#and finally they just both feel very queer to me

[absolutebl]

This Week in BL - So Many GREAT Kisses!

Organized, in each category, with ones I'm enjoying most at the top.

(Please notice I am now using 6 dots in all ellipses because according to Taiwanese BL that's how we queers roll. Who am I to argue?)

Sept 2024 Week 3

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 2 of 12 - A most excellent glow up. And it’s still a great show. And I cannot wait to see the many different faces of War. Bring on the Leverage of One action-packed mess. I'm waiting.  

Monster Next Door (Thai Thurs Gaga ) ep 9 of 12 - I’m gonna say this because it drives me crazy. Why are boys in BL, when out and about the countryside, always dressed inappropriately for Thailand? If it’s hot, takeoff your damn jacket. I don’t mean to be crass or crazy or whatever. But don’t wear a jacket when it’s 90° with 90% humidity. In Thailand, jackets are for malls. Meanwhile, I’m an extrovert and that still seemed like an exhausting trip. Although, I suppose they didn’t show all the drive time in the van, when everyone is asleep.

Meanwhile, why are the sides so frustrating in this show? Authentic friends-to-lovers is always a slog. Finally a kiss! And a decent one.

New character? Aw! Hi Yu!!!! Gosh Putter is so cute.

Where were we? Oh yes, Beer is now heartbroken. Always the great fear in F2L that the friendship will be destroyed as a result. And it’s a decent fear. 

On a completely different note, I cannot help but wonder when somebody’s chue len is Beer, if that is because beer was involved in their conception. Like, it’s the name you give your "oops baby" from that drunken night at the club. Don’t mind me. I’m just over here in the corner being crass.

Battle of the Writers (Sun YT) ep 8 of 12 - That was one of the cutest wake up sequences ever depicted. Utterly adorable. And now he’s blind again? Oh my God this is such a soap opera, I can’t even. Meanwhile, wicked ice prince finally made his move. Gah! Why aren’t we getting more of this couple? I always love the sides best with this production house.

I Saw You in My Dream (Weds Gaga) ep 10 of 12 - I love a hard fraught game of badminton. Even though we actually didn’t see play. YoIng claiming was so cute!!! And their shower kiss was v hot. Yay little show! Also cute use of the punishment trope!

Kidnap (Fri YT) ep 3 of 12 - The weight upon the shoulders of our idiot good guy kidnapper continues to pile up. So does the affection. The dude playing Q has sanpaku eyes. Cool. He’s not a particularly good actor though. Rough because everyone around him is giving their very best.

The problem is. I'm noticing. I shouldn't be noticing all the talent trying so hard. That usually means there is something wrong with the story, or there was something wrong on the set.

I don't know what to say at this juncture except I have the sinking suspicion this might not actually be a good show. (Covers head and cowers. Don't hate me.) I'd loved to be proved wrong, but my faith is GMMTV is only about 50% these days. And it probably should be lower.

Addicted Heroin (Thai Tues WeTV) ep 6 of 10 - I was so confused by how we suddenly got on a trip together, that I went back and re-watched the previous installment. And it still isn’t explained. So I have no idea why our leads are on a trip but apparently that’s the next trope to hit. I also have no idea how they're suddenly boyfriends. I’m just generally confused by this episode. It’s like an alt reality. We skipped over all of the stuff where they actually got into a relationship. In general I wasn’t wild about this episode.

The Trainee (Sun YT) ep 12fin - The most realistic thing about this show is that everybody is everybody else’s ex on any given set. I feel that in my bones. Or do I mean boner?

Frankly, both actors look better after a glow up and I guess pretending to be more their actual ages suits them? Considering what was actually done to invoke youth (a lot of the shine and gloss) aging them was an anti-glow up. A great mattification? Well...... this was a somewhat lackluster finale. (Thank you, thank you, the pun was unplanned. It's a gift.)

I don’t know. I guess I wanted to see Jane suffer? Work HARD to get the kid he abandoned back? I would’ve liked to have seen Ryan a little bit more competent and capable and his job. Maybe dating someone else. But I also do not want any more episodes. This was more than enough. So instead no separation, just boyfriends and a montage of their lives together, getting new and better jobs, moving in together, being supportive and sweet, etc... LOOK: It’s never a good sign when I immediately want to rewrite the show that I just saw.

In conclusion:

A story about a group of interns at a commercial video production company. While I genuinely love OffGun, I’m not convinced this was a good vehicle for them. Is it terrible for me to say, I miss their PickRome days? I don’t think they’ve ever had rolls that suited them better. Still, theirs was the best storyline in this ensemble piece masquerading as a BL, although they still fumbled the ending. Thus, I enjoyed about a 1/3 of it as much as possible, and 2/3 of it less than conceivable. 7/10 and I seriously considered dropping it to a 6/10 so don't push me.

Love Sick 2024 (Thai Sun iQIYI) ep 1 of 15 - Not gonna lie I was very skeptical. But I like it fine. Better than I expected because it’s been changed just enough. But it does need to stay changed. I don’t know what I’m trying to articulate here but…... I guess we’ll see.

Live in Love (Sun Gaga) ep 3 of 5 - It’s cute in a weird disjointed way. I’m enjoying it enough, I guess. I do like how forthright and direct Kla is. 

Bad Guy My Boss (Thai Sun Gaga) ep 1 of 10 - Ah. Bully romance. My old frenemy. Of course making this office based means +10 for workplace harassment. Well well well. This will be red flag party town I see. How VERY old school yaoi. It’s all very Cdrama CEO = dudes in suits walking on parquet (minus all the gay sex of course.) The jumping around between times and unfinished scenes is very strange. Is this Starhunter chaos only applied to a timeline?

Imma say this so they hear it at the back. YOU HAVE TO CHANGE THE HAIR. If you do time jumps: change. the. hair. It's the easiest and best clue if you aren't going to apply a filter or other cinematography tricks. JUST CHANGE THE DAMN HAIR STYLE.

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 9-10 of 12 - And now we all start using six dots in our……? A new coded way to indicate that one is into BL? I did think we were in a slight mire with ep 9, too much teacher filler. Not enough time spent with our boys. Meanwhile, sports day. Pouty Baby utilizing the power of Ge, in front of all of the classmates who do not realize how hard he is flirting and activating babygirl = one of the greatest things ever to happen on my screen. Essentially this was a version of the claiming trope, only nobody knew it but the two of them. Fucking genius. Yes, I watched it multiple times. Then babygirl is injured, the carrying and the flirting!!!! Gah!

I don’t mean to trivialize the show, but this is me and I can trivialize everything even something as brilliant as this. But that conversation about history at the beginning of ep 10...... Was that about topping and bottoming? Because it sure seemed that way.

And then...... Possibly the best only one bed trope twist ever?

This show is so fucking amazing.

And I am so worried about the end.

Sugar Dog Life (Japan Sun grey) ep 7 of 10 - I love the kinkyness of our baby boy’s fantasy. Where he is the gift and his boyfriend is in uniform. Very nice. Thank you Japan. Never one to let kinky dogs lie. Also, the premise continues: one half thinks that they are already boyfriends and acts like it, and the other half is still trying to become a boyfriend. It’s absurd in that way that only Japanese miscommunication extraordinaire can be absurd. Also could Kyosuke be any more under his boy’s thumb? 

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 1-2 of 10 eps - Shiba is a top lawyer, angular aggressive bespectacled workaholic cat-type (Kitten? Babygirl? Tsundere? Some unholy combination of all 3?) I am reminded I should be more considerate of my potted plants. OMG the teasing and the little tongue sticking out. Haruto is such a flirt. I love this dynamic. What fun! Manic pixie dream boy but MAKE HIM EVIL! Or very high? Or a grifter? I have absolutely no idea what’s going on. But I’m enjoying it. It’s very...... very

First Note Of Love (Taiwan Mon Gaga) ep 7 of 12 - Oh! Good kiss. Smart to have the younger character initiate. I also like that he put a stop to it and then went and had a long conversation with a friend about it. Cautious boy. Also shows how in control of the situation Sea is becoming. It works for this BL since he has the stronger personality. I don't care what the characters say, this is about Sea becoming a rock for Neil.

But the secondary couple is actually winning this show. I want so much more of them. 

Seoul Blues (Korea Fri? YouTube) ep 8fin - I’m not sure that blackmailing and entrapment, especially of your ex, necessarily justifies cheating. Plus I never like it when it’s gays against gays. But what did I expect from this show? This whole series was basically Korea’s version of messy gay. If you liked Only Friends you’ll probably enjoy this bullshit. And they were quite pretty. I, however, am monumentally displeased. 4/10 FATALLY FLAWED but still, basically, BL, however…... do we want to support this kind of behavior?

KOREA PLEASE GIVE US A NEW PROPER BL!! WHERE ARE YOU? WE ARE SAD AND LOST WITHOUT YOU.

It's like now they discovered boys can kiss they can't be happy.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Happy of the End (Japan Tues Gaga) - A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all. And ya know what? There is plenty airing. DNF 

In case you missed it

I FINISHED Meet You at the Blossom (China). I ate crow, binged the fucker, and live blogged the experience. I enjoyed it a lot and got quite witty (I think) there are also puns (warning). But if you don't wanna slog though it, here are my final thoughts:

This was undeniably a wuxia and most definitely a BL. Evil stunning princely Cheekbones meets and falls in love with the bisexual disaster Dimples of his dreams. There’s a lot of floaty fighting, tangled plot, and overworked emotions. From start to finish it is exactly as it claims to be, including more than the expected amount of sexual claiming (dubious conscent to the point of rape). I’m not wild about the wuxia genre, but I will tell you what I do like: Very pretty men in flowing robes + eye makeup + hair ribbons wafting about stabbing and kissing each other plus ridiculous soap opera machinations. I also like cheekbones and dimples. AND I love a stupid gay sleeve, okay? There was also truly epic levels of stink-eye, and that too is to be lauded. This show left me grinning like crazy. Was it great? Not really, but it was a great experience and I enjoyed it immensely. 8/10

4 Minutes (Gaga) Ended - Spies reported in to say the ending was not-exactly-unhappy and mostly lackluster. I'm torn over whether to watch. My natural disinclination to binge, meets my dissatisfaction with wishy-washy, is going up against my love of high heat and pretty men. Oh the age old struggle between art and lust.

Mitsuya-sensei no keimakutekina ezuke finished and it’s reported to be solid. Age gap treated with respect. I'm curious, so I'll check it out if I can get hold of non-G-drive subs.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming Sept 2024:

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

THIS WEEK’S BEST MOMENTS

I love love love this execution of the punishment trope. What's Ai going to do to you, Yu? Ride you to death?

I Saw You in My Dream indeed.

Sigh. This show. (Addicted Heroin)

All praise one of BL's best-in-show glow-ups. Nicely done, Jack.

James, on the other hand. Never needs a glow-up. Still the prettiest. Has been since Oxygen. (Battle of the Writers)

He's playing the role of Saint in this show, thank you very much. Speaking of which, wouldn’t that be just the most gorgeous pairing in the entire universe? Saint and James? I’ll be in my bunk. 

Taiwan giving us a boop! Reminds me of Be Loved In House I Do, right up there with TharnType as chronic boopers.

Why is he SO GOOD in this show?

All Frist Note.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[sbd-laytall]

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[inkskinned]

it isn't really complicated, but i still can't tell my grandma about it. my girlfriend is also my boyfriend and i'm her girlboyfriend and there are a lot of days this feels like smoothing sheets over a good mattress. it feels like getting a cup of good hot chocolate. we paint our nails lesbian flag pink, and i watch her eyelashes make shadows on her cheeks. she wants to kiss me because i am really good at baking, and i want to kiss her because when i am freaked out about how i spilled coffee, she just hands me extra napkins and helps me clean. he is so handsome i want to eat my fist. they once just winked at me and i couldn't talk for like the next fifteen minutes.

i haven't seen the L word and i was raised catholic. my earliest experiences with queer relationships were through harrowing conversations and hushed questions and blood on the ground. i didn't like boys soon enough. what, are you gay? asked to a 6th grader, almost like a demand.

when she is asleep next to me and i can feel the dreams run up and down her body, i pretend we are both somewhere in the stars. i like to picture a future full of fruit trees, and writing him poetry. sometimes she wakes up, has a whole conversation with me, goes back to sleep, and utterly forgets that we ever even spoke. she is always kind to me, even in that liminal half-there ghost. i like the croaked, raw way her voice sounds in the very-early morning, the way she always seems surprised i'm still here, and home.

on the internet, there are a lot of people who would be annoyed by both of us, and how labels must be pruned into orchids. a box has to hold and define the insides. people must be organized.

we went on a date last night, and the host said, oh, table for 2 nice ladies? neither of us are ladies, but also we are very much 2 nice ladies. i have been wearing her sweater nonstop. he has frequently been forced into wearing my taylor swift official merch quarter-zip because i was worried about him catching a chill, and you simply cannot be cool in an official taylor swift quarter-zip. do not worry: they listen to better music than i do, and their voice sounds like leaves falling.

i wear the skirts and makeup and i am better with spackle and know how to drive stick. recently someone commented on my work - you're just a man trying to reappropriate lesbian spaces. sometimes i feel like she is a clementine to me, and sometimes i feel like he is a german shepherd and sometimes i feel they are a bird. i like watching his hands over a guitar. can i write this poem, even? how can you be a lesbian if you're sometimes with a man? or you are the man?

how can i, huh. you know, our first date lasted 3 days. we'd been flirting for over a year before i finally asked her out. i'd already written her into poetry. she'd already written me into songs.

last night, in the late night, when they woke up again, confused about where they were, they said - oh, thank god. this is your arm. there's just something so precious to me about the specifics, the denotation that the arm was (thank god!) mine. i really liked that definition. i liked the obvious relief because i understand it.

i say yeah, i have a partner. i mean - oh. thank god. it's your arm.

[presentlylexi]

I'm scared.

This is the only social media platform I feel remotely comfortable on. I left behind all others because they only resulted in annoyance and pain. For a while this was my favorite place. But now?

I'm scared.

I'm gonna log in one day and be gone. I've made so many friends here and they're just ripped away from me. I don't have the strength to fight like everyone else. I want to fight but I freak our every time I speak up. Even right now as I type this

I'm scared.

But I can't just say nothing. Out of fear, I finally decide to make my voice heard so at least I have something to say before getting nuked. Because if I do get wiped, I'd like to do so without silence. Because I don't want to go quietly if I do, I want to go down swinging if I go down at all. And I want to be able to say the very thing all the rest of us are thinking.

I'm scared.

I've never felt more afraid of being openly queer. Normally I'd be annoyed at corporate rainbow pride, but both online and in my real physical world, this year it doesn't even exist. There are no local businesses doing Pride this year, not even my local Target. It's officially too high risk of profit loss to support the queers. Pride feels like it's being stripped away, and the one place I could once rely on is a place I could wake up to and find I'm suddenly removed from it. Friend groups are shattering, drama is rising, being queer is a death sentence, and we're being silenced at every turn. And i don't know what else I can truly say except

I'm scared.

[vasquez-rocks]

i know most ppl haven’t seen it yet but wanted to write something abt how annoyed some of the critical discourse abt I Saw the TV Glow is making me. MAJOR SPOILERS below the break, be warned!!

so idk i’ve seen so many reviews of the film positing that it’s about the dangers of obsessive fandom and overidentification with fictional characters, esp vis a vis real life self-actualization/coming out. (like, essentially every review has some of this in it, from what i’ve seen.) and, like: i don’t think that’s wrong, but i also think it’s massively underselling what schoenbrun is doing here. the metaphor of the show’s bleed-over is so smart because works in both directions at once.

like, in one direction: when maddy asks owen to come into the show by burying himself alive, you can read it as her asking him to abandon his real-life responsibilities, and the material facts of his real life body, in favor of a fantasy life where everything is already fixed. she’s inviting him to skip over the hard, messy work of transitioning and to sink even deeper into the analgesic obsessions he uses to numb his dysphoria. in this interpretation, it’s, like, the equivalent of overprioritizing “transition goals” instead of actually medically/legally/socially transitioning if that’s what you want, living forever in the ideal instead of taking difficult steps to change the material. (also, uh, if you don’t think she’s literally correct about the nature of reality, she is in fact asking him to kill himself. there’s that.)

BUT! it also works the other way. when maddy tells owen that the show is real, that their lives are just the buried dreams of dying girls in another life, she terrifies him by confronting him with something he’s always known about himself: he was supposed to be a girl. what she proposes is radical, dangerous, seemingly unhinged, and based on a childish fixation: all the things scared closeted trans people worry transition is, basically. on a more figurative level, too, the feeling she’s telling owen is real – that his real life is just a dream within a dream, that his home is not his home, that he belongs somewhere else, that he is supposed to be SOMEONE else – is something so, so, so many closeted trans people have felt before, myself so much included. when he sobs in the shower, yelling “this isn’t my home!” at his dad, i felt a sense of identification stronger than i’ve almost ever gotten from art before. when maddy finally calls him isabel, it’s the gentlest thing i can imagine.

in this read – which i do love, while thinking the other one is simultaneously true – it’s less “come sink deeper into delusion with me instead of dealing with your own life” and more “it’s going to be terrifying, but that childish dream of being a girl you once held wasn’t childish, and it can be real if you’re courageous enough.” he says he runs away from the football field because he thinks maddy’s not mentally well; it takes very little analysis of subtext to figure out he’s running away because he’s afraid of how much he wants what she’s offering. and, of course, the idea of the visible world being an illusion laid atop the world in which one is one’s truest self is a classic trope of trans cinema going all the way back to the matrix. (also: while i’m pretty death-of-the-author-pilled in most media analysis, it kinda seems like schoenbrun themself has interpreted the film in this way, as they’ve spoken at length in interviews about how, to them, transition felt like asking to be buried alive.)

all of which is to say: i think the film IS commenting on fandom, obsession, overidentification, and the ease with which queer people can sink into art as a way to dissociate from real life. but i think it makes the film so much more cynical and so much less tender to treat it as the ONLY read of the film’s relationship with the pink opaque. art, especially the sort of slow, metaphor-laden art schoenbrun makes, is best when it is complex and productively contradictory. the pink opaque is a problem, and an escape, and a fantasy, and it’s real, and one day isabel is going to wake up.

[kapsloc7]

FINALLY POSTING THIS!!1! This was a huge project for me (literally, it is 3 feet tall!) based on Will Wood's 'The Normal Album' and my personal relationship with it. I threw a ton of references and symbolism in here, it was a ton of fun to create :)

Rambling about details under the cut.

Also: If you enjoy this, I have prints (and other things?) available here!

ALRIGHT BUCKLE UP BECAUSE I HAVE LOTS TO SAY

This painting is acrylic on a 24"x36" canvas, created as part of my portfolio focusing on human experiences and mental health. I wanted to make a painting about music because it's a very important thing to me, and was ultimately inspired by the song Memento Mori, The Most Important Thing. In the end I decided to base it off The Normal Album in its entirety.

The most obvious reference is the outfit, of course. I took all my own reference photos so it isn't an exact match, but is of course in spirit Will's outfit from the album cover. The only symbolism in this is the expression of masculinity in the suit, and a slight bit of femininity in the painted nails. Nothing too deep about it, I just wanted to throw in some gender fuckery because of my trans-ness.

The keyboard itself isn't a reference (I mean it's just my keyboard) nor are the books behind it (Just there for composition) but I put some stickers on the keyboard to throw in some extra references and symbolism. First, the "Give Me That Old Time Religion," both a Self-Ish reference and inspired by the sticker on Will's keyboard. Second, the pride flag being covered by an upside down American flag. This was something more personal I threw in for fun, about my distaste for the US and the oppression of queer people here. Also, I threw in the window from the album cover (but empty)

In the background, there are silly references to specific songs, (white picket fences, barbed wire and trenches, and the 222 for 2econd 2ight 2eer) and some more personal references as well (pill bottle ties into themes of the album as well as my own mental heath issues.) The potted plant has a bunch of symbolism thrown at it, and was inspired by lines in well better the alternative and Outliars and Hyppocrates, kinda a bit about feeling restricted by pressures from yourself or others causing you to uhhh. not be okay. and the pot design is based on the keys of Will Wood's keyboard as well as kinda an Everything Is a Lot reference.

Hand stuff: Bracelets are bracelets I made, mostly just for fun to provide more visual interest. Both kandi bracelets are inspired by Will Wood of course, the visible letters reading 'Memento Mori'. The grey bracelet doesn't have the letters visible, but it reads 'not afraid to die' The rings I wore were also personal fun. The white ring on the middle finger is a bit of queer code representing Aromanticism, and an engagement ring on my ring finger. Just representing the struggles I've had with sexuality and relationships and such.

Finally the chains, wallet chain was thrown in to represent financial pressure, and the one over the piano is the actually important one, representing how shitty it feels to turn creativity into a career, and feeling forced to create. There's more thrown in here probably but I'm tired and basically wrote an essay already so UH. GOODNIGHT IF YOU READ THIS FAR I LOVE YOU WAAAAA!!!! PLEASE LET ME KNOW YOUR THOUGHTS I LOVE TALKING TO PEOPLE

[imfinereallyy]

“Steve, it’s an emergency. I need to kiss you. Actually, I need you to kiss me. But I can’t just do it without asking because what if you don’t want me to, and I practically attack you? So yes or no? I swear it’s for a good cause.” Eddie comes running up to Steve in the bar, panting so hard Steve can see the chest movements.

They have taken Robin to a bar out in Indy to get her laid finally. Or at least a tongue in her mouth. The girl is pent up. And it’s Steve’s job as best friend to make that happen (Robin has told him to stop saying that, ‘it is gross’). Eddie is the only other queer person they know and, luckily, has made quite a few trips to Indy to know which bars were the good ones. He tells Steve that, like Robin, he is desperate to get laid, so this is the perfect opportunity.

Steve does his best to try and ignore the burning jealousy he feels at that. Eddie doesn’t know about his feelings (hell about his sexuality), and Steve is pretty sure Eddie doesn’t see him that way.

“Huh?” Asks confused, his brain struggling to process.

“Okay, I see you’re stuck on how to answer, but Steve—“ Eddie grips Steve’s shoulder, and Steve tries not to swoon. “—my ex, the extra shitty one, is here, and if he sees me alone I’ll either a) go home with him tonight and—“

Steve cuts Eddie off with a searing kiss. The thought of Eddie going home with someone else was enough for Steve’s brain to catch up to speed. Steve presses Eddie against the bar. The loud bass of the music suddenly becomes a light thrum in the background. All that he feels is the delightful pressure of their lips together. Eddie’s hands slide up into Steve’s hair as he gets pressed harder into the bar. Steve’s hands' grip Eddie’s waist and give them a tight squeeze. The idea of bruises being left behind, a mark of what they are doing here, makes Steve deepen the kiss. His tongue used to massage Eddie’s, tasting the menthol and rum on his breath. Eddie moans loud and heavy, vibrating Steve’s entire body.

“Eddie?” A voice interrupts them. Steve feels his anger spark back slightly but wills it down because the interruption is probably needed. They are very close to getting kicked out for public indecency.

“Oh hey, Ryan.” Eddie looks the blonde man up and down. He’s cute, Steve notes, but he lacked personality in his appearance. He isn’t what Steve expects from an ex of Eddie’s. He isn’t naive enough to think Eddie dates exclusively metal heads, but he expects someone to match Eddie’s energy. This guy—Ryan apparently—looks like every other guy you’d find on a Sunday in Supermart. Boring and lacking imagination.

“Who’s this?” Ryan looks at Steve pissed.

“Steve?” Eddie wraps an arm around his waist, bringing Steve close up against him. “This is my boyfriend.”

“This dude’s your boyfriend?” Ryan snorts. “C'mon baby, I know you can do better.”

Steve feels his anger finally pop. “He is not your baby. Yea, he can do better than both of us combine, but I’m lucky enough to get him. Now, you interrupted our time together, and we both know you saw what we’re up to, so don’t act like it wasn’t on purpose.”

Ryan startles backwards, “I—“

“Sorry, maybe I wasn’t clear. I meant leave the fuck right now.” Steve grits out, some of his Upside Down protection mode popping out. Ryan scatters quickly.

“Jesus, Steve, that was amazing. I’m sorry I had to make you uncomfortable with that.” Eddie’s eyes find his and cuts Steve off before he can protest and explain no, he really did like that “—and you never even let me explain reason b, by the way! Reason b is b) he would probably humiliate me in the middle of the club.”

Steve nods at Eddie but has one track mind at this point. He grabs Eddie by the face this time before crashing their lips together once again. This time Steve moans into Eddie’s mouth as they both get lost in the kiss.

Steve pulls back ever so slightly and talks directly into Eddie’s mouth, “Sorry. I think he’s still staring. Needed to do more.”

Eddie, with swollen lips and a kissed-out face, looks around the bar to find nothing. “I don’t see him anywhere.”

Steve smirks and pulls Eddie by his belt loops so they are flushed together. Steve leans into Eddie’s ear and nibbles at his lobe. “Hmmm, you’re right. I think he’s actually in the bathroom. Maybe we should kiss in front of him there.” Steve whispers hotly.

Eddie’s brain, which has short-circuited much like Steve only minutes ago, finally catches up. Eddie groans, his face collapsing into Steve’s neck. He licks a stripe up Steve’s neck all the way to his mouth. “Fuck. Yea, baby, I think I saw him too. Think kissing, though, won’t be enough. We might need to up our game.”

Steve nips at Eddie’s lips, “I was hoping you would say that. Guess I just know how much you love your games, Eds.”

They meet each other for one last searing kiss before rushing to the bathrooms to share a very tight, very heated stall.

[starful-emporium]

that finale made me so emotional. i cried at all of their scenes in Ankarna's realm. anyway, here's some bad kids senior year head canons.

Kristen: Her wish for a sister is filled by Bucky, crying in her room late at night and praying together. After talking to Jawbone they learn that there are grounds to remove Bricker and Cork from their parents' home. Kristen is the only one given the option of emancipation--instead, she asks Jawbone to adopt her as well.

She falls back onto old patterns with Tracker. But they're a little older and wiser, so they see it happening and take a step back. Not a break up, but a readjustment. With her academics finally not reliant on deadlines, Kristen dedicates herself to her pantheon. They work with Lucy to bring Ruvina back to her sister, and Kristen finds herself in awe of the dedication she sees.

Fig: She puts all her time into the Bottomless Pit, something it desperately needs. Often she tells Sandra-Lynn she's sleeping at Gilear's, and vice versa, and stays with Ayda instead. On her 18th birthday her parents sit her down and explain that she can live with Ayda officially, if she wants to. Just as long as she remembers she'll always have a room with both of them.

She brings Sandra-Lynn on Complicated Women, first to interview, and then as a permanent guest host. They talk about womanhood as something living and changing and queer and complicated. It's her mom who encourages her when Lola Embers drops Ruben. They rally all the rock-hating souls and cordon off part of the recording studio. Fig never goes in there, but from what she's heard, his music has gotten better in the absence of Kipperlilly's judgement.

Fabian: Somehow, he ends up being the one to train the new dog. The Hangman is jealous to a ridiculous degree, so he spends a lot of time managing that. He starts looking into a sea-worthy vessel for after graduation, spends hours at the Compass Points Library learning how to navigate. Learning sea shanties is part of all that, of course, and has nothing to do with the way his baby sibling stares at him while he practices.

Mazey teaches dance to kids while he finishes school. She's so kind it almost hurts, and Fabian has no choice but to learn to accept love. He "lets" Gorgug skip Bloodrush under the condition of weekly movie nights, which only sometimes are expanded to the rest of the Bad Kids. The radio in his room crackle to life sometimes, with little messages from Bill when he's close enough to the material plane.

Riz: Appointed as vice president, he quits all but the AV club. He makes a bedtime pact with Sklonda, and for the first time in a very long time, they are both getting enough sleep. Someone mentions ace and aro identities to him, and he's awake enough for it click.

He finds a new scholarship for Aguefort students, and it looks scam-y so he does some investigating. It easily traces right back to Seacaster gold and Fabian. He's thankful for the cover and accepts the money with an understanding that they won't talk about it. He doesn't check, but the scholarship is offered every year after that.

Adaine: She spends the summer with Aelwyn tracking down their mom. She doesn't need revenge, but she needs to know her mom will never hurt anyone ever again. She feels Ankarna in the hot sun and wonders if that's the difference between revenge and justice. They take the long way back to Solace, the Hand-van paddling across the ocean.

When school starts, she works with Kristen to turn her inheritance into resources. Student who can pay for some of their components still do, but everyone gets what they need to learn. On the first day of class, she's asked about her summer prophecies, and tells off Tiberia for relying on her for lessons.

Gorgug: His senior year MCAT is signed on the first day by Lydia, who's teaching barbarian classes for the year. She gives him permission for independent study, and Henry gives him a shop key so he can do classwork whenever he wants. The rest of his time is spent perfecting Barbificer skills and creating a program to run at Aguefort the next year.

Mary Ann offers her quokky pet skills to help remodel his homonculous. The result is much cuter and more functional than before. She still names her highest level pet Cloaca in honor of the original, much to Gorgug's chagrin.

After graduation, the Bad Kids move in trios and pairs, and they always reconvene on the Summer Solstice, the anniversary of Ankarna's resurrection.

Kristen splits her time between Solace and Fallinel and Mountains of Chaos, the places where temples to her pantheon stand. Adaine and Riz rent an apartment in Bastion City, where they both continue school. Gorgug stays in Elmville, teaching at Aguefort and working on the side to start his own school. Fabian takes to the sea, bringing Fig and Ayda and Mazey with him.

They save the world again, a few times, but only when they want to.

[makingqueerhistory]

Nah Myung-won, 26, was a participant who identified zirself as an asexual -- meaning ze doesn’t feel sexually attracted to anyone, regardless of their gender. Nah said ze only realized zir sexual orientation after reading a news article published by a foreign news outlet, written in a foreign language. “There was a phase where everything was confusing,” Nah said. “All I wanted to do was to have coffee or watch movies with my romantic partners, while they obviously wanted other things. Things became clear when I finally got access to information on asexuality and there were other people like me.” Nah said asexual individuals often encounter ill-informed comments from both straight and queer individuals, many of which ze found to be violent. “I’ve heard things like, ‘you just have not met the right person,’ or ‘you should explore more to know for sure – maybe you are a lesbian,’” ze said. “So I thought it was important to be here, to challenge what is often defined as ‘normal,’ both in queer and straight communities.”

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[mousegoesmoo]

Okay I'm sure many of you all have seen this tiktok:

This tiktok has seemingly reached a very broad audience and I'm lowkey beefing with some of the comments. And then comments are stirring some byler doubt in me but I'm just gonna come on here and think through things logically. I'm only going to take into account things that are canon or have been stated by official sources.

Many commenters have stated that Byler will only be one sided, Will in love with Mike. Narratively, this does not make sense. Will's character has been pre-planned to be queer from season 1 episode 1 and in his character description. Additionally, Robin originally was not going to be gay, but that was changed during the filming of Season 3 (Maya Hawke talks about this). So, why would they have the only canonically gay character be used as a plot device to further El and Mikes relationship? It just doesn't make sense for his love to be unrequited. They have stretched out the plot point of Will's sexual orientation and love for Mike for many seasons, it has been slow burned. They could have given Will a sharp rejection in Season 3 during the rain fight, but they didn't. If they did, moving to California would be an opportune time for Will to move on from his love for Mike. But they didn't. Will made an entire painting for Mike and gave him a veiled confession- if it ends in unrequitedness they stretched out this plot line for far to long. It is unnecessary. It would just be unnecessarily devastating for Will to be rejected in the final season. Plus, we have seen it before, entire relationships can form in one season. Mike and El were formed in one season, Nancy and Steve broke up and then Nancy and Jonathan got together, why can't the same happen with Mike and Will?

2. Mike has never been implied or done any actions to suggest he is gay or reciprocates Will's feelings. First of, to quote the byler slides, Mike has more queer coding than Will (slide 7, slides linked). To preface, queer coding is "...when a character’s sexual orientation is implied by significant subtext without being stated outright."(Elizabeth Duarte). So, this doesn't necessarily prove that Mike is in love with Will, but it does imply that he is in the very least bicurious. Personally, I believe that one of the strongest bits of queer coding for Mike is during his initial attraction to Eleven. Eleven was often described to look very similar to Will and boy-ish. A little suspicious if you ask me. To add on to that, the problems in Mike and Eleven's relationship have grown as El has explored her femininity and self. Granted, the problems could have arose due to them both aging, but, it is still another common denominator. But, the byler slides have many instances of queer coding for Mike (some probably better than what I presented), so I would suggest looking into those rather than having me repeat them here. But queer coding implies queerness, therefore, Stranger Things has suggested that Mike is not straight.

2.5 Mike's feelings have never been reciprocated for Will. Now this is a trickier one. We haven't had a scene from Mike's perspective in a while, making it very difficult to have hard evidence that he is into Will as well. However, we can prove that Mike is heavily queer coded (because he is). So, if Mike were gay, who would he direct his affections towards? Lucas, who is trying to rekindle his relationship Max, Dustin, who has had a steady long distance relationship with Suzie, or Will, who has never shown interest in any girls despite having many opportunities (arguably, more opportunities than the other party members)? They would not put Mike into a one sided pining with Lucas or Dustin for the final season, it simply does not make sense. But Will, who has already had a developed crush on Mike for several seasons, the pieces start to click together. Mike liking Will is very dependent on Mike being queer, which we have proven through the fact that he is heavily queer coded. So, the only same sex individual that would make logical sense as his love interest is Will. Also: a huge point about not having a Milkeven endgame is that Eleven was supposed to die and, consequently, so would their relationship.

3. Unlikely for the time, so it will never happen. Girlypops. It is unlikely for someone to be dating someone with superpowers in the 80's. It is unlikely for a parallel dimension to take over and infect this one random town in Indiana in the 80's. ITS FICTION. Additionally, it is know that homophobia exists in the fictional Stranger Things universe (Lonnie, Troy, Robin's extreme hesitance to come out, etc.), ,but on the other hand, the Duffers are actively pursuing a relationship between Robin and Vickie. As of our knowledge right now, Vickie's sole purpose in the show is to be a love interest of Robin's. If they don't end up together it is most likely because Robin either gets a new love interest or one of the two dies in the final season. Ultimately, I do not think that Stranger Thing's taking place in the 80's will have an impact on whether or not byler becomes canon.

So those were the main three points made in the comment section of that tiktok.

I just want to also state that if Byler isn't canon, I would want to consider this to be a case of queerbaiting (but, this still depends on how they wrap up Season 5). Also, I would consider slapping a new love interest for Will to wrap up the season as very sloppy and lazy writing. AND, I think using Will's love for Mike as a stepping stone to progress a heterosexual relationship deeply offensive. If they were going to have Will be rejected, they should have done it way earlier in the series.

Thats all I have to say xx

[befuddledcinnamonroll]

We Are and the evolution of Thai BL tropes

The QL discord started a rewatch of My Engineer a few weeks ago, and damn, has it been an interesting experience. At the time I originally watched My Engineer, there was little that stuck out to me, because so much of what happened felt so incredibly common in a lot of the (admittedly rather limited) number of BLs being produced. It felt like pretty standard fare.

But going back and watching it in juxtaposition with We Are airing has been so fascinating. This genre has been evolving, y'all.

As much as we all joke about always getting more university BLs, there is something to be said for a format that can be used as something of a metric for the genre. And though there's only four years between My Engineer and We Are, seeing them both at once gives me such an incredible appreciation for the direction the genre is going in, the impact of having more queer voices involved in the creation of QLs, and how there's a lot of good we can find in seemingly simple spaces.

Obligatory disclaimer: This is just my perspective and subjective interpretation of what I have seen as a BL viewer of some time; also I don't have time to go in and do a university deep dive, so this isn't a real analysis, but more of a brief writeup of observations.

Trends are not black and white, of course, there is a spectrum. I'm sure we'll suffer through more Dinosaur Loves. At the same time, having such predominant production companies as GMMTV putting effort into hiring queer creatives and subverting old cliche tropes is an encouraging thing. (Especially as they were the creators of the original university trendsetting BL with Sotus).

Note: For newer QL viewers, I highly recommend @absolutebl for brushing up on trope history. For university BLs in particular, this post and this post are great starting primers.

Let's talk tropes!

Ok, one more note - some tropes are being what I would consider subverted, some more adapted to a newer framework, and some just played with - I'm going to talk about how they appear to me, but I'm not going to be super pedantic over it, because this is just for fun.

Trope: Bullying/hazing behavior

This did not age well in My Engineer, and I would guess hasn't aged well in a number of BLs (and other media, because the whole "he's mean to you because he likes you" bullshit has been around forever). Not just because the behavior was shitty, but because it was played off in the script as cute, and implied that it was completely justified for the seme to do whatever he wanted in his pursuit of his uke.

(There was also quite a strong tone of internalized homophobia, with the lead feeling more comfortable in expressing his interest through harassment than honest emotion, but the show never actually engaged with that in any meaningful way.)

We Are sets up a very traditional enemies to lovers/bullying start to the story, with Phum taking advantage of Peem's economic situation to make him his "slave".

And yet... there's some important elements here that make this more than the standard use of the trope.

Phum keeps it pretty light in his bullying behavior, and clearly is using it more to keep Peem around as company, versus the kind of bullying in My Engineer, where Duen is literally hit by a car, and yet still expected to keep jumping to Bohn's whims.

As soon as Phum realizes he really upset Peem by leaving him waiting at the mall, he genuinely feels awful about it. It's clear that his intent is not to cause harm, and that he has a conscience. He wrestles with his feelings on it quite a bit, and it ends up being the thing that gets Phum to finally express an honest emotion with Peem.

And most importantly, the script does not let him off the hook. His behavior is bad, and is identified as such by the writing. Peem pushes back and is shown to be right to do so, Beer openly says he disapproves.

So instead of a cliche story beat that's used just to start the action, or a seme who's allowed to do whatever he wants because "passion" (blech), we're seeing it used for characterization, giving us important beats about who both Phum and Peem are in how they engage with each other through the use of the trope.

Trope: Obsessive/jealous behavior

Oh, this one was painful in My Engineer. Duen couldn't even talk to another human being without Bohn getting jealous and angry and dragging him away.

Phum gets jealous, particularly around Kluen, but what makes it feel so subversive here are two key things.

Phum's jealousy has a purpose here, it's not just for drama's sake. It's not the cliche seme doing whatever he wants and being treated as justified. It's deliberately being used to explore his insecurities, and give him a challenge to overcome. Phum doesn't stomp over and drag Peem away, he retreats, he hides. When his jealousy causes him to lash out at Peem, he is immediately aware he fucked up.

And again, the script is making it clear that this behavior is not ok. Peem chides Phum when he acts unkind to Kluen, and Beer makes it clear that the solution is not petty behavior, but actually figuring out a way to communicate his feelings with Peem before he misses his chance. This is portrayed as a barrier for Phum to overcome in order to be with Peem, not an expected part of a romantic relationship.

Trope: Friendship group

There are not enough words to express how much I love the friendship group in We Are. To be fair, this is one of the better historical tropes. We've gotten a lot of amazing friend groups, even in mediocre BLs.

But it's still different in We Are, for one simple reason. In most university BLs, the friend group is a supporting structure. But here?

The story lines may be about the romance, but the point of We Are is the friendship.

I will die on this hill, y'all.

I don't have enough time to go into it fully here, but this show is a love letter to friends. It's a tribute to finding the people who see the real you and have your back unconditionally. Who cheer your successes and commiserate over your defeats, who pick you up when the world knocks you down, who call you out when you make mistakes, and push you to be better.

And romance is lovely, but all of these budding relationships are about being friends first, and then lovers, because that friendship is just as important as everything else, if not more.

Trope: Pink milk

Lol, ok, kinda kidding, kinda not. I know we all got mad over the drink wastage, but also check out these visuals - it's about diversity baby!!

TanFang speed round

My two little trope-busting bebes. These two are already so beautifully non-traditional in their composition, but I love how frequently they are used to make fun of and play with tropes just on their own.

Introduced as pining crush/friend's older brother pair, but actually secret enemies to lovers.

Grumpy/sunshine pairing, where the sunshine used to be a fighter, and grumpy smiles when he thinks no one is watching.

Wound-tending where they keep poking each other instead of acting soft.

Openly mocking the jealous boyfriend trope.

Setting up the possessive trope when Tan doesn't pick up Fang's calls, only to immediately have Fang question if he's being unreasonable.

Setting up their own cute eating scene for kicks.

"First time" sex scene making it clear this is anything but their first time.

Tan holding Fang down in the cliche possessive pose, only for Fang to take the agency of kissing Tan. (And overall saying eff off at the cliche top/bottom roles old BLs were such a fan of).

In Summary

I'm sure there are more tropes that will come to me, and we do still have 5 episodes left of We Are, so there are some potential trope uses that I am keeping an eye on. This is by no means an all-inclusive list.

But I wanted to write this, because I was genuinely shocked to realize how different my My Engineer watching experience was this time compared to my first time. How over the last few years I'd come to expect more thoughtfulness in my QL media, even in the ones that seem shallow on the surface.

Considering how fast and furious the QLs are coming these days, it's easy to forget how recent it was that we were much more starved of content. And I think sometimes we forget to take in the big picture, of how far we've come in just a few years.

Critique is always going to be important, of course, it's part of what helps us make progress. At the same time, it doesn't hurt to take a moment to look around and see some good in where we are.

@sailorbryant thanks for the push to get this written! Feel free to add thoughts!

[woodywood101blog]

Experimental (Part 1)

Yazan loved learning about new medical breakthroughs. As a doctor, he spends a lot of time understanding how new technologies are being tested and introduced that help make his patients' lives better and healthier. He mostly found it interesting learning about the newest ideas. As soon as it says "first" in the research paper title or news report, he was right on it.

So when he saw a research paper from an Australian team that said "first experimental pregnancy in a man", he looked at it with both intrigue and concern. Clearly men shouldn't get involved in something so.. feminine, he thought.

Of course, when he read the paper, it explained that the researchers at the University of Sydney's School of Medicine were only able to confirm viability up to 3 weeks of pregnancy. They explained that the hormonal changes required for the pregnancy to continue in a man would be so overwhelming that it would cause harm to the man, and that is without considering that it would be medically an ectopic pregnancy from the get-go. Suffice to say, it's medically dangerous, and emphasised as such by the researchers.

Oh well, good try, Yazan thought.

A couple of weeks later, an email popped into Yazan's inbox about a conference in Sydney, and a request to present there. He actually had never been to Australia before, especially with how expensive flights and everyday costs there are, so he took the chance and agreed to present.

Yazan finally made it across to Australia and was able to present his new research in haematology, while also taking in the sights and experiences of Sydney. One night, he stumbled across Oxford Street, the hub for queer culture in Sydney and home of the Mardi Gras parade. He grabbed the first high table he could see at the Oxford Hotel, and just observed people going about their fun Saturday nights while tucking into a steak.

He saw someone eyeing him from the side, and when he turned he saw a beautiful man. Although he was short, he appeared built like Yazan. He had short brown hair, a square jaw and light stubble, but didn't appear stoic or aggressive like other men. This man slowly walked towards him and sat in the seat next to Yazan.

"You're Dr Yazan, right?"

"Yeah... and you are?"

"Mike! I think I saw you at the conference in Darling Harbour today? Well done today!"

Sure enough, Mike was sitting and observing Yazan's presentation, but also for other reasons. Mike was part of the Australian team that researched male pregnancy. He had been developing a form of hyper-concentrated hormonal medication that would allow a pregnancy to remain viable for longer than 3 weeks in men, but was a long way off small-scale animal testing, let alone human testing. Mike was getting worried the research would be wound down by the university, so was starting to think about ways of getting the research to speed forward, without the university's immediate knowledge.

And he knew exactly what he wanted to do...

"So, that's the general gist of what I've been researching on..." Yazan said. "I kinda need to pop to the bathroom quickly.. do you mind looking after my meal, please? Feel free to have some of the fries!"

"No worries!"

Show time. Once Yazan was out of sight, Mike grabbed a small vial of what looked like salt flakes, but were actually some of the experimental hormones. They looked almost exactly like the coarse salt already on Yazan's steak, so it could work, Mike thought.

"Here goes nothing..." Mike sprinkled the salt all over the steak and the fries. At the very least, his food will just be very salty.

"Hey there, thanks for that!" Yazan said as he got back a couple of minutes later. They ended up continuing their conversation about the research they were respectively undertaking. Yazan asked about the fertility trials Mike helped with, including the male pregnancy trials, but made it very clear he wasn't surprised with the outcome.

The talking slowly turned to flirting, especially after Yazan finished his meal. He started feeling quite flustered, and vaguely horny. Of course, it helped that Mike was one of the cutest Aussies he had met here. Eventually, Yazan took off his tie and unbuttoned the top buttons of his shirt.

"Looking good, doc" Mike said with a wink.

"If you want to see more, want to come back to my hotel?"

And with that, Yazan and Mike sauntered their way from Oxford Street, across Hyde Park towards Sydney Town Hall. Mike took his chance and reached towards Yazan's hand. Yazan latched on without question.

Once they got to Yazan's hotel room, it was almost instant how quickly they got their clothes off each other. They were like two horny rabbits going at it, and they were at it almost all night. Yazan felt such a rush of energy throughout the whole time, and never once felt tired or spent. Mike wondered if the hormones were doing their thing, but those thoughts were overruled by the fact he was fucking the hottest doctor in town!

Each time, Yazan urged to be the bottom, which he found unusual as he normally is the top. There was something about Mike that just made Yazan want to be fucked by him.. maybe it was the muscles hidden under Mike's suit? All Yazan understood was that he needed to be fucked now through any means.

They woke up the following morning, the bedsheets sprawled in every direction on top of Mike and Yazan. Mike woke up with his dick still in Yazan, and still rock hard. Sure enough, it appeared that Yazan was still eager to go when he started waking up and felt Mike still in him.

"I could honestly keep going all day, Mike. I feel like I'm 18 years old all over again!"

"Really?"

After one (or two) more loads in Yazan, they finally moved into the shower. Yazan's abs had become slightly misshapen from how much Mike came in him. It was a bit surreal for Mike to see, because it really did look like he was pregnant.

What have I done, Mike worried.

***

I haven't done this in quite a while, but finally getting around to getting the first part out of a longer-form story I've been thinking about. Let me know your thoughts!

[grace-williams-xo]

RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.

1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved

5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill

6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them

8: Francesca did get to thrive happy in pt 2 my baby I love her

9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty

10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it

13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind

14: that was not how I was expecting Colin to find out about Whistledown

15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide

17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao

MY ~NEW~ THOUGHTS:

We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)

I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy

I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire

Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene

Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much

At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao

John saying he’s off to look at the wainscotting was unfairly funny

Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am

Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me

However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are

I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show

Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please

We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome

If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing

The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.

As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]

On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well

We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest

Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny

Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc

Did they tell us the name of Polin’s baby boy???

Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals

Predictions I got right:

Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track

I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)

I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED

Okay that was too long if you made it this far I’ll make you cookie ily