#and now I'm just upset that some people's parents are just | Explore Tumblr Posts and Blogs

long-live-astronerd-ghost-king · 1 month

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DPxDC prompt: Danny is Chronos' first child.

Well, not his first child biologically, to be completely honest.

It just so happened that the Phantom very often helped/helps/will help Clockwork at different times and his presence next to the titan required an explanation.

And the opportunity to call Zeus a little brother is worth a lot, right? So when the Ancient came up with this idea Phantom did not resist just to have such a pleasant bonus from their cooperation.

However, in the time of the gods and heroes, such a solution was not a problem. But in modern times, when Phantom tries to attract as little attention as possible in order to graduate from university, such relatives are more likely to cause a lot of problems.

~~~~~

Wonder Woman: Uncle Danny?

Superman, who wanted to chase away a teenager serenely strolling through still smoking battlefield, turns to Wonder Woman, who is waving affably at excactly this guy.

Well, Fenton honestly happened to be in Fawcett City by accident, and it just so happened that by chance it was on this sunny and cloudless day that the villains decided to cause riots worthy of the attention of the founders of the Justice League.

Danny: Diana! My dear, it seems like we really haven't seen each other not for a long time! In what century was it? Ah, I honestly, I barely remember it... The speed at which children grow up defies the laws of time. I mean, look at you! Your mother must be so proud. How's Dad? Still not paying child support, arrogant bastard?

Wonder Woman: Oh, uncle, please. I'm all grown up now, don't worry about me.

Danny: Hm, well, let's get back to this question later. I didn't want to embarrass you in front of your friends. Anyway, would you like to introduce them, little princess?

Wonder Woman: Of course, meet Kal El, Batman, and Shazam. The rest of the guys have already returned to our base. Would you like to...

Danny: Ooh, you're talking about, um... What do you young people call it? The Justice League, right? During my youth, the heroes rarely united and mostly performed all the feats alone. It's good that you help each other, kids.

Danny flies up a little to pat Superman and Batman on the head.

Under the Diana's gaze full of hope that they will get along with her uncle, the men do not move.

In the background:

Red Hood and Robin who used to hang out with Danny near the Lazarus pits: *sounds of seagulls dying of laughter*

~~~~~

Flash: So you're Diana's uncle?

Danny: Yes, call me Danny.

Flash: Cool, cool...

Danny: What does the temperature have to do with it? Do you need ice? Let me make some for you.

Flash: No, it's like,um, I didn't know that Zeus has a younger brother with that name. So, it's good to know?

Danny: Hmm, thanks. Many people tell me that I look quite young, hah. But actually I'm his older brother, so...

Flash: Older? Oh, I'm so sorry, I didn't mean to disrespect.

Danny: No, it's all right. It's "cool". I rarely appear on the pages of your human myths and legends, I know it. After all this business about Chronos devours his own children, my father punished me for a long time. So, yeah...It's a funny story.

Flash: Punished for what? How?

Danny: Uh, sitting in a room at a time when there is no Internet or electricity is not fun at all. You see, I just didn't want a younger brother or sister because I was afraid that my parents would pay less attention to me. So, I made up this stupid prophecy and persuaded Gaea to tell it in order to remain the only child in the family. My father would never have thought that I would decide to kill him, that's why...Phah, it's just a bad family story. In 10 thousand years, we'll all laugh about it.

Flash: Yeah, that's... funny.

~~~~

Danny *is woken up by an emergency call from the League at three in the morning, although he fell asleep at two o'clock* (he gave his contact so as not to upset his niece): I knew this would happen! I knew it!

~~~~

Billy Batson *stands in his human form in front of the Justice League and doesn't know what to say*,*sweating nervous*.

Danny *enters the hall*: What's up, mortals, Diana and...Batman? My father said that there is something that I have to be here for. Oh! Well, at least someone in this family is also a shapeshifter. Have you decided to make a younger form so that your uncle doesn't feel lonely? What a good boy! Usually everyone is so afraid to seem like children, once they turn a couple of centuries old. Ah, youth~

Billy: Yeah, I decided to..experiment? and it seems I got stuck by accident.

Danny: It's okay, Uncle Danny will help you. Come on, let's go...

~~~~

Danny *teleports them to the Fawcett City*.

Billy: ....

Danny:

Billy: Hey, I'm still stuck!

A new portal opens and a man in a purple cape hands Billy a note. "Go to Constantine. P.S., my son always completes all assignments only by half, sorry." written on it.

Billy: Oh... OoOhHh!!!

~~~~

Meanwhile, Constantine, who is forced to do additional work: Son of a bi... beloved and respected Master of Time.

Danny: Yeap, that's me.

Constantine: Damn it. Couldn't you just let Batman adopt him like in other timelines?

Danny: And where's the fun in that?

#dpxdc #dpxdc prompts #dcxdp #dpxdc prompt #dpxdc crossover #dc x dp prompt #clockwork is kronos #dp clockwork

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birdantlers · 1 year

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A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

•

Muting notifs

#artists on tumblr #Artistic #digital art #art history #anthropology #humanity #art discussion #art theory #skit yells

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am-i-the-asshole-official · 7 months

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AITA for choosing my cat over my trans friend?

Some background about my cat first.

I (25F) have a pet cat named Max (not real name. It would be too identifiable if I used his real name). Max is a rescue. He had been abandoned by his previous owner because he would meow too loudly. This had happened several times, so he has been in and out of the shelter a lot. None of the previous owners had tried to figure out why he always meows so loudly, so I took him to a vet. It turns out that Max is deaf, so I don't blame him for meowing so loudly. He can't hear himself! He is scared of strangers and tends to hide, so I don't try to force him to come out if he doesn't want to. I also don't usually take pictures of him because the cameras and phones scare him. I just do what I can to respect his boundaries. Max isn't just a cat to me. He is my treasured family who brings a smile to my face everyday. I can't imagine life without him.

My friend, Amelia (22F) is trans. Her folks are transphobic and were not accepting of her when they found out. However, they had not kicked her out of her home right away. They had given her a week to pack her things and find a place to stay. I'm not sure what they were trying to do with that but another friend, Nina (24F) thinks that they did that as a manipulation tactic to get Amelia to retransition and Amelia thinks so too.

But the week had passed and Amelia couldn't find a place to stay. Nina had said she would have offered, but she lives in a small apartment that hardly had enough room for two people. So Amelia had asked out friend Ted (26M) who had also said he couldn't because he was housing his younger siblings since their parents had passed and he was struggling financially.

So that left me. But Amelia said she wouldn't be able to stay unless I got rid of Max. Why? Amelia is highly allergic to cats. Whenever she had come over to my place in the past, she had to take allergy medicine to keep from having severe allergies around Max. The allergies are bad enough that they could trigger an asthmatic attack. I told her that I refuse to get rid of Max because of his past with being abandoned. I do not want to become one of the people he distrusts, not after it took so long to get him to feel comfortable around me.

Amelia is upset with me for this and says that she doesn't want to have to always take allergy medicine. She said that I should get rid of Max because he is just a cat and his needs are not as important as hers when she could become homeless soon. I argued that he wasn't just a cat and was part of my family. Max would be staying no matter what. Amelia ended up renting a motel room, but she couldn't afford to stay for more than 4 nights. Nina ended up taking her in, but that has made her own living situation harder.

Amelia and Nina are calling me an asshole for choosing Max over giving Amelia shelter. They are saying that I am being a horrible ally and friend by valuing an animal over a human life. I don't think I made the wrong choice by choosing Max, but it doesn't feel great that they are starting to tell some other friends that I am being transphobic for not choosing Amelia. A part of me is saying that I should have chosen Amelia, but that same part is also saying I would fee guilty for being one of the people to also abandon Max if I chose to do that. Amelia and Nina barely talk to me aside from saying that I am being a transphobic asshole for "choosing an animal over a trans person's livelihood." I am thinking about just cutting them off now, but I'm afraid that would just lead to more backlash.

AITA for choosing my cat over my trans friend?

What are these acronyms?

#aita #am i the asshole

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dio-niisio · 1 month

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I'm a bit obsessed with the idea that Batman can't find anything on Captain Marvel. Like the guy tries but is quite literally impossible!

Sure he CAN find some of Captain "old selfs" (just other people that where the champions of magic at some point), he's in vases, murals and even cave paintings! But new Marvel nothing. All Batman knows is that the face of Captain Marvel change over time.

And it doesn't help that his Dad instinct™ is going on overdrive!!

Like Marvel accidentally said that his name is Billy and now Batman is only calling him William (cuz that is the only information that he has on him...) and is starting to upset Marvel cuz that is uncle used to call him before he stole all his money and put him in the system , and he only uses when he's mad at him (just like a parent will use their kid full name when they are mad at them…). So one day he asks - in private - that he can quit doing that. And that his name is Billy not Willian "I choose it myself. Please respect that."

And now the newest theory is that Captain is a shapeshifter, that not only change the way they look over time but that comes with a name change that should be respected.

It only gets funnier when he figures out that Billy is actually a child, an 12 year old child, that has been his colleague for almost 5 years. That man is not well.

#billy batson #captain marvel #shazam #bruce wayne #batman #sure it clicks why he's kinda protective with marvel but he's horrified of what is happening #and he gets a bit upset that Billy wants to go with Diana not him #like come on his name is batson of course he wants the kid it has nothing to do with his adoption problem

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gureumz · 1 year

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project aphrodite

rating: explicit

member: jungwon

premise: in a post-apocalyptic world, you and jungwon are excellent scientists and are at the relative top of the list of people who are ideal parents for the next generation of this dying world. it's now your job to repopulate this earth so you ask your co-worker to pretty please knock you up.

notes: sci-fi elements, dystopian au, scientist!reader, scientist!jungwon, fem-bodied reader, reader is referred to as a woman, dom!jungwon, breeding, impreg kink (like heavily), dirty talk, platonic (?) breeding, co-workers with benefits (?), idk this is kinda speculative fiction but also suspend your disbelief a bit lol

a/n: first of my 1k follower special! not quite sure what order i'm following here but i hope you stay for the ride nonetheless! enjoy!

it's a strange feeling.

in your line of work, 'strange' is hardly any cause for concern. as a biologist with a concentration in genetics, you've seen all the ways nature does its job. from the familiar concepts almost all people learn about in science class like the basic 'mom-meets-dad-equals-baby' to the eerie methods organisms in the deep sea evolve to survive.

you've learned about it all, pored over each punnett square, stressed over the formulas. so, this shouldn't be anything to worry about.

and yet, you're still worried.

"i mean...what did we expect?" jay speaks up from beside you, eyeing the phone in his hand.

"we're presently some of the world's most brilliant minds so...," he adds, locking his phone before hunching over his desk. to your ears, it sounds as if he's trying to convince himself rather than you.

you scan over the document flashed on your own laptop screen. the harsh fluorescent lights overhead buzz nonstop, going on and on, a background hum all of you in the bunker have grown used to. at this moment, it lulls you into a daydream, vision swimming as you repeat the words in your head.

all government personnel with a status level 7 and higher are recommended to partake in project aphrodite. those falling under level 10 are strictly required. participation at this level is compulsory.

common citizens with a status of 9 to 10 are also required to participate. ample compensation for those successful will be provided.

"you're a level 8. it's not as if you have to," you mutter, fingers digging into your temples.

jay snickers. "how many level 10 government personnel are there in this ruined world? a few hundred or so doctors, another few hundred scientists, even fewer world leaders. that's not taking into account the difference in sex. my information's not up to date but last time i checked, there is a hell of a lot more men than there are women. it's a shitshow waiting to happen."

you turn to meet jay's eyes, not meaning to convey any certain emotion, but the way jay's expression falls leads you to believe that you look way more upset than you're letting on.

"oh shit, yeah," jay curses. "you're a level 10. i forgot."

you sigh, tilting your head back against the headrest of your seat.

"i'm sure they'll release more regulation soon," you begin. "this is just the initial memo. with our world hanging in the balance as it is, no one's gonna let this devolve into some patriarchal anarchy, i hope."

"yeah, of course," you hear jay agree. "most of the proponents of project aphrodite are women, anyway, so i'm sure they'll take extra measures to keep you safe."

you sit up straight, looking at jay once more. "this is the world, huh?"

you and jay pause before sharing a quick chuckle.

"'go make babies, or else,'" you say in a mock radio announcer voice. jay lets out a laugh, his voice echoing off the empty office walls.

the two of you fall into silence, as if retreating to your respective thoughts. all that's in your mind at this moment is your current project, the very thing the few people more powerful than you had assigned for you to do: leading your team in stopping that godforsaken virus ravaging the outside. you've been making steady progress so far, but with the weight of this new responsibility, you're not sure if you could keep the momentum up.

you realize with a passing thought that most of the scientists on your team are level 9s and 10s.

"well," you begin before you could stop yourself. you're suddenly overcome with a feeling of suffocation, the office space seemingly too small and continuously growing even smaller.

"i hope you find someone you'd like to procreate with," you say lightly, pushing yourself off your chair. you quickly gather your things: folders and binders and other loose papers in your arms.

you catch jay looking at you, a pensive look on his face. you stop as you're grabbing your reusable coffee jug.

"no," you deadpan. "not me."

jay's eyes widen, as if realizing he'd said something without really saying anything.

"i—no, wait—i mean...," jay stutters, ears quickly turning red.

you smile, patting jay's shoulder reassuringly. "in case you were thinking about it."

jay's mouth opens and closes like a fish out of water and you can't help but laugh.

"these are desperate times, but i'm hoping it's not too desperate," you add. without waiting for a response, you turn towards the door, already making your way to it.

"besides, dr. isa lee seems more your type," you say over your shoulder one last time before pushing the door open and stepping out into the hallway.

---

"hey."

you look up from the microscope, tearing your attention away from the specimen you were examining. your eyes readjust to their normal focal length as a tall figure enters the lab, perfectly crisp white coat hanging off his broad shoulders, thin-wired spectacles resting on the bridge of his tall, straight nose. your lips feel strangely parched as he makes direct eye contact with you and you're left with no choice but to moisten them with your tongue.

"oh hi, dr. yang."

the other scientist chuckles, setting down a stack of papers on a desk in the corner. "i've been here for three weeks. please, call me jungwon."

you swallow. "right. jungwon."

dr. jungwon yang was a new import from the seoul bunker, having come to your own area's bunker merely a few weeks prior. he was immediately put under your supervision, an addition to your already elite team of biologists, geneticists, and virologists. off the bat, you could tell he was a man of many talents, coming up with unconventional solutions and arriving at answers quicker than anyone else.

his presence in your lab made your heart swell. in pride, adoration, or desire, you're not quite sure.

"uh, yesterday's results are in that binder over there, in case you want to go over them," you begin. jungwon walks over to your side of the long table, peering over the slide loaded into the microscope.

ignoring the way he brushes ever so slightly against you, you continue. "the director's dropping by later this afternoon, but i wouldn't be too bothered with that. he's just looking for someone to blame for the slow progress at this point. if only they could get us those materials we asked for..."

"have you read the memo?" jungwon asks abruptly, straightening up. he towers over you, his eyes downcast as he stares at your face.

"of course, you've read the memo," jungwon corrects himself, chuckling. "what i meant was...what do you think of it?"

"it's a government-issued memo, it hardly matters what i think," you respond, focusing back on your work in front of you, although all you do is stare blankly at the moving microorganisms, mind unfocused with how much of jungwon's perfume you can smell.

"it's your reproductive health that's on the line. i'm pretty sure your opinion counts for something," jungwon says with a pinch in between his eyebrows.

oh, a feminist. that's even hotter.

"okay, yeah. i appreciate the new guidelines they put out," you admit, looking back up at jungwon. "though it's the bare minimum, i'm glad they're letting us keep the autonomy of choosing who to...boink."

jungwon laughs at that.

"and free fertility drugs for anyone who wants or needs it. oh, also, thank god they didn't have the brilliant idea of putting a time limit on it. having read some crazy speculative fiction myself, the things people are willing to do in fiction are crazy. who's to say they can't do the same in real life?" you continue.

you don't notice the way jungwon's smirk grows as he listens.

"kind of makes the whole thing unsexy, don't you think?" jungwon cuts in, raising an eyebrow. you blink, unsure of what he's talking about.

"i'm surprised they're not monitoring us with cameras and hooking us up to EKGs and shit," he adds.

"oh," you say with a soft giggle, finally catching on. "i'm sure some people are into being watched."

"are you?" jungwon asks.

"am i what?" you answer.

"into being watched."

a pause.

you shake your head. "how about you?"

"oh no," jungwon says. "i prefer to keep what's mine for my eyes only."

"hm. possessive. that's kind of sexy," you mumble under your breath, a sudden surge of confidence coursing through you.

jungwon just stares at you, but you can see his pupils dance in amusement, taking in your whole face and all your features. you might have imagined it but he seemed to have peeked down at your chest for a second.

"do you think it's attractive for someone to be into lego-building? or at least, used to be into it. i'd give an arm and a leg for a complete lego set nowadays," jungwon asks, leaning against the table, and only now do you notice the veins running over the back of his hands.

you think about whether his arms are just as veiny.

"do you think it's a good trait to pass on an offspring? lego-building, i mean," he presses on.

"uh, yeah. good problem-solving skills," you answer, humoring his question.

jungwon nods. "do you think leadership skills are important?"

you smile, leaning against the cabinet opposite jungwon. you nudge his foot lightly. "i lead a team of scientists myself. of course, i think leadership skills are important."

"you and i both," jungwon agrees.

jungwon shifts, placing his hands in the pockets of his lab coat.

"how about dimples? do you think dimples are cute?" jungwon asks once more, one corner of his mouth upturned. a deep crease on his cheek appears.

a dimple.

"very," you admit.

"i see."

there's a silence that stretches over the two of you, and the weight of uncertainty is daunting as you stare at a spot on jungwon's tie. finally, after a few seconds, you heave a sigh, unable to take the tension any longer.

"this is the weirdest way anyone has ever flirted with me," you declare, looking up at jungwon through your lashes. he's grinning and you nearly shiver at how utterly attractive you're finding him at this moment.

"but it's effective," jungwon says. that was a statement, not a question.

you tilt your head to the side. "how do you know?"

"because you would have blown me off two minutes ago if it wasn't," jungwon reasons, crossing his arms. by doing this, he just made himself appear even wider than he is.

"always so calculated," you say, impressed.

you stretch your neck, easing your head from side to side, watching as jungwon fixes his gaze on the taut tendons of your neck. "are you also this precise in bed, dr. yang?"

jungwon approaches, a large hand resting on your hip. "that's for you to find out."

your breath hitches as you feel his thumb rub through the fabric of your skirt.

"later?" he asks.

"my place or yours?" you reply, fingertips grazing the front of his polo. you can just about feel the slope and ridges of his toned muscles.

"i'd like to be a gentleman, so mine," jungwon offers. "i'll walk you back to your room after."

"i was kind of hoping i wouldn't need to walk back after," you say, a hint of teasing in your voice.

"is that a challenge?" jungwon says, his other hand pressing firmly on your lower back. he pulls you to him and your hands involuntarily reach out towards his shoulders to steady yourself.

a few seconds pass before any of you speak again.

"that's for you to find out," you say.

---

"kind of weird, isn't it?" jungwon asks, panting against your neck.

your back is pressed firmly against one wall of his sleeping quarters, a wide, loft-like room, similar to yours. a luxury offered only to level 10 government personnel, the room gives its occupants enough space and enough privacy.

and boy, did you need privacy.

"what's weird?" you say breathily, fingers threading through jungwon's hair as he kisses down the column of your neck. his fingers nimbly undo the buttons of your blouse and you whimper when you feel him lick at the valley between your breasts.

"coming up to coworkers or friends then asking them to reproduce with you," jungwon responds, tugging your blouse off of your shoulders.

(you both held enough respect for the institution that employed you both, so your work lab coats were neatly thrown over the back of jungwon's couch before anything got too frisky.)

"see, it's the way you say it that makes it weird," you giggle. you pull jungwon back up to your face, kissing him fervently, tongue licking into his mouth.

"oh yeah? how would you say it?" jungwon challenges as he pulls away slightly, his nose grazing your cheek. he licks a stripe on the underside of your jaw.

"please, jungwon," you whimper, playing up the whine in your voice just a little bit. "need you to knock me up. make me pregnant, please."

jungwon grunts in your ear, reaching behind you to rip the zipper of your skirt down. you let the fabric fall to the floor, stepping out of it quickly, revealing the matching red lace panties you had in tandem with your bra.

"yeah? want me to cum inside you so many times that there won't even be the tiniest chance that you're not pregnant?" jungwon says lowly, kneading one of your boobs in his hands.

you nod, hooking a leg around jungwon's hip, pushing your core right up against the bulge in his pants.

"yes," you breathe out, dragging your clothed pussy over his straining cock. "let's be good citizens and have a whole bunch of kids, yeah?"

jungwon chuckles, hands hurriedly working on his belt. you take this time to kiss up his neck, still rutting against him, desperate for any contact.

"come here," jungwon says through gritted teeth as his pants and boxers fall to the floor. he kicks them off unceremoniously, yanking you towards the couch. your eyes briefly catch the flash of white that were your lab coats.

the two of you fall onto the cushiony surface, with jungwon sitting up and you falling a little less gracefully on him. the two of you laugh as you adjust yourself, righting your posture so you could look at jungwon.

"take this off," jungwon commands, pulling at your panties. you swing off jungwon for a moment, pulling off the garment in record time. you reposition yourself over jungwon, his cock standing tall, hard, and painfully red.

"come on, show me how bad you want those kids," jungwon teases, tucking your hair behind your ear.

you roll your eyes. "you gotta help with the diapers."

a second later, you sink down on jungwon, moaning wantonly at how much he stretches you out, filling you up effortlessly. jungwon throws his head back, his bottom lip pinched between his teeth.

"i'll quit my fucking job at the lab if this is how good it feels to make babies with you," jungwon groans, his fingers digging into the flesh of your hips.

you whimper at his words, rocking back and forth on his lap. you angle your hips a certain way, the tip of his cock kissing at just the perfect spot inside you. you shudder, repeating your movement.

"god, you feel amazing," jungwon praises. "so warm, so tight."

"yeah," you respond. you're gliding up and down his cock, swiveling your hips as fast as you can. you clench down around him, the thought of jungwon cumming inside you your only motivation.

"filling me up so good," you add, watching as jungwon screws his eyes shut, neck shiny with sweat.

you move forward, attaching your lips just below jungwon's ear. you suckle on the salty skin, running your tongue over the spot, savoring the way jungwon lets a moan rip out of him.

"gotta let the whole bunker know this one's mine," you whisper as you let up on jungwon's neck. a faint red spot is left in the wake of your lips on his skin.

in a blink of an eye, your whole world tumbles upside down, jungwon's hands forcing you down on the couch by your waist. in a daze, you realize that jungwon has you pinned under him, his eyes wild with a hungry look in them. he pushes your legs right up against your chest, lining himself up with your entrance.

"the moment you start showing, no one in this goddamn bunker will have a single doubt who gave you that baby," jungwon counters, thrusting into you. he gives you no time to adjust, picking up where you left off.

you cry out, trying to anchor yourself on anything your hands can find. eventually, you find purchase in jungwon's shoulders. he feels your nails digging in, and he mutters a soft 'fuck', speeding up his movements, the wet sounds of his skin slapping against yours so incredibly obscene in the confined space of his room.

"give it to me, please," you say, meeting jungwon's eyes as he continues to fuck into you. his forehead is creased, a look of concentration washing over his face.

"cum inside, fill me up as many times as you want, fuck it deep in me," you continue, cradling jungwon's face in your hands, the tender gesture a contrast to how rough he's bein.

"god," jungwon groans, voice breaking at the end as he speeds up, but then he halts abruptly, his mouth hanging open in a silent moan. you feel him twitch inside you and you gasp, clenching down as hard as you can.

"fuck, yes, milk it all out," jungwon says. he starts to thrust up into you again, watching as his cock is slowly coated with his cum spreading all over your cushy walls.

you whine, your fingers finding their way down to your cunt, your middle and ring finger pressing onto your clit. you rub at it ferociously, the idea of jungwon's sticky release inside of you turning you on impossibly.

"i'm getting hard again, jesus christ," jungwon complains but his movements don't cease. he's shaking from the overstimulation but he wraps his arms around you, pulling your limp form up against him.

"rub that pretty pussy for me, babe," jungwon requests, thrusting up into you shallowly.

"make yourself cum while i fill you up for a second time."

---

"so?"

you jump a little at the sudden intrusion. you look up at jungwon through both of your reflections in your bathroom mirror. three pregnancy tests lie in a neat line on the edge of the sink.

"i just started the timer, jungwon," you reply with a laugh. jungwon turns you around to face him, kissing you briefly.

"hm," you say, looking up at jungwon questioningly. "you never kiss me unless you want something."

"well," jungwon begins, hands slipping under your sweater. "we can always kill time while we wait for the results."

you shake your head, but you're already pressing yourself up against jungwon. "you're insatiable, dr. yang."

jungwon winks at you, undoing your bra under your shirt. "you know it."

"plus, you just look too good in this damn lab coat."

#enhypen smut #enhypen scenarios #jungwon smut #jungwon scenarios #w: jungwon

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juniperdugong · 2 months

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Relationship Quirks 96s ver.

Aka habits I can see the boys doing in a relationship || 95s || 96s || 97s || Maknae line ||

Junhui

Avoids foods you don't like or are allergic to

You thought it was weird when after you had mentioned that you were allergic or didn't like a certain food that you would never encounter it when you were with Jun. Of course, you would always avoid it but you knew Jun to not be that picky, in fact, he's quite an adventurous eater. So it just struck you as odd.

That is until you overhear him on the phone with the restaurant you guys were having a date at later tonight asking about the ingredients used in certain dishes and if {insert food here} was used. When you talk to him about this he casually says that he just wants to make sure that you eat well and like what you eat. (THE SWEETEST BOY IN THE WORLD)

Little do you know that he's started to exclude those foods from his diet as well, especially if it's an allergy you have. If it's a food you don't like then he doesn't want you to avoid kissing him if he's eaten it. BUT IF IT'S AN ALLERGY, red alert red alert, he thinks you'll go into anaphylactic shock if he eats something you're allergic to and then he touches/kisses you.

If you're not by his side when he's making decisions then it feels like the balance of the universe is off. Could be halfway across the world from each other and dude is calling you at 3am to ask which magnet he should bring home as a souvenir.

Hoshi

Needs your input on almost every decision he makes

Ooh it's bad, like looking at your parents when the doctor asks what your age is type of bad. He will know exactly what he wants at a restaurant but as soon as the waiter comes he's looking at you like a sheep and you have to mouth what he said he wanted seconds ago as he repeats you blindly. Almost all his decisions must have you're input or else he doesn't know what to do. This might be annoying to some but he values what you have to say so much. And honestly, if you disagree with something he takes it into genuine consideration and thinks about it a lot before making the final call.

His mindset can be summed up like this, "If y/n doesn't think I'll like that pasta then I probably won't like it, they know me very well."

Dude is clingy but not in a physical way... just in the way that he follows you around like a cat that wants your attention but can't say it. He does it unconsciously and to be honest it takes a mutual friend or one of the boys to point it out for either of y'all to notice. Truly it feels like he has to stay within a 30ft. radius of you sometimes.

Wonwoo

Follows you everywhere

The reason this behavior even started was because he missed you so much after tours and arduous schedules that he just HAD to be near you but he never wanted to initiate physical contact. (Being near you is enough for him) It's gotten to the point though that he ASSUMES you're taking him everywhere with you. You're upset and need "space"? Good luck! You'll be in another room for max 5mins before he's in there sitting the farthest possible distance he can while keeping you in sight.

"I can't do this right now, Wonwoo." "Fine then." "I'm going to my mom's place for a while." *Magically has both your suitcases and bags packed* "When are we leaving?"

I know I know... it's unexpected but true! The thing that I don't think a ton of carats realize is that this man does not fear affection AT ALL. He just doesn't like it in public displays. So in the privacy of his studio or at either of your homes, he is clingy, 100%.

Woozi

Needs to feel your touch

Has a computer chair that is specifically for you to be next to him while he's in the studio. If you're in the same room as him or HELL even the same building and there are no cameras or minimal people and you're not next to him then what even is the point? Might as well tell him you hate him or something, at least that's how he treats it.

The crazy part is that he doesn't even ask you for affection! He'll just say things out loud and expect you to get the message or he'll say things directly towards you but won't look in your direction. His number one phrase is, "I miss you..." all while you're feet away from him on the couch in the studio. You can be sitting in your designated chair BUT YOU DON'T HAVE YOUR LEGS DRAPED OVER HIS???? Suddenly, you hear a constant loop of "Damn, I miss my partner sooooo much, right now.", like sir? They're right there?

A/N: I am clinically insane over the 96 line. ALSO EVERYONE SAY HAPPY BIRTHDAY TO WONWOO!!!! (Even though it's literally 10pm and his day is nearly over) I'll try to have the next 2 parts out sometime tmrw. Stay sweet lovelies!! Reblogs and comments are like power surges for my writing so they are much appreciated!

TAGLIST (open): @bemybabiibish

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klausysworld · 2 months

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Very closed off reader who kinda clings to Klaus because they relate to him in the fact that he has family troubles :( she sees that he clearley does the things he does because of trauma or whatever and so does everything in her power to show him that he's got someone to fall back on.

Every time he shouts at her or retaleates because he's upset and dosent understand how soemone could be so nice to him she simply gives him a hug or a gift or just sits some distance away to show he isn't alone.

She deals with all his meanness quite well because she's used to it from her family and has learned to block it out :( one day he really has enough of her and after something goes wrong with Elena or Salvatore he really doesn't want reader around him. She tells him quite confidently that he needs soemone to help him and she would never leave him alone at which point he smirks and says something snarky before proving that he doesn't need her. He reaches into her chest and grips her heart and kinda realises he is in the wrong when she looks kinda shocked and sad so he gently takes his hand out and feeds her his blood to help with the damage he left behind. Afterwards reader is less affectionate with him and only sits with him when he is in a state, now afraid to touch him incase he lashes out but still wanting to support him cuz she cares about him :(

Thanks for reading, love your stories!

The Betrayed Becomes The Betrayer.

Growing up on an aggressive household desensitised me to a lot of things; yelling and smashing objects especially. My parents were a mess, I'm not sure if they didn't know how to love or just didn't want to.

Eventually I realised that they were the same thing and that I wasn't wanted at home, so I left and found Hayley.

Which was how I wound up finding Klaus.

He was a broken man, I could tell. Elijah confirmed that their parents had been cruel and abusive almost as soon as we met him which I assumed they also must've become desensitised over it after a thousand years.

However when I actually met Klaus, it was obvious that he was still deeply affected by it. I could understand him, his feelings and his thoughts. I got why he wanted to be so strategic, to have the control that was taken form him. I knew why he wanted to make people hurt the way he hurt and why he was as aggressive as the the people that raised him.

I wasn't violent, or an angry person. I had learnt to be quiet and keep things to myself so that I didn't get in the way but I would think about it. How it would feel to hurt someone, to make them feel worthless and then leave them. Could it really feel good enough to do over and over?

In my head I assumed it must do but I could never bring myself to actually torment someone the way I had been.

But I could tell that Klaus was still haunted by the past and it affected his every move. I couldn't blame him, or fault him for acting upon the images that swirled in my own mind.

Often he got frustrated, angry and inevitably lash out against someone. Something would be thrown, smashed. Someone would be yelling, screaming.

But I never wanted to be mad at him, to me he didn't deserve to be ranted at for what he'd done. They were riling him up further and it was obvious, it was like they wanted him to explode and hurt someone.

So instead of pushing him off that edge, I tried to help him back up.

To begin with I would just be the only one in the room not glaring at him with hatred. I just wanted him to know that there was someone on his side. He didn't notice for a little while but after a couple arguments I think he started to feel my presence. Sometimes he would get snappy, ask what I was looking at but when I'd just tell him that I understood why he did what he did, Klaus would get less defensive.

I wasn't a touchy person, ever, but the time his mother had been back and she hurt him so bad that he cried in his room, I didn't know what else to do but hug him.

After that it seemed like I was hugging him all the time. He calmed so much easier with some touch.

Sometimes he accepted it without complaint but sometimes he didn't want anyone near him so I would go away and come back later. He knew I was there when he needed me and I learnt to be a patient person.

I also learnt not to react so when he screamed in my face I didn't yell back. He had been so stressed lately and a lot of people had died yesterday the day before. I left him alone for the night before coming back in the morning to try and be there, he didn't want to talk so I went away and came back in the afternoon. To begin with he was fine but he got angry so fast, I barely said anything before he was yelling.

I tried not to react, not to talk back or get defensive but then he pushed me. Both hands on my shoulders, shoving me backward toward the wall and I tensed and something stirred in me.

I told him he was being ridiculous, pathetic and he didn't know what he needed.

"What? You think I need you? You think I like your desperate little cuddles. I'm not the one craving touch and love. I've been fine for centuries and I don't need a clingy little thing following me around." He snapped at me and I felt my frown deepen and the hurt biting at me.

"I'm not being clingy...I'm just trying to be helpful." I whispered and he scoffed.

Klaus got close, too close and it frightened me a little. I took a few steps back and he chuckled, trapping me to the wall.

"What is it, love? No more snuggles? You don't want to tell me it's okay? You gonna tell me I should paint a picture?" He mocked, his breath hot on my face. "You think I'm pathetic sweetheart? Think I need you? All I need is for you to disappear." His voice was low but clear, eyes cold and I felt the adrenaline hit and screaming for me to run but I froze just like I used to when I was little.

The smallest sound left me when I felt something agonising within my chest. My mouth opened but no noise would come out and I struggled to breath at all. I looked down, watching my own blood seep through my clothes and drip down his wrist. My eyes were stinging and I could feel my heart close to exploding as his grip tightened. I wasn't sure if I was stood there for hours or seconds before my body reacted and my arms shot up, both my hands latching onto his wrist so he couldn't pull the organ out.

My eyes shot up to look into his, seeing them soften after a second before his hand let go around my heart. A loud cry left me when he tore his fist out of my chest, leaving a gaping hole. I panted and a strong metallic taste filled my mouth as blood dripped past my lips.

His voice sounded blurry when he tried to tell me something, nothing felt real as my legs went weak and his hands touched my sides. The touch made me cry again and I felt him hesitate before something gross was pressed to my mouth and I couldn't tell if I was choking on my blood or his.

After a moment I could feel my body healing from the inside out, physically I felt better but now my mind was spinning. I looked up at him again, I could feel the fear pulsing through my veins when he reached his hand toward me.

This time I didn't freeze.

I was up and out of the room as fast as my legs could move.

I avoided him for a few days, part of me knew he wasn't going to do anything again and that he felt bad about it but the other part of me couldn't help but worry.

It was only when he was attacked again that I willingly sat in the same room as him.

"You okay?" I asked and he looked over to me, he was splattered with blood but at least it wasn’t mine.

"Yeah...I'm okay." He whispered, nodding.

I shifted in my place and he shuffled over on the couch so I could sit on the other end to him. The silence was awkward for a while, actually the entire time.

It was for quite a lot of the times I was near him. I wanted to be there for him, show him I understood but I was still scared and I didn't want to be close enough that he could kill me or hurt me just incase he did.

It was when he was carried in my Elijah, Papa Tunde’s blade in his chest causing him to be immobile and in agonising pain, when I got close again.

Elijah dropped him to the bed with a soft thud and was moving fast. He turned, looking right at me before talking.

“I need you to feed him your blood. It’s laced with vervain, he’ll heal slow. You need to keep him here or he is going to kill Rebekah. I don’t want to burden you, Y/N, but I’m afraid you’re the only who’s even a possibility.” He directed quickly, whilst dragging the blade from his brother’s chest.

“A possibility for what?” I asked, confused and afraid. I didn’t want to give him my blood. It was like asking him to kill me.

“You’re the only person he might listen to.” He explained as he headed for the door. “He won’t hurt you.” He told me and it sounded like a promise before he left.

Klaus let out a groan and I turned, hesitantly walking over to the edge of his bed. I silently dammed myself for being concerned enough to follow Elijah when he carried him in here.

I looked down at him, wincing at the cut that hadn’t healed down the length of his bare chest.

“What…what happened?” I whispered, wanting to reach out to touch but willing myself not to.

“Elijah-“ Klaus grunted, his teeth grinding as he forced words out. “He stabbed me for her.” It was clear that rage was all he felt in that moment as he tried to push himself up, only to let out a cry of pain.

“Rebekah?” I wondered and he seethed.

“She betrayed me. Called Mikael. She wanted me dead!” He yelled, his aggression growing as I felt my hairs stand on edge.

I was quiet, watching him struggle desperately.

I understand why he was so mad, betrayal was a huge thing for him. Abandonment, paranoia. It made him this way and Rebekah used it and ruined all of their lives but I had no doubt she had her reasons…not that I’d tell him that.

“She doesn’t now” I whispered and his had snapped to me. “She loved you now, she’s here now-“

“Only months ago did she stand beside Marcellus and watch as his vampires tried to kill me. She has always wanted me gone. She’s so desperate for Marcel that she’d kill her own brother-“ he snapped and I flinched.

His voice died off when I stepped back and he grunted softly. He was taking fast but deep breaths, trying to gather some stability and I could feel Elijah’s words echoing through me. That I had to let Klaus feed from me.

Reluctantly I shifted closer again, he was quiet as I sat down on the edge of his bed. His body was laid so close to me and his chest moved with each pain-filled breath.

My entire arm shook as I held it out, right infront of his face and it made his skin dance with veins. “Love…” he muttered, his jaw clenching as he inhaled through his nose. “I’m not going to hurt you” he uttered, I could feel his eyes on my but I couldn’t look back at his. “Not again. Just…there’s blood bags downstairs”

“Elijah said I have to use mine, the vervain makes it slower or something? I don’t know…I can’t do it wrong” I pushed my wrist closer, glancing at the fangs that were pushing past his gums.

“He won’t be mad.”

“He’s trusting me.” I whispered, finally looking up to klaus’s eyes and he sighed before slowly nodding.

I almost tugged my arm back when I felt his teeth pierce the skin, the sting making me move but his hand lifted to keep me in place. His eyes stayed locked on mine as he fed, it was such a strange sensation; much less painful than a needle.

As I felt myself weaken, I noticed the wound across his body fixing itself. My eyes started to go and for a second I faltered, my head beginning to drop but his other hand caught my chin and held me up. His fangs retreated back up and something warm and wet slid across my wrist before I was leaned up against him.

“I’m so sorry, love.” He whispered into my ear. “I have to finish what they’ve started.” He told me and I knew he wanted to murder Rebekah and I wanted to talk to him but he’d taken so much blood. His eyes stared straight into mine, reaching into my mind. “You’re going to fall asleep, you’ll wake tomorrow morning and you will feel no pain from this bite. I will heal you when I return. I promise I didn’t take enough to kill you, just to empty you of vervain.”

I wanted to argue, yell or anything but my mind shut down and my eyes wouldn’t stay open. I sunk into myself completely and lay, somehow conscious and unconscious as I tried to wake myself up.

I woke the next morning like he instructed my body to do, I glanced at my wrist to find it wrapped in bandages. My head lifted to see a glass of water, tinted pink by what I assumed was blood beside a small teddybear.

Hesitantly I sipped the drink, feeling instantly better before picking up the toy.

“I thought you’d like it” a voice sounded from the doorway, I glanced to see Klaus. Both his hands were behind his back and a guilty look painted his face.

I pushed myself up, it felt strange being in someone else’s bed; especially Klaus’s.

I didn’t answer him as I got up and pushed past him, shoving the teddy into his chest and going straight to my own room.

For a man who hated betrayal, he sure knew how to commit it.

He knew I was already afraid of him, that I didn’t want to be that close again and he took advantage of the ounce of trust I still had.

I understood him, but I couldn’t do this again. I’d been in this situation too many times.

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topazadine · 2 months

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Avoiding therapy speak in writing

I think we all know by now that therapy speak is irritating and unrealistic, especially if you are writing in a fantasy world that doesn't even have modern psychology.

Part of the reason that it is so annoying is that it is the definition of telling instead of showing: characters are just plainly informing us of their feelings rather than making us work for a better understanding. It's cheap and boring. Instead of making your characters seem like complex individuals with their own hangups and difficulties, they seem like plot points programmed to tell us things.

But obviously, you want to put these people in situations and have them talk about it! How do you do that without sounding maudlin? Here are some options.

Listen to real arguments/conversations

I cannot stress enough how important it is to listen to how actual real human beings talk to each other during heightened emotional states. They don't have to be nasty abusers, and they don't have to be perfect angels, just everyday people doing their normal thing.

Of course, I'd hope you're not seeing people argue all the time, but if you do happen to see it, listen carefully and notice how people actually address their problems. Think back to tough conversations that you have had, even if you wouldn't classify them as arguments. Consider how people acted and reacted to one another. Notice how normal humans talk about issues outside of therapy, even intelligent and emotionally evolved people.

I've had years of therapy, and even I do not talk in therapy ways about my issues when I'm talking to my family or friends. It just feels cheesy and fake outside of that particular setting - plus, it freaks other people out and can seem kind of manipulative. Try talking like that in a real conversation and see how uncomfortable it is. You'll understand why avoiding therapy speak is important.

Consider the character's own hangups

Just as everyone has their own unique speaking style and mindset, so do we all have our own argument styles. These are often informed by our pasts and upbringing; they are as varied as our own histories. However, there are a few different options.

Someone with a happy upbringing may be more assertive and willing to address their problems because they had that demonstrated to them as children.

A spoiled child will grow up to be a demanding adult who refuses to give any quarter.

Those who got yelled at a lot as children may shut down and fawn to avoid getting hurt.

Someone who grew up in a violent household may mimic that behavior and get incredibly aggressive when upset.

Individuals whose parents didn't teach them emotional regulation will lash out and get loud.

Manipulative people may stay very calm and gaslight the other person, or they may get hysterical to garner sympathy and make people focus on comforting them.

Someone who has gone to therapy may revert to their original argument style, or they may imperfectly apply what they have learned in a way that feels a bit unnatural. They may start out with rage, then force themselves to calm down through grounding techniques.

People who have been coached through previous emotional outbursts could demand a time out, then fail to actually calm themselves down.

Some may refuse to acknowledge they are upset and insist, in increasingly forceful terms, that they are fine.

Others may get quiet or crack a joke to ease the tension, but it doesn't really help.

Keep each confrontation short

IRL, emotional confrontations are generally not that long. They don't go on for hours and hours, though it can feel that way. No one is going on and on about their feelings and sharing every little detail of how they feel (at least not that I know of personally, maybe other people are different).

Even the worst arguments I have had, the real nexus of the argument was maybe an hour or two, though the fallout lasted much longer. I'd say there was an hour maximum of real, active confrontation, preceded or followed by hours/days/weeks of simmering frustration.

Why? Because arguments are exhausting. You don't have the energy for that in the heat of the moment. Yes, feuds and fights can last years, but each actual confrontation is short.

For longer, more serious issues, hash it out over a few sessions rather than all at once. It's rare to get everything out of the way immediately unless the characters already have a strong, loving relationship.

Show incongruencies

Especially for more reserved people, they will likely have their emotions leaking all over the place but won't actually say anything. As such, focus on body language while keeping the conversation more focused on the plot. For example, Character A might be crying but still trying to argue their point about whatever is going on.

Address physical complaints instead of emotional ones

In many cases, people will use "I'm tired" or "I didn't sleep well" or "I'm not feeling great" as shorthand for whatever is actually bothering them. It relieves pressure by not making them talk about upsetting matters while still addressing their discomfort in some form.

You should also consider the fact that some people can't connect physical sensations to feelings, so they may genuinely feel ill and not really understand why. This is especially common in people who can't emotionally regulate or have been through trauma.

For myself, I tend to somatize my feelings, so I might not feel upset, but I will feel physically sick. My stomach will hurt, my chest will get tight, or I'll get a headache, but my emotional state will seem calm. This isn't all that unusual, and many people experience this to different degrees.

As such, you can have your character say that their stomach hurts, or that they have a headache and can't discuss this anymore, or that they need to go lie down because they're dizzy. If we know they're relatively healthy, this can be a clue that they're getting overwhelmed but either cannot pinpoint their emotions or don't want to discuss them.

Let characters advance and retreat

A lot of the time, someone will address a scary emotion and then retreat again, sometimes over a period of hours, days, or even weeks. This is normal: most of us don't have the emotional fortitude to forge ahead through something difficult all in one go. Character A may say something vulnerable, then change the topic, laugh it off, say they're done discussing it, or even leave the situation.

Leave emotions partially unaddressed

Again, it's rare for someone to spill out everything they're feeling all in one go. As such, have Character A address the most important thing - or the least important, depending on their level of emotional maturity - and let it be done for then.

They might say their small piece, but when someone tries to probe deeper, they don't have an answer, or they get "stuck" on that one emotional level and cannot go further.

If Character B keeps pushing, then they may get incredibly upset and push back, or retreat.

Have Character B point out the feelings

Works especially well if the other character is a close companion or a parental figure. Often, people who know us really well will have better insight into our emotions than we do. Or, we might have good insight into our emotions but are still too afraid to open up. Having Character B point out the issue gives Character A grace to be more honest.

I can't tell you how many times I've been really upset, so I've distracted from the issue by getting angry about something completely different. Then, my mom will gently point out that I'm not actually crying about my new plastic cup being broken or whatever; I'm actually upset about XYZ. In that moment, I realize I've been caught out and admit that yes, that's what I'm really upset about.

Have Character A address it with a third character

Who among us hasn't gone to someone else to talk about our feelings? Having a third party serve as a sounding board is normal. Sometimes, Character A will feel such catharsis from this conversation that they don't address it as thoroughly with Character B.

Of course, you can use this to your advantage and create more tension if the third character gives bad advice or is biased.

Remember that just because the third party responded well does not mean that Character B does. You also have to avoid omniscience and remember that Character B wasn't privy to that conversation.

Have one confrontation be a stand-in for a larger one

I always think about the "The Iranian Yogurt Is Not the Issue" post when I think about this. Often times, things like not doing the dishes or whatever aren't actually the big deal: it's lack of boundaries, communication, or respect. A minor argument can be shorthand for a larger one that is too challenging for the characters to tackle.

This isn't just creating drama for the hell of it, though; it's about exploring the larger issues without making the characters lay it out on the table. A good reader will be able to see it's not about the Iranian Yogurt as long as you set up the relationship well.

Currently, I am writing a story where Uileac and his sister Cerie go to rescue Uileac's husband, Orrinir. On the way there, Uileac idly comments on how he wonders where a waterfall comes from because he's trying to distract himself from thinking about the fact that his husband is kidnapped and possibly dead.

Cerie, being pretty wound up too, starts arguing with him about it because she's like "why is this relevant? We're kind of too busy to think about geology right now!" Uileac gets annoyed at her for being so aggro, and she gets annoyed at him for being so irreverent. Both of them are upset about something completely different, but they're too scared and panicked to actually address that, so they release their frustrations by complaining about waterfalls.

Those bad vibes have to go somewhere, but neither of them are very good at talking about their feelings (though very good at stuffing them down). As such, they take the pressure off by sniping at one another. You've probably done this too, when you get into a dumb argument about something absolutely pointless because there's something you don't feel strong enough to discuss.

There's also the fact that if you're mad at someone about something but feel it's too stupid or petty to discuss, that frustration will leak out and everything else they do will annoy you, leading to a bunch of irrelevant arguments.

Use "reaffirmation" gestures

I talked about this in a different post, but after an argument, the "make up" stage doesn't always involve going "ohhh I forgive you" and big hugs and kisses, especially when the two characters aren't emotionally mature.

Instead, Character A makes gestures that reaffirm the relationship. This could be offering to do something Character B needs, making plans for later, or changing the topic to discuss something the other character cares about ("how are your cats doing?") etc.

Note that these "reaffirmation" gestures aren't the same as the cycle of abuse. This is more when two characters have had a difficult emotional conversation but aren't really sure how to continue being emotionally open, so they revert to something safer that still shows they care. They're not over-the-top gestures either, but more a special attention to something the other person loves. Knowing what the other person loves also demonstrates the depth of their relationship.

As always, I can't tell you what to do with your writing.

You are the crafter of your own story, and if you want people to talk like therapists for whatever reason, that's your choice. However, we want characters to feel like real people, and most real people don't lay it all out on the table every single time they're upset. If they do, they might be trauma vomiting, which is icky in and of itself.

Healthy communication isn't always perfect communication. People can have strong, loving relationships and still get things wrong - we're human. Having people calmly and rationally and easily talk about their feelings every single time is not only kind of boring, but it also feels weird, because unless we're primed to discuss those difficult topics and know we're perfectly safe, we're not going to do that.

People don't even do that in therapy, where they are paying for the service of talking about their feelings! Therapists also don't always do that IRL!

We're humans, and your characters need to feel like humans as well. That means letting them be imperfect communicators and using context clues rather than making them do all the work for the reader.

If you liked my advice, consider purchasing my book, 9 Years Yearning, for $3!

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