#and there’s something about knowing your real experiences that better connects you with others

[scobbe]

The biggest gift I received from IFS therapy was getting a real handle on what actually was happening around me while I was busy disassociating and disconnecting from the terrible real life around me. (There are parts of us, buried though they may be, who do remember.) And having a coherent narrative of “oh, between the ages of 14 and 24 I lost everything that had ever given me a sense of safety and identity,” removed a massive amount of anxiety and shame I was putting on myself, believing I was lazy or defective or unable to handle life. We are very, very good at writing stories to protect ourselves from pain, but those stories can’t hold the kind of real truth that actually defines who we are. When we know we’ve been kicked to the ground we can get up again (even asking for help to do so!) but when you’re tangled up in thinking you’ve just got to improve yourself or try a new job or relationship or spiritual practice or whatever, it only leads to exhaustion on a treadmill going nowhere. And the worst part is our society takes advantage of this and will try to sell you fixes you don’t need.

But if you have Been Through It you know you have a right to hobble a little, to be a veteran of a war, to give yourself some slack and appreciate your achievements, whenever you’re able to achieve them. There’s nothing to be “fixed”, only wounds that need healing and injuries that need accommodating, and that’s okay.

[creature-wizard]

Continuing on the topic of connection being not a feeling, but a rather a set of circumstances in which you are engaging and participating, I think a lot of people out there just don't realize how dangerous the way many of us have been taught to think of feelings in relation to spirituality really is.

Like Zan pointed out, Evangelical Christians are taught that positive emotions are actually the Lord moving through them, rather than their own personal reactions to their experiences. Meanwhile, Evangelical church services are deliberately engineered to elicit these kinds of of feelings in people. It's pure emotional manipulation.

Similar ideas are found in New Age spirituality, where "spiritual discernment" is frequently boiled down to "does it make me feel good or not?" People are taught to evaluate politically charged information based on whether it, for lack of a better term, sparks joy. Now, determining whether or not something sparks joy is a wonderful way to decide whether you want to keep your old tea kettle, but here we're talking about information that people will base crucial personal and political choices on.

Meanwhile, New Age influencers do everything they can to make sure they're sparking joy for you. Let's take Paul White Gold Eagle, for example. His videos are constantly talking about things that sound exciting, like messages from archangels, dragons of light, and emerald transmissions. This type of baiting - joybaiting, I'll call it - is meant to hook you emotionally and make you think that this has to be true because it elicits that oooough, shiny reaction. Next thing you know, you've been joybaited into falling down the conspirituality pipeline and you believe some version of QAnon's conspiracy theories.

This kind of thinking is even dangerous in pagan circles. You find yourself thinking about a thing and noticing a lot? You feel an intense pull to study it? You'll find people out there telling you that you have a spiritual connection to it, like, maybe you were part of it in a past life. And maybe you go and get a past life reading, or even undergo hypnosis. And now you, the whitest gal in the surburb with zero familial connections to any Native people, feel entitled to appropriate some form of Native spirituality because you felt fascination with it, or what you thought it was, and now you're contributing to white sage decimation and spreading around some sort of Native-flavored form of neopaganism as if it's actual Native spirituality.

Or maybe you fall in with a neopagan cult leader who uses your fascination to convince you that you knew each other in a past life, and you were led to them in this life so you could continue some important work in this life, and they pull you completely into their bullshit.

Finally, it's dangerous because it encourages stalkers. A lot of stalkers are people with incredibly powerful fixations on others. These types of beliefs get them convinced that their victims are actually their soulmates or twin flames or whathaveyou, and make them feel justified in engaging in stalking behavior.

All of this is why it's important to recognize that connection is a circumstance, not a feeling. Your feelings are utterly irrelevant to whether you are actually connected. What most people take for "feeling connected" is literally just fascination or fixation, maybe reinforced by the Baader-Meinhof phenomenon. Real connection is something you cultivate and build, and it does not exist outside of your actual, physical engagement and participation.

[peachesofteal]

Simple Math / Part Seventeen

Simple Math masterlist

Ghost/Soap/female reader - AO3 - 4K words Tags: 18+ mdni. nurse!reader. PTSD, references and descriptions of domestic violence , grooming, manipulation, pregnancy. Simon's back story. Trauma. Bun opens up a bit more. Domesticity, feelings of anxiety, self doubt. Simon is a nervous dad. Emotional confessions.

“It’s Beth.” Simon wipes the countertop, chasing little dirty fingerprints with a wet cloth, before fixing a hesitant set of eyes on yours.

“That’s pretty… I like it.” There’s something odd about his expression, something haunted almost, a deep, dark well filled to the brim with rancid, stagnant water. You sense it immediately. “What’s wrong?”

He motions to the chair and slides your mug into your waiting hands. “Sit.”

“Simon?”

“It was my sister in law’s name. My brother’s wife.” Was. Your throat goes dry, muscles tensing.

“Was?” He pulls your fingers into his, cradled in the palm of his hand, thumb rubbing circles into your skin, over and over on a loop. A mechanism of comfort, connection. A thread stitch into the fabric between your heart and his.

“They died, sweetheart. My family… I lost them.” Grief, a shared experience you know now, froths in the pit of your heart. You tremble, he holds you steady, though it should be the other way around.

“What… what happened?” He sighs, dragging your palm to his lips.

“Let’s sit down on the couch.”

He holds you as he talks, diaphragm rumbling against your ear. You’re laid on his chest, unable to see his face, watch his expressions, but for this, you don’t feel the urge to dissect each one.

You’re content against him. Listening. Mourning.

There’s a swath of silence afterwards, and then he clears his throat. “So, I was dead. Dead until I met Johnny, I think. And then everything changed.” Johnny’s words from weeks and weeks ago make more sense, Simon’s actions and reactions rapidly gaining clarity. “When we found you, I saw it, the look in your eyes. It was the same one that used to haunt my mother’s.”

“You saved her.” He burrows his face in your neck and shakes his head.

“I did what I could to piece them back together. Helped get Tommy clean and on his feet, got rid of the old man for good, but the damage… the way she suffered, it was irreversible. The best I could do was be there as much as often as possible.” You comb through his hair, short strands of silk like Penny’s, and hold him close. “I promised myself, when I met Johnny, when we fell in love, I’d do better by my own family. For him, and then by Penny. And now you. Promised I wouldn’t become him.” Your heart clenches, squeezing in on itself. “Violence may have been a part of my job, but it wasn’t a part of me.” His fingers dance along your spine until they reach your chin, tilting you back to meet his gaze. “Do you understand?”

“Yes.” You whisper, leaning into his touch. He doesn’t need to ask for your trust, he already has it.

“Johnny thinks I’ve got a bit of a savior complex now, but I want you to know… that’s not what this is, bunny.”

“I know,” you clear your throat, fighting through the thick of emotion building there, accumulating in heaps, “I know that.”  

“But we do need to talk about him, you know that?” Darkness creeps along the wispy, dream-like cocoon the two of you built on the couch, and you push it away, try to banish it, basking in the comfort of his arms instead.

“I can’t, I… right now it feels like I’m in a dream where nothing hurts and nothing can scare me or hurt me, and I don’t-“

“You’re not in a dream, bunny. That’s your reality. This is real. Nothing can, or will, hurt you, scare you. No one will ever touch you again.”

“I need more time. Please.” Simon sighs, but doesn’t push, and the two of you lay there, together, suspended in comforting silence. For another moment, your world is a dream. A safe, beautiful dream, where happy endings are real, where love stretches on for eternity, unconditional, limitless, unbreakable.

You’re so different now, stark changes shocking to the girl you once knew, the one who doubled back on her routes to and from work, the one that walked everywhere with her hackles up. Little pieces of black rot now turned a blinding white, a brilliant beam seeking to shine on the whole of your life.

It’s a dream.

One you won’t easily surrender.

“I was really young.” It comes during a lapse in conversation, practically a blurt, an interruption pushing heat to your cheeks. Expelled from your mind, your body without choice, cracks appearing in the preservation that you’ve so defiantly clung to. You have to tell them, eventually. You have to break it all apart, let them see. Johnny’s mouth opens, and Simon’s hand darts to his wrist faster than a snake could strike, a clear signal. Don’t speak. “Obviously now, looking back on it, I realize I was groomed, or I guess, easily influenced. He was older, and I graduated early, started college early. I was in my second year when I turned eighteen. My mom,” the lump in your throat nearly chokes you until you swallow it down, “my mom busted her ass for me. I went to college on scholarships and her hard work.” Metal clanks against ceramic, forks settling on the edges of plates. “Anyway, everyone always thought I was a know-it-all and pretty awkward. We weren’t officially like, together right away but it was pretty serious from the day I met him. Eventually… he started to change me. Change my goals. He even manipulated my career path.”

“What did you go to school for?” Simon asks casually, head tilted.

“Bioscience. I wanted to be a doctor, so I thought it would transition well for med school. Thought I could become a surgeon.” You were a girl then; you know that now. Naïve, misguided by a hand that sought to control you, not love you as you hoped. It’s embarrassing, baring this, showing these broken bits and pieces to them, shattered shards of a mirror never glued back together.

“What happened?”

“He did.” Johnny squeezes your hand. “Made it to pre-med but ended up leaving and starting a nursing program instead. It’s what he wanted, and by then, I couldn’t say no.”

“But ye didnae want it, to be a nurse.”

“No. I didn’t. I love my job now, of course, and I’m happy in it, but originally, I wanted something else. He tricked me, in all honesty. Showed me something that wasn’t real, reeled me in, and then revealed his true colors.” You shudder. “The first time… the first time it happened, I shook it off, forgave him. I-“ the memory is still so strong, it stuns you. The blood from your busted lip is fresh on your tongue, sting on the side of your face turning to a blooming ache.

“Bunny?” Johnny’s grip moves to your elbow, strong, but not too tight. An anchor. You shake your head.

“Sorry.”

“Ye’re alright, ye can stop if-“

“No, I… I want to share these things with you. It feels like I’m supposed to, like you should know me… like this.”

“We already know you, sweetheart. Don’t push yourself.” Simon’s tone is serious, and you nod.

“It’s embarrassing, looking back on it and realizing how bad it was, how bad I let it get. How I let him cut me off from everyone, change my career, squash me like a bug.” You laugh, but it’s empty.

“Ye did nothin’ wrong,” Johnny’s lips press together, muscles in his jaw straining, “was never yer fault.” You don’t answer, just trace the woodgrain of the table, texture moving beneath your fingers. The conversation is draining you, leeching light away like a horizon swallowing the last of the sun.

“He’s rich. Like, fuck you money rich. Rich like make problems go away rich, and his job…” your head shakes again. It’s the most you’ve ever said, heavy buried secrets finally dug up, resurrected, the truth trembles through your bones. “He has resources. Has chased me across the globe more than once. My only saving grace is that when he has to work, he has to work, and it’s usually for long chunks of time.”

“I know you’ve said you’re not really sure, but did he ever tell you what his job entails?”

“He’s in the military. Some sort of security work, department of defense, or something. He never really talked about it.” Johnny shifts in his seat, antsy, and you shrug. “He kept that part of his life very, very private. There was even a room in the house that was always locked.” Your head is heavy, lead upon your shoulders, and Johnny tucks his arm around you, pulling you into his chest.

“I know this is hard bun, but ye’re so brave for us. Lettin’ us know ye this way. I’m proud of ye.” He murmurs, lips to your forehead, and you fully relax, wrapping around his middle.

“I’m tired.” You whisper, eyes closing, and he rubs your back.

“Let’s get ye to bed then.”

“Your child is too big for me to carry!” You announce, hand on your hip, little backpack straps looped around your arm. Simon closes the door behind you, chuckling, and Penny plops onto the floor. She goes to a nursery day program now a few days a week, something that was a contentious subject in the house for far too long, opinions and arguments ping ponging over your head until the decision was finally made.

“It’s not safe.”

“Ye cannae keep ‘er locked up here forever, love.”

“Why not?” Simon bounced Penny against his chest, unimpressed look on both their faces, so alike you almost busted out laughing.

“Because she’s a child. She needs to be w’other children, not just us.” Johnny brings his free hand to his lips, squeezing Simon’s wrist. “I know ye’re scared.” Simon’s not the only one who’s scared, you thought. Phillip lurked at the edge of your mind, worry that he might find Penny plagued you, even though they both assured that wasn’t their main concern.

“She’s too little.”

“Simon. We agreed on this,” Johnny gives him a sharp look, “do yer research, find the best one. Ye know this needs to happen, for her. She needs to make friends, learn how to interact with kids her own age. Ye know this.”

“Fine.”

“She cannae be, not m’wee lamb.”

“She is.” You rub your shoulder. “Sheesh.” Penny’s stomach gurgles at your feet, and Simon grimaces.

“There’s a bug goin’ around the kids, teacher told me today.”

“Not surprising. Nurseries are little petri dishes.” You straighten your back, rolling your shoulder, and wince.

“Hurts?” Simon’s thumb digs into the soft spot there, and your lashes flutter.

“Maybe ye need a hot bath,” Johnny suggests, and Simon ushers the two of you up the stairs.

“I’ve got Pen. Go relax.”

“This is nice.” Johnny soaps your back, lavender and vanilla steam swirling around in the bathroom as you lean against him, his chest to your back.

“Aye.” The cloth drags across your chest, teasing your nipples, and you revel in his touch, soaking in every second he gives you, the brush of his cheek against yours, his lips on your neck. “Like havin’ ye all to myself sometimes.” You blink.

“Does it bother you? When we’re not all together?”

“No. Ye have a relationship wit’ me, and wit’ Simon, and we have a relationship all together. No one is the same. I like it.”

“Me too.” You settle again, loose and tender in the bath, soaped hands running up and down your back, kneading your shoulders, releasing the tension coiled in your bones. You groan.

“Feel good then?”

“Yeah.” He presses a hand over your heart with a deep breath, before he takes another.

And then one more.

“What’s wro-“

“I love ye bun. Wholly. Think ‘ve loved ye since the day I opened my eyes to ye leaning over the bed in hospital.” You turn, twisting to face him, and he dabs your nose with his thumb. “I dinnae have any expectations of ye, or yer feelings, but I had to be honest. I had to tell ye.” The confession fights its way forward, begging to be let out, to be freed.

Tell him. Tell him the truth. Tell him you love them, that they’re your light, that they’ve chased the darkness away and replaced it with the sun.

You can’t.

Instead, you rest your forehead against his, syncing your breathing, sharing the moment, holding onto him so tight in case he slips away.

“I can’t say it.” You whisper, and he nods. “But that doesn’t mean… it doesn’t mean it’s not there. I’m just… I don’t know if I’m ready.”

“An’ that’s okay. I’ll wait, I’ll wait for ye as long as ye need.” There’s no pressure, no demands, just Johnny and his arms, his understanding and patience, his love.

You blink back tears and crash your lips to his. “Thank you.”

Your stomach is what wakes you.  

Something it in is burning, tossing bile around, the sensation strong enough your lips curl, and you try to draw a deep breath through your nose.

You wriggle, trying to pull free from where you’re tangled up in Simon and Johnny, carefully and slow, hoping to avoid waking them though you know even in their dreams, they sleep with one eye open.

 Still, you manage to make it to the bathroom before feet are padding across the carpet on your heels.

You sink to your knees in front of the toilet, stomach bubbling, sending the scorching remnants of dinner up your throat.

The door clicks open. “No, get out. I don’t want you to see-“ you gag again, tap turning on at the sink, a cold washcloth folding over your neck.

“Shhh,” Simon murmurs, rubbing your back, “get it all out.”

“Oh god,” another wave swells, and your muscles tense, body expelling bits of bile and not much else.

“That’s the way, good girl.”

“This is gross.” You gasp. “You should go back to bed.”

“I’ve seen way worse than you puking, sweetheart.”

“She alright?” Johnny half yells from the bedroom and you groan. The guilt of him having to maneuver himself out of bed, still not one hundred percent healthy, still not back to full strength, draws a shiver from your spine.

“I’m fine, don’t come in here!” Your stomach pitches, fingers tightening against your thighs, but nothing comes up, again and again, until everything settles and you’re breathing deeply, steady, back straight.

“Let’s get you some water.” There’s no point in arguing with him. He’s going to do what he wants to do when it comes to taking care of you, you know that now. It’s painfully clear as he tries to help you drink from the glass, and then puts toothpaste on your toothbrush.

“I’m fine.” You assure weakly, but he only watches you, concerned.

“Think it’s the nursery bug?”

“Probably.” You sag, energy drained completely, and he steadies you, cupping your cheek. His touch is cool, and you lean into it, savoring the reprieve it brings against your throbbing temples.

“Want to go back to bed?”

“What if I throw up again?” He presses a kiss to your forehead.

“I’ll jus’ clean it up.”

“Can I ask you a question?” You glance up at the timid mouse of a nurse, brand new, fingers clutched around a tablet like she’s drowning and it’s her life vest.

“What’s up?”

“Can you… can you look at these orders for me?” She looks terrified, and it tells you everything you need to know. She’s probably caught a mistake.

Baby nurses begin their careers in a delicate position. They’re overwhelmed, fresh off a whirlwind of orientation, overloaded with policy and procedure, and depending on their preceptor, either somewhat prepared or completely lost. Pitting a baby nurse against a provider, even a first-year resident, is like sending a lamb in to confront a lion. The result is usually tears.

She hands you the tablet and you spot it immediately. Incorrect dosage.

“Good catch.” You reassure, coaxing a small smile, and she nods.

“What do I do?”

“We go find the provider and clarify the dosage.” You’re not going to leave it up to her, alone, hang her out to dry and probably get run over by whatever moron ordered it in the first place, who happens to be-

Marshall.

Your eyes couldn’t roll any harder. “The pharmacy is also very on top of seeing errors like this, but it’s good you’ve noticed too, for the patient and yourself. Liability for things like this can be very tricky.” She nods again, trailing behind you, brand new squeaky sneakers echoing your own steps.

You can’t stop the sigh that escapes you when you find him, leaned up against a wall, arms crossed, smirking, cocking his head at your companion. “What’s up?”

“Can you take a look at this for me?” You purposefully zoom in on the meds tab, practically painting a bullseye around his error. He scoffs, defensive immediately, dismissive, before he takes a closer look, jaw clenched.

“That’s my mistake.” You blink. Marshall rarely ever takes responsibility so gracefully. Your eyebrow lifts.

“Care to fix it?”

“Of course.” His agreement is punctuated with a smile, though it’s off kilter.

“You can go,” you nod to the nurse, “good job.” Her eyes dart between you and Marshall, and without another word, scampers off.

“She’s new?” His usual interest in new nurses is less enthusiastic than ever.

You hate Marshall. He’s a scumbag. But he’s also been your coworker since day one, and you can’t help yourself. “What’s up with you?”  

“What do you mean?”

“You’ve never owned up to a mistake that quickly, and you didn’t even make some smart-ass remark. Or berate her. Or give me an attitude.” He winces.

“It’s nothing.” But it doesn’t seem like nothing. It seems like something is wrong, like he’s sad, or depressed, and try as you might, your bleeding heart can’t walk away.

“What’s wrong.” You phrase a statement, a demand, instead of a question, and he blows a frustrated breath.

“It’s… I’m seeing someone.” Your eyes go wide.

“Who?” Please don’t say a nurse, please don’t say a nurse, please-

“Anna. From radiology.”

“Oh my god. The cupcake girl?” Anna was a fan favorite. Not only was she kind, but she was also quick with her reads, and baked cupcakes for the entire floor almost once a month. As far as radiologists go, she was better than most.

“Yeah.”

“Okay…”

“I really like her but… she’s always been aware of my reputation and is trying to take it slow. Too slow.” You could lecture him with a million reasons why she’s in the right, but it doesn’t seem like he’s got the resolve to handle it.

“What do you mean?”

“She’s dragging her feet. Doesn’t want to hang out more than once a week, rarely stays the night. I’ve been to her place a handful of times, but that’s it.”

“How long has it been?”

“Two months.” You laugh.

“That’s it?”

“It’s a long time for me!” You hold your hands up in surrender.

“Okay, okay, but seriously. Two months is no time at all. Have you discussed the… reluctance with her?” He seems uneasy, and for the first time, you’re not sure if you enjoy watching him squirm.

“Yeah. She says she’s happy, but isn’t trying to jump into anything,” his air quotes carry a whiff of the condescending asshole you know too well. This conversation couldn’t be timelier, and you think back to what you told Johnny the other night.

“Just because she’s taking it slow doesn’t mean her feelings for you aren’t there. You have to respect that. If she’s still putting up with you after two months, I’d bet she’s just being cautious. Getting hurt sucks.” He nods thoughtfully. “Give her the time she’s asking for, and don’t give up.”

Don’t give up.

The sentiment twists a knife lodged deep in your heart. Is that what will happen to you? Will they give up? Get tired of waiting for you to spill all your secrets, get tired of waiting for you to take the final step? To tell them you love them?

Get tired of waiting for you to let them use your real name?

“I didn’t expect her, didn’t expect to feel this way.” The mask comes down, revealing a hopelessly lovesick heart, the depth of it shining in his eyes.

“I don’t think anyone ever does expect it. That’s the surprising thing about love, I guess.” You sway, a palm pressed to the wall as your hand flattens over your stomach.

“You alright?” Marshall’s voice is far away as you breathe through your nose, trying to fend off the nausea tightening your throat.

“Sorry, I’ve been a bit under the weather. Think I’ve got a bug or something.” Your stomach roils in warning, and you barely grit out an apology before dashing away.

Just in time to toss your breakfast up in the toilet.

“I’m fine.”

“I heard you in the toilet. You didn’t sound fine, and you shouldn’t be working if you’re sick.” Your manager shakes her head like she’s disappointed, and you glare. You both know if you had called this morning talking about a stomach bug, she would have told you to suck it up unless you were actively vomiting.

“Look around. Do you see an excess of nurses on the floor?”

“We’ll manage. Or call someone in.” You shake your head.

“We’re already way past policy ratios.” You bite your tongue when safe nearly slips out, not wanting to piss her off. That’s the union’s job.

“At least go sit down or something. Take a break. Come back in twenty minutes and let me know how you feel.”

Your closet is cozy, and for once during the day, unoccupied. The nausea has subsided, for now, and you shoot a text to the guys, asking about Penny. If you feel like this, you can’t imagine how she feels.

You curl up and imagine you’re home instead, maybe in bed with a sleeve of crackers and some soda, warm chest at your back, a hand stroking over your hip. Maybe you’d have some soup, maybe the three of you would watch a movie after Pen went down for bed. You start to drift in the domestic fantasy, sleeping curling itself like a blanket over your shoulders, until you’re startled by the vibration of your phone, foot kicking forward in a jolt against a shelf.

A box falls to the floor.

HCG strips.

You stare at it for a long time, numbers and dates and weeks mashing together, calculations getting lost in the fray.

You’re not…

No.

Ridiculous. Not even possible. You’re on the pill. Religiously.

You have the nursery bug that Pen brought home. Get a grip.

Still…

You use the fifth-floor bathroom, one of the only single occupant toilets in the whole damn hospital, nausea now coming from a completely different source.

The timer on your phone is incredibly slow, or maybe it’s just time itself, the world turning in slow motion, every second elongated into turbulent silence, too many thoughts, too many feelings, too much of everything to tell where one ends and the other begins.

Fear.

Anxiety.

Panic.

Sadness.

Grief.

It’s grief that is the strongest. Grief for something that Phillip stole, mourning for something that was once so close, so real, and then gone in an instant.

If you close your eyes, you can still feel his boot in your stomach. The press of a steel toe, jammed beneath your ribs, wild, deranged eyes staring down at you in a rage.

But-

Buried so, so far beneath the crushing weight of it all, there is a bright little pocket of sunshine. A small little sliver of light, beams of hope stretching for the sky, warmth spilling over until your hands tremble with the conflict warring inside you.

Nothing has changed, but everything could.

The timer goes off with a shrill chime, and you lean over the sink to where the small strip sits on top of a cup.

A bold pink line.

And then another, more faint, but certainly there. A simple equation, one plus one equals two. Simple math.

Tangible. Present.

Pregnant.

[amiableness]

Peonies ; part one

Pairing: Theo Nott x Fem!Reader

Summary: Reader is devastated when Mattheo gets a girlfriend and asks Theo to help her get over him.

Word Count: 5030

Warnings: Unrequited love & reader crying. Let me know if there's more; I probably forgot something.

A/N 💌 I am so excited about the first part of this series—it's been in my head for weeks! Big thank you to @moonpascal for reading and editing! I'm so excited to hear your thoughts!

SERIES MASTERLIST <3

Against your better judgment, you’d fallen hard for Mattheo Riddle. And yet, you were fully aware that nothing would ever come of it. 

You’d grown up in the same circles, your families often crossing paths at dinners and parties, but you were never particularly close—barely acknowledging each other in those polished, formal settings. It wasn’t until you both started at Hogwarts that any real connection formed. Being eleven and navigating the overwhelming experience of a new school was daunting for anyone. When you both were sorted into Slytherin, the shared familiarity in an unfamiliar place naturally drew you together.

Over time, you’d been there for him more times than you could count. You were the one cleaning his cuts after a fight, always telling him it was the last time because you couldn’t bear to see him get hurt. Yet, each time he showed up, you let him in with an exasperated huff, carefully tending to his wounds. When he’d appear at your door late at night, eyes dark with whatever was haunting him, you’d silently walk with him, sitting together in the quiet of the common room until the tension in his shoulders finally eased. You’d pretend to be annoyed when he asked to copy your coursework, but in truth, you savored every moment he sat close to you—the way his arm would brush against yours as he scribbled down your notes, the warmth of him, the scent of his cologne lingering in the air—leaving you longing for him to stay close just a little longer, even though you knew he never would.

He moved from one fling to the next, a string of one-night stands that never seemed to reach his heart. While you’d never been one of them, you couldn’t help but wonder what it would be like if you were. A stubborn, hopeless part of you clung to the fantasy that maybe, just maybe, he’d one day let you be the one he trusted with more than just a night tangled in the sheets.

Your friends always joked that if Mattheo ever got serious about a girl, it would be you—but you knew the chances of that were painfully slim.

So you were caught off guard when you walked into the common room and saw a girl you barely recognized sitting with your friends. Cozied up in the same armchair as Mattheo. Your steps faltered as you approached, trying to piece together who she was and why she was sitting with your friends. It wasn’t that you were opposed to meeting new people, but your group had never once welcomed anyone new.

“Hey, love.” Enzo murmured, patting the cushion beside him on the couch. He’s the only one who’s noticed you so far; the rest are absorbed in their heated discussion about the latest Quidditch match. You slide onto the couch next to him, your gaze briefly flicking to the girl sitting directly across from you, trying to place her.

“Hey, Enz.” You say with a soft smile, setting your bag down as you settle onto the couch.

“What’s going on?” You tilt your head toward the girl, and Enzo glances in her direction. She’s not paying attention, her gaze fixed on Mattheo with a lovesick expression.

“I’m not sure,” Enzo replies quietly, ensuring his voice doesn’t carry. “Mattheo just introduced us, and we’re all a bit confused about it too I think.”

“Oh.” You murmur and Enzo watches you carefully. He knows about your feelings for Mattheo; he’d have to be blind not to notice.

Enzo leans in closer, and you shift your gaze to him. “Listen, love—”

Enzo doesn’t get to finish before a soft gasp of your name catches your attention. You look over, surprised to see the girl leaning forward with her hand extended. You notice that her other hand still has a grip on Mattheo.

“I’m Veronica,” she says warmly, her smile never wavering. “Mattheo’s girlfriend.”

The word hits you like a punch to the gut. You’re at a loss for words, unsure if you can even find any.

Girlfriend. Since when does Mattheo Riddle have a girlfriend? And why wasn’t he introducing her himself?

You want to question her about it, to find out when this happened and how she managed to get past his walls. Because you had been trying for years. Instead, you sit there in stunned silence, your eyes darting between her hand and her face. Your mind is racing, trying to process the truth you’ve been blindsided by. You’d known he’d never be yours, not in the way you wanted, but hearing it, seeing it so plainly in front of you, feels like a cruel twist of fate.

Forcing a smile, you finally take her hand, the gesture automatic and devoid of real warmth. “Nice to meet you.” You manage to say, though the words feel foreign on your tongue.

Her smile widens, and she shifts closer to Mattheo as if silently asserting her place by his side. Your eyes flicker to Mattheo, whose attention is pulled to Veronica as she presses closer into him. You study his face intently, searching for any hint of his feelings toward her, hoping to find anything that might betray his feelings.

But when you see the way he looks at her—eyes soft, filled with a tenderness you’ve never seen from him before—your stomach churns with a sickening mix of jealousy and heartache. 

His eyes meet yours, and he smiles, pressing a kiss to her hair. “Can’t wait for my two favorite girls to get to know each other better,” he says, the warmth in his voice making your chest tighten.

You glance at Veronica as she nods enthusiastically. “Me too, Matty,” she says, her voice dripping with sweetness. “I’m already so excited for the girls’ nights we’re going to have.”

You can’t tell if she’s genuinely that nice or just putting on a show for Mattheo. “Oh yeah. Can’t wait,” you say, forcing a smile that feels more like a grimace. Neither of them notices the unease behind it—they’re too wrapped up in each other, their attention locked in a gaze that makes you feel invisible.

You tear your gaze away, the sight of them together too painful to endure, and instead turn to Enzo. “What the hell?” you mutter, barely managing to keep your voice steady.

“I’m sorry, love, I wanted to tell you before they did,” Enzo whispers, wincing as he gives your hand a quick squeeze. You murmur a soft “It’s okay,” but inside, you’re far from feeling that way.

Desperately, you try to compose yourself, but the effort feels pointless. As your eyes wander, they lock with Theo's. He’s watching you, his expression unreadable. You muster a soft smile, hoping to mask the heartbreak inside, but he doesn’t return it; he just keeps watching, his gaze heavy with something you can't quite place.

You manage to stay for half an hour, offering the occasional nod and murmured agreement to feign interest in the conversation. But your mind is elsewhere, detached from the words being exchanged. No one seems to notice your distraction; they’re all too absorbed in their own banter to catch the distant look in your eyes.

Without realizing it, your gaze keeps drifting back to the couple. Veronica rests her head on Mattheo’s shoulder, and his hand is gently resting on her knee, his thumb brushing softly against her skin. You can’t help but notice how at ease he seems with this physical intimacy—something you’re surprised he’d be so comfortable with.

When Pansy casually asked how Mattheo and Veronica had met, you felt a surge of restless energy. Without thinking, you abruptly stood up, the couch creaking loudly at the force. The sudden noise drew the attention of everyone in the room. All eyes shifted to you, their expressions a mix of surprise and curiosity as they awaited your next move.

“Um,” you winced as the room's gaze fixed on you, feeling the heat of their attention. “I’m afraid I'm coming down with a migraine. I’m going to bed early tonight.”

Your friends’ voices fade into the background as they shout their goodnights, the words scarcely reaching your ears. You speed through the common room and down the cold, empty hallway, desperate for the seclusion of your dorm. Just as you’ve made it halfway to your room, a firm grip catches your hand. Startled, you spin around to find Theo standing there, his eyes searching yours with a mix of concern and hesitation.

“Dolcezza,” he says softly, his voice a gentle caress in the quiet hallway. His eyes follow the tears streaming down your cheeks, and you watch through blurry vision as he takes a tentative step closer. “What’s going on?”

You open your mouth to respond but find yourself unable to form the words. The lump in your throat feels insurmountable. Instead, you just shake your head slightly, your tears continuing to fall unchecked.

He releases a quiet sigh and says, “Come here.” Without a second thought, you step closer, encircling his waist with your arms while resting your head against his chest. His arms come up to settle around your shoulders, and he gently rests his head against yours. As you press your face into his chest, sniffling softly, he whispers soothing words in Italian, his voice a comforting murmur. 

You must have been standing in the cold corridor for fifteen minutes before the distant murmur of approaching students prompts Theo to gently pull himself from you. He takes your hand, his touch warm against the chill, guiding you away from the freezing corridor.

“It’s just you and Pansy, right?” He asks, using his hand to guide you in front of him to let you go ahead and enter your room first.

“Yeah, but she’ll probably stay with Blaise.” You say softly, the strain in your voice revealing that you’ve been crying. ​​Theo doesn’t say anything; he’s long since lost count of the times he’s told them off for leaving the curtains open or forgetting to cast a silencing spell. Instead, he follows you into your dorm, the door clicking softly behind him.

The walls are lined with polaroids of the group, and Theo’s gaze lingers on the numerous pictures of you and Mattheo. Your dark wood desk is topped with a silver lamp and a few textbooks, its surface cluttered with quills and scattered notes. Mattheo’s jersey is draped over the back of your chair, and Theo recalls all the times seeing you wear it at each game. Your teddy, a well-worn bear that Theo recognizes as the same one you bring every year, sits at the top of your desk. 

The room feels markedly warmer than the corridor outside, though it might just be because it’s your room.

“You can sit.” You offer. Theo’s eyes move to where you’re perched on the edge of your bed watching him.

You’ve kicked off your shoes and tossed your robes over your trunk. He swallows, his gaze lingering on you. Despite the tear stains on your cheeks, he finds it hard to look away, thinking how pretty you look.

It’s rare for him to spend time with you alone. Usually, when you’re together, it’s with the rest of your friends. Over the years, you’ve been paired up in classes a few times, but neither of you has ever gone out of your way to be alone together.

He sits down next to you on the bed, deliberately leaving some space between you. For a while, neither of you speaks. When Theo finally glances at you out of the corner of his eye, he notices you staring at a polaroid of you and Mattheo. It was taken at a party celebrating Slytherin’s win. In the photo, you’re perched on his lap, one arm casually draped around his shoulder, the other holding up a cup of whatever you were drinking. Your smile is bright, full of life, while Mattheo’s is more subdued, but there’s no mistaking the way he’s looking at you—content, almost in awe, as you laugh above him.

He was sure you two were going to get together that night.

“Dolcezza,” He murmurs. You hum to show you’re listening, but don’t look away from the picture. “You know I’m here for you. In any way you need me.”

You can’t tear your eyes away from the picture at first, your teeth sinking into your bottom lip as you stare at it. Finally, you let out a sigh and turn to him, “I appreciate that. But how fair would it be for me to vent about your best friend to you?”

It’s the first time he’s ever heard you say anything that hints at your feelings for Mattheo.

“I don’t care about him right now. I care about you.” He says, and you look a tad surprised at his words.

There’s a moment of quiet as you process Theo’s words. He’s always been Mattheo’s best friend, so hearing him dismiss Mattheo like that catches you off guard. You hesitate, not wanting to unload all your feelings onto him, especially since the mere thought of talking about Mattheo and Veronica makes your stomach turn.

“Theo,” you sigh, your voice tinged with vulnerability, on the verge of breaking. He can hear how close you are to tears. “Will you lie with me? If that’s weird, I understand—”

But before you can finish, Theo gently takes your hand, his grip warm and reassuring, leaving no room for doubt. He gives a small nod, silently gesturing for you to lie down, and you follow his lead. 

“Where do you want me, dolcezza?” he asks, his voice soft. You feel a momentary hesitation, your heart stuttering at the tenderness in his tone.

“Um,” you murmur, turning onto your side, feeling the vulnerability settling in your stomach. “Will you face me?”

Theo doesn’t hesitate. He moves effortlessly, sliding into place beside you. You watch as he slips off his shoes and sets them aside, then settles himself on the bed, positioning his body so he’s facing you. You find yourself holding your breath, acutely aware of how close he is—how you’re sharing the same pillow and could study every detail of his face if you wanted to.

“Thank you.” You say, and you cringe inwardly at the way your voice wavers. It’s as if your sadness is laid bare, impossible to mask.

His eyes gently trace your features, a soft concern evident in his expression as he takes in the sight of you, “For?”

“Laying with me. Coming to check on me,” Your voice drops to a whisper and your eyes well up in tears when you think about why you were upset in the first place. “It means a lot.”

Theo lets out a soft hum, his gaze tender as he lifts his hand to gently brush away a tear that slips from your eye. His touch lingers, the pad of his thumb making slow, deliberate strokes against your skin, as if taking his time. His eyes meet yours, and you watch him with your lips slightly parted, overwhelmed by the unexpected tenderness of his touch. The softness of his fingers against your face feels soothing; you’ve never had anyone touch you like this before.

You shift closer to Theo, and for a moment, he tenses, as if unsure of your proximity. The hesitation makes you wonder if this closeness is too much, but then he wraps his arm around you and draws you in, holding you firmly against him. You let your eyes flutter shut, inhaling his cologne—surprisingly more comforting to you than Mattheo’s—and feeling the warmth of his body through his shirt.

As his fingers move gently over your hair, a calming touch, you rest your head against his chest. The steady rhythm of his heartbeat becomes a soothing reminder that you aren’t alone, and soon you find yourself drifting off, wrapped in his quiet of your dorm.

.·。.·゜✭·.·✫·゜·。.

When you wake up, Theo is gone, and you’re not sure if you’re more disappointed or relieved. Given how you feel, you’re leaning toward the latter. Your head throbs with a sharp, relentless ache, and your puffy eyes serve as a reminder of the tears you shed last night.

You’re nearly done getting ready when Pansy slips into the dorm, her brows knitting in surprise as she takes in the sight of you. 

Her gaze lingers on the dark circles under your eyes and the slight tremor in your hands as you fix your tie, “I didn’t think you’d be leaving the dorm today.”

“What is that supposed to mean?” You snap and Pansy raises an amused brow at the agitation in your voice.

“I didn’t think you’d be in the mood to see them.” She heads to her trunk, her current clothes rumpled and clearly in need of a fresh uniform. You don’t need her to spell it out—you know exactly who she’s talking about.

“I left because I had a migraine.” You grit out and she glances over her shoulder, obviously amused and doubtful at your answer.

“Really? A migraine after seeing those two?” Pansy hums, rummaging through her trunk with deliberate slowness, her eyes flicking to you as if gauging your reaction. “They were all over each other last night. Who’s to say they won’t be again today?”

You stiffen at the mention of Mattheo and his girlfriend, your fingers pausing on your tie. The events of last night rush back—Veronica’s hand on Mattheo, the way he looked at her. You feel a fresh wave of nausea but push it down, not wanting to give Pansy the satisfaction of seeing you upset.

“It doesn’t bother me.” You mutter, trying to sound indifferent, though your voice wavers slightly. You force your hands to finish with your tie, pulling it tighter than necessary.

Pansy glances over at you, a flicker of something like sympathy in her eyes, as she drops the amused smirk, “You know you can tell me, right? About how you feel about him.”

You study Pansy, debating whether to finally say what you’ve kept to yourself for so long. It’s only been hours since you basically admitted it to Theo, and now telling Pansy feels like too much—though you’re sure they’d suspected for a while. But voicing it out loud feels like stepping into territory you’re not ready to face.

“What difference does it make, Pans? He’s got a girlfriend now.” You sigh, the sadness from last night seeping into your words. She abandons her trunk, standing up to fully face you, her expression unreadable.

“If it helps, we were all surprised.” She says, her voice unexpectedly gentle. “None of us had a clue he was sleeping with anyone more than once.”

Your stomach churns further, “I don’t think that really helps, Pans.”

“Fuck, I’m sorry,” she says, her eyes scanning your face for any sign of comfort. “I could make her life a nightmare if you want. Perhaps then she’d decide it’s not worth it.”

“No,” you say, wincing as you stare at the wall, feeling the heaviness of the room. “I want him to be happy, and if she makes him happy, then I need to accept it. Even if it hurts.”

Pansy narrows her eyes, disbelief crossing her face. “Are you joking? You’d make him happy—”

“Pansy,” you cut her off, frustration making your voice sharper. “I don’t need you to fix this. I just need to figure out how to deal with it myself.”

Pansy falls silent, her gaze shifting as she takes in the raw pain on your face, a flicker of guilt passing over her expression. She heads off to change, leaving you on your bed, the weight of her offer hanging in the air. You sit there, lost in thought, waiting for her to finish getting ready. Despite her nights spent with Blaise, you both always made a point to walk to breakfast together.

When Pansy finally emerges, you both make your way to the Great Hall in quiet unison. The hum of conversation and the steady flow of students around you create a backdrop of normalcy.

“What did you do after you left last night?” Pansy asks, her gaze shifting from the bustling corridor to you.

“Had a good cry.” You reply, trying to keep your tone light despite the heaviness you feel.

Pansy’s brow furrows. “Darling, you shouldn’t have been alone.”

“I wasn’t.” You say, almost reluctantly.

“What do you mean?”

“Theo came back to the dorm with me,” you explain, your voice softer now. “He stayed with me, just… holding me, until I fell asleep.”

Pansy’s eyes widen slightly, and she falls quiet for a moment, “He did?”

You let out a soft hum, and Pansy grips at your hand, her touch both firm and reassuring. Her eyes reflect a mix of concern and guilt as she looks at you.

“I’m sorry,” she says, her voice softening with sincerity. “I should’ve come to check on you instead of leaving it to Theo. I didn’t realize your feelings for Mattheo were this strong.”

You shake your head slightly, your gaze dropping to where her fingers clasp yours. “It’s okay,” you murmur, trying to steady your voice. “Theo being there helped more than I thought it would. I’m glad I wasn’t alone.”

Pansy nods, her expression softening. “I wish I’d known,” she says quietly. “I would’ve gone with you immediately. I just thought you needed some space.”

You offer a small, appreciative smile, grateful for her concern. “Thanks, Pansy. It means a lot.”

Pansy pulls you into a warm hug, and despite the heaviness in your chest, you can’t help but chuckle at the unexpected show of affection. When she finally lets go, she takes your hand and leads you toward the Great Hall. 

As you make your way to the Slytherin table, your spirits, momentarily lifted by Pansy’s support, are quickly deflated when you see who’s occupying your usual spot.

A heavy weight settles in your stomach as you spot Veronica nestled against Mattheo’s side, her head tilted as she whispers something into his ear. His laughter, genuine and warm, makes your appetite vanish. You decide that you’re not very hungry anymore.

You swallow hard, struggling to keep your emotions in check. Pansy gives your hand a comforting squeeze and gestures toward an empty seat beside Theo. Usually, Theo would be across from Mattheo, but today he’s positioned next to Draco. You hesitate, not wanting to assume he saved the spot for you, but then Theo turns and offers you a gentle smile—a smile you’ve never seen him give anyone else. As you stand there, he reaches out with that soft smile, his hand extended to gently guide you into the seat beside him.

You settle into the seat beside Theo, and with a resigned sigh, you reach for some food to add to your plate. Even though your appetite is all but gone, you know it’s important to eat.

Theo leans in slightly, his voice a low murmur as he meets your gaze. “I’m sorry I wasn’t there when you woke up,” he says quietly. “I had something I needed to take care of.” “That’s alright,” You murmur, sending him a quick, soft smile. “Were you able to get any sleep last night?”

Theo hesitates, unsure whether to tell you that it was the best sleep he’s had in a while or simply agree. He settles for a nod, “Uh yeah. I slept pretty good. Did you?”

“As well as I could,” You shrug, “But it was nice having you there.” He can see how flustered you are to utter those words, your gaze fixed on the tea you're stirring, and he struggles to resist the urge to offer to stay the night with you again.

“I meant what I said. I’m here for you in anyway that you need me.” You turn towards him, your expression softening as you take in the genuine look on his face. Your lips part, but you can’t manage to get anything past them. The way he’s looking at you makes you nervous.

“Oi! What are you two whispering about?” Theo’s head snaps toward Draco, who is watching you both with a look of clear distaste at the way you were leaning into each other, gazing at one another so intently.

“Nothing.” Theo snaps out, and Draco raises an eyebrow at the sharpness in his tone. A sly grin begins to form on Draco’s face as he opens his mouth to speak, but Theo interrupts with a low murmur that you can’t quite make out. Draco doesn’t say anything, but faces his breakfast with a disgruntled look on his face.

Theo engages in a lively conversation with Enzo and Draco, leaving you content to eat in quiet. However, it’s not long before Veronica's giggles start to cut through the silence, growing louder with each passing moment. When you finally look up, your heart sinks. Mattheo’s arm is wrapped around her waist, pulling her close as he murmurs something into her ear. She glances up at him, still laughing, and Mattheo leans in, pressing a kiss to her lips.

Overwhelmed, you instinctively reach for Theo’s thigh, your hand gripping it tightly as you try to steady yourself. Theo looks at you, startled by your sudden reaction, but you’re not meeting his gaze. Instead, he follows your line of sight to where Mattheo and Veronica are entwined, lost in their own world. 

He drops his fork with a sigh, his hand immediately reaching out to grasp yours with a firm, reassuring grip. His touch is warm and steady as he gently pulls your focus from the scene before you. Theo's gaze lingers on the tear-brimmed edges of your eyes, his expression a mix of concern and quiet determination. He glances at your friends, still lost in their animated conversation, and feels a pang of relief that they’re oblivious to the devastation written across your face.

“C’mon,” he murmurs, rising from his seat while maintaining a firm hold on your hand. With a quick, reassuring glance, he leans down to grab your bag. “I’ll walk you to class a bit early.”

Without a word, you follow him, casting a glance back at Pansy. You silently mouth ‘class’ to her as she watches you with curiosity from over your shoulder. If your friends notice the way Theo’s hand is intertwined with yours, they make no sign of it.

The moment you're out in the hall, it feels like you can finally breathe again. A few tears slip down your cheeks, and you cling tightly to Theo’s hand as you walk, finding some comfort in the steady warmth of his touch. You appreciate how he doesn’t push you to talk or ask any questions, just quietly staying by your side. There's a comfort in knowing he’s there if you need him, without the pressure to say a word.

After a couple minutes of walking, you squeeze his hand and Theo glances over at you, “I’m not sure how I’m going to do this.”

He squeezes your hand back, “What do you mean?”

“Seeing them together,” You mumble. “It really hurts.”

“I’m sorry, dolcezza.” He speaks softly, wishing he had the right words to offer, some way to tell you how to get over someone. But the truth is, he’s still trying to figure it out himself.

“Will you help me get over him?” Theo's steps falter slightly at your question, his heart aching at the vulnerability in your voice. He swallows, the weight of your words sinking in. 

He glances at you, unease settling in his stomach, “How exactly?” He briefly considers the fact that whatever you ask of him could make him fall for you more. But as long as it meant you were happy.

You hesitate, your gaze dropping to the floor as you search for the right words. “I don’t know,” you admit, your voice barely above a whisper. “Just… be there, I guess. Help me forget about him. Distract me.”

Theo nods slowly, his mind racing. He wants to say something, to offer more than just his presence, but he knows that pushing too hard might make things worse. Instead, he gently squeezes your hand again, his thumb brushing over your knuckles in a comforting rhythm.

“I can do that,” he murmurs, his voice steady despite the nerves inside him. “I’ll be here for you, no matter what.”

You offer him a small, grateful smile, and he can see the hint of sadness still lingering in your eyes. It breaks his heart, but he pushes those feelings aside. Right now, what matters is helping you heal, even if it means hiding his own growing feelings for you.

As you continue walking, Theo keeps you close, his hand never leaving yours. And though he doesn’t say it out loud, he silently vows to do whatever it takes to make you smile again, even if it means keeping his own heartache hidden in the process.

.·。.·゜✭·.·✫·゜·。.

By the time you reach your dorm, exhaustion weighs heavily on you. You’ve spent the entire day with your head down, avoiding any sight of Mattheo and Veronica. The silence between you and Mattheo feels foreign; it’s the first time you’ve gone a whole day without speaking to him, and you’re unsure if he even noticed your absence.

Unfortunately, you share several classes with both Mattheo and, evidently, Veronica. The sound of her laugh has become something you never want to hear again.

You kick off your shoes, fatigue weighing heavily on your limbs as you move towards your bed. As you pass your desk, something catches your eye—a bundle of red flowers sitting on top of your books. You pause, your curiosity piqued, and approach the desk. With a gentle touch, you lift the bundle, revealing vibrant red peonies. Their rich color stands out against the soft light filtering through the window, and their subtle, sweet fragrance fills the air.

Your eyes catch a note nestled among the flowers. You bite your lip to hide a smile as you read his messy handwriting: your name followed by a simple heart.

please consider reblogging or leaving a comment! it keeps me motivated to write! 💌

[art]

Creator Spotlight: @jdebbiel

Deb JJ Lee is a non-binary Korean artist based in Brooklyn, NY. They have appeared in the New Yorker, New York Times, NPR, Google, Radiolab, and more. Their award-winning graphic memoir, IN LIMBO, about mental illness and difficult relationships with trauma, released in March 2023 from First Second.

Below is our interview with Deb!

Have you ever had an art block? If so, how did you overcome it?

That implies I am over my art block, but I’m still in it! I think about Kiki’s Delivery Service a lot and how she had to stop doing a thing, and that you can’t really force it, and you have to let it come back to you. It’s a pretty humbling moment, realizing there is more to life than just drawing. I’ve been trying to consume other content like reading or watching movies—anything that is not drawing-related—and to trust that it will come back to me. I think not being afraid to do the small pieces before committing to the big pieces is helpful. Because big pieces are what I am known for, I dig myself into a deeper hole, thinking that each piece has to be bigger than the last one. So yeah! Relaxing and doing the small things before overcommitting to a big piece is the best way to go about it for me.

Which 3 famous artists (dead or alive) would you invite to your dinner party?

I feel like these are all artists that I have second-degree connections with! Jillian Tamaki, Victo Ngai, and Tillie Walden would be my picks!

What are your file name conventions?

…What file name conventions? I mean, I don’t have specific file name conventions, but I actually have a public Google Drive archive! But I usually put “djjl_whatever-the-title-is_final,” and I would always know it’s the final and legit version.

What is a recent creative project that you are proud of?

I did an illustration for the whiskey brand Johnnie Walker. It’s so wild because I only had four days to finish it, and it usually takes me a week and a half if I rush. And honestly, it’s probably one of my best pieces from this year, which is funny. It was for the Mid-Autumn festival, so I made it as Korean as possible.

How has technology changed the way you approach your work?

I only use my iPad to draw everything now, and if I want to pretend that I have a steady workstation, I’ll use my Cintiq. I still am not as comfortable on the Cintiq as I am on Procreate, but it’s still pretty solid and nice. That’s the good part about technology. The bad part about technology is how AI art has been messing things up for me. I’m currently in a lawsuit about AI art as a class rep. Some of my stuff got turned into AI art late last year, so I have to give a deposition at some point. 

What is a convention experience that has stuck with you?

Honestly, they’re all good! I feel like Lightbox Expo has been really nice because it’s truly been a convention for artists. I feel like that’s where most of my audience is, and they’re all around because their purpose is to be better at art. That’s where a lot of original artists do well because they’re getting art they’re inspired by, not so much fanart. I like the Lightbox Expo because it encompasses the pure love of art very well. 

Top tips on setting up an Artist Alley booth?

Use a Y axis, not just your X axis! Take advantage of it! Branding is also something to think about. It is definitely something I’m getting better at. Having an assistant is also very important. I’ve also heard that 8.5x11 to 12x18 inches is usually a good size for prints, but I also provide postcard-sized prints because sometimes people don’t want to commit to a larger size. 

Who on Tumblr inspires you and why?

You know this is so funny. I’ve been following @alicexz for over a decade on Tumblr and other platforms. I’ve followed her work since high school, and we’ve only recently become peers. I found her, and we met for the first time in real life, and she recognized me. And then I found all my drawings from when I was in my Alice phase, back in high school, and I was like, “Yo, this is when I was trying to be you so badly!” and she was cracking up and was like “Wow, this is so good!” It was such a sweet moment. I wanted to take a picture of her holding my drawing up. It’s really nice because now we’re peers.

Thank you so much for stopping by and sharing, Deb! Be sure to check out their Tumblr blog over at @jdebbiel.

[schrodingerscougar]

Hold it together (Simon Riley x reader)

Note: This takes place seven years after the second part. Warning: death.

It had only been three weeks since the funeral. The girls were still closed up like clams, shutting Simon out completely despite their young age. Lucy was seven, Nora was five, and he couldn't believe that they had to experience the death of their mother this soon. He was lost as well, having no idea how to deal with losing you.

While at the beginning he pushed you away, believing he didn't deserve the love you were trying to give him, later you became his other half, his partner in crime, the most caring and nicest lover he ever had. He would have never imagined he would once have someone like you in his life. And now? You were gone for good because of that goddamn accident.

Johnny loved the girls and whenever he was around, he had offered to look out for them while the two of you went out on a date. Now he was trying to lighten the mood, coming up with ideas for fun activities, but Simon saw it in his daughters that they weren't excited about them.

While he was waiting for his broken ribs to heal, the sergeant stayed with them to make life easier. One night Simon tucked in the girls and his heart ached when he saw the youngest getting ready to sleep with a photo of you on the edge of her bed.

“You miss mommy?” he asked as he swept a strand of hair out of her beautiful little face.

Nora was sniffling quietly as she nodded.

He loved both his daughters equally, but the balance was perfect. Lucy was a lot like him, a real tomboy who had been wanting to try martial arts ever since they watched the original The Karate Kid movie. She had been handling your death surprisingly well, maybe that's because her personality was a lot like his.

But this young lady was your carbon copy in and out. Seeing her missing you so much proved your strong connection, the one he would never be able to build with her. He had never seen anything like it, and this made it hard for him to console her if she was upset. She had always ran to you for support, but now she was sad because you were gone.

Simon pulled the girl against his chest, his eyes falling on his other daughter who was watching them from her own bed. He could see her eyes shining from the tears, but she held herself together. “It's okay, babygirl,” he whispered to Nora as he rubbed her back. “I miss her too, you know. And I'm sure Lucy misses her as well. But we're strong, aren't we?”

She mumbled something in agreement then pulled away to bury herself under the thick blanket. “Goodnight, Daddy.”

“Goodnight, sweetheart.” He kissed her forehead then stood up and went over to Lucy, leaning down to give her a goodnight kiss too. “Sleep well, big girl.”

When he turned to the door, Johnny was already waiting for him, leaning against the doorframe with his arms folded over his chest. There was a look of understanding in his blue eyes, and he put a hand on Simon's shoulder when they reached the bottom of the stairs.

“They're kids, they'll adapt and move on. Maybe not soon, but eventually they will,” he tried to assure him. “I'm not so sure about you, though. I woke up to you coming down the stairs last night. I swear you're moving around this place like a real ghost.”

With a sigh, Simon walked around the Scotsman and threw himself on the couch. “Her parents want custody,” he told him, finally giving him an insight into what was truly bothering him. “They're willing to drag me to court. I'm not suitable to be a single parent because of my job, they say.”

Johnny sat on the armchair next to him and rested his elbows on his thighs as he leaned closer. “Bullshit. Price would help you get an early retirement if you asked,” he said, looking way more upset than Simon.

“Who knows, maybe staying with them would be better for the girls.”

“Don’t say this. You need to fight for them. They need their father,” Johnny added.

This broke Simon. He couldn't hold back the tears anymore, the tears he had been fighting ever since that night. His friend being by his side helped him keep it together, but they never talked about what exactly he went through because he always said he couldn't remember.

But he remembered lying in the ambulance, asking about you, begging for crumbs to find out what happened to you, if you were also on your way to the hospital, but they didn't tell him anything. “I’m sorry, we don't know,” one of them said.

“Talk to me, Simon,” Johnny quietly said once he sat down next to him on the other side of the couch. “You need to get this out of your system or you'll go crazy.”

Still fighting his tears, the lieutenant took a deep breath and finally began to talk. “She was unconscious. I–I remember looking over at her in the wreck but she wasn't moving, wasn't responding to my questions. They later said I had a concussion so probably that's why some time fell out of my memory. I don't remember how I ended up in the ambulance.

They didn't tell me anything. In the hospital I got out of the bed and went to look for someone who could finally tell me what the fuck happened, but I bumped into a doctor who was talking to a police officer. That's when I found out she was dead by the time help arrived,” he finished with a shaking voice.

Johnny leaned back and looked up at the ceiling. “Did you have the chance to say goodbye?”

“I might have threatened someone to be allowed to go to the morgue. Her body was bruised, scarred, and bloody. Not how I want to remember her. But yes, I could say goodbye.”

“You need to fight, Simon. For her. She wouldn't want her parents to take the girls away from you,” the sergeant told him firmly as he reassuringly put a hand on his shoulder.

Just when he was about to answer, tell him he felt like it was a battle he was sure to lose, they heard light footsteps coming from the door. It was Lucy who walked over to them, sitting next to his father and resting her head on his arm.

“Do Grandma and Grandpa really want to take us away?” she asked hesitantly as she glanced up at her father. Simon nodded. “I don't want to go. I want to stay with you, Dad,” Lucy said, already sobbing.

Simon let out a sigh before wrapping an arm around her small body and placing a soft kiss on the crown of her head. “I don't want you to leave either, trust me. I'll do everything I can to stop them, okay?”

“Pinky promise?”

“Pinky promise.”

[em-dash-press]

The 5 Most Essential Turning Points in a Character’s Arc

You spend so much time creating a character because you want them to feel real. You want to connect with them and use them to create an experience for your readers. Their character arc is how that happens.

Don’t miss out on these essential turning points that make an arc feel not only whole, but complete.

1. The Inciting Incident

Your inciting incident gets your plot moving. It isn’t going to be the first sentence of your story (also called your hook), although it could be if you crafted your first sentence for that purpose.

An inciting incident is a plot event that guides your character in a new direction. It’s the successful prison break, the meeting of instant rivals, or the moment your protagonist wins the lottery in your first chapter.

Without the inciting incident, your protagonist’s life would carry on as usual. They wouldn’t start the arc that makes them an interesting person for the reader to stick with throughout your story.

2. Introducing the Protagonist’s Main Flaw

Every protagonist needs a primary flaw. Ideally, they’ll have more than one. People aren’t perfect and they rarely get close enough to only have one negative characteristic. Protagonists need that same level of humanity for readers to connect with them.

There are many potential flaws you could consider, but the primarily flaw must be the foundation for your character’s arc. It might even be the catalyst for the story’s peak.

Imagine a hero archetype. They’re great and well-intended, but they have a problem with boasting. Their arc features scenes where they learn to overcome their need to brag about themselves, but they get drunk and boast in a bar right before the story’s peak. The antagonist’s best friend hears this because they’re at the same bar, so they report the hero’s comment to the main villain. It thwarts the hero’s efforts and makes the climax more dramatic.

Other potential flaws to consider:

Arrogance

Pride

Fear

Anxiety

Carelessness

Dishonesty

Immaturity

3. Their First Failure

Everyone will fail at a goal eventually. Your protagonist should too. Their first failure could be big or small, but it helps define them. They either choose to continue pursuing that goal, they change their goal, or their worldview shatters.

Readers like watching a protagonist reshape their identity when they lose sight of what they wnat. They also like watching characters double down and pursue something harder. Failure is a necessary catalyst for making this happen during a character’s arc.

4. Their Rock Bottom

Most stories have a protagonist that hits their rock bottom. It could be when their antagonist defeats them or lose what matters most. There are numerous ways to write a rock-bottom moment. Yours will depend on what your character wants and what your story’s theme is.

If you forget to include a rock-bottom moment, the reader might feel like the protagonist never faced any real stakes. They had nothing to lose so their arc feels less realistic.

Rock bottoms don’t always mean earth-shattering consequences either. It might be the moment when your protagonist feels hopeless while taking an exam or recognizes that they just don’t know what to do. Either way, they’ll come to grips with losing something (hope, direction, or otherwise) and the reader will connect with that.

5. What the Protagonist Accepts

Protagonists have to accept the end of their arc. They return home from their hero’s journey to live in a life they accept as better than before. They find peace with their new fate due to their new community they found or skills they aquired.

Your protagonist may also accept a call to action. They return home from their journey only to find out that their antagonist inspired a new villain and the protagonist has to find the strength to overcome a new adversary. This typically leads into a second installment or sequel.

Accepting the end of their arc helps close the story for the reader. A protagonist who decides their arc wasn’t worth it makes the reader disgruntled with the story overall. There has to be a resolution, which means accepting whatever the protagonist’s life ended up as—or the next goal/challenge they’ll chase.

-----

Hopefully these points make character arcs feel more manageable for you. Defining each point might feel like naming your instincts, but it makes character creation and plotting easier.

Want more creative writing tips and tricks? I have plenty of other fun stuff on my website, including posts like Traits Every Protagonist Needs and Tips for Writing Subplots.

[esoteriamaya]

The Signs & Romance.

Hey, so I've decided to share some views/thoughts I had on each sign placement whether it was sun,moon or venus. Please share your thoughts about the signs and their views on love! I'm open for the discussion. But yeah. I hope yall enjoy!

Cancer Suns romantic nature can express itself with leo partners easily. Believe it or not. It is because both tend to want the most out of passionate affairs and leo shows the playful side while cancers show the mystic, hidden side of romance. I believe these two to be really good at making love to each other as one is a representation of the sun (leo) and the other the moon. Also, cancer suns can get along with any leo placement, doesnt matter which one. They balance each other out very well.

Scorpio placements need water placements (other scorpios in particular) in order to truly be understood. It is because these placements are a mirror in their romantic life, for better or for worse. And they need someone who understands their darkness, let alone their karma.

Scorpio placements such as Venus, need a special romance with someone. Even if they though sleep around, there will always be someone out there for them, who shares the same amount of passion and intensity they crave. Not everyone will see this character, it is saved for only one person. And sometimes its just in their mind.

Pisces Venus need to write a book on the love affairs they have in their minds lol. Similar to the scorpio venus, they have room for only one love affair that could stand the test of time. This isn't 'real' persay, but romance with them isn't practical and they need others who can fit into their world, because the imagination is what will run far in their love life. If you can keep them from being bored, then you will have them for ages.

Cancer placements & scorpio placements are the tantra lovers. Their love can be so deep and profound, it will leave a mark on anyone they have that strong compatibility with.

Gemini placements making a square to your sun sign or venus can show a deep appreciation and charismatic nature on their part, believe it or not. They NEED tension or else it will be too smooth, too flowy. And before you ask, doesn't everybody want that? Why, yes.. But geminis are typically like this on their day to day anyways. That's just in their nature. They need something challenging to spark their interests. Ironically, they will love you a lot more if you beat them to the punch. ;)

Virgos & Scorpios can make for a gifted experience together. This is because these two placements form a natural sextile together. They know each others tics, and how to appreciate the flow of their being. Virgos will allow the scorpio their alone time and be the calm auras that they need when their facing certain phases of darkness. Scorpios will be the penetrating touch that the virgo needs when they're feeling. a little anxious. Both come together like the two serpents that they are and form a connection that is raw, powerful and unique.

Aries placements need lovers who are CONFIDENT. And if you're not this will not work out well. This is why they're great with leo and sag placements, and can do very well with scorpios. A little secret is that if your not confident in bed, you're not going to do well with them... And they'll run you like a train if you're not able to stand ten toes to them, let alone when they want to tear open your insides.

Libra suns & moons have the gifted ability to make anyone feel wanted and loved when their in their horizons. So much so, that their transparent nature can show up in their love for the individual of their choosing and bring them into a world they will never forget. If they have scorpio in their chart this could be a 1 of 1. They are choosy lovers like their virgo companions.

Taurus Suns, Moons & Venus need a lifetime partner. They just dont want anyone. Their sex game is crazy. They are the venusians and their true purpose in life is pleasure. Get you one of them lol. Tauruses need love that makes them forget their past. That calls them into a vacation that doesnt ask for them to leave the country. They need someone who is stable, fine, remarkable and has their self in control. Because taurus is always in control, and they need someone to take the steering wheel from time to time... if you know what I mean ;)

[elysiansparadise]

May I ask if you can do Neptune in the 5th house please💘💘

Hello love, of course you can! 💘

Neptune in the 5th house

These natives will always seek deeper and more meaningful experiences in love. Superficialities scare them and they will prefer relationships that, although they happen more slowly, have a real quality in which they can create a stronger and more meaningful bond. In matters of romance, they daydream a lot about it, have many fantasies about it and, regardless of their appearance, are romantic and loving souls when it comes to enjoying and approaching love. They have the ability to love unconditionally and selflessly, making this type of love very elevated, but it can also lead to personal sacrifices. And since we are talking about sacrifices, for them in love both parties have to be able to adapt to the other, accept each other as they are and make small sacrifices for the other. They tend to be attracted to mysterious, intriguing people with a big heart and emotional depth. If Neptune is making tense aspects, it is likely that they idealize their relationships or prefer to live romance from their fantasies to avoid being disappointed by what they perceive as a harsh reality. They like the idea of ​​connecting so deeply with their special one that they both understand each other without words, that they communicate through looks and smiles and that in the relationship there is unconditional love and support.

They are people of truly captivating beauty, there is something in their aura that attracts the attention of other people. They are an enigma, a beautiful mystery for both strangers and acquaintances. Their stage presence is magnetic and magical, easily enveloping people in a spiral of emotions and charm. These natives can be talented in any of the branches of art, from music, dance, cinema and other forms of creative expression. It should be added that spiritual talents or gifts are also very likely. They may enjoy activities such as astrology, tarot, and other esoteric practices. Their creativity can be very fluid and adaptable, allowing them to try out different art forms and expressions without being tied to a specific style or preference.They often use art as a way to explore and communicate their deepest feelings and view of the world. Many of them see their hobbies as a way to escape from reality or where they can find refuge after a bad day. They have a strong spiritual connection with their hobbies and interests. 

Throughout their lives they can have many platonic loves. We can add that love is one of the things that inspires them the most or that can even put them in a good mood, and it is not only limited to their love life, but the love life of friends, or the fictional one between characters. One of the things they should be careful with is when it comes to getting to know the person they plan to connect with, because they give absolutely everything in love, they must make sure that the other party is really worth it. They find fun and a strong passion for spiritual themes that allows them to have a better sense of who they are. In the case of wanting to be parents, these natives are the type to give everything for their children, wanting to cover all their needs, emphasizing their emotional needs. The relationship with your children can be deep, strong and really beautiful. Their children can be very creative, somewhat shy, very dreamy and very affectionate and expressive with the native. They will be very understanding and loving parents, although they may idealize their children.

-> Go back to the masterlist

[inkskinned]

something that stuck with me once, way back in middle school when i was still learning how to write - my teacher said "writing shock and tragedy is easy, it's humor that's the hardest."

i have been up and down the halls of academia. i have the fancy degree and the experience in publishing. i think i paved most of my own road with the little bricks of sorrow i had stored inside of me. i know i did it mostly with works that are blisteringly lonely. i know why we write like that. it's lifesaving.

but yeah, i mean. i also know how much people think that "sad" media is the same thing as "good" media. our human desire to connect is so hard-pressed that we immediately latch onto any broken themes. the bullied kids and the tales of inspiration. people keep saying things like "glass onion" and "everything everywhere" weren't actually good. because, you know, they're. happy. or happy-ish. happy enough. and we only value art if it's grimdark-adjacent.

do you know - people still consistently whine at me that my writing would be so good if i just capitalized things. i used to flinch. i get kind of a weird, vindictive little rush these days - i get to say thank you for the comment! i have chronic pain and this is how i conserve my hands so i can write more during the day :) grammar isn't real anyway! and now they're trapped in the room with me, you know? i get to pull out my map and show them how grammar is not the same thing as good writing.

writers have this thing. we scratch at our insides, constantly, prying our lives apart into splinters. prying the splinters apart into atoms. when we combust something into poetry, we control it. it cannot hurt us if it exists outside of us rather than burning a hole through the bottom of our lungs. it's not a wonder to me that so much of what i make comes out like a death gasp. i spent a long time at the bottom. i keep going back, too. when you're down there for so long, the only thing you can exhale is fumes.

but humor is hard. humor needs timing; which i can't promise in a paragraph. i can kind-of force it through careful spacing, but i have no idea how fast you're reading these things. humor needs a somewhat awareness of your audience, when really - anybody could be looking. humor needs us to understand what the joke is, why it's a joke, and to think - ha! that is funny. in tragedy, everyone understands the metaphor of a kicked puppy. in humor, you need to introduce them to the concept of a dog.

and forget about positivity. forget about anything not made for adults explicitly. every time i see a well-made children's media piece, i feel fucking horrible for the creators. most of the time, people see children's media as being sort of "not worth" applause, even though i'm pretty sure they have to work twice as hard. i have no idea how hard it must be to not be able to have your character just say. "well, fuck." something about a message of peace or friendship or caring - for some reason, that makes the media not for adults. like, okay. i'm pretty sure my father actually, out of all of us, could use a good book on how to control his temper and talk about his feelings.

but whatever. i write a short story about my ocd, and how it's fucking killing me. it gets an award. it gets published. i write a short story about my ocd, and how i'm overcoming it, and how my days are getting lighter and starting to flourish. i keep getting ghosted. no response. it just is lacking... something.

is this it, forever? you can be an artist, okay. but the trade off is that the things you make - if they're happy? if they're joyful? people will say it's stupid and pandering. you bite your nails off. you file your teeth. you hear something inside of you breaking.

the other day in a writing group, someone i'd thought of as a friend said: "you write so much better these days! i love what you make when you'd rather be dead."

[psychelis-new]

pick a pile: "Your love life situation now"

take a breath and choose the photo or number that calls you the most to read about your current love situation (self, platonic, romantic), what you may need to do or how you can deal with it to make it better, make it evolve or change. reminder I don't read the energy of crushes you are not at least slightly in contact with.

don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life.

(photos found on unsplash)

- ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ -

1 2 3

- ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ -

pile 1

I think you are the pile already in a relationship or something of that type: even if it's not official/labeled, it's like it is (or will be soon, yay you!). For some of you things may go well at this time (especially if you're in a knowing each other-stage/first dates) but for others, there may be difficult times (which is okay in every relationship, it happens for things to go "bad" here and there). The message here is to remind yourself of why you got together, and that you can always talk about your feelings, without the fear of being judged or abandoned (as it probably happened in your past relationships, please be aware of your triggers and fears). Some of you are probably over-stressing on something that is not that big as your fears and triggers want you to believe. A direct calm open communication with your partner could help you solve it all and find your way back to happiness and stability. The choice is yours ofc. I think you need to learn that you can overcome obstacles with your partner, the moment you know you're both being open, true and you can trust and respect each other for the people you are. Nurture yourself as different people but together, nurture your relationship and talk about your needs, both yours and theirs. You don't have to be the only one carrying the weight of the connection and the emotional stress of it.

And if it's your situation, I want to remind you that stressing over what someone else may think of you and each of their reactions over you (either if you're together but even more if you don't know where you stand despite the signs -for a few) won't change anything but just bring more confusion to you. You cannot control them nor their emotions or what they think of you, you cannot really understand every move cause you may be analyzing them through your eyes, your life experience and your triggers, and that won't bring you any objective real answer. You can control what you make mean about you every and each of their behaviours and words (these don't change your worth or deservance); and you can only control yourself and how you behave and think. Without a real honest conversation, it's hard to really read someone else's mind, especially if it's someone we see through the eyes of love, need and fear (of losing/hurting us) too. BTW you don't have to be the first one hurting them if you fear being hurt by them. You can still talk about it: it could just be an exaggeration of your mind feeling unsafe in a new situation (or in the revival of an old similar one).

song: you give love a bad name | bon jovi

- ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ -

pile 2

Slightly different from pile 1, you may be in a situationship that's not so defined yet or there may be someone interested in you (and you in them) and you may be more or less in contact with them already... somehow. Or you have been in the past (not exes tbh, more like an old acquaintance or "friend").

There's some kind of test going on, maybe not for everyone but for some of you: it's to see if you're ready to let love in for real (for some it could be the first love/crush and may have fears related to their vulnerability and openness, may have some walls around their heart). You may be experiencing confusion in your situation, and try to find a balance within but it's not so easy ofc. You're called to ground yourself and remember that you can stay in control only of your own life (same message I got for pile 1 in the last paragraph) and that you shouldn't change yourself to please anyone, especially someone you're supposed to fall in love with. Masks in love are never useful, they won't help you grow, they'll just make things and *your* life more complicated. Even knowing in details about this person's feelings for you (which you may be stressing on the most and that's also pretty normal/common) won't make it any different: this is your need to know that things will go well before taking a move, to calm your mind and anxiety. But we cannot control others and we cannot always know it all beforehands: at times we just have to wait, try our best and see. To take a risk: even if it won't go well this time, we'll survive and we'll have made a nice experience. Someone not liking you as you'd like to, doesn't mean you're not worthy or you need to change yourself for them: it just means you're not good for that person (and very likely vice versa). Stay true to who you are. Ofc I'm not telling you to go ahead and confess your love out of the blue. What I'm saying is: take your time. Rushing for an answer or for a result, takes away the joy of knowing the other and experiencing other situations with them. It takes you away from the present life, which is what you're here to live. Don't stress over the future, enjoy your now. Live it well and fully. Focus on learning about the other and falling in love moment after moment. Let them fall for you too (some may need a bit more time and effort, some may fall for us first and we need more time and effort to realize our feelings -especially if we don't get the usual "butterflies in the stomach", which may happen too). Whatever it will be in the future, it'll never be time wasted.

Anyway, change in sight in love. BUT please, do let things take their time. Never rush them. Accompany your person and yourself in this path of knowing each other and enjoying each other company first. Or find ways to communicate a bit more, without stressing too much about saying the wrong thing: just be you. I think for a bunch of you, there's someone that will come in your life just for you, but you may end up being in contact with someone else before, again to kinda test you and see where you at in your healing about love (if applies), or to give you another pov/experience in love matters/to make you ready for them.

BTW: what is love for you? (and don't answer "baby don't hurt me don't hurt me no more" please lol)

song: 21 questions | 50 cent, nate dogg

- ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ - ’ -

pile 3

You may be single ("and ready to mingle") and pretty lonely atm. You may have friends around you ofc (or you may be searching for them and not romantic love), but none is a *possible* love interest. I think you're not seeing what is going on around you, and possibly you're not even supposed to. TBH, this pile could also be about self love.

Now, if you are searching for romantic or platonic love, something is being prepared. And it may happen quite suddenly as well. Maybe you don't expect that cause you've been alone for a while, but you know, things can change at any given minute, especially if you too have changed/worked on yourself. "Let yourself be surprised, get ready". It seems you will receive a long awaited gift, maybe also in a quite sudden and weird way too, like through a new endeavour or idea or an invitation somewhere, and you deciding to give it a try even if it's something you generally wouldn't have done. So yeah, it will happen when and how you least expect it. Try to stay calm and enjoy the process, focus on you, remember you can afford anything, even new things and uncomfortable unknown situations (you may be a bit rusty when it comes to making friends/knowing people). You're stronger than you can imagine. This is something that is going to heal you on different levels, especially your inner child (maybe you'll learn to receive your desires again). You can really write your story here, just let Universe surprise you. To get there, try to not let worries sabotage you: start by slowly getting to know you and your fears, what you need and desire in love/friendship. Be open about your real needs: do not downplay them or deem them as too much. Maybe journal/write them down. How should your partner be and behave with you? Try to envision their character/traits and, try also to be objective by acknowledging also their own needs and possible boundaries. What could you compromise on and what not? Be the first one giving to yourself, acknowledging your needs and respecting/loving yourself. By entering this energy, you'll attract people that will balance it too and help you heal (and vice versa).

For those that may have been dealing with a break up or some love-related trauma and now may need to heal themselves: take your time to heal and grieve on what has been. Process your feelings with no fear, and allow to give yourself closure on this situation by letting it all out (move, journal...). Take yourself on a date, know and love your self again. Meet your needs, be nice and respect your own pace. Talk with others, and just go slow. However you are feeling, it's valid. This is a reminder that someone will come in your life just to stay and love you as you deserve, but first you need to be ready for them and don't let the triggers and unmet needs this relationship left inside of you, ruin that beautiful bond. Close with all that pain, get back to yourself. "And let yourself be surprised".

song: promise | ciara

[kamiversee]

Upcoming Works! :)

This an official masterlist for my upcoming works!

The F*ck List was a wonderful story to complete & I’m excited to write another sooo, take a look through these & lmk which one you’d like me to focus on next! :3

My Love Note (Choso x f!reader vs Gojo x f!reader)

In which your innocent crush on the cheeky cashier Gojo Satoru slowly swirls into something more complicated as his feelings for you are never clear. Then, in the midst of your complications, there’s your hating best friend Choso Kamo who also beings to act differently toward you.

F*ck The List (TFL Sequel) (the title is subject to possibly change)

A continued tale in which the truth of why you were forced to be a whore comes into the light.

The Better Brother (Guitarist!Choso x f!reader vs Boxer!Sukuna x f!reader)

When a night of drinking with your friends turns into a conversation about your nonexistent sex-life, you say you slept with the most random name to come to mind-- never expecting him to walk through the door moments later. Naturally, things only worsen for you when you eventually learn that this man is connected to your longtime unrequited crush.

Be My Cowboy (Cowboy!Gojo x f!reader)

A love story in which you fall for the infamous cowboy Gojo Satoru whose job was to protect you.

Sex For Business (The “Office” men of JJK x f!reader)

When you’re the epitome of sex-appeal, it’s easy for you to dominate the business world. Or at least, that was until you come across a specific company harder to climb to the top than others. Man after man– you know how to use and seduce them no problem. But for some reason, the men here are a bit more challenging than ones in the past. Especially the man whose position your arrival threatens; Nanami Kento.

Chase The Thrill (Geto x f!reader & Toji x f!reader)

By your senior year of College, you come to the realization that you’ve yet to experience even half of what you wished to within your College experience. This is to blame of your toxic older ex-boyfriend Toji Fushiguro, who was your first and only ever boyfriend that stripped you of all fun you wished to have. So when you decide to go out one night to live it up a little and somehow end up playing seven-minutes in heaven with some hot stranger, you don’t expect the name to show you an entirely new world in the most cliche way imaginable.

Not My Resident (Vampire!JJK Men x f!reader)

A JJK fanfic that takes place in the alternate universe of “Not My Neighbor”-- you knew they were doppelgängers but you didn’t care, they were hot. Plus, their human forms never batted an eyelash at you so, what’s so wrong with letting a few of them inside… of you.

No Strings Attached (Ino Takuma x f!reader)

According to others, fake dating your best friend always leads to a real relationship and eventual heartbreak but, you and Ino swore you two could pull it off with no real feelings involved.

Petals to Thorns (R. Shidou x f!reader & Sae x f!reader)

From young and innocent love to something complicated and ugly, Shidou Ryusei takes you to hell and back just to say those three stupid words to you. Then there’s Itoshi Sae who sweeps you off your feet the very second Shidou fucks up; who would you pick in the end?

Suck or Fuck (Vampire!JJK Men x f!reader)

They don’t call you the best detective around for no reason. While your methods may be a bit… unorthodox, people can’t say they don’t work. Human or Vampire, you always get your job done. So when crime rates in your city skyrocket; murders occurring around you, kidnappings, theft, and blatant Vampire attacks threaten your job– you make it your mission to get to the bottom of things... even if that involves sleeping with your suspects.

The winning fic will be my next focus after I finish all the whatif’s for TFL.

@KAMIVERSEE on tumblr. All Rights Reserved. Do not steal, copy, or translate any of my works.

[eatmeandbirthmeagain]

Hello darling, it’s me! I would just love you forever if you could write something sweet about baldwin, and how he might react to being teased by his beloved 🩷

☆ Headcanons: King Baldwin x Reader - Being Teased By Reader☆

☆ Headcanons ☆

A/N: Hello Iiseult! I love your work so much, I can't belive I got a request from you. I hope you like it! As always this is based on the film Kingdom Of Heaven, not the real historical figures. Enjoy!

TW: Mentions of Dying

Despite being very professional whilst in the public eye, Baldwin is much less serious in private.

With you at least.

You tease each other often, just the fun back and forth banta inside privacy of the royal chambers with no one around to see the king and queen behaving like love-sick teenagers.

Baldwin never had that kind of connection with anyone before, not since he was a child.

The first time you teased him, he was pleasantly delighted with your unseriousness.

After a few cheeky jabs at his statements, he laughed so much you were worried that he might pass out.

For all of Baldwin’s life he had been told exactly how to behave in public and finally being able to act his age in private was a lovely experience. 

Casually teasing him for fun is something he has grown to love indefinitely.

Teasing him about how serious he is with everyone else and how he has to act all “big and mean” in public is usually the man topic as soon as you are both alone.

This usually ends in you being tickled into stopping.

When his health declined, your cheeky teasing remarks between each other did not stop, just changed from laughing and playing around on the shared bed until exhaustion, to you sitting by his side, holding his hand gently as you whispered jokes and memories of your time together.

“You better not die on me, I can’t deal with all of these narcissists on my own you know”

Anything to make him chuckle or even just lift his spirits slightly was enough.

Just being in each others company, enjoying the light hearted side of life together was something you would both cherish forever <3

[black-lake]

astro observations 7

hey everyone, got some new observations and random astro thoughts 👽 🔭

——

🧊 The strongest aspects to the nodes in terms how obvious their effect can be, are squares then trines esp with tight orbs. They strongly activate the planet involved and the effect becomes very clear in how things unfold or manifest. e.g sun square or tine nn is more obvious to others, their personality is much more vibrant and noticeable. The conj/opp aspects are stronger but tricky to see, because they can mean something personal to the native, something karmic or unpredictable, like two people can have that aspect but have it manifest completely differently.

🧊 Saturn 11th could mean having to learn many of your life lessons through the internet or social media. Could be by observing people online and learning new things. These natives have felt alone majority of their lives and social media kept their company. May go through difficult experiences, like online bullying or feel rejected online. They eventually learn the sweet nonchalance and the importance of self love, that they don't care when people leave them or dislike them, because the ones that are meant to stay will stay. (This may apply to ppl w a stellium in the 11th, or chiron 11th).

🧊 Those who have saturn-nn aspects may have been involved with the law/governments or have fought for something that has to do with legal matters and order. Especially for or against their family. They aren't afraid to take it to court if it means regaining their rights. They tend to win cases because they have a strong sense of justice. If negatively aspected or dealt with, they may need to watch out for that, or for their need to put someone down using the law.

🧊 Venus in aries woman also like the friends before lovers dynamic, just like aqua. They prefer to be friends with guys first and can flirt with them until it evolves into a relationship. They’re also comfortable with masculine energy way more than feminine so they tend to make friends with boys a lot. Also they're not impulsive in love as they're said to be, if they choose someone it's because they found that physical chemistry, passion, youthfulness, independence, and loyalty in them, which they rarely do and they'd rather stay solo.

🧊 Thinking about how astrology signs and houses have a connection to our body, like from aries or 1st being the head, taurus or 2nd being the neck, gemini or 3rd being arms hands, cancer or 4th being the chest area, leo or 5th being the heart space, virgo or 6th being the stomach area, libra or 7th being the kidneys and lower back, scorpio or 8th being the the genitals, sagittarius or 9th being the thighs, capricorn or 10th being the knees and other bones, aquarius or 11th being the calves and ankles, and all the way down to pisces or 12th being the feet. I just find it fascinating. I know there are other body parts ruled by these signs, but I'm particularly pointing at the way it goes in order, from head to feet which is really interesting to think about, like how coincidental could that be? it makes it real.

🧊 Through learning more about astrology and how it relates to body parts, you can use that to heal and soothe your body. If you have pisces in your chart you may benefit from soaking your feet in water with salt or soap for stress relief, and grounding, being in water in general, music and rhythms could be healing too. If you have capricorn you may like to run a lot, exercise a better posture, chiropractic treatment, spend money on skincare and your dental care. If you have Leo placements, take care of your generous heart, your hair, go outside and get you vitamin d, massage your shoulders and upper back. I can do a whole post about that.

🧊 Speaking of that — I think there is so much more undiscovered in astrology. Way more info that is waiting to be discovered. We haven't been discovering much lately. I mean uranus was discovered in the 700s, neptune 800s, pluto 900s, and these were the official discoveries. The more we discover planets, galaxies or other yet to name objects, the more we discover things about our lives, and how everything in the universe is connected and affects our experience on earth. I just wanna reincarnate 700 years later and see to what extent things evolved, or maybe that's a short period. 

🧊 What if aliens are studying earth as an outer planet which may mean something particular to them just like we study say Jupiter and Saturn as planets with certain themes. Who knows what’s going on up there. But yeah this page is getting weirder by the day... I- sry 👀

🧊 I’m one of those that would skip the big three and jump right at north node aspects fr (all including minor aspects). I want to know a person’s life journey and potential before their personality traits. It can tell a lot about destiny, what comes naturally to us and where we need growth and even about our past lives. 

🧊 Consider meghan stallion whose chart I recently saw. The moment I saw it, I thought it couldn't be more fitting and clear. With mercury square nn, she had a urge to use her voice early on, her mercury is something that should be utilized, she raps and writes music. Mercury conjunct uranus, it's the unique ability to sing, rap and make music, a creative mind. Pallas opposite nn, she got a lot of natural charisma with her talents, she radiates confidence and strength which makes her liked. (also pallas-nn aspects can make someone influential). Venus sextile nn, she is well liked and has a lot of charm, she may do smth related to beauty. 

🧊 I don’t usually consider cusps in astrology when it comes to signs, it depends on whether I see the influence or not, I rarely do. But I def look at house cusps (especially asc, dsc, mc and ic). That axis, the end of a house and the beginning of the next is so important to look at, not just degrees but planets there. When planets are at the cusp of a house (up to 7°), it influences both houses i noticed. e.g. If saturn is on the cusp of the 8th and 9th then both houses are significant to look at, it could mean lessons related to studies, resources, travel, inner transformation, connections.. etc. Same with saturn on the cusp of the 11th and 12th, lessons related to friendships, hopes and dreams, the collective, loneliness, spirituality... etc. 

🧊 Planets conj/opp your asc or mc are a big part of how you appear to the world. They can overpower your asc or mc signs at times especially before you introduce yourself and have a proper talk with someone. Once they know you personally they'll pick up on the ascendant sign traits. Strangers or the ones that don’t know you will pick up on the planet's energy before the sign. e.g. if you have uranus conjunct asc or mc, no matter the ascendant your uranus qualities will be more visible to others. If you have more than one planet conj/opp then you could give off different impressions to different people. I have uranus conjunct mc and pluto opposite ascendant, I've had some see me as eccentric, detached and some others as mysterious, powerful. This applies to planets in 1st and 10th.

🧊 The most difficult moon signs are capricorn, scorpio, aquarius and virgo. They know what it feels like to be emotionally drained, yet empty. They'd rather not show emotion, even scorpios don't show a fraction of the range of emotions they experience. They deal with it differently, but they all put on a cold front, even with themselves, seeming unemotional, especially the saturians. They sometimes don’t know how to show the depth, wisdom and caring heart they have, but they damn sure know how to work hard and be that special person. They add so much to the world but they don’t feel like they fairly get any back. Each of these signs have distinct traits of their own but I applaud y’all. The most interesting to observe truly. 

🧊 Also with these moon signs, their mother may have been a challenging figure in their lives, she may have been either critical, controlling, egoistical, cold or just absent in some way. They likely didn't have an easy childhood to say the least.

🧊 The moon is what we inherit from the mother and it's exactly how we develop those traits, and how we essentially... treat her back. So if the mommy of a cap moon child thought she could be overbearing, cold and expect the unexpected from her child, she can be met with an advanced level of coldness and authority from her grown child, thanks to her. Same with a virgo moon child's mother, if she thought she could be critical and compare them to literally anything and judge the hell out of their existence, they would give her a neat taste of her medicine, sharper criticism backed with better facts. The mother also learns a lot from her children through their moon sign. This applies to all moons.

🧊 I noticed that scorpio placements don't find it easy to change or let go of things (unless they have many pluto aspects). I met many scorpio ppl and they tend to hold on to the past, tightly. Many of them told me they hate moving out. It depends on other placements tho, if mixed with capricorn or earth, they are sooo traditional and stubborn my god. If mixed with air, they're less to hold on. Pluto placements and aspects are the actual phoenixes, they embrace every part of their transformation process, they burn things to ashes and emerge stronger, I love seeing it.

🧊 Every time I meet a pisces moon person, they have some unusual quirks to them. They can have this awkward yet charismatic behavior, like wtf was that, but you stare at their watery eyes. Pisces moon men esp, the weirdest sense of humor 🤚s down, but you can't help it cuz it's cute. Which is why they can trick and manipulate you cuz you thought they were innocent *pleading emoji*.  

🧊 Quintiles and bi-quintiles give me an aquarius vibe, they hold such a unique energy to them, a different connection between the planets. Quintiles to the nodes or mc, it's so refreshing and special whatever that quality you got, it may even be addictive to others (sun, venus, neptune quintile nn). Check if you have asteroids quintile the nodes, you may benefit from tapping in to the potential they hold and utilizing it.

🧊 Whatever house pluto is in it’s where you got power that you needed to learn to take back. It was gained eventually through being taken away from you or not seen by you. The power of realizing the effect you have over the themes of a certain house which activates it.

🧊 Some examples, pluto 10th, how people see you publicly may not be who you are at home. The accusations or assumptions, the jealousy and maybe even manipulations about your career choices made you feel powerless at times but it’s where your power lies. As soon as they discover that it's up to them to decide who they are publicly, they take back that power and show up in the public as an unstoppable force, changing the world. Pluto 7th, the constant mirroring of people’s shadows, the projections, the lies or manipulations that happened in their relationships made the native feel powerless in connections and over the way they see or present themselves. Once they embrace the way they appear and connect with others, a new sense of strength and power is awakened in them and they radiate that even more strongly, this time unapologetically. 

---

bonus - asteroids obs ⚛︎

🧊 People that have charisma (627) in a fire sign stand out when they're taking action, they naturally radiate that leadership vibe, others expect them to take imitative with things especially if it's in aries, they have that youthful go getter vibe. If it's in leo they're seen as very influential and others follow their lead. If in sag they're seen as funny and joyous to be around, everyone wants to be with them. 

🧊 Asteroid aura (1488) can show you what colors and styles look good on you, check the sign, degree and house. If it's in an earth sign, those earthy colors, greens, browns, formal, vintage. dark academia styles. If in a fire sign, those fiery vibrant colors, colorful sparkly makeup, casual yet bold looks. In an air sign, classy or street looks, patterns and accessories, youthful styles. If in a water sign, dreamy flowy fabrics, neutral colors, blues and purples, jewels.

🧊 Also check the planets it aspects, say aura is in pisces conj saturn then you can incorporate those dreamy looks in a saturnian typa way, e.g. I imagine a man in a bright silk shirt with brown vintage pants, a matching jacket, and a pearl choker, something ethereal but earthy at the same time. 

🧊 Asteroid sirene (1009) in scorpio, aspecting pluto or in the 8th could make someone have an extremely alluring presence like you would want to stare for long to understand their vibes but you won't. I also find it alluring if it's in capricorn, aquarius or pisces. 

🧊 Asteroid meesters (10647) and talent (33154) in aquarius or the 11th could mean creating or inventing something new in your field, having or mastering a unique or rare skill. This can also mean recognition for a unique talent. Aspecting nn can mean you mastered some talents in a past life or will in this life.

-- I had these for so long in my notes, but I just felt inspired to post, forgive me. 🐯🫶

[reshinless]

If it's alright, may I ask for ZZZ Anton, Von Lycaon, and Billy Kid with a rather renowned g/n patissier s/o? Someone is known for having creative dessert concepts, and enjoys presenting it to them to try (Even though Billy cannot Eat.) Thank you very much! :]]

──── wakering steps

𝜗𝜚 synopsis. tasty treats, and its all for him! what? what do you mean you have a business to run?!

𝜗𝜚 pairings. anton, billy kid, & lycaon x gn!reader (seperately)

𝜗𝜚 director's notice. firm believer that these three + wise have sweet teeth (or tooths idk) ALSO SORRY FOR LATE REPLY WHEN I RECEIVED THIS REQ I GOT WRITER'S BLOCKKK

anton who wants to be your taste tester, bad and good treats because anything from you is a gift (even when he's throwing up at the toilet)

jokes aside, but anton definitely would love anything you gave him, especially with all the silly little candy on top of the cake, or the tasty frosting you let him try as he watched you from behind while you decorated a cake for a rich couple's anniversary

anton is very enthusiastic about trying your decorations. oh? they're plastic? *choking*

he's a real sweetheart for everything you make. please give him a slice or two after work is over, he'd really like that. or even just a simple treat.

whenever people come over to the shop while he's there, he's definitely flexing about how your his s/o. get him a shirt with those exact words while he's at it.

anton appreciates you so much. keep feeding him till you're both old and wrinkly :p

billy who loves your cooking. he compliments it, even when you know he can't try them

but i know that billy is someone who loves acts of service & physical touch. you know he can't feel them but you do it anyway. that's sweeter than any cake you've made.

billy falls in love all over again each time you give him hugs from behind, even when he jumps in surprise. you know what will fix it? a cupcake! come on come on! give it here!

he treasures everything you give him, ranging from small treats you let him model for (for advertisement), or the huge cakes he wishes he could taste. billy loves them either way

even if billy can't feel your touch, or experience the chance to eat your delicious pastries.. he really appreciates the thought you put into it, even on his birthdays, you bake him silly little pastries and cakes.

billy will praise your work a lot, he knows how much time, and passion you put into each piece, and knows it'll make whoever eats it happy. that's enough for him to ponder on what it could taste like.

lycaon is willing to help you advertise, he knows everyone will love a tasty pastry with a side of fluff

definitely very good at recommending you to others (him n his connections through victoria housekeeping >_o).

lycaon who loves every flavor you let him try, always asking him if its good or not, even when you know he'll say it's the best.. because it comes from you

lycaon who'll eat even your burnt, or ruined pastries (as long as edible) to make you feel better. stands his ground on him willing to taste anything you make, because nothing else can match the passion you put into your pastries

looks at you so lovingly from behind while you work hard to come up with something unique for next week's special. lycaon will help you come up with names for them if you'd really like, he knows a thing or two that would catch people's eye.

lycaon knows you overwork yourself sometimes, finding you asleep, face beside your newest treat. carries you bridal style to your room- the one you share with him. planting a peck on your forehead.

lycaon praises you for your passion, but is concerned you'll put it over your health one day. a day where he isn't there. very adamant on not letting you work past 5 hours on weekends

lycaon who's really caring for you, n loves you so much !!!!

THIS WAS SO CUTE I SHOULDVE DONE IT EARLIER11!!!

[wellfine]

HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!