#and i want to do it nice for the few folks who like it

[gailynovelry]

I think I got the summary for Ember Warrior hashed out! Figured I'd post it here really quick to get a little feedback on it. I'm curious as to if it's interest-grabbing, and/or if there are any confusing sentences in there.

War has come for Rhimn. The unified feyrie courts strike back against the knights of the Irongardhe, casting the dark-winged shadow of Lady Death over Gadhi.

While Crislie wrestles with unexpected heritage and razes the frontlines of open warfare, her friends navigate the political intrigue of their Heraldry. As Meparik sets off on a diplomatic mission to convince the Ulluan Matrius to lend her aid, Navaeli parleys with the feyrie courts on behalf of General Morekai, hoping that he may hold the key to the cage of her Heraldry.

But allies may be more difficult to make than outright enemies. When Ullua is reluctant to make war with its neighbor, and the courtleaders and generals have agendas of their own, the situation might not be as straightforward as putting an ax through a foe . . .

And it’s far too easy for foes to pose as friends.

As the Ashen Army advances, the political imperatives of everyone’s roles threaten to devour them — but faltering could cost the lives and freedom of the fey of Rhimn.

[royalarchivist]

I say this in the kindest way possible, but I think this style of prose is more appropriate for a personal account rather than an update account. I have no idea who's being talked about half the time. 🥲

[ Tumblr meme via @mikaikaika ]

[moiraimyths]

Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.

Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)

Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!

For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^

[twilightarcade]

to do list for my eyes Only

[rowenabean]

[loregoddess]

more Octo2 thoughts bc it's been a hell of a weekend for me and I need something nice to think about (shh, my weekends are on weekdays, don't ask, just know tips are better on the real weekends, and I will eventually one day not work in food and have real weekends off again hopefully); under the cut bc lategame spoilers, as usual

alskdjaskld completely forgot Throne's Ch3 Father's Route, so I did that real fast before heading to Stormhail. Apparently? I forgot? Did not pay attention? To the fact that Sebastian/Father actually is never directly stated to be Claude's son, and insofar as we know he was just born in some shitty town and had to resort to stealing to survive (and therefore wasn't raised to be a Blacksnake), and joined the Blacksnakes of his own free will after moving to the city?? So like, sure he could still be Claude's son bc *vaguely gestures at Mr. Bigtits Sexiroth and his terrible horrible fucked up MGS-scheme to not be Vide's vessel* and it could be he was only allowed into the Blacksnakes bc he was secretly Claude's son, but it's still an interesting detail that unlike 99% of the Blacksnakes, he wasn't raised by/in the organization itself.

Marietta however does seem to have been part of the Blacksnakes, which has the disconcerting implication that she's uh, related to Claude despite bearing his child later on (which I honestly wouldn't put past him, and if Throne is somehow the Cleopatra of a fucked up Fantasy Ptolemy-esque family tree, I honestly wouldn't even question it at this point, there is so much weird shit going on in her story arc).

I'm still not entirely convinced Marietta didn't pull a Hatoful by pretending to kill her child w/ Sebastian and actually killing her child with Claude (making Throne actually Sebastian's daughter, and therefore making the whole "not Vide's vessel" thing make a bit more sense, although I have a new theory cooking for that as well that doesn't require her to not be Claude's actual daughter), but the evidence is stronger for Throne being Claude's literal daughter so, anyhow, her story arc is still a very messed up MGS-esque Fantasy John Wick story. But I mean, I still have one more chapter for Throne to try and scour for information for why she isn't Vide's vessel, what's going on w/ the Blacksnakes and their superpowers, and also how exactly the legend of the prince and princess might shed light on Solistia's distant past (I mean, we know the prince was probably Claude, but the princess? Arcanette maybe? and what of the two fighting kingdoms? does the Great Wall and the lost kingdom therein have something to do w/ it?)

Ochette's Stormhail chapter was pretty straightforward. I did waste most of my money buying fancy armor and weapons though, even with Partitio's 20% discount via his follower (who is ironically Masoud). It did have some interesting timeline info though (Glacis's egg was shattered 10 years before the start of the story, around the same time Ochette was required to choose her animal companion). I'm really going to have to watch a walkthrough/playthrough of everything though and actually take notes on the various years and stuff to put together a proper timeline one of these days...

Oh, and Osvald does say the Pit of D'arqest is "just south" of Stormhail in his banter w/ Temenos, so yeah, it seems like the Infernal Castle and the Pit of D'arqest are related if not the same location. Interesting to keep in mind for when I eventually go and level grind there.

Finally pinpointed the two things about Temenos's story arc that were irking me. The first I knew, and that was that "genocide survivor joins her peoples' killers and also seeks the power that her people literally abhorred which is also the source of power for her peoples' killers to...try and destroy said killers" just does not work as a plot for me. Love the concept of Kaldena as a character, but god her arc is a mess. Writer's could have done something more interesting with her than...all that. She deserved better writing.

The second thing is, uh, the entire Stormhail chapter. I didn't really process it my first run bc Crick's death is so out of left field that I was too surprised to think about it, but the pacing for this chapter is just...weird (certain scenes could have been slightly rewritten and put into Ch2, or at least the events could have been rearranged so there weren't these awkward pauses and transitions into new scenes; I get there were trying to let Crick get enough screentime to make his death matter, but honestly the entire thing is just kinda poorly paced by my tastes).

But more so than the pacing, HOW AM I SUPPOSED TO BELIEVE THAT BOTH TEMENOS AND CRICK ARE INTELLIGENT ADULTS which they clearly are except for this one thing IF THEY IMMEDIATELY SPLIT UP AFTER SOMEONE TRIED TO KILL THEM ONCE? HELLO? Is this a horror movie? Are you perhaps, young teens in a mediocre slasher flick? Someone tried to KILL YOU and you decide no, it's fine, let's take a break for the night, I'm going to the inn, you can head on back to the Sacred Guard which we just established is where the killer is hiding, this is a very logical, good plan with no flaws whatsoever.

Like, listen, I don't think Crick's death was really necessary (it doesn't actually add that much to the overall narrative in my opinion, aside from shock value, and we already had Jorg getting killed bc he Maes Hughes'd himself by knowing too much, you can't...pull the same trick twice without some fancier plot setup usually), but what really irks me about it was it was entirely avoidable if the two had just gone ahead and either investigated together (confrontation with Cubaryi could have still occured, except Crick would be there), or headed to the inn together since Crick's entire thing is protecting people and someone literally just tried to kill Temenos (and then they could have investigated and the chapter could have more or less played out the same except Crick may or may not die, like they could have had him die protecting Temenos before or after the fight w/ Cubaryi, although again, I don't think his death adds more to the story than leaving him alive would have, and my general thoughts on character deaths in fiction is that they should always be absolutely necessary for the entire narrative and plot to work)

So anyhow, yeah, Temenos's Stormhail chapter is actually where his story kinda starts to feel eh to me. I wish to release an army of puppies to chew on the writers' furniture and slippers, just for the frustration. Because like, as I thought, there doesn't have to be that many changes to Temenos's story to make it work for me, the pacing and random "horror movie protagonists IQ" doesn't work for me. Or Kaldena's writing. But both those things would require just the slightest rework to make the entire narrative flow smoothly.

Anyhow, looking forward to seeing Hikari get zapped off a bridge next (I know it's supposed to be serious and dramatic, but Rai Mei literally just zapping him off the bridge is so funny to me, she really just sees him and casts Bolt of Fuck Off). I'll also be keeping an eye out for Ori since her journals indicate she should be around for this next chapter.

[savage-rhi]

I'm very much a, "fuck yeah and fuck you, I don't need validation! I'm me, cunts!" kinda fella, but sometimes I could use support.

[queerholmcs]

x

[weaselle]

i had to make a solution for this for myself, mostly because of depression, but it makes a nice How To for folks who are low on spoons or could use some help in the kitchen.

Fortunately i was a professional cook for over a decade. UNfortunately the first post i made explaining it was suuuuper long. Let's see if i can do better

So you select any protein that you can cook in a frying pan -- chicken breasts, ground beef, pork chops, sausages, steak, chicken thighs, whatever. You also select one or two types of veggie (mushrooms or tubers also work, i just did this with potatoes and carrots for dinner tonight).

[i like cooking for vegetarians, but this is how i cook for myself when i'm low on spoons - perhaps i'll do another post for meatless meals]

You'll also need some kind of oil, and a sauce or two of your choice in a bottle. All cooking gear is a large frying pan with lid (i prefer non-stick) a spatula, a cutting board, and a knife.

You cut the veggies into bite size pieces, cut up enough for two meals. One kind of veggie is fine, or you can do mix two or three

Put frying pan on medium heat with a little oil. Tubers or mushrooms or go in the pan a few minutes before the protein. 2 portions of the protein goes in the pan, about 5 minutes with lid (don't worry you can still get a good sear on both sides)

Now flip your protein if it's flip-able and add normal veggies, put the lid back on another five-ish minutes.

Take your protein out and put it with one portion of the veggies in a microwave safe container. That's going to be your lunch tomorrow. Put the other portion of protein on a plate to rest (you have to let a cooked protein sit a couple minutes before you serve it or when you cut into it all the juices run out and it goes dry - the liquids thicken as it cools, preventing this drying out if you let it rest, the goal is to serve it very warm but not hot hot)

While it's resting, pour some sauce from your bottle in the pan with the rest of the veggies and turn up the heat. A single sauce/bottle is fine, i like to get fancy and mix a couple. Two examples of personal favorite mixes are 1: bbq sauce and a hot sauce like sriracha 2: roughly equal parts low sodium soy sauce and worcestershire (makes something similar to a teriyaki sauce) A swallow of wine is almost always a great option if you want to add that to your sauce too, just add it to the pan before the other sauces so the alcohol has time to burn off.

...

Here is the important bit. While your veggies are finishing, wash your cutting board and chef knife. Then when you dump your veggies and sauce over your protein on the plate, while it is still too hot to eat, you wash your frying pan and spatula before you eat. Now the only dishes you have left to do are your plate and fork. Maybe a steak knife.

...

The whole thing takes about 35 minutes even with washing the dishes, and that includes your lunch for the next day- just pour a different sauce on and stick it in the microwave for a couple minutes (or five minutes back in the frying pan) and you have a full healthy lunch with a different flavor

You can use this technique every single meal and it yields hundreds of combinations, from pork and potatoes bbq, to salmon and broccoli teriyaki, to chicken and zucchini in a soy glaze.

It will keep you down to less than an hour of kitchen time per day total for both lunch and dinner including all dish clean up, uses the least dishes, the least effort, requires the least technique, and is, depending on what you pick out, very affordable

here are a couple more examples from this month; i didn’t take pictures of the salmon i did recently, but you get the idea

it's not super fancy, but it is easy, affordable, quick, and any flavors you want. Hope this helps some folks

Happy Cooking!

[agayconcept]

.

[sehnsuchts-trunken]

(Don't You) Steal My Thunder

my tyler owens playlist 🤝 inspiring fic titles

Tyler Owens x fem!reader  7k words

summary: Tyler Owens is the most annoying man you've ever met. But he's set on getting you on his good side. And the more you get to know him, the less you can resist.

a/n: i had to research sm car stuff for this it's not funny. i now know exactly how to describe a truck bed though, so. that's fun.

again, my inbox is wide open <33 i don't guarantee anything, but you can always come talk to me or request smth

masterlist | twisters masterlist

Tyler Owens is the most annoying man you've ever met.

He prints his face on t-shirts, writes his autograph on mugs, comes up with ridiculous sayings ("Not My First Tornadeo" and "If you feel it, chase it" are really just the tip of the ice berg) and most importantly, he costs you the best shots of tornadoes every goddamn time.

Tyler Owens is a problem.

And Tyler Owens seems to have actively decided to make himself a problem too.

Which would be fine, if he flipped you the bird or told you to fuck off or threw his paper towels at you. Unluckily, those are rather examples of what you have done to him. Because it's not fine, not at all - no, Tyler Owens has decided that it's not enough to be in your way all the time, he has to seek you out and rub your nose in it.

Tyler Owens is the most annoying man you've ever met. He's cocky and he's arrogant and he's entirely too full of himself. He brags too much and calls you "weather girl" too often. He gets under your skin more than you would ever admit.

And, as if all of that isn't enough - Tyler Owens is the very epitome of handsomeness.

It's like god didn't just have a good day when he created Tyler Owens, no, god must have still been in the post-haze of the best head he'd gotten in his whole immortal life when he'd created Tyler Owens.

Because Tyler Owens has the body of a greek god and the face of a Hollywood actor. He's not a pornstar, he's who pornstars worship. He's the Prince Charming little girls dream of and the Christian Grey grown women lust for.

Tyler Owens looks like everything you've ever wanted.

But he's just such a fucking asshole.

You wish you could say you didn't care. You'd love to be the kind of woman who didn't even acknowledge him. But you're not. You're not. You watch his videos when you can't sleep, you chuckle when you happen to overhear his jokes, you ogle his back when he's turned away from you. Sometimes, you get so lost in staring at him that you realise too late when he turns back around, and then you have to act unbothered when he grins his fucking grin at you. That's mostly when you flip him off, desperately fighting to ignore the heat in your cheeks.

Not like it stops him. You honestly feel like it only spurs him on.

Something has to seriously be wrong with him. It's not his face. But something is seriously wrong with him, you're sure of that.

Something has to be wrong with him. No sane person would ever go tornado wrangling. No hate to the rest of his crew - they're nice, you've managed to hold a few pretty normal conversations with them here and there - but none of them are sane either.

Storm chasing is different. You keep your distance. All you need are a few well-placed photographs - and those you can get from a rather safe number of miles away. The weather channel doesn't care about close-ups (not really, anyway). They want something to show the people on their comfortable couches, up in New Hampshire or Maine, so that all of them can say to each other "What poor folks, wouldn't wanna live there" and nod in pity as they switch the channel to watch another blockbuster.

You're just doing your job.

The only problem is that it's hard to do your job properly when there's always that fucking red truck in the way, driving down empty roads right into the heart of the tornado. And because no one on the news wants people to see that and go "Well, can't be too bad if there's still cars on the streets!", in the last few months - ever since you'd volunteered to move back to Oklahoma 'So that we've got someone right in Tornado Alley and don't have to fly people out there every time' - the weather channel has only shown the first few minutes of tornadoes forming. The rest of your pictures and videos lie abandoned in the trash file on your laptop. Except for a few - a very, very few, very, very good pictures of Tyler Owens and his Tornado Wranglers. But those won't ever see the light of day either.

You'd be damned if you let anyone know that while Tyler Owens is busy disturbing your actual work, you're busy taking pictures of him shooting fireworks into tornadoes. Pictures that would make for some damn good headers (if you hadn't buried them far, far down your gallery).

This time is no different. You get a few amazing shots of the tornado forming – surely an EF2, maybe even an EF3 - before you settle in the driver's seat again, your window rolled down and your camera hung around your neck as you push down on the gas. Then, a few miles further, you get even better shots of the full tornado, of the first few minutes of destruction, right there, in the middle of an empty field.

And as always, of course, just as the tornado takes on full form, you spot that familiar red truck through the lens of your camera. It speeds down the pavement right in front of where you’ve swerved onto the side of the road and you snap a few pictures, just because you’ve got the trigger right underneath your finger. Honestly, something about that dirty red paint against the grey skies just looks too good not to capture. But then the truck comes closer and closer and starts to slow down and you let your camera sink.

Tyler has his window rolled down already when he stops the car. There’s that annoyingly handsome grin on his lips, the one that makes you want to slap him across the face.

“You’re too far away, weather girl”, he calls out above the rumble of distant wind and thunder. “The good pictures are down that way.”

“The good pictures are right here.” You lift your camera at him. “Maybe you just need to update your equipment.”

Tyler’s grin widens, but before he can throw another of those obnoxious retorts your way, Lilly’s voice rings out through the car.

“Hey, T, looks like it’s changing course. You should hurry.”

His eyes are still glued to yours, still glued so firmly to yours that it makes your skin crawl. You can’t look away, couldn’t possibly look away. Tyler Owens might just be a cocky asshole, but you’re only human. And the weight of his gaze on yours is enough to keep you stuck in place, clutching at your camera.

“We’re on our way, Lilly”, he drawls without looking away from you. “See you around, weather girl.”

The rest of the pictures you take land in your trash file with all the other pictures of the last few weeks. You’re laying in bed, your laptop propped up against a pillow, the empty plate from dinner on the mattress next to you as you sort through today’s work. That’s the good thing about the time difference – you’ve got until seven to send the channel the day's results.

By nine, you’ve showered, put on a dress you feel confident in and settled on one of the chairs at the local bar. You’ve been telling yourself you need to get out a little bit more – you’ve been living here three months now and you haven’t really made any friends so far. To be fair, your job has kept you out and about most of the time. You’ve spent more hours at gas stations to fill up your tank than you have in your own home. But now you’ve decided to put an end to that. You're a young woman in a new town, you can meet more people than just the cashier at the local supermarket.

So for the past twenty minutes, you’ve been nursing a mojito at the counter and talking to the bartender. She’s nice, she’s your age, she’s extroverted enough to keep sidling up to you after every time she has to excuse herself to do her job. That, and she tells you she’s grown up here, so she knows most of the people around. She’s just serving another customer – a long-haired, brown-eyed, hat-wearing country guy who’s already shared a smile or two with you – when someone rests their arm on the countertop next to you.

“Didn’t expect to see you here”, he drawls, all low, deep Southern accent and you recognise his voice before you’ve even tilted your head up and looked at him. His grin drips down onto his words and wraps itself around your mind.

Tyler Owens isn’t just annoying – he’s unbelievable. He's unbelievable and he’s here.

“So you’re stalking me now”, you say, as drily as you can possibly manage. You've been doing that a lot around him. Dead-panning everything. Schooling your expression into fake neutrality.

"I'm here all the time, weather girl", he grins. "If anything, you're stalking me."

You snort, but it's rather unfunny when you think of all the videos you've watched, hours after they'd been livestreamed, cuddled up in your bed until midnight just to stare at his face. He's not that far from the truth.

"In your dreams, Owens", you say anyway, dragging your eyes back towards your almost empty cocktail glass. You wrap your lips around your straw and drain your drink entirely. What you say and what you do, none of that matters in the end. All of this is just show. Every conversation you've had with Tyler Owens in the last three months has been nothing but a performance. Other than your name, you don't think a single sentence out of your mouth has been honest. Not when it comes to him.

"Let me buy you a beer" is the only answer you get.

His grin widens when you look back up again - so cocky, so unbelievably cocky.

"I don't drink."

You push your glass an inch further down the bar top. Tyler raises his eyebrows. Fuck, someone really needs to kick him in the face. You can't keep having all these little heart attacks whenever he's close enough that you could touch him if you wanted.

Not that you want to.

"You're drinking right now", he says. You rest your palms against the bar top and blink at him.

"I don't drink with you."

He lets out a chuckle, one of those deep ones that settle right in your chest and make it hard to swallow.

"Just this once?", he asks and in all honesty, for just a second there, you actually consider giving in. He's too handsome for his own good. You really need to get it together. He's an ass (what an ass, goddamn). And he's insane. He's an insane ass. Sometimes you have to remind yourself of that - those times like now, when his piercing eyes and his kissable lips and his rugged stubble and his broad, broad shoulders and his drawled voice overshadow everything else.

"Don't you have some livestreaming to do?", you ask, hoping it still comes across just as sarcastic when you're the slightest bit distracted by how gloriously tight the sleeves of his flannel are. "Go chasing tornadoes, not me."

His grin widens inexplicably further. You're sure that if you were in a comic, there'd be a lightbulb flashing above his head right about now.

"Well", he drawls, "if you feel it..."

"Don't you do that shit to me, Owens."

He's raising his eyebrows again, raising his eyebrows as you clasp your hand around your empty glass so hard your knuckles turn white. But you're serious. Just as you'd lost yourself in the view of him, that angelic, sinful view of him, he'd gone and reminded you why you were so adamant to keep your distance. If you feel it, chase it. Ridiculous. Obnoxious. He's an arrogant, know-it-all, suicidal job-wrecker. He's the guy with cameras pointed at him everywhere he goes. He signs mugs and selfies and hats and shirts and bras. He's the reason you haven't gotten a single un-edited shot of a fully formed tornado in the last three months.

"You're not a fan of my catchphrase, weather girl?"

He can't even pretend to look wounded (even though he tries) with how big the grin on his lips still is. You stare right at him, dead-eyed and unflinching.

"I'm not a fan of you."

Lies slip off your tongue so easily by now that you wonder when you'd become morally compromised enough to not even care anymore. It must've happened somewhere along the way, sometime between the first conversation you'd had with him and the one you're having with him right now.

"You wound me", he grins, his palm pressed to his chest.

For the first time tonight, you allow yourself to grin back at him.

"I try."

With that, you slip off your chair and wave the bartender goodbye. You're already two steps away when Tyler calls after you.

"I'd still buy you a beer."

"I'm still not drinking with you", you call back. You don't turn around again. You just make your way back to your car and mark the evening as a half-successful night of socialising on your to-do list.

...

You see him again first thing the next day. Of course. Because there's no tornadoes without the Tornado Wranglers on their tail. By now, you're used to it. You wave at Dani as they come back out of the store at the gas station you're waiting at. They've got both arms full of coffees and for a second, you consider offering your help, but then you hear Tyler shout something out of his car and you suddenly don't feel any desire whatsoever to get up. You've sat yourself down in your truck bed, your camera slung around your neck and the radar on your lap. If all goes right, you're hoping for a tornado to form a little to the east from here. And as much as you dislike Tyler Owens, the fact that he's here soothes your nerves. Where he goes, there's sure to be tornadoes close by.

The few times you hadn't seen him had never ended well for you. You'd missed an EF3 your second week here just because you'd followed the wrong hunch. Meanwhile Tyler, of course, had been in the middle of it.

This might just be the one singular situation that you welcome seeing his red truck around. As long as you can manage to overtake him on the road after.

It's not that you need to be faster. You don't need to reach the tornado first. You don't even take the same way as him most of the time. He wants in there, you just want a sensible picture. Still, you can't help but feel a pang of disappointment every time you hit the brakes and jump out of your car, miles away from the actual cell as Tyler speeds down towards it. You've been telling yourself that it's because he ruins your pictures. It kind of is.

"Hey, weather girl!"

You let out a resigned breath as you tilt your head up and squint against the sun. He's still in his truck, his window rolled down, his elbow propped up against the car door.

"What do you want, Owens?"

Your fingers itch to reach for your camera. It's a visual, him in that fucking car, leaning out of his window with the sun peaking out behind him. But you can't, you can't take a picture of him this openly. Even if you were to argue that it's just the light you'd wanted to capture.

"To give you some advice", he calls out, his lips pulling into a grin. You raise your eyebrows at him. "East isn't gonna work out. Wind's changing. Go south."

He throws you a mock salute and hits the gas before you can say anything else.

Not that you'd been about to.

Instead you just curse to yourself, jump off the truck bed and throw your treacherous technology into the passenger seat with a little too much vigor. Fuck this. You sit at the steering wheel and stare out at the sky for exactly two seconds before you make your decision. Then you start your car and drive south.

You may not be a fan of Tyler Owens, but you've long since admitted to yourself that this man has got a gift. He has an unbeatable instinct when it comes to storms. And sure, you have your fair share of knowledge, but in the end, you're a photographer, not a meteorologist. You won't miss a day's work just because you're too proud to listen to Tyler.

You're a little further behind, but you can spot his truck and guess that he's driving straight on into the cell today, so you take a right and decide to try your luck with the side of the tornado. Not being right in its path doesn't sound too bad anyway.

You actually manage to snap a few well-placed pictures. You don't know what Tyler's doing, but it seems like he's not shooting random shit up the cell today. You'll watch the stream later - you're just the slightest bit curious now what's happening with them. Maybe they're doing some old-school chasing? Or maybe they're doing a challenge. Maybe Tyler is driving blindfolded. At this point, who knows.

It's good for you though. It's a considerable tornado today, an EF2 at least, and you only spot Tyler's red truck again when the cell moves further down the fields, away from him. It doesn't look like it's gonna disappear anytime soon. Maybe today's your lucky day.

Half an hour later, you're sure you've got at least a dozen pictures of the fully formed tornado, long touched down and without the red truck in the way.

You're just packing up your things, already sifting through the photos on your camera, squinting against the sunlight, trying to both tug the zipper of your bag closed and hit the right buttons at the same time when Tyler pulls up next to you.

"You look busy, weather girl", he says, already grinning that damn grin again.

"I am", you say - truthfully, for once. You let go of your bag and lower your camera. You're hesitant, but... "Thanks for the tip."

"Anytime", he grins. "Just do me one favour."

You already know this can't be good. Not with that cheeky look on his face. But he'd just saved you from chasing hot air (quite literally), so he deserves a little treat. And you don't want unsettled scores with Tyler Owens.

"I want to know what favour that's supposed to be before I agree", you say anyway, because with him, you can never be too careful. And in the end, you're only willing to do so much. (Though for him, you'd already do a lot more than you'd admit. A lot more than you hope he's aware of.)

"Let me buy you a beer", he says, and for once, he sounds serious.

The memory of yesterday night flashes before your eyes, of those same words at the bar. With him so close, way too close - with that grin and that stubble and that voice and those shoulders. You cross your arms and stare at him.

"If you're livestreaming this, I'm gonna sue your ass so hard."

He just lets out a chuckle and raises his hands in surrender.

"Cameras are off, I swear."

You stare at him for another silent ten or so seconds. At him in that fucking truck that looks just a little too good in your pictures. At him and his fucking face. That fucking face that you certainly wouldn't mind sitting on, if just to shut him up.

God, he's asking you to drink something with him. He's asking to buy you something to drink with him. You're stupid.

You're so, so stupid.

"Alright, cowboy", you say, uncrossing your arms and reaching for the handle of your car door. "I'll humour you."

...

You're in the bar again by nine that night, the same way you had been the day before. You're wearing a different dress and there's a different bartender, but you've ordered the same mojito and chosen the same place to sit.

Only this time, you're actively watching the door. And when Tyler strolls in, you've got to shift around in your seat and cross your legs. You don't even pretend you're not staring. You just ogle him openly. Not for the first time ever - you'd checked him out very obviously when he'd strutted towards you to introduce himself three months ago - but definitely for the first time in a while. And god yeah, he's a hunk of a man, alright. If you had your camera here right now...

But you don't. So instead, you drop your eyes to his feet (brown leather boots), drag them up his legs (blue jeans), over his chest (red checkered flannel), over his face (god, what you wouldn't give-) and finally rest them on the cowboy hat on top of his head.

When he's close enough to hear you, already grinning, of course, probably at how you're actually sitting there in the same spot as yesterday and hadn't just lied to his face about coming here, you raise your eyebrows at him.

"A cowboy hat?", you ask, your voice as unbothered as you can possibly manage (even though you're very, very, very much bothered right now). His grin only widens.

"Ladies love country boys", he drawls with a shrug.

"Now that's straight out of a song", you say. "You're getting lazy, Owens."

"A song?", he asks. "No, that's an Owens Original."

You pull your eyebrows even further up.

"Ladies love country boys? Trace Adkins?"

"Nope. Not familiar."

But his grin tells you that he's lying. He's a liar. He knows very well where he got that line from. And he knows just how easily he got under your skin with his simple trick. As if his face isn't enough already.

You just shake your head and turn away from him.

"Put your money where your mouth is, Owens. Buy me a beer."

...

Tyler Owens is the most annoying man you've ever met. But he's also a great conversationalist.

The hours fly by as you're talking. One beer turns into two, then into an uncountable number of soft drinks. You both agree that you need to drive home, neither of you is willing to risk a run-in with the police. You need your drivers license for your jobs.

Tyler talks to you about the pictures you've taken today, then about the pictures from last week. He laughs when you blame him for ruining half of them and almost spits out his coke when you slap his arm for laughing at you. He tells you about his crew, about the people they've helped with the money from their dumb t-shirt sales. You think you hate him less by the minute. You're not sure if you're okay with that. But he gets you talking about your childhood and your parents, about school and college and about how you've wound back up here in Oklahoma. That effectively distracts you.

That, and how his cocky grin morphs into a genuine smile the more you open up.

Not that you didn't love the cocky grin. You did, just a bit. As obnoxious as it was. But the way he smiles at you all sweet has you melting right in your spot.

It's not the first time you realise that beneath all that rough exterior, there beats a heart of gold. You've known what those t-shirt sales are for, that he offers food and water after a tornado hits a town, that he carries the injured out of the ruins of their houses and helps find lost dogs. The more you've been around him in the past weeks, the more you've seen of his soft side. Of the way he cares and supports. But in the end, it always is easier to go back to the status quo - to fall back onto mindless snark and fleeting first impressions.

You'd clung so desperately to the image of him as this arrogant, smug, holier-than-thou influencer god for the sole purpose of keeping your own sanity. Because you'd known that without despising him, you would fall head over heels for Tyler Owens, and you just couldn't have that.

But now, with his arm brushing against yours and his hat discarded on the bar top and his smile, that beautiful, beautiful smile on his lips...

"Five bucks", he drawls, already reaching for his wallet.

"What?"

"Five bucks says there won't be a tornado tomorrow."

You raise your eyebrows at him, your glass hovering in mid-air between the two of you. You'd meant to take a sip, but now you're setting it right back down on the bar top.

"You're shitting me."

Tyler just shakes his head. He's grinning again, but it's much softer this time around.

"The winds are looking great. The forecast says it's gonna be the best conditions for tornadoes we've seen in the last six weeks. I've heard Dexter talk about how we're probably gonna see an EF4 tomorrow", you tell him, even though you're sure he's well aware of all of it. This is Tyler Owens, for god's sake. He knows about the winds and the forecasts. He knows that his crew is making preparations already.

His grin only grows. And it's smug now. It's cocky now. It's everything you thought you'd left behind during this conversation. He looks like the Tornado Wrangler again, like the guy who fucks up your pictures and makes your job harder than it already is.

It takes you a second too long to realise why.

"Dexter said that on our live", he grins, as if he can't quite believe what he's hearing. You physically recoil from him. "Do you watch our streams, weather girl?"

"No", you breathe, rigid and frozen, shocked to your very core. No, no, no, no, this cannot be happening. This cannot be happening. You'd... You hadn't made that mistake. He hadn't got you to make that mistake.

"Dexter talked about tomorrow on our live", Tyler says again, straightening his back and grinning down at you like he's just uncovered the lost grave of Cleopatra. "Only on the live. You watched our stream."

"No", you mutter, your eyes wide and your mouth dry, so dry. You need to drink. You need to drink so badly. "No, I didn't."

"Yes, you did. You watched our stream, honey."

The petname runs down your spine and clogs your senses. Honey. Oh, he's an ass, he's an asshole! But you're on the spot, you're on the spot and he's calling you honey, honey, honey. You can't do anything but watch as he leans closer to you, grinning down at you like it's his one true purpose on this earth, like he wants to eat you alive.

"I'd say you watch our streams pretty regularly, weather girl."

You swallow hard and clasp your hand around your glass.

"Yeah?", you breathe, hoping against all hope that your voice sounds somewhat innocent. You're sure it doesn't. You know it doesn't. You probably sound as guilty as you are, but... Hope dies last. Hope always dies last. "Why would you say that?"

"Just a hunch." He shows off those pearly fucking whites for you. "Call it an instinct. I'm usually right."

He is.

He's right now. He's right usually.

Him and his fucking instinct. His goddamn gut feeling about tornadoes, always right all the fucking time. He's like an Oklahoma Jesus. The first coming of Tornado Christ.

Fuck him.

Fuck him.

"I'll take your bet." You drain your glass at once. "Give me your five bucks, Owens."

You don't think it'll work. You don't think he'll let you distract him. You don't think it'll be this easy to stop his vile teasing. He's not the type of guy to let something go. He's not the type of guy to let anything go ever. But he looks at you and he grins at you and he trails his eyes over your face and then he opens up his wallet and pulls out five dollars without another word.

He puts the bill flat on the bar top.

But when you go to reach for it, he pushes his fingers down.

"The price just went up", he says.

You raise your eyebrows and let your hand sink again. Tyler is absolutely unpredictable. You should've known.

"The price just went up?", you repeat. He nods. "What more do you want to bet?"

He's closer now, closer all of a sudden. He's too close, close enough to make your breath hitch. He's looking down at you with that cocky, cheeky grin, with his weirdly green eyes, with his three day stubble and his generally much too symmetrical face. You can't do anything but look back up at him.

"A kiss", he says. Simple as that.

A kiss.

Tyler Owens is the most annoying man you've ever met. He is. Truly. He's annoying and way too full of himself and much too presumptuous. Tyler Owens is the only man who would ever do something like this. The only man who'd bet a kiss on whether or not there will be tornadoes tomorrow.

Especially with that forecast.

The one that says a tornado is basically inevitable.

"Alright", you say. He may be Tyler Owens, the guy with an infallible instinct - but he is also Tyler Owens, the guy who's been doing his hardest to get under your skin. This time might not be any different. For all you know, he's bluffing to rile you up. "I'm in."

...

At eleven the next day, you're standing next to Dexter in resigned silence.

"I really thought today was gonna pan out", you mutter.

"It should have", Dexter frowns, tapping against the screen in his hands. "It should have worked out. The conditions should have been perfect. Everything's been building the last few days."

"But it collapsed this morning."

You turn your head and watch as Tyler comes to a stand next to you, arms crossed, eyes locked on the clear sky up above. He tilts his head to you and grins. Fuck, he's wearing his goddamn hat again. It's like he doesn't even try to be normal.

"Hey, weather girl", he greets. "Ready to cash out your bet?"

You shake your head at him. No, you're not giving up this easily. You never give up this easily.

"The day's not over yet, Owens. You haven't won 'til midnight."

...

You spend most of the next hours sitting in your truck bed, reading a book you'd thrown into your backseat weeks ago and had so far neglected. Lilly hands you lunch around two, Dani offers you a coffee around five and Boone pipes up here and there to joke about the wasted day. Around six, Dexter comes by to let you know they're calling it.

You still have another hour to go. By seven, it'll be too late to send your pictures anyway. But you want the hour. You need the hour.

You still haven't decided what to do about Tyler. About Tyler and his fucking bet.

He's been loitering the whole day, walking by, joking around with his crew, livestreaming a spontaneous q&a just because.

And the more minutes tick by, the harder it is to keep ignoring that you've most definitely lost the bet. Even though you do your best. You read, you check your phone. You stare at your radar. You stare at the weather forecast. You talk to Dexter and Dani and Lilly and Boone. You take a few pictures of the sky. Then you take a few pictures of Tyler, standing some feet away from his truck and looking out at the clouds.

It's only when two of three Tornado Wranglers cars are disappearing down the road, when Tyler Owens suddenly stands in front of your truck bed, that you put down your book and face reality.

"No tornadoes in sight", he says, instead of 'Hello' or 'How are you' like any other person would.

"There's still six hours left", you reason. Even if only one of those is relevant for your job today.

"You really want to wait out six hours to prove I'm right?"

"You're not right", you argue. It's fruitless, it's stupid, it's unreasonable. But... "Not yet, anyway."

Tyler raises his eyebrows at you, lets out an amused chuckle and leans against the side of your truck bed.

"Alright, so we wait."

You eye him from the side. He's fucking leaning against your truck, staring out at the sky, talking about six hours. Goddamn. He can't be serious, can he? His crew is already gone. They've disappeared into the descending sun and he's talking about waiting another six hours. Leaned against your car.

"Fuck's sake, Owens", you sigh, scooching over to the right. "At least sit down then."

You don't talk much at first. You just open your book back up again and try your hardest to ignore that he's even here at all, barely two feet away from you on the other side of your truck bed. If you stretched your leg, you'd hit him right in the hip.

It makes reading close to impossible.

Even though he's not doing anything at all. He's just sitting there, one arm propped up on the side board, that goddamn cowboy hat on his head and his feet hanging off the opened tailgate. It's almost worse that he's not doing anything.

That he's just sitting there and watching the sky change.

You give up on reading entirely when you realise that you've finished exactly five pages in half an hour. Instead, you put your book back in the car, pull out your bluetooth speaker and two water bottles and offer Tyler one of them.

You don't even ask him what music he wants to listen to. You just put on your country playlist and roll with it. By the twitch of his lips, you know he certainly doesn't mind.

Another half hour later, it's starting to get chilly and you're beginning to grow bored of the music. Tyler sitting next to you makes you fidgety, somehow, and you can't really enjoy the songs you usually love so much. So you switch to a podcast. You don't ask Tyler if he minds. He's free to go anytime.

Around eight, the sun starts to set, and the chill turns into an unpleasant cool. You hadn't really expected to be sitting out here so long. You're not prepared for the temperature to drop. You're wearing shorts, for god's sake, shorts and a top. It's summer in Oklahoma - you don't know how Tyler even manages to survive in his long jeans. You certainly wouldn't.

But now you're a little jealous, to be honest. He doesn't look cold in the slightest while you're fighting off shivers. You can feel your hands trembling already.

You really should've brought a jacket. But who brings jackets in 30 degree summer weather?

So instead, you just resign yourself to your fate and rub your hands along your arms. Anything to get some warmth into your body.

For the first time since you've sat back down, Tyler turns his head and looks at you.

"You're cold", he says, eyes raking over your arms and the goosebumps you'd gotten.

"Great observational skills, Sherlock Holmes", you deadpan, even though he doesn't really deserve that. He had so far left you pretty much alone. "A+ on that assignment."

Well, it's hard to break bad habits.

Tyler just chuckles, shakes his head and pushes off of the truck bed. You watch, eyes narrowed, as he walks back to his own car, opens up the trunk and- pulls out a blanket?

Your hands have sunken down to your lap all by themselves by the time he's standing in front of you again, holding out the blanket.

"For you, Watson", he grins as you slowly, carefully take the blanket from him. You mutter something along the lines of a soft 'Thank you' before you wrap the blanket around your arms.

Tyler Owens is the most annoying man you've ever met. But he's also the very definition of "Tough on the outside, soft on the inside". Sometimes, you think the word 'angelic' works for more than just his divine looks.

Your eyes are glued to him as he sits back down next to you and looks out at the darkening sky with that signature grin on his lips, like he knows that you're watching him and enjoys it more than he should. That doesn't deter you though. For the very first time. You don't even stop staring when he turns his head back to you. You don't even stop staring then.

You just look at him until his grin crumbles. Until he's smiling that smile from yesterday night, the one that has your heart squeezing together and then exploding in your chest. You think you could stare at that smile for the rest of eternity and never feel sated.

"What?", he asks, his voice so soft it makes you swallow. Your lips part, but there's no words on your tongue, none in your throat. They're stuck in your chest somewhere, wrapped around your heart so tightly that you can't let them go even now. So you just press your lips together, wrap your blanket tighter around yourself and say:

"So I'm Watson, yeah?"

Your podcast is long forgotten by the time the sky turns dark. So dark that you make Tyler climb into your car and turn on the lights. You're comfortable in your blanket, you don't feel the need to move.

It's around ten when the blanket isn't enough anymore.

You tuck your hands underneath your top, but that only helps for so long. A few minutes later, you're trembling again, trembling even though you're pulling the blanket as tightly around you as you possibly can. Tyler raises his eyebrows when a particularly heavy shiver runs down your spine, one of those that come and go within three seconds.

"Come here", he says, shuffling in his spot and motioning for you to move over to him. You don't really think about it. It's more of a reflex as you fumble the blanket off of your body, scooch over to him, settle yourself against his side and sneak your feet under his thigh. He tugs the blanket back up to your chin, tucks it in behind your back and wraps his arms around you.

Tyler Owens wraps his arms around you.

And he's so fucking warm you literally almost moan. God, you hadn't actually realised just how cold you'd been.

"Damn, you're freezing", he notes as well, just as you nestle further into him and hum in agreement. He's like a living heater right now. You'd like to just crawl inside of him and suck up all his warmth. "You should've told me sooner."

"I didn't tell you at all", you mutter, closing your eyes and taking a deep breath. He smells good. He smells so good. Earthy, musky somehow. You're tempted to turn your head and bury your nose in his shoulder.

Instead, you just satisfy yourself with what you can get. Fuck, he smells so good. He smells just like you'd thought he would, like country and rodeo and thunderstorms. He smells like falling into bed at the end of a successful chase. He smells like more. You want more.

You want more of Tyler Owens.

"Are you sniffing me?", he asks suddenly, but he sounds so amused you can't even bring yourself to feel embarrassed. You just open your eyes and grin at him, tilting your head so you can look up at him.

"What if I am?", you ask, if only to hear that breathless chuckle fall from his lips. Oh, those lips. You're in trouble. "Are you gonna call the cops on me?"

"I could never."

"Yeah, you better not, cowboy", you mutter, eyes dropping to his lips when he grins. He's so close. He's way too close. "There's like thirty things I could call the cops about on your channel."

His grin grows until he's showing off his teeth, glinting against the low light of the leds in your car. He's closer now.

"So you do watch our streams, weather girl."

His voice is so low and he's so close, so close. Your lips part all on their own. You haven't looked back up at his eyes in too long. Far too long. But he's so close, and he's so warm, and he smells so good.

"Alright", you whisper. His mouth is barely an inch from yours. You can feel every breath he takes. "I watch your streams."

And then your lips are on his.

Tyler Owens is the most annoying man you've ever met. He's cocky and he's smug. He makes your job harder than it has to be. He does everything and anything to get under your skin. But Tyler Ownes is the best goddamn kisser this side of the globe.

He trails his hands, his big, big hands, down your sides, pushes the blanket out of the way and grabs at your waist with just enough firmness. He pulls you onto his lap and rests his thumbs over the hem of your top. He breathes into your mouth and takes it slow. He doesn't care that you almost knock his hat out of the way when you try to wrap your arms around his neck. He just holds you tightly to him and lets you tug on his lip.

You honestly don't know how much time has passed when he pulls back, grinning an entirely new grin at you, hazy and euphoric.

"It's not midnight yet", he mutters, the slightest bit out of breath.

"I don't care", you mumble, drawing him right back in for another kiss. You think you might be addicted. You simply can't get enough of him. You can't get enough of Tyler Owens.

But then a thought strikes you, and you pull away with a grin that makes him raise his eyebrows.

You chuckle against his lips.

"If you feel it, chase it, right?"

[copperbadge]

Recently I ran across an article about an art center that was doing creative expression classes for people with disabilities. Not that unusual, I've encountered that and trauma-oriented art therapy before, but it was the first time I'd come across the idea since getting diagnosed with ADHD. While the class was aimed more at high-needs disabilities, it occurred to me that I could -- if I wanted -- make non-prose art about being disabled.

Outside of my work in scene design I've never been much of a visual artist because I've never felt I had the combination of "something to say" and "a meaningful way to say it", but I started to question how meaningful and complex I really had to be to just make some statements about having ADHD. I can do it in prose, after all.

So I started thinking about how you would talk, in visual language, about things like time blindness, shame stemming from undiagnosed disability, the shift in behavior that medication can induce. Ways to express my condition to people who don't experience it. I still didn't really know how to build the pieces but whenever I went to an art museum I'd think about how I might do a gallery installation. The centerpiece of my mental gallery was a pair of barcodes, one marked "Neurotypical" and one marked "Neurodivergent".

[ID: An interior view of a small booklet, with pages marked 1 and 2, showing barcodes -- on the left, labeled Neurotypical, and on the right, in slightly weirder configuration, labeled Neurodivergent.]

And then I thought, why not make a zine? Nothing you're thinking of couldn't be put in zine form instead of on a gallery wall.

[ID: The booklet continues to pages 3 and 4; on page 3 is a postage-style label reading AUTISM with up arrows on either side, and on page 4 is a QR code labeled ADHD. The QR code technically should work but it just dumps a block of text I wrote about having ADHD into a browser.]

I grew up with zine culture in the 90s and I always wanted to make one but much like with visual art, I never felt like I had the right kind of thing to say; either I had too much to say or too little, and anyway I wasn't confident that what I wanted to do wouldn't just come off as trite and obvious. But you can make a six-page zine out of a single sheet of paper, so I did: I made Helpful Labels For Strange Brains by idab zines, a division of Extribulum Press. (i--dab is a term for a cuneiform tablet that contains a royal communication.)

[ID: The last two pages feature the same image -- a cereal bowl with a spoon in it, the spoon containing a single Adderall pill. One image, however, is captioned "Wake up. Pour yourself a cup of iced coffee. Fix a bowl of cereal. It's going to be a good day." while the other is covered in a detailed ADHD-style step-by-step process for the same actions, culminating in "It's going to be a day like that."]

I'm pretty pleased with how it came out -- the art all looks intentional and it still has that "taped this together after school" aesthetic I remember fondly from the 90s. And the confines of six pages, each only a few inches square, offers a good structure to keep things clear, simple, and meaningful.

[ID: The cover of the zine, labeled "Helpful Labels For Strange Brains" in a kind of esoteric stampy font.]

Especially nice is that if you wanted to you could just hand out the flat sheet, and let folks fold it into a booklet or not -- there's instructions for folding it on the back of the zine. Additionally I have some sticker backed printer paper so I could print it such that you could literally turn the labels into real labels.

Anyway if you want it, here ya go. You can print it on a single sheet of paper and follow the instructions on the back to fold it. I thought about selling it but I do not have the spoons to do a bunch of printing and folding and shipping.

[were--ralph]

why exactly do you dislike generative art so much? i know its been misused by some folks, but like, why blame a tool because it gets used by shitty people? Why not just... blame the people who are shitty? I mean this in genuinely good faith, you seem like a pretty nice guy normally, but i guess it just makes me confused how... severe? your reactions are sometimes to it. There's a lot of nuance to conversation about it, and by folks a lot smarter than I (I suggest checking out the Are We Art Yet or "AWAY" group! They've got a lot on their page about the ethical use of Image generation software by individuals, and it really helped explain some things I was confused about). I know on my end, it made me think about why I personally was so reactive about Who was allowed to make art and How/Why. Again, all this in good faith, and I'm not asking you to like, Explain yourself or anything- If you just read this and decide to delete it instead of answering, all good! I just hope maybe you'll look into *why* some people advocate for generative software as strongly as they do, and listen to what they have to say about things -🦜

if Ai genuinely generated its own content I wouldn't have as much of a problem with it, however what Ai currently does is scrape other people's art, collect it, and then build something based off of others stolen works without crediting them. It's like. stealing other peoples art, mashing it together, then saying "this is mine i can not only profit of it but i can use it to cut costs in other industries.

this is more evident by people not "making" art but instead using prompts. Its like going to McDonalds and saying "Burger. Big, Juicy, etc, etc" then instead of a worker making the burger it uses an algorithm to build a burger based off of several restaurant's recepies.

example

the left is AI art, the right is one of the artists (Lindong) who it pulled the art style from. it's literally mass producing someone's artstyle by taking their art then using an algorithm to rebuild it in any context. this is even more apparent when you see ai art also tries to recreate artists watermarks and generally blends them together making it unintelligible.

Aside from that theres a lot of other ethical problems with it including generating pretty awful content, including but not limited to cp. It also uses a lot of processing power and apparently water? I haven't caught up on the newer developements i've been depressed about it tbh

Then aside from those, studios are leaning towards Ai generation to replace having to pay people. I've seen professional voice actors complain on twitter that they haven't gotten as much work since ai voice generation started, artists are being cut down and replaced by ai art then having the remaining artists fix any errors in the ai art.

Even beyond those things are the potential for misinformation. Here's an experiment: Which of these two are ai generated?

ready?

These two are both entirely ai generated. I have no idea if they're real people, but in a few months you could ai generate a Biden sex scandal, you could generate politics in whatever situation you want, you can generate popular streamers nude, whatever. and worse yet is ai generated video is already being developed and it doesn't look bad.

I posted on this already but as of right now it only needs one clear frame of a body and it can generate motion. yeah there are issues but it's been like two years since ai development started being taken seriously and we've gotten to this point already. within another two years it'll be close to perfected. There was even tests done with tiktokers and it works. it just fucking works.

There is genuinely not one upside to ai art. at all. it's theft, it's harming peoples lives, its harming the environment, its cutting jobs back and hurting the economy, it's invading peoples privacy, its making pedophilia accessible, and more. it's a plague and there's no vaccine for it. And all because people don't want to take a year to learn anatomy.

[erwinsvow]

little sad bitchy!reader moment: her and rafe are at the country club with topper and kelce and some other friends of rafe and one of the guys starts saying how she would be a horrible wife and mother (bc of the way she is) and she honestly is so hurt by it and i think she would almost try to change the way she is around rafe a little just so he wouldn’t think that about her…

sobbing thinking about it and listening to this (https://www.tiktok.com/t/ZTLX2Pdcv/)

hi my love this was so amazing and wonderful to write! im sorry its kinda long, hope you like it ♡

in all honestly, you stopped caring what people said about you a long time ago. you weren't the way you were because it was funny, or to get a reaction out of others. that was just the way you've always been, and there was nothing you hated more than letting people walk all over you and get away it.

that must be why the comebacks would fly out of your mouth before you could stop them, if you even wanted to stop them. why you never stopped to think twice about the people who didn't want to talk to you again or the boys who didn't want a second date.

you weren't easy to handle, not that you wanted to be, but you knew you weren't.

it seemed easy enough for rafe though.

he never seemed to wish that you'd bite your tongue or tell you to act differently, behave a certain way. no, he'd laugh and fire back something, or agree with you and say something you remember to add to your collection of insults.

rafe liked you as you were. that's why he fought so long and hard to get you, something that you didn't take lightly. you were committed, and the more days that went by, you found yourself softening up more and more with him.

rafe knew a side of you that a select few had ever seen, much less engaged with. you liked it this way, having a boyfriend you could be yourself around and be a little soft around.

until you overhear a boy at the club talking about you. in all your years of life, you've never let a boy make you feel upset, and you didn't want to start now. a comeback brews the second he mentions your name—of course it's the idiot one, the one whose parents pay for his grades and doesn't know anything besides losing at pong and scaring away girls—but it dies in your throat when you hear the words that follow.

"i mean i get it, she's hot, but i don't know how cameron puts up with her."

"what're you talking about? she's just like him," kelce says, and you feel briefly grateful for him.

"dude, she's a bitch. i've never heard one nice thing come out of her mouth. totally untamed. you can't bring a girl like that home to your folks, they'd hate her. especially his folks. and don't even mention long-term. imagine coming home after working all day and your girl is bitching at you? i mean, no offense but what kind of kids is she gonna raise?"

you hear laughter, and when your face feels wet, and you're confused for a moment. you look up at the ceiling, wondering if there's a leak, when your eyes flood again and more tears fall down.

crying, and that too over what one of rafe's friends said about you. this isn't like you. frankly, it's pathetic. those idiotic boys don't know the first thing about you or your relationship with rafe—they don't know the conversations you have and all the things you both agree on and the way he laughs when you fire back at him.

but somehow, feet leading you outside and to your car, fingers texting rafe some excuse for why you went home early, you end up letting it affect you.

rafe comes over the next morning—he texted you something but you didn't reply. worried for a moment about something you've never been concerned with before, you think a nicer girl would have texted him back right away, that you should have texted him back.

he doesn't knock, never does. your parents aren't home but he has your spare key, letting himself in and up to your room. he stops at the doorway, leaning against the frame.

"hey. what happened last night?" he asks it like he doesn't know what happened—which is good, you want it to stay that way. the thing you would have said yesterday bubbles up, coming to your lips. maybe if you'd gotten your head out of your ass, you'd see my text.

"wasn't feeling good. came home."

"you feelin' okay now?" he gets closer to you, and you look up at your boyfriend. i'd be fine but that asshole you already hate ruined my mood. will you run him over in your truck?

"better." you stop for a moment, you don't want him to think something's wrong. "how was your night?" he looks at you a little confused.

"it was fine. borin' without you. kelce asked where you went too."

"y'know i always liked kelce," you say, smiling again. you think you can get better at this.

rafe takes you out for lunch, and then you wanted to go shopping in the afternoon and get your nails done. it's a whole day, and you like spending it with him. you swallow down what your mind usually thinks and opt for being nice instead, polite questions and trepid commentary.

the waiter brings you the wrong drink—and though you're not so much of a bitch to hurl insults at teenager servers, you're normally annoyed enough to say something and get your correct drink. instead you sip it quietly, waiting for rafe to start the conversation. when you don't, he looks at you in that confused way again.

"you okay?"

"yeah. fine. you okay?"

if he thinks something's wrong, he doesn't say anything. at the mall, nothing looks how you want and even the things you like don't feel right. you'd let rafe buy you whatever you want, normally giving him a twirl in the dressing room and thanking him very sweetly.

"you want that dress?" rafe asks, his arm resting on a rack while you comb through mindlessly.

"no, it was too short."

"that's never been an issue before." ha-ha. pervert. looking up my skirt aren't you? knew you were desperately horny for me but this is down bad even for you.

"trying to dress better. and it'll be cold soon."

"hey, look at me." rafe uses his hands on your shoulders to turn you from the clothes, facing him. "you okay baby?"

fuck, you know you messed up. he only calls you that when he's being serious—the rest of the time it's princess, angel, sweetheart. all things that you are definitely not.

"i'm okay. i just don't want it. but thank you." you don't know it, but he thinks you're upset with him, spending the next hour in the nail salon racking his mind for the reason why.

your nails are fine, they look pretty enough. shorter than normal with a clean french manicure, you admire them from a distance. you suddenly feel like crying again, wondering why you didn't get the pink acrylics you like, rhinestones and bows and all the other things that were pretty to look at when you flipped people off.

in rafe's passenger seat after, you keep staring at your hands, feeling another tear slip down. rafe's not looking at you, he's looking ahead, still unsure what was going on.

"baby, if i did something you gotta tell me, i don't like seein' you like this-" when he turns his head to glance at you, you're looking back at him with your pouty face and wet cheeks—two things he's never seen before. "hey. what's wrong?"

you couldn't stop the downpour if you tried—tears falling quick and fast. you hate that anyone's seeing you like this, especially rafe.

rafe is nice to you, and you soften up around him. you didn't really realize that he softens up around you too. he wipes your tears away, keeps a hand on yours the whole time.

"can you talk to me? what's goin' on?"

"yesterday.. one of those guys said that i was a bitch-"

"which one? to your face? when? i'll fuckin' kill him-"

"no, he didn't know i was there. it's not that, i know i am. i don't care about that. he said that-" your voice cracks, something else you hate, that you don't want rafe hearing. "sorry. he said you couldn't bring me home. and that you would hate coming home to me-me being all mean. and that our kids would be mean too."

yes, you're mean. but rafe's mean too, and none of your friends have ever said anything like that about him. you like that he's mean, that he's like you—you think he's the closest thing to a soulmate you could ever find.

"don't fuckin' listen to any of them for a second, got it? they don't know anything."

"rafe, i-"

"no, seriously. they yap because i wasn't there to knock him out. and he says it when you're gone 'cause he knows you'd make him cry if you were there." you sniffle, though you already feel better.

"but i didn't. i started crying instead." you hate even thinking about it.

"s'okay, it happens. but don't believe a word of that shit. i wanna come home to you everyday. hear everything you say. i want all of it."

"really?" you ask him, wiping away your tears, appreciating the hand on your thigh and how sincerely he's looking at you. "i thought you'd be mean if i cried in front of you."

"it's hard enough to be mean to you."

"you're such a sap. should we go get ice cream and braid each others hair after this?" he laughs, and you laugh. "thanks rafey."

"no problem, kid."

"don't call me that." rafe groans, and you smile.

[p1ssyhorroz]

Carnival Pomni 3D model!!!

yes you heard that right folks! I got so autistic over the Carnival AU (made by the amazing @sm-baby !!) that I made ANOTHER model!! And with that comes another turn around animation! This one is heavily compressed becouse ezgif is having some issues, but if those get fixed I will replace it with a higher quality gif! (I wanted to wait until its fixed, but this model has been done for a few days now and I'm very impatient, sorry lmao) This model is WAY more complicated than Jax, she has SO many bones her rig is a pain to look at, but at least the animations will be nice! (for example her hat and skirt?? dress?? both have bones to animate them flowing and interracting with objects!) She also has toggles such as: -normal and Restart face!! -normal and sharp teeth!!! -normal, small, scared, big black, and void eyes!!! I also, to the request of a friend (you know who you are), made her do the floss! Which I am really proud of actually!

if you like what I make PLEASE reblog > likes!!! Reblogs help me reach a wider audience! Thank you!!

[ominouspuff]

Kote’s House

Kote’s first house is a pathetic thing, and he is incurably proud of it. The twi’lek he purchased it from very evidently could not make up his mind what to do with a man that grinned while he haggled, but it was the first time Kote had haggled over a purchase of his very own. He had thoroughly enjoyed it.

The house is built for one being, and a compact being at that, but Kote doesn’t have much. Moving in is quick, and most of his efforts during the next few days after go into attempting ambitious repairs for things he doesn’t know the first thing about. 

His plumbing is an issue, he knows. Something is getting blocked up. Somehow while trying to fix the kitchen tumbler, his fresher spout explodes.

He hadn’t kept his new house a secret from anyone by any means, but it is still surprising when Fox barges in through his jamming front door. He finds Kote on the floor in his cramped kitchen while the fresher rains water in the adjacent room, laughing so hard and so crippled with delight that he can’t get up.

He tries to explain how wonderful it is —

“I-I have to fix my plumbing on my own, vod—”

—but judging by Fox’s single raised eyebrow he knows it doesn’t translate.

Fox, it turns out, is moving into the neighborhood. Kote doesn’t ask about the house Fox already has — the house he has visited, which is very nice and fancy — or point out that Fox’s contract there cannot possibly be up, which begs the question of why he’s here in Kote’s neighborhood — except that Kote already knows the answer to that question. So he doesn’t ask.

Fox doesn’t show him any grace or forbearance, though.

“Don’t even know how to fix a damn pipe, front lining show-off—” His brother snarls, but it is muffled; his top half had to go down beneath the floor they’d pried up to get at the plumbing issue.

“So that’s what they had you doing all these years.” Kote says, because he really is in a criminally good mood. He barely ducks the foot-long pipe Fox throws at his head, feeling giddy.

He makes dinner that night in thanks. Fox stays, ostensibly because now that he’s fixed the fresher he intends to use it, because his new house isn’t hooked up properly yet to all the supply lines and power grids. 

They choke on homemade tiingilar (vode-style; Kote can’t pretend at the real thing yet) so heavily spiced it’s got grit to it that sticks between the teeth. It’s disgusting, but Cody had bought fifteen different spices and while usually he likes to keep his approach to the unknown more cautious, more methodical, he couldn’t think of anything he wanted to do more than use them all at once for the first time. 

Wolffe joins them not long after; brings a few others along by recommending the apartment he picks out, so that soon most of the complex is taken up by vode, Kote hears, but he doesn’t visit yet. Everyone’s too busy coming over to his house, it seems; filling up his kitchen and asking why he hasn’t fixed the trash disposal yet, why he doesn’t have a couch, doesn’t he know they’re all the rage among civilized folk?

Kote fixes the trash disposal with Rex, who is better at it than he is but says it’s only due to Skywalker’s influence on managing all things mechanical. 

“How is Skywalker?” Kote asks, and gets more than he bargained for over the next hour. At first he’s a bit off-put, because he’s trying to get dinner sorted again and he’s not been very fond of Skywalker at the best of times, but Rex is snorting out a story and laughing and it’s contagious, so Kote just resigns himself and settles in to enjoy.

Skywalker has little ones, now. Obi-Wan is the only one that can get them to sleep. Ahsoka is distressed; she knows better, but every instinct in her is apparently in agony over the little ones’ inability to eat meat yet. She obsesses over nutrients in their diet — which, given what tiny natborn humans primarily ingest in the early stages, makes for some slightly awkward conversations.

Rex helps with dinner afterward, and they take turns being incredulous over natborn baby facts, shoving around one another in the tiny, uncomfortable kitchen.

“What’s your next project?” Rex asks at one point, glancing sidelong with a cheeky look, and Kote levels his vegetable knife at him (he’s got a vegetable knife. Specifically for vegetables. It’s a very new concept). 

“I make everyone’s dinner on Tuangsdays.” He says. “I’m productive.”

Rex’s sharp-toothed grin turns thoughtful. “Yeah” He says. “Everyone loves coming here, you know. You could be the new 79’s.”

Kote knows. He plans and plots, and puts more work into researching recipes than he’s put into any research whatsoever in months. It feels a bit like coming out of a shore leave; his thoughts quicken and his excitement grows. He hunts down a market. He brings a bag. He shops, bargains, and returns victorious.

He sends out a few comms., and can’t help but shake his head and grin at how different the responses are. 

What a marvelous idea, Cody. His general — ex-general — says.

Yus pls, Ahsoka sends back, with some sort of strange tooka vidclip that dances with wiggly gyrations Kote can only assume indicate excitement.

Where is your house, Anakin says, blunt and to the point, and Kote can appreciate that. 

He sends the address. He cooks all day. The sun sets, and Fox and Wolffe arrive, already bickering, Rex trailing behind with a long-suffering look sent to Kote, begging commiseration.

“Ugh, don’t you ever stop smiling, now?” He gripes when Kote just grins at him. 

“Nope,” Kote says, unrepentantly.

He leaves the soup on the stove, simmering, and takes his cup of caf to the window. He leans on it, breathing in cool air, and just listens — listens to the squabbling as Wolffe gets on Fox’s case for not washing Kote’s dishes correctly the last time they visited. Hears the soft thumps of Rex sneaking into the cramped room Kote has set aside for plants and the sole pet he has; a pastel goullian, fins swaying ever so gently, permanent scowl in place. Thinks he catches, distantly, the sound of his remaining three guests (Padme couldn’t attend, and had made him feel very awkward by how thoughtfully she apologized for it) plodding up the hill. 

“Cody!” Ahsoka cries, coming into view and waving. 

Kote’s cheeks have stopped aching from all the smiling he’s gotten used to, so it’s easy to let another through.