragile. They hold each other up. 

(Post-buried Jon&Daisy starter pack. Very hurt/comfort.)

trust my love by antlsepticeye

“you… you’re real, aren’t you?” jon whispers, the fog slowly dissipating from his mind. “it is not a trick?”

“i’m here,” martin says softly, reaching up to grab jon’s hand that was resting on his cheek, intertwining his fingers with jon’s and squeezing. he moves jon’s hand to martin’s chest, resting it over his heart. “you’re alright. i’m alright. take your time, love. let’s just take some deep breaths, okay?”

(TOUCHSTARVED JON HAS ENTERED THE CHAT.)

reaching out by Athina_Blaine

By the time things settled, when Martin had finally managed to crack through his cold shell, feel some of his old self returning to him in bits and pieces, they had found their little routine.

One that had the two of them sleeping in the same bed, making breakfast, going to the mart. Where Jon reached for his wrist while they slept, and Martin luxuriated in the gentle warmth of his fingers.  

But not one where Martin reached back. One that had Martin kissing Jon awake or taking his hand over the breakfast table, because ... Martin never had the courage to try. And then it never became a part of the routine.

And Martin desperately wanted it to be.

-

Martin and Jon have an important conversation.

(More Scottish Honeymoon Era for the soul. Hurt/comfort/fluff.)

Belabor by @janekfan​

Jon's given the position of Archivist and is falling apart at the seams. Tim and Sasha are upset and playing games. Elias is overbearing and manipulative.

And poor Martin is stuck cleaning up the mess.

(THEE first fic I ever read for tma. Season 1, hurt/comfort/fluff, and hints of Jmartin. janekfan is the absolute master of seasons 1-3 hurt/comfort. This is my favorite, but pls check out the rest of their fics.)

tea, blankets, and a damnable stubborn attitude by ivelostmyspectacles

“Are you really gonna stay here and pester Jon all evening?”

“I’m not pestering him,” Martin retorted, sounding vehement if not busy going through the cupboards. “I’m heating up soup.”

“Oh, you might as well make him another cup of tea while you’re at it.”

“Oh, good idea.”

Jon shot Tim a withering look.

(The one where Jon is ill, Martin makes tea and they watch doctor who together. Fluff 1000%.)

A Kind Hand by @voiceless-terror

Jonathan Sims was adjusting just fine, thank you very much.

In which a minor workplace spill causes Jon to realize that he might have friends.

(Ah yes, the other master of seasons 1-3 fic aka voiceless-terror being my other fav author in the fandom. This one is also season 1 hurt/comfort/fluff.)

A Weather In The Flesh by @cuttoothed

"There is a span of years where Jon doesn’t touch anyone other than the occasional hand shake. It’s not so bad. He’s never been someone who’s needed physical affection."

*

Jon has never been any good at making people want to stick around.

(More touched starved Jon! Much hurt/comfort!)

Something Old, Something New by @cirrus-grey

Months have passed, and everyone is doing better than they were. Daisy and Basira are getting married, Melanie is feeling her old self, Georgie is as much herself as she has ever been, and even Jon has stabilized on his wild fall away from humanity. Everyone is doing better.

Well. Almost everyone.

(Daisy/Barsira wedding! Melanie is a bitch and we love her! Jmartin dance! Post-canon (almost) everyone lives!)

The Weight of Love by @voiceless-terror

Jon is a restless sleeper. Martin attempts to adjust. 

(The fic where Jon is literally me and Martin attempts to sleep for 1k words.)

The Art of Conversation by @voiceless-terror

"Do you ever stop talking?"

Jon has a complicated relationship with words. Difficulties come and go.

(Jon has adhd and Martin is in love.)

Novelty by @backofthebookshelf

Jon experiences A Sexual Attraction; Martin has A Concern. They figure it out.

(Any fic that explores the ace spectrum is a 10/10. We stan all ace interpretations of jon on this blog.)

Half a Hug by Dathen

I know you weren’t going to hurt me, I trust you, he said again and again. And then a different kind of fear shone through, hollow and echoing: “Please don’t stop touching me."

-

Or: Life is hard when you're touch-starved but have trauma related to your closest friend.  Spoilers through TMA 132.

(Honestly bless every author who saw jon&daisy and was like. They’re siblings. No I will not elaborate.)

the loneliness never left me (but i can put it down in the pleasure of your company) by Athina_Blaine

It was about Martin making Jon feel safe, treasured, and loved. And it had been so, so long since anyone made him feel that way.

And, in the face of it all, Jon was starting to flounder.

(At this point I just need to make separate rec list for Scottish Honeymoon Era.)

you can watch me corrode by scarletfish

"So, how long have you been pulling this shit then?"

"I… excuse me?" Jon’s indignant, certain she can’t mean what he thinks she means.

"When was the last time you ate?"

(Georgie decides Jon and Melanie need a normal day off. Jon learns that he and Melanie have more in common than he thought.)

(Look, Melanie isn’t my favorite person in tma, but she and Jon are like THE SAME PERSON and I adore fics that elaborate on their relationship.)

Out of the Wind, In From the Cold by @ostentenacity

There are two bedrooms in the safehouse, and two beds.

For a moment, Jon considers asking to share, but decides against it with a wince. “I really loved you,” Martin had told him. Loved. Past tense. And Martin doesn’t exactly have a lot of choices right now in terms of company; it would be cruel to demand he play at feelings he no longer has just to make Jon happy.

(For a moment, Martin considers asking to share. But he dismisses the idea with a shake of his head. Jon has already done so much for him. Martin isn’t about to ask for more, especially not when it’s something he doesn’t really need. He has his right mind back, and he has Jon’s friendship. That should be enough for him. It’ll have to be.)

---

Jon thinks that Martin doesn’t love him. Martin thinks that Jon doesn’t love him. They do not, of course, discuss this. Unrequited love is already awkward enough, right? No need to dwell on it.

(THEE SCOTTISH HONEYMOON ERA FIC. IT’S ABOUT THE PINING, BEING MUTUALLY OBLIVIOUS AND FALLING IN LOVE. 10000/10.) 

I Do by @voiceless-terror

“I, um- this was supposed to be a lot more romantic, I swear.” Martin looks down at the dirty bar floor. “I had it all planned out, I-I was going to take you somewhere nice, and then we’d go for a walk in the square- I’ll still do it!” He hurries to explain, as if that’s the most pressing part of this situation. “It’ll be really nice, I’ve already hired a photographer-”

In a fit of protectiveness, Martin proposes to Jon.

(Everyone lives, Martin accidentally proposes and Jon is crying in public.) 

________

[constellaj]

16

Please talk more about your reboot!

16: If you could change anything in the show, what would you change?

okay so how i would re-do CANON is completely different from how i would talk abt a reboot so im gonna touch on a couple things in both contexts! the reason for the difference is canon rewrites imply i can go back in time and introduce dp fresh and new, before anyone knows what it is; but for a reboot, id be working with an audience that has a better understanding of the source material, so i dont need to spend as much time explaining, but i also need to keep everything recognizable

Valerie

REWRITE: i would def make it more danny's fault that her dad lost his job, like danny was intentionally being reckless and shattered some security stuff, and he has a whole mini lesson about learning to not just run in guns blazing. i would probably remove the dating stuff with her and danny (and tuckers crush) too, I think them wanting to be good friends is good enough for freshman year

REBOOT: the fandom already knows valerie exists, so i would actually skip the whole shades-of-gray introductory episode and have her be present as the huntress from day 1-- probably even before danny got his powers. cujo is also HER dog, and her backstory-- we'd find out in like, season 1, that a natural ghost portal (maybe one wulf opened) ripped open on her dog and killed him, and since then shes had a vendetta against ghosts cause of how reckless they are and their disregard for life-- of course, cujo isnt actually dead. cujo is a halfa. a puby halfa. anyway instead of a hoverboard she actually rides cujo around cause he can fly and its big and epic. valerie has BEEN amity parks ghost-eradicating superhero for at least a year (tho shes been in the shadows abt it) and her hatred towards danny actually just becomes really petty, like them flying next to each other chasing skulker just going "I got this. no I got this. no I got this" and they just get in each others' way and its a mutual grudge.

BOTH: i am NOT keeping in vlad giving her the suit to watch danny under any circumstances. it was only utilized half assedly in canon (when vlad couldve just had an invisible duplicate watching him instead) anyway, and I dont have any reason to keep it in a reboot either. instead i want her tech to be a combination of half-stolen and half-gerryrigged stuff and she slowly slowly learns how to build her own.

I also dont want anyone knowing her secret identity, except maybe her dad, and sam or tucker. i think it works better if danny isnt privy to this magic info

Freakshow

REWRITE: i would honestly just remove him. the episodes hes in arent particularly interesting, theyre just generic "we need a plot about x" filler and he's not compelling enough a character (at least in writing) to carry a better plot that another antagonist couldnt. i'm serious

REBOOT: unfortunately in a reboot he's gonna have to pop up somewhere or else ppl will be like "where IS HE" so I'm going to stick with running some kind of ghost circus, maybe a few occult things, but cut out a lot of the spooky magical knowledge and mcguffin stuff. maybe i could make him like, someone from vlad/jack/maddies college who always felt pushed around by them and so he has a vendetta? and theyd be the only reason he even learned abt ghosts in the first place. idk in either way I want to force him into being irredeemable but also include LYDIA (the tattoo girl ghost) way more-- I want to give her an arc that ends in her tossing freakshow aside and running off to be a ghost vigilante.

BOTH: dear god the infinity gauntlet is stupid that needs to GO AWAY. especially for the reboot cause it would exist in a post-mcu world and way too many people would complain about it

Vlad

REWRITE: amp him up to a far more sinister and villainous character. the crushing on maddie isnt enough, I want to show him on-screen performing experiments on ghosts and himself, dismissing everyone else cause he thinks hes smarter than them. i want him to be actively sabotaging the fentons at every turn. i would also clarify that he doesnt actually want danny as a son, but as a trophy-- a line where danny says something along the lines of "you don't want a son. you want a slave". i want to make him a character who wants to destroy the entire planet and put it in the ghost zone so he can be the true ghost king and i want to make this all evident from day one. if i'm writing a series villain you can bet i'm going to write a GOOD one. less petty drama here and more actual stakes.

REBOOT: it seems silly but sense with reboot we have the benefit of hindsight and recognizing that vlad wasn't a big series villain, theres no way i'd actually go back and write him to be such. for starters, of course, theres the fact that anything he does would really be an exaggerated part of the original, and it would bore an audience to see the same story again-- theres also the fact that it doesnt seem right to take a character who was treated as a joke half the time and suddenly make them big and important. no, instead for my reboot i want to lean into the petty gay uncle vibe. he had a crush on jack and now just casually insults him. he moves mansions every now and again by just haunting the family who lives in the one he wants, and taking over-- i mean, who is gonna believe that an actual ghost haunted you. he dislikes danny not because he has some concept of 'evil' and 'good' but bc danny is just too damn active. of course he actually does care about danny and his safety deep down, it's just on the surface they have very conflicting motivations-- not to mention that danny has been raised on legends from his parents of the villainous Wisconsin Ghost, who has to be stopped at all costs.

BOTH: i want jack and maddie to KNOW he's a half ghost and to actively be hunting him down for it, maybe bc they think hes possessed, or been a ghost tricking them this whole time, or the victim of a tragic lab accident who needs to be put to rest, etc. whatever the case it will give vlad actual tangible reason to despise them and genuinely suspect they dont have dannys best interests at heart. i think it would be neat if vlad was cynical and every time danny hit him with the "I'll expose us both. at least theyll still love ME" vlad could be like in the back of his head "oh god theyre going to kill this child"

Dani

REWRITE: cut her out. we don't need her character at all. maybe replace her with a more ominous shadow duplicate / clone that actually looks like danny himself and doesnt really have a name? you could probably combine her and dark dans characters for their arcs

REBOOT: instead of a clone from vlad, she's a guys in white creation using some of dannys dna after he was captured (and vlad broke him out bc he was like "ugh i guess i have to save this child")

BOTH: vlad actually cares abt her (duh), shes nonbinary (double duh), she gets the funny dissolve into goo powers

i had more i thought i was gonna write but this post is already very long and also im running out of coherency for this LUL

[toujourspur13]

The Black family / Walburga Black / canon.

As I said before I do not care that much about canon/fanon/headcanon because transformative works by definition include a wide variety of different interpretations. However, I am forever perplexed when I see uncompromising opinions on the Black family - particularly the unwavering certainty that Sirius Black’s parents were psychotic abusers. All personal opinions aside - why is this so popular?

I mean - it’s absolutely ok to headcanon this version and to play with it - but saying 'don’t you dare say they did not physically and emotionally abuse Sirius' is a little strong, isn’t it?

This is a mystery to me. So…let’s discuss my favourite subject…Again.

Let’s stick to the facts. The frequently cited things proving the abuse in the Black family are as follows:

Sirius said his parents were awful maniacs (pureblood ideology)

he ran away from home

he was severely depressed in OoTP

Kreacher

Portrait

So…when you say that Sirius’s parents were abusive…you mean exactly what? These people got cold feet when they saw the real nature of Voldemort - I guess it somehow implies that they did not share his methods…that they were against violence as a tool to get purebloods in charge.

But then it usually goes this way: ‘well at least he was verbally and emotionally abused by his family’ - but is it so? Is this based on the portrait of Sirius's mother? She insulted strangers who took over her house and her runaway son - how does this prove anything about how Sirius and Regulus were raised and treated when they were kids? I agree it’s rather impolite - jkr did a good job showing how purebloods perceived others ( those below them) -but in all honesty, this has very little to do with Sirius and his childhood.

Why to make Sirius a victim at all? - c’mon he was tougher than this, he spent 12 years in Azkaban; are you actually saying that a portrait throwing insults at everyone is worse? I doubt that. And is it such a surprise that a mother who lost her son (that said son actually ran away and abandoned his duty) would be that furious at him when seeing him again...even if it’s only a portrait...I believe it to be a rather unpleasant experience for a parent when a child runs away.

We already talked about the portrait a lot - I don’t even want to mention it here- - I feel we should rather pay more attention to the fact that Sirius himself was not an angel.

I am not saying the colourful vocabulary of Walburga Black should be used…but Sirius himself upon seeing Snape  immediately  recognised his weakness and went for it without any hesitation …we are talking about Sirius who in fact was quite a renowned bully ( I mean - we know for a fact that from time to time Sirius and James got carried away)…

And it was Sirius who sent Snape to meet and chat with a real werewolf (yes, I agree - he was not thinking this through - he probably was just vexed and fed up with Snape and thought he wouldn’t go there, would get cold feet or idk run away…But it actually changes nothing. If a drunken driver hits someone it will be 100% his fault whether he means it or not. Whether he is in a fragile mental state or not - such situations are definite. It’s the same with Sirius - even if he did not mean anything bad he should have understood the cost of his mistake - all teenagers make silly things but not all of them send their classmate to meet a werewolf - James thought it not a very good idea as I recall… -

So we see that Sirius was not an angel from the start and I can hardly believe he was a victim by nature. His behaviour loudly manifested that he used to get what he wanted with no thought of the consequences.

And all those pictures of bikini-clad girls on the walls in his room prove that he was quite a spoiled boy who had nothing to fear from mum and dad. Harry himself noticed «Sirius seemed to have gone out of his way to annoy his parents». All this shows that Sirius was not afraid of his parents at all. What kind of masochist would suffer for motorbike posters? That would be ridiculous.

Let’s move to Kreacher: If Sirius’s mother had been a monster why even mention her heart?  JKR wrote this for a purpose and this heavily implies that Sirius's situation was never meant to be ‘the abusive heartless parents vs the poor helpless victim’.  

The fact that Sirius ran away and hence broke his mother’s heart says against the popular idea that he was not loved by his family, that he was always the second one, that they abused him. I’m 100% certain that Kreacher told the truth in that scene. Why would he say something like this if it were not the truth - something like…that his beloved mistress having been so upset over Sirius running away that it broke her heart. Just tell me one reason that would have justified such a lie - why to say this at all?

Then this: “Leave?” Sirius smiled bitterly and ran a hand through his long, unkempt hair. “Because I hated the whole lot of them: my parents, with their pure-blood mania, convinced that to be a Black made you practically royal … my idiot brother, soft enough to believe them … that’s him.”…. “He was younger than me,” said Sirius, “and a much better son, as I was constantly reminded.”

I’ve already said it before - this ‘better son than me’ is exactly what insecure 14-year old kids like to say. Well...he’s a bit older but it’s not as if he had a life and a chance to mature. Moreover, I don’t know if it comes as a great shock but a lot of teenagers like to badmouth their parents…usually, it involves something like ‘those bloody uptight retrogrades know nothing of the real world’ (it fades away when they get closer to thirty).

To be serious, I find that it’s just another example of similarities between Sirius and his mother. They clearly did not know what it means to be composed, polite, and respectful. Yeah…I think that, on the whole, parents are owed their children’s respect (unless they are completely inadequate - somehow I don’t believe this was the case). Someone should teach both of them what mutual respect means. Anyway, there is nothing in this quote that says that Sirius was subjected to any forms of abuse - it’s about how Sirius justified his running away,  how he saw the situation.

There’s also the fact that Sirius was incredibly unhappy because he was back at his childhood home and having to spend time around anything that reminded him of his family: “Hasn’t anyone told you? This was my parents’ house,” said Sirius. “But I’m the last Black left, so it’s mine now. I offered it to Dumbledore for headquarters — about the only useful thing I’ve been able to do.” Harry, who had expected a better welcome, noted how hard and bitter Sirius’s voice sounded”.

Here it comes…the severe depression that makes people question the severity of his abuse… I have thought a lot about this because it is the reason why some consider ‘the abusive blacks' canon while others believe it was more of a tragedy of the family rather than the banal brutality.

Of course, Sirius was upset in that house - but I don’t think he suffered the memories of his unhappy childhood - I think he suffered from the strong feeling of guilt. Being in that house meant an everyday reminder that he was a failure. And it’s not even a lie. If you look at his whole life you’ll see that he literally failed everyone in his life: he failed James and Lily - they were dead and he unwillingly became the reason. It was his plan that turned everything into a tragedy.

And, to some extent, he failed Harry- he was not around him like James and Lily would have wanted. Sirius did not give him the real family - he only promised they'd be the one «when it’s all over».

And finally - he failed his parents, his brother, his own family.

Is it possible to live with so much guilt in your heart?

I don't think that Sirius completely forgot who he was born to be. If the family keeps traditions and can trace its existence back in centuries you can't shake it off even if you want. I doubt Sirius switched it off just because he had griffindor friends. He was the last Black - it is tragically poetic that he was once the hope of his family and then this family died with him. If Sirius had heart (and I truly believe he had a heart) he knew exactly what it meant to be trapped in the house that represented the death of his family. A constant reminder  that he was the last one.  

“The others’ hushed voices were giving Harry an odd feeling of foreboding; it was as though they had just entered the house of a dying person”. 

I think that the scene when he threw his father's ring away - he threw it away because it was all over for his family. It was the end of the dynasty - and for him it was all over long before he met Bellatrix for the last time.

Well, I admit Sirius' situation is open for wide interpretation but I don’t think the abusive black household is a canon thing - of course, it’s fanon. It makes Sirius a hero who broke the chains when in fact he ended up being a victim of his own life.

You know, it always seems strange to me that fandom when discussing Walburga usually overlooks the simple truth of life - that even if you are clever enough and mean good for your loved ones it is still possible to end up on the losing side, on the dark side.  However, mistakes don't automatically turn humans into monsters.

To some extent Sirius’s story represents the consequences of war.  No-one is protected; the whole families could be wiped off the face of the earth. It’s a simple yet profound idea. It correlates with the main idea of hp books far better than the ‘abusive psychopaths’ (there are already Voldemort and Bellatrix - there is no-one who can beat them in this department).

All I say - it’s okay to imagine them bad if you want- your right - but don’t write everywhere that it’s canon because it is not.There is no need for such inflexibility especially when it comes to the fandom - a place where everyone should be welcomed and their views on the books be respected.

[queenangst]

I've been a pjo fan for a long time, but I never was very into the online fandom until recently. So my question is this: what is considered "problematic" with Rick Riordan, from what I've seen he's just tried to always please fans, if not a little too much, but like I said I only got online very very recently.

oh, boy. 

there’s a lot to unpack. 

i’m going to be honest, generally when i criticize i don’t do it on my very public blog. most discussions i’ve had are private, with people i trust; i’m not saying i won’t discuss it with you, what i mean by this is if you look on my blog you probably won’t find a lot of pjo/hoo/rr crit in the past. 

before i get into it, here’s a couple things to keep in mind. 

1. it is okay to absolutely love percy jackson and criticize it. they are not mutually exclusive. it’s important and healthy to be able to take a step back and look at the media you’re reading with a critical eye and from different perspectives. 

2. sometimes, reading crit can kind of hurt. acknowledging that an author or a creator you look up to is flawed can hurt. no creator is perfect, and no critic is perfect. just understand that when you read crit you’re likely looking through the lens of someone who probably has seen something damaging, etc in rick’s writing. 

also, it doesn’t really matter if you’ve been part of the fandom for a long time or not; online or not; these issues stem from rick and the writing itself.

okay: 

here’s my pjo crit tag and my hoo crit tag. like i said, they’re pretty scarce, because most of me talking about what went wrong in hoo is in private circles. 

the issues become much more apparent in hoo, because hoo was kind of a hot mess. so you might tend to see more hoo crit than pjo crit, but there are flaws in both series that deal with diversity or lack thereof, tokenism, racism, stereotypes, and also just some bad writing choices and bad narrative.

here’s some bloggers who have great discussions about pjo/hoo/rick + problems. 

@transannabeth - anti rick tag (tea also has a pjo crit, hoo crit, and some other tags but i think most posts fall under anti rick)

@reynaisalesbian - hoo crit tag

@bananannabeth - hoo crit tag

some other bloggers who don’t (afaik) have crit under tags or have a couple posts, but who have made good posts/points/etc: @blackjacktheboss, @ofswordsandpens, @gr33kg0ds, @sawasawako. 

if you want to look outside of these bloggers or tags (which i encourage you to), common tags that people use for criticism on tumblr are: anti pjo, anti hoo, anti rick/riordan/rr, pjo crit, hoo crit, rr crit, pjo criticism, hoo criticism.

i... do not have the time or energy to address every single issue that comes up in pjo, hoo, and with rick. i’m sorry. there’s a lot of books, a lot of characters, and a lot of bad narrative. and bad choices. i’d go through the links above, maybe reach out to people (reach out to me, or anyone), discuss, look at the books and step back from what you like and want to defend and use your critical thinking skills. 

i guess to get you started (since i can’t cover every single issue ever) here’s something i was discussing with @wisdom-walks-alone and a couple other people earlier; the east asian/asian representation (hello! that’s me!) is uh, not hot, to say the least. for example, if you look at the canonical asian pjo characters—

ethan nakamura, who is basically the only one in pjo, dies. he’s a kid on the wrong side, he tries to defy kronos, and he dies. cool! then we hop on over to hoo, and we have two whole east asian characters. one of them is drew tanaka, who is reduced to stereotypes and a ‘queen bitch’ like character, vain and petty and rude to say the least. her focus is completely on her appearance. she doesn’t get development. she’s there to be pitted against piper, another woman of color. 

but that’s okay, because we have frank, right? frank zhang, who is actually chinese. except i never identified with him because he was 1) extremely underdeveloped for a main character of the series and 2) his arc is, as i remember it, getting buff. let’s see. 

he’s a chinese character, which means there are a lot of conflicting and interesting values to play with and develop. i really liked him in son, and with the shapeshifting abilities and his life stick, as well as his discomfort in his own body; those could have really been elements in a fantastic character arc. sacrifice, duty, loyalty to your family, to your country/people (i.e. the romans).... these are all things that are important to chinese people, and could have played a larger role (which is why i liked that frank burned his own stick to free thanatos). but eventually he’s given a fireproof bag so his stick will never burn and he just... gets buff and strong, because that’s important. that’s some surface level criticism because i don’t remember much of what happens to frank in the series (probably not much?), but yeah. i’m not saying frank’s character arc should revolve around him being chinese, or that being chinese should play a huge role in the series, but a fundamental part of character is background. there are a hundred different experiences rick could have pulled from, and each of them are unique. tfw your “rep” isn’t rep at all.

so the three east asian characters i get to read about, who look like me, who might have grown up like me, who i’m supposed to relate to... one is dead, one is a stereotypical bitch, and one is.. i don’t even know. so it’s something to think about, yeah?

EDIT: do not take this post as saying you have to ‘hate’ hoo or hate pjo or hate rick now. (though some of us do, for good reason.) just keep the criticism in mind and accept it as a part of your view of rick and his writing as a whole. you can still love pjo! you can still love hoo! you can still like rick. that’s okay. don’t put them on a pedestal. form your own opinions, and let them shape your experience. 

i think he has done some good things. i think he can write well. but there’s also a lot of problems that should be addressed and that could be improved upon.

[wingsofthewibbets]

Hello I Made A Playlist

It is specifically for the vibes of the Calamity Trio! Also, I feel like contributing to fandom, so I tried to explain why I felt each song gave off the ~Vibe~. Apologies for the length of this monstrosity. It’s on Youtube and Spotify, but there is a song on Youtube I used that was unavailable on Spotify. It’s in no particular order, although maybe I’ll organize it one day.

~‘California Friends’ (The Regrettes)- Generally the fun upbeat vibe of the song, but also these specific lyrics make me think of Anne’s :

     I think I love you but then I think

     No way!

     I gotta go but I wanna stay

    Just stay!

    I guess I’ll save it for another day, well okay?

As well as:

     I get mixed up in my head, you do too

     But I don’t forget a thing you’ve said

     Well that’s true

I think the lyrics definitely give me more Anne/Marcy vibes, but the music itself makes me think of Sasha getting them into trouble. There’s some big garage band energy here, and it just makes me think of them running around and causing chaos. (also the ‘i gotta go but i wanna stay/just stay’ definitely reminds me of the end of the aquarium episode)

~’The Archer’ (Taylor Swift)- Oh man this song where do I even start?? There is so much?? (I know I’ve already talked about this one, but Imma do it again) I was listening to this song one day and the lyrics hit me so hard as reminding me of all the girls, specifically:

For Anne:

    Combat, I’m ready for combat

    I say I don’t want that, but what if I do?

    ‘Cause cruelty wins in the movies

    I’ve got a hundred thrown-out speeches I almost said to you

I feel like this is pretty self-explanatory, but this seriously makes me think of her relationship with Sasha -or the shambles of it anyway oof- and the speeches line just makes me there’s so much that she doesn’t tell her friends about what’s running through her head. 

Anne’s an emotional person to be sure, but she’s also a very impulsive one, which means a lot of times, what people get from her is the unedited, unreflected version of her thoughts, which don’t make them any less true, but that also means that she’s probably a little more reticent with the deeper ideals that don’t get unearthed through dramatic moments. She just does things a lot of the time, and when she gets stuck on something, it is kinda obvious from the outside, but she also gets uncomfortable with trying to talk about it, because there is no clear solution she can enact in the moment to resolve it.

For Sasha:

    Screaming who could ever leave me, darling?

    But who could stay?

    I see right through me, I see through me

As well as the repetition of ‘they see right through me/can you see right through me’, these lines give me huge Sasha vibes, specifically. I think of them kind of especially applicable to the Reunion episode, but also just how there were a couple scenes where she seemed to be regretting hiding from her friends the toad rebellion that was going to take place in Newtopia, and that conversation Anne and Sasha have in The Third Temple. I don’t think she ever considered regretting the rebellion at all, but I do think she worried over what it might do to her friendships. 

The end of Reunion was heartbreaking, for both Anne and Sasha, because if the Plantars had been able to pull both girls up, I think there would have been more opportunity for Sasha and Anne to have a better reconciliation. (i think this about this a lot ngl) And, also because she was willing to die for Anne??? I don’t think that gets discussed enough. That episode has big ‘who could ever leave me’ at the beginning, and then at the end ‘who could stay’ vibes. 

For Marcy:

    And all of my heroes die alone (OOF)

As well as

     All the king’s horses, all the king’s men

     Couldn’t put me together again

     ‘Cause all of my enemies started out friends

Ahahaha this is the ANGST. So. I mean, obviously the king’s horses part makes me think of the ending of True Colors, and I don’t think that Marcy considers Sasha and Anne to be her enemies by any stretch of the imagination, but I don’t think that Andrias is above manipulating her to think that they think of her that way. (Also the line ‘cause all of my enemies started out friends’ line is very applicable to Anne and Sasha as well, it just happened to be part of the lines that made me think of Marcy) Plus sticking around the king and whatever the heck he has in store for her will definitely not put her back together sooo-

The ‘help me hold onto you’ and the ‘I’ve been the archer/I’ve been the prey’ just apply to all of them (for the former, think Sasha and Anne in Reunion, the way Marcy tried to mediate in The Dinner, and just True Colors in general; for the latter, it makes me think of the sword-fights between Anne and Sasha, as well as how Marcy once believed that Andrias actually cared about her). The ‘Dark side, I search for your dark side/But what if I’m alright, right, right, right here’ make me think of how Anne is going to be reevaluating her friendships with both Sasha and Marcy, as well as how all of them seemed to grow into the Amphibia communities that they landed in and what they are going to struggle with leaving behind.

I had this song on loop for way too long trying to word my feelings out about it.

~’Soldier, Poet, King’ (Oh Hellos)- This song is just so absolutely perfect for the three girls. I’d like to take the time to state that I think Sasha fits soldier, Marcy poet, and Anne king, but what are y’all’s thoughts? 

     There will come a soldier/Who carries a mighty sword

     He will tear your city down

Big Sasha vibes, fits with what’s she done so far in the show, as well as how she’s being set up for the third season to be a hero (whose intentions somewhat align with the consequences of her actions).

    There will come a poet/Whose weapon is his word

    He will slay you with his tongue

Marcy spends a lot of time journaling, and she even takes the time to learn a dead language! She seems rather skilled with more traditional weaponry, but her biggest boon is her intelligence and her quick-thinking. I also think that if she does end up getting possessed by the Night, its words being spoken by Marcy’s voice is absolutely going to SLAUGHTER Anne and Sasha.

     There will come a ruler/Whose brow is laid in thorn

     Smeared with oil like David’s boy

Apart from the fact that Anne literally has plants growing from her head in the S2 finale, she is also a charismatic leader who has made connections all over Amphibia. She genuinely cares about the people around her, and takes the time to get to know them and spend time with them. Also, a lot of times, she is underestimated and seen as the David to her opponent’s Goliath- whether that be physically or in skillset.

~’Someone To You’ (The Banners)- No specific lyrics here, but the general vibe of the song. There is a sort of desperation that seems to permeate it, as though if the narrator isn’t someone to the person they are singing to, they will be nobody at all, and I think that is very much how all of the girls view their friendship, at least at first. 

Marcy gets the music box thing going because she doesn’t want to be alone; Sasha is desperate to have Anne, and she wants so much for both Anne and Marcy to look up to her as someone who is strong and present. I think for Anne, we kinda see this song in the speech she gives to Sprig in Best Fronds when she’s trying to get him to break the rules with her, but also in how she is open to reconciling with Sasha in The Dinner and giving her a second chance. Mainly, though, what I associate with Anne for this song are the scenes where she reunites with Marcy and Sasha for the first time. The spinning hug she gives Sasha, and how tightly she hugs Marcy with tears in her eyes- she really does love and care about these girls.

They all cling to this friendship so much, in different ways, both healthy and unhealthy, and I think this song really captures that.

~’Lost Girls’ (Lindsey Stirling)- This song is mostly instrumental, so again, no specific lyrics here, but there is a very deep, melancholic feel to this song. It gets kinda fast-paced at some points, and reminds me of the ending of True Colors, with Anne and Sasha and Marcy separated. There is so much space- literal and internal- between all of them now, and I think this song does a really great job of getting Those Feels across. They aren’t just lost to each other, they are also struggling with battles inside of themselves.

But the lyrics that are in this song, (lol I just said I wouldn’t mention them whoops) ‘Lost girls find a way’, are sung, the music played after them that plays remind me that, like Matt Braly said, sometimes things have to be broken to be fixed again. They can find a way. It’s not a happy song to be sure, but there’s a quiet strength and determination in it.

~’Long Live’ (Taylor Swift)- I could cite specific lyrics here, but this song has just always given me epilogue-end-of-the-battle scenes, where we get to see everyone exhausted, but happy and most importantly together. This song is what I’m hoping the future gets to be for Marcy, Anne, and Sasha; happy about their present together, being able to heal despite the past, and accepting that even if they aren’t together forever in the future, that doesn’t mean they weren’t important to one another.

~’Torches’ (Oh Hellos)- ‘Torches’, on the complete opposite hand to ‘Long Live’, kind of represents where the girls are right now with one another. 

Despite keeping that old wheel turning, despite laying that next spoke down (yes these are direct lyric references), they are also continuing to make mistakes with one another.

    I got a venom like a snake running out of my mouth

    (Running out of my mouth, running out of my mouth)

    It’s got you burning at the stake

    Innocent or not, you’re not a bet I care to take

 And, yet, somehow, they keep being led back to one another. They are more alike than they think, and even if they get back to Earth, they will still be bound by the mutual experiences they had on Amphibia, that no one else is likely to ever understand. The ways they misunderstand one another and don’t communicate cleave them apart, but also together, in a way. 

    And Father Ignorance will make brothers of us all

   (Brothers of us all, brothers of us all)

    As he sets our torch aflame

    Chasing down the flimsy specters that we pro-create

As well as 

    Mother Fortuna, O, she makes sisters of us all

    (Sisters of us all, sisters of us all)

   When the faces in her wake

    Look more like our own than the effigies that we immolate

~’Castle On The Hill’ (Ed Sheeran)- Purely just the vibes. Nothing super deep, just makes me think of how Anne, Sasha, and Marcy are going to look back on their friendships and their time together. 

~’Trouble’ (Valerie Broussard)- Though I will forever associate this song with Six of Crows thanks to a fabulous animatic, I will say that it also makes me think of the darker tone that Season 3 might take on, and how each girl is poised to take on a different problem. I see it as a very Sasha song (especially ‘I’m your Number Two man in a fight/We are revolutionaries tonight’), but all three of them tend to lead a trail of chaos in their wake. (Also the vibes here are impeccable)

~’Time Alive’ (K.C Katalbas)- (not on Spotify, definitely recommend checking it out) This song just has that perfectly nostalgic, yet aspirational feel to it. It is hopeful, yet it it has its own sort of weight. It pairs nicely with ‘Long Live’ and ‘Castle On The Hill’, in a way, I think. It makes me think of what the future could be for the girls, once again, and how even if something is bittersweet, you are still allowed to be hopeful. Mostly, it makes me think of each girl reflecting about one another, and the time they spent together. 

    And this is your life, every plan has a right to fall

    And this is your heart, through the dark it’s the loudest call

    And this is breathing

    And seeing her go

~’Try’ (The Lightning Thief)- True Color battle against Andrias vibes! And Season 3 vibes! A lot of these lyrics are kind of specific to Annabeth, Percy, and Grover’s characters, but I also think the general feel of this song is very applicable to Anne, Sasha, and Marcy. Particularly, I am reminded of how Sasha and Anne will be feeling about Marcy.

    I may fail you

   I may fail you

    I may fail you, but that doesn’t mean that I won’t try

And

    I’m not leaving your side til we find what matters

   I’m not leaving your side til we’re back home

   I’m not leaving your side til you’re remembered

   No matter how far we have to go

As well as probably the guilt that Marcy was feeling during True Colors:

   Two thousand four hundred forty eight reasons I have to come along

   Wash my hands of past mistakes

As well as

    The weight of the world’s on my shoulders

    Like Atlas, it’s crushing me down

    We’re not brave, we’re not strong, we’re not soldiers

And how could I forget?

    L.A doesn’t seem so far away…

~’Drive It Like You Stole It’ (Sing Street)- Again, like ‘Trouble’, but a little softer. If ‘Trouble’ has Sasha vibes, this one makes me think of Anne, but it also has a similar line to ‘Time Alive’- this is your life. For the most part of Amphibia, I think the girls focussed a lot on fitting in and adapting to their surroundings, but I think Season 3 is really going to see them owning who they are and taking it upon themselves to enact change. 

It also just makes me think of them messing around and being kids, trying to figure out who they are. It’s like, if they ever make it back to Earth in one piece and stay friends, but still manage to get into shenanigans.

~’What’s Up Danger’ (Blackway, Black Caviar)- local newt king gets mauled by three newly empowered thirteen-year olds

~’How Far We’ve Come’ (Matchbox Twenty)- This one is a classic. No playlist of mine is worth its salt if it doesn’t have this song here. It has the ~vibes~ of pre-last battle energy, and also I can definitely see Sasha and the Sharps playing it at some point. 

Alternately, this also makes me think of Anne, Sasha, and Marcy finally going home together or reuniting properly after the end of True Colors. Lots of angst either way.

~’We Are Young’ (fun.)- What I picture with this: Anne, Sasha, and Marcy are not entirely reconciled with one another yet, but it’s the night before the last battle or somethin’, and they still care about one another a lot. This has that energy. They’re just kids, but they’ll be damned if they don’t go out without a fight, and without standing by one another’s sides. 

(and marcy found someone(s) to carry her home nanananananana)

Slightly more uplifting(?) than ‘How Far We’ve Come’, but similar energy, I think.

~’Pump It’ (Black Eyed Peas)- three local teenagers get pumped to cause problems on purpose; montage time. I have no justification for this song, only that it has the vibes of Sasha and Anne’s relentless energy and the confidence of Marcy swinging down on a rope she doesn’t know will actually hold her weight. 

~’Disaster Hearts’ (I Fight Dragons)- I feel like this song is the definition of Matt’s tweet about how some things have to be broken to be fixed. It has vibes of the aftermath of a battle, and opening the door to reconciliation and forgiveness. Amphibia has tied these girls together, for better or worse, and I think there is room for them to become better friends and mend their relationships.

    Disaster has a way of remaking our hearts

    Long after all the thunder and scars

    Days pass and bit by bit we begin to restart

    Our disaster hearts

~’Thus Always To Tyrants’ (Oh Hellos)- It makes me think of where Anne and Sasha are left at the end of Reunion, but also in how Anne wants to find Marcy now that she know she’s definitely out there. The sound of the song gives me huge Marcy vibes, with how it does seem to be almost cheerful? The very last line makes me think a lot about Sasha (‘Learn to love without consuming’), but I think a lot of the song is applicable to all the girls in different situations. 

[ofstarsandvibranium]

Insert Spiderman Meme Here

Fandom: Marvel (Twitch Gamer AU)

Pairing: Chubby!Bucky Barnes x GN!Reader

Summary: You're livestreaming Among Us for Twitch and you come across another person who's doing the same thing and they also happen to be your favorite gamer??? Whaaaat?

A/N: Based off my post here.

“Hello everyone!” you greeted your viewers that were hopping onto your livestream. You used your split screen feature to show that you were hopping onto Among Us, but you were also to be seen as well. 

“So like I said on my instagram story, I will be playing Among Us. Soooo let’s see how this goes!” 

You typed in your twitch username as your name for your avatar. You then tapped onto a server with seven people. You were assigned the color cyan and you went to pick out your accessory, “What should I wear, peeps? Should I wear a plunger? Oh, how about the flower? Wait! The cowboy hat! Save a horse, ride a cowboy,” you snickered at your statement. 

“Okay. Let’s do this!” you watched as the countdown started and you were assigned to be a crewmate. 

You looked at your list of tasks and proceeded to head to the admin first to swipe your card. Several other people did the same and you caught sight of a username you know, “Hey! BorkyBarks! i wonder if that’s actually him. Anyway, I’m gonna keep going.” your little cyan character went towards electrical and you found lime green dead. You immediately report and you’re all brought to an emergency meeting. 

Many players immediately ask, “Where?”

And you reply, “In electrical. Went fix wires and found lime. Didn’t see anyone else.”

The yellow character, whose username was MacnCheese, asked, “Wait, are you actually Y/N the twitch streamer?”

You look into your camera and shrugged, “Should I tell them the truth?” you read the chat on the side and saw many people say yes, so you did, “Lol yeah. It’s me. I’m streaming right now. Say hi!”

The users say hi and the supposed BorkyBarks exclaimed, “WAIT. I’M STREAMING TOO!” 

And then you craned your neck, looking at the game chat, “WAIT, YOU’RE REALLY BORKYBARKS?!”

“Lol yeah!”

You quickly pull out your phone and tap onto the twitch app, typing in BorkyBarks and see he’s streaming too. 

You screamed, “OH MY GOD, YOU GUYS! IT’S REALLY BORKYBARKS AKA BUCKY BARNES! WE’RE IN THE SAME GAME! HAHAHAHAHA! WHAT EVEN?!”

You quickly type, “LOL THIS IS WILD!” and then tap on skip since everyone else was doing so. 

“Alright. I’m gonna finish these tasks.” you travelled to electrical to do your long task. You did the wiring there, then moved to admin, then while in the middle of fixing the cafeteria wiring, a meeting is called. 

Black, whose username was sndnoods, said, “I SAW ORANGE VENT!”

To which orange replied, “whaddahex i didnt vent!”

Black, “YES YOU DID! I SAW YOU!”

“Hmmmm...,” you pursed you lips and narrowed your eyes, “Should I vote for black or orange?”

You read the chat and got more replies on black than orange, so you voted for black. While waiting for everyone else, you asked, “Hey, Borky, you almost done with tasks?”

He replied, “Yeah. I got two more.”

Then you responded, “Wanna stick together when you’re done?”

“Sure!”

So, black got voted off and he wasn’t the imposter. So the game continued. You went to finish the wiring in the cafeteria, and then empty the garbage shoot in O2. Lastly, you had to go to weapons and shoot debris.

While you were in the middle of it, a death was reported. 

Orange was dead, so that meant they weren’t the imposter either. Some people left the game, so it was only five of you now. You and Bucky as Cyan and Blue, then brown, red, and green. 

Brown said that red was looking sus and green agreed. It seemed like there was a consensus so all of you voted for red, but red was taking a while to vote. So in the meantime, you chatted to Bucky.

“Can I just say that you’re one of my favorite twitch gamer?”

To which he replied, “No way! Same here!”

And then he added, “I meant, you’re my favorite twitch gamer too. lol.”

Then you said, “[insert spiderman meme here]”

Your phone started blowing up with notifications from twitter, so you quickly checked it out.

gamergirlxoxo: OMG. BUCKY AND Y/N ARE BOTH STREAMING ON TWITCH AND THEY ENDED UP IN THE SAME GAME AND THEY’RE EACH OTHER’S FAVE TWITCH GAMER. WE LOVE TO SEE IT.

meesaisamessa: wait, ngl, bucky and y/n would make a really cute gamer couple. i ship it.

Meanwhile on Bucky’s end....

“Oh my god, oh my god,” he cups his round, bearded cheeks and stares at his computer screen and then his camera, “I’m Y/N’s favorite gamer? What? How? I-” he pauses to chuckle in disbelief, “This is so crazy, guys. I’ve been following Y/N’s twitch career from the beginning. They’re an awesome player and so cool and I’M their favorite gamer?! So fucking unreal!”

The meeting ends and, obviously, red is voted off, but isn’t the imposter. 

Bucky’s finished with his tasks, so he goes to follow you to watch you finish your tasks. He wipes his hands on his tshirt that hugs his round belly, “I’m suddenly nervous and I don’t even know why. I’m not, like, actually meeting Y/N, so I don’t know why my hands are super sweaty now. Heh.”

You finish in weapons and he thinks that’s your last task since you start just roaming around. When you get to storage, the doors suddenly shut in front of Bucky and he’s freaking out, “Oh no! Y/N!” he starts running around in circles waiting for the doors to open and when they do, he rushes inside to find your dead body, “OH NO! Y/N!” he reports your body and then types, “I WILL AVENGE YOU Y/N!” and then added, “also they were found in storage. I was with them, but got locked out and when the doors opened, they were dead.”

“It’s gotta be brown.” Green said and Brown immediately defended themselves, “No! It’s Green! They’ve been faking tasks!”

Bucky groaned, “Shit, I don’t know who to choose. Guys, help.”

The chat started blowing up with different people saying Brown or Green, but a lot of people were saying green. 

“Alright, I’m trusting you guys!” he votes green and then the Victory screen appears. 

“Aaayyee! We did it!” when he’s back in the lobby, he immediately goes into the chat, “Y/N, I AVENGED YOU!”

You replied, “lmao! thank you! green was a punk for that!”

He smiled at the screen and then checked the chatbox:

ZoeSmoey: LOOK AT THOSE HEART EYES!

ZoeSmoey: BUCKY TOTALLY LIKES Y/N!

greenmeansgtfo: tell them you love them! lol!

thatspideyguy: Dude, go for it. Message them!

He snorts, “We don’t even know each other, guys! I don’t wanna be creepy and shit!”

He reads the incoming messages of encouragement and then throws his hands up in the air, “Fine!” he picks up his phone and pulls up his twitter. He knows you two are mutuals, so he goes into your DMs and types up, “Hi. I know we’ve been following each other for a while, but I figured I’d give a proper greeting, not on the livestream.” when he’s done typing, he looks at his camera, “There, I did it, guys. I don’t think they’ll-”

Ping!

He looks down at his phone to see that you replied and his eyes widened, “I stand corrected!”

The two of you proceed to make your own Among Us server. Bucky is the host and he sends you the code. As soon as you’re in, he opens it up to the public and people start pouring in. You two play for another hour before you have to go. 

You leave him a DM saying, “That was fun! We should play again sometime! Let me know! xxx-xxx-xxxx”

And it was the start of a beautiful friendship. 

[rpbetter]

Sorry if this isn't the place to ask but I'm in need of advice. I have a canon character I truly adore, but I haven't gotten muse or any opportunity to write them at all. My blog is collecting dust and the fandom is kinda dead at this point. Not to mention, it's hard to find compatible writing partners, especially with how picky I can be. I'm honestly considering deactivating the blog (for the nth time), but I don't want to lose the writing I have. I know I could archive, but I hate having blogs just sitting around.

In short, I really want to write the muse/keep the blog but I'm not getting any incentive to do that.

Hello, Anon, it’s totally the place to ask!

I will say, though, that since finding and keeping muse can be flavored rather personally, I can’t promise that what works for me is going to work for you. I’ll even confess that in over two decades, I’ve never personally lost muse. I don’t know if it is due to underlying, neurodiverse style, fixating, or if it is due to keeping myself continually invested in both my muse and writing regardless of what else is going on. (Probably a combination of both, though, and the things I do to keep myself highly in touch with my muse I’ll be recommending.) I’m definitely happy to try to help, however.

That really is a very frustrating spot to be in, wanting to write the muse and keep your blog active, but logging in every day to be reminded of what little reason you have to do so. Since we’re drawn to the characters we are for reasons of personal appeal and writing in itself is a pretty personal form of art, it can also feel depressing on top of the frustration.

However, that’s also the good news, in my opinion, because your incentive here is, or can be, yourself.

You were drawn to this character because you connected with them. They mean something to you, you can relate to them, maybe they have qualities (good or bad) that you wish you could experience. Whatever it is, there’s a reason why you had this draw. Writing is like that as well, there’s a reason why this is a hobby that drew you, that you get enjoyment out of. Again, though all art (it doesn’t matter if it is a hobby) has personal bits of the artist in it, writing is uniquely personal. When you write, you’re exploring thoughts and feelings, giving them life in a character that matters to you. I know, all of that sounds really convoluted and hokey, but it’s true.

And it’s good! That means you always have a reason to write and that you have the tools necessary to find and keep muse without any outside push necessary.

I’d say, firstly, work on getting muse back.

Get back in touch with your muse the next time you feel a particularly strong urge to write. Instead of spending time trying to find people in a silent fandom or forcing yourself to write something you don’t want to, just do some exercises that will help you get back into your muse.

I don’t know what media type your character comes from, but especially if it is something like movie or show that you can have on in the background of what you’re doing, do that. If it’s a comic or a book, think about your favorite scene and read it over first. If you’ve ever made some playlists for writing/your muse, you can always do that instead or as well. The point is to do something passively inspiring while you actively create. Now, that creating...

You want to do something that requires you to think about your muse so you can get in touch with them, not something that is going to make you feel overwhelmed and shut down. So, maybe don’t pick writing prompts for this - you can work up to that. Try out headcanon and character development memes and other question lists instead for right now. Things you can scroll down a list of, find questions that jump out as interesting (or even simply answerable to you at this point, you’re jump-starting a dead battery, it’s alright) and answer them. You can also do something as simple as write down what you like best about the character or their story, or put down the basics of filling in missing information that has always bugged you.

The beauty of this is that it is all on your own terms, your only objective here is to answer what you want, as much as you want. You can stop any time, but you can also answer a single question for three hours, making it eight pages long if the inspiration strikes you. It’s only about recharging your inspiration and establishing a connection with your character again. (This is also going to help you with getting back into writing, or approaching it for the first time, with a more internalized focus of interest.)

When you feel like you’ve done that, you can branch out on these exercises more. Answer the memes more in-depth, answer more of them/the ones you don’t have immediate answers for. You can also try writing out scenes from the character’s canon from their perspective, if it wasn’t already so, adding in their thoughts and feelings, or changing the scene in some ways that would be interesting to write out. This is the point where it’s a good idea to try a writing prompt or two, as well! Take the prompt as a sort of starter sentence from a mutual, you’ve got the situation, fill in with your muse.

Write when you feel like writing. The RPC is great at saying this when it comes to muns not wanting to write, but kind of ignores the other side of the equation. The side where you want to write, have the inspiration and muse to do so, but it might not be the best time. As in, you’re not home/wherever you usually write, with whatever device you tend to write on accessible. No, you’re not going to be able to get as much done, but you can write without the usual situation and device regardless. You can write a scene or ideas down using your phone or tablet, or go old school and use a notebook. If you’re at work and your job isn’t applicable to being able to get down a single sentence, that still doesn’t mean you have to wait 8+ hours to get home; while you’re taking your break, write a little bit. It is a break, and writing is your hobby, it isn’t work. It’s good to do things you enjoy on breaks, and far more fulfilling to have also accomplished something you happen to enjoy.

Not writing when you have the drive to do, putting it off and holding it in until “the perfect moment,” is a great way to lose your inspiration and never actually have that moment. If you feel like doing it, that means it is the perfect moment. Life is restricting, don’t impose even more restrictions on yourself by having to be at home, in a specific spot, with a specific device, at a specific time, on a specific day. Was that annoying repetition? You’re right, it was. And that’s how your creative mind processes all the crap piled onto it that doesn’t allow for creativity.

Now, the other problem, the fandom situation.

There isn’t anything you can do about that, to be absolutely honest. I’m not going to blow smoke and tell you to be positive, wait it out, maybe the fandom will spring to life again. You know, maybe it will...but you could be waiting literal decades for that to happen. Not cool. Please, take my word for that, it’s personal experience that it blows even more than you imagine it will.

What you can do is take the matter into your own hands in other ways; putting yourself out there with more availability in multiple ways.

Are you a single-fandom blog, or are you crossover friendly? If you’re not crossover friendly, try to think of a single, relatively popular fandom that you enjoy. Don’t look at it like a hassle, but rather, just another creative exercise. A serious pitfall of creating alternate universe versions of muses is to take the simplest route, merely picking something you want from that other universe and applying it to your muse with no relevant changes that would naturally occur from it. It isn’t just reductive as hell, it’s not remotely creative, it’s like sticking a sticker on your muse’s forehead and saying that’s a whole different muse. It’s neither attractive to potential partners nor going to sustain your own interest for long. You want this to be a passionate investment on your own end, for yourself.

What not to do:

Let’s say the fandom you picked to do crossovers with is based around magic, the main characters are witches, and they are divided into factions based on how their magical talents display and develop. Not only do you decide to make your muse a witch, you pick the most badass faction. It’s the one full of assassins and action and (metaphorically or literally) sex appeal. Well, that’s also going to be the most popular faction in the fandom. That means there will not only be plenty of big name canons there but also that there’s going to be a plethora of OCs designed just for this universe...and other crossovers from other currently active fandoms.

While that might sound like it’s great for maximizing interaction chances, it’s really not when you’re just starting somewhere new with a character from another fandom that might not be known or liked. It can also take a minute in another fandom’s RPC to identify where the good partners are. Every now and then, it is the most popular and over-populous era/faction/etc., but most of the time, it isn’t. People who write with considerable dedication and talent fairly rarely are in the popular kids club even in their fandom choices. By inserting yourself into that area, you might be bypassing (and being bypassed) by better partners on the assumption that their characters are simply going to bore you to death since they’re not within the scope of your focal point.

It’s not a situation of not being allowed to be picky, you not only have that right regardless of your situation, you also should be. This is not a “beggars can’t be choosers” situation, you’re not beholden to anyone on the basis of being new and bored. However, some of my best, and longest lasting, writing partners over all 23 years I’ve been RPing didn’t/don’t fit with all the exact surface details that automatically draw my interest. It is as true within my own fandom as it is in dealing with crossovers. Opposites (with enough similarities) really do attract and work out well together!

Don’t judge and write people off for anything that isn’t an issue of compatibility with your muse, your writing, or yourself. Decline someone because they do one line only and you are novella, they write topics that are upsetting to you, you can see no way your muse and theirs can interact without instant murder, or because you cannot stand writing with someone who is pulling 90% aesthetics and purple prose. Not because their muse is a witch who uses life-based magic, loves nature, is a healer, and into their health...while your muse in this AU is all about the death, only appreciates an urban environment and is grossed out by animals, kills as an occupation, lives on cheeseburgers and caffeine. You see what I’m saying? Don’t limit yourself unnecessarily!

What to do:

Did you consider if, in that hypothetical idea of a fandom, your muse based on their purely canon self would even fit into that faction? Or is it just something you wanted to see? If you didn’t consider this, or it was the latter, fix that. That’s bad.

If you’re not absolutely dead set on that and only that, think about what really does fit the muse better. Maybe, they would be better as a healer, someone who messes with the very fabric of reality, or someone who manipulates natural elements at will. Then again, they might not even be a witch. They could be more mundane in terms of power, but more accurate and interesting as a normal, human (or whatever). They could even be greatly opposed to the use of magic and witches. Use your muse’s original canon as a base to decide these things.

If you are absolutely dead set on it, though, you have a lot of work to do making the character into what amounts to a markedly different one while still retaining some recognizable aspects of themselves. Consider what events, in this new universe of fandom, might have happened to alter the character thus. Keep in mind that even small changes can have great consequences in a character’s development, and you might need to think about the myriad ways in which that can display, how it changes still more things for this character.

While that job becomes so much more intense when you haven’t planned out a path that matches your muse’s canon characterization at all, it is still an important part of constructing an AU, of any kind, in general. Ask yourself what experiences led to the character you know as you already know them (including your own headcanons, yes). Then, find similar possible experiences within your new fandom verse that can have the same effect. Again, though, it’s important to understand that you are never going to have an identical set of experiences, so you need to explore relevant changes still.

When you do this, you’re allowing your muse to more seamlessly fit into this other universe in a fleshed out, interesting way. Interesting both new partners and yourself.

Okay, next obnoxious question from me! Do you have multiple verses, or are you single-verse?

Whether you are already exploring new fandoms or not, by creating a variety of verses for others to interact with, you’re increasing your chances for interest and activity. When you have a verse from a different fandom you can then, additionally, advertise your presence in both that fandom’s tags when you do a promo or applicable open starter and on active RPer lists for that fandom.

Every popular fandom has such lists. You can get on them by messaging/sending an ask to the blog or by reblogging their post to be added, following the directions. I haven’t seen one yet that doesn’t allow for crossovers. You simply have to tag it as stated in the post, such as “your canon’s name here - original fandom name - crossover.” By tagging your open starter or promo as “-insert fandom here- rp” and “-fandom here- open starter” you allow people in that fandom to find you to interact. Either way is excellent for getting started in totally new places with a character others might be unfamiliar with.

Please remember that if you tag a promo as “promo,” it’ll not show up in searches off of your blog. You know, where it actually needs to be searched. Thanks, tumblr, for being janky! Being more specific as to the fandom and character will help others actually find you. Don’t shoot yourself in the foot by tagging it as “promo.”

Make your verses accessible on your blog itself, in the nature of those verses, and how you set up your page or post that lists them.

Don’t put any page behind an impossible or complicated aesthetic. You really shouldn’t anyway, but when you’re needing interactions, it’s actively hurting your chances. Many people don’t want to have to play a game with your theme, it’s a turn off. Try a pinned post that lists all of your links to important pages like rules, verses, and bio instead. It means that, even from the dash, that information can quickly be found while other muns are first interested, and also that anyone who might be using the app can access it more expediently. (I’m genuinely not a fan or big supporter of doing google docs for rules, verses, bios, etc., as it forces people off site, so I can’t personally say, in good conscious and honesty, that I’d recommend it, but you do you!) You want to keep things quickly accessible is the idea here; when people are interested, you want to catch them right then and there before they have a chance to forget and lose your blog.

As to the nature of the verses themselves, give people real options. Don’t have 20 verses that all read same way. Same themes, plot possibilities, and backstories, or incredibly similar names. Have a diverse list of verses that can act as foundations for a variety of different muns. As many fandoms as you can reasonably have a good portrayal of, and different types of fandoms; not all the same genre (all fantasy, all horror, all scifi). Verses where your muse has substantially different goals, occupations, and other life situations that will involve another muse; don’t make your muse A Warrior™ in every verse, you can keep plenty of those aspects without being that literal. People love “modern” verses set in our own universe and, usually, in our own era. That doesn’t mean you have to go stereotypical or otherwise bore yourself by doing the standard “high school/college verse,” for instance. You don’t even have to designate that sort of thing, let alone make it the focus; simply create the verse by considering what your character really would be like if they existed within your reality.

As a final note on verses as pertains to this point, when you’re doing crossover verses, it’s alright to do some verses where your muse from their own canon existence somehow ends up teleported or whatever to another fandom’s reality, or even our own. Just don’t make every verse like this, it puts the onus of a great deal of creativity and effort onto the other mun by default; your muse has cluelessly dropped into the universe, and while it is high drama time for you, the other mun has to babysit, educate, deal with fallout, etc.

On making the list of your verses accessible, you want to focus on ease of browsing and not being overwhelming. People tend to look through a verse page and not read every verse listed, rather, they look at the titles and breakdowns to see if it is of interest, then read it. Don’t try to make everyone read them all, it isn’t going to happen, and shouldn’t change your effort any as the right people are going to find the verses that interest them...if you make it clear and easy enough.

Have a basic format you stick to, firstly. I do it this way: small verse banner, title of verse (linked to its overall tag so that muns can look through the tag at headcanons, aesthetics, pictures of the FC, and threads), muse age/age range, small blurb, possible triggers found uniquely or just heavily within this verse. In that order, one following the other in a simple, but pleasing way. Below that, is a more in depth breakdown of the “verse canon.” Sometimes, that is giving a brief rehashing of canon itself and anywhere my muse differs, be it in this verse only or overall, ending with where my muse is in this verse. Not literally where. I mean their present occupation, emotional and general state in life. At the very end, I provide any other relevant links and/or an expansion on the triggers mentioned at the top of the verse description if they’re that serious/recurrent so that muns can decide this isn’t the verse for them. I happen to have a potentially triggering muse, triggering verses, and writing triggering topics, though. That’s not something everyone needs to do.

Secondly, group your verses in a sensible way. I do my short list of default verses first. (And, I do mean short, you don’t want this be any more than four or five, it is overwhelming right out of the gate.) For me, that is two default verses of canon at different points on the timeline, one default AU that is a bit of a reversal of canon, and one default “modern” verse. Then, I list the verses that are in line with the altered canon one, just different possibilities, changes, points in history. After that, the different “modern” verse options. Then, verses for other fandoms, the crossover verses. And so on. This way, a potential partner can find the type of verse that might appeal to them and have an easier time picking from those possibilities and getting ideas.

Lastly, don’t be so succinct that you give too little information and underwhelm, but also don’t be so excessive that it takes all of the mystery of interaction away and overwhelms someone. It can be a difficult balance to strike, and some verses require more information than others, just experiment a bit. Additionally, it’s fine to link to pertinent information for the other mun to view aside from this, but don’t just link people to a fandom wiki as your “description/bio.” That isn’t giving information on how you write this muse, approach this fandom, or what another mun can otherwise expect. Keeping your descriptions interesting is important, you’re not giving a boring lecture, you’re trying to inform someone while making them hyped for their choices. It’s more interesting, and informative, to read if you do them with an ear to the “tone” of your muse in that verse. Is it a sad one? Sound that way. These can, indeed, function as snippets of your writing, so be sure you are writing them with the same care you should be giving your replies; spellcheck, good word flow and use, mind the grammar, and read over what you’ve written for common, easy mistakes.

Again, by giving a genuine variety of verses to choose from, you’re allowing for a greater reach in potential partners. Everyone from those still in your original fandom to those in new ones, all the way to fandomless muses will be able to interact with you this way.

Finally, in regards to what you can change or do when you’re in a dead fandom and seeking interactions; make sure you are increasing your reach by using proper tags, being honest about what and how you write, and don’t wait for others to stumble across you.

When you use tags properly, you’re increasing your chances of being seen at all. Every time you post something at all applicable on your blog, tag it with relevant things. Tag as described above with whatever fandom it is and “RP,” your character’s name, “open RP,” character name and RP, indie RP, open starter, and so on. Be sure you are optimizing your tags by placing the most relevant to finding you in the first four, those are what show up in site-wide searches only. Anything after that isn’t going to appear in a search across all tumblr.

By tagging your character’s name, as a canon, you should know that you are likely to get personal blog interaction. I’m pretty against being nasty to personal blogs for no reason, as I don’t appreciate personal and fandom blogs being shitty to me for the sole reason that I am an RPer. Please, use clear, short, attention getting directions for them. If you want no interactions with them, put right in the description of your blog “RP blog, does not interact with personal blogs.” When you say things like, “personals dni,” or “personals blocked,” you’re not doing anyone any favors. Personal blogs often don’t even know what the hell a personal blog even is! They do not denote themselves this way, to a personal blog, they’re just a blog. By designating first that you are an RP blog, you’re making it clearer that they’re the personal; they’re obviously not an RP blog, so that must make them a personal. Follow this up in a pinned post, right on top. Give a note to personal blogs that describes them as “any blog that isn’t an RP blog” first, then either tell them in brief what they can and can’t do or that you don’t interact and will block.

I don’t recommend taking your blog off of being findable, however. That’s alright once you have the RP activity you are looking for, but until then, it’s working against you. Other RP blogs cannot easily find you either, they will only find you if you’re on a list or appear in their recommended blogs, if you interact with a mutual, or are recommended by a mutual. You’re not just lessening your chances of personal blogs finding you, so if you have that turned off, turn it back on.

Don’t entirely rely on others finding you regardless, though. You can’t be 100% passive when you have no interactions, and by relying solely on serendipity you’re far less likely to get them. I know that everyone here is terminally shy, but seriously, you have to do more than put your silent will into the universe that someone perfect find you. You have to make this happen. Once you get a few people, you can afford to be more passive. Not only do you have some people to write with, you will be more visible to their mutuals, and more established as a presence. I’m not saying this is easy, or that it will become easy, not awkward or stressful, if you have a legitimate issue behind the shyness. Just that it is the only way to really proceed, and I believe you can do it!

So, go looking for interesting blogs. Be crossover and OC friendly (again, this doesn’t mean “accept everyone,” there are valid reasons for not accepting people you won’t work out with that have nothing to do with their fandom or being an OC), and search those fandom’s RPCs, following any blogs you think you might work out with upon reading their rules and other pages. Search for fandomless OCs and do the same thing. Fandomless OCs aren’t just floating around in the ether, they just weren’t created expressly for a particular fandom and within its confines. What is excellent about that is their ability to have a wide variety of verses and many possibilities to fit into any fandom or verse. So, don’t count them out solely on the basis of being an OC and fandomless. It doesn’t mean what people seem to think it does!

Do not stop at having followed 50 blogs. I mean, other than that you probably should stop following people for a bit. That you should do, as you need to be building writing relationships here, not following so many people that you cannot get to them. Don’t just stop at the follow, though. Since you’ve read their rules and information like a good RP partner, you should have some idea of what their interests are and where they align with yours, as well as how they prefer to be approached, if they accept memes right away to start, need plotting, have a rules password. When they’ve followed you back, proceed with interaction!

Ask if they’d like to plot when they have time, you’re really looking forward to writing with them. But...have some idea of a plot, please. It is a serious turn off to have someone message you wanting to plot, only to reply and get “lol I don’t have any ideas, anything works for me/whatever you want to do.” That isn’t plotting, it’s one party coming up with ideas and constructing a plot while they’re being told “I’m fine with anything.” That may be true, but it’s disheartening and a red flag for many people. If you genuinely can’t come up with anything, pick verses that match up well and suggest doing something within them.

“When you have the time, would you be interested in discussing writing? I was looking at your verses, and I think your verse -name- and mine, -verse name-, would mesh well.” Is a good way to start. Once you have a discussion flowing about the verses meshing and the muses, it’s typically easy to organically develop some plot ideas to go off of.

If both you and the other mun are alright with plot-free interaction and memes, you can send a meme any time. If you can’t find any memes on their blog, look for a wishlist or navigation page that shows you the tags for memes/wishlist. Still can’t find it? Ask them if they’ve got a wishlist or meme tag you can look through.

Additionally, if open starters are a thing you both do and are alright with, find some of theirs and respond. Post your own, tag it appropriately to be found in general and on your blog, and reblog it once or twice. Don’t excessively reblog it, and don’t get upset on the dash if no one interacts with it or any memes you reblog. Both are demanding to outright guilting, and not a good way to get partners. Just provide them with the ability to easily interact by making the posts available in the first place and by making them findable on your blog search and navigation.

Provide something for potential partners to see. Since you said you already do have writing, that’s great! That’s content on your blog that your partners can view. However, since you’re also having the issues you’ve stated, it’s likely that you haven’t many new posts. Show that you are active, interested in being here, and how you write your muse (and in general) by posting some newer content. For original content, do a headcanon or some meta, or post about new verses you are adding, the changes on your blog, a promo. For reblogs, things pertaining to your muse like canon imagery, fanart, quotes from canon or that generally express your muse, and aesthetics relevant to your muse are all excellent things to queue.

Use that queue. Not only do very few people appreciate having dash spam of similar content for the comparatively short time you might be around, but also, running these things on a queue means you spread that out for maximum view. While there are hours of heavier activity, you’ll have mutuals who are on at unusual hours due to their life and preferences or their timezone. This way, you’re not appearing inactive, if not outright invisible, to those mutuals. It’s not a bad idea to use a queue tag so that people know if they interact with a post that’s been queued, you might be here to quickly respond.

Ultimately, to fix your fandom and lacking partners problem, you just need to up your availability and reach beyond that fandom alone. Be proactive in following and approaching, decline blogs based on not working out only, utilize tags and fandom RPer lists, have everything on your blog easy to follow and not overwhelming, and have your verses meet as wide of a range of people as possible while also not being overwhelming.

Try updating your promo, as well, by the way. They’re not dead, they just really tanked when people kept making them based solely on aesthetic principle instead of being at all informative about the muse. They do seem to be coming back, so it’s a thing to consider.

Yes, make it visually appealing, it will draw people to reading it. No, do not just use a song lyric or quote with words highlighted linking your rules, verses, bio. Tell people basic info like the age of your muse and yourself, if you are multiverse and multiship, your muse’s canon verse and a couple of big interest verses of other major fandoms or themes that tend to be of interest to people, and what kind of RP you write - one line/para/multipara/novella. Absolutely give links to rules, verses, bio, and either memes, wishlist, or open starters, but give them just like that; make it very clear what this link is to. Put a very short statement of interest on there denoting that you’re expanding to new fandoms and looking for writing partners.

Do not sound desperate, demanding, or devaluing of yourself. Don’t say shit like “because my fandom is dead,” “trying this before I give up and delete my blog,” or “I suck at interaction/writing/ooc interaction/being a person but welp giving it a try, so follow and hit that heart.” (Conversely, calling yourself derogatory things and implying that your partners are too, such as the “we’re all just losers here” shit.) All of the above are not attractive, and they’re not even surprising enough to stand out anymore. It’s another reason to scroll right by that promo because nothing at all was different or of interest.

And as a wrap-up/rehash of the first topic, getting muse back: try starting over at the beginning by approaching the media involving your muse that has really stuck with you emotionally over the years, and exploring and developing your muse again.

Don’t tell yourself you can only write, for example, at home, on the laptop, after 7pm, and with a pop toy staring at you. The best thing about writing, as opposed to so many other hobbies, is that you can do it anywhere! So, do that. Do it any time you both feel the inspiration to do so and aren’t going to get fired or expelled for it. This isn’t work, it’s something enjoyable that does take effort (like literally all creative activities and skills do), but approaching it as though you need to follow novel writing advice from someone who has never published anything of note and isn’t you on the internet, with strict rules for success makes it feel that way. So does being frustrated with a dead fandom, no interaction. It’s disheartening, feels as annoying and fruitless as work often does. You probably need to break out of that mindset, and you can only do it by beginning to allow yourself to be creative on your own terms, entirely for yourself.

Do write simple things at first that you are inspired to do (you can’t get a scene out of your head, or a bit of dialogue), and/or headcanon/character development memes and question lists. Build from there as you get back in touch with your muse, writing things primarily or entirely for yourself still. Expanding on headcanons, doing some meta, or maybe writing out a missing piece of canon or what you’d be interested in seeing happen in canon if some event was altered.

Doing this sort of thing, you are getting in touch with your muse again and back into the real spirit of writing creatively, simultaneously.

Whatever you find most inspiring, do it. If it’s watching the movie or show again, do that, have it on while you write or simply think on the character’s actions, thoughts, and emotions during those scenes. If it’s reading the material again, do that, and read snippets of personal importance before you write. Maybe it’s some past playlists you can have on while writing, or even while you’re cleaning, walking the dog, driving or riding somewhere. It could even be your own previous writing! Go ahead and re-read that, it sounds like you still appreciate it, and that’s truly promising. If you find that you’re horrified by some of the things you’ve written in the more distant past, hey...that’s not just valid as hell, it’s natural. You know what else it is? An inspiration. You can clearly see that you could do better, that means you now know how to do better and are ready to do so. Validate yourself, prove it to yourself by rewriting or fixing something.

Don’t delete the blog or archive it. It is unpleasant to have a dead blog around, but don’t keep it dead. Use the same blog and simply transition it into wider things that will net you more partners and the interactions you deserve.

Look, even if you weren’t the most popular blog in your fandom before it went quiet, you really appreciated the blog, muse, and writing you were doing. You’ve defined that it wasn’t something you did to cause this situation, you just had the shit luck we all run into eventually of being in a fandom that ran out of material or interest. People are really fickle, so by taking a wider approach and fixing on the writing and muse instead of fandom now, you’re stopping this from repeating. Seriously, on a long enough timeline, every fandom dies or goes into hibernation. If you make a whole new blog with a different muse, it is going to happen again eventually.

So, don’t feel like you’re ridiculously clinging to the past and need to move on, you’re just sticking to something and can continue to stick to it through the next five fandom deaths. Just because it is the most popular thing to do to drop muses, constantly add new ones, and have this attitude that you can “blog refresh” your way out of recurrent, and inherent, problem doesn’t mean it is actually the right thing to do. It’s not even the most sensible, and certainly not the best thing to do with anything you’ve spent time and effort on.

That’s your incentive; yourself, the time and care you’ve put in, and your continued interest in writing and the muse. You’ll find good people, and bluntly, everyone else can fuck right off when you’re incentivized by yourself. It becomes a self-fulfilling activity at that point, I swear, and it feels really nice.

Just get back in touch with your muse and writing itself so that you can begin to expand and start interacting again!

[terresdebrumestories]

Available for consultation

FANDOM: The Old Guard (2020) SERIES: - RATING: General audiences WORDCOUNT: 4 776 words PAIRING(S): None CHARACTER(S): Nile Freeman (POV), Yusuf Al Kaysani, Andromache the Scythian, Niccolo di Genova (mentioned), Sébastien Le Livre (mentioned). GENRE: Mutual care, Nile Freeman character introspection. TRIGGER WARNING(S): None that I can think of :) SUMMARY: Nile misses her mother but doesn't know how to talk about it or with who. fortunately, Bâtard the emotional support tortoise is here to help. NOTE(S): This was originally written for Nile Week 2020 but never put online because of reasons, so now here it is, longer and better written than it was :D Hugest thanks to @avaniesque for the most excellent beta work :D [ALSO AVAILABLE ON AO3.]

Nile gasps when something soft bumps against her foot, hurriedly wiping at her cheeks as she turns towards the door. It looks empty at first, the cobwebs they didn’t bother dealing with earlier in the day gently swaying in the air. There’s some shuffling along the dusty floor, a light click of nails on stone, and then a small oblong head appears near the bottom. This is swiftly followed by short scaly legs and a black and brown shell wrapped in a crocheted lab coat. Nile tenses, unprepared for any sort of human company at the moment, but relaxes when it becomes apparent Booker has not elected to follow his pet around.

Said pet has now fully entered the living-room and is beelining for a strawberry resting against her right pinky toe. It looks good enough to eat, as does the rest of what Booker feeds it, which Nile still doesn’t really understand but who is she to tell Booker how to care for his pet? Bâtard, of course, is unconcerned by her surprise and eventually gets to chomping on the strawberry.

Nile’s eyes are dry by now, the tight press of sadness around her heart still present but past its peak, at least for now. It still takes her a couple of seconds to realize the small square of bright white on the side of Bâtard’s outfit is a piece of paper. She picks it up to find a few words from a hand that hasn’t yet lost the impeccable penmanship of its first life. Apparently it’s hard to let go of habits people beat into you with a stick. The note reads : “He’ll keep your secret as long as you keep paying. First one on me.” It makes Nile smile.

(Andy, Nicky and Joe are all just as capable of impeccable calligraphy, but when free not to pay attention to it they tend to revert to script letters. Booker is the only one who insists on torturing them all with permanent cursive written with fountain pens on special paper.)

She doesn’t know Booker all that well, yet. Seven years ago, he was the quiet grumpy member of the group who didn’t seem to care much whether Nile stayed or left. Then he was the one who made a pretty compelling case against Nile seeing her family again—revealing himself to have some unresolved issues in the process—and then he was the one whose issues exploded all over the rest of the group. Now he’s mostly the one who was brought back way too soon, who knows it, and tries to make himself as scarce as possible because of it.

Mostly, it means that while Nile is the one who’s exchanged the most words with him so far, it’s also pretty much been limited to the topic of...well. His tortoise. All in all, much less informative about the man compared to just watching him settle said tortoise up in every safehouse they use, no matter how temporary. (Nile would help, but she’s not entirely sure how the others would take it. It seems prudent not to.) Or looking at the cozies the tortoise parades around on a regular basis...or, as the case may be, discovering he’s taken the time to bedeck his precious reptile in a new outfit for the sole purpose of leaving it (uncharacteristically) unsupervised in Nile’s company just so she has someone to talk to.

“You’re not who I want to talk to either,” she says, because she’s under no illusion that her solitude today has been accidental. “I mean, I know they’re trying I just—”

Nile sighs, wiping at her face in a vain attempt to clear her head, but the gesture only brings fresh moisture to her eyes as she tries to swallow down her frustration. It feels almost silly, in the grand scheme of things, to be this upset over this, but, well... Hearts do what they want, and there’s nothing Nile can do about that, so eventually she looks down at Bâtard’s scaly little head and tells the tortoise:

“It’s my mom’s birthday tomorrow. She’s turning sixty-five and I—”

Nile claps a hand on her mouth to stifle the sob wrenching itself out of her, but it feels piercing and loud in the quiet evening air nonetheless. She breathes around it for a bit, unwilling to attract company just yet, and reaches down to rub Bâtard’s head with her forefinger.

“I want to be with her,” she eventually confesses to the tortoise. “I want to be there and hug her, I—I miss my mom.”

Nile knows she can call. They’ve got burner phones, Copley’s skills to keep them hidden, and an uneasy truce with Quynh ensuring the biggest threat they’ve faced so far isn’t much of one for now. Three years ago she wouldn’t even have had that: her mother and brother both convinced she was dead and buried somewhere in the mountains of Afghanistan. She believes with all of her heart that her mother and brother would never blame her for living when they can’t.

Her mother is starting the second half of her sixties, and she’s not there to see it. Her mother, who’s growing older and greying a little at the temples. Her mother, who deserves better than never knowing when they’ll see each other again, with little-to-no news in between visits. Her mother, who was there for her in every way she could and every way that counted, and for whom Nile wants to be there but can’t. Her mother, who will not be there forever.

(Sometimes, the thought hits Nile out of nowhere, and it takes an impossible effort not to drop everything right then and there to jump in the first flight to Chicago.)

“It’s just—” Nile pauses, trying to pick her words so she can really make Bâtard understand, as impossible as that is, and continues : “They’re great. All of them. They’re—even Booker’s not so bad. I mean, I’m kind of stuck in the middle of the family feud so that’s not the best feeling, but... They’ve gone above and beyond to help me feel welcome, they’ve taught me so many amazing things…. They’re just...not my mom.”

Bâtard, done with his strawberry, lifts his head to look at her, and Nile swears he even leans into her scratching, just a little. It’s a pleasant surprise and she finds herself smiling, not very bright but present nonetheless. It soothes something in her, too, not to be alone right now even though she’s not ready for human company. Both her mother and Jordan have allergies so they’ve never had pets before, and Nile never really longed for one either. Right now, though, she thinks she understands a little better what endears them to people.

“I’m...scared,” she admits, keeping her voice quiet like it’s going to make a difference. “I know I’m going to lose her one day, that’s inevitable, but I don’t want to find out about it months later because my brother couldn’t reach me...I don’t want to find out about his death from nephews and nieces who’ll barely know who I am, if they know I exist at all.” Nile sighs again, sobs crowding in her throat and tightening her voice as she admits: “I wish I hadn’t listened to Booker.”

That last admission is what breaks the dam, and all of a sudden Nile is sobbing again, and she couldn’t stop if she wanted to. There’s misery here, and anger too, maybe even more than there was at the beginning. It was...easier, in a way, to pretend to be dead. She had to mourn, of course, and that tore at her and still does sometimes, but it was a clean cut. It was simple.

Now her mother knows she’s alive and her brother knows and it’s a relief for all of them, but it also means Nile has to be the one consciously deciding not to call home until she’s in a safe enough place to do so, not to text until she can do it from a sufficiently untraceable phone. The temptation there is a hundred times harder to resist because it would be so easy not to.

“If it makes you feel better,” Joe’s voice says from the threshold, “I think we can all sympathize with that sentiment.”

He’s being quiet and careful—it’s the middle of the night after all—but Nile is still startled, and she pretends to glare at him until he tilts his head in quiet enquiry. In response she sighs, wipes at her wet cheeks again, and waves him over. He smiles, something almost like relief in it, and steps lightly into the living room.

“Mind the doctor,” Nile tells him, gesturing at the remains of the strawberry, as he lowers himself on the ground next to her.

“The doct—you mean Bâtard?”

“Yeah he’s—”

In that instant, Nile realizes she has no idea where Bâtard went. He was chilling by her feet, seemingly content to go to sleep soon, and now he’s nowhere to be seen. The realization is enough to send Nile’s heart racing, horrified at the thought of being the one under whose watch Bâtard meets an unfortunate end.

Sure, it isn’t her pet and she and Booker aren’t really close—not like she’s becoming with the others, at any rate—but 1) Bâtard doesn’t deserve to die and 2) it doesn’t take a genius to realize his demise would be absolutely disastrous for Booker’s mental health, and no one wants to see the consequences that could have on the rest of them. Joe must have gone through a similar realization, because as soon as Nile falls quiet he tenses and gets back up into a crouch.

“Please tell me we didn’t lose the tortoise,” he whispers, like he thinks Booker might be listening in on them.

“We didn’t lose the tortoise,” Nile replies because it’s barely been five minutes and Bâtard cannot possibly have gone far in that time frame.

“Good,” Joe says while Nile rummages through her pocket for her phone and turns the flashlight on, “because I don’t think any of us are prepared to deal with the fallout of—”

“We did not lose the tortoise,” Nile interrupts, her tone firm enough to pretend she’s not actually nervous about this. “Can you turn the light on? I’m getting nowhere with this.”

Joe does, and Nile spots Bâtard almost instantly, ambling in his unhurried stroll towards the fridge like he knows where the treats come from...maybe he does, Nile really doesn’t know enough about tortoises to tell. Either way, it’s a relief seeing him there, and she turns to let Joe know she’s found their target.

“Oh thank God,” Joe sighs, sagging with it. “I really don’t want to find out what Booker would be like if we lose him.”

“You know,” Nile remarks as she follows Bâtard’s mosey to the fridge, “I’ve been thinking maybe it’s time the lot of you had a talk about this.”

Joe winces, and Nile can sympathize with that if she’s really honest. She doesn’t feel the same about what happened, but then she doesn’t have a shared history with Booker the way the others do; it’s easier for her to let go faster. Still, Booker’s been back for nearly three months now, and Nile is getting tired of feeling like she needs to be walking on eggshells between the two parts of the group. Joe sighs.

“Which ‘this,’ do you think?”

“All of them,” Nile retorts, careful to keep her voice gentle. She’s not trying to force anyone into anything, after all. “Just...it’s been months, and you’re still avoiding each other. You all need to talk.”

Joe sighs again, running a hand over the nape of his neck. He looks like he might be ready to talk with someone, but the very thought of it makes Nile want to recoil. Another day, maybe. When she’s got more energy, and more space in her head for other people’s problems.

Not right now.

“Remember you’re on my strawberry,” Nile says, smiling to turn it half into a joke, “if you need a consultation you pay your own fee.”

“Alright,” Joe chuckles, good natured even in the middle of the night. “That’s fair.”

He sobers up soon after, growing quiet and serious to ask: “Is it working for you? Or would you like to tell me what’s going on? I’ll even listen for free, if you’re short on strawberries.”

Nile snorts. The truth is, she does feel better for having told him what was going on, even if her ‘consultation’ was accidentally cut short. She’s not sure how much of this she wants to share with the team just yet. There’s never an easy way to tell people who want to help you that they can’t because they’re simply...not who you want at that moment.

“Actually, I’m good right now,” she tells Joe. “Take you up on it another time?”

Joe visibly hesitates, something a little worried in his frown, so Nile gives a fond smile and leans up to squish him in a hug as much as she can manage.

“Thank you,” she tells him, relaxing when he returns the embrace just as tight and actually lifts her up against him. “I’m good, I promise. It’s not─you can probably guess most of it, honestly. I just...I feel kind of awkward about it, I guess.”

“Because we’re too close?” Joe guesses, and Nile nods.

“Sometimes it’s just easier to talk to someone uninvolved.”

“Well,” Joe says, something too wet in his throat to be only about Nile, “I’m glad you have that then. Just...just know I mean it.”

“I know,” Nile promises, chest warming from the care and the obvious concern. “Now go to sleep, old man.”

“Yes ma’am.”

Nile gives Joe a playful shove, snorting when he pretends to stumble, and watches him go with the stretch of a smile sinking into her cheeks. Slowly, the air around her grows still again, the vague sounds of a forest at night and a door creaking barely even noticeable.

How much sleeping is actually taking place on the other side of the safehouse, Nile doesn’t know. She learned very quickly that no one on this team is capable of normal sleep patterns. It’s quiet all the same, and after a few seconds of standing in place, she goes to the fridge, retrieves a peach quarter from Bâtard’s snack box and she plops the offering in front of him, turns the light off, and sits back down next to the tortoise.

“Alright,” she tells him, “maybe I wasn’t completely fair with your dad. I mean...he was wrong, but it’s not like he was trying to be cruel. And he did have a bit of a point.”

She still can’t quite stand the thought of losing her family. It’s unavoidable, she knows. One day, maybe, she’ll make her peace with it, but for now...no. She doesn’t want to think about that any more than she already has tonight.

“I know there’s a purpose,” Nile tells Bâtard. “I’ve seen it. I’ve witnessed it. And we’re getting better at it! I know I’m doing more good here than I used to as a soldier...but sometimes I wish there wasn't a purpose and I could just go home.”

Bâtard, either oblivious to or unconcerned by Nile’s predicament, keeps munching on his piece of peach, and Nile can’t help but smile down at him, reaching to rub at his head once more.

“You really are a good listener,” she tells him. “You’re still not my mom though. She’s the one I want to talk to.”

Bâtard looks up then, and straight at Nile with something that could almost pass for a purposefully flat expression...and, really, he’s not wrong. It’s nearing three am here which makes for...maybe ten or eleven in the evening in Chicago? And sure, Mom’s not so young anymore and could probably use the sleep...but today is her birthday, and Nile’s always tried to phone her on the day before, and she has a burner phone with her so, really, what’s stopping her?

Maybe the possibility of displeasing Andy, a bit. But, Nile thinks as she dials, they’re leaving tomorrow aren’t they? If she’s going to do it, at least she’s picking the least inconvenient time for it.

“N─yes?” Mom’s sleepy voice mumbles into the phone, better at the incognito game than she was when it all started two years ago. “Who is it?”

“It’s me,” Nile says, and smiles at her mother’s joyful, wordless exclamation. “Am I waking you up?”

“Nevermind that,” mom chides, “nevermind that! How are you? Where─well no, you can’t tell me where you are, but how are you?”

“Better now,” Nile says in a sigh, warmth and bittersweetness spreading in her chest as she leans back against the wall, finger still tracing circles on Bâtard’s head. “I mean. I miss you, but at least I get to hear you now.”

“Oh, I miss you too baby,” Mom says, tears audible in her voice, “but I’m so glad you called! Don’t tell your brother, but it’s definitely my favorite present this year!”

Nile smiles again, a little wobblier than she’d like, maybe, but not forced. This isn’t ideal and she wants more, but it’s better than not calling the way she’d planned to do. At her feet, in the dim silvery light of the moon, Bâtard looks just a little smug.

“Not a word,” Nile promises, knowing her mother is going to share the news herself anyway. “How was your day?”

“Oh it was nice! You know how I told Marjory down the street I felt ready to celebrate a little more this year now I got used to you being dead and all, so she treated me to lunch at that new Italian on the corner─you tell your Nuncio he was right, by the way, osso bucco is delicious. And then we went for a stroll in the park, and I was a little worried, because I’m still supposed to be grieving, but you’re alive and I wasn’t sure I’d look suitably emotional when we passed your favorite spots, but I do miss you so it really wasn’t that hard and all in all it was nice and Marjory’s none the wiser so I’m calling it a success.”

“I’m sorry,” Nile says, unsurprised when Mom tuts at her in response. “I know, I know. I still wish you didn’t have to lie to her.”

“Nile, baby, if Marjory knew, she’d understand. Now you stop worrying about her and tell me what your day was like.”

“It was alright,” Nile says, rolling her neck as the tension slowly seeps out of it, the breaths coming slower and easier now that she’s actually doing what she’s wanted to do all day. “I missed you. Jaamal taught me how to draw a dog, though, and then Antaram kicked my butt in training again.”

“Just you wait a few years,” Mom says with a chuckle, “then you can take advantage of her age.”

Nile snorts, even though she seriously doubts Andy will let an aging body get in the way of remaining the best fighter of the group. She might look past forty─although she doesn’t remember how long she’d lived before she died the first time─but she’s also been fighting since before horses were domesticated (or near enough), and all that expertise doesn’t just go away.

It’s still an amusing thought, though, so Nile chuckles along with her mother for a bit before continuing.

“It’s not that bad. I’m learning a lot.”

“Of course, of course! I’m just saying.”

“Of course,” Nile repeats, still smiling. “Anyway, that’s about it. Nuncio made us tagine, Jaamal made fun of him because apparently he cooks like a christian─I’m pretty sure that’s an inside joke. And then I was feeling a little down so Blàsi lent me Bâtard, and now I’m here.”

“Is Bâtard Franklin’s name?” Mom suggests when she hears Nile hiss at her slip up.

“Yes, but I don’t think he deserves it,” Nile says, grateful for her mother’s help. “I think we’re bonding. Either that or he just wants me for my fruit.” Mom chuckles. “He’s wearing a doctor’s outfit right now, by the way. I think it’s one of the homemade ones.”

It looks lumpier than the ones Bâtard wore at the beginning, at any rate, but in a way that makes it even cuter. Not that she needs the cozies to find Bâtard cute anymore. It’s entirely possible the tortoise doesn’t care one whit about her─she really doesn’t know a lot about them─but it’s clear that this little late night conversation was enough for Nile to bond with him.

“Oh, well, send me a picture if you can,” Mom says with the tone of a connoisseur readying to look at a newbie’s attempt, “see if I can give Blàsi some pointers.”

“I’ll try my best, but you know I can’t make promises,” Nile says, sadness creeping up again. “Places to see, things to do...you know how it is.”

“Speaking of,” Mom asks, “what time is it where you are? I mean─you can telle me that, right?”

“I can,” Nile says, smiling at her mother’s effort. “It’s uh...almost one AM.”

Nile yawns, unbidden, and then sighs.

“I think I need to go.”

“Yes you do,” Mom chides, teasing and firm all at once. “You’re not going to accomplish anything if you’re dead on your feet─off to bed, Nile.”

“I don’t want to,” Nile protests, not trying very hard to keep the pout out of her voice. “It’s your birthday.”

“It’s okay,” Mom says, and the tone of her voice is like a hug Nile wants to linger in forever. “I understand. I’m just glad you called.”

“I’m glad too,” Nile says, wiping at a stray tear on her cheek. “Happy birthday, mom.”

“I love you, baby,” Mom says, and Nile grins through a fresh wave of tears.

“Forever and ever?”

“Of course forever,” Mom promises with something like an amused eye roll in her tone. “Now go to sleep.”

“Yes mom. Bye.”

“Bye bye, love you.”

“Love you too,” Nile says, and then she reluctantly disconnects the call.

She’s still feeling blue, it’s true, but it’s a different sort of ache now, the sort that’s softened enough to be a fond remembrance of someone you love rather than a knife to the heart. It isn’t something Nile has figured out how to value yet, but it could be, someday, maybe. With a watery sigh and a smile, Nile bends to pick Bâtard up─he’s fallen asleep, it seems, all snuggled up in his shell and entirely unresponsive in the time it takes for her to scribble a quick thanks at the bottom of Booker’s note and bring Bâtard back to his terrarium in the old parlor.

“M’ci,” Booker mutters from the seat to her left, and Nile almost has a heart attack.

When she turns to scold Booker for it, however, he’s already back to sleep─or feigning sleep, she’s not entirely sure─his back to the door to the bedroom and turned towards the only unboarded window, which they’ve been using as an entry and exit point. Nile sighs, shaking her head, and goes to the room she shares with the others, only to jump again when she lies down on her mattress and finds herself face to face with Andy’s eyes shining in the moonlight.

“I fear the day my sleep patterns start matching yours,” Nile whispers to Andy, and sighs when all that garners her is a sharp smile. “How are you not dead on your feet?”

“I’m old enough to transcend the need for sleep.”

Nile punches her in the shoulder.

“Feeling any better?”

“Yes, actually,” Nile says, trying to shift into a comfortable position. “I talked to my mother...it’s always too short but. It’s good.”

“Good,” Andy says. There’s a pause, and then she adds, “Nile, I’m sorry.”

Nile blinks at the darkness. It’s been seven years, and while she knows full well Andy is perfectly capable of recognizing her shortcomings, it’s the first time Nile hears her actually apologize for anything. She’s got a right to be a little startled, she thinks.

“I was with Book on this,” Andy explains when the silence between them has stretched a little while longer. “Not seeing your family again, I mean. I didn’t think it could turn out well, either...sure didn’t do him any good. Or Lykon, for that matter.”

“To be fair,” Nile admits after a beat, “I get it. I’m probably just very lucky. And I...I’ll lose them anyway. Sooner or later. I don’t─I’m glad I still have them for a bit, even if it hurts but...sometimes, I think at least the clean break was...easier.”

Andy stays quiet at that, eyes still looking at Nile in the darkness. Nile resists the urge to squirm under those eyes, but she’s not surprised when the urge to elaborate becomes too strong:

“It’s just...before my mom saw us, I didn’t have to wonder how this was affecting everyone. No contact, stay out of Chicago for another fifty years, maybe a little more, and that was it. It hurt, but at least the path was clear. Now I keep wanting to call her not knowing if I should. I have to use fake names to tell her about the most important people in my life, who she’ll never meet─I’m making her lie to her best friend!”

On the other side of the room, Nicky snorts in his sleep, and Nile smiles through her anguish as it morphs into a soft snore.

“They’ve been friends since elementary school, you know,” Nile tells Andy when she’s sure Nicky isn’t waking up. “They tell each other everything, and now my mom has to lie to her because of me. I don’t know how she can bear it.”

She pauses, breathing through the sudden tightness in her throat, and concludes:

“I don’t know how long she’ll bear it.”

Andy hums.

“I don’t have any advice for you Nile,” she says eventually. “I don’t really remember how that went for me, it’s been too long. But...even now, sometimes I─it’s hard, living without your family. Even at my age.”

“I...I didn’t know you felt like that,” Nile admits. “I thought you’d grown past that.”

“I don’t think we’re meant to,” Andy says. “I can’t remember what my parents looked like, or what it was like to be a child...but I do know what it’s like to want someone else to take care of your shit for a while.”

Nile grins, surprised into a light laughter that’s almost a giggle. Sometimes it’s easy to forget Andy is as human as any of them, even if she’s the oldest person on Earth. Discovering moments of relatability is always a delight and a relief all at once.

“I know we’re not your mom or your family,” Andy says after a while, the smile fading from her voice as she grows more serious, “and we’re not trying to be. But you’re─I won’t get angry if we’re not enough. You don’t have to...to hide it from me. You don’t have to stay alone and just...assume. There’s been too much of that lately.”

Nile can’t see Andy’s face in the darkness, not when her eyes aren’t angled to catch the moonlight, but it’s not hard to guess where she’s looking. In the doorway, Nile can see the outline of Booker’s seat, one hand dangling over the armrest─bottle free for the second night in a row, though there’s still an empty glass nearby on the floor.

“What I mean,” Andy says, startling Nile again, “is that you don’t have to be ashamed if we’re not what you want or need. The fact that you value your family isn’t a weakness, or a flaw. Just because we’ve─just because most of us grew out of it doesn’t mean you’re wrong for still needing more time, especially when it’s so recent. This...I didn’t tell him that, and I should have, so now I’m telling you. Not to protect us, but because it’s true.”

“Thanks, Andy,” Nile says.

“Sure. Now go to sleep,” Andy orders fondly.

Nile snorts, gives Andy a light punch in the shoulder, and turns over to go to sleep.

[jiangwanyin]

ooh ok; 1, 15, 17, 20, 22 :)

aw thanks thanks 😌💗💕

1. if someone wanted to really understand you, what would they read, watch, and listen to?

well the list does get longer and more specific the better you want to know and understand me, but for everyone's sake i think i'll just stick to things that give you a good general idea!!

read: first and foremost lotr of course and if you want to go even deeper, the silmarillion (and if you want to go still deeper, various bits and pieces from the history of middle earth especially athrabeth finrod ah andreth), norwegian wood by murakami, h is for hawk by helen macdonald for an insight into me coping with grief and trauma (no idea why anyone would want that but it's a deeply personal book to me and i can't just not include it), and the shadow of the wind by carlos ruiz zafón

watch: oh boy i can think of way too many but including but not limited to again obviously lotr, rocketman, howl's moving castle, empire records, kill your darlings, fallen angels, 10 things i hate about you, moulin rouge! and good will hunting as for tv shows, atla, seasons 2-4 of doctor who and i wouldn't force you to watch the whole thing but probably a few episodes of the untamed and merlin too

listen to: big god by florence + the machine, goodbye yellow brick road by elton john, rock n roll suicide and rebel rebel by david bowie, born on a different cloud by oasis, 5:06AM (every stranger's eyes) by roger waters, wooden ships by jefferson airplane, space truckin by deep purple (more for the vibes than the lyrics though) and aquarius from the hair soundtrack

15. five most influential books over your lifetime.

okay i spent way too much time thinking about this but i think i'm going to just recycle three from my last answer whoops sorry 😳

lord of the rings obviously

h is for hawk by helen macdonald

norwegian wood by murakami

on the road by jack kerouac (i'm not sure how influential it really was in the long term but i did center my entire personality around it when i was like fourteen so it goes on the list)

aand i'm going to be really pretentious and say oedipus rex OR 1984 i can't choose

i feel like i'm forgetting something but here you go also i guess i could include some children's books that definitely shaped how i turned out like the neverending story and the secret garden and inkheart and the series that maybe not started but absolutely fueled my dragon obsession aka the last dragon chronicles aand i can think of others that maybe as a whole weren't particularly influential as a book but did make me realize/come to terms with something about myself *cough* loveless by alice oseman as well as others i was into when i was younger ranging from the tibetan book of the dead (which i never actually read cover to cover but i was a nerd and i found it fascinating and although i wasn't exactly new to the idea of rebirth etc it definitely influenced the way i see life and death) and various books about greek and egyptian mythology i grew up on to random YA books i enjoyed at the time and that actually had an impact on me like life: an exploded diagram by mal peet and junk by melvin burgess — neither of which i remember too well now but again, fourteen year old me was OBSESSED so they deserve a place on the list just as much as the books i've read more recently and feel the same way about 😌

17. would you say your tumblr is a fair representation of the “real you”?

ah gosh for the first time in a quite some time since i've been on here i can actually say yes?? which is a very welcome change,, i mean obviously it's pretty fandom-focused and i seem to have lost most of my classic rock and astrology mutuals in the process of moving accounts so there's considerably less of that on here than there is in my life but other than that i think it is for the most part :)

20. would you rather be in middle earth, narnia, hogwarts, or somewhere else?

middle earth of course 😌💖🌷🍃✨

22. list the top five things you spend the most time doing, in order.

oh wow vicky you really decided to choose violence and expose my boring lifestyle 😔😔

sleeping obviously hsnfdj

probably just being on my phone especially on here yikes

watching movies/tv shows

listening to music

ahh i want to say reading but i've been slacking off lately but i guess it still counts in the long run if you add up all the time since my childhood (actually that may even move it higher on the list but i have no idea)

[claudiafekete]

This is another ordinary story of “how xxx fandoms changed my life” -

- or maybe not. you decide. I want to write it down.  trigger warning for politics, discussion of sexual violence, mild gender dysphoria It’s also horribly long. Don’t say I didn’t warn you. 

When I first came to tumblr, I had just graduated from APH. Short for Axis Power Hetalia. I learned about it in the form of manga. For years it was my everything - I learned what fanfic or fanart meant and I learned the basic online etiquette. As I grew in years, it accompanied me.

Until it didn’t.

Shortly after I fell into solangelo.

It’s a fun story, how I picked up PJO years after years of absence. My brother was whining about something written in Magnus Chase. “What do you think the Norse Gods were going to do to Percy that Annabeth was crying?” He demanded. I expressed my confusion. He kept on with his different theories and I made the decision to look it up online later.

My online search of Percy Jackson’s fate soon revealed something unknown to me before: solangelo. The first canon gay ship I ever knew. Therefore, at the ripe old age of 19, I threw myself into this endless hole called “tumblr” for the first time.

It was the most LGBTQ+ friendly place I had ever been. I joke you not. It was also the place where I was taught not only how a healthy relationship should look like, but also how sex should or could be like.  You don’t learn anything healthy about sex in Chinese or Mandarin using fandom, at least during the years I was in them. There were rigid 攻/受(roughly translated as top/bottom) stereotypes that everyone rushed to squeezed their characters into them. A lot of time though both person might ship A with B, they wouldn’t interact because one thought A should top and another thought B should top. Their different topping designation resulted in depictions of the characters’ personalities so dramatically differed that you couldn’t recognize them as the same characters.  Other than the refreshing relationship dynamics, Magnus Chase and the Gods of Asgard offered me a chance to take a look at my gender identity. I had known that theoretically non-binary people existed outside of binary gender, but I hadn’t known how one might live as one or describe themselves as one. I’m not trying to claim that Alex Fierro’s story is the only story of non-binary people. I’m trying to say that it was the starting point for me to make exploration and find the label  “agender” for myself.

I stayed in APH for 6 years. I had expected to stay in solangelo for longer.

Entered June 2019 with its whispers and anxious demonstrations. Entered folks pouring into streets in Hong Kong. Entered tear gas and facemasks and sticks and a bullet scarcely missing the heart and journalists beaten by police. Entered young students not of age disappearing mysteriously. Entered people dressed in white attacking citizens and not arrested by police. Entered dead bodies that were probably “被自殺 (being suicided)”.

Entered a city falling into the hands of tyrants next to your door, and you didn’t know how to help. You didn’t know what to do with yourself with your clean and spare hands. You were so far away from the frontline, you were angry and helpless and hopeless for that.

It was the first time I witnessed, first-hand, how the Chinese government directed the discussion online, so that it seemed as if there were random mobs who were disturbing the peace of Hong Kong and possibly taking money or being trained by US.  “Bullshit. Would there still be so many kids hurt on street if we have received any kinds of training for this?“  Of course, the majority of Chinese people inland wouldn’t hear that. Hong Kong is a former colony. Any calls of outrage toward the present government must be made by disillusioned young people who were unaware of colonization and imperialism. 

That was why I took refugee in Good Omens. I needed to run some where to stop myself from scratching myself to blood. I needed to some works for these clean and spare hands to do so that they wouldn’t pick up something destructive, such as a knife.

If the PJOverse fandom had felt the best place on earth, well, the Good Omens fandom lifted me into paradise. 

I’ve never seen so much kindness being showed under one tag. The creators and actors were all kind and interacted with the fans in their own ways. We were encouraged to do everything, anything, to build art with it however we liked. We as fans were recognized. We were seen. We were ... cared for. It was overwhelming, in a good way.  For that, I would be forever thankful to Neil Gaiman and Terry Pratchett and Michael Sheen and so many others in the production. I would be forever thankful to artists who liberated body types and freed the ties between gender expression and genitals. I would be forever thankful for the fantastic creators out there.

Would it seem as if I’ve only cherished the mutuals I met in Good Omens fandom? It wasn’t my intention. There are friends I keep in touch long after I fell out of love with APH. There are mutuals I got to know through solangelo and I feel, I hope that we are friends. Everyone who has chat with me I do my best to remember. (Though I do left conversation in weird places, become so ashamed of my incompetency that I do not continue them.)

What I’m trying to say is, as good as the solangelo fandom was, I still ran into biphobic posts here and there. It was only once or twice – but it was a constant reminder that being bisexual didn’t seem “valid” to some of the other LGBTQ+ members out there. Who cares what cis-gendered, heteronormative people said? Bullets that shot from friendly fire hurt the worst.

Besides, with a large and vibrant fandom like Good Omens, it’s easier to feel less alone and more… seen.

Damn right. Even after writing more that 5000 words in English it is still so easy to fall back into the comfortable nest of mother tongue. I can read simplified Chinese characters as well as the traditional Chinese characters I grow up using. There probably will never be getting the accent right but soundlessly devouring words in front of a screen? I excel at that.

That was what’s happening when the days rolled into January, 2020. I flew to US as an exchange student and exchanged long letters with a young Chinese woman I met in Good Omens fandom. I’ve never felt so alone in life. English as in creative writing has never come more naturally for me. The words burst in my head and arranged themselves freely on screen or on papers. I’ve never felt more hopeful about my writing ability.

The days rolled into March, 2020.

The first time my mom told me to come home over home, I laughed. The second time, I frowned. Before she pleaded me for the third time, I had grabbed a ticket.

I hadn’t imagined the disease plaguing China and its neighboring countries would affect the whole world.

You lived the rest of the story. I fled back to Taiwan.

 That was where Doctor Who came in. Or David Tennant. Such a strange time. For fourteen days I was the only living human in the house. I watched Casanova – or was it later? Hamlet definitely came before that. Then I could live with my family again. I handed in my homework and wrote in a different language than the people around me were speaking. My parents were working. My little brother was in school. When there was no one to talk to me I either read or watch Doctor Who to pass the time. I fell for Thirteen. I fell for twissy. Falling fast and hard and completely won over by their glamour.

I started internship. There were some small breaks where I could catch an episode or half, but never as much time as before. I dipped into fandom wiki and found that no matter how much research I did, there would always be details I overlooked simply because I could not afford hours watching all the episodes. No matter how hard I squeezed my schedule for time, no matter how much I devoted myself to the series, it would never be enough.

So I gave up, and let it go. For the first time in quite a while, I willingly gave up something for the simple reason of “I want to live a more comfortable life”.

 Came summer. Damp air combined with biting heat and piles after piles of biochemical terms made life agonizing. An ordinary kind of pre-pandemic “agonizing” which felt like a luxury in a world that was ending.

Hong Kong fell.

It was bound to happen. Once I heard protestors fought their way into the legislature I knew, for almost an year I knew, nothing good would come out of this. CCP would never allow its subjects acting out of hand. With such open despise to the authority, CCP would take nothing but a full conquest at the end of it.

See where we are now. As long as you’re “interfering” the political climate “inside” China, it doesn't matter which nationality you hold or where you were or how long it has been since you made the statement. “According to the law”, China can come for you. No, better, it can tell your country to hand you over. What a clever empire. What a graceful empire.

What a horrifying empire.

With the news I spiraled down fast. I kept away from the young Chinese woman I was exchanging letters with, I kept away from any kinds of Chinese social media, and the worst of all, I kept away from Good Omens, for it was sweet and kind and hopeful, for it reminded me of a time where fighting seemed to make a difference. I was empty and exhausted and a husk. Something must come out to fill the void. Someone needed to paint me in colors so that the world wouldn’t notice I was fading away.

I was surprised at who took the brush.

 After ten years, the first man I ever have a crush on strolled back into my life.

He was over thirty, but I always pictured him in his early twenties. Dark hair, eyes of grey or silvery blue. Loud laughter that sounded like a bark. Swift and elegant. Intelligent. Prideful. Stubborn. I embraced him as I’ve done ten years ago as a little child.

When I looked past him, I saw someone else.

Worn, weathered, with wry humor. Attentive and considerate. Tortured by the world yet never stop giving out kindness. Countless scars. Grey hair unfitting to his age. I didn’t pay him much attention ten years ago. This time, I looked.

Let me introduce you Sirius Black and Remus Lupin, my very first crush and the man who is too much like my last crush.

 2020, a month before Fall semester started, I trekked cautiously, timidly back into Harry Potter fandom.

The fandom of August 2020 was very different from fandom of 2010. The lack of author, for one – it became mandatory to denounce the author’s transphobic statement and other bigotry setting. I’m glad that everyone is doing their best to make it a friendly place for minority groups. Though I’m afraid, by making it a white or black situation with short statements and no discussion, it wouldn’t really help people understand why she is wrong in this. However irrefutable the author’s guilt seems to us, it is not something obvious to those who are unfamiliar with the subjects.

But it does feel good to see blogs and fics with the introduction such as “If you support the author’s transphobic bullshit this place does not welcome you”. It feels reliving.

The second was, I found the type of work I’m actively pursuing changed.

Back when I was young – when I was so little I didn’t even know what the word “fandom” meant – I read Character x OFC and some M x M. During the APH period I read an alarming amount of M x M and countless historical AU. When digging through solangelo, beside the canon divergence stories, simple AU like coffee shop grabbed my attention. Coming out stories were my comforts. The best of Good Omens fics were either in canon verse discussing desires, bravery, humanity and mortality, or setting in an AU with the promise of sweet, fluffy endings. Doctor Who almost always focused on Time and Space. Love was twisted and so often tainted by anger. Monster and god were very alike.

I came a full circle back to the Marauder era, and found myself not looking for heroes, but for young fighters struggling desperately in a seemingly hopeless war. I looked for people who were frightened but never, never ever going down without a fight.

I used to find characters and events unfolding in foreign places, now I want  characters who are close to what I am or what I want to be.

---

So, that’s it, my grand journey through multiple fandoms and basically a journey of self-discovery. It’s messy, sometimes painful, but always with so much joy blooming along the way.

Something doesn’t change. I’m still obsessed with words. I’m still a sucker for happy ending. I’m still wishing someone will come and love me the way I need to be loved.

Something does. I stop imagining that some magical power will come into my life and solve everything. I stop looking for others to save me from myself. I start believing that though wounds hurt, some of them do teach us to be a better person.

Long ago, I saw my friends and I as rabbits, without proper weapons to defend ourselves. That wouldn’t do. I thought. For my friends I’ll grow into a snake with fangs to protect them. Maybe I have grown into a snake. Maybe I haven’t. But I do hope I won’t stop fighting for those I love, with those I love.

I hope I won’t give up.

[modestmuses-a]

the positive & negative :    mun & muse  /  fill out & repost .

EKKO

MY MUSE IS :    canon  /  oc  /  au  /  slightly canon - divergent / fandomless / complicated 

i try to stay mostly close to ekko’s canon but i also have a fuckton of aus for him including some real self-indulgent bullshit that isn’t even on his verses page. if you want me to make a new au for ekko to fit him into a different skin line or something, i’ll probably do it tbh.

IS YOUR CHARACTER POPULAR IN THE FANDOM ?    YES  /  NO / I DON’T KNOW 

IS YOUR CHARACTER CONSIDERED HOT™ IN THE FANDOM ?  YES /  NO  /  IDK

for better or worse. when “giants” first came out, i had more ekko smut on my dash than i ever cared to see.

IS YOUR CHARACTER CONSIDERED STRONG IN THE FANDOM ? YES  /  NO  /  IDK

i can tell you what i think of ekko’s strength, and i can tell you that... it isn’t much. he’s not the most adept fighter in the series, and most of the time, he wins fights by cheesing them with time travel. in my thread with @uncaged-bloodhunter​ ekko would be DEAD four times over by now if not for the zero drive.

however, i haven’t seen much fandom opinion about his strength? i’m going to go out on a limb and say most people probably don’t find him very strong bc? i don’t see a lot of people saying that but. who knows.

ARE THEY UNDERRATED ?   YES  /  NO  /  IDK

canon-wise, fandom-wise, and on this blog, ekko gets a lot of attention, which i’m not complaining about. he’s a fav.

WERE THEY RELEVANT FOR THE MAIN STORY ? YES  /  NO  /  IDK

he is important around zaun, but considering he won’t LEAVE that place, i doubt we’ll see him achieve much relevance in the bigger overarching conflicts in the league universe anytime soon.

WERE THEY RELEVANT FOR THE MAIN CHARACTER ? YES /  NO  /  IDK

if league did have a main character, i’m sure he would never meet them unless they were from piltover or zaun lol

ARE THEY WIDELY KNOWN IN THEIR WORLD ?   YES  /  NO  /  IDK

around piltover/zaun, all the academics are trying to get him to sit down with them, but overall? nah. if he went anywhere other than piltover or zaun, they would have no fucking idea who he was.

HOW’S THEIR REPUTATION ?    GOOD  /  BAD  /  NEUTRAL

pilties HATE him! click to find out why!

no, but in seriousness, around zaun, his reputation is quite good as one of the few decent souls in the city. but in piltover, he’s just another thuggish troublemaker on a spree of petty crimes, as if zaun doesn’t already have enough of those...

HOW STRICTLY DO YOU FOLLOW CANON ?

shrugs. i don’t actively think about adhering to canon with every thread i write, of course, but i do think i have a pretty good handle on his character so.

SELL YOUR MUSE !( try to list everything that makes your muse interesting to make them spicy for your mutuals ) 

he is a nice sweet boy who WILL adopt every single child and will go out of his way to help those in need. he also has plenty of spunk and a real get-up-and-go kind of personality, he’s not the kind of person who likes just “hanging around” so he’s a perfect companion for someone who likes to get out and adventure as long as you don’t go outside of piltover/zaun. he’s very loyal and will stick up for his friends, even when it would be more convenient to sell them out. and of course, he’s willing to call authority figures out on their bullshit and doesn’t sit back and passively watch injustices happen.

NOW THE OPPOSITE !(  list everything why your muse could not be so interesting . even if you may not agree. what does the fandom perhaps think ?  )

he’s got abandonment issues up to HERE, and because of that, he is c l i n g y. if he gets attached to you in any way, he will NOT let you go. he will NOT get over you. he will probably keep trying to worm his way back into your life for months or YEARS because he just doesn’t know how to deal with being left.

furthermore, he represses every negative emotion he has ever felt because he feels like his problems are trivial compared to other people’s so he bottles that shit right on up like cheap cough-syrup-tastin’ whiskey. he holds onto a LOT of resentment - at piltover, at the chembarons, at himself, at the world - and because he doesn’t allow himself to DO anything with said resentment, he’s a ticking time bomb (pun fully intended). i do have... timelines... where all that internalized hostility blows up in a really messy way. and by messy, i mean bloody.

WHAT INSPIRED YOU TO RP YOUR MUSE ? 

around the time i first started getting into league, a bitch was going through it. we were pretty destitute and received an eviction notice, and i had to work my ass off to keep us from losing our apartment. it was a very depressing time for everyone involved. but then i found ekko, this boy who had even less than i did but made the most of it, who always found some way to make the day better. writing him became very cathartic for me because it allowed me to take something positive away from what was one of the worst years of my life.

WHAT KEEPS YOUR INSPIRATION GOING ? 

punk rock music, haha! especially that of billy talent. their whole dead silence album is pretty ekko, but they have a lot of bangers that remind me of him scattered across all their albums. we deserved punk rock ekko and instead we got fucking true damage because riot didn’t wanna get political, i guess. smh.

some more personal questions for the mun . give your mutuals some insight about the way you are in some matters , which could lead them to get more comfortable with you or perhaps not .

DO YOU THINK YOU GIVE YOUR CHARACTER JUSTICE ?   YES  /  NO  /  IDK                      

DO YOU FREQUENTLY WRITE HEADCANONS ? YES /  NO  /  IDK

i kind of only address headcanons as they come up. very occasionally i will drop a few for a new muse just so that people get a better feel for who they are before writing them but... yeah written headcanons are pretty few and far between here. it’s really not even worth me having a headcanon banner lmao

DO YOU SOMETIMES WRITE DRABBLES ?    YES  /  NO  /  IDK

i would like to, but writing my replies here kind of sucks up most of my time!

DO YOU THINK A LOT ABOUT YOUR MUSE DURING THE DAY ? YES /  NO  /  IDK

ARE YOU CONFIDENT IN YOUR PORTRAYAL ? YES  /  NO  /  IDK

too confident some might say, but those people would be silly fools

ARE YOU CONFIDENT IN YOUR WRITING ?   YES  /  NO  /  IDK  

ARE YOU A SENSITIVE PERSON ?   YES /  NO  /  IDK

sometimes i get anxiety about stupid shit but i try and often fail to be secure

DO YOU ACCEPT CRITICISM WELL ABOUT YOUR PORTRAYAL ?

nope, i ain’t changing a thing. i’m the best ekko on this site, and you are free to disagree with that because everyone is entitled to their wrong opinion, but my askbox is closed to those kinds of complaints. :)

DO YOU LIKE QUESTIONS , WHICH HELP YOU TO EXPLORE YOUR CHARACTER ?

yeah, sure, although i understand why people don’t send them because i often draw blanks on what to send without somebody reblogging a headcanon meme or something. if you just reblog “send my character questions on anon!” i’m probably not gonna do it bc i have no idea what kinds of questions would even be relevant or helpful for you.

IF SOMEONE DISAGREES TO A HEADCANON OF YOURS , DO YOU WANT TO KNOW WHY

nah, everyone can do what they want. i usually won’t follow people if i don’t agree with their headcanons, but i’m not about to get all up in somebody’s business about it.

IF SOMEONE DISAGREES WITH YOUR PORTRAYAL , HOW WOULD YOU TAKE IT ?

again, wrong opinion, but you’re allowed to have it and you’re also allowed to SMASH that unfollow button.

IF SOMEONE REALLY HATES YOUR CHARACTER , HOW DO YOU TAKE IT ?

who hates ekko of all people, first of all? but second of all, i don’t care. just don’t get in my dms about it ‘cause i’ll block you. i’m not really interested in somebody bashing one of my muses to my face.

ARE YOU OKAY WITH PEOPLE POINTING OUT YOUR GRAMMATICAL ERRORS ?

shrugs. yeah, i guess. i usually leave other people’s grammatical errors alone as long as i can read their stuff.

DO YOU THINK YOU ARE EASY GOING AS A MUN ?

yeah i think so. i try to be, anyway. i like to make ooc friendships bc i find it way more satisfying and easy to write with friends. although i sound a little bitchy in parts of this, it’s mostly jokes for exaggeration effects.

tagged by: @bikmui

tagging: @storiestotell (akutagawa), @bystcrdust, @dimensionaljumper (for eliza ‘cause i always send stuff for scribe lol)

[catquarry]

Wavedwhelk’s FMA Fic Masterlist

IN ALL MY YEARS IN THE FMA FANDOM I HAVE NEVER MADE A FIC RECOMMENDATION LIST....Well I decided it was about time to fix that

This is what I’ve compiled in the last 9 years. A few of the fics are deleted but reuploaded by me (or others) so the reading format might be a little wonky

Also none of these feature ships (if they do it’s really mild edwin or royai)

PDF version of this list can be found here

Fic Status Key

Active - Updates reliably (Once every 1-3 months or more)

Dormant - Fic updates, but sporadically (Once every 4-12 months) with occasional updates from the author on other websites

MIA - Fic hasn’t been updated in more than 12 months and there’s no updates from the author

Dead - The fic hasn’t been updated in 2 or more years and the author seems to have moved on

Complete - The fic is complete

Harry Potter/Fullmetal Alchemist Crossovers

Circulus by Phenobarbital

Official Summary: 

They're still not sure exactly how they ended up on the magic side of a place called London, but Edward and Roy are not new to dealing with the unexpected.

Needing to find a way back to Amestris, back to their own time, together they figure out how magic energy works, and how it can work for them specifically and in the end, the decision to go to Hogwarts is a mutual one. Edward will have to go to high school and Roy will have to get used to using a wand.

Neither of them are prepared for what they find at Hogwarts School of Witchcraft & Wizardry.

There are secrets, liars, murderers and too many people with very dangerous agendas, no one seems trustworthy, so naturally they should stick together...

...but then Ed starts lying to Roy.

My Thoughts:

THIS IS HONESTLY MY FAVORITE FIC. I don’t want to spoil anything but everyone is written SO well and the plot goes far beyond the standard “FMA characters stuck in the HP world”. Ed’s also kind of evil (partly an act and partly for real in his own Ed way) and that ups the suspense significantly. Basically if you’re not going to read anything else on this list PLEASE read this one

Fic Status: Dormant

Warnings: Tags mention pairings that will be revealed in the future, but for now nothing’s definitive 

The Colours of the World by MiaKusakabe

Official Summary: 

When Roy Mustang went to retrieve his eyesight from Truth, he wasn’t expecting to end up doing a job in exchange. It couldn’t even be an easy job, of course, because Edward’s assessment of Truth was a pretty accurate one.

My Thoughts: 

THIS IS MY FAVORITE ROY OUT OF ANY FMA FIC. GOD he is written so well here. Unlike most of the other fics here, Roy willingly chooses to go into the HP world, and because of that there’s less stress on Roy trying to get home and more on him living in the world and working around it. Overall a really incredible fic and I highly highly suggest reading it

Fic Status: Dormant - Occasional updates on the authors patreon

Harry Potter and the Eastern Sage by LiteratureWork

Official Summary: 

Nicholas Flamel was famous for creating the philosopher's stone, but like Lockhart's smile it was all a lie. Flamel stole a part of the stone and it took Edward 642 years to get it back along with the souls inside of it, one which was his brother. But after traveling to Hogwarts to retrieve it, Dumbledore has other plans for the ancient hero.

My Thoughts: 

A REALLY interesting take on a HP/FMA crossover. It’s a half-AU where Ed turns into a Philosopher’s Stone at the end of FMA:B (with everyone from Amestris in the stone) and him being flung into the Harry Potter world. The author put a lot of time into worldbuilding and carefully weaving Ed into the HP universe so it seems completely normal that he’s lived in that world for 1,000 years

Fic Status: Dormant

Cerulean Silver vs Amber Gold by hikaranko

Official Summary: 

Edward Elric has been put on his stupidest assignment yet: babysitting. Everyone else calls it undercover work. To Ed, it's babysitting. But there's more to this assignment than what's on file…

My Thoughts: 

A lighter and more fun HP/FMA crossover that centers around Ed and Draco’s interactions. Draco hates Ed and Ed hates his job basically. Not super plot heavy, but the character interactions makes up for it

Fic status: Dormant - Being rewritten on AO3

About a Boy by EstaJay

Official Summary: 

Portkeyed away on the night of his parents' murder, Harry Potter grows up as Roy Mustang. Magic is nothing more than another one of his aunt's stories but after the Promised Day, his past catches up to him. With the Elrics suddenly in London and his dormant magic finally and violently revealing itself, it's a cross continent journey to get the brothers back. If only wizard transportation didn't involve so many explosions…

My Thoughts: 

Was really unsure about this fic initially - the premise just seems too farfetched to enjoy, but after the first chapter you realize the author put in a lot of time to make sure Roy/Harry and the rest of the cast stayed in character. I think it’s a really cool twist on the standard HP/FMA crossover formula and definitely worth a read

Fic Status: Dormant

Penance by Laora

Official Summary: 

The Gate was opening; the black arms stretched toward him and Pride. Ed knew he had no say in the matter. He would be pulled to this parallel dimension, alternate universe—whatever it was—and Amestris would be left to die. Truth merely grinned.

My Thoughts: 

It’s been a couple years since I read this, but I remember I really liked the twist that Pride was stuck in the HP universe along with Ed and Al

Fic Status: Complete

Playing God by The Flamel Cult

Official Summary:

 I thought the dull aching was something other than my demise. As it turned out, I was sorely mistaken. Perhaps I should listen to Alphonse more; maybe then there wouldn't be another bloody tragedy that would, inevitably, end it all. For good.

My Thoughts: 

There’s a twist in this fic that I LOVE, and while I refuse to spoil it I suggest reading just to find out what it is. It rocked my world the first time I read and I’m pretty sure I cried for like 3 days

Fic Status: Complete

Warnings: I haven’t read this since 2013/2014, so just be warned if you decide to check it out

Other Crossovers

More Than Just a Murder by AkitaFallow

CSI/Fullmetal Alchemist Crossover

Official Summary: 

As bodies pile up and evidence remains scarce, the CSI team has to fight against increasingly strange circumstances and an even stranger suspect in order to solve what is likely the most complicated case they have ever encountered.

My Thoughts:

 I know this seems like a weird premise but hear me out: this fic will Change Your Life. It’s so incredibly well written and the character development is phenomenal. If you don’t like CSI (I personally didn’t when I started reading) you can easily substitute random forensic scientists in and it works just as well. The real sell to this fic is watching Ed stumble through 2009 Las Vegas lmao

Fic Status: Complete

Warnings: This fic follows FMA 2003 ONLY, so if you haven’t seen that yet I highly suggest waiting to read.

AU’s (Alternate Universes)

Disorient by Esama

Official Summary:

 Who was he, what had happened to him, why did he have automail - and how was he there, in the past? 

My Thoughts: 

One of the best time travel fics I’ve ever read from any fandom. There’s so much time put in to fleshing out Ed’s new character (Nicholas) as well as his relationship with the younger version of Al and himself. Less plot heavy and focuses more on the day to day life of Resembool with Nicholas there

Type of AU: Time Travel + Amnesia

Fic Status: Dead

Warnings: This was a fic that got deleted in 2012 that I managed to grab before it was gone. If this list goes outside of my own circle and the original author wants me to remove this I will gladly do so (just message me @wavedwhelk on twitter or tumblr). 

A Boy Named Ed by BelloftheSea

Official Summary: 

Ed knew he was different. It wasn't just that he was smarter than the other kids or even that he had automail. No, it had more to do with the way people would occasionally look at him, like they were expecting somebody else. It was the way his mechanic cried the day she met him. It was the way his dad would sometimes slip – and call him Fullmetal.

My Thoughts: 

What I really love about this fic is that it’s a reincarnation AU that makes SENSE in the FMA universe - it doesn’t give a half-assed reason for why it happened, but rather works within the confines of the universe. Also I really love watching Ed go to school and pretend to try and be a normal kid while hiding the fact that he’s the Fullmetal Alchemist

Type of AU: Reincarnation (kind of)

Fic Status: Dead

My Master Ed by Blue Teller

Official Summary: 

Slave number Twenty Three didn't know what to make of his new Master. The strange boy was nothing like other slave owners. Short on both height and temper, yet strangely kind to him, Master Ed seemed to know something about him that he didn't himself. Just what was it?

My Thoughts: 

One of the best fics that takes place in the Xerxes time period IMO. I don’t want to spoil too much but you see a lot of the consequences for Ed’s actions and it can get really really intense (but in the best way)

Fic Status: Dormant

Type of AU: Time Travel

Warnings: This gets surprisingly deep. Prepare Yourself

Men and Angels by Laora

Official Summary: 

Trisha can't understand; she's terrified, but she has to stay calm. Her boys are gone, replaced by her sons from the future...and something, she knows, is terribly wrong.

My Thoughts: 

A time travel fic that changes time for both current Ed/Al AND past Ed/Al (when they were 6). I think my favorite part from this fic has got to be how Mustang’s team reacts to (and tries to take care of) the frightened baby Elric’s. There isn’t a ton of plot but the character interactions drive this fic - if you care deeply about these characters you’ll really enjoy this

Type of AU: Time Travel

Fic Status: Complete

we haunt ourselves by sekalaista

Official Summary: 

"There's something funny about that kid," Maes says. "I just can't put my finger on it."

My Thoughts: 

Literal perfection jam packed into 1000 words

Type of AU: Canon divergence

Fic Status: Complete

and then it wasn't by GentleTouchGinger

Official Summary: 

When Roy notices his smartest student is struggling, he does some snooping and discovers some startling truths about his home life.

My Thoughts: 

Probably one of the best modern AU’s that I’ve found so far for FMA. It follows a pretty normal structure (Ed and Al are in foster homes, Roy notices something’s wrong, etc etc), but the character’s are kept true to their in-canon personalities and the plot is interesting enough to keep you on your toes. Also I cried once I finished reading it so there’s that

Type of AU: Modern/School AU

Fic Status: Complete

Truth Revealed by Fallen Crest

Official Summary: 

A lesson without pain is meaningless...to save their future, they will suffer through the truth. Brought to a room to view FMA:Brotherhood, the FMAB characters learn the dark secrets that surround Amestris. Follow the drama, the suspense, the laughs, the friendships that grow, and the pain they suffer in exchange as their future is laid out before their eyes.

My Thoughts:

 I’m actually right in the middle of reading this right now (it’s 2,500+ pages…...be ready) and it’s SO fun. Not really the kind of fic I ever expected myself to like, but everyone’s in character enough to enjoy their reactions and the interactions in between watching. The pain factor also makes things more interesting. Overall I really suggest checking this out even if it seems like something you wouldn’t enjoy

Type of AU: Characters reacting to the show

Fic Status: Dead (Destroyed by copyright)

Warnings: This fic was taken down due to copyright, but luckily some people managed to save it and upload a download link

Project Rainbow by Missy Skywalker

Official Summary:

 It took him coughing up blood on five different occasions for Edward Elric to finally give in and see a doctor.

My Thoughts: 

I cried for 2 hours after I read this and that’s all I’m saying

Type of AU: Ishvalan!Ed and Al

Fic Status: Complete

Number Twenty Eight by Sevlow

Official Summary: 

As of today, Edward Elric had been missing for four months, two weeks, and five days.

My Thoughts: 

I CANNOT STRESS ENOUGH HOW DARK THIS FIC GETS. It’s probably the darkest FMA fic I’ve been able to sit through in its entirety. WITH THAT BEING SAID...if you can manage to read it all it ends on a happy note. I don’t want to spoil too much but basically: Ed gets kidnapped, experimented on, and turned into a dog chimera

Type of AU: Chimera!Ed

Fic Status: Complete

Warnings: REALLY DARK, mentions of rape (not explicit or shown), animal death

Misanthropical by nebluus

Official Summary: 

Alfonse and Eduard are best friends living in Germany. When an experiment gone wrong brings in a new yet familiar face, it will be up to them to get their friend home...and not get killed in the process. 

My Thoughts:

 I ended up finding this fic back in 2012 but it’s surprisingly held up pretty well. It was unfortunately abandoned pretty quickly into its plot, but the worldbuilding that’s there is really interesting and makes it worth it to read

Type of AU: Dimension Travel

Fic Status: Dead

Warnings: This fic takes place in the FMA 2003 universe ONLY, so if you haven’t watched that I highly suggest you don’t read yet!

General Fics/Non-AU’s

Firstfruits by toosolidcuuj

Official Summary:

 For the past eleven years, Edward Elric has been raising his family and recovering from the Promised Day. Some memories are easier to talk about than others, but he's made his peace with them. Of course the one that comes back to haunt him is the one he tried to forget about completely.

My Thoughts: 

This fic treats the topic of rape with nuance; the author admits that they don’t struggle with PTSD, but have reached out and done as much research as they can on the subject. I ended up really liking this fic for what it was setting out to do and what it accomplished, and while I did find it difficult to read at times due to the subject matter I still found myself appreciating it 

Fic Status: MIA

Warnings: This fic deals with the trauma that comes along with rape, however it’s never described in detail and the focus is solely on how the character copes with it. Please mind the tags and rating (mature)

Skin Deep by Batsitousai

Official Summary: 

Trisha and Van's first child, Edith, was born a beautiful, healthy girl. The only problem? Ed knew he was a boy.

My Thoughts: 

IM SUCH A SUCKER FOR TRANS ED I don’t want to say too much but I found it really heartwarming (especially the conversations between Mustang/Hawkeye and Ed) and just overall a really strong fic

Fic Status: Complete

Anything but Normal  by DAsObiQuiet

Official Summary: 

Fifteen years after the Promised Day, Selim Baker leads a life like any normal human. Then an attempt on his life throws his world into chaos and begins to show him just how much of a monster he really is.

My Thoughts: 

I’m not usually one to read fic’s that don’t revolve around the protagonists, but this peaked my interest enough to check it out. The author does an amazing job in fleshing out Selim (both his human side and Homunculus side) and it’s interesting to see how Selim reacts to things post-canon

Fic Status: Complete

An Overbearing Legacy by Missy Skywalker

Official Summary: 

Elicia Hughes was tired of trying to live up to her father's reputation, so on the night of her thirteenth birthday, she decided to run away. Luckily, she gets interrupted by someone who knows what losing a parent is like.

My Thoughts: 

I don’t have a ton to say but I found this fic really sweet and I enjoyed getting to see some character development in an older version of Elysia

Fic Status: Complete

At the Very Ports We Blow by baka deshi

Official Summary: 

Edward Elric has made his way to the University of Munich, where he faces a new challenge in the eerily familiar face of his peer and colleague, Alfons Heiderich. There's just one problem: the two of them have to get along.

My Thoughts: 

This has gotta be one of my favorite CoS compliant fics. I really love the idea that Alfons and Ed actually hate each other leading up to the events of CoS and have to actively work on themselves and their friendship before they can work on the rockets

Fic Status: Complete

Warnings: This fic follows FMA 2003 ONLY. If you have not seen it, I highly suggest waiting to read. 

Where The Corners Meet by sahrmael

Official Summary: 

The year is 1934. The change in the Amestrian government has finally brought great peace and prosperity to the nation. But one eager boy, the son of former State Alchemist Edward Elric, has made it his duty to uncover the tragedies of his father's past, and to correct the mistakes of his own.

My Thoughts: 

Like the warning says, I remember really liking this fic, but since I haven’t read it since 2012 I can’t remember if there’s anything weird in it or not. I’ll reread it soon to make sure

Fic Status: Dead

Warnings: I haven’t read this fic since 2012 and debated whether or not I should even add it on here, however I remember REALLY liking it back then so I ultimately decided to. Basically proceed with caution because I can’t remember all of what happens in this fic

[aelinbitch-archive]

unpopular opinion: i don’t like rowan/rowaelin. i’m not here to convince u to unstan lol ppl are allowed to like/dislike things w/o feeling bad about it omg but i hate that some rowan stans are so insensitive when it comes to those who don’t like him! they’re so thirsty for him that they condemn anyone who doesn’t stan him & then excuse his problematic/lowkey triggering actions bc he’s hot and it’s gross. AGAIN not saying ppl can’t like rowan it’s ok lol but it’s more about some stan’s behavior

That’s totally fair my angel. I dislike the vibe that some people are locked out of the fandom for not being a cheerleader for every aspect of the series, and I hope that my followers/mutuals know that if they dislike stuff I like, or like stuff I dislike, expressing their opinions regarding that won’t ever cause me to cut them off (unless it’s like, some truly gross shit, which disliking rowaelin isn’t). 

Also I have to say, even tho I do like rowaelin, I understand where you’re coming from about people excusing his actions because he’s hot. I’ve toooooootally seen that. And I’ll just be 100% honest - no shade to anyone, but some of the rowaelin content on this website disturbs me a little bit, in terms what’s considered hot/romantic/acceptable when writing or depicting them in art. I’ve seen some weird stuff defended as hot or even just “not that bad.” Which isn’t necessarily a problem with canon, but your ask was more about stans anyway, so yeah. 

A while ago I actually wrote rowaelin meta in response to some other peeps (which was more about Aelin in relation to Rowaelin and how she’s included or not included in discussions of the ship, but it has some thoughts relevant to this ask) so I’m gonna just copy and paste what I wrote below and feel free to read if u want. (It’s like very overdramatic and fiery lmao but anyway). 

I agree with a lot of this, but (at risk of derailing ms aelinapologist’s amazing post) I do have a few things to say, which are

1. OP took two whole paragraphs at the beginning of her post to say that the point wasn’t to discourse about rowaelin being abuse or not abuse, it was to talk about how the conversations centering around said abuse consistently display a disturbing lack of empathy for the character who should be the main concern of the debate. So I just find it a bit funny/odd that the replies (including a portion of the one I’m about to make, I admit that) have been like “Yeah great post! And now to discourse about Rowaelin-” but I digress.

2. I have consistently loved reading about Rowan and Aelin and they’re one of my favorite fictional couples. So nothing I’m about to say is intended to be like “GOTCHA they suck and you suck for liking them!!!” Because I like them as well. A lot. And in addition, nothing about this reblog is intended to be shady or confrontational in any way shape or form. I just think this is a great and very needed discussion I’d like to contribute to, so here goes.

3. Even if we look at HoF alone and ignore how things play out later: yes, they are both mean to one another, yes, they are both in a dark place and end up having a mutually positive effect on one another (so I definitely agree that, at least for HoF alone, it’s not a “douchey guy changes for the heroine story”) but. There IS still a power imbalance. I don’t think it’s entirely accurate to say “they were both bad The End” without also bringing up the fact that Rowan is 300 years old and Aelin is 18, and that Rowan is training Aelin and is in a position that gives him a massive amount of control over her, and that he is stronger and more powerful than her physically, magically, and socially (he is a prince and legendary warrior, she is a AWOL teenage princess currently working as a scullery maid).

Maybe I’m reading into it too much, but I really just don’t think that Aelin, a 17 y/o girl going through an unimaginably shitty time, being like “fuck you!!” to this 300 y/o jerk who doesn’t know shit about her is on the same level as aforementioned 300 y/o jerk hitting her, biting her, and telling her she would have been of more use to the world if she’d died when she was eight.

And in addition to that, we see that his behavior effects her a lot more than it effects him. When he verbally tears her down, we see her experience genuine and devastating despair and shame, whereas everything she does and says to him, no matter how snarky or outright cruel, is not having that same effect on him. People always seem to think they’re giving Aelin credit for being a Strong Woman™ by saying “she’s tough! she can handle it!” when in reality… we have evidence for the fact that she kinda can’t handle it. That the way he treats her in the beginning is slowly wearing her down and sending her deeper into a depressive state. And I don’t understand how it somehow reflects poorly on Aelin (or is even misogynist) to acknowledge this. Women, especially literal teenage girls, should not be measured by their tolerance for mistreatment.

All I really wish is that somewhere along the line we’d gotten a genuine apology from Rowan for this besides a throwaway line in KoA about regretting their “brawling.” And again, none of this is to say “see!! it IS abuse!!” it’s just to suggest that, even as an enemies to friends to lovers story, the “enemies” part was not exactly on a level playing field.

4. But with that being said, I could probably forgive the imbalance in their early relationship, mostly because their later relationship, as both friends and lovers, is so amazing and supportive in pretty much every way. And the great thing about enemies to FRIENDS to lovers, like you said, is that 1) none of the assholery occurred during any kind of romantic or sexual relationship or a transition into one, so it was sort of “fair and square” in that way, and 2) they had the opportunity form a solid, platonic foundation of trust and caring before they crossed into the lover territory.

Aaaaaaaaaand then Sarah did a retcon job on HoF which negated… pretty much all of that. I can totally be down with “good old fashioned mutual hatred thaws into caring which grows into love” but once we start hearing shit like “‘Sometimes, you’d be sleeping beside me at Mistward, and it’d take all my concentration not to lean over and bite them. Bite you all over’” and “‘That was the first time I really lost control around you, you know. I wanted to chuck you off a cliff, yet I bit you before I knew what I was doing. I think my body knew, my magic knew. And you tasted… So good. I hated you for it’”……. hhhhhhhhhhh.

I can’t think of many arguments for this NOT contributing at least a little to the “he’s mean because he loves you (and stick it out because someday he’ll figure it out)” trope. And while it might be a bit different because Aelin was quite mean as well, her behavior was just… meanness. Not some sort of weird outlet for repressed sexual attraction/love. I guess I just get flashbacks of “No sweetie, that boy in your class kicks your desk, pulls your hair, and calls you names because he likes you and doesn’t know how to express it.”

And I think this decision on Sarah’s part to go back and say he was into her all along is 1) a result of the mating bond thing she’s so fond of and 2) kind of a panicked backpedalling to the backlash she might have gotten over Rowan’s behavior in HoF? Which is…. so ironic because she made it SO much worse. In my humble opinion, she should have just doubled down on what she originally wrote as enemies-friends-lovers (and had Rowan bring up his early behavior and apologize in some way), and the problem would have been solved. And while I personally feel that I can recognize this for what it is - a shitty retcon - and enjoy the relationship despite it, I don’t think we should talk over people for whom this is a deal-breaker for the ship.

5. I don’t think about all of this and have the reaction that so many “anti tog” people seem to have of “FUCK Rowan he’s ABUSIVE and PREDATORY and I wish he was DEAD!!!” I think there are things to criticize about his behavior and about the way Sarah decided to spin their relationship, but they have had many great moments, especially in the later books, and I don’t think I or anyone else is “shipping abuse” by enjoying that. All of this is just to emphasize how, in OP’s very succinct words, “your inalienable right to enjoy two characters’ dynamic does not outweigh the right to criticise it.” Because there ARE valid things to criticize, and we as Rowaelin shippers (lol.) need to be careful not to conflate ugly hatred with valid criticism when we speak over it.

And because there IS so much ugly hatred for Aelin and her relationship with Rowan on this website, I completely understand why there’s a kind of knee-jerk reaction of jumping to defense of this ship we love. But that impulse, quite frankly, means nothing to me if defense of Rowaelin includes the erasure of Aelin’s canonical experiences. And maybe this is wacky and controversial, but I’m pretty sure we can express our enjoyment of Rowaelin AND keep Aelin as an individual from being swept under the rug.  

6. More than saying any of that what I really really want to do (and have been trying to do in the previous paragraphs, but maybe unsuccessfully) is bring the conversation back to OP’s original point which was not “abuse!” or “not abuse!” but about how the ways in which we discuss “abuse or not abuse” often includes a stomach-turning lack of concern for Aelin and some frustratingly reductive arguments. And somehow I have the sneaking suspicion that Rowaelin shippers are reading this post and missing the point, which that this is happening on BOTH sides of the argument.

Everyone is perfectly entitled to ship Rowaelin and argue their opinion about its merits or lack thereof, but when we cover our ears and say “she was mean too she was mean too she was mean too she was mean too la la la la la la la” that’s completely ignoring the genuine pain that she did experience in HoF and the power imbalance that she was subjected to, no matter whether or not we personally feel that it was sufficiently rectified in later books.

And I see this ALL THE TIME, in both the fandom and “anti-fandom”, and I’m honest to god quite sick of it. I’m sick of the willful ignorance of a teenage girl’s pain in order to further an agenda. Yes, it’s more stomach-turning when the agenda is to prove what an evil bitch she is or whatever, but it’s not excusable if your agenda is to prove Rowaelin is great, either! And I don’t understand why we have to throw all nuance out the window and ignore how Dorian hurt her, ignore how Chaol hurt her, ignore how Rowan hurt her, fucking hell, ignore how SAM hurt her, just so we can make our arguments! Because as much as the antis love to scream about “WHAT MESSAGE IS THIS TERRIBLE SHIP SENDING THE TINY GIRL-CHILDREN WHO READ THE BOOKS???” it’s also like, what kind of message is our ongoing discussion of it sending by sweeping a teenage girl’s experiences under the rug when we argue about her relationships?

And like OP said, what have we even got to show for it? No conclusion has been reached, nothing has been achieved besides valuing a romance (or the hatred of that romance and preference for a different romance) over individual characters, namely an individual character who happens to be a teenage girl that has suffered an ungoldy amount - suffered, sometimes, at the hands of male characters we like.

In conclusion, the mass allergy everyone seems to have to giving a shit about Aelin unless its to further their agenda is sickening. If I had a dollar for every time I’ve had to hear about how poor Manon’s character was “ruined” by Manorian (although not directly by DORIAN, of course, because apparently Saint Haviliard can do no wrong) I’d have enough money to buy a lamborghini and drive it off a cliff like I wish I could every time I hear someone’s terrible hot take about how Aelin is complicit in her own alleged abuse. Yet somehow I’ve never heard anyone complain about the damage done to Aelin’s character by any of the male characters, including Rowan. It’s never “Rowan ruined Aelin’s character!!” it’s “Rowaelin sucks and so does Aelin.” In fact, one of the REASONS Aelin sucks in the first place IS Rowan/Rowaelin! What a great implicit message to send to people reading your “critiques”: if you are annoying and #problematic enough, your suffering will be used against you and you will receive no sympathy for it. Cool!

And for other ships, too: it’s never “Chaol and Dorian, while at points a very good for Aelin, also caused her a lot of pain” it’s either “Chaol was right about Aelin in QoS and both he and Dorian are ruined because of her #chaorian” OR, from the fans, who, again, are not off the hook, “Chaol and Dorian and Aelin are BFFs forever #originaltrio.” And as a teenage girl myself, who loves and identifies with Aelin, who is more invested in her story than anyone else’s… I’m just tired. And more than a little appalled. And I wish we could do better.

[sebastiianstan]

Tumblr content school: why you don’t always get notes and how to (potentially) get a bit more

So in recent weeks, I’ve seen quite a few posts floating around that centre around the same subject: content creators, mainly gifmakers, not gaining followers as quickly as they would like to and/or not getting as many notes on their original content as they would like to. Most recently I’ve seen people share their like-to-reblog ratio, with a call to users to also reblog content instead of just liking it, which would result in more exposure and recognition for the creator.

Now, while all of those feelings are perfectly valid and you’re obviously allowed to post whatever you like on your blog, the conversation around this is quite unnuanced and, at times, a bit uninformed. I’m not claiming to be some kind of expert, but having been a content creator (gifmaker) on this platform for quite a few years, with my own small share of popular gifsets floating around and having built both my own blog an two fansites/group blogs to at least moderate success, I do think I have a certain degree of insight re: getting notes, so I thought I’d put in my two cents. Please note that I’m not making this post to be condescending in any way, or even to tell you what to do/how to create content, but I thought I’d help as much as I can, based on my own experience.

Below the cut are 1. reasons why I think gifsets don’t always get the number of notes you wanted/expected them to, and 2. tips on creating and posting content in a way that will potentially get you more notes.

Why you might not be getting (a lot) of notes

So let’s start with some general trends re: gifsets not getting as many notes as you’d like/expect, and not as many as they would have maybe a few years ago.

1. Tumblr is past its peak

Based on experience, I’d say fandom Tumblr reached its peak in 2015-2016, and was riding that out in 2017. I’ve mainly been a Marvel blog in recent years, so I can’t speak for other fandoms, but Tumblr was... wild in the lead-up to and aftermath of Captain America: Civil War (2016). Wonder Woman (2017) was a similar situation on the DC side of things. 

New Marvel releases (like Ant-Man & The Wasp, Avengers: Infinity War and probably most notably, Black Panther) still get a lot of traction and fandom definitely isn’t dead on Tumblr, but I feel like 2015-2016 were definitely peak years. I only recently returned from a year-long hiatus; I stopped being active in late 2017 and even then my dashboard wasn’t quite as active as it was a year before that. Upon returning here about a month ago, most of my mutuals from back in the day had also become inactive and a lot of gifmakers I used to follow were not creating content anymore.

So it boils down to this: I think it’s very likely that the amount of active users within your fandom has diminished significantly as compared to two years ago. A set that may have gotten 10k notes within a few days in 2016 might now only get half of that.

2. The URL thing

This is a sad truth, but it does seem that having a semi-canon or canon url does at least help with getting a larger amount of notes on your content. I have no tips on getting a canon url (I got very, very lucky with this one), but this is a simple observation I have from over the years. Url trading/selling has basically become a genuine business due to this - canon urls are in high demand.

More importantly, what I can say is that it’s smart not to change your url too often. Becoming a popular content creator on this platform is basically the same as building a brand - and a brand has an easily recognized name. Once you have a url you are happy with, try to stick to it for a while. When you change your url, links break on reblogs of your old gifsets, by the way.

3. The like-to-reblog ratio has always been unbalanced

For as long as I can remember, posts have gotten more likes than reblogs. If your ratio is 2-to-1 or 3-to-1, trust me, you are doing perfectly well for yourself! Again, as with my first point, this might have gotten a bit more extreme since 2016, but it’s not a new thing.

4. Popular users support each other

Obviously there’s nothing wrong with this (in fact, I love that we all support each other), but yes, in general big/popular blogs are friends with each other and tend to reblog each other’s content, which can be discouraging for smaller or aspiring content creators on the platform.

However, please be aware that these big blogs built up the following they have by posting content for years and it just takes time. Also, know that most users on here actually really enjoy being tagged in your posts - so if you gif a movie or tv show you know a popular user (that you follow) likes, tag them in it and if it’s high quality content (I’ll touch on this later), they’ll probably reblog it.

Tips on getting more notes

Alright, on to part two: my personal tips on getting more notes. These are strictly based on my own experience, and as a repeat of my disclaimer earlier: I am genuinely trying to share my knowledge; none of this is with the intent of being a condescending know-it-all.

1. Don’t look like you’re complaining

No matter what the intent behind your post about your lack of notes and/or followers is, it’s very likely you’re going to come off entitled or ungrateful. I’ve personally unfollowed multiple users who post consistently about reaching their next thousand, who make angry/frustrated posts when their followers don’t increase as quickly as they’d like to, when they lose followers, etc. I understand that the hustle is frustrating, but posts like these are really quite annoying for your followers; you’re complaining about followers you don’t have to followers you do have, who are then more likely to unfollow you because it looks like you’re complaining. Your mutuals might understand why you’re posting this, but others probably don’t.

When it comes to posts about like-to-reblog ratios, which I’ve seen a fair few of recently, please consider a couple of things. 

When you ask people to reblog your post instead of liking it, you are essentially telling them what to put on their own blogs.

A lot of users on here have carefully curated content; while some users simply blog about everything they like, others stick to a certain set of subjects/movies/tv shows. If they see a post they like that doesn’t fall into those categories, they’ll give it a like to keep track of it and show their appreciation, but won’t put it on their blogs. You can’t tell people to reblog something they don’t want to.

You’re essentially asking people that you do not really personally care about to do something for you. Most of the likes you get on your post are likely from people that you do not follow yourself. I’m not saying that you hate your followers or don’t care for them, but you can’t really ask anything of a user that you don’t even follow yourself.

Look at it this way: Tumblr is basically a mini society, with its own market in the form of content creation. The ones who have a few thousand followers, and who get a few hundred or a few thousand notes on their posts are already the lucky ones. If you’re a user who gets hundreds/thousands of notes on their posts (even if it’s not as many as you like or deserve), you should keep in mind that the vast majority of users on here are small blogs that don’t have the traction that you have. If you post a screenshot of the like-to-reblog ratio on a post that has 2k notes, they’re going to think, “what on earth are you complaining about?”

Posts like these can really only backfire. I don’t think it’s likely that a lot of users will suddenly start reblogging instead of liking because of them. I know those posts are getting traction, because your mutuals and fellow content creators understand your frustration (believe me, I do too!), so they reblog/like/comment on it, but you’re essentially in an echo chamber of content creators. Anyone outside of that circle will not understand it and might unfollow you because of it.

2. Quality

Another disclaimer: I’m not implying that the people who have made posts about notes/followers don’t make HQ gifs. This is simply the “tips on getting notes” section of this particular post, so that’s what I’m doing. Veteran gifmakers can skip this section because I won’t be presenting anything new here.

Here’s the thing: high quality gifsets get notes. I know that what constitutes a HQ gif is subjective, but there is a consensus on this amongst big blogs, so I will summarize it below.

Make gifs from high-quality video sources. If 1080p is available, use that. Don’t gif from videos below 720p. Also, the larger the t*rr*nt file, the higher the quality. If a 1080p t*rr*nt from a movie is under 2GB in size, it’s probably not decent enough to gif from.

Use the new dimensions. Tumblr changed from 500px to 540px over 3 years ago now I believe, and all the big blogs use these dimensions. I rarely see sets like this anymore, but some users do still hold on to the old dimensions. Obviously, you should do what you like, but know that you’ll get more notes if you make the switch.

Do not skip frames. If you use screencaps, extract 25 frames per second. If you are an ‘Import video frames to layers’ kinda gal, like me, import all frames.

Sharpen your gifs! It makes an insane difference. My faq section links to a sharpening action.

Your frame delay should be 0.05. If you have a low amount of frames, you can get away with 0.06, but do not make your gif any slower than that. It will look unsmooth.

Go for natural coloring, where you simply brighten up the gif and enhance the colors (beware of whitewashing tho). I know that using PSD’s from resource blogs is tempting, but it’s very likely they will not work for the particular scene you’re giffing. It’s best if you learn to color yourself and adapt your coloring for every set. Also, it’s up to you what you think is pretty, but extremely vibrant and extremely pale coloring isn’t very popular anymore. Natural is the way to go. (This is with the exception of those gorgeous color edits people have been making recently. Y’all are queens & that shit is hard to make yo!)

If your gif is larger than the 3mb limit, NEVER sacrifice colors in the ‘Save for web’ window. Always delete frames to lower the size of your gif.

Just saying, but Photoshop CS5 has been known to make the best gifs.

For beginners out there, please don’t be discouraged. I’ve been making gifs for years, and they were absolute shit in the beginning. It just takes time to learn, but if you stick to it, you’ll get there.

3. Concept over quantity

Allow me to draw a comparison with YouTubers here - I think we all prefer YouTubers who post one well fleshed out video a week (for example, Safiya Nygaard) over YouTubers who post an okay video every day.

I think a lot of users think the way to get notes and followers is to post a gifset every day. This probably does work to an extent, but I personally think it’s better to come up with original concepts that you post every few days.

When you watch a movie, you can make five gifsets out of scenes from that movie, or you can come up with a concept. For example, parallels between scenes, parallels with other movies, the best lines of a certain character, etc. This takes more work, but sets like these are highly appreciated because they’re original, and they tend to get more notes.

This doesn’t apply to new releases, as you are probably among the first to gif a particular scene, but if you’re giffing a scene from a movie that’s been out for a while, you’re very likely not the first to do it. People will see it, realize they’ve already reblogged something very similar, and keep scrolling. But if you come up with a new idea, that’s what’ll get you more traction.

To give you a personal example; I recently rewatched all of the cap films. Now, I could have giffed popular scenes like “I could do this all day” or “I’m with you ‘til the end of the line”, but that’s been done before... a lot. Instead, I came up with this, and got 6.5k notes. I haven’t posted that many new sets on my blog recently, but posting content like that has gained me some followers and new mutuals.

4. Timing

All this requires is keeping an eye on your dashboard and taking note of when most of the people you follow are online. I sometimes see European content creators posting their sets smack dab in the middle of the day. Lemme tell y’all something: the Americans are sleeping.

I’m in timezone GMT+1. My dash wakes up around 5pm. I never post before 6pm - I’ll post anywhere between then and midnight, so feel free to convert that to your own timezone. The scheduling feature on posts comes in handy if you’ll be asleep or at school/work around that time.

If you post when Tumblr isn’t active, your set will drown in all of the other content, so be smart about timing.

5. Strategic tagging

It seems that a lot of users still don’t know this: only the first five tags on your post show up in tags on Tumblr. Anything past the first five will only be useful for your own tagging/archiving system, but will not show up in any tracked tags.

So first point: always use the most prominent edit tag for the fandom you’re posting in. Examples are #marveledit, #hpedit, #filmedit. These are frequently used, and often tracked by big blogs.

Second point: figure out who the big fansites/group blogs are, and if they track a tag, tag them. Make sure you follow them, obviously. If your post is funny, you might wanna tag bob-belcher (#bbelcher) as well - this blog is popular across fandoms and posts content from all over!

Third: tag users who you think will like your post. Don’t be thirsty with this. Again, only do this if you follow them. Tagging 2-3 users is ok, but don’t be out there tagging 8 to 10 blogs on your post. Not only is that a little pointless (because only the first five tags will show up), it also makes you look thirsty. Users might not appreciate this, and ultimately might not reblog your post because of that. Also, try not to tag the same users on every single one of your posts.

6. Popular content

If your fandom is niche, so is your content. That’s perfectly fine; don’t feel pressured to post about anything that isn’t your passion.

But if your goal really is to get more notes and followers, create content from fandoms that are big on the platform. Examples are Marvel, Harry Potter, Star Wars, film blogs, etc.

7. Join a fansite/group blog

Every big fandom on Tumblr has one or multiple fansites/group blogs. I recommend you figure out who they are for your fandom, and apply to one that’s accepting new members. You’ll likely get in if your gifs are HQ.

I know this sounds a bit counterintuitive, as you’ll be posting content on another blog that will be getting the notes and followers from it, but it actually is a good way to gain more exposure. These blogs have large amounts of followers, and they usually allow you to reblog your own content to them, as long as you’re active. I think it’s a great way to get your content out there.

Alright, time to wrap up this post. I’m not personally calling out anyone who has made posts about followers, notes, like-to-reblog ratios, etc. I’ve seen at least 15 of those posts in recent weeks so I’m just reacting to a trend I’m seeing, by presenting a potential solution to a problem people seem to be having. 

My last tip is this: if notes and followers on Tumblr are making you feel down or frustrated, maybe it’s time for a little hiatus or a step back. In the end, you are not getting paid for this and your popularity on the platform has no bearing on your real life. This is supposed to be a fun outlet for your passions and interests, not a source of frustration and anger. Don’t take it too seriously! You’re doing amazing sweetie.

[astrclisms-blog]

You are everything I despise about what roleplaying has become. A bunch of stuckup private people. Roleplaying used to be about making friends and having fun. The RPers choose YOU not the other way around, you can be selective about who you want to rp with but ignoring people because you aren't following them yet? Before they even have a chance? For just saying hello? Disgusting. The RPC needs to shun private rp blogs and go back to being open and RP with everyone.

How are we suppose to become mutuals if I’m not allowed to interact with you? And I’m a side blog… It’s impossible to find new people to rp with.

What do you think of me meme? - Accepting

Go on ANON and tell me what you think of me. I do not want to know who it is, at all. Don’t tell me who it is, don’t give me hints, don’t say your screen name. Tell me exactly what you think of me. Don’t sugarcoat things. Don’t lie. If you hate me, tell me why. Tell me what I’m doing wrong. If you like me, tell me why. Tell me exactly what you think of me.

I’m putting these both here because from what I can gather… These asks are both sent by the same person simply because of how close they where time frame wise when I received them along with how similar the writing is. Plus I believe you’re the same individual who sent me an ask related to this back in January. Here’s the ask if anyone is curious. And if you are the same person who sent this I encourage you to read my response to your previous ask as well as this one as I doubt you even read it. And even if you aren’t the same anon as before, please read it because it will give some insight to some of the things you’ve questioned I believe.

Anyways. To answer the the small ask I sent that I have put in this post just so I didn’t have to make two posts about this. The part about being a side-blog. My rules literally state the following in relation to any and all side accounts. 

The General Info Section

The Following/Unfollowing Section

If you have a personal account with a side-account. Tell me. But if you’re an RP account who just so happens to have a few side RP accounts as well, then there’s a good chance I know that you do. Lucky for you anon is that if you are in dead a follower (which I’m pretty certain you are if I’m being honest) I at this current moment and time know which followers of mine have a side account. 

Enough about that however. Onward to the big ask now. And the response to this one is going to be extremely long so I apologise in advance but I do hope you read it. 

To start of. It’s kind of obvious you haven’t read my rules in the slightest. Specifically because I state the following in my rules in the first section might I add:

The General Info Section

If you don’t like how I run MY account. Then go. Leave. It’s literally stated in my rules right there. I don’t have time for people like you. In fact, I don’t even wish to befriend people like you who act like an entitled brat. What makes you think you’re entitled to my time at all? News flash hun. You aren’t. You aren’t entitled to my time in any way shape or form. That’s like saying every stranger you walk past MUST say hello to you. The real world doesn’t work like that at all. You are NOT entitled to my time. You are NOT entitled to write with me. You are NOT entitled to befriend me. You are NOT entitled to receive anything from me in the end. That is life. You are NOT entitled to anything from me or anyone else.

Now lets address your message and I’ll do so by looking at it in parts. Mainly the parts that greatly stick out to me. 

‘A bunch of stuckup private people‘

Now. I don’t consider myself stuck up in the slightest. Some people might think I am due to howI run my account but then again we have different views on people and that is life and it happens. But let me elaborate as to why I am private and to an extent selective. I am private and selective because I don’t wish to clutter my dash with people I don’t want to write with or see myself interacting with at all. It’s why I prefer to interact with mutuals only and am picky with who I follow at times. 

I used to not do this and write with everyone. But I got overwhelmed. On one account I had 1.3k followers and starter calls could get like 20-30 likes sometimes and it just wasn’t doable. I couldn’t do it and people would get mad at me if I didn’t write them a starter. It took a massive toll on me mentally and emotionally when I ran my accounts like this in the past.

I am private for my own health and safety. So I’m not overwhelmed by threads and so I don’t have to force myself to write with fandoms I don’t know/aren’t a fan of. So I don’t feel overwhelmed with interactions and stress when I can’t interact with everyone who wants to write with me. That’s just a few of the reasons I am private. I can’t speak for everyone but generally people are private and selective for many different reasons. People have different experiences during their years of roleplaying and because of that they become private for many different reasons. 

Me becoming private and selective was due to my own health and safety in the end. 

‘The RPers choose YOU not the other way around’

So, from what I gather from this. You’re basically saying that ‘people get to choose to interact with me if they want to but I myself can’t choose who I want to interact with’. Like correct me if I am wrong but from what I am gathering, that’s exactly what you’re implying. Implying I don’t get to have a choice in who I wish to interact with. 

Fun fact. That is highly toxic behaviour and view points my dear anon. If you think that, think that it’s okay for you choose to follow me but then state I can’t choose if I want to follow or interact with you, that I should interact with you just because you show interest! Then you shouldn’t be rping in the first place because guess what? People can pick who they wish to interact with. 

That’s like saying to someone you meet ‘I have chosen to be your friend but you don’t get to decide if you want to be my friend or not you are my friend and that is that’. Like do you see how unrealistic that is? See how toxic that is? No one would be your friend if you did that! As I’ve already said. You’re NOT entitled to my time. No one is. And at the same time, I’m NOT entitled to peoples time either. If people don’t want to follow me back or interact with me because they aren’t interested in who I write or how I run my account? That is fine as it is life. You aren’t going to interact with or want to interact with every rpier out there and every rpier out there isn’t going to interact with or want to interact with you. 

‘You can be selective about who you want to rp with but ignoring people because you aren’t following them yet? Before they even have a chance? For just saying hello?’

So the continuation to the statement from above! Now with this part you’re saying that I CAN be selective with people? Only to go on and state I’m ignoring people before giving them a chance when I am being selective! My dear anon you have no idea what I do when I consider following someone so here is a break down because I look at every account as an equal if they follow me first. Same if I go looking through accounts and follow them first. So.  

I look at new followers when I get the opportunity as I am not here at all hours of the day and even then sometimes I’m too tired to read peoples information. In general I tend to skim bios and rules first. See how long they are. Sometimes I don’t have the ability to read a lot of information in one go so if there’s a lot of information I make note of the account to look back at once I’m able to read a lot of information in one go. I read rules and bios pages. Then verses and headcanon pages if you have them. If it’s a multi-muse I tend to read the bios on the muses I’m interested in interacting with and skim over other muses to see if there’s the chance to interact with them. Next. I look at your posts. I look at how you write your muse, to see your style of writing. I look at your ooc posts to see what you’re like as a person to see if you vague or complain about the rpc. I look to see if you’ve got drama and callout tags and see if you actively participate in stuff like that as well. I tend to not follow people who participate in a lot of drama or vague/complain about the rpc quite a bit because I don’t want that on my dash. If I am interested in interacting I will follow you or follow back. If not I will not follow you at all. I tend to not follow people who seem to ship with one particular muse for my own comfort as I don’t want to essentially become ship fodder.  If you write in a fandom I am not interested in or fond off I tend to not follow either. I also don’t follow if people don’t cut their rp posts because I don’t want my dash getting clogged by a thread that has like 20+ reblogs to it. 

I don’t ignore followers. I do look at them when I can. I’m not the fastest person at doing so but yeah. I do look at them and see if there is the possibility of interacting. I look at accounts and give each one a chance by looking at them all fairly and in the end decide if I WANT to follow them or not and interact with them.

So yeah anon. You’re right with I can be selective because it is my account. I get to do what I want with it. And if I don’t follow you, then it either means I haven’t checked your account out or I don’t have an interest in following/interacting with you because of some of the following. And with how you are acting, I don’t even want to interact with you in the slightest.

Also. I can assure you, that if you are the person who sent that last anon hate. You haven’t said hello to me once on this account. You just followed and that is it. If you wanted to say hello you’d have sent an ask of anon or on anon while stating your side account or even sent me a DM instead. If you are the person then I’m pretty sure you sent an ask stating your side account on my last account. Maybe things could have been different if you approached me privately but no. We went done the road of hate and trying to guilt trip me again!

I know I reblogged this meme. Asking for peoples honest opinions about myself. Like if you genuinely didn’t like how I wrote or acted I’d have accepted it because not everyone is gonna like everyone. But I didn’t think I’d get an anon like this again. On how I ran my account considering it’s my account and no one elses and I can do whatever the hell I want with it. 

So in conclusion anon. Leave. Get out. Skedaddle the fuck away because I will never want to interact with someone like you. Someone who acts like an entitled fucking brat and thinks I should interact with them just because they decided to follow me. Thinking that must mean I have to follow and interact with them too. Fuck no. It states it in my rules about shit like this and I’ll even show it for you. 

The Following/Unfollowing Section

Right there. There you go. It states right there on the topic of following and if you don’t believe me go ahead and look in my rules as it’s right there along with the other screenshots I made at the beginning of this ask.

Just. Unfollow me. I have a good idea who you are thanks to your last ask from around two months ago as stated earlier. Christ fuckin unfollow and block me again if this is you please. The only reason I think I know who this is is because of the last anon from two months ago. From when it was sent and how an account had unfollowed me and also blocked me. 

If you have issues with how I ran my account or questions then you should have spoken to me privately about it. I stated that a few times in my rules which you’d have seen if you read them along with various other things you’ve mentioned in the ask. If you read my rules you’d have seen I say ‘don’t follow me’ if you don’t like how I run my account and how to interact with me if you’re a side account. 

I want you to fuckin leave me alone now. You don’t like how I run my account. Congratulations. You’re human. You don’t have to like everything in the world! However!!! Doesn’t give you the right to harass me in the slightest about it or act like a fucking asshole.

I disgust you for running my account way I want to? Well guess what? You fuckin disgust me for thinking it’s okay to send this hate simply because of how I run my account and for trying to guilt me because of this. How about you stop being a fuckin melon and start acting your god damn age and not your shoe size. 

If you’re still pissed of you may speak to me privately of anon to explain why you felt this was the appropriate course of action but. Send it on anon. I’m most likely going to ignore it. I don’t need fake apologies from someone hiding behind a mask. If you do genuinely feel remorse and want to explain your actions, speak to me privately. I am willing to speak and listen to you but I will not wish to follow or interact with you due to your actions so please keep that in mind. 

Otherwise, if you’re just gonna send it on anon or just send me more hate and guilt then please skedaddle the fuck off to whatever planet your brain is on and never interact with me again.