#and I’m not ok

[shallowcoffin]

just finished watching the citadel arc and realizing that echo getting shot is the last thing fives saw of echo. and i’m not ok.

[ishipmutualrespect]

Idk why but your anchor rope breakdown has me thinking about how we know Harry sleeps on the right side of the bed, so the tattooed arms are next to each other then, and was that how they picked which arm? and yeah it’s too early for this 😭

I guess you’re right

[braverytattoos]

Had to brighten up this pic a little cause omg

[lennysfridge]

can we discuss eddy with glasses please

[spiderversegf]

“what have you been up to lately?” i don’t leave the house

[queer-is-future]

so when straight people ask me why I say I’m “queer” or “gay” instead of sharing my actual identity as a panromantic demisexual non-binary sapphic queer I just tell them “ok look, when you’re talking to someone who isn’t local and they ask you where you’re from and you either say the name of the largest city nearby or ‘town name, suburb of large nearby city’ so they can get some geographical context of where you’re located right, bc they’re probably not going to know the name of the little town you actually live in.”

but if you’re talking to a local you can say the name of your actual town bc they have a greater chance of knowing where/what that is.

ok well when I’m talking to a straight person I start with queer bc chances are they aren’t as familiar with the context of all the little towns in that big queer city and need gps (gay positioning system) to find me.

if I’m talking to another queer person and I say I live in a suburb of gay city in a town called panromantic on the demisexual side of the tracks which is in the county of queer and I live off the intersection of non-binary and sapphic, they’d probably be able to find me with little to no problems, make sense?

[mlm-blues]

“lmao imagine liking men” OK!!! ON IT BOSS 🫡🫡🫡 it’s beautiful here

[daincrediblegg]

OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:

You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)

BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES

You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable

THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION

And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[ratgill]

every ghibli movie is better with some guys in it

[happyheidi]

𝖠𝗊𝗎𝖺𝗋𝗂𝗎𝗌 𝖼𝖺𝗇𝖽𝗅𝖾𝗌𝗍𝗂𝖼𝗄 𝖻𝗒 𝗅𝗂𝗏𝖺𝗇𝖽𝖽𝗈𝗆

[thedeathdeelers]

everyone in the goncharov tag rn

[girlstressed]

well i may not be the prettiest person in the room or the coolest person in the room i think im at least the third funniest

[eskildit]

In a better kinder world. Gideon nav would have been at the club.

[honey-doc]

Chil becoming a union organizer for half foots makes so much sense because literally any time a half foot was in chil’s vicinity he was looking out for them

Like when marcille & senshi transformed

And with mickbell

[cosmosnout]

The most doomed siblings ever