Cosette " abandoning" Valjean :
"You are no longer my father? I am no longer Cosette? `Monsieur Jean'? What does this mean? why, these are revolutions, aren't they? what has taken place? come, look me in the face. And you won't live with us! And you won't have my chamber! What have I done to you? Has anything happened?"
....
"I don't understand anything about it. All this is idiotic. I shall ask permission of my husband for you to be `Monsieur Jean.' I hope that he will not consent to it. You cause me a great deal of pain. One does have freaks, but one does not cause one's little Cosette grief. That is wrong. You have no right to be wicked, you who are so good."
He made no reply.
She seized his hands with vivacity, and raising them to her face with an irresistible movement, she pressed them against her neck beneath her chin, which is a gesture of profound tenderness.
"Oh!" she said to him, "be good!"
And she went on:
"This is what I call being good: being nice and coming and living here,-- there are birds here as there are in the Rue Plumet,--living with us, quitting that hole of a Rue de l'Homme Arme, not giving us riddles to guess, being like all the rest of the world, dining with us, breakfasting with us, being my father."
He loosed her hands.
"You no longer need a father, you have a husband."
Cosette became angry.
"I no longer need a father! One really does not know what to say to things like that, which are not common sense!"
...
I am furious," she resumed. "Ever since yesterday, you have made me rage, all of you. I am greatly vexed. I don't understand. You do not defend me against Marius. Marius will not uphold me against you. I am all alone. I arrange a chamber prettily. If I could have put the good God there I would have done it. My chamber is left on my hands. My lodger sends me into bankruptcy. I order a nice little dinner of Nicolette. We will have nothing to do with your dinner, Madame. And my father Fauchelevent wants me to call him `Monsieur Jean,' and to receive him in a frightful, old, ugly cellar, where the walls have beards, and where the crystal consists of empty bottles, and the curtains are of spiders' webs! You are singular, I admit, that is your style, but people who get married are granted a truce. You ought not to have begun being singular again instantly. So you are going to be perfectly contented in your abominable Rue de l'Homme Arme. I was very desperate indeed there, that I was. What have you against me? You cause me a great deal of grief. Fi!"
And, becoming suddenly serious, she gazed intently at Jean Valjean and added:
"Are you angry with me because I am happy?"
(all text Hapgood, the Lower Chamber)
*Abandonment solely seen via Valjean's patented Traumavision!
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The Vampire Aesthetic
Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.
Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.
Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.
“So where’s the vampire aesthetic?
Everyone freezes.
Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.
“Come on, I know you guys are hiding it.”
Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.
He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.
People are weird! He doesn’t judge!
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sanji's weird
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the moment that did me in is when Andrew brought Neil’s hands above his hair and said “Just here.”
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TW: discussion of something approximating suicidal tendencies but with the usual crack programming of this blog
“Ah, High General Windu”, says Fox, pleasantly. “So we meet again.”
High General Windu raises an unimpressed eyebrow at him, Fox thinks, though it’s getting hard to tell with all the blood rushing to his head. “If I let you go, will you try to throw yourself out of another window?”
Fox makes a vague shrugging motion - or tries to, anyways. It’s hard to tell where any of his limbs are going, hanging upside down in the air as he is. “I am willing to discuss terms.” A bridge will do just fine.
Impossibly, the High General’s eyebrows climb even further up his forehead. “A compromise, then, esteemed Commander.” And so, he righths Fox the head way up in the air, but leaves him floating just above the ground, at which point several painted shells come skidding around the corner followed by billowing robes and screeches.
“WHAT”, says Kote, calmly, “THE BANTHA-KARKED, FORCE-LOVING KRIFF, FOX.”
“You’ll short out your helmet mic”, Fox advises him, sagely. Fondly, he thinks back to decimating his own on only his second time in the newly-christened official Coruscant Guard Scream Closet. He’d just received the comm about the Zillo Beast being transported to 000, and made sure to take his bucket off thereafter to improve the quality of his closet time.
High General Windu’s face does something complicated between sympathy and constipation.
Because the Galaxy doesn’t hate Fox enough already and Cody wasn’t enough on his own, Wolffe elbows his way through their batch to plant himself in front of him, shoulders squared and shaking with repressed rage. “If you try that again, dickhead”, he begins, in a low growl that quite frankly sounds more cringe that intimidating, “I’m going to resurrect you and then kill you again.”
“Ah, Wolffe”, Plo Koon says, in his deep, shivery timbre, “Remember our conversations about effective conflict resolution and communication of needs?”
Wolffe’s eyes narrow at Fox, because all non-Guard are sweet summer children who walk around buckets off on 000 like absolute lunatics. Fox prays they never have to find out why that’s a bad idea. “I feel”, his ori’vod presses out between clenched teeth, “that if you make me watch you throw yourself out of another window, I’m going to jump after you and strangle you on the way down, you little bitch.”
“That’s fair”, says Fox, and watches High General Kenobi bury his face in his hands. Wolffe twitches in place and makes an aborted groaning noise, the hypocrite.
“Excuse me, High Marshall Commander Fox, but I fail to see what’s so dire about this situation that the Jedi High Council and your brothers cannot help you solve”, says Windu, the only sane one left on this Force-forsaken bloated corpse of a planet. Behind the gaggle of Jedi and ori’vode already gathered in front of Fox, the rest of them come veering around the corner in a commotion that’s quite frankly embarrassing. High General Yoda is mounted on Skywalker’s back like he’s a race-Eopie, which is Fox’ only consolation.
He got up this morning at 0300, bleary-eyed and with a pounding headache as always, and all was right in the world. And then Fox got called into the Jedi High Council’s chambers and was ceremoniously informed that in the wake of Chancellor Palpatine’s unfortunate demise (hah), and through the emergency state of the Senate, as well as several invented promotions foisted on Fox to make the delegation of any and all paperwork less shady, he was now next in the chain of command and-
Well, Fox is the acting Chancellor, in short.
Haha, he had said, and been meet with several seconds of silence, until it got both awkward and exceedingly painful. Wait, he’d said. You’re kriffing serious.
Kriffing serious, we are, had said High General Yoda, and thus Fox launched himself out the first best window with a maniacal cackle of, you’ll have to catch me first!
And catch him, High General Windu sure did.
“The will of the Force this is”, Yoda interrupts Fox’ train of thought. He scans him thoughtfully from beneath his wizened brow, and hems to himself. “Shake things up, this will. Determine the fate of the Galaxy, this shall. A feeling, I have, that a good Chancellor you will make. A better one, hmmm.”
“That’d be high praise, if not for the fact that a dead lemming would make for a better Chancellor than the last one”, says Fox, drawing and indignant gasp from Skywalker. He doesn’t bother with either that or the green goblin’s cackle, lost in the deep sense of resignation that settles over his shoulders like a suffocating blanket.
“Alright, then, get me Thorn on the comm. As my first act in office, I’m firing all the Jedi. No offense, but you’re kind of a disaster. Then, someone get me to the Chancellor’s office, I’m calling Dooku to let him know the war’s off. And please get me Judicial, they’ll be up all night working on my datafolders - I’m having the Senate arrested.”
“Who - is - arresting - “, Bly pants, hands on his knees from where he’s just come sprinting around the corner with his Jedi.
Underneath his bucket, Fox smiles a smile that’s all teeth. “The Senate”, he says, sweetly, wondering if he’s just imagined the shiver that’s gone through the room. “I’m suing the Senate, and taking them all into temporary custody for abuse of sentient rights.”
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Just thought of little Leia meeting rest of the Corries...like suddenly Fox has this little nat-born girl hanging around with him, and when asked he's like "she's my daughter from the future. she's just time travelling" (he's casual about it because he has to be. if he's not he's going to lose his mind)
It actually doesn't take long for the Corries to believe it, because the conversation will go like this:
Thorn: ....who is she, Fox?
Fox: This is Leia
Little Leia: 🙂
Thorn: Um. Where did you get her?
Fox: Oh she's time travelling. She's my daughter from the future
Thorn: What-
Fox: Say hello to your uncle, Leia
Little Leia: Hello, Uncle Thorn 👁👁
Thorn: ...
Thorn: Yeah okay that's definitely your kid
(Thorn and Leia are immediately besties)
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Alex Albon as The Hermit:
The Hermit suggests that you are in a phase of introspection where you are drawing your attention inwards and looking for answers within. You are in need of a period of inner reflection, away from the current demands of your position.
This is a call to embark on a journey of self-discovery, embracing our true spiritual self and inner wisdom.
Tag list: @st-leclerc @rubywingsracing @saviour-of-lord @three-days-time @the-wall-is-my-goal @albonoooo @ch3rubd0lls
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DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
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Then employ one of your own superstitions. Wish me luck.
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Part 2. This time its the Tokyo Five (As I named them)
Headcanons in the reblog tags appreciated
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Does
Does Barnaby
Does Barnaby tell the others to get off his lawn when he's angry
psh, who do you think he is, an old man? he'd Bark, like any lively young dog
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Beneath the veil of the Moon, another pair of vows was made. Here we sow the catalyst for a mother's grief. For the Will's rage. For the Queen's madness. Now cometh the Age of the Stars.
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Okay, let's finally talk about EPIC's Apollo
I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.
So really, what my problem with Epic's Apollo?
In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.
What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!
Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.
Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.
In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.
My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.
So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?
The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)
Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.
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tag nine people you want to get to know better!
ty for the tag @myokk and @theladyofshalott1989 !!💖💖
LAST SONG? - i deadass don't know💀i don't really listen to music i just always have streams/youtube vids on (I KNOW IM SORRY DONT @ ME) ....does the baroque noble party ambience i was listening to while working on my oneshot count??? shoutout to that video btw
FAVORITE COLOR? - yellow!!💛⭐
CURRENTLY WATCHING? - i also don't really watch shows💀....do 6 hour video essays on youtube count? in which case i love action button if you haven't watched his stuff (his boku no natsuyasumi video and his tokimeki memorial video are amazing, and his pacman video), and also super eyepatch wolf & hbomberguy (especially hbomb's 'pathologic is genius' video). also i listen to a podcast called '372 pages we'll never get back' that i highly recommend
LAST MOVIE? - 💀💀💀this is just a meme at this point💀💀💀I DONT EVEN REMEMBER....me and my roommate love watching crappy adam sandler movies so probably one of those??? or my neighbor totoro since i forced my niece to watch it 😍
SWEET/SPICY/SAVORY? - SAVORY BABY I LOVE SALT IM A SALT FIEND!!!🧂🧂🧂i put my grubby little hands straight into the olive jar and FEAST...also when i was in uni i used to keep a little ziploc bag of salt on me for when i ate out LMFAOOO and i always steal the salt shaker and bring it to my room and my roommate is always like DO YOU HAVE THE SALT AGAIN???......what can i say i love salt........(tho i still love sweets and spicy foods as well. and im addicted to coke zero btw. my body is comprised of 50% salt and 50% coke zero)
RELATIONSHIP STATUS? - almost 2 years in my poly relationship with seb and clora😍😍
CURRENT OBSESSIONS? - girl do u even have to ask........
LAST THING YOU GOOGLED? - probably timezones for when im talking to mutuals LMAOO...i just like to know what hour it is there
no pressure tags: @the-ozzie @sparxyv @ccelicaa @kaviary-blog @siboom777 @boxdstars @versailles-black @limonnitsa @dwightschrute11 @ethniee @celestinawarlock @moonstruckmoony @syaolaurant @bassicallymaestra @lilac-ravenclaw @vienguinn @noelles-legacy @4ever2000lover @lamieboo @magic-in-onyx
(NO PRESSURE FR FR I HATE TAGGING PPL BC I FEEL LIKE IM BOTHERING YALL BUT I ALSO DONT WANT TO LEAVE PPL OUT AT THE SAME TIME...SO IF YOURE READING THIS U CAN CONSIDER YOURSELF TAGGED AS WELL🧎♀️🧎♀️OR CONSIDER YOURSELF UN-TAGGED IF YOU DONT WANNA DO IT BAHAHA)
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sorry but do you ever think about the fact that the bernard we have today is a direct amalgamation of everything that happened in his past and i know that sound like such an obvious statement to say but it actually kills me to know that you can draw a direct line from who he is today all the way back to that sixteen year old boy who watched his best friend bleed out. like it is the defining moment in his life. it fundamentally shaped who he is and the person he's become. he is the bernard we know and love not despite the grieves shooting but because of it. because the gangs all got together and shot up his school. because tim walked out of that room with nothing but a baseball bat. because his darla got shot. because he watched her gasp and cry as she died. because he watched the blood coagulate around the wound. because he sat there and held her hand as her life drained out of her. because he walked into school that day with a joke he knew would make her laugh and her nose would scrunch up and she'd snort a little and tim would roll his eyes at him and call him ridiculous and instead he walked out with a bloody white shirt, blood under his fingernails, and two friends less. because, even now, almost half a decade out from the shooting, he thinks that if he closes his eyes, he will always be that stupid, scared little sixteen year old, holding the cooling body of dead best friend.
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS]
an unfortunate loss! atleast he has his friends.
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