#and probably don't have the right tools

[beastsovrevelation]

The credits ruin the gifset, but I do love this scene, and the portrayal of Michael's body language. He radiates authority as well as elegance. He's a perfect Antichrist.

[coquelicoq]

yeah sex is great but have you ever unflooded your street by removing leaves from the storm drains using the litter-grabber tool you bought from lowe's two weeks ago for that exact purpose?

[zelda-posting]

tears of the kingdom could have been so good if it were built around like, its story or its characters instead of being a clunky shell to show off the mechanic no one asked for that it forces you to use

[vargaslovinghours]

In case it was ever a question

[likeawolfatthemoon]

yesterday i had a panic attack at work and sobbed for over an hour at my desk in front of all of my coworkers bc i was frozen to the spot and couldn't like...move myself to a different area at the very least. and i embarrassed the fuck out of myself and now i'm afraid of the new job that i loved 🙃

[sysig]

More cat!DAX (Patreon)

[van-goghs-smoking-skull]

Some people on here REALLY need to think about what they say before they say it.

I saw a post today where someone said we should get rid of oppression and Antisemite! got fired back by someone who claims to be woke, to be progressive and fighting for the rights of the disabled, esp. those who are ND. Now as I recall from the history lessons given by my German teacher way back in high school (no, not a Nazi, but someone who hid in a toilet to keep from getting taken to a camp more than once), the Nazis preached that all the banks and politics were owned by Jews and the Jews oppressed the poor pure-blooded Germans. So if ending oppression is anti-Semitic, then that’s an awful lot like saying the Jews are oppressing everyone else, which is very much a part of Nazi ideology. That doesn’t sound terribly progressive to me.

I’ve also seen quite a bit of slur discourse in which the claim is only one (unspecified) term can be used in the queer community, as all those words are slurs and only the one reclaimed term can be used. What part of the process of reclaiming a word is confusing? The word is just a word, the slur is in how it’s used. Use it as a point of pride and drown out those who use it as a slur. So what does this mean? Only one word ever can be used because only one ever is allowed to be reclaimed? Again, very not progressive.

I’ve had people tell me that because I am half-Dutch by blood, eating burritos is actually me misappropriating Mexican culture. I’ve been told it doesn’t matter that I grew up in New Mexican culture, a blend of many cultures and heavy on Mexican culture, though Navajo culture is also a good part of it, that it doesn’t matter that I’ve never been to the Netherlands and that I don’t know much at all about Dutch culture. This especially reeks of the ‘Blood and Soil’ rhetoric the Nazis loved so much.

Maybe tone that Blood and Soil ‘Progressivism’ down and start reflecting on exactly what you’re saying. Emotions are fine to have, but they aren’t logic and they are not based on reason and should not be what you base your political ideologies on. Be angry about the bad things, but don’t slip into some weird space spouting off fascist talking points and thinking you’re the good person and everyone else is just a bigot, because that’s how you yourself become a bigot.

I keep saying it because I mean it. Learning to think critically is one of the most important things you can do. Spend less time pointing fingers and spend more working to make a better, less hateful world.

[ostensiblywhump]

At the Hook (Line, Sinker)

Augusnippets day 10: execution | fake execution | begging for mercy

Word count: 499

Trigger warnings: description of death, implied/referenced panic attack

——————(0)——————

Mag knows his face goes pale when he sees the man waiting for them, the thick, wicked hook in the ceiling. The assistant holding rope in a telling noose.

They absolutely don’t care if this man’s reputation is being used to frighten them into obedience. Either that’s the case, or talking will buy Cassander time to scrounge up a miracle to let them escape, or they’re both fucking dead.

“Please,” he whispers; louder: “Please, no, I don���t, I don’t—! Not like this, fuck, not like this!”

“Not like this?” the man—Marcus? Marius? Martin?—says, an easy smile spreading across his face. “That can be arranged. There are plenty of ways to—”

“What do you want?” Mag interrupts, because they really don’t want to know all the horrible ways maybe-Marcus has found to kill people. He already knows this man would see him hung slowly, death by strangulation instead of a broken neck. “What do you want?! I’ll do anything!”

They want to yank the words back as soon as they leave—it’s too much to give. But maybe-Marius wouldn’t accept anything less, anyways.

“Are you sure?” maybe-Martin says, nearly pouting. “I’ve been wanting to see what a destroying angel will do to someone. It eases up while it’s liquefying your liver—what does the anticipation do to you, feeling better but knowing you’ll die?”

“No! Fuck no! Please, I said I’ll do anything, please!”

“Oh, calm down. I can think of some ways to use a thief as famous as you, if you’re willing to do anything.”

Mag’s heart leaps in relief; his first guess was right. “Yes! Yes, I’ll do whatever—!”

“What about him, though?”

And back down their heart went into dread.

“He’s my partner,” Mag says, not looking at where Cassander was forced to kneel beside him. “He’ll do whatever you want, too.”

Play along, they think, please play along, don’t act out and ruin this, it might be our only chance.

“Of course, yes,” Marcus(?) says. His smile widens, goes sadistic and ugly. “But I want to hear him beg for it.”

Fuck, we’re dead.

Because the keyword with Cassander is proud. He’d fought every step of the way here, to the point that he was more heavily restrained than Mag now. He never apologized or said he was wrong. He’d spit defiance to someone holding a knife to his throat.

A tense pause. Then:

“Please,” Cassander grit out.

Marius(?) raises a brow. “Go on,” he prompts.

“Please,” Cassander says again. Then, picking up speed: “Please, please, please, please, áni, áni, áni—”

He cuts off. The only sound is his frantic breathing.

Mag tries his best to keep from gaping, because what the fuck, while picking over the last word. What was that, another language? Ahni? Ahani?

… No. He’s saying áni. Because that’s Áléen.

“Please what?” fucking Martin(?) is saying.

The answering jumble of syllables is foreign to Mag, but apparently it convinces the motherfucker.

“Well, then,” he says. “Here’s what you’re going to do.”

[pa-pa-plasma]

anyone else forget they have skills until they're actively using them

[hellyeahsickaf]

I found an extremely dope disability survival guide for those who are homebound, bedbound, in need of disability accommodations, or would otherwise like resources for how to manage your life as a disabled person. (Link is safe)

It has some great articles and resources and while written by people with ME/CFS, it keeps all disabilities in mind. A lot of it is specific to the USA but even if you're from somewhere else, there are many guides that can still help you. Some really good ones are:

How to live a great disabled life- A guide full of resources to make your life easier and probably the best place to start (including links to some of the below resources). Everything from applying for good quality affordable housing to getting free transportation, affordable medication, how to get enough food stamps, how to get a free phone that doesn't suck, how to find housemates and caregivers, how to be homebound, support groups and Facebook pages (including for specific illnesses), how to help with social change from home, and so many more.

Turning a "no" into a "yes"- A guide on what to say when denied for disability aid/accommodations of many types, particularly over the phone. "Never take no for an answer over the phone. If you have not been turned down in writing, you have not been turned down. Period."

How to be poor in America- A very expansive and helpful guide including things from a directory to find your nearest food bank to resources for getting free home modifications, how to get cheap or free eye and dental care, extremely cheap internet, and financial assistance with vet bills

How to be homebound- This is pretty helpful even if you're not homebound. It includes guides on how to save spoons, getting free and low cost transportation, disability resources in your area, home meals, how to have fun/keep busy while in bed, and a severe bedbound activity master list which includes a link to an audio version of the list on Soundcloud

Master List of Disability Accommodation Letters For Housing- Guides on how to request accommodations and housing as well as your rights, laws, and prewritten sample letters to help you get whatever you need. Includes information on how to request additional bedrooms, stop evictions, request meetings via phone, mail, and email if you can't in person, what you can do if a request is denied, and many other helpful guides

Special Laws to Help Domestic Violence Survivors (Vouchers & Low Income Housing)- Protections, laws, and housing rights for survivors of DV (any gender), and how to get support and protection under the VAWA laws to help you and/or loved ones receive housing and assistance

Dealing With Debt & Disability- Information to assist with debt including student loans, medical debt, how to deal with debt collectors as well as an article with a step by step guide that helped the author cut her overwhelming medical bills by 80%!

There are so many more articles, guides, and tools here that have helped a lot of people. And there are a lot of rights, resources, and protections that people don't know they have and guides that can help you manage your life as a disabled person regardless of income, energy levels, and other factors.

Please boost!

[kowabungadoodles]

How to spot a (heart wrenching sad cat) Charity Scam

So I've been get a lot of requests for money in my askbox lately, from users I have never seen before! Usually sad cats, sometimes gender affirming medical bills, a queer person being made homeless etc etc... and guess what? None of them are real! It's scammers who have learned how to work tumblr's userbase and prey on our general sense of community and charity.

Here it is, so sad! So tragic! But let's note a few things:

It's generic. They don't know me, I don't know them. it's addressed to 'friend', no use of nicknames or usernames.

Even the cat and the problem are generic 'little kitty' who has 'urgent needs'. This is not how real people talk, this is because this scam is being used over and over with different accounts a different 'cats'.

Praying (uh huh.)

Asking you to reply privately- This is so people don't spot the scam and point it out the mark and because if too many people posted replies to the same message it would beome really obvious that this is a scam. If they're looking for 'boosts' so badly, then why do they need you to reply privately?

Now that I'm suspicious, let's investigate.

Sent me an ask and then followed me! Sounds like they're just hitting up anyone and everyone, but even more likely they have a list they're working from.

(I get so many, I'm probably on a mail-out list a mile long, just being hit up for cash. Likely I fell for one of these once and got my name added to every scam list for miles, but oh well.)

So let's see if they're a bot or a real person!

The blog looks genuine enough, they've got a bio, a fandom etc. And it says they're an artist!

And of course there's that sad cat post, pinned right to the top, so I don't have to look any further through the blog for verification... Looks super legit, pics of the cat, pics of the bill... of course anyone can print out a bill and take a picture of it...

As I do scroll futher, it's full of reblogs making this look like an active user. So how can I tell it's not genuine?

Well, if they're an artist they probably post right? Doodles? Pictures? Let's have a look at their origional posts.

The fastest way to do this is by using an outside tool like Original Post Finder.

just type in the suspicious username and go...

Voila! As suspected, the only post this bot account has ever made is Sad Cat Post.

Confirmed: Scam. Do not give your money to these guys, it looks so real but they're just here to make you feel like a bad person for not handing over everything you can. Charity is wonderful, supporting friends is wonderful, but tbh save it for people you actually know irl/ mutuals you have an actual relationship with. Don't believe any rando who comes knocking!

Love and kisses, stay safe out there.

[prokopetz]

In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:

In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.

The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.

A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.

Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.

Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.

At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.

This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.

Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".

(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)

[statistics-yuh]

I always think about how we saw Andrew at one of the lowest points in his life. Like after thanksgiving, getting sober, and Proust (a reminder of everything that had ever happened to him), Andrew was probably near the most raw, unforgiving, and volatile he could ever be. Add that to the harsh personal contrast of how relatively calm his life was right before; it's safe to say we saw Andrew at his worst.

So when people say things like Andrew bottoming (something Nora said he one day does in the ec) don't make sense, or just overall say things that imply Andrew is exactly like how we see him for the rest of his life, it kills me. Because we saw him at one of the worst points in his life, but more importantly we saw him get given the tools and the people to heal. So yes, he's always gonna be rude as fuck and generally off putting, but he's gonna grow and transform in ways we couldn't imagine. He'll always have trauma, and his outlook will always be influenced by it, but he was a teenager in those books, and he has an entire life to live and heal with Neil and Bee and yes, Aaron.

Aftg is about overcoming trauma, and it doesn't necessarily focus on the healing part of that, but I still think it's one of the most important post-canon things that this fandom doesn't really talk about.

[magicalmanhattanproject]

Okay, so with Quackity Studios tweeting about adding new people and the need for tolerance and patience with people who don't speak English, let's just take a second and have a chat about what that's gonna look like.

First: you will hear things or read things on the translator that hurt or offend you.

This is inevitable. Do not immediately post about it. What you need tolerance for is hearing things that hurt or offend you and what you need patience for is figuring out of malicious intent was present or if this is a hill worth dying on right now.

As an example, we're pretty sure at this point that Korean is gonna be the next language added. The second person pronoun in Korean sounds a lot like the n-word in English. The n-word in English, if you're not aware, is like the single most offensive slur we have. It's not something that you want to hear unexpectedly. But also, if we get Koreans, they're gonna be using the word for "you" and English speakers are gonna have to be able to tolerate that.

On the other side of things, Korean has a complex system of honorifics and addressing someone without an honorific would be considered very forward and intimate at least if not very rude. None of the QSMP languages have honorifics though and only French really retains formality* so no one else is going to address them with honorifics unless they specifically explain it to people and walk them through it. That will probably be weird and uncomfortable for them and they're going to have to be able to tolerate that.

*Spanish and Portuguese do technically have formal vs informal but it's disappearing quickly in both of them.

These natural cultural clashes and pain points are going to be harder to overcome since we also know that at least some of these creators won't speak English at all so they can't just switch to English to helpfully explain things to us easily in a way we understand. We're going to have to deal.

So here's the thing: just because there can be cultural miscommunications and mistranslations, that doesn't mean that people can't also be assholes. How do you distinguish between the two?

Step One: Assume good faith. Assume that everyone in a given encounter is trying to communicate respectfully and compassionately and that a failure to do so can be overcome

Step Two: Don't get involved. Especially not in Twitch Chat. Two or more people trying to communicate through a language barrier does not get easier when they're also trying to wrangle hostile viewers.

Step Three: Are you sure you heard what you thought you heard or saw what you thought you saw? Did the translator fuck up? Is it a word that just coincidentally happens to sound like another word? If this is the case, the streamers can ask for clarification or use another tool and get it cleared up. Keep watching and see if they do.

Step Four: If they did say what you thought they said, are the streamers handling it? We had a thing a while back where Bad called some friends, including Bagi and Etoiles, uncultured because they didn't get a reference he was making and Etoiles was like "bro I'm French" and Bad apologized. That should have been the end of it, but I had to see people arguing about it for weeks. The problem was solved in 10 seconds.

Step Five: If the person is doubling down, are you sure this is something you can fix by yelling about it on Twitter or Tumblr? Would it be better to let people who actually know them talk to them behind the scenes? Pierre made a few missteps in the beginning of the server, Quackity said they had a chat, Pierre hasn't misstepped since. It's just easier to sort things out in private, one on one conversation than yelling at someone in public.

In short: it's fine to take note of behavior in case patterns start to emerge in it, but yelling on social media about how so and so is the worst person possible is not constructive.

[redflagshipwriter]

batmom Cass progress post

(masterpost)

Far Too Young: Cassandra Wayne, Teen Mother Debutante?

Danny cringed away from the headline on the newspaper sitting on the coffee table. “I am so sorry,” he said miserably. Someone must have reported on that first day in the city. Why'd they sit on the story for so long? That was the only time he'd been in public with Cass. So far, he'd only left Wayne Manor with Damian and Alfred to volunteer at the animal shelter.

Cass blinked up at him, from her perch on the back of the sofa. “Don't be,” she said. “It's fine. They will always talk.” Her face twitched into condescension. “It means nothing.” 

He wrung his hands because it really did look like something. She hadn't given him the article and he wasn't quite bold enough to request to read it. But it couldn't be nice. Even the headline was judgmental. 

“It would probably be for the best if we made a statement.” Grandfather Bat said out of nowhere.

Danny startled and jumped straight up. The chair creaked unhappily when he landed back on it.

“Brucedad,” Cass complained.

He huffed and held his hands up. “Sorry, sweetheart. Didn't mean to startle anyone.”

Danny hunched a little more into his hoodie. Well. Tucker’s hoodie. It was way too big for Danny, especially after the weight he'd lost. But it was weirdly comforting. He fiddled with the sleeves.

“Cass, could we talk about it in my office?” Bruce said. His tone was calm and even. Danny sort of suspected it was for his benefit. “Danny, Damian is looking for you.”

“Oh, for real?” Danny let his heels drop off the chair, onto the carpet. “Yeah, okay. Where's he at?” 

Danny found his 13 year old uncle out in the barn with his cow. Danny hopped the wooden gate to go inside and sneezed at the dust in the air from dried hay. 

“Danny,” Damian acknowledged. He was brushing Batcow. “I hope that you are well this morning.” 

Danny made that weird white person smile-grimace where only his lips moved. “Good morning,” he said, instead of either lying or being a bummer. “Are we going to the shelter today?” 

Damian didn't pause. “Unfortunately, I have been told that it will not fit in Pennyworth’s schedule today,” he said primly. He dragged another long, precise stroke down Batcow’s fur, exactly lining up with his last stroke. Danny eyed his sure, confident motions. “Instead, I wondered if you would join me in a project in the barn. Have you any experience with wood working?”

“Nope.” Danny drifted a little closer. “Do you?”

“No.” Damian dropped to a crouch to take care of Batcow's hooves. “It is of no importance. We can overcome.” 

“Hell yeah, Uncle D,” Danny agreed genially. Why not? He shoved his hands in his pockets. “What are we making?”

“Storage shelving, for materials intended for art therapy.” Damian made one final brisk movement and rose in a smooth motion. He hung up the tools and brushed his hands off. Danny followed Damian as he started to leave.

“Art therapy?” Danny echoed curiously. “That's neat. For ….you?” He ventured. 

‘It’s for me,’ Danny thought wryly. ‘This 13 year old takes his responsibility as my Uncle seriously. He'll say it's for him, but want me there, and-’

“Of course not,” Damian scoffed. “It is for Jerry and Batcow. They have unresolved traumas.” He pulled the door shut behind them. “We will require lumber from the storage unit, as well as an assortment of power tools. I am disallowed from using them without the presence of someone who is taller than 5 feet, or older than 20.”

“That is awfully specific.” Danny eyed Damian suspiciously. “I'm not going to get in any trouble for this, right?” He followed even as Damian picked up the pace a little as they crossed the huge green lawn towards a shed. 

“Tt.” Damian tapped in a code at lightning speed and then hefted open the door. “No. You will be fine.” He said flatly. He stalked into the dark space. Danny followed and sneezed at the dusty interior. “Can you lift 50 pounds?” 

Danny sniggered. “Yeah, easily,” he said with confidence.

Damian hummed in the back of his throat. “Good. You shall be the beast of burden.” 

That was such a wild thing to say that Danny blinked twice while processing it. Beast of burden?!? Who said that?

“... I'm not sure I like that,” Danny teased. “Have you heard that I'm the baby?” He gestured at himself. Weedy as he was, he was still noticeably larger than Damian. 

“You should be proud,” Damian said in a dry tone. “to be such an accomplished baby. Here.” He pointed at a bundle of lumber. “I require this.” 

Danny was a burdened beast back and forth between the shed and the barn for three trips to assemble everything that Damian thought they would need. The preteen oversaw it all with perfect aplomb, dark eyes glittering as his plan started to come together. 

There was a learning curve. 

“That's why they say to measure twice and cut once, huh,” Danny observed. He pursed his lips at the board that was only about half an inch too short for their purpose. They couldn't like, glue or nail on a slight extension, could they?

“We shall throw this in the woods so that no one discovers our failure.” Damian lifted one side of the poorly cut plank and dragged it to the back of the barn into an unused stall. It dragged a line through the loose straw cushioning the floor. 

“He's so little,’ Danny thought hysterically. He could not laugh at Damian. He absolutely could not. The little guy took himself so seriously. Danny was actually shaking with the effort not to laugh or coo.

Damian seemed to have no idea. “For the moment I will store it out of sight here.” He let the plank fall to the ground from an inch or so and then shut the stall door. Danny watched with his head cocked to the side and a hand pressed over his lips to hide his grin. 

“We have two more excess planks.” Damian went back to business. 

[hedgehog-moss]

Look, friends.

Do you think this is a post about my adorable baby succulents? No. Look harder.

It's about the GIANT HOLE IN MY FENCE that I had to patch up with cardboard.

I can't blame Pampérigouste for this one; the brutish nature of the damage is not consistent with her usual modus operandi. Pampe outsmarts locks like Arsène Lupin; she doesn't charge at fences like a bull who saw a red cloth. This is Pampe Pondering A Fence Problem:

No, the damage to my fence looked a lot more mindless this time. Boorish. Boar-ish. I'm blaming a boar. A deer would have destroyed the whole thing rather than just the lower half. Note that there is not a single tuft of llama wool on the damaged wire mesh.

(Note no.2: the boar's smile was originally meant to be a tusk but it really just looks like a sardonic smile)

I brought some chicken wire to patch up the hole—but there wasn't enough of it. Then it started raining and I felt persecuted and decided to just cover the hole with cardboard and go have my morning coffee and get back to this later.

This is not an Innocent Pampe post; there is no such thing. My temporary cardboard solution lasted 8 to 10 minutes. I'm not sure exactly when she got out, but by the time I went back outside to repair the fence there was a Pampe-shaped hole in the cardboard.

(Not really; she just kind of lifted or ate a corner then wormed her way through the very small opening. I think.) (See, this is how you recognise a Pampe escape: you're not entirely clear on what went down, you just know there was a llama inside and now there is a llama outside.)

It was still raining and I didn't feel like going after her, plus it felt pointless to bring her back in her pasture before the fence was repaired, so I went in the barn to look for my tools and rummage through leftover pieces of previously-destroyed fences, hoping to find something the right size.

Then I heard Pampelune's hyena shriek, aka the llama alarm call. It was followed by:

horrified chicken screams and frantic feather noises; the soundtrack of a violent fox attack

infuriated barking from Pandolf

very loud panicked braying from Pirlouit

basically, chaos.

I ran outside just in time to see Pampe emerging from the woods at a full gallop, pursued by a bear. I didn't immediately identify the animal that was chasing her as the giant dog that he was, because he was running with a weird gait, with his legs going everywhere like he was frolicking at top speed (I now know that this dog is a puppy that has learnt to run just a few months ago, but that didn't occur to me at the time because this puppy is the size of a calf.)

Pampe was running towards the cardboard through which she had escaped and she managed to squeeze through her small corner hole again (I assume—there were trees blocking my line of sight and I only saw her again once she was in the pasture, running for her life along with the other 2 llamas + donkey.) Meanwhile, the dog didn't see the corner hole and tried to power through the cardboard much like a boar, or was carried away by his momentum and didn't brake in time; I don't know. In any case, when I reached him, he was stuck.

My large piece of cardboard was tied to the fence posts and still holding strong, but the middle was a bit soggy with rain and not too solid, so the dog's head went right through it. The rest of his body didn't.

He could have probably finished breaking the cardboard quite easily, but for some reason he instantly gave up. On life. By the time I got there the dog was half-in and half-out of the pasture and he looked defeated. Which made my piece of cardboard look like a mediaeval beheading apparatus with just a hole for the head.

I went to lock an angry Pandolf in the barn and checked on the chickens along the way (ruffled & offended but fine); I was hoping the dog would figure out how to extricate his head from the cardboard in the meantime. He did not. I tried to call him in a friendly tone (from behind) to encourage him to free his head by stepping back, but the concept of taking a couple of steps backwards in order to extract his head from the hole might as well have been advanced engineering. He clearly had no idea where his head was, where his body was, how to make the two a coherent whole again, and he started whining pitifully.

I untied the rope I had used to attach the cardboard to the fence posts, then wriggled the piece of cardboard a bit to try and free the dog's head. The dog was alarmed by the wriggling and took several steps back—but I didn't manage to hold on to the cardboard so it just moved with the dog. He clumsily ran away, taking the cardboard with him, wearing it around his neck like the world's largest cone of shame.

He immediately got stuck between two trees.

I was starting to find the situation hilarious, but the poor dog did not—he lay down and started making sad broken noises like a malfunctioning dog-robot. He didn't look very threatening but he was still a very big (and stressed) dog so I felt a bit wary of touching his head to help him, and decided to run home to get a box cutter. I figured I could easily rid him of most of the cardboard and leave him with just a soggy cardboard collar that would soon fall apart. I heard my landline phone ringing from afar and ran faster, and it was one of my nearest neighbours, the retired lady who lives on the plateau.

"I've been trying to reach you!! I saw your llama in my garden earlier, I was going to give her a little treat—" (she loves Pampe, for some reason) "—but then my dog saw her too."

I know this woman's dog—he's a tiny thing with fragile nerves who thinks the whole world is out to get him, so I asked anxiously, "Did Pampe scare your dog?" and she said "Oh no! Domino is here with me; but I have a new dog. His name is Texas."

I thought of the gigantic puppy currently sobbing in my woods, held prisoner by two trees, a self-inflicted cone of shame and his total lack of reasoning skills.

"Yes", I said. "I've met Texas."

The old lady asked worriedly if he'd scared Pampe ("Il est un peu zinzin" she said—he's a bit crazy. "I wanted to call him Rex, but then I met him and thought—Texas!!") I told her I was pleased with her dog for scaring Pampe, because she needs to learn that her pasture is her only hope for safety in this cold uncaring world and as soon as she steps out of it she returns to her lowly status as a prey animal. Then I ended the phone call because I was worried both about Texas and about the large hole in my fence. Thankfully all my animals were still terrified and hiding far, far away from Texas.

Texas actually managed to free himself before I attempted to cut the cardboard, but he still thought of me as his saviour and was very happy to follow me through the woods back to his owner's place. Before we left I propped up the cardboard against the damaged fence, and despite the hole in the middle no llamas escaped in my absence; I think the whole area still smelled like Texas and fear.

I'll admit I was initially tempted to leave Texas with his head stuck in the cardboard in a more permanent capacity in order to patch the hole in my fence with this amazing anti-Pampe Cerberus. Like this

(I know this artistic rendering makes my llamas look like frightened carrots and my donkey like a bunny but I will not be taking constructive criticism at this time)