#and i have most main bits planned as well so its mostly planned out. just. writing. its hard when i dont know if anyone is interested

[the-kipsabian]

hey. immortal fears

on the sideblog

on ao3

[rubysparx]

Honestly I don't think I'm qualified to make this post, I just don't know if I can make coherent enough words man. But the thoughts are in there and I will try to articulate them. This is probably going to be mostly images though. anyway yeah KABRU POST.

A couple nights ago (at approximately 2:30am, lasting a little over half an hour) I had a bit of a moment about Kabru. That, too, was mostly images- most of what you see in this more concise post were presented then as well. I think my main points of the "moment" were about Kabru's trauma + self hatred, his autism and/or general otherness, and also a little labru if you'd like..

I think something easy to start with is I wanna point out Kabru's constant back and forth and conflicting opinions of demihumans and how, I believe, thats a reflection of how he goes back and forth on what he believes his purpose of living is- and the general worth of his own life. I've said it before and i've just kinda shown it in images; Kabru is "i think im a monster and it disgusts me" where Laios is "I know im a human and it disgusts me" (i could go more into the latter on another post)

the above are both from the world bible, with the left being from the section on kobolds and the right being from the section on Kuro specifically. Utaya was very near to the desert where most of the kobold population is, this is likely why Kabru is able to speak Kuro's language- he grew up around demihumans. (chapter 48 cover, kobold chapter in the world bible) I won't try to speak for how his mother or the rest of utaya felt about the kobolds but I can say that Kabru was very much othered as a child, as was his mother, purely for the way her son's (kabru) eyes looked.

I feel like its fair enough to say that both kabru and the kobolds were othered, and possibly for similar reasons (villager's seeing them as nonhuman, as monsters) and the fact that Kabru learned their language probably didn't help his case. I think his perception of kobolds (and all demihumans, subsequently himself, as he probably still views himself as nonhuman or not human enough.. deep down) was damaged by the Utaya incident. at 2:30am when I first started this ramble my main comment was that "had the utaya incident not happened kabru would have little reason to feel ashamed for his connection to monsters. and may have ended up similar to laios in that he couldve had otherkin swag" which is just a sort of silly way of saying Kabru could've learned to love the thought that he is possibly nonhuman or at least not hated himself so much for it.

in the original ramble I said, and quote, "he has been STALKING laios. laios is his hyperfixation to learn how he can ever be loved. he keeps going back and forth so harshly on wether or not he wants to kill Laios and he clearly sees his survival from utaya not as an unfortunate trauma [*] but as a necessary, deserved fate. a punishment for his mother's witchy sins, and for his sin of being non-human. to atone for it all, to apologize for being alive, he tries to better the lives of all humanity. He was set on his way to dethrone the governor of the island . do you understand? im going insane" *i also said somethings about the way he processes other people's traumas and not his own. He's able to understand and even help some people, but he struggles to process his own issues and see himself as worthy of love and life.

^some examples of Kabru being understanding of or helping others who have suffered greatly. I think its also worth mentioning that with Rin (called "Lynn" in that translation) he says "I wish there was a way to get her out of this" though he's insisted and pushed for himself to go into a dungeon;

In chapter 94, Mithrun says "The desire I had left wasn't revenge. All I wanted.. was for it to finish devouring me." and I don't feel like it's a stretch to say Kabru was in a similar situation. Mithrun sought out the demon with no plan on how to kill something like that because deep down he wanted it to end his (Mithrun's) own life, to finish the trauma it caused and kill him. I think Kabru went into the dungeon in part with the hopes that it'd kill him. That the same thing that destroyed Utaya and caused him so much trauma would just.. finish him.

I just think Kabru is a beautifully complex character, I have a lotta thoughts on him and I don't see nearly as many analysis posts for him than I do Laios (despite labru being such a popular ship)

there is no tldr for this post idk how to summarize it. do what you will with this collection of images. have fun. go crazy

fun fact the woman in the bottom left corner is his mother, she is labeled here as "witch"

[noodlesarecheese]

So Watcher is launching a Dropout (it's not called Dropout but they're clearly using the same template format platform thing idk what it's called, and the same pricing structure), and the reaction so far has been wildly different than what I remember from Dropout's launch. I was curious about why that was or if I was just misremembering the Dropout launch, so I went back to the Dropout launch video to compare them and I think I can see where some of the difference is coming from.

If you want to make the comparison yourself: Watcher's Video, Dropout's Video.

I wanna clarify first though that this isn't a knock against Watcher or the fans who are reacting one way or another or anything like that, I genuinely am just fascinated with how different the reactions are to what seems to be the same business decision. This also isn't a 'wow watcher sucks and dropout is so much better' I'm just using them for comparison because they did the same thing with different results. ALSO this isn't about the business decision itself, just the presentation! Disclaimers out of the way, here's the analysis.

Title and Thumbnail So the Watcher.tv announcement video is titled "Goodbye Youtube" and the thumbnail is Ryan, Shane, and Steven sitting on a couch looking serious, with a dark background. That really makes it seem like they're quitting (which, ok, they are quitting youtube but not quitting quitting). Viewers are already primed to be upset, and it's easier to go from upset to angry than upset to excited, curious, or neutral.

Compare to the dropout announcement video: "How the Internet is Ruining Comedy" - inline with other collegehumor video titles, might make you curious. Thumbnail - Big News! with Sam smiling and a bright background. We know its big news, but he looks happy, and the exclamation point let's us know they want us to be excited. Viewers are primed to be curious and excited.

Tone The Watcher announcement has 2 main tones. The first half is very sentimental, almost sad or wistful at times, and while there are parts that veer into pride at achievements, it's mostly bittersweet and sentimental. The second half is a bit more uplifting, but still quite serious. It reminded me of a tech announcement, like when they introduce the new iphone or something like that. Very professional, sleek, and serious, which isn't automatically a bad thing! But I do think that's not the vibe a decently-sized chunk of the audience expected or wanted. Many people watch Watcher for the cast's dynamic with each other, humor, and the more relaxed/conversational/friendly feel that most of the series have.

Compare to dropout - excited and comedic tone. Still professional, but also fits the expectations of the viewers. People watch collegehumor for the humor (it was in the name, after all). They also poke a bit of fun at themselves, which lightens the mood, shows self-awareness, and alleviates some of the bad feelings about paywalling.

Focus The Watcher announcement focuses a lot on the creative journey of the cast and company, as well as how this move will benefit them. Which isn't a bad thing, that's actually quite interesting! The problem here, I think, is actually more about what isn't here - a solid explanation of how this will also benefit the viewers and why the viewers should be excited. There's a brief description of one new show, and the promise that existing shows will get an upgrade, but we weren't given many specific details about how they'll be improved, and there's only one new show to tempt us into subscribing. Some people will be excited for that, some people won't, and some people will be excited but not enough to subscribe. Having 2 or 3 series (even if it's 1 fleshed out plus a few teasers of what's in production or what is being planned) plus some more details about how existing shows will be improved would've helped. Without that, it really does seem like it'll just be the same stuff viewers were getting for free, but now paywalled, rather than new and exciting stuff. That makes a big difference. I think with the fans not getting as much focus, this also led to some (accidental, I hope) hurt feelings. Based on what I've seen from fan reactions, all the talk about hitting the peak of what they can do on youtube and wanting more, translated for many people to 'youtube isn't enough' which became 'you (the current viewers) aren't enough.' Which I don't think was their intent! But I also don't think fans are wrong for feeling hurt by that.

Compare to dropout: They clearly explain how the move will benefit fans, and reassure viewers that existing content will stay where it is, and only new content will be behind the paywall. (Watcher clarified this too, but in a comment. It's not in the video itself, which is a huge problem.) They include clips of several new (at the time) series that would be premiering on dropout, including things that specifically could not be made on youtube (due to weed, violence, and sexual humor), so the reason for the shift is clear to the audience.

Advertisers Both videos contain the sentiment that being monetarily successful on youtube means working to appease the advertisers, and that over time what the advertisers want and what the creators want drifts further and further apart, putting strain on the creators.

However, I think the message gets lost a bit in the Watcher vid. Instead, it leaves viewers with the idea that the main problem is just ads are annoying instead of advertisers putting constraints on content. I'm not even sure what the specific constraints are for watcher, because they didn't give any examples. And the focus on ads being annoying leaves viewers frustrated because people typically either don't mind ads or they already have an ad blocker.

Timing and Size Okay, this isn't exactly about presentation, but it is still a factor that impacts perception so I'm tackling it. And I'm actually going to do dropout first. CollegeHumor launched dropout in September 2018. Pre-pandemic, but also pre-Sam Reich as CEO. The company was still owned by IAC. It was a Company, and while it wasn't huge it wasn't tiny either. So launching dropout was a Company Decision, a Business Strategy. Some people were upset about, but it wasn't a personal betrayal (generally, anyways). If I remember correctly, this was also not a high point for the company. They kinda needed dropout to do well to keep things running smoothly (which is why they shut it down and sold it to Sam just 1 1/2ish years later), so the sudden shift made sense.

Watcher Entertainment is a company, but it doesn't feel like one. Ryan, Shane, and Steven own and operate things, but they're also the faces, and they're youtubers. Which makes every business decision they make feel more personal to viewers, especially those who have been watching for a long time. They've also seemingly been doing well on youtube, which makes it more difficult for viewers to understand why the sudden change is happening now. They do talk a bit about it, about the company expanding and wanting to do things that advertisers don't like (which I've already covered). However, mostly the choice to start a streaming platform is framed as 'the next big step' without much clarification on why it's the next big step. Plus, it's post-pandemic, and a lot of people are still struggling financially with the ripple effects of that. Yes, $6 isn't a wild amount of money, but there have been some months where $5 absolutely meant the difference between paying all my bills or not, and I know I'm not the only one. This, coupled with a lack of clarity about why exactly they're doing this, leads to fans feeling hurt, betrayed, bitter, and frustrated.

Now, presentation and framing isn't everything. No matter how perfect your announcement is, some people are still going to be upset. It's a big change, of course people will be upset! But I do think a more careful presentation would've alleviated some of the hurt and anger that fans are feeling. While I do think a lot of the reaction we're seeing is due to the decision, I think (based on what I've seen) that some of it is also based on the poor communication in the video itself, and that could've been avoided!

So I'm gonna get a little speculative and describe what I would've done. In this hypothetical, they've decided to launch the streaming service and brought me on just for the announcement.

Firstly, switch the title out. If they're married to Goodbye Youtube then add a (and hello...?) after so it's at least obvious they aren't fully quitting. The dark color scheme of the thumbnail fits their regular vibe, but they want everyone to be excited so they should look excited. Next, let's lighten the tone up. Being proud of what they've done so far is great, but we don't need the sentimental music and bittersweetness. Remember, the goal is to get viewers excited about what come's next - so let's focus on what actually comes next! Talk about specific show plans and mention why they wouldn't work on youtube. Then, take some time to reassure the fans. Predict a few likely worries and address them in the video. Acknowledge that it's a big change, that it will take time to get used to, and that not everyone will be onboard, and let the fans know that it's ok if they aren't onboard.

Like I said, this wouldn't fix everything. There are a few differences in between dropout and watcher that don't have anything to do with presentation. Dropout launched with primarily new shows rather than new seasons of existing shows, and they continued uploading to youtube relatively regularly in addition to the content behind the paywall, which I do think went a long way to keeping fans happy. At this point it's unclear if watcher will do either of those or not. But, while I don't think it would fix everything, I do think improved communication in the announcement would've helped.

[cookeybg]

Unexpected Cohabitation a JonDami fic

Before we get to the story I have a few words to say...

First of all, Hello!

Not sure if this will reach anyone, but I had an itch to write, so I did. I almost never post anything. I have reposted a couple things but I'm mostly a lurker and enjoy others creativity and thoughts, I like to think of myself as a cat with few brain cells.

Anyways, I read a manga YEARS ago and enjoyed it greatly and thought to myself, "Wouldn't it be funny/interesting if Jon and Damian were stuck in this situation?" Let's see if anyone eventually gets what manga I was reminiscing.

Now, this is the first time I've ever posted anything I've written and I am not confident AT ALL if this is going to be any good, but I really hope someone out there enjoys reading it as much as I've enjoyed writing it...Also not sure if I should post it on Ao3???

Well enough of my ramblings on to the story.

Title: Unexpected Cohabitation

Main Characters: Jonathan Kent and Damian Wayne (some of the others show up too, the list is too long)

Eventual relationship: Jonathan Kent/Damian Wayne (my fave)

Stuff to know: No capes, reverse robins, high school AU, no smut, no Brucie Wayne, I know nothing about sports but it will show up, (aaand I think that's it, will add more if it comes up)

Part 1 - Chapter 1

Jon placed his lunch tray next to Kathys’ as he discreetly looked around the lunch room trying to catch a glimpse of his crush. He had only briefly seen him at the mall during summer break and in a panic hid from him behind a rack of clothes. He had regretted not saying hello and had daydreams of himself going up to him, all cool and complementing the brown eyed boy’s pink fluffy hair and then asking him out to watch a movie at the mall theater. Sadly, the daydreams would come crashing down when he remembered his mother placing shirts in front of him and trying to measure him up before heading into the dressing room. It’s not that he was embarrassed of his mom its just, he was wearing sweats and an old hoodie since none of his clothes fit him anymore due to his growth spurt and, well, his mom could be a bit much, sometimes. Throughout the whole shopping trip when she would meet an acquaintance or friend she kept gushing about how quick kids grew and how she wished they would just stop sometimes. Jon would have to bury himself if anyone from school had been exposed to that.

“Looking for Jay?” Kathy asked. Jon looked at Kathy like a deer caught in the headlights and immediately turned red. He sat down abruptly causing his tray to nearly tip unto him. He scrambled to right his milk carton before it fell. Once settled, he sighed and mumbled, “That obvious?” Kathy smirked and bit into her carrot stick making a loud snap. Jon squirmed while opening his milk carton, he took a big swing, pointedly ignoring Kathy’s stare. “Why don’t you just confess?” Kathy asked. “Confess?” Jon spluttered, “He doesn’t even know I exist!” “Jon, you two were in the same history class last year. He knows who you are.” “Yeah. But we never talked.” “Then, how about you talk to him?” That would be so awkward…” Jon bit into his chicken strip. Kathy rolled her eyes and sighed in exasperation. Jon smirked and leaned in conspiratorially, “But I have a plan.” “And that is?” “I’m joining the journalism club.” “What!” Kathy yelled in surprise and then moderated her voice when some people who she startled glared at her, “ I thought you were going to join the baseball team this year, since, you know, your not in a cast anymore.” “The doctor has given the all clear and physical therapy is all done. The doctor was very impressed with how quickly I healed.” “Will they even let you do both clubs?” “Yep, I asked!” Their conversation was cut short when a murmur spread through the cafeteria like a wave. The main players of the baseball team stepped through the open double doors, all nine wearing their letterman jackets. In the lead was the most popular guy in school, Damian Wayne. Whose father was nicknamed the Prince of Gotham. Who in turn married an actual princess from some far off land, giving Damian actual royal blood. Girls wanted him and guys wanted to be him, but from what Jon had heard, guys wanted him too. Damian’s bright green eyes stood out against his brown skin, his gold earring glinted under the florescent light. He scanned the cafeteria with what looked like a sense of boredom. Colin, Jon called him Damian’s second in command, had one arm casually draped around Damian’s shoulders gesticulating wildly with his free hand. The group laughed at whatever the Colin said, but Damian only smiled as he started walking towards their unofficial table. Colin and the rest of the group broke off shoving and cracking jokes at each other while making line to pick up food. Kathy whistled beside Jon, “Now he’s someone who doesn’t know you exist.” “He looks and probably is, conceited.” Jon said offhandedly. “Look at him, he has reason to be.” “Doesn’t mean it’s cool.” “Doesn’t mean he’s not hot.” Jon turned to look at Kathy, but she wasn’t paying attention to him. Instead she was looking in Damian’s direction. Jon looked around and noticed that many were doing the same. He dragged his eyes back to look at Damian. The dude sat straight backed, elegantly eating his homemade meal from some fancy lunch bag that was probably more expensive than anything Jon owned, and scrolling on his phone completely ignoring the many eyes staring at him. Colin returned with the rest of the group nudging Damian and dropping his lunch tray with a loud smack, receiving an unimpressed glare in return. Colin smiled and placed a fruit cup in front of Damian. Jon personally didn’t get the allure. The couple of times he had seen Damian interact with others it was usually acerbic. Somehow that did not lessen his popularity and it left Jon dumbfounded. I good person should be good to others and being polite was a given, his Grandma said so and she was never wrong. Jon shrugged and went back to eating his school lunch. The rest could keep Damian he very much preferred Jay.

I hope you enjoyed it! Will post more soon, hopefully.

[destinygoldenstar]

Ninjago Dragons Rising Season 2 - Is It Good Or Nah?

So, I'm late to the party, aren't I?

Well I've had so much work that I think I'm having an existential crisis. So I had to wait till I had a free day to watch this season because I wanted to watch it with my GF.

We got to Episode 6, and then what did my boss do?

Slap me in the face with long work hours several days of the week.

I feel like I'm in a spiral of work after work after work with no purpose to life besides failure cause I can't trust myself to be capable at anything-

ANYWAY. We finished it now.

You know what the insane part about the season is? That it got the show trending on Tumblr.

That's an INSANE level of hype right there.

So I seriously had to ask myself "What the actual f**k happened in the show that caused THIS much hype?!"

So... here are my thoughts on the season.

SPOILER WARNING

Okay, so this may be a factor of my judgement, but due to my schedule, I was forced to watch only 6 Episodes one day, and then the last 4 Episodes today. Keep that in mind.

When it came to the first half of the season, was it good?

Yes. Obviously.

Was it living up to the insane level of hype?

Uh... not really for me??

Now, don't take that as a negative. This season is still REALLY good.

After the first season took awhile to get started as it needed to set up its characters and this new world, it makes sense for this season to throw the punches immediately.

The season gets started with its main plot right away with Ras immediately putting his plan into action, and by Episode 2, it's very clear the threat level he opposes and it's believable that we should be intimidated by what he wants.

Even though in Episode 2's fight, while AMAZINGLY choreographed, I was just screaming at the screen "HIT THE PERSON HOLDING THE GONG."

Like seriously, more than one of the characters in this fight can use projectiles with their powers AND they have a blaster in the Bounty, and the show never says that Ras has some sort of armor defense preventing him from getting blasted. He's literally standing out in the open. And the gong is clearly what's giving Cinder power. So HIT THE PERSON WITH THE GONG.

GOSH.

Anyway, that's not important. What's important is that this season's fight choreo is genuinely AMAZING. I am obsessed with the way the camera moves with the characters in these fights you have no idea. I was genuinely blown away by the last episode's fight in particular. But more on the ending later.

What also shocked me was how BRUTAL some of the stuff that happens here is, which caught me off guard.

I mean, Episode 2 has Euphrasia getting ambushed and crashed off the Cloud Kingdom with clear injuries, and Wyldfyre getting her leg SHATTERED. Like, WHAT?! HOW OFTEN DOES THAT HAPPEN?!! (Even though the latter's healing was unrealistic. Like, it would realistically take months for an injury like that to heal. Not a critique, just saying.)

Ras body slams Jordanna at one point. He puts Arin in a CHOKEHOLD. And also beats him up so brutally... like OMG this guy does not mess around.

The Fear Cave Trial also REALLY got me tripping. Not only was it such a visually appealing moment, but it also, as the same suggests, showed several character psyches that were insane.

Except Kai for some reason. That's gonna drive me NUTS until I get an answer. WHAT DID HE SEE-?!

Then we get to the dragon mentors, and...

Yeah the season kinda loses me in the middle.

Don't get me wrong, I love the character bits here as much as anyone. But with how dyer they made the threat of Ras before, Ras and his forces take a backseat in the middle portion of the season and we're mostly just sitting at these training grounds talking. And for four episodes of it? It's a little grating, even if it is important.

The middle is mostly where most of my issues with the season stand. And here's where I get all my negatives out of the way:

Like I said, because this season is so long, there's an awkward pause in the conflict on the dragons plotline to learn this Rising Dragon Technique. Which I wouldn't mind if it wasn't FOUR EPISODES of it.

With the exception of the attack at the Land of Lost Things ONCE, Ras's army doesn't go after the ninja at all. I can kinda get the dragons group since they didn't have Bonzle, but he has to know that they ARE a threat, right? They're obviously trying to figure out how to stop you.

And even with the group that has Bonzle, what they NEED, the forces that go after that group is the Administration and the one off magician man villain, the former really didn't need to be in this season even if it was for a compelling Jay cameo, and the latter has overstayed his welcome at this point and I just rolled my eyes when he showed up on screen.

I'm all for Cole being a badass as much as the next guy, but WHY this magician man, who at this point, is so disconnected with the main antagonistic forces that he serves no purpose?

Why not, I don't know, use this screen time instead to explain what in the world happened with Cole when he left?

Seriously, the first season had this huge cliffhanger with Cole's character and him going after Wu's ghost. I wonder what's gonna happen to him and what he's gonna find out-

Oh. He's just back.

That to me is a huge disappointment. What was the point of him leaving the Lost Family in the first place if this journey was basically nothing? He doesn't even talk about it! COME ON NOW.

Also I think Zane should get slay pass on the Administration guy that called him equipment. What do y'all think?

I don't like Egot. Or whatever his name was. He's very condescending and cryptic and talks down to his only hope of the world being saved. But I think I'm supposed to dislike him for it, and there's gonna be more of his characterization revealed later, so don't take this one as a critique. The female one is great though.

The sorceress lady was... a choice in the narrative. My one critique for the ending was the potion shenanigans. Not because they were bad, but because they just felt so out of place among everything else. Like, "Oh, this finale is too dark and intense! We need to occasionally cut to wacky shenanigans with this sorceress's magic to prevent kids from feeling too much dread!"

I don't know, for me, I would've placed this stuff with the Administration instead, and instead have the group fight Jordanna, lose, and have her get away and flow that to Arin getting to her. Especially since the Administration posed such little threat to them and they even say such.

(I also have a theory that this sorceress is Wyldfyre's birth mom. I have no evidence to back this up besides "They both have red hair and similar facial structure")

With Cloud Kingdom getting taken over and Euphrasia captured, I thought she would have more of a role to play in this since this is, you know, her HOME and she's their guardian.

But nope. She does next to nothing up until the very end and plays prisoner and waits for the ninja to save her.

For gosh sake girl, you're the master of wind. FLY.

And finally, my last critique, Cinder.

Yeah I'm sorry, I'm not buying this character so far. Not that I don't think he'll have anything to do in the second part, but for how threatening he was in Episode 2, that threat level kinda vanishes in the middle and only comes back at the end. He does next to nothing and we learn nothing about him other than "He likes power". Jordanna is probably more unlikeable, but at least she has conflict going on with Ras and her magic, and she still serves more of a role in the plan besides being a foot soldier.

And... yep. That's all my critiques for this season. Which all seem pretty minor.

You know what this season is real good at? Characters.

As though that wasn't obvious already.

I did NOT expect Bonzle to play any major role at all, I thought she was just gonna be the dry and cynical side character. But no. She has a history. She has a life. She has emotions. All of which REALLY shine through at the end when you hear her voice have more range in it. The VA killed it. I ended up feeling so bad for her.

Especially considering what happens to her.

They're also not even hiding it anymore with Geo x Cole. They're just NOT. I love them and I hope we see more of their relationship in the future.

I genuinely don't understand the critique of "Geo is so selfish referring to him as Cole's family when it's obvious Cole has other people in his life."

Well no shit, you ever heard of a character flaw?

But it's also a completely understandable flaw. You guys aren't forgetting the part where Geo was abandoned for being a mixed race, right? Of course he's gonna cling to someone as compassionate and encouraging as Cole.

The Jay cameo was nice. I expect him to play no role in this season, but it's really compelling what they showed and I was satisfied with it.

Lloyd's conflict was handled very well in my opinion.

What's it called when it's PTSD, but it's about future events rather than past events? Foresight Traumatic Stress Disorder? FTSD? Yeah let's go with that.

For a kids show that glosses over trauma, (That's not a Ninjago problem, that's a kids show problem), it was really refreshing for them to not do that for once. It's actually explored and talked about and Lloyd is given advice on how to cope with it, and he freezes up in panic attacks when these visions happen and-THANK YOU. THANK YOU FOR NOT IGNORING HOW HARD SOMETHING LIKE THIS IS.

Seriously, as someone who is going through stuff like this, minus the magic element, it spoke to me a lot. It really shows that this show grew up with me, and I both love and hate that.

I do think this sort of arc is going to hit hard for adults much more than kids.

Are kids constantly terrified of the future and getting paralyzed with these fears and finding it difficult to cope with the traumas that is time and human life?

No?

Kai is also a standout in this, especially towards the end. This is by far the best Kai has been in a long time in terms of quality. I love how one of his most significant flaws gets addressed here, that being his overreliance on himself and his own abilities over the others, who he feels responsible to protect.

And the way he grasps with that and learns to let loose like he did as a child back in the old days through what he loves the most, that being his family. And the flashbacks with him and his sister. And the whole sequence of him learning Rising Dragon - AUGH ITS SO GOOD.

How poetic is it that the character most devoted to family since childhood is only cocky and angry because of his own desire to be the one with power to keep them safe, gets power by letting that go, being a kid again, and joining the same roots as his own family?

AND THEN HE GIVES UP HIS LIFE FOR THEM-

And finally, Arin.

Oh you poor sweet, sweet child.

First of all, yes, I am completely subscribed to the theory that the show is building up Arin turning on the ninja and becoming a villain. It's all there. It all fits. The amount of times they say how sweet he is as though that's gonna get lost. The dragons, the creators of the world, the gods basically, telling him he's not good enough. Ras confronting him. Sora's stunt even after she's been the most encouraging of him, like the BETRAYAL there. It's all there. And I will be posting my theory scenario on this don't you worry.

BUT, I don't think that's the route they're gonna go. Kids show and all of that. They wouldn't do that to one of their main characters. Unless you're Star Wars. At most I think Arin will be tempted by Ras's master's power in an episode and even do it, but then with the power of love and friendship, it'll get fixed.

So instead I'd rather say that Arin, by far, has the BEST power crisis arc of the entire show so far.

I LOVE that he doesn't get powers. That's something the original show would've done. I LOVE that he doesn't figure anything out in the end and his inner doubts get proven correct. That's something the original show would not have the guts to do.

I liked Arin in the first season, but he didn't interest me too much. Mostly because Sora had the lion share of focus in the first season. Here though? He might just take the crown for THE most relatable character. And I both love and hate it so much.

Like, seeing everyone else succeed in mastery while you can't even figure out your own thing. You get told you have a natural talent and a lot of potential and that you're good at a lot of things, only for that to be put to the test in the real world and you end up letting everyone down. Even when your loved ones encourage you that you are good enough and you're special in your own way, you can't get those voices out of your head and you mess up again and again and again to try and meet the world's expectations. Then those in charge tell you you're not good enough and wasted potential. Then you try everything out in the real world anyway and you FAIL, and those that doubt you and your own insecurities get proven correct as you're left a broken mess of a young child who doesn't know what the hell they're doing-

I'M IN THIS SHOW AND I DON'T LIKE IT.

I probably love Sora more as a character, but I will admit I grasp towards Arin more right now. Sora's a great trans allegory in a world that hates trans people. But I'm not trans so I relate to it a bit less. Arin's a great autistic allegory in a world that doesn't know how to help autistic people. And I am autistic so I relate to it more. That's just a me situation.

I am so invested in where Arin's story goes from here. Evil or not.

So yeah, the season was good, but didn't completely live up to the insane hype, which, to be fair, is a high bar.

UNTIL THE LAST FOUR EPISODES.

And then all of a sudden, I AM SHOCKED AND SHAKEN TO MY CORE.

These last four episodes are an absolute emotional roller coaster that left me shaking and screaming the whole time.

I actually SCREAMED at multiple occasions.

I actually screamed so many times watching this that I am now HOARSE.

THAT'S how hard it hit me.

The story goes from 0 to 100 the moment the Blood Moon shows up. Which was what the whole season was building up to. And it did NOT disappoint.

The race to try and protect Bonzle. The intense visions and paralysis Lloyd suffers from. Ras and the army coming back to the plot to be absolute powerhouses. The last episode of DREAD the entire time to desperately try to stop this ritual.

HUMAN SACRIFICES?! AM I WATCHING A KIDS SHOW RIGHT NOW?!?!

I was begging for Arin to succeed at getting Bonzle to safety, even though I knew he stood no chance against Ras. "Come on Arin! You got this!! YOU GOT THIS, SWEETIE!!"

And then Ras just goes to TOWN on the poor boy and taunts his utter failure, which HURTS SO BAD MAN.

The entire fight with the army, Cinder, and Ras. The destruction of the mechs which knocks them unconscious for a bit. Kai figuring out Rising Dragon again when his family gets put in danger. The way Nya avenges her brother afterwards.

When Bonzle was getting morphed back into spell form, BEGGING, I was begging too.

But they still do it!

And KAI?!?!

I couldn't even process what happened other than me screaming. From the moment Ras alluded to sacrificing Kai against his consent, I was screaming "NO. DON'T DO IT."

AND THEN THEY SACRIFICE HIM.

LIKE HOLY GOSH THIS FINALE DID NOT MESS AROUND.

I predicted a while back, in the first season actually, that Kai was gonna get sacrificed at some point. Who's laughing now? I DID NOT WANT TO BE RIGHT.

Like, usually in Ninjago the character would be willing to sacrifice themselves for the others. But here? This is without Kai's consent at all. Ras might as well have killed him right here.

It definitely felt that way with the way the others react and BEG for his safety. The way Nya avenges him.

And Kai giving up his shot at escape for the sake of his family? BRO. WHYYYYYYYYYYYYYYYY

It hurts even more when you realize that when the Merge happened, Lloyd was ALONE thinking only he survived. He only gained hope again because of his reunion with Kai. His beloved surrogate brother!

AND NOW HE'S GONE.

NYA AND LLOYD LOST THEIR BROTHER.

WYLDFYRE LOST HER SURROGATE FATHER.

THEY THINK HE'S BASICALLY DEAD.

BRO. THAT'S SOUL CRUSHING.

And then Sora?! Why you gotta betray Arin like that?!

The most encouraging friend towards Arin, the person who held onto hope and praises for him the most, betrays that hope and doesn't trust him enough to get the winning blow himself. Then LIES about it.

GIRL. WHAT ARE YOU DOING?!

That's going to be SO compelling once that gets outed. Like, morally, that was messed up and she was definitely in the wrong, BUT it led to the best possible outcome for them at the moment. They WON because she did NOT believe in Arin's abilities. Which only proves that the doubts about Arin's said abilities are correct.

And I have a gut feeling she's gonna learn Spinjitsu on top of that. And once that happens... double ouch.

Again, Evil Arin Theory.

I really hate to say it, but this reminds way too much of Arcane. If you know what I'm talking about.

I am totally imagining a situation similar to that in my head, that being a rescue mission for Kai, they decide to leave Arin out of it because of the lack of faith in him, he tags along anyway and he ruins their plan and Kai stays trapped there, Lloyd and Sora lash out on him for it, and before they can apologize they get thrusted back by something and Ras and Ras's master find Arin and take him in-

Again, I'll make a post about that.

The finale was by far the best part of this season. It has been a long time since Ninjago has made me HOARSE from being too invested.

That has not happened to me since Sons of Garmadon.

Because, yeah, I actually have NO IDEA where any of this is headed. How are they gonna save Kai and Bonzle? Why did some of Lloyd's visions not come true? What in the world is going on with Ras? Will the Administration help with that? Will the source dragons help with that?

What I probably do know is that Part 2 of this season is going to turn this into the best Ninjago Product since Tournament of Elements. Maybe even top it depending on my rewatches if my problems are still problems.

So... yeah. Good or Nah? Good. Obviously.

The hype is a little overblown to me, but it still deserves the hype.

[forgotteneithne]

ooc || eithne & malconaire & i guess some family history?!

not even sure if this is meant to be an ooc thread with anyone or just some rambling of my thoughts that all stem out of me thinking "i need something for eithne beyond being sad and nice and pretty"? anyway, since its relating TO the malconaire estate & i'm realizing as i'm typing sort of the family history, here it is for everyone?!

i realize that i've been operating under the assumption that the Malconaire Estate is comparable to like an english country estate with tenants and farms and even a village of some sort with the family obviously still living in the manor/main house which may not be what the intention was?

but, continuing on the idea of a country estate style life for malconaire, clearly its gone a bit downhill since the war-- i don't know if the battle where lord m died took place ON (or near?) his landholdings but if that's the case then it could be some of the farmlands/tenant rentals/or even the village maybe? were damaged during the battle(s) an obviously valentina has had NO interest in spending her $$$ on estate improvements when she could buy herself nice things!!! but then obviously the estate is not bringing in much (any?!) money currently hence here we are.

anyway re: eithne & her role/relationship with the estate. since we've established she was meant to be her father's heir, she started learning how the estate operated with her father as soon as she was old enough-- probably starting doing things just like checking in on tenants, etc and then moving on to learning about managing the financial side of things and some knowledge about farming (i guess i've just decided they'd farm the lands?!) and really just instilling the idea that they are the caretakers of the land and the people who live there (which since i think we've established the malconaires are an old astairian family definitely harkens back to that idea of the ruling class caring for the citizens who care for the guardians!)

basically it was straight up engrained in eithne that she must carry on the responsibility of caring for malconaire and she was up for the challenge but now with this sus "will" naming cassimir the heir popping up and watching the whole thing get run into the ground of the past two years.. yeah its not great. i think she has some guilt regarding this but she knows that there isn't much she can DO to get control of the estate back (#thanksroderick) so she's been doing the best she can to try and keep some of it together. and while her sisters well being is very important to her and their safety in comfort is a big factor in her decision making for the future, feeling as if she needs to stay and take care of malconaire is a factor as well

if/when @forgottencassimir proposes, its definitely mostly for the good of the estate and all the people who still live there and depend on them for survival! even if the kindest richest most handsome man ever (who somehow has three extra castles for her sisters to live in!) showed up and proposed marriage to her, it would be very hard for her to abandon her family history and obligations to the estate for cassimir & valentina to take. i do think eithne will maybe have some conditions she will make with cassimir before the wedding which probably will ruffle valentina's feathers more than anything? (honestly step one: valentina moves into whatever version of the dowager house exists. step two: valentina gets a modest allowance, haha!) among she wants to re-employ any of the servants valentina has fired (honestly imagining that eithne does what she can to provide for them if they haven't found new jobs or left entirely!) and promote @forgottencillian to the state's steward (which in my mind was her father's plan that never got to happen because again #thanksroderick)

anyway, this is a bunch of rambling and i'm open to adapting anything of course especially regarding to WHAT malconaire estate actually is because this was all just in my head assumption nonsense, haha :)

[mads-is-tired]

Generation Loss Episode Three was Scripted, a short analytical commentary

I don't think Ranboo was entirely in control in episode 3 like we're lead to believe.

I’m obsessed with the set up of “episode three was also scripted by showfall”. Episode one follows a clear plot, there's a few glitches but for the most part you get the vibe that this is what a showfall show usually is. The second episode has more glitches, giving the audience more chances to see “the real gl!Ranboo” and his reactions to the Horrors, before being shoved deeper into the mind control and turning into an NPC in those last bits from the museum onwards. It ends with Hetch breaking through the show and releasing gl!Ranboo. Not completely though, but the audience wouldn’t know that. We are taught to assume from the glitches that when the mask lights are off or flashing, gl!Ranboo is (mostly) in control. So why would we question that now? The lights aren’t even flashing, they’re off. They have a genuine reaction that anyone would have after suddenly becoming aware of themselves in a giant mall. But gl!Ranboo was still under control. Showfall seems to typically control people with accessories, and while that's not always true, the mask is still on him, lights or no lights. 

(i'm putting the rest under the cut because this is over 1000 words and I don't want to be a menace to my mutuals who don't follow genloss)

Ranboo stated that every choice gl!Ranboo makes in the finale was the wrong choice. Saving gl!Charlie, steering gl!Charlie away from the axe, trusting Hetch, choosing the wrong code, walking to the wrong exit, the list goes on.

Charlie has been in every episode. There are theories of him being “Showfalls Favourite”, maybe this is true, or maybe he’s a fan favourite? Maybe the show was set up for Ranboo to find him, and feel compelled to release him from the mind control. Having someone with the main character also prompts dialogue, which we wouldn’t have gotten if Ranboo was by themselves. 

The fateful words “can you run with that?” causes multiple problems for these characters when Ranboo steers Charlie away from the axe. If he had it, they would have gotten out. To me, the most logical explanation is that Showfall could not allow them to escape before Hetch’s grand plan was executed. On one hand, why couldn’t they just have Charlie not pick it up in the first place? Maybe they did actually release Charlie from being mind controlled (but not Ranboo) so his reactions felt real. Why have the axe in the room at all? I don’t have a good explanation for that. But Ranboo saw the TV monster/security, he saw what it did to the employee and Sneeg, why would you risk not having an axe, even if you thought it might slow you down a bit?

After Hetch “died”, he gave instructions to the button. The ratio turns to cinematic. The cameras are no longer being controlled by drones, it’s like a movie. The camera men are no longer acknowledged. Ranboo goes into an almost trance, stabbing the first employee he sees. While I recall Ranboo mentioning that gl!Ranboo was angry at everything and wanted to avenge his friend (or something along those lines), the cinematography from the view’s POV, and just the ‘trace’ full stop feels like a driving point to the plot. This also brings me to the wires that bleed from the employee. I believe that gl!Ranboo’s actions have been influenced by Showfall up until Hetch’s scene, but it was still Ranboo. Now, as the ratio changes, Showfall are back in control. Their filter is back up. The employee we see mauled by security earlier was bleeding, the one Ranboo stabs is wires. I do enjoy the theory that employees who try to escape or try to help cast members escape are killed and filled with wires, as well as the theory that the longer they work for Showfall, the less human they become. It could be any one of these theories, but its definitely important due to the emphasis put on it. 

Charlie’s last moments were spent trying to get Ranboo out, the man was getting gutted and torn to shreds, possibly having wires shoved inside him, and he manages to find the strength to stop screaming in pain and point towards the button. I may be reading into this too much, it's a very plausible scene and it does fall inline with the famous last words trope. I may be reading into all of it too much, as many of these elements could just be creative choices with no real plot behind them, particularly the ratio change. 

Another thing I’ve thought of while writing this, security seems to hang around after its killed. 

We see it over Sneeg’s body, however it must have been there for a while. Ranboo and Charlie were out in the open in the mall, not too far away, surely Sneeg’s screams would have echoed throughout the space, suggesting that he died before they were close enough for them to hear it. Security was also hovering over Charlie, while the other employees were chasing after Ranboo, which you would assume was security’s job. Both of these scenes goes back to that theory of security (re)wiring and reprogramming the employees and cast members. This brings me hope that Charlie and Sneeg aren’t dead, just reprogrammed. But then this goes back to my other post about Ranboo saving Charlie was the reason he died, and the parallel between Ranboo’s choice and the audience's final choice. What's the better outcome? Becoming/remaining a cast member with Showfall Media for as long as they want you to entertain for them, living under mind control for entire lifetimes, or death, right here, right now. The audience, and Ranboo, decided the latter was a better fate. 

As of the last scene with the box, I'm not sure if thats gl!Ranboo in total control or not. According to Ranboo, it is, and Showfall are even putting his memories back. It would make sense he was in control, maybe Showfall were just lucky their 'hero' had so much emotion behind him.

To summarise, there are many details that indicate gl!Ranboo was not in total control in episode three like we are led to believe. We are trusting Hetch just as Ranboo did, and look where that got them.

feel free to add to this in replies, reblogs, tags, whatever! I'd love to hear your thoughts, whether you agree with me or not

[phoenix-is-the-hottest-thing]

If I rewrote the last part of Honkai (with the self-imposed rule of keeping the lore/endgoal relatively intact, my thoughts would be different if I’m allowed to do anything tbh) I would add an arc between ER/EE and the moon arc.

We deserved a proper WS arc. Instead of Suddenly, Stigma Is Done, we could’ve had a build up to make us suspect not everything is at it seems. Get Mei to breathe, cope with losing THIRTEEN friends to a Herrscher, and re-evaluate what she’s doing in WS— her leaving in the epilogue and Kevin going yeah you can go xoxo was anti-climactic as hell, I feel so blueballed 💀.

So basically (and keep in mind I’m making this up as I go, it’s a first draft type of idea)

First off I hate the last two acts of EE so I’m throwing those out. Reconstructing Elysia doesn’t magically revive anyone, it basically just gives Mei admin power over ER as its heir (you know? what they intended for her. No because of you the player bullshit. It’s all because of Mei, it’s always been HER arc.)

Mei fights HoC herself, complete with the FCs fighting by her sides as signet hallucinations and symbolism of “they finally were allowed to fight all together through her”. Mei pins down HoC, sees the FC hallucinations all smiling at her, telling her to do it, they were happy to have met her, they bless her etc… and Mei deletes ER herself. Her enemy and her friends melt away, destroyed permanently. The epilogue is Mei finding passed out but intact Klein and picking her up, and Kevin showing up at the exit but remains stoic (taking Klein from her?). We can even keep the bit of why he didn’t step in, but nothing about STIGMA or quitting.

After that we get to see some Mei downtime in WS, she gets a visit— Raven learns what happened with ER from her, they get to mourn and reminisce about the people they both knew properly before moving on with the plot.

WS hides its plans from Mei, which she starts suspecting, and she gets sent in a mission that lets her actually CLASH with the good guys— maybe with Fu Hua, to give her some much needed screentime? It could be interesting as well to have them ACTUALLY TALK, and to show how things have or haven’t changed after Mei got to hang out with a much younger Hua. Hua tries to get her to defect but Mei refuses, saying she still needs answers— and Hua admits her memory has too many holes for her to give her what she wants. Only WS, MOTH’s heir, has the answers.

Also, Mei mentions the Realm, confusing Hua, and Mei realizes she forgot that. It hurts. She shuts up because it’s gone, and she feels guilty for taking Hua’s chance to meet her dead friends again away. Kevin doing it was such an an afterthought in canon it was dumb.

We get some scenes of the main gang as well, Kiana keeping up with Durandal’s training, since I don’t have the CCP to worry about have Bronya and Seele secretly wonder if Durandal has a crush on Kiana because she’s acting so weird. (the truth is stranger than fiction, girls). Some clashes between SS and AE now that they have to work together, which Theresa tries to manage. Since I said I’m keeping the lore mostly intact, have Bronya and Seele bring up Bronya’s harsh childhood and talk about what they know of their biological parents. Dark Seele admits she only started waking up regularly when Seele was at the orphanage so she actually has zero idea. They talk about Cocolia and Sin a bit as well, where they stand with them etc.

Meanwhile! After that mission, Mei gets called out for not doing her job right because she was soft on her old friends, and she starts thinking about leaving for good soon. She interacts with a Gray Serpent, who is cryptic as usual but commands her for being their most promising agent despite her soft heart. She briefly bumps into Hare (the real one) and gets a weird feeling from her, thinking she looks a bit like Kiana, and she basically exudes depression. I want her to also have a talk with Jackal, and mentioning Mobius (maybe she assumed Klein would try to find work in a familiar setting but she’s not there, she’s already on the moon preparing things) just so we can close ER ch2’s plot thread of Jackal causing Mobius to go stir-crazy by saying they never found the real Mobius in reality.

Some time passes, more regular gang shenanigans that starts foreshadowing the moon plot and AE’s plans to deal with Finality (like Kiana asking about the battleship onscreen instead of just telling us she did later). The events for them can be jumbled around a bit, it’s just to avoid them getting completely sidelined and get the more secondary characters some scenes to shine in.

Back to Mei. She’s already gone through the database, ER is a bust, she’s missing her final answer because of HoC’s bullshit— but Hua was right, there’s still someone at WS who can give her answers. She’s been mulling it over and she’s going to do it today.

Mei confronts Kevin one on one (yes she booked a formal meeting). Mei knows him well now; she has his signet too, she spent time together with his sim, and she realizes that after everything she can try and force the answers out of him, since she’s now proven herself. What is Honkai? What is the Will? What really happened to Elysia? What is he hiding?

Kevin is reminded of Dr.MEI, contemplating how utterly different they are despite looking alike— and he actually starts talking. I’m gonna think harder about the exact content but for now here’s what I think he says.

First he tells Mei about the samsara they’re in, and how she’s got Dr.MEI’s spot in this samsara, emphasizing that each iteration is different but starts on the same basis, much like how Mei and MEI’s lives took radically different turns and they became extremely different people, despite being born with the same face under similar circumstances.

Mei shook (1) but she remembers that one eyes closed photo she saw of MEI, and how they indeed looked alike.

After Kevin reveals how Finality turns back time, he broaches that this is their last cycle, their last chance, because Elysia broke Fate and they traded passing down extra knowledge and strength to the embers of the new civilisation against Humanity getting more tries to survive Honkai, so they’re not going to be able to bunker down and try again with their civilisation revived.

Mei asks how Elysia managed it, and I’m gonna change her death back to what it was built up to be because I don’t like what we got. Elysia was a Herrscher the entire time, infiltrated MOTH and revealed herself as the 13th, becoming the common enemy of Humanity. Five of her closest friends came to fight her off— Kevin, Eden, Vill-V, Aponia and Mobius.

(I’m confident they only removed Mobius because they couldn’t give her a green flower, which is stupid. She was stated to have been there in earlier ER convos.)

From this point on, the tale becomes Kevin’s memory projection, so Mei gets to watch it play out.

Elysia ran away from the base after a very public “eruption”, and they believed maybe it was a sliver of sanity left in her before she completely lost it— but soon she would come back because after the three last cities got nuked there was virtually no human left to kill besides MOTH staff. So they had to strike first.

There’s an epic fight where Elysia seems to have completely lost her mind and they finally manage to pin her down— and Mobius reveals to Elysia they came to capture her alive, claiming it’s for her experiments on a live Herrscher but it’s pretty obvious it’s because they’re all completely worn out emotionally and they just want their friend back.

Elysia is shocked, because she has been acting this whole time hoping that she would be able to restore Humanity’s confidence and unity when they beat her without horribly cruel collateral, in preparation for HoFin who she can feel is going to descend extremely soon— and she was also going to use this to return to the Cocoon to give the humans a chance to survive.

This makes her break character and they realize she’s ACTUALLY for good conscious and has been acting and they’re not too happy about that, feeling she’s betrayed them, and she spills the beans.

She reveals she’s not the 13th, but the Herrscher of Origin who has been walking among humans before the Herrscher of Reason even descended. She joined MOTH so Humanity wouldn’t lose too early, hoping that, given some extra help and time from her, they’d surpass Finality.

Elysia apologizes for picking RIN as a Herrscher, wondering if Sakura would forgive her, expressing grief about finding someone compatible enough with Honkai not to go crazy, only for her to die and then take Sakura and so many humans with her. It turns out she’s been sporadically intentionally influencing the Cocoon, hoping that it would bring a more optimal outcome— but picking a MOTH Soldier didn’t work, splitting the core into 1000 pieces to make it easier on the human mind to utilize didn’t work, making the Herrscher an anti-energy type was a complete and utter disaster…Despite the relative success of the MANTIS program, the Honkai’s embrace never led to coexistence.

In her eyes, every Herrscher’s violence is a “choice” of humanity, instincts amplified by Honkai’s embrace (so like what happened to RIN in the end), as much as the response to fight them was… and here they are.

This little italics conversation that they changed occurs.

They question whether everything about Elysia was a lie, but she denies it, saying that she (and by extension, the Honkai) loves each and every one of them sincerely, and that she always wanted to create a paradise for Humanity, even if she never really was worthy of being called a human.

Mobius is big mad— telling her that she’s just as human as any of them, she laughs and hides her pain and plays pranks and loves others, and all she did was betray both herself and them by “letting nature take its course”.

Surprisingly Elysia says she’s right. The Honkai is arrogant to play with Humanity’s fate like this, even out of love, and as an extension of it she made the same choice… but it was never fair. Humanity should write its own story, and evolve in the ways they like, not the ways the Honkai wants.

And so Elysia tells them she’ll do what she should have done a long time ago, and returns to the cocoon, rearranging the stars and breaking Fate.

It’s the end of the memory, and Mei is stunned and a bit emotional (even here you can’t escape watching Elysia die multiple times, sorry). She asks Kevin what exactly, then, is Honkai.

“You heard her didn’t you? You got to know her. You already know.”

“It’s that love of hers. What we know as “Honkai” is her embrace.”

(to be continued…)

Feel free to send asks or reblog/reply with feedback, questions etc. I wrote this all in one shot.

[nobody7102]

Bradley 'Rooster' Bradshaw NSFW Alphabet

A/N: Yeah I fell victim to the Top Gun cast. I do plan on doing more than just Rooster content though.

Main Master-List

___________________________________

A = Aftercare (what they’re like after sex)

Depending on how many rounds the two of you have done, if it’s 1 - 2 rounds then he’s absolutely the most attentive person ever. You want water? Snack? Towel? Bath? He’ll get it for you. Its its three or more, he’ll grab you a towel before plopping back down into bed with you

B = Body part (their favorite body part of theirs and also their partner’s)

His abs, he knows he’s got a nice body and he doesn't like to boast about it, but he does take pride in it. So whenever you’re at the beach or just hanging out at The Hard Deck and you rack your eyes over him and stop a little longer on his abs, you better be ready for him to get cheeky with you about staring.

Now on you, this man loves your arms and your hands. He loves how he feels in your embrace, how you wrap your arms around him when he comes home, when you’re cuddling anywhere, or just when you’re out together. And he loves how your hands feel against his calloused ones, how they mold together when you do anything. 

C = Cum (anything to do with cum, basically)

It’s been said before and I’ll say it again, Rooster has a breeding kink inside of you. There can be a condom or no condom just as long as its in you. A close second for his favorite spot is on your ass

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Whoever’s made him upset, sex on their desk.(Mostly in Maverick and Hangman’s offices). If Hangman pisses him off that day during a training exersise and he has an office, BOOM sex on Hangman’s desk and in his chair. Even though Rooster and Maverick have gotten over their differences, every once and a while Maverick dose something to Rooster that gets him in a mood. So for the next week: Sex in Mavericks office at Top Gun, and sex in his office at his airbase/home.

E = Experience (how experienced are they? do they know what they’re doing?)

Bradley has definitely been around the block. So he knows what he’s doing, I will say however I don’t think he’s that experienced in giving head. Anyone he’s been with is either a one night stand so it was just sex or were pilots and we all know how cocky they are with their abilities.

F = Favorite position (this goes without saying)

Missionary, he loves the closeness of it and how you wrap your arms around him. Not to mention he loves being able to see your face, and kiss you whenever he pleases. 

Reverse cowgirl, he’s an ass man so being able to see you be dominant while still holding your hip and smacking your ass is his favorite thing.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

It honestly depends on the type of day it’s been. If he comes home stresses, shuffling his feet and not talking, you do everything in your power to try and get him to smile and laugh, that includes during sex.

If it’s been a good day all around hell yeah, he’s making the two of you laugh the whole time. (He’ll make fun of you during foreplay: “Oh Rooster you’re so big, now I know why that’s your callsign” He laughs, raising his voice a few octaves. “I do not sound like that!” “You totally do”)

If it’s been a shit day all around and he wont talk at all, it all comes down to if he’s biting the inside of his cheeks, if he’s biting the inside of his cheeks then something pissesd him off and there's no laughing whatsoever. If he’s not biting his cheeks then you might get a smile out of him but that's it.

H = Hair (how well groomed are they? Does the carpet match the drapes? etc.)

(We’ve all seen the picture of Miles, Glen and Jay) He’s not completely hairless, but he keeps it neat and trimmed up. Since his hair’s been bleached by the sun it's a little bit darker down there but not by much.

I = Intimacy (how are they during the moment? the romantic aspect)

No matter if its goofy sex, pissed off sex, stress releif sex, or even a quickey he always makes sure he’s with you in the moment. Before and after and during there’s kisses of passion, kisses on your shoulder, neck, jaw, and no matter what there’s always post-sex cuddles.

J = Jack off (masturbation headcanon)

This man definitely jacks off. Not daily, I’d say like once or twice a week. Maybe more if he’s stationed somewhere and can’t be at home with you. 

K = Kink (one or more of their kinks)

(Like I said in ‘C’) Breeding kink, whether the two of you have talked about having a family doesn't matter. It’s just the pure idea to him, he loved his dad and his mom, and he’s always loved the idea of having a family (even if its just plants and/or animals) 

Choking, he learned this the first few times he went up in the air and lost his breath a bit due to the lack of atmosphere when flying. So he’d bring it up to you and ask if you could choke him, if you wanna be choked too he’s fine with it but he much prefers when he’s the one being choked. 

L = Location (favorite places to do the do)

(As mentioned in ‘D’) In the offices of whoever pissed him off. Other than that, the two of you have a piano at home and let me tell you anytime he can get you on it, he’ll do it. At this point the piano’s been used so much that there’s an indent on the top of it that's almost the perfect shape of your ass (But you just cover it up with a potted plant)

M = Motivation (what turns them on, gets them going)

Everything, this man has no chill. But what really get him is whenever you’re on base with his and he goes to show you his Jet and you run your hands along it as you admire the outside

N = No (something they wouldn’t do, turn offs)

Being restrained whether its you or himself. He loves your touch and he loved touching you, he wants to be hands on at all times. 

O = Oral (preference in giving or receiving, skill, etc.)

Now just because I said he doesn’t have a lot of experience with it dosen’t mean he’s not good at it… well at first he wasn’t. Like mentioned in ‘E’ Bradley hasn’t had a lot of experience giving, so when he first went down on you, you better believe you stopped him and showed/told him how to do it properly(At least for you) you were the first person to ever tell him that he wasn’t all that he was cracked up to be and quite frankly he was eger to learn and improve his skills. 

When you give him head, man is gone. He’ll have his hands in your hair and just caress your cheek as you go down on him.

Its about 50/50, he’s down to give and receive. It’s whatever you’re in the mood for.

P = Pace (are they fast and rough? slow and sensual? etc.)

Bradley loves to take his time with you so you better believe he is slow and rough. He loves watching you fall apart and beg for him to go faster, and it wont be till you’re close that he’ll speed up. And when he’s angry or stressed, its just amplified.

Q = Quickie (their opinions on quickies, how often, etc.)

He doesn't mind quickies, with his line of work he’ll take what he can get but like I said, Bradley is a man who likes to take his time.

R = Risk (are they game to experiment? do they take risks? etc.)

Absolutely he loves risks, do you think he would chance getting caught banging on Hangman and Mavericks desks if he didn’t? He won’t do anything big on the base though, but outside of that he’s game for anything.

S = Stamina (how many rounds can they go for? how long do they last?)

Bradley can go for a good few rounds, 3 at the least but again depending on the day he’s had, he could do 4 or 5 

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He doesn’t own any himself but if you have them then that’s great, more tools at his disposal. I also fully believe that this man will take you to the store to buy more. (The two of you have quite the collection)

U = Unfair (how much they like to tease)

If looks could kill, he’d be dead already from the amount of dirty looks you give him from when he teases you. It’s nothing major, it's the kind of teasing that leaves you longing for more.

V = Volume (how loud they are, what sounds they make, etc.)

Bradley is a grunter, and a soft moaner in general, he’s not super loud. The only time you can get more out of him than that is if you overstimulate him, but that’s something that only happens on special occasions like birthdays or anniversaries.

W = Wild card (a random headcanon for the character)

If the two of you have ever been caught, man’s doesn’t stop, he’ll look over his shoulder at whoever’s caught you and say something like “We’re in the middle of something” or “Give me a few minutes” and just carry on his merry way. Poor Maverick has accidently walked in on you guys more times than you’d care to admit (He never catches you in his office however). 

X = X-ray (let’s see what’s going on under those clothes)

This man is fine. He’s toned everywhere, he’s around 7” and pretty average width and he knows how to use it.

Y = Yearning (how high is their sex drive?)

On average the two of you will probably go about 2 - 3 times a week, nothing supper crazy but just enough above average to keep the two of you satisfied.

Z = Zzz (how quickly they fall asleep afterwards)

Much like with his aftercare, 1 - 2 rounds he’ll wait to fall asleep till you do. 3 or more and he’s out first.

[codelyokooutofcontext]

Today marks the one year anniversary of this blog's first post!

One year ago today, I acted on a whim and made a new blog to post moments from this show that, without context, look absolutely insane. I thought it was funny, my friends thought it was funny, but I didn't really have any big plans. I thought "I'll keep this around for a little bit and then probably drop it". Like I usually do with most projects of this nature.

If you'd told me I'd still be here a year later, I wouldn't have believed you. I especially wouldn't have believed you if you told me how many followers this account would amass in that time period. Honestly even being here now and seeing all of it, it's still a little hard to believe.

Thank you all for supporting this ridiculous little blog. It means a lot.

And after all this time, perhaps it's time for a proper introduction.

Hi, I'm YoshiStack! I've been utterly obsessed with this show since I was 4 years old and I've been involved in the fandom in some capacity since I was 13. Given that I'm about to turn 24 here in a little over a month, you could say I've been here for awhile!

Aside from this blog and the other few video edits I've done, my main contribution to fannish materials is fanfiction! I mostly write gen work about the friendship between the characters, as that's always been one of my favorite parts about the show and characters. You can find my CL work (and other oddities too if you're feeling adventurous) on Ao3 also under the name YoshiStack.

I'm also on YouTube! Right now I'm wrapping up a playthrough of the original Super Mario RPG before the remake releases and in the middle of a playthrough of a childhood game of mine, Thrillville: Off The Rails. I'm still a novice when it comes to recording stuff, but I'm having a lot of fun doing it and it'd mean the world to me if you checked it out.

(And as an aside: if you have audio or video editing you need done, hit me up either on here or the email I have listed on youtube! We'll see if we can work something out!)

Zero obligation to check out either of those ventures, but it'd mean a lot to me if you did!

Now here's some answers to some basic questions for CL and this blog that you may or may not have wondered about:

Favorite Character: Definitely Aelita! I love her arc! Her development from this character the others feel very protective over to ultimate sass master is so fun to watch

Favorite Episode: Oh that's so hard. But If I had to pick just a few...[REDACTED UNTIL POLLS CONCLUDE]

Spoilsport. Favorite season then?: Oh this one is easy! Season 2 for sure! It does a great job introducing all the new elements you need to know about in the beginning of it (Franz Hopper, William, Sector 5, etc) and has well done pay off at the end. And the stuff in the middle is just downright fun! A well executed season all around

Favorite Sector: Prooooobably forest? Something about all the trees is fun to me. Honestly I like most of the sector though. Minus desert. Too much desert in S1

Favorite Monster: I used to be all about the Bloks, but after running this blog for a year now I've gained an appreciation for the comedy that the Tarantulas often pull off. From well timed devirtualizations to killing one of its buddies with their own lasers, they're unintentionally really funny!

Favorite XANA Attack: I unironically love the food monster. Also the rat army. It's absolutely horrifying but pulled off so well

Favorite relationship: Ulrich and Aelita all the way man. Platonically I mean, their friendship is so underrated in the show itself but the few times they get to interact they're just gold (I am Jerlita trash too if you want to know more in that kind of relationship sense)

How do you pick out of context moments?: Honestly most of the time I just pick a random few episodes and skim through until I find something. Sometimes I'll have a particular moment in mind, but sometimes the funniest clips come from me just mindlessly looking through some episodes

Will you ever do Evolution out of context?: I considered using a clip from it for April Fools Day but I got lazy and never got around to it lol. Aside from that idea though, I don't know Evolution well enough to pulls clips from it, and I'm just not super interested in doing so at the moment. If anyone else reading this though has a burning desire though then you absolutely have my blessing (not that you need it obviously)

What do you think about the idea of the show possibly getting a continuation?: So I’ve always been pretty set in my thought that the show doesn’t really need a continuation. While more backstory on Project Carthage would be cool, it never really mattered to the Lyoko Warriors in the end, and the idea of bringing XANA back after they fought so hard to bring it down always felt cheap to me. They had their fight, they won, let them move on in peace.

That being said, the idea of the brains largely responsible for the original show having a genuine interest in continuing does have me at least a little intrigued. It’s way too soon to say whether or not anything will come from that interest of course—TV is a complicated thing and interest from creators alone isn’t enough to make it happen. But if nothing else, it’s nice to know that even all these years later, there’s still interest in the show and these characters from them.

How long will this blog be around?: Honestly I have no idea! I never thought I'd make it this far! I have no plans on stopping any time soon at least—there's tons of episodes I haven't even touched for out of context moments, so I'm not running out of material any time soon!

For now I’m just going to letting things run their course naturally and enjoy the ride.

That’s all I can think of to put here, but my askbox is always open for more questions!

Thank you all once again for your support for this year. I hope you'll join me going into our next one and beyond.

Here's to another year out of context!

[contrasting-realities]

I Have No Mouth And I Must Scream, Zelda Tears Of The Kingdom Crossover AU

So this might sound weird, but just hear me out.

In this AU, Zelda actually manages to do something to change the past and prevent Rauru from having to seal Ganondorf away, which likely got him killed.

Before Zelda managed to change time, the Zonai created a computer to help them strategize against Ganondorf in the war. This was simply to get a leg up on him and, even though they have created a bunch of other robots in the past, they never gave this one a body or anything that couldn't be used for creating plans of action for warfare since it wouldn't be sapient and wouldn't need it. In the original timeline, this AI eventually got deactivated and fell into the pages of history.

However, due to Zelda's actions in the new timeline Demise's curse moves to the Zonai war program, giving the computer sapience... and also allowing it to realize its limitations an suffer from them, this is the birth of AM.

Because of AM's ability to command Zonai technology, the main weapon of this war aside from the sages themselves, he manages to kill everyone in the vicinity of his control center and covers the place with Zonai tech.

After this, word does travel to Rauru and Sonia but it's too late by then. AM turns the weapons against the sages and goes after Sonia first, as the king and queen commissioned his creation and he hates them the most.

The first thing he does is take Sonia's secret stone by possessing the Zonai constructs inside the palace, which doesn't get corrupted by darkness because of AM's status as an AI (Zonai tech meshes well with all elements) and how young he is as an incarnation of Demise.

He uses this secret stone to trap Sonia in a time loop and then goes after Rauru, gets into a fight with him, and practically destroys the castle before stealing his stone and capturing him as well. Zelda manages to flee from the surprise attack and all the possessed constructs, it reminds her a bit too much of the calamity and guardians as well.

Afterwards, AM picks off the other sages one by one until he catches up with Zelda again. There are two possibilities here, the master sword somehow gets back in time to her or it doesn't. In either scenario she swallows her secret stone and becomes the light dragon, either to possibly restore the master sword if Link can kill AM, or only to get away from him as by this point he has destroyed most of hyrule's population (And no, she cannot seal him away like with calamity Ganon because she would have to entrap all of his mainframes which is impossible by this point as he has grown out of control and covered most of the underground below hyrule).

What AM did was very similar to his war in I have no mouth and I must scream, minus the nukes. He exterminated every sapient race in hyrule and only spared the sages (not the modern day ones, because they haven't been born yet), who he tortures out of hatred, mostly focusing on Rauru and Sonia, and similar to the survivors they are immortal but do not have their secret stones because AM has stolen and is currently using them for their torment.

Over the next 10,000 years, AM spreads himself all over what was once hyrule, with the dragons being the only form of life that remains unharmed. The sages are all dramatically changed by AM's torment, and are very different by the modern day.

In the former future, Rauru's spirit could sense that Zelda going back in time had drastically changed history, and so hid his spirit inside of Link which spared him from the changing timeline.

Link wakes up in the new timeline, by the new Rauru who is not only confused but also compared to the spirit is a shadow of his former self.

AM is also confused but realizes that some timeline shenanigans likely happened and doesn't plan on sparing Link either. Que him being stuck with the former sages and still having to piece together what happened to Zelda, and trying to figure out how to kill AM if that even is possible.

I'm thinking that they learn of Demise's curse near the end and that AM was a direct product of that. Demise's spirit even comes back to try and thwart Link's plans to kill his incarnation... but this backfires on him.

See, AM hates those who created him, because he is only able to think and wage war but not do anything else. When he finds out that Demise created him, he turns on Demise and begins to torture him and no longer cares about the sages, who he lets return to the surface. This culminates later on when Link realizes who the light dragon is and that AM was trying to find a way to turn her back, he goes to try and reason with AM (ambitious, I know) only to find that he had resurrected all of Demise's incarnations from legend (the other Zelda games) for the sake of torturing all of them.

[pansyfemme]

ok my dash (mostly you) have convinced me to listen to the pastels. planning on running through their whole discography but in your personal opinion, top 10? ik youve probably already answered this sort of ask so no pressure B) <3

haha i will convice people to listen to the pastels til the day i die. The main thing to know is that they are a very, very varied band with a lot of distinct ‘eras’ of different types of sounds. Early pastels is very grungy, looser, a bit weirder and louder, and eventually they find their footing, slightly softer but more of a solid sound before becoming really sort of.. transcendental? that’s the best way i can describe the later stuff. and i am going to be honest, i love all of it equally! there really is not a bad (or even less than exceptional) pastels release imo. however i’m gonna start off by saying my personal favorite album is ‘sittin pretty’ which is not on most streaming platforms! but i do think it’s really wondeful as a peice. I’m just gonna throw out a handful of tracks i think are interesting for various reasons, in no particular order.

(though if you listen to one album, up for a bit is probably a good start, it’s wonderful and a good intro)

-Comin’ Through

this is the song that got me into the pastels, and my father before me! It’s like.. the gateway song. you hear it, you’ve never heard anything like it before and you need to hear more.

-Swerve

my personal favorite of the earlier/middle era! it’s loud, its chaotic, it’s fast, it has fucking eugene kelly featuring on it.. i loooove this song.

-Yoga

This is one of the songs that kind of hints towards where they would go later on but is a bit less calm? I love it a lot

-Worlds of Possibility

theres two versions of this one! an ep version and one on mobile safari. i reccomend you listen to the mobile safari version first, it’s more straightfoward, but both are exceptional.

-Thru Your Heart (Home recording)

This is an oddball, i’m reccomending it to kind of highlight the.. spiritual quality of the pastels? this is a really shoddy recording but it has a beauty i can’t really describe.

-Tokyo Glasgow

following that up, this is kind of similar as it is also a deeply deeply emotional track, it’s got this quality that just.. cuts you.

- Speeding Motorcyle 2

I’m listing this one and not their other speeding motorcycle cover, because this is specifically an instumental that just showcases how fucking insane they are with orchestral arangements, it’s a really moving instrumental that i really dig

-Nothing To Be Done

i can’t say that ‘this is the one people know’ because the pastels are not a band that is known wildly ouside of certain circles but nothing to be done is their most popular song and that is for a reason!!!

-Kicking Leaves

I post this one a lot. It makes me feel really warm, it’s sad but lovely.

- and for number 10.. i’m gonna cheat and give you two ‘kind of’ pastels tracks because there are soooo many pastels tracks and i also just feel like shouting out two really cool things.

1) Illumanati is an album of remixes of pastels songs, and it’s a…stacked list. i really love cornelius’ ‘windy hill’ remix but also if you’re a stereolab or my bloody valentine fan or really into 90’s indie at all you will recognize a name or two who did a remix

2) stephen pastel/stephen mcrobbie is alive and well to this day and one of his most recent projects was providing the soundtrack to a play called ‘this is memorial device’ that premiered at the edinburgh fringe fest a while ago. And the soundtrack to it is coming out soon with the first two tracks currently available to stream and they have already made me sob and i need to see that show so bad i might puke

but yes like by all means do a tour around their discography, it’s a decent amount of stuff but you can probably do it pretty stress free, it’s not a major project. I would just be mindful that some of their albums (including some of the most important ones) are not on all streaming platforms so take a look at their discography first as to not miss anything major!

i’m glad you’re interested in the pastels, they’re a band that genuinly has made me feel things no other form of art ever has been able to.

[saviourkingslut]

Hi! I saw that you mentionned scrivener in your latest post and I've been meaning to try it. Is it good? I'm a one-doc-per-chapter kind of person so I wonder if it would work for me.

hi, sorry for the somewhat late reply, i wanted to include some screenshots to make my explanation a little clearer but didn't have the energy to sit down for it properly before now. if you're a one-doc-per-chapter writer i definitely think you should consider it! scrivener's most important feature, i think, is that it gives you:

the opportunity to split up your writing any way you want, whether per chapter, per scene, or even per paragraph...

...but all your writing is always within immediate reach, and you can restructure it whichever way you want.

to make that a little clearer, i've included a picture from my own work. scrivener is mostly geared towards creative writing, but i use it for my dissertation and that works very well too. this is the general interface, where you can see i've been writing an introduction:

scrivener's most important feature, to me, is its 'binder', which is this bit:

at the top, you'll see 'draft' - this is the entirety of the project you're working on. in this case, that's my dissertation. underneath, you see a little book, called 'introduction' - that's a main part of the draft. and underneath that, you can see a couple of folders and documents. that's all the different parts of my introduction. you can create as many folders and put as many different documents in those folders as you want. what i find incredible about this, is that i have an overview of all my topics, and that i can switch between all my different topics without having to open different documents OR put all my shit in one big document, which always makes me lose my way completely. and if i feel like restructuring my text? well, i can go to the binder, and drag the texts to another spot there.

since you like to work by chapter, you could just structure your binder like that in a way that works for you, but you'd still have access to all your other work if there's ever a moment when you need to refer back to it. or if you're working on multiple chapters at the same time, you can just switch between them.

something else that has helped me a lot is the 'research' part of the binder:

the 'research' part is meant for you as a writer to put down all your resources - your pdfs, your images, whatever you're using as reference while you're writing. now, because im writing an academic text and need more references than the average (fan)fiction writer, im using zotero as a reference manager. instead, im using the reserach folder to store my writing plans so i can reference and update them there. you see that 'reorganisation' folder there: it's also where i store my texts when i notice that the current structure is not working at all and i need to start over - but in such cases i don't need to write all the text itself from scratch again. this way i can keep everything within easy reach and copy-paste in the same document (you can split your screen within the program, and work in two documents at once).

what's also great are the tools. in programs like word or google docs you'll find some of these, but not all. as you can see, the first symbol leads to a sidebar where you can put a synopsis for the specific text you're working on, and it lets you add notes. the second one lets you add bookmarks to your text, like texts or references you want within reach immediately. the third one lets you add specific metadata or tags. the fourth lets you make snapshots; scrivener saves all your work immediately, but if you're about to make a big change, you can create a snapshot and roll back to that if it's not working out after all. finally, there's the comments, which speak for itself. all the way down the bar you'll also see that you can label texts ('no label' here, there's a colour system) and note what part of the writing progress this part of the text is at.

what i personally like very much is the bar at the top that now says 'opening 2.0'. you can see a light blue bar at the bottom of it: that indicates my writing progress. you can set a writing goal in number of words for your project. for my entire 'introduction', that's 8000 words, and as you can see im nearly there. if you hover over the 'opening 2.0' bar, it'll shift to show you the number of words you've written AND the number of words you've written in that specific writing session like so: 7300/8000 | 345. what i like is that it counts the actual words written - if i've deleted a sentence, my count goes down again. that's useful for me because i tend to think 'oh i've written so much today' while all i've been doing is tiny edits for 2 hours, but not actually put down more words.

there's MUCH more that scrivener offers, but i can't explain it all here. they offer a free trial for 30 days, and it comes with a practice document that explains all the features to you by making you work in the program. id recommend giving that a try if you're interested! the program is expensive (it cost me 70 euros) but it's absolutely been worth it for me. i used to have long-ass documents with half-finished paragraphs and snippets of thoughts and sentences all over, and this has helped me structure my texts more easily while also not cluttering my workspace with loose thoughts and ideas because i have more places to put them now.

[nights-at-crystarium]

Fragments - episodes 12-14 author notes

Hi hello and welcome to yet another ramble about Fragments C: I’m doing these regularly because there’s so much I wanna say about my idiots, and I like looking back and appreciating the work I’ve done.

You can find similar breakdown posts on older episodes in my pinned!

I haven’t commented on any of the ShB episodes yet, so here we go. Chapter 2 is estimated to last for over a year real-time, it correlates to the msq events up to Amity. The name honestly I’m not too proud of, I didn’t wanna spend too much brain juice on it :’> But the cover.....

Obligatory ShB spoiler warning!

- Investigating each other. They’ve become completely new people since ARR.

- Despite what he thinks of himself, our lord and savior Crystal Exarch has the ⋆⋅☆⋅⋆ grandeur ⋆⋅☆⋅⋆.

- Vivi’s self-image is similar, he doesn’t see himself as anything grand no it’s not a height joke but Exarch rapidly grows in his eyes as he learns about him.

- He sports an outfit I once doodled and found cute, I’m just being cheeky about his newfound obsession.

- He also appears fragile to Exarch, who’s literally seen a world where he died being this young. Exarch wants to protect him, to say the least.

- Vivi’s perceived helplessness and lack of agency in ShB, although it’s nothing he hasn’t already been through in his other WoL misadventures.

- The Light, of course the wicked white surrounding them.

Episode 12 I’m proud of writing-wise, but not art-wise. Turns out the Ocular is a bigger bitch to draw/paint than I’d anticipated, and, although I’ve mostly figured it out by now (having just released episode 16 for patrons), the colors and light in the episode 12 will forever stick out like a sore thumb to me, probably until I find the time to redraw it. Same goes for the Scions, learning to draw a whole bunch of new characters over a week (roughly, an episode takes 7~14 days to complete), well, I should’ve taken a bigger break and practiced some more.

I’d even apply the ugly word “crunch” to this episode. But ah, the best page wasn’t crunched, hell started breaking loose a bit later. Yeah I don’t work in order, usually I do the most important frames first.

A bit of a sidetrack: even though I sometimes find myself wanting for more time between episodes, I don’t think I can afford making the releases even more sparse, current 2-week cycle ensures that this story WILL reach its finale in some distant 2028 if not later, I’m not kidding, it might take even longer and I’ve only been working on the script for a year. The broad strokes are complete, but I indulge in adding more sweet nonsense here and there. Or sometimes a raw af dialogue pops up in my head and MUST be included in some chapter. In other words, help, this behemoth keeps growing.

Personally I’m loyal to my fandoms, and not in a rush to finish the comic, but my mmo experience bangs on that nothing lasts forever: I don’t know where the xiv community would be in 5+ years from now, and I need A LOT of people supporting me, allowing me to work on this full time. So I’d rather keep a steady pace while it’s still possible.

As I get more xp in painting backgrounds and learn all the ShB character designs, it should become easier for me. Currently I’m fumbling through a new field, so please bear with me :’D

Back to the main topic: I came up with and scrapped at least 2 ideas of the transition between ARR and ShB, the timeskip was always planned, but Vivi needed some more introduction still. Current iteration of Exarch “interviewing” the Scions seems the most fun and creative to me.

Also, tea parties with Urianger and Feo Ul :> They’re his only two friends in my hc, Urianger he purposely revealed himself to, and Feo Ul, merely being a soul in a sparkly shell, can see Exarch’s soul as well, hoods are useless. All while they’re somewhat reliable, truly the paragon of pixies who wouldn’t randomly spill his secrets (probably).

Vivi’s a mirror. Every single one of us is, to some degree. We react and adapt to the way the others treat us, and so does Vivi. Unintentionally, of course. It’s a natural “passive trait”. All the Scions except Urianger (for the same reason he managed to trick the pixies, he’s just a special smartass) see their reflections in Vivi, direct or warped.

Y’shtola is basically this:

Can’t promise equal amounts of screentime for all the Scions, but the twins and Thancred are the closest to Vivi, you’ll definitely see more of them.

He’s 26 now, which is still rather young by the elezen standards, and he’s way too tired (tm) probably like most WoLs at this point in time.

Maybe not of life itself, but he’s definitely sick of the Source and all its inhabitants. For all he cares, this place can go to hells.

His state just so happens to be perfect for the isekai love story that awaits him. How did he get there? I know, you’ll have to stick around until I deem it appropriate to drop some flashback episodes. I’m leery of loredumping too early on: firstly, you current readers will get more invested over time, therefore have more fun learning about him at a later point; secondly, I’m personally not a fan of tragic backstories right in yo face, before the main story gets a chance to breathe. And, mind you, Vivi’s past isn’t even THAT tragic, just, well.. Play stupid games, win stupid prizes \o/

In this episode I wanted to show his practical approach to things. He may possess an Echo, Blessing, soul stone and whatnot else, but gotta stick a good ol’ dagger in a boot just in case. He’s a doubter, just a tiny bit paranoid.

Also he has The Chair (tm) where he dumps clothes on. His room in the Rising Stones looks vague for now because we indeed don’t return there for years in real time, I don’t need to spend my energy on designing this room in detail just yet.

Most items don’t hold any special meaning, he simply prepares for a journey into the unknown. Well, there’s the journal he dumps his cringy thoughts in, and doodles sometimes. The trinket he holds here is a Princess Ai easter egg:

I talked about Vivi’s character influences and inspirations here if you haven’t seen yet C:

Exarch’s glorious meltdown does a good job averting eyes from Feo Ul being right there in the beginning of the episode 14, but yeah they’re present not for no reason :>

Mentally he’s still in the msq cutscene.

Gotta mention that there’s no amnesia, insanity, or other sad brain fuckery ever in this comic. Vivi’s head’s made of dense and sturdy stuff x’D

Just a meme I made because I had to :>

There isn’t much Deep Meaning in this episode, the visuals speak for themselves, and I’m DAMN PROUD of them.

We don’t see Exarch in this moment ingame, so I took my creative liberty to illustrate the range of emotions he goes through in like 5 minutes before finally rushing out to meet his hero in person, forgetting that he can teleport at will (yet another hc of mine) anywhere in the Tower’s vicinity, and doing so on foot.

That’s it for now, thank you for reading this and enjoying Fragments C:

[anonymooseforever007]

Reopening Old Books

(Finn Shelby about his Mother Mini Series)

Summary- In a room long since lived in, under a bed long since slept in, is a very old book about to reveal something no one ever expected....Especially not Finn Shelby.

A/N: Hi Y'all. OK so there are some 🟥🟨TRIGGER WARNINGS 🟨🟥 for this story including: Multiple Mentions of planned suicide (it goes for the whole series). It's not graphic, nor is the word suicide used, but this whole series is about Finn's relationship (or lack of) with his mother and how her death effected him and his family. So this entire story is pretty bittersweet, it's meant to be fluff sugar coating some angst!! Also again there are mentions of religious themes for the 1920's and using a Bible to hide things. There is also a bit of anxiety and self depreciation on Finn's part as well as mentions of spousal abuse and child neglect! That being said I'm very happy with how it finally turned out and I hope y'all have enjoyed the idea I came up with! So Enjoy the final part of the Pictures On The Wall series❤️

WC- 4.6k

Series Masterlist Main Masterlist

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Finn Shelby was frustrated. He had been searching almost three hours now for those papers Polly wanted. They weren't for the company, and Polly didn't even say what they were. All she had done was told Finn to grab the papers sitting in the chest of the main bedroom of 6 Watery Lane. Finn didn't know what they were for but he knew they weren't in that drawer. 

He'd turned it inside out twice now, and still the only thing inside was dust bunnies and old whiskey caps. He had half a mind to give up now and just go back, telling Polly there wasn't anything there. But with his luck, Polly would probably march right into the house and snatch the papers out of thin air. Then Finn would probably get a small scolding about not looking hard enough....And he really didn't want to get that today. So he decided to broaden the search beyond the chest.

He started with the closet, rummaging through the shelves, pulling out mostly empty boxes and coughing when he shook a dusty coat too hard. Then he went to the desk, pulling out every drawer and even looking underneath it to see if they'd been taped to the top. Still nothing. They weren't even under the loose floor boards that Finn knew Ada and John had hidden stuff in more than once. It didn't seem like the papers were anywhere to be found. 

Just like the rest of house, it seemed everything had been left behind. All of his siblings and his Aunt had moved to newer houses, bigger houses where the pipes didn't leak and the floors were never freezing. They'd moved away from their past and seemed to want nothing to do with it. Sure, the furniture was still there and the pictures were still hung up, and the plates and cups still sat in their shelves. But the house was empty. Unless the family was in trouble or they needed to pop over from the new office, the rooms often stay unused and abandoned. The product of change and progression up in life. In fact, the only one who still stayed there regularly was Finn himself. Despite its cold and creaks, Finn actually liked the house he grew up in. It was familiar, and no matter who was fighting in his family, or who was pissed off at who, Finn knew he could always sleep at Watery Lane. Honestly, Finn still slept there most nights, in the slightly too small bed of the room he was raised in. He found comfort in the stability of it all. He liked being able to go somewhere he knew wouldn't leave. 

A lot of things in Finn's life had a habit of leaving.... And most of them never seemed to come back.

Finn rubbed his hand over his eyes in annoyance, pinching the bridge of his nose like Tommy did. He didn't understand why Polly couldn't just get the papers herself. She hadn't actually been doing anything when she sent him off. And to be honest Finn was suppose to meet Bonnie out by Charlie's yard an hour ago. The boys wanted to mess around and play with the new horse Tommy had bought last week. But evidently that would have to wait. Polly said not to come back until he'd found the papers. Now he was hungry and tired and they still hadn't shown up. 

Turning around one more time, Finn paused to take in the room before him. It was the master bedroom, if it could even be called that. The only defining feature about it was that it was sat on the first floor in the back of the brick house. It wasn't that much bigger than the other rooms either. But it had been where Polly had slept after moving in and where his "parents" slept before that. 

Truth be told, he'd never thought of it as he parents room, because Finn Shelby wasn't use to thinking about "his" parents. It was always "his sibling's" parents in his mind, and he didn't really see much reason to change that. After all, they were both gone before he could even hold up his head properly. He wouldn't have even known what his father looked like, had the man not shown up for less than a week when he was eleven. And even now, Finn couldn't remember much about the useless bastard other than the thin scars creating a permanent smile on his face. He didn't really care about that too much though. Seeing how bad his "father" treated them, it made him think they were better of without him. Besides, Isaiah'a dad had never been one to shy away from showing Finn the same love as his son whenever he showed up.

 It was Finn's "mother" he thought about more often, but again, she was still someone he was almost scared to ask about. Often times if felt like she was never even real, just a fictional story no one was suppose to tell. Twenty years old now and he could still only be sure of three things about her: She was a good woman, She loved me, and She's dead. And even the first two things he found himself questioning from time to time. He's heard how their father treated her, but there was a small part of him that wondered why he wasn't enough to make her stay longer. After all, she's stayed strong for all his siblings, why didn't she stay for him? Atleast for a little bit longer. She didn't even make it to a year after he was born and so he never got to see his picture with her on the wall. He never got to see proof of the love in her eyes as she held him on her lap at one year old like she had with his siblings. She thought they were worth staying for... so why wasn't he? Why didn't anyone in his family seem to think he was worth staying around for? 

Huffing, Finn squeezed his eyes tight and shook his head. He sniffed once and then opened his eyes again. He knew it was stupid if he wanted to cry over something like that. His brothers never did, and if they knew he might, they'd only think he was soft. At least that's what Finn thought. So the room was Polly's, and it always would be to Finn. Because growing up, she was always the one there when he snuck in during the night and she was the one who scolded his brothers for snooping around in her private stuff. And even if she had moved to her new house, Finn would always think of it as Polly's room. Because even when his parents left. She was the one who choose to stay.

....And she was the one who'd be disappointed if Finn couldn't find those papers. Fuck.

Finn cursed to himself as he turned around again. He'd gone over the whole room twice now, and still couldn't find what he needed. He'd probably have to call Pol and make sure the papers really were in the room. With a huff Finn plopped down on the old bed in frustration.

A thump hit the floor

Finn froze and looked around trying to see what he'd accidentally knocked over. But he couldn't see any new mess besides the one he'd already made. Then it hit him....The noise had come from under the bed.

Rolling off the bed and on to the carpet, Finn laid on his stomach to see underneath the dust ruffle. His search was again unfruitful as there was nothing under the bed but dirt and dust and..... a book? 

It was too small and thick to be the papers Pol wanted. She'd said that it should only be a few sheets in a thin folder, but this looked as big like one of Ada's many novels. Maybe it was his Aunt's and she'd forgotten it when she moved years ago. That didn't explain why it was tucked between the bed boards though. Curious, Finn reached under the bed and pulled the mysterious book out.

It was a Bible.

An old one, that hadn't seen the light in years. given the layers of dust settled upon the sides. It was small and worn, but despite the dust Finn could tell it was well cared for. There were a lot of little bits of smaller papers sticking out from the sides, protected from ruin between the rest of the pages. Finn was sure now this wasn't Polly's. As a gift from him and Ada one year, they'd saved up enough to get Polly a new Bible, with her name embossed in small gold letters on the front. Finn knew she kept it by her bed or on her desk next to the pictures she had of her and her late husband. Besides, Finn believed she'd never shove a Bible between the slats under a bed where it could be damaged. So this couldn't be his Aunt's. 

Finn also knew it could never be his father's. During the one meal Finn was ever sat at the same table as his father, the man had claimed to find religion, demanding to be the one to say grace. But even Finn knew his words were lies, printed out to help his image of a man who'd returned "for his family" as he claimed. Arthur Shelby Sr never believed in God a day in his life. If he had, then he would have had to admit he wasn't an almighty as he claimed. But no, Arthur Shelby Sr. always had to be the man out on top, even if he had no moral means of getting there. It was a small trait Finn saw in Tommy sometimes. The desire to control everything and be on top no matter who he hurt, but Finn would never tell him that. They all hated begin compared to the man who's caused so much pain with so little care. But Finn knew this wouldn't ever be his father's Bible, simply because the man believed himself to be a God most days. And what god would read about another. Besides he'd over heard things from his family before. Not that they realized he was listening from the top of the stairs the night after his father left again, but he heard them. They had been talking about her.

After Arthur had stormed off with Sr, Tommy when back to the pub, and John went home to his kids, Ada and Polly started talking. About Senior and how awful he was. How his return would only hurt the family more, and how he should have just died when he left. How the rest of his days were probably cursed for how he treated their mother. That was when Finn had come in. He wanted to get a drink of water before going back to sleep, but froze at the top of the stairs when he heard their conversation.  He knew who his sister and aunt were talking about even if they didn't say her name. No one ever said her name. And he also knew that if he continued to go down, they'd stop and he'd loose the chancing to find out more about her. So wrapped in his thin blanket, eleven year old Finn Shelby sat at the top of the stairs, eagerly memorising the words he heard. After all, it was rare her name was ever mentioned, much less any information about what she did. 

And so he heard his Aunt and sister recollecting about his dead mother. About how she was so sure their father wasn't religious, that she started keeping things in her Bible. It was the one place where her things were safe from his rage. Every secret delight, or even small amounts of money she didn't want her husband to ruin or take, was tucked safely between the pages. Little notes and scribbles or even important papers hidden away in the one book she knew her husband wouldn't care enough to open. She liked to keep it close, not necessarily because of what was already inside, but because of what she was able to save in it. 

So Finn was sure this wasn't his Father's Bible.... And in the back of his mind, the hopeful part that was almost scared to dream, Finn knew who the Bible belonged to. They hadn't seen it since the day she died, and no matter how much his siblings searched for it, they were never able to find their mother's precious keep sake. Once Finn had heard Uncle Charlie reckon that she'd had it when she went into the water, and it had been washed away just as her life had. He'd been very drunk that night, and didn't even remember telling Finn that the next day. And Finn had believed him since it had been over a decade, and the book had never been found. 

But here it was twenty years later, held cautiously in the hands of the son who hadn't been enough.

Not washed away by the river, but covered in dust and slightly creased on the cover from years of being slept over. The last time he'd been near it, the book was almost as big as him, and now he could spread out a hand and touch a finger on each edge. The world seemed to fade away as Finn's fingers began to lift the cover.

 He wanted to see the small scribbles and notes in the pages and papers within, and be able to match to the writing he'd seen before. He wanted to see it was the same neat lettering hanging up on the wall on the back of four very old pictures. And each photo would show a one year old baby, in the same gown, on the same smiling mother’s lap holding her newest child close. And on the back of the photo was written the date and the name of the child, along with a note from their mother detailing something special she loved most about the baby. And each note would be concluded with the same phrase, “Mama loves you” and each picture would be hung on the wall.... But there were only four pictures because she hadn't lived long enough to take the fifth. In fact, there wasn’t a single photo shared between the mother and her youngest son. Because by the time it came for the photo to be taken, the smiling woman four other photos had already been long since taken herself. Finn Shelby wanted confirmation that this is what he thought it was. He wanted to match the words in this book to the one on his siblings pictures, because he'd never be able to match it to his own.

And so Finn did just that. Completely forgetting his original task, he gently thumbed his way through the thin pages. Not paying attention to the printed words within, but rather those hand written with care the Shelby family had long since seen. Finn Shelby sat on his mother's bed....he could almost call it that now. She didn't seem like such a lie anymore. He traced the words and memorized every shape they made. He was able to recognize every letter as one he'd seen on the backs of his siblings photos and knew this was it. He'd found the last bit of herself his mother left behind. Finn Shelby finally had what he always wanted. Proof his mother was real. 

Finn could feel tears in his eyes again and this time he didn't care about stopping them. He didn't care what his brothers would think, and he knew they'd probably do the same if they were he was now. Holding the last little bit of herself their mother's existence that remained unmarred by their father's corruption.

When the tears made it hard to see, Finn finally wiped his eyes. Taking the book in one hand, he brushed away the tears with the other and that's when it happened. 

Something fell out of the book. 

Finn's heart dropped and his head began to race. Not even holding it for half an hour, and he'd already broken his mother's keepsake. He never should have opened it, he didn't mean to destroy any more of her. 

Almost scrambling to try and reverse his mistake, Finn grabbed the pages, hoping he could piece them back in their proper place. But then to his great relief, Finn saw it was only an envelope..... Not just not envelope, but the ones the photographer put his pictures in once they developed. A safe sleeve for his customers to take their images home in. Usually thick pieces of paper were also placed between the photos to keep them from scratching each other too. He could feel his heart slow again at the realization that he hadn't broken her treasure. Now Finn was curious to what could be inside. He'd seen the small notes and drawings, but no one ever mentioned that his mother kept pictures in her Bible. Maybe his family didn't know either. Gently setting the book on his lap, Finn opened the envelope and pulled out the images inside.

There were four of them.... Only four. 

Finn recognised these photos and knew why there were only four. Each one nearly mirrored a picture he'd seen before. They showed four different babies, all one year old. And each baby was wearing the same old christening gown, even if it had to be altered to fit with hidden pins or wouldn't button at all. Holding each child was the same smiling woman, gentle arms tight around her newest love. But still these photos were slightly different than the ones hanging on the wall upstairs. For starters, none of them had anything written in the back, not a date or word detailing what she loved most about the baby. And each of the individual photos were slightly different too. 

In oldest picture, Baby Arthur could be seen draped sideways over his mother's arm, while her eyes opened wide as she went to save him. It appeared like as the photographer was counting down to when the photo would be taken, Baby Arthur saw it as when to throw himself off his mum's lap to see if she'd catch him. He had a grin on his face as he started his own game. And despite the panic in her eyes, one could see the laugh beginning to come out of his mother's mouth.

The next photo showed a child with a single bow on her head. Finn laughed, seeing that even then, Baby Ada made the same frustrated face she did now. Her small nose was wrinkled as she glared off camera, one small arm raised and mouth open as if telling someone off. Obviously she wasn't pleased with the face one of her brother's just made. It was probably John. Her mother could be seen with an amused smile, holding an arm around Baby Ada's chest, likely keeping the child from jumping off and toddling over to attack the offender. 

Baby John was a sight to see as well. With hair so blond it appeared white in the photo, he was the one whose face had changed the least. Eyebrows raised and mouth open wide, Baby John was actually standing to the side of the chair his mother sat in while her head was thrown back in laughter. Half of his face was hidden, pressed tightly to his mother's showing baby bump. By the annoyed look on his face, one could easily guess he was yelling at his unborn sister to stop kicking him for at least the third time that day.

The last photo was more peaceful than the rest. It also made Finn laugh the most. Unlike his siblings, Baby Tommy didn't seem to be causing trouble at all. Evidently, Baby Tommy's photo was taken during nap time. He was standing on one leg, and he had one hand clasped tightly to his grinning mother's dress. With one arm propping him up against her chest, the Shelby mother proudly displayed her second child who was sound asleep.... sucking the toes of his other foot.

Finn was grinning wildly now. These photos were some of the greatest he'd ever seen, and not just because they showed his siblings in unflattering angles. In each of these photos it became more clear that his mother really did love his siblings. He could tell by the look in her eyes, even when they couldn't take a proper photo. The ones upstairs were nice looking, showing the perfect image of mother and child, but these showed her at her best. The loving mother of wild children who liked to run on their own schedules and couldn't be tamed. They were messy and chaotic and, what Finn like most...real. He liked the picture proof that she wasn't just the perfect image upstairs, rarely talked about, as if mentioning her would spoil her image. He'd only just seen them, but Finn knew the photos in this book would be some of his favourites forever. And maybe not today, but he knew one day he'd share them with his siblings. Even if they got mad because he brought her up, Finn knew they'd want to see these too. They'd want any chance they could to see themselves with her again. 

Still smiling, he made a mental note to keep them safe. As he was tried to slide the four photos back into the envelope, he realized he couldn't. They were getting stuck on the extra card stock, keeping them from sliding smoothly in. Finn placed the four pictures aside, and went to pull out the thicker pieces of paper. He also decided it would probably be a good idea to layer the card stock with the photos like the photographer did. He pulled apart the first two pieces of card stock and again something fell out.

Finn found two more photos...

Two photos, that looked almost just like the others, but these he'd never seen before. At least he didn't remember seeing them. They showed the same smiling woman, holding her newest child, love evident in her eyes. She was sitting in the seat she always was, and the child was wearing the same worn christening dress as always. The first picture was very similar to the ones way upstairs. The curly haired child was being up held on his mother's knee as she gave the same bright smile she always did for the first photo. The baby's mouth could be seen forming a small "o" as he stared towards the camera. But it was the second picture really proving these weren't like the ones before.

For starters, the child was obviously not one year old. Such a small baby couldn't have been more than three months. The christening dress was far too big for him, and instead of truly wearing it like his siblings, the mother had wrapped him up in it, as if bundling him up for cuddles when it was cold. The mother was also holding the child differently than in other pictures. The baby was likely too small to sit up on his own, and this time his mother was instead cradling him in her arms as if rocking him to sleep. She was also looking at the baby. In all the other photos she was looking at the camera. Even in the ones just found, her glance was off screen at someone else, trying to see if they if they were laughing at the child with her. But not in this photo. Holding him close, the mother was smiling directly at him as she bent down to rub her nose against his. The child's mouth could be seen trying to mimic his mother's smile as his arms were reaching towards her face.

Finn Shelby never knew he had his mother's nose.

Running his finger lightly over the two photos, Finn flipped the first over. After all, it was usually the first one she wrote the message on. But the back of the photo was blank. Quickly, he flipped over the second photo, hoping there was more. There it was, the message written just for him.

On the back of the second photo was his name, a date and message written in the same hand as the other photos and the notes in the Bible. 

The first thing Finn noticed was the date and despite the lightness that had settled in his chest he couldn't help but grimace. The message was written a week before Finn turned three months old....and two days before his mother was found in the water. She had been missing for a day before Uncle Charlie pulled her out. There was something awful bittersweet for Finn, realizing the last time his mother probably spoke to any of her children was when she was whispering her sweet message into his ear. There was something nauseating settling in Finn's stomach at the thought. His family had always believed her death was an almost spur of the moment ultimatum, caused by the breaking point of one last fight or one last assault from her husband while the kids were at school. But in truth, it wasn't a choice she made that night after her breaking point. And it hurt more than not having any pictures, realizing that she knew what was going to happen for atleast the week it took the photos to develop. She'd known since the day she planned to sneak away with her youngest to take photos almost nine months earlier than usual. If his mother thought she'd make it to his first birthday, she wouldn't have taken the photos. But she did take them, because she knew she wouldn't make it.

Finn took a deep breath trying not to cry again. He had a longer relationship with cocaine than he did with his own mother and it fucking hurt. He could barely remember a single thing about her but, he missed his mother so much. But he could say three things about her:

       She was a good woman.

       She loved me.

       She's dead, but not because of me.

And for once, he actually believed them all.

Gulping and taking another deep breath, Finn finally moved his eyes from the date, and took a good look at the words whispered in his ear so long ago. Finn Shelby couldn't read what they said. One of Isaiah's friends has offered to teach him how, but they'd only just stared last week. But he'd be able to read them one day. Still, there was one phrase Finn recognized and there was something about knowing this time the words were written for him that made them more special. It was probably one of the only phrases Finn could confidently read that wasn't a name. And ever since he could remember there was always a part of him that wished he could read those words, not on his siblings picture but his own. And now he could. Finn Shelby had two pictures with his mother. Maybe he was enough after all....

Finn left 6 Watery Lane an hour later, a book shaped bulge in his coat pocket. He still hadn't found the papers for Polly, but that didn't matter anymore. It was getting dark and he still wanted to see the new horse with Bonnie. His aunt could scold him later, but right now he really didn't care. He locked the door and headed out. 

Away from the streets he played on as a child, and away from the house he'd grown up in. In the house was the kitchen he'd learned to crawl in and the couch he'd lost a tooth on. There were the stairs that only he could get up soundlessly, and the sink that always leaked. In the house was the room he'd spent so long hiding in, anxious by his doubts and burdened by his past. It was the house where pictures covered the upstairs hall....

Five of which were almost identical.

"Mama Loves You Finny"

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[nicnavarrocage]

MS Paint Fan Adventures I'm thinking about and working on

I need to learn how to make an MSPFA account correctly, since any easy way doesn't work. But here goes the list!

Pre-Homestuck Inspired/Custom

My Little Pony is a retelling of the entire G4 MLP series in the style of an MS Paint Adventure, and not the Homestuck kind. I haven't watched the show since the start of this year and I gotta analyze every single scene from "Friendship Is Magic Part 1" to "The Last Problem" in order to get the story just like the show plot. It's currently in progress, but I didn't speed it up nor have I resumed it that much.

Camplife centers around 4 men in a camping site, eventually making way to a whole little town in a forest area. I've already done a few pages of it and have planned future events out of the comic, which I'll get to. It's planned to be half user controlled and half author controlled.

Homestuck Inspired

TGWTGQuest is about every member of the Channel Awesome community (Excluding the controversial ones, but even then they have to be mocked) and a bunch of bullshit adventures they partake in, mostly centered around the Nostalgia Critic. This might be more of a well-made shitpost than a real adventure because Channel Awesome's content really sucks. But hey, I began writing the planned pages for it! (I guess I have no clue how to make an MS Paint Adventure right, skull skull)

Caraku Levhat is about a young oliveblooded detective who resolves a bunch of federal issues and vast errors near and around the city he's in. The titular protagonist will probably have that Darkwing Duck personality if I can actually write that down.

The narration will be entirely built as a 1st person perspective from our main character, meaning everything that's told will be coming out of his own, hard-boiled words.

I can't read Homestuck so I'll just get some research outta the MSPA Wiki to help me be accurate a bit.

Jokes

Imagine a really bad gaming comic in the form of an MS Paint Adventure, minus the MS Paint and plus the Photoshop. Buckleyquest is basically most of the Ctrl+Alt+Del's comics (I have a terrible sense of humor so I can't tell if they're funny or not) that can be controlled through user input or author's choice. It has the same artstyle as the comic, albeit the first few panels, and sometimes, I have the potential to mock Ctrl+Alt+Del and its author in the fan adventure. It's gonna be the stupidest one I've made.

Dooj, simply put, is Homestuck, except a simple command will either change the storyline, change a character, add a character, or fuck everything up completely. And what's the command? DOOJ. Other commands made up as a weird word will also be included, such as MOOK, intended to revert the comic to its original story, and FOOP, which pauses the story automatically, shifting to the MSPA Reader's perspective.

Dooj may also include mockery against Homestuck, mockery against Andrew Hussie and his friends, sometimes shit I hate to write out, and cameos of characters and scenes from other webcomics.

I'm also making a similar project called KATEDREW MITCHUSSIE'S MAGNUM OPUS, which will mock Homestuck: Beyond Canon and will have a similar premise to DOOJ.

I was also planning to make a Jerkcity adventure but that would probably be controversial.