At forty-five years old, there’s one day out of the entire calendar year that Eddie dreads like none other.
It’s not his birthday, surprising as that is, and it’s not tax day either (though only because Steve, the angel that he is, elected to take charge of their insane finances ages ago so Eddie doesn't even think about it).
No, it's parent-teacher conference day at his children's school.
Eddie wants to have a strong word with whoever's idea it was to have every meeting take place in a single day. Maybe that shit works for the freaks with only one kid, but he and Steve have three hellraisers in the elementary school, so for them it usually goes like this:
Kid 1: Please help us figure out why she is inciting riots on the playground
Kid 2: Your child is taking up class time getting into complex moral debates with the teacher’s aid
Kid 3: She's a pleasure to have in class — that being said, does she ever talk?
– all within the span of 45 minutes.
Kind of whiplash-y, in Eddie's opinion.
Steve is totally in his element for that shit though. He’s good at distinguishing between when their kid is the problem (which is……..often) and when it’s a reflection of something bigger, and when that's the case, he gets to tap into the snarky, mean-girl side of him that doesn’t come out all that often anymore..
Steve, to Hazel's teacher: I don’t know what to tell you. Hazel makes all kinds of noise at home. We’ll talk to her, but maybe this also warrants a conversation about what’s going on in the classroom that’s making her feel like she can’t when she’s here.
It's sexy as all hell in Eddie’s opinion, or so he attempts to communicate to his husband the literal second they're out of the school when he tries to shove him bodily into the backseat of their car without extracting his hands from Steve’s back pockets.
Steve, managing to push Eddie off him for half a second: Dude – no fucking chance are we having car sex in the parking lot of our daughters’ elementary school. You’re crazy.
Eddie: *pauses to think about the layout of their town*
Eddie: Bet there’s no one in the lot for the cemetery.
Steve: No.
Steve: We can’t get cursed today. I’ve got shit to do.
Eddie: What about the hiking trails?
Steve:
Steve: Yeah, okay.
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So at my workplace, we fund a Food Is Free shelf. It's the basics: take what you need, give what you can - our town has a high level of poverty, there's a cost of living crisis, be the good you want to see in the world etc etc.
Today we had a guy knock on the door and ask if we had a plastic bag he could use to carry a few things - I said sure, got him a plastic bag, and he started packing up his 2 rolls of toilet paper, his 3 or 4 foodstuff items. He said he'd been to a funeral out of town (1500 kms away) and spent his paycheck on fuel - he was only broke till Friday, he said.
And I said, well I'm glad we could help, it's why we have the shelf. We want the community to use it.
And he said:
But people ABUSE it! I've seen people take heaps of stuff from it - and they don't even have kids or anything. And it's fair enough, some people are struggling until the next paycheck, but other people just ABUSE it. You need a sign that says TAKE ONE ITEM ONLY or something. I've taken something from here maybe twice, but I've seen people coming round every week! I've even put stuff on the shelf! Yeah, you need CAMERAS or something. People abuse it.
So here is a man who is actively utilising a public resource that we created to support our local community...And yet he is so brainwashed by capitalism into thinking that people don't deserve basic needs - if they're not working hard, or maybe they're struggling but they don't have it As Bad as others, or they're using a FREE RESOURCE more often than HE thinks is acceptable. He thinks that we should use security cameras to crack down on people "STEALING" from the Food is FREE shelf. Like he's more worthy, like he's a better person, because he doesn't need as much help as others might.
Sometimes, when something is free, people might abuse it. But isn't it better to offer the support to people who need it? To offer an opportunity for people to get back on their feet (even if they're only broke till Friday)? To provide help, no questions asked and no conditions needed?
So what if people abuse it - isn't it worth it if helps someone?
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Types of AO3 Summary
Option 1 - The Excerpt:
The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.
Best used for any fic, unless it's so short the excerpt would be the whole fic.
Option 2 - The No Frills:
Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.
Example:
"A short character exploration of Blorbo's thoughts after Daisy leaves."
Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.
Option 3 - The Hook:
Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.
Example:
"Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."
Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.
Option 4 - The Sitcom One-Liner:
"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.
Example:
"The one in which Blorbo learns to like cake".
Best used for fics with at least a little humour in them.
Option 5 - The Rule of Three:
Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').
Example:
"Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."
Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.
Option 6 - The Trope Lure:
Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.
Example:
"The Space western / A/B/O / Mail Order Bride fic that nobody asked for."
Often tacked on to the end of The Hook or The Excerpt as a tl;dr.
Best used for fic that plays its tropes straight with no shame or second guessing.
Option 7 - The Pre-emptive Strike:
(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.
Example:
"So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"
Best used for no fics ever. I cannot stress this enough.
(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)
Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)
Option 8 - The Unapology:
Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.
You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!
Example:
"There aren't enough tentacle fics in this pairing, so I had to write one myself!"
Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.
Option 9 - The Interrogation:
What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?
Example:
"What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"
Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.
Option 10 - The Multipack:
Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.
Example:
"A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts.
Chapter 1: Regency AU
Chapter 2: Werewolves vs vampires
Chapter 3: Ghost!Daisy
Chapter 4: Space pirates!"
Best used for (obviously) works that are compilations of fic.
Option ? - The Void:
I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.
Example:
Best used for... nothing? Write a summary, guys. Please?
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