#and shark teeth

[sylveonyie]

I'm am actually reverting back to my 7 year old self I'm Hyperfixating on dinosaurs and biology and animals help.

[erateeth]

🌈🦈✨

Based on this post:

[jack-0-lantern57]

Shark Charlie<3333 (feat. axolotl Pim)

I both want him really bad and want to be him REALLY bad

[iveoy]

coach ukai 🥰🥰

[mokimo-art]

You guys sure like Beel

[ryllen]

the next thing u know, yuu would have the possession of malleus' bones

[barghest-land]

fieldbook (mostly this year): expedition sketches. different places and seasons

[2-eeillustration]

I think somebody may have had too much Dark Energon.... Inspired by this doodle by th3e_m4ng0 on Twitter!! - https://x.com/th3e_m4ng0/status/1769567478382780914?s=20

[deadinsidegraphics]

Jaws

[zenith-ii]

a lil nervous to post art on here but that’s literally what i made this blog for so. doing it scared etc etc. have this Rain i doodled some time last year lol

everyone has that one comfort plush that has been through hell, right?

[fishyfishyfishtimes]

What fish would be improved with teeth? What fish shouldn't have teeth?

Hmm, honestly I think it would be super funny if seahorses or trumpetfish had teeth (and also give seahorses a decently moveable jaw). What if they went around making perfectly circle-shaped bite marks everywhere, like shallow water cookiecutter sharks? It would be priceless!

I don’t really have a fish that I think shouldn’t have teeth! Maybe… whale sharks. I reckon they don’t have much use for their mouth teeth! Also parrotfish shouldn’t have as many teeth as they have for sure.

[bananafire11]

Tw body horror?

Bendy twisty

Since jax is a rubberhose rabbit, wretched jax gets twisty body horror priveleges... gross creature

[electrozeistyking]

Damn, rare fluff from Zeisty? Unheard of!

[bathylychnops]

girls will LITERALLY eat a burger.

[mokimo-art]

[art]

Creator Spotlight: @66sharkteeth

66 is a comic artist and the creator of City of Blank, a WEBTOON original series. They worked in the game industry at companies such as 2K Games before entering the field of comics. They began their career in comics at Tapas, where they worked as an editor and lead typesetter, before being signed to create their own original series on WEBTOON.

Check out our interview with 66 below!

Have you ever had an art block? If so, how did you overcome it?

The short answer is yeah, I’ve definitely had one. Overall, I feel like doing a lot of style studies during that time and trying to use new brushes helps a lot. In addition, because I’m a comic artist, I feel like writer’s block is in the same field, and with that, I’m really fortunate that I have an editor that I can work with, who helps me a lot there. Whenever I am stuck at a plot point in my comic, I can always go to my editor, who helps me hammer things out.

What medium have you always been intrigued by but would never use yourself?

Animation. Of course, everyone loves animation. I went to school for game art and design and even did some animation courses, and I am just not cut out for it. I don’t enjoy the process, and I am not good at it. Animation is beautiful, and I admire people who can do it. I’d love for my work to be animated some day, I’m just not capable of being the one to do it haha.

Warm tones or cool tones?

It really depends on the scene! Especially in my comic, I really go with both of them, just depending on the moment in the comic. There was a major character death, and that scene was almost black and white. But normally, the comic is very vibrant, and people really like it, so when I switch it to a more cold tone, it makes the scene that much more impactful.

What is a recent creative project that you are proud of?

Honestly, my current comic, City of Blank, takes up 100% of my time. But recently, I did a plushie campaign where I worked with Makeship through Webtoon to design the plushies and do a little bit of marketing for them. So that’s fun and different from what I normally do!

When planning a comic or a story, what do you do first, character design or character outline?

Normally, I have a design, and I fall in love with the character design, and then I find a role for them. That’s how a lot of my characters have started. Also, that’s how I’ve been tackling new projects that I want to work on after City of Blank. I just came up with a character, and I’m trying to make a story around them.

What is a convention experience that has stuck with you?

Meeting readers and realizing how much my work means to some of them. Some of them have started their own comics, having been inspired by mine. Learning that I’m part of the reason they started their own comic journey, the same way I looked to other inspiring comic artists to start mine—it means the world that I’m in that position now.

Top tips on setting up an Artist Alley booth?

Let’s see…bright, sparkly colors! I think just trying to make sure that the booth is eye-catching. I ended up making a big shiny banner for New York Comic Con, and I know many people stopped by because it caught their eye and they’re curious about what it is. I know a lot of people are selling merchandise of popular media. Even just a banner of your brand to get them curious about who you are and maybe interested in seeing what you make and taking a business card so they can look you up later. It’s better than someone just buying a pin and forgetting you exist. Lastly, put out a tip jar. You never know just how generous your fans are feeling.

Who on Tumblr inspires you and why?

I’m mostly involved in the webtoon sphere! I am definitely inspired by my fellow Webtoon creators, @lark-wren, who created the series Woven. I love their work and seeing them interact with their readers on Tumblr. Same with fellow Webtoon creators, @miranda-mundt-art and @astrobleme-enterprises, who created Lovebot.

Thank you so much for stopping by and sharing, 66! Be sure to check out their Tumblr blog over at @66sharkteeth and follow their webcomic, City of Blank, over at WEBTOON.