Is this fanfic friendly? I feel like an outlier.
I guess this is my sign it's time to throw together a FAQ post to link to lol.
Yes, every event for this blog is fanfic friendly :D
Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!
It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!
As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!
Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),
but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--
you may find yourself pleasantly surprised by what you find down that rabbit hole!
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Idk I too want better for Casca but I really dislike the hype for Casca potentially becoming an apostle, these users put it far better than i would:
https://www.tumblr.com/deripmaver/723418827650727936/why-i-am-a-hater-of-the-apostle-casca
https://www.tumblr.com/deripmaver/723493450382802944/im-so-happy-to-find-another-casca-apostle-hater https://
I skimmed these posts to see whether there were any points made that I felt like "responding" to, and there's a few.
First, Casca being a good person has nothing to do with anything except people not wanting her to become a monster, which I obviously don't vibe with because I think the concept of a good person becoming a monster fucks hard, which is one reason I like Berserk a whole lot. And I think a potential Moonbaby sacrifice would fit perfectly with one of the "good person" sacrifice examples they give: the 'person you loved the most and hated the most' sacrifice motivation, since it's intertwined with Griffith in some metaphysical way and it could be a two for the price of one deal. It's almost too on the nose.
Second, I don't think it necessitates Casca joining Griffith. Griffith seems to be out of the Godhand now, incarnated on the physical realm, presumably no longer presiding over sacrifices, and my favourite worldbuilding pet theory is actually that the godhand and Griffith will be at odds. Something's gotta threaten the godhand's existence since something wiped out the last cycle that we saw in Skull Knight's memory, and an incarnate fifth that appears right on schedule seems like just the thing.
Third, Casca's apostle trauma is, if anything, a sign in favour of her becoming an apostle since like, everyone in Berserk is at least tempted to symbolically become their abuser/rapist/nemesis as part of gaining power, eg:
Why can't Casca get in on the interesting and complicated moral and emotional greys here? This is good shit, I want it for Casca. I want her to be tempted to become what she fears, to escape her own sense of powerlessness through abandoning her morals. It's just a more direct version of Guts wanting to become a monster since that's rooted in rape trauma and both the narrative and Guts himself equates monsters to both his rapist and abuser.
I didn't see them mention the fact that apostles are compelled to love Griffith which to me seems like one of the best arguments against it (though again, I skimmed so maybe I missed it), but Ganishka resisted that, and Casca has a long history of repressing her love for Griffith so I think it could actually be a neat, and overcomeable extension of her human feelings.
Another big and better argument against it, particularly after the last couple chapters, is that Miura clearly just did not give a shit about Casca lol. And I mean I already knew that, one reason I thought the apostle Casca theory held water is that it would be a way for Miura to avoid writing Casca's trauma realistically and instead veer into one big dramatic moment followed by fantastical metaphor while keeping her a less nuanced plot point, albeit a more active and fun one than she had been so far. Instead his way of avoiding writing Casca's trauma realistically was to have her faint any time she thinks about it and then take away her personality AGAIN. So yeah, unfortunately I just don't think Miura wanted Casca to be badass and actively affect the plot. Idk if he ever knew what to do with her after deciding not to kill her off just to motivate Guts post-Eclipse.
Finally I just don't know if there's really time for that anymore. My vision was an Empire Strikes Back style end of second act downturn. Casca becomes a monster and sets a new arc in motion, Guts falls into despair and succumbs to the armour, shit gets real and interesting again for a while. Instead Guts' second act downturn is being mad that Griffith is still a god lol. She could definitely still go apostle at the climax of the story, and you better believe I'm still rooting for that, but idk if it'd be as satisfying lol. But I guess we'll see.
Anyway yeah you're free to disagree with any of my hot takes, but you're not gonna convince me Casca shouldn't become an apostle, because my reasoning ultimately boils down to "I would enjoy it." I would certainly enjoy it a hell of a lot more than fainting damsel in distress Casca which is what we're dealing with right now lol. If your reasoning boils down to "I would not enjoy it" then I probably won't convince you either, and that's fine. We'll find out what's going to happen eventually.
And finally I want to err on the side of caution and make it clear that I have no interest in arguing with the user you linked, and I hope you're not planning to be like, some kind of anonymous go-between linking posts back and forth. I used the linked posts as a bouncing off point to explain some of my reasoning, and that's the end of it as far as I'm concerned.
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Okay but what is this class?
So, within the film school were 3 areas of study, and you had to pick ONE to do:
Telecommunication law and policy.
Media Sciences (The academic studies. If they could show you something and put electrodes on your head to read your brain, they're happy)
Design and Production-- actually making shit. Scriptwriting, studio, field production, sound design, editing, etc.
I did a self-created hybrid major, bridging Media Sciences with Design and Production.
----
Laid that ground information because I can only describe the classes from the way I approached them. The media psychology students got something totally different out of it and my brain just doesn't stop where theirs stopped.
If I mention the sex class, I'll end up writing that 100,000 word essay on how it is applied to LITA, so let's talk the horror one (my fav).
What the class does is get into physiologically, what happens to a person while watching horror? A lot of that is really obvious- you can become tense, anxious, your stress levels actually go DOWN overall (which is not how it feels in the moment), and you experience a rush of adrenaline.
Then you dig deeper. What is contributing to the tension? The human brain processes things at different speeds, sight is slower than sound. So sound mixing becomes both critical to creating a horror atmosphere, and also a cheat code. Anything becomes spooky if it SOUNDS spooky.
Monkey brain hear spooky, monkey brain no like spooky. Now it's dark. Monkey brain cannot see danger approach. Monkey brain fight or flight grow big.
Now, if you don't have a valve to bring the tension down (something scary, jump scares are the most lazy way), monkey brain get bored. Monkey brain start adapting to the adrenaline and your adrenal gland is like "Guys this party sucks".
And that's why M. Night Shamalan movies blow. Level tension. So at the end when he tries to ramp it up your brain has already gotten bored and gone home so it's just like "Who the fuck cares".
What else is in horror movies? Violence!
But guess what? Monkey brain feel things if they see gruesome stuff. Boy monkey brains especially.
But what's this? Girl monkey brains are different than boy monkey brains. Girl monkey brains have SO MANY MORE nerve endings (that equals empathy). You show gruesome to girl monkey brain, girl monkey brain is like "childbirth and periods are more gruesome than this" (girl monkey brain not the most feminist, the feminism comes from evolution and enlightenment).
But you show a girl monkey brain the FACE of someone in pain- the agony and the terror... That's going to slam into those nerve endings and activate Empathy Mode- and now you can imagine how that violence FEELS.
Know your demographic- based on your subject matter, the likely ratio of boy monkey brains to cater to vs girl monkey brains. Set your balance of violence and face shots to keep both on the same page with that tension you are rising and lowering.
And I did say I didn't want to get into the sex one because I don't want to rabbit hole, but sex and horror tend to walk hand in hand because they're such primal triggers.
That's the "monkey brain" theme up there. They are not speaking to you as a rational human person. They're speaking to the root code of your DNA (do not try to hijack my post to argue anti-feminist things because of monkey brain, I'm talking horror and sex).
They're poking at instinctive responses you do not consciously control on average.
So yeah
I created a hybrid major track for myself within the department (I love that my uni gave students the freedom to do that) to study media psychology and apply it not to research on the human condition, but to learn to basically brain wash and mind control my audiences.
To reach into the monkey brain and hypnotize them until they end up- as the video game design majors would say- in a flow-state where time stops existing. Just the story is left. Like a dream you don't realize you are dreaming.
... ... ... When my professor realized how I was mixing the two tracks, he started calling it the Super Villain Major.
I have no regrets.
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