#and how it's impacting their character journeys

[glow-worms-are-believers]

Stillness in Tremor (dp x dc)

It’s not a pilgrimage, not really. 

It’s a matter of remembrance, Roshanna thinks to herself as she looks down at the grave. The two years engraved on the stone are too close together, and her shoulders slump as her head hangs.

It wasn’t fair that she was the only one to make it out of that stupid car. Not for anyone.

“Are you alright?” She hears behind her and when she turns she finds herself facing kind teal eyes.

“What?” Roshanna says, startled as she straightens up and continues. “Oh, yes. I’m fine.”

“Ok,” the girl says, though she doesn’t move.

Roshanna is unsure of what to do. “Are you looking for something?” She tries.

“No, sorry,” the girl says as she looks away, embarrassed. Roshanna could leave the conversation there and that would be that but something compels her.

“Are you visiting someone?”

The girl’s gaze gains a sad tint as she looks to the side in the distance. “Not really. I’m here to, well, mourn, I guess. It’s complicated.”

Roshanna frowns. “How?”

The girl hesitates for a second before sighing. “The person I’m mourning, they don’t have a grave. Barely anyone knows he died, really.”

The dark-haired girl feels her face twist at that. That seems like a terribly sad thing, that so few people care about the girl’s person. 

“I’m sorry,” she says.

The girl gives her a slight smile, awkward and sad.

“What was his name?” Roshanna asks. 

There the girl’s smile morphs into something fond but bittersweet. “Danny.”

Roshanna repeats it to herself in her mind. Danny. 

“May you rest well, Danny,” she says. Roshanna plucks the wildflower she had put in her coat pocket to press down, and gives it to the girl. “You are remembered.”

The girl’s eyes are wide, and she takes the flower almost mechanically. Her eyes then close back and even though Roshanna is no Virtue, she can practically sense the waves of gratitude coming from the girl.

“Thank you,” she says in the most earnest voice Roshanna has heard. “Thank you.”

Roshanna can do nothing but nod in return.

[aroaessidhe]

2024 reads / storygraph

Walking In Two Worlds & The Everlasting Road

YA sff set in the near future where an opensource augmented reality is commonly used like social media, and there’s also a completely virtual fantasy game version

follows an Anishinaabe girl who who’s the top player in the VR game, and is constantly fighting to keep her place against the misogynist neo-nazi group in second place

as well as her real life, dealing with being a shy and self-conscious teen growing up on the Rez, and her brother having cancer

and a Uyghur boy who’s moved to her community from China after finding acceptance in an online community (even when he doesn’t agree with their more extreme views) - but when he gets to know Bugz, he has to decide who truly deserves his loyalty

great mix of sff and culture, the future while also very real community traumas of the past (and present)

[moonstandardtime]

i want to put link in isat. im sure hed do fine. the heros spirit endures

[sigurdjarlson]

Okay I’m happy it happened but I also think it was poor writing to do it so..soon? The way it was done was just so…anticlimactic.

Like it made me emotional but looking back I feel like it would have had more impact if they did it later and in the meantime actually you know made other characters mourn besides one. Really cement the loss, make everyone feel it and then yay surprise

[tvrningout]

i’ll have y’all know that i was ready to pass out before i saw this silly lil video which made me wanna make a silly lil guy and now we got a backstory and personality and brain rot over a new oc 💜

[takethelx3]

Next month's calendar is ready to go, for some reason July feels like scarab vibes

(under the cut is last month's, since I forgot to post it)

I popped the art out because OH THEY'RE SO CUTE you also will not know these guys, they're older ocs, hehe

[the-monkey-ruler]

Where do people get female from with macaque king because I don’t see it in the hanzi 🔭

So I'm not a linguist but I've been told because 弥猴 / 猕猴 / 獼猴 is connected with 母猴 when it comes to there use in language.

I'm very sorry to say I don't know the history of language or why these two character or so closely tied but I have seen that if you use 獼猴 it isn't too far away from saying 母猴 as well.

And thus connects that it isn't too far to assume 母猴 when reading 獼猴王.

At least that have I have seen it.

And also helps that the Yu translations also see this connection as well.

(Back of the index in Book 1)

And then referenced again in the second book when Wukong is telling his party about his sworn brothers.

I get it if not everything thinks 母猴 when 弥猴 but that is the best I can give you and some links to help show.

I hope that helps!!

[hollowwhisperings]

Multifandom Silliness: Who's the Lan Wangji in this Series/Ship?

if you don't know your Mo Dao Zu Shi (or its sanitised, webseries adaption CQL/"The Untamed"), allow me to briefly introduce him for the purposes of this Silliness:

LAN WANGJI (courtesy name)

gained the title "Hanguang-jun" during a war, in reference to his "bringing hope wherever the chaos is" AKA being The Cavalry to even the most desperate of fights. the title roughly translates to "Light-bearing Lord" and additionally refers to the brightness/strength of his [sword glare] & his white robes.

had been Gay Pining for decades by the start of MDZS: his white robes now a symbol of grief, acting much like a war widow.

the "gay" part was not public knowledge but LWJ is VERY HOMOSEXUAL.

BUFF (& pretty): LWJZ is buff as all heck, nvm what his Pretty Boy reputation might say. he regularly does one-handed pushups, often while writing with that other hand. MUSCLES.

he is a famously talented musician: he uses this to not only destroy evil but also further his Gay Agenda, composing a love song when he was 15.

Poetic License: LWJ relays his observations & opinions very concisely and poetically, signalling his high intelligence & artistry. this is something lost in translation to english, where being concise is interpreted as being somewhat rude & socially awkward.

is VERY petty, if you have the background context to realise his beautiful words are often veiled insults.

"Equals": is Gay for one Wei Wuxian, someone both infamously evil & famously selfless. WWX is unanimously understood as being a genius: their first meeting involved a moonlit duel where both found in the other their "true equal" in every sense, martial & intellectual.

a romantic & an idealist, one who became Jaded but who eventually found his faith restored via...

spoilers: LWJ & WWX end up happily gay married and are very public in their affections.

NOW THAT YOU UNDERSTAND, let's figure out who Else is the "Hanguang-jun" of their respective Stories!

KINGDOM HEARTS: Riku

"Hanguang-jun": not-so much in the earlier titles of KH but, overall & ESPECIALLY as the series goes on, Riku's Strength is depicted as a literal, blinding Light. he also has white/silver hair.

Gay Pining: while not outright stated, context established Riku as 1) Gay and 2) PINING. it's literally a Plot Point (sometimes even THE plot).

BUFF (& pretty): Riku is just that much older than KH's protagonist, Sora, to ensure Riku is considered Tall, Strong & Handsome. the "pretty" part comes from being an Anime boy.

PETTY: before he felt secure & at peace with his Gay Pining, Riku had A Whole Villain Arc because of an Assumed Love Triangle that was not in his favour. he has technically outrgrown this now but it WAS a big enough deal in the overall plot fo be something he Can Never Live Down.

"Equals": the subject of his Gay Pining is thematically paired with Riku at every opportunity. they fight in-synch, their hearts beat in tune, they are sources for each other's Strength.

while never seen singing or playing instruments, DDD features Riku finding & manifesting his "heart song": it doesn't become "music" until Sora does the same on his side of the dream. the song their hearts make together? the leitmotif of KH as a whole: "Dearly Beloved".

Poetic License: Riku prefers action to words but most of KH's theme songs are from HIS POV. another instance of his relaying great depth with few words? Chain of Memories has 2 poems, one to end each "Side" of its story: Riku's poem is VERY WOW.

Riku is, if the above had not made it glaringly apparent, at heart a romantic: he believes in True Love, in legends about paopu fruit & forever, in sacrificing yourself for who you love. this, uh, kind of blew up in his face upon hitting the "edgelord" phase of puberty: fairy tales are about princes and princeSSES, not knights. Riku's idealism made him susceptible to manipulation as those ideals were put into question.

Riku does not currently believe he can have his own Happily Ever After: he has, instead, resolved to ensure that his Dearly Beloved has HIS (even if it's not with Him).

A Song of Ice & Fire: Brienne

"Hanguang-jun": Brienne is considered the embodiment of all a knight should be... were it not for her being female. she "goes where the chaos is" (the Riverlands, where the War of the Five Kings has left the land lawless & fraught with danger) and saves the helpless. in one of Jamie's dreams, Brienne bears a literal sword of light and so turns his nightmare into [an unrealized crush] sign of Hope. she bears a very shiny Valryian Steel sword named "Oathkeeper".

Gay Pining: while Brienne is female & her love interests male, her FIRST love was a gay man & her SECOND love is VERY QUEERCODED. she pines and she pines in a very "it will never be, he'd never feel the same because of who i am, i am devoted even as he knows it not" manner that is Very Gay Pining-esque.

BUFF (& pretty): Brienne is a giant of a woman & triumphed over older, more experienced men in a tournament melee. SHE HAS ALL OF THE MUSCLES. she is not, however, considered "pretty" and her nickname of "Brienne the Beauty" is meant as a cruelty. Jamie Lannister, however, has Accidentally Swooned over Brienne at least thrice (in the books, doing more than just "swooning" in That Dragon Show).

when Jamie is fevered and delirious at being Unhanded, he finds comfort in Brienne singing to him: it's unknown whether her singing was any GOOD but it makes sense that she'd secretly enjoy music (& that this interest was never encouraged in her childhood).

while she is not an eloquent speaker, Brienne is a romantic & an idealist: she has had moments of profound insight. only moments, however: she's never received the kind of privileged education that LWJ had.

"Equals": Jamie Lannister, undeniably.

...ASOIAF is not kind to idealists & unlikely to give ANYONE a "Happily Ever After". that's what Fandom is for: many a "fix-fic" has been written in response to That Dragon Show, and artists have made truly beautiful images showing Brienne with her dreams realised.

Genshin Impact: Diluc?

"Hanguang-jun": Diluc is very deliberately designed in homage to Batman, the Dark Knight... but his Pyro Vision inevitably results in his brightening the night, where he chases chaos & saves others from great peril.

BUFF (& pretty): while Genshin Impact limits its muscular models to NPCs & enemies, Diluc is ALLEGEDLY "buff" and should be so following the logic of his being 1) a former knight and 2) an active claymore wielder. Genshin, as a very anime-game, makes ALL its playable characters pretty: Diluc's 5-star skin "upgraded" his hair to REALLY push that point home, enabling him to reach Peak Pretty Boy.

Diluc, as a fancy rich boy, PROBABLY knows how to play at least 1 musical instrument: Mondstadt's patron god IS an Orpheus Expie, after all. his various VAs have certainly put their musical talents to use, in fancovers or in other series they've worked in.

eloquent & concise: this varies from dub to dub but the Vibe remains, if only for his Blatant Batman Invoking.

just like LWJ, Diluc is a romantic & an idealist who has grown jaded over time.

Gay Pining? the ENG dub, as all english dubs seem to do, translated Diluc's Very Queercoded Word for what one Cavalry Captain Kaeya once was for him into... "adopted brother". in CHINESE, however, similar if not identical words used to describe LWJ & WWX in relation to each other: their vibe is more "Bitter Exes" than the "Mourning Widower" type of Gay Pining exhibited by the others in this list.

Genshin's story is ongoing, Diluc's home region has had its main story on Hold so as to return with Greatet impact. hopefully Diluc won't end up like EITHER of his Creative Inspirations (Batmab & Murata Himeko) when Genshin's main story returns to Monsdtadt & Diluc.

Voltron Legendary Defender: Shiro or Keith?

"Hanguang-jun": as the Leader of Voltron, Shiro brought hope to the universe. he may have piloted the Black Lion but the grey in his hair Sure Did Foreshadow his hair going wholly white (& his ultimately piloting a "white" lion-esque ship for humanity). Keith is ever connected with darkness: he is Shiro's successor in all things but ever walks in his shadow (very much deliberately).

Gay Pining: Shiro is the character "canonically" gay but it's KEITH who exhibits all the Trademarked Characteristics. Keith has a Dark Phase about his gay pining. Keith accepts his gay pining during his attempt to redeem himself. Keith resolves to ensure his beloved's happiness, often at the expense of his own. Keith spends the entirety of Voltron (epilogue included, ouch) screaming "i am a gay widower whose love died unrealised & now i fight about it".

so it turns out that deep space astronaut training &intergalactic warfare don't give you much time to showcase any musical talent you may or may not have.

Poetic License: as leaders, both have their moments of profound, concise wisdom. Keith is angstier about it though.

"Equals": Keith & Shiro start out on UNequal footing but, during the series itself, Shiro attempts to make Keith his successor for his (believed) inevitable demise: Keith spends his time metaphorically kicking and screaming that NO DYING ALLOWED, the two eventually compromising by BOTH of them taking up leadership roles. all the space/time shenanigans ALSO, incidentally, enable Keith to pull a "not a little kid anymore" on Shiro, cementing their new status as "equals" (again, forget S8).

Buff & Pretty: as anime boys, both Keith & Shiro are Pretty. as an astronaut-turned-supersoldier, Shiro starts out BUFF. post-Space Whale family reunion trip, Keith becomes "buffier "but remains very much in Pretty Boy territory.

Romantic Idealists: Shiro was his academy's Poster Boy for a REASON. Keith screamed of "i am angsty because everything i've dreamed of has died" but seems at least 25% returned from the side of cynicism by the end of Voltron (in s7 because, as above, There Is No S8).

[watchmakermori]

the lantern rite epilogue really was the funniest shit. the absolute hilarity of two millenia-old gods sitting at a dinner table pretending a) that they aren’t gods and b) that they have never met. another minor god is also there and he also has to pretend he’s never met them, despite him oweing his life to BOTH of them. truly peak comedy

also watching the OG scrunkly (xiao) actually go to a social gathering two years after the first lantern rite, when he wouldn’t even set foot in the liyue harbor, made my heart feel so full

[kingslayerstew]

when the. ww

(frothing at the mouth) huge spoilery ramble in tags

[snorlaxlovesme]

seeing people give Pokemon Journeys really mid reviews after all the shit they gave Sun & Moon for literally just having Ash’s face look A LITTLE ROUNDER makes me so fucking feral

[protect-namine]

when I think I can't love albedo kreideprinz genshin impact even more, I remember that he wears stockings and I just love him even more for that

[tyrantisterror]

There's a tweet that's gone viral where a person laments realizing that Star Wars "ripped off" Dune, and how learning all the elements Star Wars took from its inspiration tainted it. And I think it shows how poisonous the emphasis on originality in art can be. Because yes, it's wonderful when art makes something new, but it's also wonderful seeing how art plays on what came before, and the conversations it has with its predecessors.

There's going to be a lot of people talking about how much of an impact Goku from Dragon Ball Z has made on fiction in the wake of Akira Toriyama's recent passing, and all the characters who were inspired by him and his story. But Goku himself is derivative - he's inspired by the Monkey King from Journey to the West, one of the first novels ever written. He's far from the first character inspired by the Monkey King, either, and also far from the last.

None of this makes Goku's impact any less than it is. None of this decreases how Goku's story has inspired countless imitators. Just as Toriyama created a new icon from imitating what he loved about Journey to the West, so did Toriyama inspire countless artists to make their own iconic works with his take on the Monkey King's archetype. Goku is, in many ways, the heir to a legacy that spans back to the 16th century, and likely beyond - because I doubt the original Monkey King was formed in a vacuum.

We're taught to think that originality and imitation are opposites that cannot coexist, but they're not mutually exclusive. One can follow in another's footsteps and still take a new journey with its own unique twists and turns. The great works of art are not spawned in the absence of inspiration - they are in conversation with what came before and what will come after.

[allisonreader]

Whenever I read Hard Enough Left, I am struck once again by how much I love this story. When that feeling strikes, it always takes me a little off guard by how strong it is. I always know that I love this story, but why it always strikes me hard that this is why I love this story.

I don't know that I can ever fully articulate how much I love Hard Enough Left (and all of the related stories, starting with Life's Highway which started it all) and how much they mean to me. Both of these stories are comfort stories. I read pretty much all of Life's Highway last week when it was such a hard and sorrowful week for me.

I admire the writing so much and honestly wish that my own writing could be half as inspiring as I find @nurfhurdur 's. (And it has done a lot of inspiring for me over the past few years.) The sound and flow and even the details are all something that I wish I could do. Though my particular voice and turn of phrase seems to be pretty set already as in comparing older and newer stuff.

I love Hard Enough Left enough that I want to share it and recommend it to everyone, even if they don't care one whit about Pixar's Cars or racing history. One day I want to get my parents to read this story. I want to share it with my boyfriend. I want to make or have an audio copy so that I can listen to it while driving up to the lake or when visiting my boyfriend.

I love these stories as much as the two movies that they are inspired from. (Which I also had just watched again and had that same feeling of "I love this so much, it feels like home.")

I'm also so grateful that I have been able to play with your OCs and get to share what I have done for playing with them, with anyone who will listen. I always hope that I do them the justice that they deserve, as I do my writing out of love.

[largishcat]

I’m not sure exactly how to articulate it but—there is this bizarre base assumption i see from people discoursing about children’s media, and that’s the assumption that children are somehow unfamiliar with negative emotions. Like, maybe you’ve managed to completely forget your entire life before you turned eighteen, but kids spend a lot of time being hurt, and scared, and angry. A lot of people had terrible fucking childhoods, and a lot of kids are having terrible fucking childhoods right now. When i was a child, and i read books where bad things happened to kids, that was in no way shocking to me, i already knew bad things happened to children. It made me feel more connected to those stories, not less, and it made it more impactful when those child characters overcame it all in the end. That’s important for children. A lot of them are in desperate need of a little hope, and they aren’t going to get it from nothing stories with no conflict. They put conflict in children’s media for a reason

Also i see some of you handwringing over child protagonists going through, like, the most basic hero’s journey. Please, for the love of god, realize that you as an adult are going to understand children’s media differently than the actual kids it’s intended for. Because you’re all grown up now, you aren’t going to be able to relate to a child protagonist. You’re going to see a child in danger. The children the story is meant for are going to see a kid like them who is able to face hardship and triumph

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.