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the-phoenix-heart · 3 years

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10 Amazing Futurama Comics

There is a severe lack of Futurama content on this and other sites (seriously, the Night at the Museum movies have more fics than Futurama). And, nobody posts about the Futurama comics. So I’m posting 10 of my favorites.

10. Attack of the 50-Foot Amy (Issue #33)

It’s actually not as sexual as the cover makes it out to be. The basic premise is that Amy mistakes the can of growth spray (that Cubert and Dwight want to use for their science fair project) for hair spray and sprays waaaay too much before her anniversary date with Kif. Meanwhile, Bender teaches Fry the wonders of video piracy, but after he gets scared by a movie home alone style he eats his disc of pirated movies and starts uncontrollably acting them out. You can probably guess how these two plots connect.

While I do list this one as one of my favorites, it’s far from perfect. The artwork is good, but the scaling on Amy is very wonky so she looks more like a twenty-foot Amy (also Dwight’s eyes are drawn weird in this comic, he looks blazed out the entire time). But I cannot help but be charmed by this comic. It’s got some sweet Bender and Fry friendship moments and actually makes me believe Kif and Amy’s relationship for a little bit. They are very sweet in this comic, although Kif does go through some pain in this comic.

Best moments: They way they resolve the plot is actually pretty funny and clever, plus Bender hopped up on pirated movies is a joy. At one point Fry gets shoved by Steven Spielbot (don’t ask) and Bender goes all Rocky on his ass saying “No one talks to my gal, Adrian, like that!” It’s very sweet and...subtextual if you understand my meaning. This one also has anti comic book piracy message at the end which was ironic for me to read.

9. Doctor What (Issue #32)

The Professor creates a time traveling port-a-potty so that you can pee in whatever time and space you want, although it’s completely random. However, Zoidberg accidentally breaks the potty, so him, Leela, Fry, and Bender have to keep randomly flushing to get back home. On each of these new worlds Zoidberg keeps accidentally saving the citizens, getting medals, and ends up becoming addicted to the fame he keeps winning. Which leads to them getting stuck in a post apocalyptic New New York.

This is the infamous Leela-Bender-Fry fusion comic, Leelan von Fry-Bot. His backstory is actually a little sad, but I won’t spoil it here. This one is pretty good, because it has Zoidberg as the hero. Actually quite a few of these feature Zoidberg as a fourth member of the delivery crew which is weird, but not entirely unwelcome. It’s also fun to see these other worlds, and now that I think about it it’s actually a little similar to The Late Phillip J. Fry, what with the time travel to different interesting worlds.

Best Moments: I actually liked Leelan’s backstory, and his interactions with his “parents” (you’ll understand when you read it) are actually pretty funny and a little cute. Fry really wants to be a dad you can tell.

8. The Simpsons Futurama Crossover Crisis II

The professor creates a device that takes characters out of their stories into the real world. Trouble is, he tells the mayor that this invention is useful because you can get slave labor out of the characters because they technically have no constitutional rights. The Simpsons end up working with the Planet Express crew, but an accident leads to the release of ALL FICTIONAL CHARACTERS EVER.

This is a sequel comic to the Futurama Simpsons Infinitely Secret Crossover Crisis (fun fact: a reference to several famous comic book arcs). I chose this one above it though because I think it understood the assignment better. The original is funny, but I just don’t think that Springfield is a good setting for a Futurama crossover. Springfield for all its zaniness, is not the future. New New York, however, is great for this crossover. We get several scenes where we see the Simpsons going through space and fighting off monsters. We even get to see the other residents of Springfield in the future, Mr. Smithers becomes a space pirate and Mr. Burns falls in love with Mom, it’s great.

Best Moments: Some of them I already mentioned, but I cannot stress enough how hilarious the Burns-Mom romance is, it’s especially good when you can hear their voices in your head. I also like the friendship the Simpsons have with the Planet Express crew.

7. Six Characters in Search of a Story (Issue #14)

This is a very interesting comic. The Professor falls asleep, so to pass the time the crew decides to look through his old failed inventions, and well, that’s a very bad idea. The most interesting thing about this comic is it’s designed so that if you want you can only read certain panels to follow one person’s story. The Futurama comics do this a lot of the time and it’s always interesting.

The shenanigans that occur in this one are really funny, and there are some great looking pages in this. Also the Futurama crew clearly took ideas from the comics, and this is one of them. You can tell from the cover art that this does have elements of “Benderama” in it, what with Bender cloning himself ad infinitum. I also really like the climax, it’s a little schmultz-y for Futurama, but I don’t mind.

Best Moments: Fry gets stuck with a Spanish speaking Bender and I don’t know why but it’s really funny to me. The professor also gets some funny moments in this one. And Scruffy. Scruffy is always a delight.

6. Igner-ance is Bliss! (Issue #63)

Yeah this is the infamous robot Leela and Fry comic. Don’t worry, like the cover says, it’s not as dramatic as it looks. The crew has to go to a world that’s too dangerous for humans, so Fry, Leela, and Zoidberg all have their consciousnesses put into robot doubles so they can make the delivery. However, it turns out this planet is a sort of getaway spa for robots, and the crew decides to party it up there, at least until Bender discovers that this is a front for an evil plot by Mom. The subplot is mostly about how Igner is not respected by his brothers.

This one is fun, and I love a comic where Bender has to be the voice of reason. It is clearly killing him to be the responsible one, but I love it. Also, I have a soft spot for Igner, so it’s nice to see him get thrown a bone for once. This also has some really fun jokes with everyone, but Zoidberg in particular gets some bangers. I think my only problem is it ISN’T as cool as the cover makes it out, but like I’m happy with what it is.

Best Moments: Fry beats up Bender at one point and wins, I think he deserved it. Also, y’all know Admiral Ackbar from Star Wars? He makes some cameos in this one. Also all the robots (sans Bender) make a Japanese style mecha and it’s the coolest thing ever. Plus everything I’ve said about Igner I love in this one. Oh also Fry beats Calculon at poker and I really love that.

5. Who’s Dying to be a Gazillionaire? (Issue #5)

This one is sweet. The IRS is threatening to bankrupt Planet Express, and if they can’t think of a way to make a million dollars they will go out of business. No one really has any ideas and doesn’t even really care, except for Fry who is determined to save Planet Express. He gets the idea to go onto Who Wants to be a Gazillionaire to make the money, even though it’s a trivia show and if he loses he will die.

This one really warms my heart, it’s Fry at his best, just doing what he can for the people he loves. Even the professor is great in this one. I don’t want to spoil it, but trust me when I say it’s good (god I hope I’m not building this up too much).

Best moments: The end panel. But also the resolution of the story is great, and I really appreciate this comic for Fry as a character.

4. Rumble in the Jungle (Issue #38)

This is a fine comic. Leela is mad that she’s not being respected by Fry and Bender, and it’s bad enough that they don’t believe her when she says they’re going to crash into a planet. They end up parachuting down and getting separated. Leela ends up as queen of some workers in the “Amazon,” meanwhile Fry finds Bender’s corpse and goes off to avenge him.

This one is fun, and another fun one for Fry, because he’s determined to avenge Bender and works hard for it. This also includes the original Frender, not the ship but fusion. Leela and Fry even have a fight scene against each other and it’s honestly great.

Best Moments: Fry is great throughout the entire comic, and Leela spends most of her time beating up random animals. Bender also using a lead parachute he made out of toys he stole from children is funny, especially because I’m always a sucker for Bender doing dumb shit.

3. Don’t Go Taking My Heart! (Issue #69) (nice)

Mom only has a couple weeks to live, unless she can get a heart transplant. It’s revealed that Mom uses the cryogenics lab to get new body parts for herself, and that Fry was supposed to be her heart donor! Unfortunately, because he was unfrozen she now has to get him to work for Mom Corp to make sure his heart stays intact for the procedure.

If you can’t tell I love the Fry-centric comics, and I also like the comics where Mom is the villain. Of course this comic doesn’t go completely how you expect it to go, it’s actually REALLY sweet. I also love the fact that in this comic Fry actually makes a great intern. He basically has the job of a secretary and he’s GOOD at it. And I love seeing when Fry is good at things. The reason why I put this at only 3 is because it doesn’t really have a subplot. Bender gets a job at mom corp to but it’s only there for a couple pages, and Leela’s new crew gets two panels and that’s it.

Best Moments: The moments with Mom and Fry, but also guess who Mom’s doctor is? I’m actually not going to reveal it because it’s so random but also hilarious.

2. Boomsday! (Issue #58)

The Professor builds Bender his own parents, as a way to placate/discipline Bender. However, these parents decide that Fry is a bad influence on Bender, leading to them kicking him out. Meanwhile, the Professor’s doomsday devices are all stolen, and he has to go find them.

Both of these plots are funny and good. Bender’s plot is also really sweet what with his friendship with Fry, and his wish for parents. Meanwhile the Professor’s plot is just really funny and I do love seeing the Professor in his element. The ending is mostly heartwarming.

Best Moments: Everything with Fry and Bender, and Bender has a sweet relationship with his fake parents. Also, the Professor uses Issac Asimov candles on the robot mafia which I found a great joke. Oh, and the Professor’s first doomsday device was made when he was four years old and I love that. The end of the comic also has very nice message.

1. Rotten to the Core (Issue #27)

The world’s weather has gone kerflooey, and the Professor has figured out that his invention that can drill into the center of the Earth has been used. It conspires that Bender sold it at a yard sale to some aliens call the magmoids. The magmoids are trying to steal magma from the Earth’s core and the crew has to go and stop them.

This is my favorite because it’s a great character comic. All of the main three have great moments, and it’s also a great science comic. The Earth’s core is incredibly magnetic so of course Bender starts spouting out folk songs, and also SECRETS. I can’t believe no one has used the fact that canonically magnets make Bender incapable of telling lies. Anyway, it’s just really fun.

Best Moments: Way too many to count. Bender and Fry are told to cut out the “Brokeback Moanin,’“ Leela and Fry are bitter at the end, Fry tells story about his childhood, Bender has some great secrets to tell, the Professor gets a really fun ending, Bender has a rare moment of generosity, and the entirety of the climax is all kinds of fun and sweet.

#this is all part of my agenda to make more people watch futurama #or specifically read futurama because if you are antsy about watching a seven season show then at least you have 10 great comics you can rea #futurama #i try not to include frender in this but i'm easily susceptible to their friendship #turanga leela #phillip j fry #bender bending rodriguez #the professor #hubert j farnsworth #dr john zoidberg #john zoidberg #zoidberg #futurama comics

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hanijunk · 3 years

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Alright boys, girls, and nonbinary folks of the world. It’s 5:36am (1/30 when I first started) as I decide to give up on my attempt to continue to focus on learning statistics, avoid studying for my two upcoming midterms, and put off my two actual essays for two different classes.

Instead we’re going into a dive about ✨ KazuFuuma ✨ . Is this me telling you you gotta ship it? No of course not, you’re entitled to your own ships! You don’t really gotta care about it as a ship. But I do want people to recognize it’s THERE canonically, and how disregarding it is extremely unfair to Kazuki as a character particularly. Also, I’m working on the assumption anyone clicking this at least knows the bare bones about what KazuFuuma (ex. You know they are a ship of Kazuki/Fuuma from Dolce, you know they are childhood friends, you know who Dolce is, you know about Honeyworks, etc.) I’ll be making references to specific things, but I won’t always go into heavy detail. Might just hope you know it or take my word for what it is, and go into analyzing it. Some I’ll put direct references to find, but some I’ll trust you can find it yourself. If you somehow read this MAMMOTH and want reference to a specific thing mentioned, hmu I can help you find it!!

Also I hate tumblr formatting sm if you legit wanna read this 7 page essay but hate tumblr format lmk I'll add it as a google doc link instead too. anYWHO

Before actually getting into the meat of things lemme preface some stuff.

Again it’s like almost 6am so this will be disorganized and very train of thought (and likely long due to the fact when I fly by the seat of my pants I’m known to get unnecessarily extensive). It’s definitely gonna be in large part why it’s important to recognize as a romantic relationship foundation and what about it shapes Kazuki’s character in particular. Maybe a bit of how it’s been built up and its general focus and implications. Dunno yet. We’ll see LMAOO

I say f*ck. Not a lot, just a handful of times. This ain’t something scholarly this is for my own enjoyment so if you don’t like that might not wanna read. And it’s not like spitefully I just curse a lot if you haven’t...read my tags before lol

Again this is through the lens of a Kazuki stan. Of COURSE I’m going to have some level of bias, but if anything that bias may help more than hurt because that means I become FIXATED and think a lot about Kazuki. Which plays into establishing just how important it is that Kazufuuma’s relationship is recognized, especially in a romantic light at this point. Lmfao.

I’ll have a few more prefaces about the actual content below but to keep this from getting too long if you wanna read come below the cut owo

I have extremely limited knowledge of Japanese just taking a few classes in highschool (so like 3 yrs ago) and live in America. This means a lot of my knowledge is gathered through the english translations of the super duper incredible and lovely people in the Honeyworks fandom who provide translations (delaix and takanenene esp have provided so much for me being able to understand Dolce) and my own limited Japanese paired with Google Translate for things that remain untranslated.

This only will be drawing on information I have come in contact with and have access to and making assumptions based on that, most (if not all) of which is in the public domain. So things like the Dolce Manga Volumes released via Animate, exclusive 4komas, and Light Novels are out of my area for the most part (apart from again snippets of translations thanks to this fandom’s godlike and generous translators).

I will not be drawing on anything from the first Dolce album with the exception of Nade Nade. From a meta standpoint, I consider those songs as songs made as performance media as opposed to character explorations. Nade Nade is the exception because (1) it was released a whole year before the album and (2) you can tell it’s explicitly an exploration of Fuuma and Kazuki’s interpersonal relationship even if it’s in a slightly more performance based context than the songs that came out with the Dolce LNs. Easiest parallel I can make to show this is if you held Non-Fantasy, Yume Fanfare, and Samishigariya up against each other, you could tell the difference in intended audience and intended purpose the same way the Dolce 1st album, Nade Nade, and the songs of the LNs do respectively. Even if there is some basis to ground Kazufuuma, for the purposes of this essay I’ll be acting under the assumption the 1st album falls under the Non-Fantasy equivalent category.

THAT WAS A LOT OF PREFACING CONSIDERING LIKE 2 PPL WILL PROBABLY READ IT I just have a tendency to anytime I do anything analytical lay down ground acknowledgements for myself to work on just...cuz it makes me feel less guilty for any accidental misinformation even if I’m writing towards my future self to read lolll IM SORRY WITHOUT FURTHER TO DO HERE’S THE BRAIN DUMP

First let’s go ahead and establish why it needs to be recognized as an important relationship. Again, I’m a Kazuki stan. He’s my favorite character not only of Dolce but also of the entire Honeyworks series, and as much as I love him for reasons outside the ship, whether you like it or not Kazufuuma is an essential aspect of his character and narrative. Of course there’s the fact that him and Fuuma are childhood friends, so that’s going to in part define their characters and interactions with each other and those around them. They’re both going to be relevant to one another and important to one another’s stories to an even greater extent than the rest of the members of Dolce. But on Kazuki’s side at least, it’s an EXTREME amount. A running plotpoint in Dolce Diary is the sheer amount of dedication Kazuki has to Fuuma and how much his thoughts and decisions are influenced by Fuuma, whether it be how he feels happiest spending time with Fuuma, how he decided to get his piercing to represent he wanted to protect Fuuma, how he doesn’t want to dislike food so he can eat what Fuuma dislikes, etc. Not to mention running jokes about his borderline overprotectiveness and downright possessiveness of Fuuma, how proud he is when Fuuma gets praised, or that one 4koma that literally explicitly states he can read Fuuma’s mind when he thinks motherfucking ‘dirty thoughts’ about his childhood friend (Fuuma). I still don’t know what the fuck to make of that last bit. Genuinely. Or the fact it’s a fucking running joke. As in it’s not a one off. It’s been brought up multiple times. Kazuki what the fuck.

That’s not to say that he doesn’t have character outside of Fuuma or he doesn’t interact with people other than Fuuma. He’s great friends with Sara, Girisha, and Kippei and is shown time and time again to have fun interactions with all of them, generally acting as the best support friend for every member of the group, not Fuuma alone. For instance how he helps Kippei with his self confidence issues or stays over at Sara’s to protect him from a cockroach (which he fails at lol). Nor is that to say all his interactions involving Fuuma focus solely on his devotion to Fuuma, especially in instances where the manga focuses on Dolce as a group dynamic (though even in that setting there are times where jokes about his devotion are thrown in). He’s kind, he’s stupid, he’s friendly, he’s an amazing character in his own right, and I love him for all those reasons. But that doesn’t change the fact a major part of his character and his character interactions are rooted in Fuuma, and arguably some of his most interesting, eccentric, and notable behaviors and traits revolve around Fuuma (again the mind reading for example).

Hell let’s take it one step further. If you look at the character bios of the Dolce members, you get everyone’s motives for being an idol and interests. Of them, Kazuki is the only one to have another character mentioned directly, not to mention that supporting Fuuma is explicitly stated to be his primary motive as to why he became an idol. Not even Fuuma’s sister is mentioned, though two arguments can be made for this. The first would be that Fuuma’s backstory about wanting to fulfill his dream for himself and his sister was decided later to explain Fuuma’s choice to crossdress though it can be argued it was intentionally done to leave it as a reveal at a later date, to which I would argue I don’t think this backstory was a choice in post. While Fuuma’s dedicated Dolce Diary extra exploring that backstory was released a little less than a year after Dolce was revealed, the preview to set up Fuuma’s backstory was actually the first thing released after the character bios on the Dolce Official Twitter page if you exclude a drawing of Dolce from Yamako. The second argument could be that information about his sister was intentionally withheld to set up the reveal when Fuuma’s extra released to explore it. However, going by that logic (which I do agree with), that would also mean that Fuuma’s inclusion and importance in Kazuki’s character bio also set up his dedicated extra, which I don’t think would be incorrect to assume considering what his actual extra turned out being.

Which brings me to the thing that makes it inexplicable to write off the romantic implications behind Kazufuuma: Kazuki’s dedicated Dolce Diary extra, Suki. I shipped Kazufuuma before even knowing of Suki, sure. But the fact that Suki even exists is a shock to me and drove into me the fact that Kazufuuma wasn’t just my own projection. Again, it’s not a surprise that Fuuma shapes Kazuki’s life. They’re childhood friends, of course they’re going to be important to each other. But this extra explicitly brought Kazuki’s feelings towards Fuuma under a direct spotlight. At first I was thinking oh, this extra was just to acknowledge the fact that Kazuki and Fuuma’s relationship can have romantic implications, but the end of it the conclusion that we got was that it didn’t matter what type of “like” he felt for Fuuma. Originally, I thought it wasn’t anything more than saying there are all types of like, and it doesn’t always need to be explicitly defined, but I appreciated the fact they were aware that they were writing Kazuki in a way that conveyed romantic implications.

Then I thought about it because, again, I love Kazuki of course I’m going to think about his character extra, and realized...that’s not how these character extras have worked. There are only three character extras out as far as I know and have read: Fuuma, Kippei, and Kazuki. If we look at Fuuma and Kippei’s, each extra had a conclusion, sure, but they didn’t have a resolution. Rather, they were simply setting up explicitly what each character’s primary character arc and conflict were. Fuuma’s extra brought attention to the fact that he’s particularly a crossdressing idol by exploring the motives behind it. His choice to be a crossdressing idol is constantly under fire both by himself and the world around him. He’s not immune to those who consider his crossdressing strange, and a part of his story is both finding people who accept his decision to crossdress and to succeed for himself as a crossdressing idol. It’s an essential part of how we understand and define him as a character and it’s a central part of how he interacts with the world around him. For Kippei, it lays the severity of his insecurity under the spotlight and his journey and motives for improving himself. Again, this isn’t something isolated and resolved in the extra; his extreme insecurity and negativity is constantly affecting how he interacts with practically everyone from his fellow Dolce members to his fans despite the fact in all honesty? He’s fucking insanely talented in his own right, his own brother mentioning how smart he is and how he has amazing reflexes. For Kippei, his negativity is an essential part of how we understand and define him and central to how he interacts with the world as much as Fuuma’s decision to crossdress is to him.

Which brings us back to Kazuki, of course. In his dedicated extra, in the chapter that’s supposed to explore and establish and bring attention to an essential part of his character, the aspect of himself under investigation is how he feels about Fuuma. It’s not just how he behaves around Fuuma, it’s explicitly an exploration of his feelings, on top of the fact it’s explicitly an exploration about whether or not he likes Fuuma r o m a n t i c a l l y. Literally the conflict is spurred on by someone outright asking “Do you like him?” and having to clarify “I mean romantically.” What they decided to focus on for Kazuki’s character and emphasize and establish is that Kazuki’s like towards Fuuma toes the line between friendship and romance. His ambiguous feelings towards Fuuma (if we leave them inconclusive as Suki did) are just like Fuuma’s crossdressing and Kippei’s insecurity in the sense the weight of whatever those feelings may be are seen in how he interacts with the world around him and influences his behaviors. It would be another story if they introduced the potential and shut it down all within the extra, because then his central conflict would to me be less directly open to romantic potential and more simply about how his arc was meant to explore the dynamic of the behavior of an extremely dedicated best friend. The fact that he may be romantically attracted to Fuuma or may be only platonically dedicated to Fuuma is instead something that looms over Kazuki in the same way Fuuma’s decision to crossdress constantly looms over him. It’s what Dolce wanted to point to and say this is Kazuki’s central character conflict and central arc: exploring what type of feelings he has towards Fuuma.

Sure, it can be argued that there’s only three Dolce Diary character extras, there’s not enough to be sure about that being the purpose of the extras unless we get the other two’s extras. First, at this point I honestly don’t know if or when they’re going to release an extra revolving around Sara and Girisha just because not only has it been over a year and a half since the latest Dolce Diary Character Extra (Kazuki’s) was released despite the gap between the first and latest Dolce Diary Character Extra (Fuuma’s and Kazuki’s) were within a year of release but also because the Dolce 4komas and comics they’ve been posting to Twitter have decreased (last one being over half a year ago) potentially due to them deciding to focus on releasing Dolce manga content through the purchasable volumes instead. (This is not particularly related to the Kazufuuma argument, just wanted to put out there my two cents on what Sara and Girisha’s extra/focal arc would be. Based on a large part of the Dolce Diary in conjuncture with Can’t an Idol Fall in Love, I’d argue Sara’s would be his journey to regain his passion for performing, and if it’s not that I’d say it’d be coming out of his self-imposed isolation and opening up to people again. As for Girisha, I have less of a concrete idea but I’m assuming it’d be something pertaining to how people often misconceive him whether it be in tandem with his determination, his optimism and sociability, or his stupidity/ability to ignore those misconceptions and work past them. But Girisha is treated like the comedic relief 90% of the time so I’m not entirely sure, but his primary conflict is definitely rooted in misconceptions of him being his roadblock imo. #MoreGirishaContentPlz) That being said, I personally feel like the three are already enough evidence, especially considering it would be honestly even more cruel for Kazuki’s character-centric extra to be focusing on something that wasn’t essential to his character and character arc, anyway. And though it’s not explicitly stated that these chapters are extras exploring a central character, you can kind of tell based on how they are (to my knowledge) the only Dolce Diary updates with cover/title cards each which include their focal character front and center. So working off that fact, the Kazuki-centric chapter established that a pillar to his narrative was his feelings towards Fuuma and that those feelings are still open to romantic potential.

But if you follow me, this is why up until Can’t an Idol Fall in Love With Another Idol’s release, I was terrified of them writing that off. I would have been ok if it was just an arc that was given attention then continued to actively work in the background, as all the character arcs have been over all of Dolce’s content. The fact that they might be giving Fuuma a love interest and giving Fuuma a love arc while Kazuki’s feelings were still up in the air and were still the primary highlighted narrative for him would have been fucking scuffed. To me, it would be like… why would they make him so Fuuma-centric to the point that even his dedicated chapter was not just focused on Fuuma but focused on the ambiguity and potential of him having romantic feelings for Fuuma, yet reduce him to being Fuuma's designated right-hand man. Don’t get me wrong, friendships are just as important as romantic relationships. But again, rather than conclude Kazuki’s answer in Suki to be that his feelings were of friendship, they left it open ended and allow audience members to be actively aware that Kazuki’s feelings towards Fuuma still had potential to be romantically coded. It would just be so weird to quickly close off that narrative by giving Fuuma a love interest as opposed to letting Kazuki conclude it himself. It would be fucking beyond frustrating for me, at least Eventually, I kept trying to drive my hopes that they would explore Kazuki’s narrative at all down to the ground because it was a Fuuma-centric novel; maybe if anything they’d explore those feelings in his own novel after the fact. But then they kept having little drops here and there of Kazuki being even the slightest bit relevant and I’d go back to questioning “Are??? They??? Is this on purpose??? Do they know what they’re doing or are they just doing this because Kazuki’s just so important to Fuuma as his best friend that he’s there as his right-hand I genuinely can’t tell???” And um. Welp.

Safe to say Can’t An Idol Fall in Love sold me on the fact that they know what they’re doing LOL. And to anyone who thinks that Kazuki’s feelings can still be read as ambiguous in CAIFILWAI as opposed to explicitly romantic - whether it be due to a fear they may pull the “I like him as a friend” card or due to the disbelief that they have an explicit mlm main character in the Honeyworks series - I’d like to cover any bases that may make you think this way. If you think it’s just Kazuki acting like a protective friend, why do you think he calls Yui a rival? If you’ve only seen the MV and think it’s ambiguous or can be taken as the "likfe" for friend, then does that mean you think Yui’s feelings toward Fuuma are also ambiguous or as a friend? With the way Yui responds, she is trying to rival Kazuki’s feelings towards Fuuma. She and Kazuki recognize whatever feeling it is that they hold towards Fuuma, both of their feelings are the same type. I don’t think most people would argue that Yui’s confession about Fuuma was one of pure respect and friendship. Plus, if anything I’d argue of the three characters in the MV, Fuuma is the one whose feelings are left the most ambiguous despite him being the central character. It’s heavily implied that he may be forming feelings for Yui, but nowhere is it established either in the song or in the MV, especially if you compare it to Kazuki and Yui’s declarations or if you compare it to Sara’s feelings for Uru in Can’t An Idol Fall in Love. Fuuma’s romantic narrative here is trying to figure out how he feels for Yui, while for Kazuki and Yui they’ve established a rivalry because they both have mutually established they like Fuuma romantically.

If the MV isn’t enough for you and Suki isn’t enough for you for...some reason…??? You can check out the snippets of the light novel which the wonderful takanenene translated: one which revisits the conflict set up in Suki and one that covers the confession scene in the MV in more detail. If the fact that the conflict set up in Suki (aka the lurking feeling of not knowing if all he felt for Fuuma was only platonic or more than platonic) was specifically reestablished in the LN for anyone who didn’t keep up with Dolce Diary didn’t tip you off that it was something important, his behavior in the confession scene as depicted by the LN definitely should have. He’s possessive about his spot by Fuuma’s side. He doesn’t want that spot to be taken by anyone else. Even if he knows that they can help Fuuma, he wants it to be him. And this line: “Kazuki then trails off his words, quietly saying ‘That’s why…’ and then gave Yui a slightly painful smile, his cheeks turning red,” before he declares Yui a rival and states he likes Fuuma. If you can tell me you read that line and are still on the fence about Kazuki’s “like” towards Fuuma being romantic, please message me and I will see how I can get through to you. Like it wasn’t even just a romantically coded confession. It’s just a romantic confession. That “like” is romantic. And I’m so proud that he’s not only come to understand for himself how he feels, but that he’s confident enough to ask the person he sees as a romantic rival to speak in private and not only clarify her feelings for Fuuma but before she can even do that firmly establishes that he loves Fuuma with conviction. Kazuki my boy I’m so proud of you. *sniffs*

And that’s it for establishing Kazufuuma as at least canonically one-sidedly canon and why there’s not only no reason to deny it but also why denying it is a fucking disrespectful move towards Kazuki. He’s a character, sure, but that doesn’t change the fact you shouldn’t write off his struggle to come to be convicted enough to say it out loud. This has been something weighing on him at least a year, if not more (all I know is it started when both he and Fuuma were in some year in middle school). And as a character in a piece of media, I’ve been saying this the entire time, but brushing it off as non-romantic is literally chucking a fucking pillar of his character’s story into the gutter. And to those who may be saying Kazuki’s confession came out of nowhere and is pandering reread this entire fucking essay again I dare you to do it and tell me to my face it’s pandering. Again. Writing off the buildup as pandering is disrespectful to him, disrespectful to his character and narrative, and disrespectful to the wonderful people who have been creating Dolce so diligently and have crafted this narrative for us. Saying his “supposed feelings” and “ambiguous confession” is pandering is like saying Fuuma’s crossdressing is pandering which. If you say either of those I will find you and I will shank you in the fucking gut. Even if you’re not fully into Dolce, recognize these characters are actually very well developed and executed amazingly, as per every Honeyworks character that has come to exist. I don’t blame you if you weren’t aware of the weight of Kazufuuma, but now that you read this I hope you are. That’s mainly what I needed to get out there, but as follows will be me more exploring how Kazufuuma has been built up and generally waving my hand off at where it may be going. If you want you can dip, thanks for reading up to here because I know I repeated a lot because it’s just. So important to drill into your head and has been something I’ve been hung up about constantly. LOL

As for where exactly they’re taking it from this point on, I honestly don’t know. In all honesty, I didn’t even expect them to take it the direction they did. But honestly, I think the direction they went with it is really interesting and better than I could have imagined, in my opinion at least. Honeyworks never ceases to amaze me with their storytelling and narrative choices, and I don’t think there’s any that stand out to me as being severely questionable that they haven’t reapproached at some point down the line. And, again, I think they’re treating this with a lot of care and deserved respect. So I’m just gonna be gushing about how smart they set it up and how smart they’ve been executing it and maybe my own hopes on the direction it could go.

Whether they make Kazufuuma reciprocated I have no real clue or bearings, but to me my gut reaction is they will. Of course, I’m biased, but again if you trace things all the way back to 2018 and step through Dolce’s content and growth from there, I’d say even if they didn’t know if they could execute it like this and see it to fruition, I’d argue that Kazufuuma has been at least heavily implied since the beginning as a relationship they wanted to explore from both sides of the relationship. Obviously I brought up Kazuki’s character bio already, but if you look at the *goes to count* 5th Dolce Diary update already has a joke jabbing at the fact that Kazuki is technically Fuuma’s type (and the way Kippei and Kazuki excitedly react is so cute). The fifth update. And as stated before there are tons of Kazufuuma moments in Dolce Diary, whether it’s played for comedic effect or played straight (and this is post Suki but oh my god I’ve said it before I’ll say it again get yourself someone who looks at you the way Kazuki looks at Fuuma oh my jesus). But song-wise, I mentioned the one Dolce album song I would bring up is Nade Nade and this is where it comes!

Not only is Nade Nade specifically focused on Kazuki and Fuuma’s relationship as opposed to the whole of Dolce despite being the first song, it included the setup/preview of the Fuuma-centric extra prior to the full release of the Fuuma-centric extra itself and was released early as fuck. Literally between the 6th and 7th update to Dolce Diary. Sure, it could be to isolate them as a duo for marketing purposes (they’re very often the two promoted idols together if the whole of the group aren’t included), but the way it’s established as a perspective song as opposed to a general idol duet is what fascinates me. Anyone who didn’t know about Dolce prior and only followed Honeyworks for music would be first introduced to these characters through this song alone, and maybe this is where my Kazufuuma bias comes from but I was one of those people LOL. I thought it was just a cute one-off relationship that they had set up for the purpose of a song and that it was an implied friends-to-lovers story that would never get a conclusion. Also I mistakenly thought Fuuma was a girl oop-. In the full context of Dolce, this song in part helped establish Fuuma and Kazuki more solidly as a unique duo out of all of Dolce, but it also specifically explored through Fuuma’s eyes just how much Fuuma recognizes and appreciates the unwavering support Kazuki gives him to follow his dreams as he wishes. For Fuuma, he loves Kazuki too, though whether it holds any romantic potential in the same way Kazuki loves him has never been explored to nearly the same extent. But Fuuma appreciates how Kazuki’s remained by his side and does everything he can to support him, so Nade Nade explores how his way of expressing his love and thankfulness to Kazuki is by never saying that he needs Kazuki by his side. He’s glad Kazuki’s always been there for him, and his reciprocation takes on the form of being ready to unwaveringly support Kazuki and not ask for more than he already has, even if it meant Kazuki would be leaving his side, despite the fact that he really does wish they could remain together forever just as Kazuki does. The one point he lets himself say something vaguely close to always wanting to stay together, he gets a surprised expression out of Kazuki and says an ambiguous “suki dayo.” Of course, this it much less romantically coded than what we get from Kazuki in Suki and CAIFILWAI, but there is an interesting emphasis put on it nonetheless. Keep in mind, this is all established through the song, which released long before not only Fuuma’s character-centric extra released but also Kazuki’s character-centric extra released, so there is at least a substantial setup for Fuuma’s feelings towards Kazuki’s being strong as well and possibly grow to be reciprocated one day.

I think for me the most fascinating part about Nade Nade is how they tied it back around to Can’t An Idol Fall In Love with Another Idol. Again, without remembering Nade Nade, I still thought CAIFILWAI was brilliantly explored and executed, even if some people would have preferred no love triangle. But honestly, revisiting Nade Nade makes me trust even more the direction they’re taking with this. Whether or not they make Kazufuuma canon mutually (which. Even if they for some inexplicable reason didn’t I’m going down with this ship.), I’m sure they’re putting a lot of thought into the story, because the last bit of Nade Nade directly parallels the misunderstanding that arose from Fuuma mishearing the Kazuki and Yui. Fuuma is resolved to support Kazuki in any area he’s given the chance, and that explicitly includes if Kazuki had some girl he liked, which is what he assumes is going on. The fact that they tied this back around in the form of a misunderstanding was really really smart and Honeyworks is always so good at parallels and references back to their older songs, but for some reason I didn’t expect this. I don’t know how to say why, but the fact that the song that started it all, kicked off both Dolce and Kazufuuma, was directly referenced both visually in the MV with a cameo at the start and narratively despite the central dynamic being predominantly explored in this story in particular was that of Fuuma and another potential love interest and involves said potential love interest for some reason makes me think that (sorry Yui) this is all planned out for Kazufuuma in the grand scheme of things. That being said, I don’t know if me thinking it was planned all along is just me with shipper goggles, but the idea it’s come full circle nearly 3 years later is not shipper goggles and a very very well done parallel in my opinion, whether this trajectory was their plan for Kazufuuma from the beginning or not. Just wanted to gush about that some more.

There’s more I could go into especially if I went into specific details about interactions or specific implications established in Honeyworks' Dolce content about different characters that would be fascinating to explore in relation to and under the lens of Kazufuuma, but I think this is uh...plenty long enough. Plus, I doubt you'll stop seeing Kazufuuma posts from me so those ideas will probably just be miniposts or somethin.

Back to the overarching point of this segment, idk what they’ll do with this story in the end, but do I think Kazufuuma will canon? I’m used to looking at ships that aren’t explicitly apparent with a sliver of skepticism, but all things considered (as I stated before) yeah. I don’t see reason why they wouldn’t now that they’ve explicitly identified there is a romantic dimension to it ¯\_(ツ)_/¯ Like to me, the setup isn’t something that would be written off as unrequited? And this doesn’t have to play into why I don’t think it will canon, my personal opinion on the Fuuyui relationship (again albeit through the lens of a hard Kazufuuma shipper lmao) has it’s own merits and is really cute, I find it cute in the way I found Koyuhina cute. I personally never really shipped Koyuhina, and especially since they slipped Kotarou into Ima Suki Ni Naru I was more curious about who this kid was and how he played into things I didn’t really see Koyuhina as something that would come to fruition. Similarly, there’s more importance in the overall sense on Kazuki than there is Yui (considering he’s one of the 5 original and focal members of this generation of idols, this would be natural), as well as the fact there’s just way more foundation and exploration in Fuuma and Kazuki’s relationship than there is Fuuma and Yui. As for how much of a balance there is inside the LN itself, the fact that they seem to have spent a substantial amount relaying the foundation of Fuuma and Kazuki’s relationship and re-exploring it (at least in Kazuki’s perspective) at all on top of how much content there is covering their relationship prior to the LN ever since Dolce’s origin just feels like that relationship holds more weight. Pretty much Kazufuuma feels more established as a priority in general. The way I personally hope Fuuyui plays out is whether they wind up holding mutual feelings or not or whether Fuuma doesn’t feel that way towards Yui is they get a relationship akin to Kotarou and Arisa. Albeit, Kotarou and Arisa never viewed each other in a romantic light, but they had mutual respect and solidarity. That’s the type of friendship I hope comes out of Fuyui. And considering there hasn’t been a break-up in any Honeyworks’ canon relationships (nor do I expect there to be… they’re all perfect for each other LMAO) it would actually be interesting if Fuuyui get together but don’t endgame and Kazufuuma is established as the inseparable endgame after some realization or another, though I don’t expect them to go that route nor do I know if that’d be the best way to go about it anyway. Also final point, Honeyworks seems to have a thing for childhood friends trope anyway soooooo owo All in all, don’t know where they’re taking it, just excited to see where it goes.

TL;DR of this *counts* 7 page essay, stan Kazufuuma. Not gonna proof this. Maybe I’ll edit and repost but yall are getting a confusing clusterfuck of ramblings over 2-3 hr periods of me writing across 3 different days at around 5am each day. Uh. If you got this far like and subscribe and-- jk plz reply to this mammoth anywhere you see fit or tell me if you have stuffs to add or counter or whatnot I like hearing people talk about Kazufuuma ;w; I am Kazuki and Kazufuuma brainrot can you tell after reading this? No? Lemme just remind you I’m K--

#honeyworks #dolce #kazufuuma #kazuki haiga #fuuma shirayuki #long post #analysis #character analysis #kinda?#nobody cares trash #also keep in mind this is PURELY for self satisfaction LMFAO read it if u wanna dont if u dont idgaf either way #anyway kazufuuma canon fight me #or have intellectual conversation with me #if you want it on a google doc bc it's easier to read hmu #if you can't tell i think about kazufuuma too much #how much of this is repetitive? probably a lot...

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thegracelessfaceless · 3 years

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If you are still doing matchups,, I'd be interested in a creepypasta one. I'm coming over from Elise blog.

So my name is Shay, I go by Whiskey because it's a preference in liquor on my end. I go by they/them pronouns, AFAB and I'm bi and omniromantic, I do have an mild preference for men or masc aligned people. I'm a Libra sun, Virgo moon and Aquarius rising. I'm also introvert (INFJ-A) and I'm constantly sleeply. I do have C-PSTD, Bipolar II and GAD (Generalized Anxiety Disorder).

I'm Caucasian/White and I stand at 5'9. I have celtic and Danish heritage, My family where vikings. I'm really tall and legs double the size of my torso, as in my thighs are as big as my torso in length, same with my calves. I call myself spider legs because of that. I have this natural like wolf cut going on that is this dark green with my roots be my natural dark chocolate brown hair. My eyes are hazel with gold flecks that shift in color which I found out is normal for people with hazel eyes. I paint my nails black a lot because I find the color pleasing. My build wise is like a rectangle like shape with broad shoulders. I'm pretty strong and I'm proud of my strength. I'm currently starting to get into shape and lose weight so I have fit shape but not like over for. Just the right amount of fat over my muscles. I have a lot of stretch marks,, mostly around my waist and my biceps. I call them my stripes or lighting marks. I have plans to get snake bite piercings and wear like the ring ones in them. I'm getting an tattoo soon that is like this and then I want a burning match tattoo on my color bone. My ears are piercing and I like wearing fake gauges, spirals and then the ratings that have the dangly stuff and cuffs with them. I also wear like those stereotypical hot topic chokers. I wear a lot of long sleeves and skinny jeans, I do like ripped skinny jeans. I also love flannels and black boots like doc martins or converse.

I think you can assume by the statement of me liking whiskey I am the rebellious sort which is true. I have drank a bit and tried weed, I don't do it anymore tho.I have been told if people don't know me and see me from afar I'm intimidating to approach. Even being spooky and intimidating, I promise I'm just a big softie. I usually assume the mom friend of the group with my friends. I always worry about them and make sure they take care of themselves. Sometimes I do it so much I forget to take care of myself. I'm really gentle and compassionate, along with being extremely empathetic. I can be stubborn and bit judgemental at times, mostly working off first impressions myself when getting to know each other. I have an hard time being insertive and putting my foot down with my boundaries, scared to lose people even if the hurt me. I'm an introvert through and through, liking to watch from the back and observe the way things go on around me. I do my best to be an optimist because I can't see the point in see everything wrong in this world, it helps me to see the good. I love going on adventures with my close friends and love being a chaotic bastard with them. My dnd alignment is chaotic neutral and I'm Hufflepuff. I do live by the saying do no harm but take no shit. But I won't hesitate to fight someone for the right causes.

I do always constantly look like I am going to funeral of some sort because I own nothing but black. The color makes me feel really comfortable but it's not my favorite color. My favorite color is green but I like sage green, forest green, mossy green, etc. The earthy greens are my favorites. I have a love for the forest and woodlands, finding a sense of home in the woods. I do love archery and something I'm definitely going to be picking up along with playing the drums. I also smoke herbal cigarettes as well as alternative to smoking.

I often get called a cryptid and at this point, I am just one. Cryptidcore, Midwest Gothic, and Pacific Northwest Gothic are my favorite aesthetics. I have a huge love for cryptozoology (the study of cryptids), parapsychology (the psychic phenomena and other paranormal claims), original creepypasta stories and to be honest anything like spooky and creepy. I want to be a mortician and I'm attending school for that. I also really love the dark, especially if I have some good music blasting through my earbuds. I am a sucker for long road trips and seeing things, filling the adventure heart I have. My favorite animals are coyotes and I also like horses. I like to write a lot as well.

Okay, first off, you sound so cool?! Like we should talk more 😃.

I match you with...

Hₑᄂₑ𝚗 ₒ𝚝ᵢ𝘴/ Bᄂₒₒ𝚍y Pₐᵢ𝚗𝚝ₑᵣ

(Not my art, unknown artist. Contact me with credit info!)

Helen gets the they/them pronouns. For the longest, the thought he was a weird girl. Then he had body dysphoria for a long time, and then he came to terms with his identity.

Helen is a Virgo to your Libra. Virgos admire Libra's clear mindedness and their drive for balance in all areas.

However, Virgos can have some trust issues. Just be there and patient with Helen. He'll get over those hurdles eventually.

Helen gets being an introvert, being one himself. He never had many friends growing up, his only close one being killed by bullies who then tried to blame it on him. Helen would be perfectly content if you two were the last people on Earth.

Helen loves how you look, like you're just 'classical' beautiful? He loves painting your eyes, trying to get that perfect mix of green and gold.

He recites Robert Frost to you because your eyes remind him of this poem:

"Nature's first green is gold/ Her hardest hue to hold/ Her early leaf's a-flower;/ but only so an hour./ Then leaf subsides to leaf/ So Eden sank to grief/ So dawn goes down to day/ Nothing gold can stay"- Robert Frost "Nothing Gold Can Stay"

Helen would enjoy painting your nails for you, maybe even painting little designs on them if you'd like

Helen would be so supportive in your fitness journey. He just doesn't want you to feel like you have to lose weight to please him or anyone else. He thinks you're perfect just how you are, just like he'd think you're perfect 50 pounds overweight or 50 pounds underweight.

Helen loves your stripes. Whenever you feel self conscious about them, he reminds you that the things that make a person attractive are groupings of flaws that work well with each other to make a beautiful face

He tells you how the Chinese fill in cracked china and pottery with molten gold because the cracks make the piece more beautiful since it has more character.

Helen would love to design tattoos for you

He thinks it's sweet that you're Mom Friend™, but he's not going to let you drive yourself into the ground taking care of everyone else. So, now, you can't lift a finger around Helen. He waits on you hand and foot

He'll help you learn to be more assertive and stand up for yourself and what you believe in. He'll help you set boundaries and limits and he'll help you enforce them. One of his more important lessons is that you have no room in your life for people who hurt you, use you, or make you miserable.

Anyone that hurts you will be subjected to The Wrath of Helen Otis™

I feel like Helen wasn't a huge outside person before meeting you.

But between pictures on your camera roll of you and your friends' adventures and just listening to the way you speak about the Great Outdoors? He's intrigued as hell now and goes on a nature walk with you on an easy forest mountain trail, nothing too challenging or taxing.

And suddenly he just understood everything you'd been talking about.

A special activity he likes to do just the two of you is this: you think of and describe to him a cryptid and he paints it following your description. Then he listens to any stories or folklore for that cryptid.

Its normally exactly the way you pictured it in your head (it's actually pretty uncanny).

Thinks it's cool that you're going to mortician's school. He's always been interested in medicine, but can't tolerate all the patients. But a mortician... They do medical things and have the quietest patient that are just so agreeable! What a genius career path (seriously, I'm on a wait list for an interview with the coroners office (Low turnover rates 😑)

Helen also likes playing in paint worn you (but I'm thinking that deserves a whole post of its own)

Helen also likes to paint while you write (sometimes he paints you writing about him painting). Its beautiful, really. Just two people who love each other enjoying their hobbies together in companionable silence 😍

#creepypasta #creepypasta matchups #helen otis #bloody painter #bloody painter x Reader

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maddiicake · 4 years

Text

Why Both FMAB and FMA03 are good and should be treated as Independent Stories:

I will go on the record of saying that Appreciate and Love FMA as a whole and love both series for what they are. And while it may sound like a broken record saying things like this... there’s still hateful words against those who like one over the other. So, I’m here to make this post addressing that both FMA2003/03 and Brotherhood are great in their own way and should be respected as their own individual stories.

Also warning there will be obvious spoilers.

What I liked about the Original (FMA03/2003) Series:

I watched 03 before delving into Brotherhood, and even before reading the manga. Now, I know Brotherhood and Manga fans are the small minority of the fandom, while 03/2003 fans make up the majority. That being said, many of these people simply can't get used to 03 after watching Brotherhood.

However, for me, I was happy because: A) I got more FMA to watch, and B) The differences in 03/2003 simply made it even more fun to watch, so for it was no trouble getting used to this anime.

But if I were to be specific of what I liked, I’d say I liked the following about FMA03/2003:

Characterization of the Protagonists and all the 'good' guys: The show heavily focuses on the relationship and tragedy of Elric Brothers, and 03/2003 portrays it much better with such a deeper level. The relationship between both brothers is intimate, and it feels like a genuine sibling bond. I also enjoy the fact that the anime shows that even if Ed follows his ideals, he, like any human, can break away from them under severe pressure, which was beautifully shown in the 5th laboratory arc. As for other characters: Scar in this version is a total opposite of his Brotherhood counterpart. He is written realistically in the 2003/03 anime. His absolute hatred for the military is more legit, and he feels morally grey in this anime. Izumi Curtis for me was also portrayed better in this version. Meanwhile, other Characters like Roy, Winry and Alex felt the same to me throughout both versions--so, not much change there.

Worldbuilding: The 2003/03 anime does a fantastic job at portraying the widespread effects of war and politics, Alchemy, etc. and how it has affected the people of the FMA World. For example, in Episode 16, “That Which is Lost”, Ed meet, a guy who had lost his limb while working as a soldier and was reluctant to use an automail prostetic because he wanted to “retain his wound”. Now, this episode itself was more so filler and didn’t really matter to the main plot of the story in itself; however, I feel that it was added to series to portray the depth of the FMA World, and how everyone has different reactions to the events that happened in the 2003/03 anime. Also, many of the events and how they unfold in this anime seem to parallel the middle east, which just makes all this feel realistic and provides some occasional social commentary which is quite nice. I also like how the first few episodes take their time to slowly and, with great subtlety, develop their world.

Thematic Depth: FMA2003/03 is dark, grim and kind of realistic--more so compared to Brotherhood. While, both versions of the anime deal with some important and mature themes, FMA2003/03 takes it to the next level. The 2003/03 series focuses on the Law of Equivalent Exchange, and shows how putting blind trust in it is a terrible thing to do. The show also focuses on how obsession, a denial of reality, and the inability to move on can be a bad thing. Moreover, sometimes life just simply isn't fair, and we should accept it; however, always try to improve what we have. All in all, we have to understand the consequences of our actions. That life is uncertain, and sometimes we don't get everything, and even we pay a price for it. All of these themes mixed in with the meaningful dialogues and the dark tone, made me appreciate this anime. For example, in episode 48, when Roy and Ed talk for the last time, that’s the pivotal point that brings all these themes together.

A Good Start: The Show had a better start than Brotherhood, simply because 1). We have more time with Maes Hughes and Shou Tucker, and 2). The Liore arc. Despite BONES studio and it’s tendency to create anime too early *when the mangaka is barely halfway through their series), they made it work, and, with the material they had, the 2003/03 series was given enough time to bloom. The 2003/03 series was simply immersive and very emotional, especially during The Curtis Arc, as an example.

Soundtrack and The Art Direction: I feel like both are equally good. However, I will go on the record of saying that I don’t think “art style” is what makes a series, nor is it an important factor. It’s nothing more than glorified “eye candy” However, for the sake of argument (especially since the “art style” is the first thing that “03 Stans” mention) I’ll be adding it in here. Both the 2003/03 and Brotherhood series have some amazing and beautiful orchestral OSTs in their respective soundtracks; thus, it added to the immersion of their respective series. In FMA2003/03, the color palette is very unique, sometimes it feels dull but it just suits the dark tone of the series.

All in all, I am impressed by a lot of aspects of the 2003/03 anime series, but as much I love and respect it, there are lot of things this anime messed up and I will note that as well.

The antagonists were... Meh: While I really love and enjoy the direction and depth BONES Studio added to the Homunculi... some of the other antagonists could have been better (or just not added at all imo). For example, Frank Archer... he has no reason being there except for convenient plot device to the point it feels forced. Though, him becoming that weird cyborg always makes me laugh just because of how dumb of a character he became because of it. Speaking of which, him becoming a cyborg was just... weird. It was like the Studio staff were trying to make him “cool” by making him into some crossover of The Terminator and Two-Face from Batman, but it just failed. As for Zolf Kimblee... He is still sadistic and likes making things explode, much like his Brotherhood Counterpart. But... that was it. Other than that, he was just boring. Him and Archer were both just the staple 90s Kids Cartoon Villains; not much to them except “Muahahaha I’m evil”. Now Dante... I’d say that she’s a good villain to an extent. Her as a villain is very subjective within the fandom, depending on who you ask. While I believe that she could have been just as great a villain as Father, her character was rushed and her goals were a bit vague and unexplored. I like how, like with Father, she had ties Hohenheim; however, that backstory and those connections were introduced a little late. So, in the end, she just came across as more of the generic Vindictive Ex-Wife, and just a generic female villain. As for the Homunculi... I’ve said it before and I’ll say it again: I LOVED their portrayal in 2003/03. They were the “saving grace” of the entire team of the villains within the 2003/03 series. My favorite of the bunch were Lust and Greed--namely Lust, because of her ties with Scar. Envy came at a close second, but only seemed so because of a way to back up Dante as a villain, and the other Homunculi seemed a bit more underdeveloped as characters.

The Plot's quality drops after episode 35- Okay don't get me wrong. The first 35 episodes for me were 100/100. After that? a 60/100. Why? Because everything after that point feels contrived and feels forced. It's as tho, they are trying to do everything they can, even if it doesn't weave in, to make the brother's life miserable. Archer doesn't die and pops up, with his automail? Alphonse is there to be turned into a bomb, and become a philosophers stone. Okay, but why does this feel so forced? Also, can we talk about Nazi Shit? Now, I feel the brothers being separated is the perfect ending to this anime thematically and I have nothing against it, but A Nazi gate? Why? It was so sudden and pointless. It was never foreshadowed. They just showed it to make it as tragic as possible, because they didn't know of any other way to twist the plot, without convenient and totally forced plot devices. Also, How can Dante make Gluttony Mindless? Why is Juliet Douglass's Secret so obvious, when it can be fatal if leaked? Plot- Holes, Also, why are the Homunculli named the way they are? It just doesn't make sense. Also, FMA's Plot has an air of mystery to it, but it doesn't execute properly. I don't hate the end, I just felt disappointed, because the buildup towards it was terrible.

Now, I give a bit of grace concerning how the plot sort of dropped off and felt rushed halfway through, as well as the characters being underdeveloped and rushed. After all, Studio Bones was making up the majority of the material and took it in their own direction. Some factors to all of these cons in FMA2003/03 could be because of the Studio’s lack of a budget to flesh the characters and plot out more. Or, they had created so much additional material for this series that it became overwhelming.

As a writer, I can attest to the fact that “Character Overload” or “Element Overload” can either make or break a series, depending on how you handle it. That being said, there need to be a balance when it comes to these factors.

However, FMA2003/03 ended around 2004-05, So what we got is what we have.

Now, with that out of the way, let’s get on to the analysis of FMA: Brotherhood:

Characters: There isn’t a single character in this version of the series that I can choose as a “favorite”. Because, honestly? I lile them all. They’re all well developed and lovable in their own way, and have their own demension of depth to them. No, they’re not as deep as they aare in FMA2003/03, but from a writer’s perspective, that helps keep a balance with the overall plot of the stories. Now, some minor characters were just outrageous, but not to the level of boring (like 03!Kimblee and Archer), for example... Darius and Heinkel. There isn’t a vast difference in Brotherhood’s and 2003/03's cast of characters. However, if I had to note a difference, FMA2003/03′s characters were are more on the edge of realistic and Brotherhood’s were just... Loveable. However, that doesn’t mean that one counterpart of a character is better/worse than another. Both are quite memorable in their own way. Of course, in my opinion Brotherhood's villains are just better than 03's villains. Sure, the Homunculi aren’t given as much depth, but, they have redeeming qualities near the end of their time (i.e. Envy, and GreedLing). When Father was first introduced... his character made me think of how Dante started out, and I was worried that his character would end up just as rushed and he would just be the generic cliche Shounen villain. By the Promised Day Arc, however, I was surprised. Yeah, Father was still very shounen-y villain, but still a pretty darn good villain. I feel his backstory, and how he discarded all his human qualities which led to the creation of Homunculi was well put together, and I felt the concept how he created Alchemy in Amestris, while Hohenhime helped build Alkahestry in the east was well put together, and helped build the world of FMA (literally). To put it simply, his character was much more interesting than Dante, because it was fleshed out more. The Homunculi were awesome as well, Lust did her job, Pride and Wrath were simply awesome, GreeLing's development from an anti-villain to anti-hero was exceptionally well written and not the cliche anti-hero, which I can appreciate. Envy is the character you love to hate. And Gluttony and Sloth did their Part as Well. While I enjoyed 03′s portrayal of the homunculi, I felt like they only fleshed out some for that series (i.e. Lust) while others were just left to fall flat. With Brotherhood, all the Homunculi were evenly balanced out in their characters, not too much depth and not too little. Solf Kimblee was still the sadistic baster, but at least his entire personality was more explored this time, and I liked how they portrayed his psyche as an added affect to why he has his views.

Plot: Bortherhood’s plot was more fluid and weaved in seamlessly. As a lover of all things continuity... Brotherhood did it right, and every time I find an analysis of a teeny tiny subtle continuity detail (i.e. Ed’s gash on his forehead that lasts a few episodes), I get a writer-gasm! Sure, there were few plot devices and filler here and there. But the plot in gneeral wasn’t rushed or choppy, nor did it leave any holes in it. The way Brotherhood portrays it’s plot is to keep you as engaged as possible, adding some silly comic relief here and there to balance out the dramatic intensity every so often. Unlike 2003/03 where is was just one depressing and dark element after another, Brotherhood added in the comic relief points not and again to give it’s audience a break. And, that’s what I really appreciate, and think is a great story writing technique. All in all the Brotherhood series is literal binge-watch material

A Great Shounen: Many Shounen anime have their Arcs for the purpose of portraying the progress of a character, and keep introducing new villains; however, depsite this, there is rarely a sense of mystery, intrigue or a moving plot in a Battle Shounen Anime. What Brotherhood did was just that, except make it more digestible (and not super long like Naruto or One Piece), and added a great thematic exploration. For a shounen it was quite deep, the plot structure was more like seinen, and characters were awesome. In a way, we got everything we could in a Shounen anime that only lasted a little over 50 episodes: Depth, plot, characters in a shounen.

Thematic Exploration: Both FMA 2003/03′s and Brotherhood’s themes are the same, but Brotherhood makes it a bit more lighter. All the while, it also manages to raise questions on additional themes: revenge, truth, knowledge, sacrifice, worth of a human life, and many other things.

Soundtrack and Animation: Same as the analysis in the part of FMA 2003/03, and, once again... I will restate that I personally don’t believe that art style is what’s important to a series. It’s nothing more than glorified “eye candy”. However, for the sake of this analysis, I will be adding it in here. While Brotherhood’s art style and animation is more simplistic, it’s much easier to create those dynamic poses and expressions on an animation level. While FMA2003/03 did have it’s dynamic moments, it was mostly only during battle scenes or the really heavy moments in the series. Brotherhood maintains it’s art style through the series and keeps it a balance, so that some scenes aren’t too much animation but also not too little. And, both FMA2003/03′s and Brotherhood’s OST Soundtracks are beautiful orchestral pieces that really add additional effect to a scene that the respective series are trying to portray.

A sense of conclusion: A lot of Shounen Anime get prematurely cancelled, most Seinen end in a bittersweet manner. That’s why FMA2003/03′s ending with the fate of the Elric Bros was a bit more preferable for those who like a more realistic ending. But, I enjoy a story with a more conclusive ending that wraps all the plot points up together without leaving too many holes. Yeah, the “happy ending” of Brotherhood is cliche, but “happy endings” wouldn’t be “happy endings” if they weren’t. Not to mention, those types of endings are rare, because people really don’t want to write them, and, when they do, they’re rarely done well. Ed’s entire charcter arc wrapping up to where he swallows his pride as an Alchemist and gives up his Alchemy to bring his brother back is both wholesome and satisfying, because, through the show, it shows his progression and growth from beginning to end. And, having an arrogant character obsessed with Alchemy give it up and learn to humble himself because of it.. it’s really uplifting.

Now let's talk about the Cons within the Brotherhood series, they aren't a lot, but still, they did affect my experience quite a lot.

Overuse of Comic Relief: While the use is a nice balance to the already dark and dismal atmosphere of the series, it felt a bit overused. So much so that some emotional moments were inconvenienced by the use of that kind of humor. It was a bit much and created dissonance with the tone the scene was trying to portray. Now, it worked more in the Manga, because of the more visual gag of it, but, sometimes the visuals within the manga don’t translate as well to an animated one.

A Rushed First Half: While FMA 2003/03 began “In Media Res” with it’s first episode and then started a “flashback episodic arc” with the next handful of episodes.. Brotherhood just jumped right into it. While, yes, it was a better balance to not have the characters’ depth right at the beginning (slowly revealing it as the show goes on), the first half of Brotherhood was 0-100 through just the first few episodes. To the point it feels like the audience has to catch it’s bearings. But, once you get on the same page, it’s enjoyable from there.

So what’s the Point of this Ted Talk-esq FMA Post?

I’m sick and tired of seeing 03 Stans and MangaHood Stans fighting each other over just the smallest detail, especially when 03 Stans decided to bring leftist politics into it for no reason.

Personally, I just appreciate the fact that both series exist, ever since I've got in the franchise, it has become a part of my life, and still to this day is part of my life. Sure, I’m forever going to be part of this fandom.. but, I still see the beauty that peeks through the ruins and ashes of destruction now and then. I appreciate both series. Sure, I do prefer Brotherhood more, and get called a “Nazi” just because of it (ironic considering FMA: CoS was the movie sequel to 03... -__- ) , but 03 was excellent as well in it’s own way. It was very involving while FMAB was engaging. Both shows are something which you can learn something from and get attached to.

All in all, comparing both shows is okay, that's what I did here, but having a debate over which one is better isn’t just inherently bad... it’s TOXIC. Both series have their pros and cons, and they’re starkly different from each other. They’re two sides of the same coin. But, most importantly they are extremely important and impactful, so Pls don't have death battles over which one is better, don't say bad things about any fanbase, be respectful, and most importantly watch both and try to appreciate them. Because trust me liking both is a pretty darn good feeling.

#fullmetal alchemist #fmab #fma 03 #fma 2003 #full metal alchemist brotherhood #madiis musings

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andersunmenschlich · 3 years

Text

Genesis 2

That’s the end of creation! That’s how absolutely everything got created, bar none, creation finished, over, done, finito. No more creating. Bible says this “everything done” day is the seventh, so I guess the time before light and darkness got separated actually does count as a day. Who knew.

The gods, that’s who.

Anyhow, the gods made the seventh day a holy day, set apart as super special because that’s when they finished all the creating. The first day ever that they didn’t do any creating at all. They were done.

And now, suddenly, in verse four, the writer changes.

No, I’m not kidding. It’s a very abrupt shift. Most noticeably, we’re not talking about the gods in general anymore: “אֱלֹהִ֖ים” is now always prefaced by “יְהוָ֥ה”—Yhvh, a specific god! “Gods” gets used like a last name now. It’s like, instead of “the Millers did thus-and-such,” now it’s “Alex Miller did thus-and-such.”

New writer. Real obvious.

Anyway! Our new divinely inspired writer takes us back to before the gods told the earth to sprout plants.

This writer tells us that the reason there weren’t any plants was because Yhvh God hadn’t made it rain or created Adam to aerate and fertilize the ground. Strange. I’d gotten the impression that there weren’t any plants because the gods hadn’t created them yet.

Our new writer also tells us that mist rose from inside the earth and watered the ground. Huh.

That would seem to make the lack of rain unimportant. Why say that there weren’t any plants because there was no rain when rain wasn’t needed?

Weird.

Anyway, Yhvh God took some dirt and shaped it into a kind of golem, then breathed into its nose, and poof! Adam.

Uh.

The plants still haven’t been created. I definitely remember Adam coming after the plants.

Land, space, water, and darkness—light, night, and day—sky—sea, dry land, plants—sun, moon, and stars—sea creatures and flying things—land animals—then Adam. And after Adam, nothing except deciding what everything but the sea creatures are going to eat.

Adam was last. I remember that very clearly (it was only ten or eleven verses ago). What kind of divinely inspired contradiction is this?

Ow, no, don’t throw things.

I’m just confused, that’s all. I don’t know how Adam could be created both before and after the plants. Probably I’m stupid. The Bible couldn’t be wrong, after all! Somehow, I’m sure, the gods created Adam male and female on the sixth day and Yhvh God created Adam plain old male on the third day. I don’t know how that’s possible. But the Bible says it happened, so it must have.

Ah, I know. The first writer messed up the plurals and singulars. Divine inspiration ruined by mortal stupidity! There’s only one god—Yhvh God—and there were two Adams, one male and one female.

...Except that still leaves the problem of those two Adams being made on both the third day and the sixth. Uh.

And wait, this new writer says there was only one Adam, one single male Adam.

...Okay, so the first writer messed up hard, then. They wrote “gods” instead of “god.” They said one intersex Adam… or maybe two Adams, one male and one female… were created on the sixth day instead of one male Adam being created on the third.

That’s… that’s some serious error right there.

Ow! Ow! Quit it!

Look, it’s not my fault! I’m not trying to make the Bible inconsistent! It’s just, look! First the Bible says man was created after the plants and now it says man was created before the plants!

This isn’t my fault! I didn’t make it say that! It just says it, all on its own!

Ow!

All right, all right!

So maybe I misread? Maybe the first part wasn’t meant to be read in a strictly linear way? I know it’s all “this happened, then this happened, then this happened—the first day. This happened, then this happened—the second day.” But maybe you’re supposed to skip around? Maybe the things that apparently happen in one day are actually happening in another?

…That’s stupid! No! I can’t convince myself of that at all!

Ow, ow, okay! Maybe I just don’t understand it because I’m the stupid one, and I’ll never be able to understand it no matter how hard I try—not because it’s dumb, but because I am. Fine, fine, you win, I give up.

So, after creating Adam, Yhvh God creates a garden in a place called Pleasure (“עֵדֶן,” Eden), and sticks Adam in the garden. Yhvh God also makes all kinds of trees that are pretty and/or produce tasty fruit grow in the garden, as well as the tree of Life and the tree of Being Able to Tell the Difference Between Good and Bad.

Side note to tell us about a river that runs through the garden, then splits into four rivers, each of which runs through or along a different place.

The original river doesn’t get a name, but the other four are Increase, Bursting Forth, Rapid, and Fruitfulness. Increase runs through the land of Circle (which has just the best gold, you guys, and awesome gum resin and precious stones, too). Bursting Forth goes through the land of Black. Rapid runs along the east side of Assyria. And we all know Fruitfulness, everyone knows the Euphrates, no need to explain that any further here.

Why this is important, I don’t know. Scene-setting? Nobody’s been able to find the garden of Pleasure using these directions, so it can’t be for that. Anyway, I’m sure Yhvh God knew perfectly well, when he was inspiring this writer, that a worldwide flood was gonna seriously change topography later on.

So the idea is that Adam will be a gardener.

No, this is obvious. There were no plants because there was no man to cultivate the ground? Adam gets put in the garden to tend and keep it?

There’s a reason man exists, and it’s to look after Yhvh God’s plants.

Ow! What?

Oh, the whole “dominate every living thing and even the earth itself” thing? Look. I’m not sure how much I want to trust that first writer, what with their gods and adams and plants being created before humans and all.

Yeouch! Dagnabbit, what?

I can’t throw out any of the Bible? I have to make all of it make sense, all together?

But it contradicts!

Ow! Stop it!

Okay, okay, it doesn’t contradict! I’m stupid! Men exist both to look after plants and to dominate everything, they were created on the third day and on the sixth day, they were spoken into being and they were dirt brought to life, they were male and female and they were just male!

Yhvh God told Adam he could eat fruit from every tree in the garden except anything off the tree of knowing the difference between good and bad, because if he ate anything from that tree “מ֥וֹתתָּ׃ מֽוּת”—he’d be as dead as dead gets that very day.

Then Yhvh God gets to thinking that maybe it’s not great for Adam to be alone.

Uh.

Don’t hit me, but didn’t Adam have Yhvh God? Like… was he really alone? God was there! I grew up hearing that when God’s with you, you’re never alone.

What good is “I will never leave you nor forsake you” if, even with God there, you’re still alone?

Augh, no! I’m sorry I asked!

[nervous breathing, cough]

Okay. So.

Since it’s not good for Adam to be alone (and he’s alone even with God), Yhvh God decides to make a suitable helper for him. Which Yhvh God does by forming animal golems out of dirt and bringing them to life.

….

I… look, I know I’m dumb. But I swear this contradicts what we were told in chapter one.

“Let birds fly above the earth across the face of the sky” on day five, before Adam was ever made, and “let the earth bring forth living creatures” on day six, also before Adam was made, is not compatible with “out of the ground Yhvh God formed every beast of the field and every bird of the air and brought them to Adam to see what he would call them.”

Don’t you try to tell me Yhvh God had formed every beast of the field! “וַיִּצֶר֩” is a consecutive imperfect verb just like “וַיָּבֵא֙” (“and brought them”)! They’re the same tense!

Ow! Fine, I’ll move on.

So, being as God isn’t good enough company, he figures maybe a horse will work as a companion for Adam. Or a cow, maybe. How about a dung beetle? Pigeon?

Yhvh God seems kind of stupid, honestly.

Aaah! Fire! No! Bad! Put down the—where did you even get those pitchforks?!?

Right, so, Yhvh God makes all the animals and birds out of dirt and brings them to Adam, in the garden of Pleasure, and whatever Adam calls each one is the name it gets. This is probably a real long process, on account of how many different animals there are, but even after Adam’s named the very last glyptapanteles wasp, he and Yhvh God still haven’t turned up any lower animal suitable to be Adam’s companion and helper.

So Yhvh God goes ahead and makes a more appropriate lower animal.

Ow! Dangit! Look, I’m just saying! It’d be one thing if Adam and Eve were made at the same time, in the same way, like they maybe were in Genesis 1:27, but this is Genesis 2:22, and Eve is obviously not Adam’s equal here!

She’s a tiny part of Adam, a bit he can do without. Yhvh God puts him in a coma, pulls out a single rib. That’s Eve.

Like Adam says when he wakes up and sees her, she’s one of his own bones, a piece of his own body. She’s not her own being as such, she’s a little chunk of him that was removed so he’d have company.

Don’t look at me like that!

What other conclusion are readers expected to draw when one person is literally a single bone pulled from the other one? Especially when the bone-person was made specifically for the sake of the original human.

Anyway, the new writer says this is why a man leaves his parents and is joined to his wife such that the two become one flesh: because that’s what they were in the beginning, one body. The man goes looking for his missing rib and clings to it—the rib gets absorbed by the original body. Man is not complete without woman (woman is never complete, any more than a gear is complete with or without a clock: it’s the clock that’s complete with the gear, and incomplete without it).

Stop hitting me! What is wrong with you people? This interpretation was accepted just fine for hundreds of years, and you know it! This new idea that the Bible would never say women were created not on their own merits but rather for the sake of men—it’s completely ridiculous because look, Bible!

Don’t like the idea of women being lesser than men? Too bad! Leviticus 12:2 and 5! 1 Corinthians 11:9! Ephesians 5:22! Deal with it!

And now another side note: they were both completely unclothed, and it didn’t bother them psychologically. No shame, no embarrassment, none of that. No word on how they felt re: weather, plants, bugs, etc.

End of chapter.

Anyone else feel like these chapters end a bit awkwardly? Like they were randomly slapped in by people who weren’t actually reading any of it?

#Bible #Genesis 2 #nondenominational Christianity #upbringing #Isaiah reads

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kenzieam · 3 years

Text

Touch

Rating: M

Warnings: Major Angst, heartache, some language

Word Count: 3595

Tags: @jewels2876 @moonbeambucky @jeremyrennerfanxxxx123 @iammarylastar @captstefanbrandt @badassbaker @pinknerdpanda @oliviastan17 @mizzzpink

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As time runs out, Lev remembers her first encounters with Bucky, and how the touch-starved, damaged man became just as important to her as she is to him.

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HEADS UP..... MAJOR ANGST AHEAD, READ AT YOUR OWN RISK. i DON’T EVEN KNOW WHY I WRITE THIS SHIT, IT JUST MAKES ME CRY.

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Shit, I’m cold.

But at least it doesn’t hurt anymore.

I don’t know how long I’ve been trapped down here; things have gotten hazy.

It’s been a while though; I can’t hear half as many people screaming for help as before.

I’ve had time to figure out what happened at least, with nothing else to do but lay here, slowly suffocating.

My day, I think it’s fair to say, has gone spectacularly to shit.

I think it was an explosion that made the building collapse, but things were happening so goddamn fast I can’t say for sure.

Either way, I’m here, trapped, and I’m pretty sure I’m dying.

Figures, Bucky didn’t want me to go to this convention. If I live through this, I’ll never hear the end of it; Bucky hates being apart from me, because I’m not enhanced like he is, he thinks I’m fragile.

And to be honest, I’m feeling pretty goddamn fragile right now.

My back is arched, bowed backwards to where I could almost grab my ass with the arm that’s twisted back behind my head; my fingers are in the perfect place to scratch any itch I might have between my shoulder blades, but an itch is the least of my problems right now.

I can’t feel my legs.

I don’t know if it’s the fact that a large section of concrete wall is pinning me from the hips down, or if its something more sinister and permanent, a broken back perhaps. Either way, I can’t see my legs or feel them. Maybe they’re not even there anymore.

Would Bucky still love me if I were broken? No longer whole?

I think he would, he knows what it’s like to be incomplete. So many times, after we’ve made love, he’ll hold me and tell me how much he loves me, how I complete him, make him feel whole for the first time in nearly a century.

It’s a heady sensation, to know someone as powerful and legendary as James Barnes loves you.

I never expected to find someone like him, to feel the things he makes me feel.

It breaks my heart that it’s probably all going to end today, with me trapped, alone, in my proverbial coffin.

Was it only three and a half years ago I heard Tony Stark was hiring and me, fresh out of school with the ink on my doctorate of Physical Therapy not yet dry, decided on a whim to apply?

I never expected a call from the man himself, never expected to be given such a huge opportunity so early in my burgeoning career.

But Tony had a plan. People get hurt all the time, secretaries with carpel tunnel, agents with bruises and bumps, Avengers with broken bones earned on their newest mission, it only made sense to bring in a full time PT to the medical labs in the Avengers Complex, and Tony wanted someone fresh and new, someone without any bad habits to break as he put it, which is ironic when you consider all the bad habits Stark himself has.

I’m still working on refining his damn posture in front of the computer, but I think it’s a losing battle.

My job was soon revealed, to help after Bruce and Helen had worked their magic, regain range of motion, stretch and massage damaged muscles, ensure the team ran at their peak.

While my job originally was supposed to include the entire Complex, it soon became obvious that all my attention would need to be devoted to the team of superheroes themselves and, after a few months of commuting to and from my small studio in the city, I gave into Stark’s less than subtle hints and moved directly into the Complex myself, becoming a round-the-clock, on-call-all-the-time member of the team.

My first interactions with Bucky were minimal, a shadow lurking behind the much more gregarious Captain America himself. I didn’t take it personally because, from what I could see and had heard, the former assassin stayed as far away from everyone that he possibly could.

But he ended up being half dragged to me by Steve himself a few months into my job, due to a lingering pain in the juncture of his shoulder from a recent injury; or more accurately, from a recent injury on the training mats that merely brought back the pain Bucky had apparently been struggling with off and on ever since HYDRA attached his first bionic arm.

The big man didn’t want to be there, I could tell and only his loyalty and commitment to his oldest friend kept his ass on the table as I examined the puffy, angry red scar tissue, his body rigid beneath my exploratory touch.

I knew enough of his past to realize that Bucky’s aversion to me was part of, if not wholly, due to the rough and cruel way HYDRA had treated him, when every contact meant hurt and degradation, but it still affected me. What had he lived through that had taught him that even simple touch meant pain? And how, with the very nature of my work involving discomfort, did I help him?

“Can you rotate your arm?” I ask quietly. When he hesitates, I continue. “I need to feel the joint when you move it.”

He nods silently, accepting the fact that my hands need to stay on him, press in lightly while he rotates his shoulder and, most likely, increase the pain he already feels.

I fall silent, close me eyes to help concentrate as he complies. “Again, please.”

I finger a particular point, deep in the joint and Bucky flinches, swallowing a low groan. I instantly feel horrible, for surely, to make Bucky react at all the pain I just caused must have been extraordinary, but it gives me something to focus on.

I pull away, trying to ignore the way his skin makes my fingers tingle; must be related to his serum-enhancement, my mind studiously ignoring the fact that touching Steve doesn’t illicit the same sensation and offer him a smile.

“I think a lot of that discomfort can be managed with massage, relaxing and sorting out the muscles involved. I’d prefer to try that, rather than jumping into more invasive therapies right away.”

I wait for his response, glancing at Steve when it appears for a beat that Bucky hasn’t even heard me but then it hits me.

Massage.

Continuous touch, continuous pain while he will be forced to lay immobile, tolerating it soundlessly.

Pretty much Bucky’s worst nightmare.

Shit.

Steve shifts his weight, clears his throat. He’s obviously torn between answering for his friend and letting Bucky decide, although it’s clear he expects Barnes to reject the proposal, to push on grimly through the ache and potentially damage his body more.

“Okay.” His voice is so low I almost don’t hear him.

“I’m sorry?” I lean closer, frowning with concentration. Fuck, for so huge and imposing a man, the guy can make himself practically invisible, even right beside you.

“Okay,” he repeats, barely raising his voice. “We’ll try.”

“I’ll do my best,” I feel compelled to reassure him, barely stopping myself from resting my hand on his shoulder, pulling back at the last second when I remember that that would probably be the last thing to calm the man. “To make it as tolerable, as pain-free as possible.”

Bucky nods but doesn’t answer.

“Want to start now?” Steve asks carefully, glancing between me and Bucky. I don’t know what Bucky will say, but I’ve probably filled his quota of contact today.

A silent head shake, his lank brown hair swinging, a quick but interesting glance up at my face. Is he concerned about my reaction?

“Tomorrow?” I ask gently. At his nod I continue, running through my schedule in my head and I know these two usually go running in the morning, hitting the gym after and then grabbing something to eat. “How about after lunch?”

“Okay.” Christ, the man’s voice is so quiet and soft, it doesn’t fit with his appearance. He looks like a beast, huge and muscular, danger radiating out of every pore. Its so much easier to visualize him as the cruel assassin The Winter Soldier than as a traumatized prisoner of war. That is, until you look in his eyes; then the muscles, the bulk and silent intimidating air all fall apart.

The concrete around me creaks, the rubble threatening to shift, and I hold my breath. It’s getting harder to breathe but I don’t know if that’s because of the way my torso is twisted, or just a general lack of fresh oxygen. I can’t see any daylight anywhere, of feel any type of air movement, but I also can’t move any part of myself around to look. For all I know, there could be a way out of this mess directly behind me, but I’m pinned.

How long has it been? I think I greyed out for a minute there, remembering one of my first meaningful encounters with Bucky, the first time he answered me, agreed to try massage therapy for his shoulder. The trust he showed wasn’t lost on me.

The building groans, as if its in pain too and I fight a rising panic. The voices I could hear around me have gotten less and less, the faint screams for help devolving into wordless, animal cries of agony before cutting off altogether and I wonder if anyone is even still alive. Is there any type of rescue effort yet? Has there been some kind of terrorist act that’s holding up my salvation?

Have they told Bucky?

The convention was a couple of thousand miles away from the Compound, even with the quinjet Bucky and I were hours apart.

Is he out there right now? Digging for me?

My mind wanders again as a fresh stab of agony shoot through my torso, ending curiously at my hips.

I look up at the soft knock at my office door and smile.

“Hello, James.”

His eyes meet mine, just for the barest heartbeat before dropping. “Bucky,” he murmurs.

“Bucky.” I agree, my smile widening at his soft, endearing air. I want to just gather him up and give him a hug, show him that there is love and gentleness in the world and he deserves it too; although, to be honest, I’d just look like a koala hanging off him, God, he’s beefy.

He follows me soundlessly through the Physio department, to the room I’ve set up strictly for massage therapy. I put myself through school moonlighting as a masseuse, and that was one of Tony’s first requests, that I set up shop again. It seems some days that half of my job is just massage, but I’m not complaining; I enjoyed it in school and it’s just as amiable now.

I gesture to the table, draped with clean sheets. “I’m just going to work on your back and shoulders, so you just need to take your shirt off, if you want to remove your pants too, that’s fine. Lay face down and there’s a sheet to put over yourself when you’re ready. I’ll be right back.”

He nods again but there’s a tension in his body now. Is it because he’s going to be showing his arm, the angry scars that surround it? I’ve seen it before, but it seems to be an enduring shame with him, and I make a note not to draw attention to it.

“Are you ready?” I knock softly and ask through the door, hear his quiet confirmation. I turn the lights lower as I enter, explaining as I do. “I’m just turning the lights down a bit.” I busy myself at the small table covered in different types of massage oil. “I don’t know about you, but I can’t relax under full lighting.” He mumbles some sort of agreement, head lowered into the u-shaped cushion. He’s laying face down, like I requested, but he’s anything but relaxed. Fists clenched tight, breathing quickly, he’s not letting go, not yet. “I can play some music if you want?”

“Okay.”

I pause, then speak. “Bucky? We can hold off; you seem a little tense-”

“No.” He lifts his head to look at me. “I’ll lay still, I promise. Just go ahead…. I won’t react, I can take it.”

I shake my head, that’s not the point. “No, Bucky. That’s not how it works here.”

He lifts his head again after dropping it during his statement about laying still, frowning thoughtfully, if a little suspiciously.

“You don’t have to just lay here and ‘take it’. This is for you, if you get uncomfortable, if you want me to stop, you say so and we’ll take a break. I don’t want you to just lay here and endure the pain. If it hurts, tell me; if you start to get overwhelmed, tell me. The last thing I want is to make this another bad experience for you.”

He pauses then, forehead furrowing slightly. From what I’ve gathered regarding his past, free choice wasn’t something ever offered to him, HYDRA would just order him to lay stay and endure whatever torture or torment they were performing.

That shit doesn’t fly here.

“You are in charge.” I squat at the head of the table to meet his eyes, wanting him to really hear me. “I will not do anything to you that you don’t consent to. I can’t guarantee it won’t hurt, but I will only do want you allow me to, okay?”

Something flickers through his eyes, something soft and vulnerable and I get the feeling that he will lay here for me through the worst pain, if only because I gave him the control to, something he’s never been given before.

“Okay,” he replies quietly.

“I’m not going to lie, the harder I work, the more it hurts initially, the quicker the pain will be over.”

He nods and I think he’s relieved that someone is taking the time and consideration to include him in what’s going to be done to his own body.

“But we go at your speed, okay?”

“Okay.”

I stand again, reach over and turn on my playlist, a compilation of soft, bluesy swamp rock and acoustic melodies and begin.

I’m getting tired.

Is it dark outside too?

Will I ever see the sky again?

I can’t think that way, I can’t give up. Not on myself, not on Bucky.

He will come for me; I just have to hold on until then.

My mind continues to wander, trying to distract itself from the growing lassitude in my body. The weariness, the lethargy scares me, I wish I could still feel the pain, at least I’d know I’m still here, existing, even with the agony.

I remember the way our relationship progressed, slow and cautious, tentative.

Slowly his body would turn from iron to relaxed muscles beneath my touch, slowly there would be anticipation, maybe even eagerness in his eyes when he’d walk into the department, rather than grim resignation.

Once he fell asleep on me, facedown on the massage table and I let him nap, leaving the music and lights low, the door cracked, waiting for him to wake as I went about with other duties, finally seeing him emerge looked a little shamefaced, smiling tentatively in apology as I worked with Sam on a range of motion exercise for his recently injured knee.

That seemed to be the final barrier.

After that, I was one of the few people Bucky actually chose to seek out, a rare and exclusive club.

It was easy to love him.

For even as I seemed to be a source of comfort and contentment for him, he too was my bastion of strength, my rock.

If he could wake up each morning and push on, then anything I encountered in life was conquerable too.

“Baby.” He groans, lips brushing my ear.

His powerful body moves above me, inside me, bringing me to heights of pleasure I’ve never felt before.

It’s our first-time making love together, and in some ways, it’s like its truly the first time for both of us.

He’s so gentle and tender, careful with how he handles me, like I’m precious glass in his large, powerful hands.

He cradles me as he thrusts, holding me close to him, whimpers faintly and its that sound of pure vulnerable surrender that pushes me over the edge. He follows, groaning my name into my hair as his body shudders. I feel him pulse inside me, the most peaceful feeling of rightness suffusing my limbs.

Right here.

This is where I’m meant to be.

This is the point my entire life has been leading to.

He collapses beside me, breathing heavily and I roll to the side, resting my arm across his heaving chest. The faint flinch he always had, that he still has with most other people, is gone. He trusts me completely and it’s a gift I will never waste.

His eyes lock with mine, searching, somehow dark with desire and light with joy at the same time. His body is ready again, hard and straining, serum-enhanced and close to insatiable.

I roll to straddle him, his eyes following me. His hands reach up and I clasp them, twine our fingers together, press against them as I sink down onto his cock, watch his eyes roll back in his head with ecstasy. I roll my hips, encouraged by the sounds my movements draw from him, the low groans and grunts, moans and hums of pleasure.

“Fuck-” he curses and my heart dances.

My body is hungry, wanting more, and I increase my pace, chasing another release.

His eyes open, lock on mine once again and we stay connected like that, both in gaze and in body. I watch the emotions shine there, in his supernaturally blue depths, see the vulnerability there, something akin to awe, as if he has trouble believing he’d ever be this way again, open and honest and bare with someone else, trusting them in so many ways.

“Bucky-” my voice drops into a whine as my peak hits, my eyes closing.

“No.” He orders and my eyes snap open. “Let me see you, baby. Let me watch you.”

Our eyes lock again as I give in and then he’s coming too, thrusting up into me one last time, eyes burning into mine, the expression in them driving me into another, simultaneous orgasm, which infinity loops back into Bucky, his body shuddering as my walls milk him, drawing his seed hungrily, and I realize that there’s few things I’d rather be in this world right now, than joined so viscerally with him like this.

The only thing that would make this better would be if his seed takes root inside me and I’m able to give him a child, a second chance, an opportunity for unconditional love.

I cough, wince at the pain that flares in my chest, taste copper in my mouth.

It won’t be long now, I feel the truth in my bones and, while it breaks my heart, I still fight it.

I need to see Bucky, even if its for the last time.

I’ll miss our life together, the way he always sought me out, wherever I was.

Touch-starved as he was, for nearly a century, once Bucky learned he could trust me, began to touch me whenever he could.

An arm around me from behind, lips on my neck. Tight hugs for no reason, seeming to recharge at our connection. Waking tangled up with the huge cuddle-bug, barely knowing where I ended, and he began.

And the way he’d cling to me on the couch, even if others were there too, uncaring about what they thought. Curled against me like a child, head buried in my neck, almost purring under my touch as I ran my hands along his back and shoulders, like stroking and taming a large beast, soaking in the touch-love like parched earth and water.

After almost a century of starving, he was hungry for connection now, for my touch.

I hate that I’ll be taking that from him.

Slight sounds I’ve been hearing sporadically for a while now but not really able to make out become faint rustles nearby, a muffled call.

The rubble creaks, threatens to shift and, after a fraught pause, the rustling continues.

“Lev?!” I hear someone call, faint and blurry, but the way the word cuts tells me they’re screaming.

I try to answer but can only croak.

The weight on my body is almost too much now, the exhaustion pulling me further and further down. My belly feels heavy and a faint part of me muses that I’m probably bleeding internally, probably have been since I came to in this horrible, choking blackness.

Would Bucky still love me if I were broken? No longer whole?

I know the answer.

Yes.

I loved Bucky before he was whole, when he was broken.

A giant rat is nearby, scratching, then the cutting scream again, closer and cracking with strain. I recognize it finally, Bucky’s voice, breaking with anxiety, snapping under the stress. His throat will be sore for days.

I imagine him tunneling through the rubble by hand, shaking off other’s hands that try to stop him, tell him it’s too late and there’s no way I can still be alive.

But I know he won’t stop, not until he can touch me again.

#bucky #bucky barnes #bucky barnes fanfic #bucky barnes fanfiction #bucky barnes angst #bucky barnes drama #bucky and lev #bucky and levi

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ae0nx · 4 years

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FRUITS BASKET S2 EPISODE 8 RECAP!

The beach ‘arc’ is always curious to me cos it’s not an arc really. It’s full of little, tiny explosions that are some how connected to each other but there isn’t really a clear beginning or end to it like there could be to the True Form arc (kinda)... It’s all a spider web, part of a bigger spider web and I love it!

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- The episode is called ‘Dog’... I’m just gonna leave that here as a fact cos I’m still working out as to why.

Yay! More Rin! Coming in with the honest and hard hitting question:

Also, outfit appreciation goes to Rin! OF COURSE. I remember when I had my goth corset phase in my late teens... I might bring it back.

- Yay, Kagura’s mum! We stan loving parents in Furuba! (but once again, fuck Akito and this whole fuckin system)

I think this might be the first and only time that my thoughts and actions have aligned with Kagura...!

One of my favourite things about the beach arc, is how willing everyone is to protect Tohru and keep her away from Akito (as much as they can anyway). They all love her so much! And I wish Tohru would accept their love freely.

Although, let’s get real. If you knew a family after a few months, I feel like you’d naturally feel like you didn’t have as much of a place within the family compared to the other members who’ve known each other for YEARS. Which is something that was kinda explored in the last few episodes of the 2001 Fruits Basket but that wasn’t really the place to do so...

- I didn’t even wanna screencap any of the Akito/Haru scene cos all I have to say is... gross

TO MORE IMPORTANT STUFF:

CUTE! I love Yuma Uchida’s delivery of Kyo’s line. It was great.

The cutest of jump attacks <3

- Yuki and Haru laughing together is always great. ALWAYS. Yuki laughing in general? Just... so nice :)

Yuki’s such a goddamn dating sim sometimes 😂

Look at the cool boys, looking cool 😂

Lol even though this is mostly played for laughs, I can’t help but feel a little pang in my heart every time Yuki is mean to Kyo. I’ve said this before, but personally, I think that even though they’ve each gone through their own hardships and battles in similar and in completely different ways... Yuki does hold a bit more privilege than Kyo. Plus, Yuki ALWAYS wins! And he always ends up looking like a bit of a jerk...

Ah well, these are the zodiac roles they’ve been assigned to after all...

- Did Rin walk all the way to the beach?! In heeled boots?! Sounds like me in my late teens, for sure

🙄

Akito and their rambling villain speeches... it’d be funny if they didn’t have the amount of power and control over every aspect of the zodiac clan’s lives but whatever

Kureno, SHHH! 🤐

Ah, shit...

Wow... that look. That delivery. FFS, Kureno! We were all just trying to have beach fun 😭

- I hate and love how close these Akito scenes are cut to Kyoru cuteness scenes... talk about a foreshadowing 👀

KYON-KYON! 😺

I legit blushed too when I saw this scene. I can’tttt! I’m running out of ways to say how cute they are and this is just the beginning, omg

- It suddenly turned into a shonen origin story when Kyo started explaining to origins of the beads. Blood and bone... hardcore. Part of me does wander if Takaya-sensei pulled a Stephanie Meyer and retold the story through Kyo’s eyes would Fruits Basket turn into a shonen anime? Haha (I really don’t want this. Please don’t make it a thing.)

It’s interesting (and also not surprising) how Kyo linked the sacrifice of the monks to Kazuma (A/N: Just got reminded of what scene it was... oh shit, my bad!). It makes me wander if Kyo will ever 100% accept Kazuma’s love and care without seeing it as something he owes him. That he deserves to be cared for... Dudeee 😩

I can’t stand them 🤡

There’s always something! Even the ocean thought they should cool the fuck down ahaha

I LOVE THEM SO MUCH. I don’t know how else to say this now. Je les aime tellement!! He held her face! It’s too much. Blushing 27 year old here.

“SHE’S A HORSE!” (A Hermsaur reference haha)

... Oh?

I feel like the anime really does sexualise Rin but then again I feel like the manga did too? And I’m getting the feeling that... that’s the point? In a lot of ways she does fit the ‘femme fatale’ role without it being egregious. So, besides that Shigure scene, I’m not too mad at it... for now...

- ‘A voluptuous beauty’ ahahahha. I’m here for Tohru’s bisexual awakening and I’m here for the Rin/Tohru dynamic, I can’t waitttt :3

Ethereal Goddess Tohru Honda returns!

I love this moment between her and Yuki. Tohru coming to trust Yuki to be able to handle himself in a tough situation (like a typical mama) and Yuki’s new found confidence in that he can handle almost... everything.

It was a literally refreshing scene.

Shit.

And as always Shigure is painfully the ironic narrator of it all. I hate him.

----------------------------------------

Back to the episode title ‘Dog’.... I don’t know why the episode was called that. Was it in reference to how Rin was kinda sniffing down tracks towards Akito like a dog? And how everyone in the zodiac is kinda obedient to Akito like a dog? Or how Akito treats everyone (especially Kureno) as dogs?

(A/N: Apparently CrunchyRoll got the episode title wrong so all that theorising was for nothing lol)

If anything I feel like last week’s episode should’ve been called ‘Dog’ just simply based on Shigure’s behaviour being top awful form.

But, it was another fun episode this week. I’m expecting full on juicy mess next week.

See you then!

#fruits basket #furuba #fruits basket 2020

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vylequinnewriting · 3 years

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hannah’s oc fill in the blank tag game

Thanks for the tag, @jin-doodles! This was a fun and a big help. Now there’s a confirmed Skulf for MaK! Think of a direwolf that likes wearing bones like armor. They’re cute, like wolves, but also scary, like wolves.

Rules: choose an oc and have them fill in the blanks of the following statements ( created by @hannahs-creations)

I’m choosing Shiloh from Making a Killing for this.

---

I am inspired by Canel, but don’t tell the kid I said that. I got a reputation, after all.

I think that I am easily angered because everyone seems to know how to tick me off.

I have often been told I am too violent. I don’t let them get a another word if they say that.

I love a lot about myself, which probably stems from the fact I’m my own best friend..

When I am up late at night, I am usually thinking about what I could have done better in the past.

My favorite thing to do in my free time is go out with friends.

I really dislike people looking down on me because they don’t know how easy it is to bring their knees down to the ground.

I find that working tends to distress me.

I think I am unique because my magic is literally a single damn thread but I damn, do I make it work.

My most common emotion tends to be anger. Why? Who’s askin’?!

I really hate when people don’t listen to me.

I find working for someone else to be rich to be tedious and feel the world would be better without it.

If I could get rid of any food in its entirety, it would be anything that ain’t sweet.

I think a honey badger would be my spirit animal because we’re both flashy and relentless.

I believe I can beat any member of the Board because I haven’t lost yet.

I feel anxious about this game. A bunch of innocent questions did put me in this predicament, ya know.

I have one pet. Some bastard brought a Skulf here and didn’t know it ain’t a fan of most people. Maggie’s a fan of me, thankfully. Got the bitemarks to prove it.

I [am/am not] afraid of commitment because I don't know when I’ll end up sleeping with the Striders. Wouldn’t want them getting hurt either.

If I became a villain, it would be because I gave up and started listening to Paze Duhl.

If I became a hero, it would be because people thought my methods didn’t matter compared to the end result.

I consider myself to be an antihero.

I think I am the main character of my own story

I wish I could just go back. I’m getting tired of this.

If I could kill one person without getting into trouble, it would be Paze Duhl. Don’t worry about that. I’m already making plans.

I find that people that don’t trust me are really stupid. And usually very, very wrong.

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I’m tagging @akindofmagictoo, @ashen-crest, and anyone else that wants to participate!

Here’s a link to the original post!

#making-a-killing #writeblr #wip #writing #creative writing #work in progress #writing community #vylequinne

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idrewbedraggledbreaths · 4 years

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Sorting Daenerys Targaryen and Jorah Mormont with the sortinghatchats system (GoT verse)

I didn’t want to write this post before I finished my Killing Eve sortings (basically Carolyn and Konstantin), but I’m stuck with them, so I decided to revisit an old fandom instead with a new approach. My take here is possibly an outsider’s take, given that I haven’t interacted with this fandom for a while, save for a few close friends I made in it. Now, bear in mind this sorting system IS NOT the original HP system, it is simply based on it. It sorts you into two houses. Your primary is you WHY, your reason to be who you are, what you believe in. Your secondary is your HOW, the way you act and approach life. Below is a little tl;dr of what each of them are (I’m using the animal terminology that’s being used in many blogs, by the way. If you know the houses, you know what each animal is supposed to represent).

Lion primaries are intuitive and guided by their moral compass, which is very strong (doesn’t mean what they believe in is in fact good or correct) and Lion secondaries are the people who charge straight at something, regardless of whether they will come out of it unscathed or not.

Snake primaries value people. Not any person, their people. They will go to hell and earth for their people to be safe and happy, which can get kind of self destructive. Snake secondaries improvise much like Lion secondaries, but they tend to adapt to situation and shapeshift their way out of problems.

Bird primaries also value right and wrong like Lion primaries, but they build their systems with external information and observation, not from their gut feelings. That means Bird primaries change a lot with time, because their ‘rights’ and ‘wrongs’ change. Bird secondaries collect. Skills, tools, random knowledge, they delve deep and acquire as much of them as they can, not because things are useful, but because it’s fun.

Finally, Badger primaries are also people-persons, but their communities are much broader than a Snake primary’s. They value people, tradition, cultures and so (but not every Badger sees everyone as people, so there’s that). Badger secondaries are the hardworking types in the sense that they cultivate things, they invest in them and even become them.

You can develop models of each house according to what you find useful or what society has instilled in you, but when push come to shove, the models aren’t the real you. All of these houses can burn, meaning their essence is somehow scared away from them due to trauma, depression, societal pressures, etc. That means a Lion stops trusting their instincts, a Snake no longer feels like they’re able to protect their people or their people are better off without them, a Bird loses faith in their systems and a Badger closes themselves off from their communities and adopts a smaller circle of people. Burnt houses can look a lot like each other. For more info, check out the tags.

Daenerys

Double Lion, no doubt (for most of the show). Dany knows what’s right, she feels it in her bones. She never tries to rationalise her decisions and she won’t usually budge, even if she is presented with a more rational plan. None of her advisors have really convinced her to do anything, they might have pushed her to do what they wanted, but if she had her way, Daenerys would only ever listen to her own heart. She needs people around her to help her not make impulsive, brash decisions(because of her Lion secondary that I will get into), but she definitely doesn’t need - and doesn’t want - a moral compass, hers works just fine. She was burned as hell in the first episodes of the first season, mostly because of Viserys’ horrible influence, because he had robbed her of a purpose, of her truth. Drogo also stifles her primary and secondary for a while, but he eventually gives her some space to be herself. When she unburns, she unburns fast. ‘Not a Queen, a Khaleesi’ is pretty much Day gong ‘yeah, I can do things my way, I can be my own person with my own values and my own self.’ I think from there on, her quest to liberate 1) take back the Iron Throne 2) liberate Slaver’s Bay and ‘Break the Wheel’ just show how much she is focused on a big quest that is not explained by reason, by her need to form a community or by the influence of someone in her life. She does it because that’s the Right Thing ™ to do, and that’s Lion primary in a nutshell. Another thing that points towards Lion primary to me is how she just won’t take criticism and specially betrayal well (not that anyone does, but Dany is particularly unforgiving most of the time). Lion primaries are particularly shaken when someone they admire doesn’t have the same moral standards as they do, because deep down they like to think they know what’s ‘good’ and ‘true’ (oops my Snake primary who doesn’t really get Lions is showing), so if you don’t follow them and their beliefs, you must be doing something wrong. This is why Dany is so fucking pissed at Jorah when she finds out he betrayed her. She is also devastated true, and she misses him, but her ideals and her ‘truth’ stop her from seeing things from his side ad from forgiving him until he has proven himself worthy. Her reaction to betrayals tie in to the fact that she is a MASSIVE Lion secondary. She headbutts her way into things and her liberal use of Dracarys is proof of that. That’s not to say she doesn’t think or plan or listen to her advisors, but when push comes to shove, homegirl ACTS. Fuck the consequences, I have three dragons, fucking try me. Don’t tell me that climbing on Drogon in the fighting pits and burning the Khals were calculated decisions. Burning the Lannister army wasn’t a calculated decision. She leaves the planning to the people around her. This is something I struggle with regarding Lions, but I have to admit they are much more prone to seizing opportunities that us Bird secondaries (because I do have a Snake model but it is utter shit).

Now, in seasons 7 and 8, she starts burning again. She gets to Westeros, where people aren’t flocking to her side like they did in Essos. Daenerys lets herself be swayed by Jon’s pretty little speeches that sound very Lion, sound very true to Daenerys, but guess what? She is fucking betrayed by everyone. The people she loved are killed, her children are killed (and the whole ‘I will take what is mine’ thing indicates that she might have a Snaky primary model, after all, she does some things because of what she claimed as hers, be it people or the Throne), she is left absolutely alone, so she burns, she loses faith in herself, starts doubting her actions and her instincts and no one is there to help her unburn safely, so the way she does it is destructive, as it often is with Lion primaries who don’t have guidance in order to regain their trust their instincts and their selves. To me, the KL incidence is her primary going ‘You fucking left me behind, you fuckers, now you are going to see that I was right and fuck the consequences’. Her primary takes a turn for the worse with the help of an impulsive secondary and she ends doing anything to reach her end goal, similar to Albus Dumbledore and his disregard for human life as long as Voldemort being defeated is concerned.

Jorah

I have no doubts whatsoever that Jorah is a Snake primary. I know the fandom likes to sort him into Hufflepuff when using the traditional sorting system and while there’s no doubts he is a loyalist to the bone, Jorah’s loyalties are much narrower than a Badger primary’s would be. Before he meets Daenerys, he wants to go home and make up with his family, because they are the ones who matter. Not his reputation, not the North, not Bear Islad itself, the Mormont House. Before that still, he does literally anything to keep Lynesse happy, including doing things that are against the law. This utter devotion to certain people are what makes him a Snake primery to me, a paricularly self destructive one. He starts worrying about the fact that he berayed Daenerys when he ‘adopts’ her into his circles and more so when she goes from being in his outermost circles to being the one person his Snake primary is attached to. Daeerys is everything to Jorah. Does he persoally care about freeing slaves or generally following her morals? No, he does it because it is importat to her and he wants her to see he is worthy of her attention (I, another Snek, still don’t kow if I like Florence + The Machine so damn much because I liked a girl who was into FATM or if my Bird secondary saw her taste for FATM and went ‘OMG ME TOO LETS TALK ABOUT THAT’ and the primary just said ‘huh, that’s legit. We’ll worship her from now on’, so yeah, us Snakes do that. On a side note, I never worked up the courage to ask her out, though). That’s why he goes batshit when she banishes him. He doesn’t burn, which means his primary is so strong it wasn’t fazed by being ast out of her circles; no, he is hell bent on getting back into her good graces and if he has to sacrifice his life fr that, so be it.

Now, when it comes to secondary, I’d say Jorah’s a Lion secondary too, even though he has a lot of models he picked up with time. Models are useful, models get you out of bad situations, but they’re not who you really are. Jorah wans to be a Bird secondary when he’s around Daenerys, he wants to be the careful planner who looks ahead and ensures she is successful and he also needs a Snake secondary model, because his life demands that he twists and turns himself to fit different situations, but deep inside he is a Lion. His most honest moments are the moments when he just does it, no thoughts head empty. Did he have a solid plans when he kidnapped Tyrion? Fuck no! Did he truly know what he was doing when he decided to fight in the pits? Fuck no! Did he think before he charged at the wights and saved Daenerys in Winterfell? Fuck no! His head was probably just going ‘my Daenerys is in danger let’s punch first and see what happens later’. He’s not like Littlefinger, who plans everything ad is so fast at analysing and changing plans he looks like a Snake. His models make him seem like the opposite of Dany, like a Bird to a Lion, brains while she is brawn, but when she is in danger, Jorah charges.

What the Jorleesi shippers do is take Dany’s Lion primary that is so focused on a quest and show her that she can also include people in her big aspirations. The gut feeling that is so characteristic of Lions is already inside her, all she would need is to put it into words, which isn’t necessarily the strongest suits of many Lions (that’s a Bird thing). Since most of their dynamics inevitably lies on Jorah’s models regulating Dany’s secondary, there’s not much point in ‘taming her Lion’. Jorah stays the same. The fandom looooves his Snake/Lion, specially since us Snakes tend to be too hard on ourselves. A self-loathing Snake who is also a stupid brave Lion secondary? Yes. They are both stupid brave. Also just stupid. Just talk, you two, for fuck’s sake. Get over your Lion, Daenerys, and talk to him, his Snake won’t allow him to bother you too much.

#daenerys targaryen #jorah mormont #Dany x Jorah #jorleesi #sortinghatchats #lion primary #gryffindor primary #lion secondary #gryffindor secondary #snake primary #slytherin primary #double lion #snake/lion

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zippdementia · 3 years

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Part 95 Alignment May Vary: End of All Things

Here we are. I’ve been putting this off for a while, but this will be my final two-part post in the AMV campaign. This is the post that describes the end of our game, which happened on January 15th, 2021, over 4 years from our first campaign. It was an emotional moment for us all. I remember writing the notes the day before the session and then realizing I was sobbing openly as I wrote the campaign’s potential final lines. I thought, whew, well at least I’m getting it out of my system early. But the 4 hour session ended up being full of tears for us all, and once one of us started crying, the whole group couldn’t stop. It is impossibly hard to say goodbye to characters that you’ve essentially been the parents of, the creators of. And in writing this post, I’m doing it all over again.

This post was originally one long post, but I decided to break it into two pieces for ease of reading. If you’re reading this post after having read all 94 other posts, bless your heart. But regardless of how you arrived here, I’m glad you are here with us at the end of all things.

Our session begins right where the last one ended, at the foot of the Jarlberg mountain, at the summit of which Abenthy waits in the old cave of the stone giant Kirazov, for his ritual to complete and the plane of chaos merge with the material plane.

The PCs were saved in the final moments of the grand battle between the armies by Roger Krisp on board the renamed Anope intergalactic vessel, and a fleet of Githyanki who followed him to this planet to save the reality of those who had once aided them.

There is little time for reunion. Roger Krisp gives the PCs the last of the Surveyor’s remaining revitalization injection, which essentially long rests them all. They manage to save one: Imoaza took no damage during her stealth assassination in the last battle. Sasha, one of Aldric’s goblin children (his spunky daughter), has a brief and emotional greeting with the group. Time differentials in space travel (as well as speedy Goblin maturation) means she is an adult now, and she tells them that her father would be proud of them, and shows them that everyone on Anope has joined the Green Company to honor him. In death, he achieved what he had sought in life, the revival of his old Company.

(Cue our first round of tears).

Most surprising is the emergence of the The Old Surveyor from the ship. This is the old man from the Air Planet, who had disobeyed the orders of Primus centuries ago, and whose disobedience led to the creation of the “Progenitor Surveyor,” the one who created humanity and whom Imoaza’s ancestors worshipped long ago. He disembarks from the ship as well, now, and tells them that most will not be able to survive the “space beyond space” where Abenthy has fled to, so as to not be interrupted in his summoning of the Chaos Plane. He tells them that only Blackrazor can let them enter that space and allow them to do battle.

“He is no longer just Abenthy,” The Old Surveyor tells them. “He is a merging of three powers, three distinct lines of fate and alignment. Lawful, Evil, and Neutrality have all blended inside of that being. It carries the power of law, the knowledge of magic and the planes, and the determination of destiny.”

“We have the numbers,” Roger Krisp chimes in. ”It’s time to storm this mountain and end this!”

“Only these three can enter. Anyone else, anything else, would be torn assunder by trying to survive in that limbo. Blackrazor will keep Imoaza safe, the Surveyor’s Stone will keep Carrick safe, and Milosh's chest plate will keep him safe as it carries the true essence of Primus within it, the heartbeat of a god. Anyone else would be torn apart by what waits beyond. The fate of this plane of existence must be left in the hands of these three. Well, and one more, if you will grant him your protection.”

Out of the Surveyor's sleeve comes the Chi Chu, the little pet turned familiar that Imoaza hasn’t seen since entering the Abyssal plane ages ago. it flits over to Imoaza. They hear a "Chiiiii?" as if asking, you won't leave me behind this time, right?

(The return of a favored animal mascot? Cue our second round of tears).

With this, the group begins the ascent, though Carrick stays behind a moment to ask the Surveyor what will become of the Surveyors (of which Carrick and the old man are both technically the last) once Abenthy is defeated and Primus and Chaos’ soul erased in the process. The Surveyor says that for himself, it will be time to rest at last, and return to Primus’ side, even in oblivion. But for Carrick it will mean a different kind of freedom. Freedom to choose his own destiny.

"This is Where I First Learned to Hate”

As the group climbs the mountain, I remind them of the prophecy, to center us in on what this final session will cover. Friezurazov is the throne of power in the prophecy, a leyline in the world where reality can be weakened. It radiates power, and this power is what originally drew the Stone Giant Kirazov to the land, to make the Jarlberg (the seat of that psychic radiation) his lair. Now Abenthy has taken that seat back and from there plans the end of the world.

The party have to enter and pursue him, and Blackrazor Alpha, which Imoaza carries, is needed to cut through into that limbo space where the fight will occur. Once they face Abenthy, they will also face his Blackrazor, the one that is corrupt and filled with all the powers of chaos. But even destorying the sword cannot kill that which Abenthy has become. They can only weaken him enough to call upon another power to destroy him.

That power is the Source, Primus’ power which resides along with Primus’ soul inside Milosh's chest plate. Before this power is used, to truly win this fight, Carrick must use the Surveyor’s Stone to draw Primus' soul forth and Imoaza must weave that soul into one of them to become the shield in the prophecy, which is a word meaning sacrifice in the old languages.

Destroy both the shield (imbued with Primus’ soul) and Abenthy’s body (imbued with Chaos’ soul), and they will finally win and achieve the destruction of the abyssal plane forever, for it cannot be reborn if balance (Primus) is also gone. They were birthed of the same universe. This is all the true meaning of the prophecy of the Three.

Is that a mouthful? A mindful, maybe? Ah, but there is more! For another prophecy was given, this one specifically to Imoaza, and it concerns her fate.

As the group summits the mountain and enters the Stone Giants cave, I remind Imoaza of her prophecy. She got this from the ice tribe shaman, who used a Taroka deck to do her reading. She thinks back and remembers it as if it were happening again...

The first card she drew was the Collector and showed a pursed lip noble placing coins into a bag. “This is a decision made in your past,” the Shaman says. “The Collector represents a debt you must someday pay, and you have stolen from time itself. Time will have its due, in due time.”

Then he holds up a hand of cards and tells her to draw two, this time. She draws, and reveals first a cocky looking man gripping a sheathed blade with one hand and tossing a cloak over his shoulder with the other. Then a naked man, engulfed in flame and surrounded by a circle of swords, his head thrown back in either ecstasy or pain. The Shaman closes his eyes. “These cards represent a choice you will make. For you, the choice will be between two lives: the Rogue and the Tyrant. You shall choose one. The one chosen shall be saved, given a second chance. Those unchosen shall be lost forever, a sacrifice.”

The final card Imoaza draws depicts a skull inside a jar. It is labeled the Artifact. “The last card shows a bond, a bond embedded deep in your soul. All that you do is tied to this bond. And for you, that bond is to an item of power. When that artifact meets its destiny, only then shall you be free to pursue your own.”

Finally, the Shaman tells her that the power she wields, to see the Weave, is not one that is simply developed. It is a gift from Mystra, the goddess of the weave… some say she is the Weave itself. He tells her that the gift comes with responsibility and purpose. She does not need a teacher: the Weave itself will guide her to where she needs to be, when she needs to be there.

While Imoaza has been having this remembrance, they have completed the climb to Kirazov's old chamber, where they see the bones of the stone giant, where Abenthy struck him down long ago. There is a rumbling crack in the cave floor, like a rip in space time. They put Blackrazor in and split it open and jump into the Abyss to meet Abenthy.

Where they land is not where they expected. Things are quiet. There is the sound of lapping water and sea gulls. They are in an abandoned city, they see, a city of docks and ships, built on the edge of the ocean and looking out over its green-blue expanse. It is a peaceful, sunny day. And though the city seems deserted, they are not alone here. One figure stands near the docks, a beautiful man who radiates celestial power.

Abenthy stands over a bloodstain on the stone ground. He tells them “This is where I first learned to hate. This is where I was taught that people could not be trusted to govern themselves justly. It is also where I first learned failure.”

They have ended up, of course, at Ottoman’s Docks, abandoned as Abenthy sent his Tarasque there several weeks ago to empty the city. Abenthy refers here to one of his defining character moments, when he witnessed a child be put to death for stealing and was helpless to do anything about it.

(Cue, maybe not tears, but certainly chills from Milosh’s player, who used to play Abenthy).

The group tries to reason with Abenthy, tell him that what he has done since that time has only led to more evil and destruction, but it is not just Abenthy they speak with here. It is Nazragul, Karina, and Abenthy smashed into one... and Nazragul seems to be the dominant personality, though it is Abenthy’s form he controls.

Abenthy (as pushed to madness by Nazragul) says that crashing Chaos into this world will destroy both planes and usher in a new beginning for everyone. Carrick in particular derides him for this, saying that ending everything to start over is the ultimate act of cowardice. He also says it will not work: life by its nature is flawed. That is its beauty.

No, Abenthy says. This time it will not be flawed. This time he will be there to show life the proper way. As he will show them now.

He begins summoning chaos, they see it coming up into Ottoman's docks, ripping through the docks as the translucent purple tentacles that have plagued them before. Wings erupt from Abenthy’s back, one black and one white. Black Razor warps into the battlefield, gives a crass greeting to Imoaza and taunts her for not wielding him when she had the chance (to which she shows him Blackrazor Alpha and prepares to fight back). Finally, three small crystals rise into the air, floating around Abenthy. They are old surveyor stones! The last remaining, aside from Carricks. They glow with power, and from the edges of the docks, two shadowy monsters approach to aid Abenthy in this fight.

Roll initiative!

“I Will Show You”

As far as music goes, if you want to play something while reading this, I use Kefka’s theme from FFVI, Zeromous’ theme from FFIV, and the Final Lavos theme (this one) from Chrono Trigger. They are appropriate choices. A lot of this battle, and in fact the entire set up, has been inspired by both Chrono Trigger and FFVI in particular, which I think had some of the best final set ups of any JRPG ever. In FFVI Kefka wins and the party has to regather allies to face him like they do here. Chrono Trigger’s final battle takes place in time and space, which so does mine. And finally, there is the crystals that are so prevalent in early FF games (and sorely missed in more modern entries). They come into play in my design as well.

To get down to business... so I design Abenthy as a modified Solar from the Monster Manual, with some different spells that let him bring the Abyssal tentacles onto the battlefield (this is stuff like Evard’s tentacles, Shadows of Moil, Arms of Hadar) and which he can use as legendary actions in addition to a normal action. Note that the Solar is very deadly on his own, especially with his longbow:

Slaying Longbow. Ranged Weapon Attack: +13 to hit, range 120/600 ft., one target. Hit: 15 (2d8 + 6) piercing damage plus 27 (6d8) radiant damage. If the target is a creature that has 190 hit points or fewer, it must succeed on a DC 15 Constitution saving throw or die.

Holy instant kills batman. Especially with the Solar’s ability to teleport and fly, he can keep some massive distance between himself and the PCs and rain down destruction with that bow. That said, Abenthy does not start out combat using this deadly combo. Early on, he prefers to use his tentacles to suck the life from the PCs and use magic blasts to try to weaken them.

Abenthy also has four crystals floating around him, which serve to grant him different powers and which really should be targeted first in order to weaken him enough to fight. One crystal heals him every turn. Another two controls (one each) the shadowy monsters (which are themselves monsters from Tasha’s guide, beefed up versions of the Shadowspawn (pg 114, Tasha’s). This means the action economy is more balanced between the players and Abenthy, slightly skewed in his favor because of the legendary actions and the constant battlefield effects of the tentacles. Finally, the last crystal can block spells of up to 4th level, which helps mitigate Imoaza’s easy damage dealing cantrips (she is deadly with her Eldritch blasts).

Finally, there is Abenthy’s Blackrazor, which moves on its own and attacks with the same basic stats as a Solar’s Greatsword:

Greatsword. Melee Weapon Attack: +15 to hit, reaah 5 ft. , one. target. Hit: 22 (4d6 + 8) slashing damage plus 27 (6d8) radiant damage.

Sooo shit tons of damage. Blackrazor is also indestructible and invulnerable, except for one caveat... which we’ll get to later.

The final gimmick of this fight is that each round, as Abenthy takes damage, he changes the battlefield, taking the party through space and time to places that were of import to him, with his tentacles (representing the plane of Chaos) ripping these places to shreds as they fight. Basically, they are witnessing the destruction of their world as they fight, beginning with places that meant something to the players (if not necessarily these specific characters). It’s a way for me to meta-nod to our previous adventures, while also hitting us all where it hurts, right in the nostalgia feels. At the same time, it reveals more about Abenthy’s psyche and fall from grace.

So, below, I’m going to go through each place Abenthy takes them, and the general progression of combat events there (I won’t be getting action-by-action specific).

Time and Space

The opening clashes take place at Ottoman’s docks, but quickly this falls away to reveal floating space, the limbo before combat begins in earnest. This lets the combatants get off some opening salvos, test each other’s strengths and powers, and then we really dive into things, as the battlefield shifts for the first time to another memorable place.

You hurtle through space towards the planet you recognize as your own, heading at the speed of a comet through the atmosphere, coming down towards the crater of some long ago crashed meteor, heading through the earth itself to come to rest in a gigantic cavern, the epicenter which is a forgotten Yuan Ti pyramid.

Abenthy says that this is the place where an entire people proved they did not have the foresight to handle the responsibilities of caring for a world. They only sought power. And it was granted to them. They used it to destroy themselves. This is the Yuan Ti he refers to, this is their fane, Imoaza’s ancestors in particular, who worshipped the Surveyor and ultimately killed him when they felt he was giving their world to the humans he had helped raise out of primitive apes. Imoaza was last here at the end of the Red Hand campaign and it is also where our current Carrick awoke inside a clone body more recently.

The fight progresses for a time, with Milosh focusing on the shadow spirits, Imoaza trying to deal with Blackrazor, sword against sword, and Carrick rushing to fight Abenthy directly. And eventually the battlefield changes again.

The world shifts and shatters around you and the first sign of the transition is the biting cold. You find yourself standing on the edge of a ruined village, floating on an icy glacier.

Abenthy says he has seen that they themselves dare to think themselves capable of judging others, referring to the ice village that Milosh destroyed. “You have eradicated an entire village out of anger. What I do, I do out of foresight, not anger.”

Carrick gets some critical hits in this round and the PCs begin to figure out that they need to be targeting the surveyor stones floating around Abenthy. Their strategy changes, and as it does, something seems to split inside of Abenthy... his confidence changes to something more like sorrow.

Your next destination smells of brine and your ears fill with the roar of the sea as you stand aboard a wrecked seaship. Fog emanates from all around the dilapidated vessel and you can see bits of debris from its hull floating in the choppy waters. One board has the name STORM painted across it.

“Here is where she learned sorrow,” Abenthy says, and they wonder who he refers to. “Where she learned that she could not save the world. Her friends died here. The one who helped kill them she later took as lover. She never told you that, did she? Karina didn’t tell many that story. But I know it. For I know Karina, better maybe than she knows even herself.”

One of the stones, one controlling one of the shadow demons, is destroyed this round, by Milosh, while Carrick distracts Abenthy. However, this sends Abenthy into a rage and he unleashes his Bow of Slaying on Carrick, nearly taking him out of the fight completely. Carrick has to pull back to heal, and the map changes again.

This place you all recognize, for you were here but recently. It is the inside of the volcano in which Haggemoth’s tomb resides. Lava fills its chambers now, except for one high precipice on which you all find yourselves facing Abenthy.

This area ends up being the most critical of their fight. Imoaza finally realizes that Blackrazor is indestructible, but has the thought that her version of it, Blackrazor Alpha, is the promise of all that the evil sword will become. And if it never existed... the sword Alpha actually finishes this thought for her, telling her that, yes, this is the only way. And so, with her action, Imoaza throws Blackrazor Alpha into the lava flow, destroying it forever.

This is a shockingly intense moment for the player. Once she starts crying, we all do. She explains it as a huge arc for Imoaza. Blackrazor Alpha was made in part from her Drosselgreymer, the weapon she stole from her people. It represented her desire for power, her class as a Hexblade. It was her Hexblade. To destroy it all now symbolizes her letting go of that pursuit of power. It also dooms her people to being a simpler folk, for the power of their hexblades is drawn from Blackrazor, and now that is forever destroyed. This also fulfills a piece of her personal prophecy: she has let go of the artifact, and freed her fate from it.

The more evil Blackrazor lets out a mighty scream, saying that its destruction is impossible, that time has already decided it exists. But the lava of Haggemoth’s lair was imbued with his magical energy in order to destroy artifacts. What’s more, with such a powerful artifact destroyed here, the sacrifice offered to the gods is complete. The balancing of Haggemoth’s soul, so long ago disrupted by Abenthy, is finally complete. Attonement is given to the dwarf. He appears briefly, thanks the party, and finally goes to rest in the halls of his ancestors.

However, though Blackrazor is destroyed, the fight goes on. Abenthy begins to spiral back towards his old self, remembering... and as he remembers...

The roar of lava is replaced by the roar of the sea, crashing against a sandy shore. Above you looms a great cliff, at the top of which can be seen a broken pagoda. Another roar sounds, a quake shudders the island, and the pagoda begins to split apart even more.

This is the Island of the Oracle. “Here,” Abenthy says, “is the sanctum of one who could have changed things. She saw. She knew. But she choose to send me on the quest. Because she knew what needed to happen.”

As they fight here, the island continues to fall apart. The Oracle is dying, her power being drawn from the world, for she received her power from the surveyor’s stones, and Abenthy has channeled the last of that energy into this fight.

In the fight, the stones are all but destroyed now by the PCs. The last one remaining under Abenthy’s control is the one that heals him, and Carrick makes a desperate gambit to snag it out of the air and flee from Abenthy with it, getting ready to destroy it at all costs.

You are in a cool, calm place. Books and shelves surround you, as does an aura of austerity. A shield depicting a woman’s profile, her head wrapped in a laurel crown, is set in a place of honor overlooking this large library.

“And this is where it happened. This is where I met my father. He thought he knew the way. He thought he could control me. But he was wrong. He was only a lesser evil. He had failed so long ago, he had become irrelevant. I ignored him and he met his fate at the hands of the demons he fought with over power.”

Abenthy’s voice rings through the halls of the Sisters of Celaenos. And then suddenly a new voice takes over. It speaks in an arcane tongue and tentacles erupt all over the battlefield.

“Enough of this whining and melancholic tripe,” the cruel voice of Nazragul speaks, though it comes from Abenthy’s body. “I have indulged you all long enough. Now it is time to end this.”

The battle changes drastically at this point. The tentacles snatch at the party, trying to tie them to the ground, while Abenthy/Nazragul flies high into the air, far beyond their reach, and begins raining magic down on them. His blasts destroy the final crystal, but he doesn’t seem to care. He is raining destruction on the party, seeking to end them before they have a chance to recover.

Imoaza uses her last remaining injection from Roger Krisp to heal Carrick to full health. MIlosh frees everyone from the tentacles, Imoaza uses the last of her magic to cast fly on them all and they rush to reach Abenthy. They rush as the battlefield continues to shift to other places they know... Waterdeep... the ruins of Vraath Keep... and finally as they reach Abenthy and strike a grevious blow against him, it becomes a temple, darkly familiar, a temple that should destroyed.

You stare at a place you thought you would never see again, hoped to never see again. Its dark corridors have been rebuilt and blue flame flickers in torch brackets all around the rebuilt altar room of the Maakengorge temple. Where the Tarrasque once blocked the view of the abyssal chasm of the Maakengorge, now instead there is only space beyond that opening, a void without color or definition.

Nazragul sees the end coming for him and so he curses the players, telling them that there is no way for them to win here... there never was a way. He is inevitable. He is timeless. He is the death beyond the end of the world. He is the new beginning.

And as he speaks, he summons his final spell. A storm of meteors crashes through the high roof of the temple above him, fire raining down on him and the players alike, dealing hundreds of damage, utterly destroying the temple and leaving Nazragul alone, broken but regenerating, floating in space.

The players have been defeated.

Next time, the second part of this final session!

#Alignmentmayvary #AMV #D&D 5e #D&D #Abenthy #Karina #campaign journal #End of the World #Final Battle #D20

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sazzafraz · 3 years

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dropped a cup of coffee on myself at breakfast lets gooo

nodus tollens is my favourite chapter its not even close

like i actually LIKED writing it. i like writing in general but its about being someone represented with all the scary sword cards in tarot readings not actual fun. still annoyed i didn’t think of anything better than fucking HEMMINGWAY

A year and a half into working for Giri and Sasuke is sitting cross legged on top of a boulder looking out at a clear blue sky. They’re sitting by the edge of a huge cliff in Fire Country resting between assassinating some small time village leader and their next mission which promises to be heavy on full contact fighting. The sun is dipping towards the horizon, warm air ruffling their hair. Yumi is trying to throw Hiki off the cliff into the lake below, Haru is defleaing his dog and Sasuke is debating his next move in the long distance tactical game he’s playing with Juugo and Karin. It’s an Uzushio classic, like shogi but the board is made of three interlocked spirals and the movements of the pieces are based on the tides. Karin is slaughtering him.

fun fact: literally started designing that uzushio game because i’m a psychopath. it’s also the first of three references, two in the same chapter, of sasuke and his teams, and then one at the end where everyone gets together. to make fun of sasuke. as they should.

There are seven graves by the edge of the sea with a bright blooming flowers planted in the centre spilling over the cliff. Tall markers stand as high as three metres in the air wreathed with ribbons in the colours of dawn and day... Sasuke spares a look back as he enters and sees those graves and flowers. The flowers have colonised the side of the cliff, growing strong and sure halfway down the rocks, slipping into crevices and tangling around each other as they race towards the ocean. Huge blooms of colour, bright reds, light pinks and creamy yellows are knocked about by the waves crashing against the cliff.

if fuyuki even knew how much this colours sasukes opinion of her she’d beat the shit out of him. i think this was the second bit i wrote for her, after a few pieces of her and itachi. actually if she knew how much both of them are coloured by knowing her past she’d commit a crime. its pretty apparent to sasuke that these are memorials to children/those that died young and unfair. how would he know haha. i always intended the hashira and the uchiha as parallels. i think the lack of depth given to other clans sucks, especially when they have literally a thousand years of interaction. the only other one we have are the hyuuga which might have been an intended one but like. i’ve never bought it.

anyway, back to sasuke. dude loves kids. he doesn’t figure it out until he has nine of ‘em, but he has a view of children that’s incredibly sincere. i pretty much decided that on my own cause: a) its funny, b) he was fucking SWEET as a kid and i’ll kill you before i let you tell me that kid went away, c) he’s from a huge close knit family/community and liking kids is the only way to get through that,

oh. also fuyuki does cotton on to his emotional compromise and IMMEDIATELY lies so he likes her more. morals who?

“It seems,” Fuyuki says into the silence, “that Sunagakure has decided we have a problem. I sent Mamoru as a goodwill ambassador to Wind a few months ago. It went well, and as Suna is a largely neutral player in most conflicts I did not see the problem in allowing a small ambassadorial group into Oto to further the relationship. At the fourth meeting one of the Suna delegation proved themselves to be a puppet and assassinated Mamoru. They were in the process of trying to loot us when they were killed.”

haha oh my god gaara fucks himself so hard here. we’re gonna talk about it.

Now it’s leaving time and Sasuke is walking fast downtown, faces passing him as he’s bound for home base.

only two people ever commented on this. vip behaviour.

Shikamaru raises a hand and waves.

Sasuke waves back.

Shikamaru looks at him expectantly across the crowd. Distantly Sasuke notes that he’s the taller of the two. Head’s bob and weave around the marketplace, someone drops an avocado which is swept up a child and her friends, the scent of cooking spices drift down from the top of one of the buildings. Sasuke and Shikamaru stare at eachother.

i never wrote the short for this but this is shikamaru’s nightmare scenario. finding sasuke when naruto is not with you is the k12′s personal hell. because konoha and giri are tentative allies it would be poaching to bring him back and thats something people still take seriously. shikamaru goes and gets FUCKED UP so no one trusts his report and he can claim that it was ONLY MAYBE THE PRETTIEST MAN IN THE FLEA MARKET. naruto finds out like a decade later and is extremely pissed even if he gets it.

It’s a tale as old as the dust of the desert or the mountains that divide the nations. There is a boy who loses something. His honour, a cow, a sword. He has to leave his home to find it. He has to grow strong enough to do what has to be done. In the Son of Nobody the titular Son has to journey to the city to meet the princess and while he is away his family is murdered by a group of wandering bandits. Along the way he meets a beggar girl, the princess in disguise, and he allows her to tag along. There are many twists and turns, the Son becomes a noble shinobi protecting the princess and falls in love with the beggar. He finds the bandits that destroyed his home and avenges his family. But! Disaster strikes! The samurai have been told a lie about the princess and feel that their honour must be avenged. A group sneak into the princess’ room one night and defile her. One of the samurai is late to the scene and feeling so sick and ashamed of their actions kills them and ignites a real war between samurai and ninja. The disgraced samurai takes his own life in front of the princess as appeasement. When this doesn’t work the Son goes on to win the war and marry the girl.

this is just hatake sakumo. some creative liberty but its just the story of how he died embellished. i think some shinobi stories filter out and become like folk tales? like we’re gonna get to it. but there's no way they can have that kind of presence and no cultural impact.

‘Heart, liver, eyes ’ Kabuto says when he’s done, ‘and put the rest in the garbage.’

for sensible reasons kabuto is the scary one.

. Illuminated in the light of the lone flickering candle, bundled in odd cloth and grime, Kabuto looks faceless and formless. His skin has no color, his hair is limp, his eyes are turned completely inward searching himself for an some answer, some lodestone for the next leg of his journey. He looks like an orphaned version of himself. Sasuke has a brief moment of complete self-awareness. He stands above himself and looks down at the length of his hair, the uneven tan on his hands. His own eyes look at his boots, his non-descript travelling coat, the way he is never carrying more than enough money to carry him to the next town. He recognises nothing original, nothing remarkable. He’s as interchangeable as any soldier capable of swapping hands at a moment's notice. Many tools, many masks, many uses. He realises that that shifting formlessness is as much a part of him as his burning rage. It forms him just as fully.

i remember having a moment like this and it was so shocking it took me years to write about it. this nearly got cut, even though i now think its important. becoming ‘just a knife’ is important to sasuke’s development towards being just a guy. relating to kabuto is so personally disturbing that its sort of his turn towards leaving giri. kabuto actually disgusts him. unlike orochimaru.

“We called her the Fruit Eater after the foul seeds she planted in others which grew into giant poisonous fruit trees. When they’d plundered and destroyed the world enough for her foul tastes she’d eat the fruit from the trees and crush them to bone and blood under her feet. Her own children plucked out her organs one by one and cut them up into pieces. What they couldn’t eat they threw to the animals who turned into nine ravenous demons. They brought the demons together and sealed them into the form of a beautiful princess who was coveted by all.”

goddamn space aliens. i hate it less than most. i think i was still deciding if they’d show up at the end. either way i thought i’d just put them in in case i did. again, there SHOULD be a cultural footprint.

The problem is that the Uchiha are predisposed to have thick hair and the main branch, the one that descends directly from Madara’s betrayed brother Izuna, comes with a tendency for...unruliness that Sasuke has gotten threefold. At this length it seems to be largely growing up and out, gravity be damned.

aww my loving rendition of his stupid duck butt. i have unruly hair so his maintenance is essentially mine. its such a distinctive thing i think people should take more advantage of. i wrote in crashing tides that he’s just an awful fashionista and i think that holds true. he tries new hair oils ALL THE TIME.

#the author is present #part one part one

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bouncydragon · 4 years

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LORD: Legion of Random Dinos

And here is the second part of the bonus!

The writing style kinda changes? I’m not sure. Oh well...

I had a lot of fun writing this. I didn’t include everything that I put in the tags of the original chat (well a reblog of it after it was finished), mostly because I forgot some of it... But it’s okay.

Well, I hope you like this.

(And I’m happy if I never have to use Tumblr on my laptop again...)

************

Bonus: Endgame, But With Dinos! (Part 2)

"I am inevitable," Thanos said and once again snapped his fingers.

But nothing happened.

Of course not.

Thanos looked at the Infinity Gauntlet confused, and then over to Tony kneeling on the ground, bloody and bruised and with the infinity stones glowing on his hand. Everybody stared, holding their breath. It was like time stood still.

"And I… am… Iron Man," Tony said, sounding exhausted but determined.

It would all end here. Tony would reverse the snap and things would go back to how they used to be. And Thanos would be gone. This was the end.

Before he could do the snap though, Loki appeared next to him and took his hand. Tony looked at him surprised and then watched as one after another took each other's hands, forming a chain. Tony smiled softly.

"You are not alone, love," Loki told him, smiling and gently squeezed his hand. Tony's smile grew. "Also, I told you no self-sacrificing shit," Loki added then.

It caused Peter, who was holding his hand, to chuckle. Tony raised an eyebrow and then chuckled too.

Loki turned his face to Thanos, who stood there looking stunned. "Didn't expect that, huh, you big ugly grape?" he mocked him, causing some of the people to snicker.

"We – are – Avengers!" he added after a pause, sounding just as exhausted but determined as Tony. And proud. He was part of the team he had once fought. He was accepted and appreciated. He had redeemed himself. He was, if he liked it or not, a hero.

Tony grinned at him and then snapped his fingers. The power of the stones ran through all of them. It was like a tingling but it hurt. None of them would go unharmed but they'd live. They'd all live to see another day.

Thanos disintegrated with a shocked expression still plastered on his face. Silence fell over the battlefield and for several long moments nobody said or did anything.

"It's… It's over?" Tony asked breathlessly then and held on tightly to Loki's hand.

"Yes, it is," Loki confirmed and let go of Peter's hand to wrap his arms around Tony and kiss him. "We won," he whispered as he rested their foreheads together.

Everyone was silent. All were letting it sink in that they had won. Against all odds, they had prevailed and won.

Steve held Bucky close to him. He too had suffered from the loss of his partner. But he had gotten him back and he would never let him go again. He understood the emotions Tony and Loki went through very well, and as much as they annoyed him at times, he was happy for both of them. And he was glad that they both were still here, alive and kicking.

Thor smiled seeing his brother show such raw emotion and affection. Loki didn't do that often. The games he and Tony played while with the others were just that, games. Meant to annoy their friends. But Thor knew that in private they weren't like that. Well, at least not the majority of the time. Probably. He couldn't truly know but he just had the feeling that he was right.

He was happy for his brother. The Norns knew that Loki deserved happiness and love, and he had finally found it. Tony and Loki were meant for each other. They were perfect together. They brought out the best in each other and completed each other. More importantly, they understood each other, even without words.

Thor envied Loki a bit for what he had.

Loki couldn't bear losing Tony. Just like Tony couldn't bear losing Loki. They were two halves of a whole. One felt lost without the other. So incomplete. But they hadn't lost each other. They were still here. They were alive. They still had each other and all their dreams. The future was bright and full of love. And mischief.

The moment was rudely interrupted when Captain Marvel—Carol Danvers—did a hero-landing next to them. Loki couldn't resist shooting here a glare. They were having a moment! A very important one at that!

Carol looked at them and crossed her arms. "You know you could've just let me do the snap."

Loki rolled his eyes. "This has more meaning. It's legendary."

"Fair enough," Carol acknowledged.

Loki opened his mouth to say something else, possibly about how she had ruined their moment, but then he spotted something red behind Carol and beamed.

"Goose! Buddy!" he exclaimed and the Flerken came running to him. Loki let go of Tony and picked the cat-look-alike up to cuddle him.

Tony groaned and rolled his eyes. He loved Loki more than anything but it really annoyed him that he had to share him with his pets. More often than not, Loki would forget Tony to spend time with his fluffy companions. Yes, that's right. They had gotten two cats. So Tony had to share his boyfriend with a dragon, a lizard and two cats. They were named Machiavelli and Shakespeare, by the way, because why not? And occasionally, Tony also had to share him with Goose. Of course.

Okay, to be fair, Tony wasn't annoyed for long. Usually just a few brief moments. Because whenever Loki interacted with his pets or Goose, he was fucking adorable. So silly and giddy. And childish, frankly. But Tony loved seeing him like that. It meant he was comfortable.

So, to be honest, Tony didn't really mind that he had to share his boyfriend. He knew that, no matter what, if he needed him, Loki would be right by his side. Just like he had been today.

"How?" Steve suddenly asked, pulling Tony from his thoughts. Steve stared at Loki cuddling Goose with an expression of plain confusion. "Fury lost an eye!"

Carol shrugged and smiled. "Goose loves Loki."

"No surprise there," Tony said, smiling affectionately at his boyfriend cuddling the Flerken (however had he managed to gain the creature's trust?). Really, it was no surprise. Loki was exceptional with all kinds of animals and creatures. The story about the horse wasn't true though; Tony had asked.

Tony put his arms around Loki's waist and rested his head on his shoulder. "Can we go home now?" he asked quietly. "I'm tired."

Loki smiled softly at him but then grinned and abruptly stood up. "But we need to celebrate!" He turned to his brother. "THOR! ASGARDIAN FEAST!" he yelled.

Thor's expression was one of utter delight and yes, even giddiness. Whatever Loki meant by what he had said, it made Thor cheer. "OH YES!"

Tony had no idea what Loki meant by 'Asgardian Feast' but he had the feeling that it probably involved a lot of alcohol.

***

So, Asgardian Feast was meant literally.

Thor and Loki had turned the common floor of Avengers Tower into a feast hall. No one had been allowed on the common floor for hours until the princes had finished preparing everything.

Tony had never seen Asgard before it had been destroyed but he knew a lot from Loki, who seemed to be sad that Tony would never be able to visit Asgard. Which was probably why the common floor now resembled exactly how Loki had described the feast hall in Asgard's palace. All gold and plants Tony had never seen before decorating the ceiling and walls. Instead of electric light, there were actual candelabra and chandeliers. The flickering light of the candles gave it all a very warm, homely (and medieval) atmosphere.

A large round table was in the middle of the room, decked with various foods, more than anyone could ever eat. Not even all of them would be able to finish this! There were also kegs of what Tony assumed was mead and wine and some "normal" alcohol.

In the middle of the round table a fireplace was set up. It reminded Tony a bit about those French Asterix comics. From what he knew, feasts on Asgard had been held at a long table, not a round one. Loki said he preferred this because it made everyone equal, no one was at the head of the table, no one was better or more important than someone else. Very "King Arthur". He still had a point.

Anyway, Thor and Loki looked very proud and pleased with their work. Loki had assured Tony that he'd have his undivided attention tonight. No dragons or lizards or cats, or Flerkens. Just Tony.

Everyone gathered at the table and it was Loki who opened the feast by holding a short victory speech.

They celebrated for hours. They ate and drank and laughed. All the tension was gone. All the fear. The threat was gone and they could live in peace. They could love and be happy and enjoy the next sunrise. And the next. And the next.

It was well after midnight, the celebration still going and not showing any signs of ending any time soon, when Loki took Tony up to the roof. They looked up to the stars for a long time, Tony safely in Loki's arms. And then Loki retrieved something out of one of his pocket dimensions. Tony knew exactly what it was and there was no hesitation. So he took the golden apple from Loki and ate it. He could feel its effect immediately. He felt more alive, full of energy, younger and like he could climb a mountain with his bare hands.

He smiled up at Loki. This was all he had ever hoped for and more. A life with Loki, millennia of them being together. He could see it. It wasn't just a dream, a fantasy, anymore. It was true now.

They returned to the feast some time later and from the look Thor gave him, Tony knew that the Thunderer was aware of what had transpired on the roof. He got more proof of that when Thor hugged both him and Loki. Usually it would've made Tony's bones crack alarmingly but not this time. Tony grinned.

The celebration carried on for days. There was never really a break. Well, this victory deserved a grant celebration. They had eliminated great evil and had saved the universe. They knew that the peace wouldn't last for them but they didn't worry. They were still here and as long as there was breath in their lungs, they would fight for Earth, for their home, for the ones they loved and held dear.

Because that's what they did. What they'll always do.

Because they were Avengers.

But for now, they could celebrate their victory, spend time with their loved ones and enjoy the peace while it lasted. They could finally take a breath of relief and rest.

***

Two years later, Tony asked Loki to marry him. They had a double-wedding with Steve and Bucky at Avengers Tower. It was spectacular and the happiest day of their lives.

Tony and Loki decided to move away from New York. They moved to Norway but not New Asgard. Instead they had a large estate somewhere in the middle of nowhere. It was surrounded by dense forests and only a small walk downhill was a lake. It was perfect. Quiet and private.

They still had Gwaine and Scaley the lizard and their two cats and their family was about to grow because Loki was pregnant (yes, he could get pregnant). Forget earlier, this was Tony's happiest day, the birth of his son. They named him Merlin, because why not?

Occasionally, Carol visited and left Goose with them. Tony could see it happening that one day the Flerken wouldn't want to come with Carol anymore when she picked him up. But he also was convinced that Carol wouldn't mind because she knew Goose was in good hands.

Steve had officially retired from the Avengers. He and Bucky had bought a house outside of New York and had adopted a baby girl which they had named Hope. They had also gotten a dog and had named him Rex.

The rest of the Avengers were still active, with some new additions in the form of Peter Parker and some Inhumans.

LORD resided on an inhabited island somewhere in the Caribbean which Loki kept hidden with a spell. Tony thought it would become a new Bermuda Triangle but Loki assured that that wouldn't happen. Only time would tell.

Some dinosaurs still lived at Avengers Tower and helped when needed. Clint was their new commander and he loved it. He missed the old days though, the glory days of DTSWDT and the Mischief Squad. But he also understood why Tony and Loki had moved away, or Steve and Bucky. He was happy for them. They deserved it. He had his family back and was happy as well. His kids loved to play with the dinosaurs. His wife hadn't been okay with it in the beginning but now she didn't mind anymore. Two velociraptors stayed at Clint's farm and served as guard dogs. Well, guard dinos.

Natasha came to Norway as much as possible because she was Merlin's godmother. Also, she and Bruce were dating, but technically nobody knew about that.

Stephen had kept the dinosaur he had made friends with during the battle and had named him Stark. Apparently, the dinosaur was smart, mischievous and very stubborn. And also had taken a liking to coffee.

Thor divided his time between New Asgard and New York. Being a leader was hard work but he had Loki as an advisor. And he actually also listened to what his little brother had to say. It was thanks to Loki that the remaining Asgardians had finally settled in their new home.

They might have scattered but the Avengers were still there when needed. This team was an ideal that lived on. Even if some have moved on, others remained to continue the work. Because the world would always need heroes.

The important thing though is, that they all were happy.

All was well.

THE END

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rocksandrobots · 4 years

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Of Rocks and Robots Ch. 18 - Readjustments

Hiro flopped face first upon his bed with a groan. His stomach was rolling.

Aunt Cass had decided, as a means of making Varian feel more at home, to fix traditional meals from Corona. Turns out Varian loved to cook and he had helped prepare dinner every night for the past week.

It started out simple enough, pork dumplings, baked apples, buttered shrimp, ham sandwiches with pickles, but then things started to get weird. While using pumpernickel for the ham sandwich had been different it was still manageable, but what came next was inexplicable; meatballs covered in anchovy sauce, cookies that tasted like black licorice, boiled eel, and today had been the worst of all, fish pie.

It wasn't even like a real pie, it was just a whole fish, head, fins, and all, covered in a type of thick crust and baked. You had to pick through the crust and the skin to actually get to the fish and then you had to pull it off the bone and hope you didn't get one of the sharp tiny blades stuck in your throat or teeth.

It had been all Hiro could do to sit through these dinners with a polite smile plastered on his face as he forced himself to eat. Today he had feigned an excuse about homework in order to get away as soon as possible. Though it looked like there was no end in sight. Varian already mentioned making some sort of stew tomorrow. Hiro forgot if it was going to be beef or vegetable but either way he didn't trust it.

Hiro hoisted himself up and rolled on his back with a heavy sigh.

Of course it wasn't really the food that was bothering him. He looked over to the other side of the room where Tadashi's things still lay untouched since his death. He didn't tell Aunt Cass this, but when it was first announced that Varian would be moving in with them Hiro had feared that Varian would share his room. That they would have to move all of Tadashi's things out and he was afraid he couldn't handle it.

Fortunately, it didn't come to that. Varian had taken over the guest bedroom downstairs instead. As Aunt Cass had put it, Varian was their guest and it wasn't like they used that room for much of anything else. Though Hiro suspected that Aunt Cass was just as unwilling to go through Tadashi's things as he was. They would have to do so someday though and Varian had just been a painful reminder of that.

There were also other ways in which the time-displaced teen unintentionally encroached upon Tadashi's memory. Seemingly simple things, like when joining in on movie night Varian had picked out Frankenstein. That had been Tadashi's favorite film. Or yesterday, when Aunt Cass had taught Varian to play Gomoku. A family staple, the board game once belonged to their father and Tashdai had loved to play it on rainy days.

Varian was a far different person than his brother and of course it wasn't as if he was trying to replace Tadashi or anything, but still simply having the boy around and integrating into their family naturally brought these situations up. It felt, well, off putting.

If Aunt Cass felt the same or noticed she made no mention of it and for the most part Varian was oblivious. So Hiro was trapped with his own discomfort, unable to share his feelings without upsetting someone.

He blinked back tears. The world was moving on without Tadashi and Hiro wasn't ready yet to accept that.

----------------------

Varian made his way back to his new room, annoyed that Hiro had managed to avoid cleaning up after dinner, again. Varian knew the other boy had a lot on his plate; school, his internship, and superheroing, but would it kill Hiro to wash a dish now and then? Varian was also juggling school work and a new part time job, and he had not only cleaned up but also cooked the meal in the first place. But it's not like Varian could really say anything about it. He was still new here, and despite Aunt Cass's best efforts, he felt like an intruder.

People had always talked about ghosts in his world. He had never believed in them. His own castle was reportedly supposed to be full of phantoms but despite searching for years he'd never come upon any such spectral, until now.

The Hamada home was haunted by the presence of Tadashi. The teen's pictures framed the walls, his things laid about the house untouched in months, and everything Varian said or did seemed to stir his memory in the minds of the family who still lived there.

Varian understood, they were still grieving and he couldn't blame them for it. Yet, that didn't stop the ghost of Tadashi hovering in the back of everyone's mind and making even the air feel repressive. Varian gave an uneasy sidelong glance at one of the fading pictures on the wall, this one of Tadashi and his also deceased parents, before opening the door to the guest bedroom.

The room was a small office space at the end of the hall on the second floor of the house. In fact it was the smallest room in the building save for the bathrooms.

There was a single window on one end overlooking the alley and fire escape. Not the most resplendent of views perhaps, but better than having no fresh air or light at all. A living condition Varian knew all too well from his time in the dungeon.

There was also a small metal bed with a thin spring mattress, made to fold up and roll out of the way if need be. Aunt Cass had said it was only temporary and offered to buy him a new bed later, but Varian had told her not to worry about it. It wasn't quite as comfortable as Wasabi's couch had been but it was still serviceable and he didn't want the woman to go out of her way any more than she already had.

There was no closet but a tall chest of drawers on the far end and a small wooden desk next to the bed. Above the desk was a single shelf. Aunt Cass had originally stored decorative knick-knacks on it, but Varian had replaced those with what few books he owned instead.

Aunt Cass had said that Varian was free to redecorate the room however he wanted as he'd be living there indefinitely. Varian wasn't sure what he might do as he didn't have any real preferences, though he might somehow cover the flowery wallpaper as it was starting to fade and peel. Hiro had posters up in his room, Varian might put some up as well, but of what he hadn't decided yet.

For now though Varian simply reclined upon the bed, hands behind his head as he leaned against the wall, one foot dangling off the side, as he just wanted to relax. Soon the family cat, Mochi, wandered in and hopped on the bed with him.

Varian liked Mochi. The cat had actually been the most welcoming member of the household. That was perhaps unfair to Hiro and Aunt Cass, who really were trying to make him feel at home, with 'trying' being the key word. All of their efforts had felt forced, Aunt Cass with her over eagerness and Hiro with his awkward politeness. But to Mochi, Varian was just another lap to sit on. Nothing special, nothing different, as if he'd always been there, Varian might as well have been part of the furniture as far as the cat was concerned.

Varian sat there petting the calico cat curled up on his lap, when Ruddiger walked in carrying a banana in his mouth that he'd stolen from the kitchen. The raccoon dropped his treat and sprung upon the bed when he caught sight of the other pet. He indignantly tried to push the other animal off Varian's lap, chittering angrily, but Mochi paid no heed and stayed where he was.

Varian couldn't help but laugh. "Aww, what's the matter, Ruddiger? Jealous?"

His raccoon put its paws on its hips and gave Varian a pout. Well as best a pout that a raccoon could give. This only caused Varian to laugh more.

"I'm sorry, Ruddiger, I don't mean to make fun, but you're being silly. There's more than enough room for both of you." He reached out his hand to pet Ruddiger and added, "Why don't you hand me that banana you dropped and I'll peel it for you?"

Ruddiger acquiesced to his offer and soon curled up next to Mochi on the bed, munching on the tropical fruit; his hunger overtaking his jealousy. Varian continued to cuddle them both until falling asleep.

----------------------

"Varian, honey?" Aunt Cass gently opened the ajar door to peek inside Varian's room. She found him asleep on the bed, still in his clothes with both Mochi and Ruddiger curled up beside him. The sight of which melted her heart.

She moved his still dangling foot back onto the bed and took a throw-blanket from the living room's couch to cover his legs. She then placed a pillow behind his head so that it wouldn't be leaning against the wall anymore.

She tried her best not to wake either him or the animals as she attempted to make him more comfortable. It'd been a long time since she tucked a child into bed, both Hiro and Tadashi had outgrown the ritual, and in truth so had Varian no doubt, but her motherly instincts took over anyways. She also couldn't resist wiping his bangs to the side as she so often did for her other two boys as she whispered good night before closing the door and leaving him to rest.

Cass stood a moment or two outside the door to make sure she'd not woken him up but was greeted by a light snore in response. She gave a sigh, half in relief and half in worry. The move hadn't gone as smoothly as she had hoped and they were all still readjusting to their new lives.

Hiro was upset, she knew, though he made a big show of being polite in an effort to keep everyone else happy. And as for Varian, well he came with a whole host of challenges that Aunt Cass hadn't been prepared for.

All the usual problems she expected of kids never happened. He was more than happy to do homework and chores and often volunteered his services to help out whenever he could. In fact he was a little too eager.

What Aunt Cass had intended to be an easy part time job, Varian had decided was a grave responsibility. He seemed to think that he needed to take on the 'family business' so to speak. She'd caught him reorganizing the food stores, volunteering to bake the donuts early in the morning without telling her so, balancing the books and offering up better deals on coffee beans that he'd found online. He'd even tried to learn how to do taxes.

That had been the last straw.

"Varian, you don't need to do the taxes."

"It's okay, I don't mind. I'd always do the bookkeeping back home anyways. Dad preferred that to me running the plow, and I was always better at math than him." Varian explained blithely.

Aunt Cass just stood there and blinked at him in confusion. Who'd let their kid do their accounting? True that was probably better than plowing a field all day, but still.

"Varian, I appreciate that you want to help out, but taxes are my job. At sixteen, your only job should be going to school, making friends, maybe doing a chore now and then. You can occasionally serve customers at the cafe for extra spending cash, but only serving. I don't want you taking responsibility for the whole business."

Now it was Varian's turn to blink in confusion.

"But...but I live here now. Isn't the Luck Cat all of our responsibility? I can do it, or do you not trust me?"

"Oh, Varian, it's not about trust. What kind of parent would I be if I didn't allow you to just be a kid?"

"But, I'm not a kid. You said it yourself. I'm sixteen. If I don't start now then when will I learn? It's not as if they teach taxes in my advanced physics class."

Cass had to admit he had her there. When she was teen they had taught home economics in high school, so she had known how to balance a book before ever buying the cafe. Hiro had skipped high school, Varian had never even gone to school before, and according to Tadashi home economics wasn't even a class anymore. She had had a similar discussion with him when he had been seventeen and close to graduating.

"Okay, if you want to learn how to manage money you can, but we'll start small."

So she had helped Varian open his own bank account the next day. That way he could deposit his pay from working at the Luck Cat, learn the basics of how to manage funds, and still come to her if he needed help.

However, that had only resolved one issue. There were still many hiccups that resurged over the week. Some minor, some not so minor.

For instance Varian didn't know how electric stoves worked and so Aunt Cass had caught him one morning putting his hand directly inside the oven and reciting some nursery rhyme in his native language in order to test how hot it had gotten. Apparently wood-fire stoves were all he had ever cooked on and there of course was no handy light on them to tell you that the oven had preheated. Funnily enough, he was trying to bake cereal, as he'd never eaten the kind you poured milk over and didn't know what else to do with the box of cornflakes Hiro had handed him. He was going to turn them into a pie crust for a breakfast pastry, which Aunt Cass had to admit wasn't a bad idea.

Then there were less charming faux pas, such as when he dismantled her digital alarm clock to see how it worked. Fortunately, he had been able to put it together again. He was always into something, brimming with curiosity and energy. It was all Aunt Cass could do to keep up.

Still, Cass wouldn’t have traded him for anything in the world. The moment she had picked him up from the police station that day was the moment he had become her child and she’d do anything, put up with any inconvenience, just to give him the love he’d gone so long without. Neither Varian nor Hiro realized it, but Varian had added life back into their little broken home and filled a hole in her heart that had been missing for over nine months now.

She turned to look at the fading photograph hanging on the wall. It was a picture of her sister and brother-in-law with Tadashi, before Hiro had been born. She missed them all so much. The way her sister would gently tease her about settling down while they shared a cup of tea. Tom’s love of lame jokes that he would try to interject into their conversation. The way Tadashi had inherited his father’s sense of humor and would try to cheer her up when she was feeling down. Nothing would replace them. But she also knew that deep down, that she and Hiro needed Varian just as much as he needed them.

#rnr #big hero 6 #BH6 the series #varian #tangled #Hiro Hamada #aunt cass #tangled the series #rapunzel's tangled adventure

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onf-headcanons · 3 years

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ONF IN PSYCHO PASS AU (part 2)

Setting : angst, murder (influenced mass murder), futuristic society, you can read the introduction post prior reading this AU headcanon (for a better understanding cos some keywords will be slightly difficult for non anime audiences)

And warning long post and shipping hinting (I wont write it over explicit but if you are anime audience you can get the hint of which character I based so its suggestive should you integrated anime counterpart to ONF couterpart) if you are uncomfortable with that just kindly ignore it. Only adding it not just because to follow original series but also for the AU/headcanon storyline conflict purposes

Below is the known situation when the story starts in Yuto's POV

Yuto - Inspector

Changyoon - Inspector

Hyojin - Enforcer former Inspector

Jaeyoung - Enforcer

Minkyun - Analyst

Seungjun & Minseok - dead

And again sorry if its messy (Cos mainly I just want this AU to exist and making it to a birthday gift for myself XD)

The whole structure is followed the anime,but I will fast paced-ify to focus on main storyline. Also I will tweak my words/wordings to a more simpler format so that I wont cause you all headache.

Part 2 lets go (and here is where the story starts to be different from the anime plot, but main structure is kept the same)

1-4

(What's written in the file)

The 1st file

Kim Minseok, deceased at age of 20, was a former analyst in CID

2 years from today, it is reported that Kim Minseok was being held hostage along with his friend. It is his off day and the mall he was at, was coincidentally assaulted by terrorist. It is clearly that the attack is meticulously planned.

The group of terrorist have split themselves into smaller groups and used the first attacked location as their base. The head of the group with a about 20 men stay at the mall while the rest the members head out towards the city and started violence.

The group of terrorist took many hostages and they hid themselves in the warehouse (the only building that is currently safe to hide), threatening authorities for money and even the releasing of some mastermind/potential criminals.

They even mentioned should authorities killed 1 of their own, they will kill 1 hostages. That is the reason why they took hostages with exact number of the members in the terrorist group.

The authorities noticed the detected raise of area stress level. Since military are involved, CID are teamed up other department to resolve the issue while politicians try to juggle with terrorists. The goal is to rescue all hostages.

But while waiting, the terrorist had fun torturing their hostages but still keeping alive, based on witness, they are torturing hostages to kill time. (This also resulted authorities had to put effort to operate Psycho Pass cleansing program. as aftermath.)

When rescuing hostages, as reported by former military staff, that the boss of the group killed a hostage who was believed to be a friend of Kim Minseok. The boss was handled immediately before he can do more damage with Lethal Eliminator wounding him badly. This was proved by Lee Seungjun, former and deceased Inspector from CID who was assigned to back up with hostage rescuing mission.

However, Sibyl system detected Kim Minseok's Crime Coefficient level kept rising and spiked up to a highest record in history, marked 812 . Sibyl system judged that there is no saving for Kim Minseok and is to be executed at once. With some difficulties, Kim Minseok was executed by quick decision made by former military staff.

The 2nd file

Kim Hyojin, current status : alive. Former Inspector and current Enforcer of Bureau stationed in CID.

His Crime Coefficient level has tendency to be unstable after the death of his brother Kim Minseok and his colleague, Lee Seungjun. However it was under control as it did not surpass 100.

Based on witness, and observation, Kim Hyojin believed that Lee Seungjun was murdered instead of suicide. It was believed that he over committed into his delusions due to denial while grieving the loss of his brother and his best friend.

And to the extent he assaulted a former military staff who was also assigned to the hostage rescue mission along with Lee Seungjun. And that moment his the record of Crime Coefficient raised to 224 as he was "clouded by anger"

He was later assessed and treated before demoted to Enforcer.

1-5

(loosely based on episode 6,7 and 8)

Even though vague and its just suspicions, Minkyun voices up about a similarity he noticed from previous cases the team has handled recently. What Minkyun noticed was, even though the MO are different in all cases, the criminal are using a similar tech when they are committing crime

Hyojin and Changyoon's experience understand and believe in Minkyun's intention and worry should there is a mastermind behind and there is a larger picture. The team are in dumbstruck that those two would suddenly agree with each other.

"We need to be alert, cannot afford to repeat the tragic event happened 2 years ago." Changyoon comments

"Should there is another huge crime event, the whole city and country's Psycho Pass will go crazy, what happened 2 years ago only child's play in comparison." Hyojin adds

Yuto could feel his back bone shivers when he heard Hyojin talks about it non chalantly. Does he?

And look at the timing, before they can dig deeper into the tech, it is reported that a girl school faculty had a murder case.

While handling the case, Yuto finds opportunity to apologies to Hyojin because he has read into Hyojin's and Minseok's file. That was when Yuto and Hyojin are at office being a support back up for the crime scene investigating members.

"Wait, Why do I have to get angry, Yuto-ya?" Hyojin replies Yuto with a question. And this was a bit unexpected because Yuto thought Hyojin would feel down or upset or even get angry at Changyoon for spilling his history without his consent.

"I guess should I am angry, that would be solely directed at myself..." Hyojin continues with a thoughtful expression. But there a hint of sadness to it. "I knew something was wrong when I observed Seungjun's dead scene and my instincts told me that it might related to my brother's death. Just because I could not make it into words, no one believed in me."

"Is that why you confronted with the ex - military staff?" Yuto pieced the puzzle together. And Hyojin confirms it with a yes.

Yuto can understand why the word "delusions" are used. But unlike others, he does not push away Hyojin's emotions and "delusions".

Yuto timidly asks, "Lee Seungjun.-sshi?..Changyoon-sshi says he is your best friend...Must be someone you treasures."

Hyojin nods and his facial expression becomes brighter. "He is, I known him for ages, we always got each other's back."

"What kind of person is he?"

"Sometimes annoying, but a warm and excellent friend. Knowing him is the best and proudest thing that could happen in my life. " Hyojin smiles as he reminiscing about Seungjun. "I guess Changyoon already told you that I led the team back then right?"

Yuto nods and quietly listens to Hyojin talks about the old days.

"But actually without Seungjun being the pillar support to the team, I don't think I can lead well. Even though outsiders sees the team only led by me. But..." Hyojin pauses for a bit. "It was also led by Seungjun too. Along with Minseok, I never expect both of them to die in those ways."

Initially Yuto wanted to ask more about the old days, but when Hyojin spoke the name of his brother, Yuto pursues his lips as a sign of hesitation. But to his surprise...

"Do you know that Minseok joined the Bureau in a very young age?" Hyojin raised his head and looks at Yuto with glittering eyes. "Wait, you are 99 liner right? That makes you the same age as Minseok!"

Yuto could not process for a bit, so he went along with the flow. With that, more details about Hyojin's brother came out. So Minseok was filed as prodigy during a young age and arranged to join Bureau as an exception. And due to his young age and no plans for him to head out for action, the Bureau only focused on Minseok's academics and training as Analyst. Minseok did some basic self defense but it is not sufficient to qualify as a fighter.

"Aah... Should Minseok and Seungjun are here right now, they will be happy to meet you. Minseok never really had same aged friends when he is in the Bureau..." Hyojin gazes at Yuto as he mutters.

And speaking of Minseok, Yuto then suddenly remembers something and asks Hyojin about the hostage they met on Yuto's first day. "Hyojin- hyung... by any chance, actually you were not trying to hurt the hostage we met on my first day but were trying to contain them by driving them to a dead end?"

"Took you damn long time to figure that out." Hyojin pouts. "To think innocent people getting involved and caught up to things that are way out of normal....Anyone, even Minseok must have been very terrified and stressed to the extent his hue clouded and contaminated."

"But is he truly beyond saving?" Hyojin raise a question with a cold stare that gives Yuto chills.

Yuto keeps his silence as he worried to speak one wrong word. He wanted to say something but the event was 2 years ago and in file writes Hyojin as delusional, and since Changyoon is awfully cold towards Hyojin... Yuto does not know if he should trust everything the person in red hair says because he is questioning the system or trust his own hunch that Hyojin might have some insight that everyone chooses to ignore.

"Come on, don't look so acted up! Sorry if I scared you." Hyojin pats on Yuto's back and changed the mood.

Yuto smiles back at Hyojin and carefully offers, "Hyung , on next off day, can you bring me to visit their graves? I would like to pay my respect towards them as a junior joining this team."

Hyojin lifts his hand and pats Yuto, he smiles even wider and nods at younger one, "Sure. I promise I will not cause any trouble. Our Little Rookie Inspector."

Yuto understands it Hyojin teasing him again, but he let it slide because the mood is finally cheerful now.

"Thank you Yuto." Hyojin suddenly drop that out of no where. "Ever since I became Enforcer, no one talk about them anymore. It is nice to hear their name coming out from 3rd person's mouth and no one is depressed upon hearing it."

Yuto nods as a reply, and that moment, Minkyun returns with the other team. Hyojin instantly puts his index finger close to his lips, indicating the whole conversation a while ago to be kept secret. And Minkyun caught that, playfully wailing that Hyojin is being unfair and he should not just share his secret to Yuto only.

So the case that they has to attend to this time was young girl students being murdered, dissected/dismembered and later ensemble to look like an art piece of dark and grotesque genre.

It was suspected that a former teacher is committing the crime due to revenge by abducting the students and displaying the achievement by making the corpse into "art form". However, it did not take long for a second case with the same MO to appear and there is still no sign of the former teacher to be found anywhere in the city. Before any new evidence to be found, the Bureau can only back up by help enhancing security at the all girls school.

While looking at the photo of exhibit of dismembered victim, Jaeyoung unconsciously mentioned about genre and art style and the keywords enlightened the team. Minkyun search the data base but none could be found. Leaving the option of dark web, but it is unwise for Bureau to deal with those even if its for case solving purpose..

Hyojin remembers a criminal locked might help and once he gotten Changyoon's approval, Yuto and Hyojin immediately head to the place, hoping the person in Hyojin's mind could lend a hand. Yuto is curious on why Hyojin is so confident that the said person might be helpful, Hyojin mentioned that he was the one who put the said person behind the bars for having high Crime Coefficient level while selling illegal inappropriate artworks banned by authority policy.

Thankfully, the artist in confinement noticed the genre and art style by browsing through MO photo data provided by Hyojin and Yuto. It gave a huge clue, the MO was inspired by a famous underground artist, whose works are banned on market but the sales thrives in the black market. Apparently the artist has black market art persona and the normal persona. Art maniacs knows about this so it is not really a secret unless you dig into to it enough.

The team let Minkyun to run the data base to see if there is any connection between artist and students, even teachers and staffs in the school and BINGO. Apparently the artist's daughter is attending the school.

Knowing its a very suggestive clue, the team rushes to the school to get their culprit. They succeeded on getting the criminal this time but the murder still succeed in doing her 1 last act getting caught by CID. (Here is different from anime)

While monitoring back ups helping to clear crime scene, Changyoon calls Hyojin to have a chat at the Enforcers wagon and let Yuto to monitor Jaeyoung.

Back in the wagon, Changyoon and Hyojin temporary forgot their conflicts and start to piece the puzzles together. Changyoon even though sometimes is a bit not flexible, but when he sees Hyojin acknowledging Minkyun, he knows that the Enforcer in front of him is still the ex superior he knows.

Changyoon scratches his head a bit and tells Hyojin that the current and previous virtual community case felt a bit off. And should Minkyun's hint are actually legit, how should they tie up all the puzzle together?

Hyojin while biting his knuckles he goes, "Even though the young criminal this time has a high IQ. but as a minor, it is hard to believe that they can prepare such intricate crime display."

"I agree. " Changyoon adds, "This is an all girl school with dorm and I don't think our young criminal can gain access to the tools even if she wants to."

Hyojin and Changyoon come to a conclusion, that there is definitely a mastermind or consultant helping out criminals to execute their crimes, but who?

All cases looking irrelevant against each other but with the frequencies of cases occurring here and there, it does not hurt to think whoever behind this definitely is aiming for a raise of area stress level in a national degree. If that so, they might not dealing with a mastermind, but a group of crime syndicate who is trying to initiate a psycho hazard.

Although they both do not have strong evidence to prove their point but should their speculations are true (because of their first hand experience come contact with all these cases), it is already scary. While terror attack can produce fear and violence in large scale straightforwardly, a raise of crime number/disturbing criminal events affecting citizen's mental security can have long term effect. It is also a way to make authority focus on cleansing and clearing the hue and got distracted from something even menacing.

After a few seconds of silence, Hyojin finally breaks the ice., "Do we have a list of mastermind criminals that the terrorist group requested the authority to release 2 years ago?"

Changyoon replies "Yes we have, but... the authority did not really released them for reals. Its just a fake act to buy time...."

Hyojin stares at Changyoon in a straight face as they had thought of the same possibility.

"Hyojin are you suggesting that the terror attack was just to cover up a secret swap?" Changyoon stood up in disbelief, eyes wide open. "Thats crazy! Do you know how many terrorist members are there on that day? That many manpower and gunpowder just to do a human swap? For what purpose?!"

"And if there is a secret swap, are you saying that there is a traitor in our government?" Changyoon exclaims.

Hyojin only lowers his gaze and mutters, "I don't know." and he continues

"And you still think I am crazy?" Hyojin raises a corner of his lips and look at Changyoon with a victorious smile.

"I know you are delusional but this is insane, Hyojin." Changyoon frowns while he mutters. "Why do you have to complicate things and push yourself so hard until your Psycho Pass get clouded so bad?"

"My brother and my best friend both died with unconvincing cause of death. There are numerous points that are quite fishy regarding to the terror attack 2 years ago, Changyoon." Hyojin stares at Changyoon with firm eyes and its overflowing with hope.

"Seungjun wasn't himself after the death of my brother, it was not only guilt and regret he was feeling, he never acted like that before. He knew something. He must have seen something." Seeing Changyoon standing in front of him in silence, Hyojin took the chance to continue.

"I was there, I was the first person to find Seungjun's death scene. And as an former Inspector, I can tell you that was not a suicide." Hyojin starts to get excited as he voices out his points. "Who would choose to burn themselves and set a fire to their apartment room while at it when they can have a quick death?"

Changyoon still looking at Hyojin as if he is looking at a clown.

"You are a smart guy Changyoon, you can definitely tell there is something off if you..."

"Shut up." Changyoon silences Hyojin as he knows Hyojin is trying to persuade him to share common interest, Changyoon groans in irritation and barges out from the wagon, leaving Hyojin startled.

Jaeyoung who come across to this, asks if Hyojin did anything to piss Changyoon off in a concerned tone, Hyojin only denies him by laughing it off.

And Changyoon, who dashes into his car, punches the steering with his might before covering his face with his hands.

"What am I to you then?" he whispers into the silence. "Am I not your friend as well?"

To be continued on part 3

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