#and they were GODDAMN RIGHT

[audliminal]

I think the crux of what makes the rat grinders so damn rage-inducing is just. How fucking entitled their whole stance is. Like sure they've put in a lot of time! And frankly, if they were just trying to graduate, put in the work, and get out with average fucking grades that would be fine.

But instead the first thing we know about them is that they feel the treatment some people (the bad kids) get is unfair. And like. That's what makes it so frustrating when the revelation comes of what they've been doing for the last two years. Because in those two years they have risked nothing and helped no one. Killing rats in a trainee forest doesn't change anything. The rats are just there. They're not a threat to anyone, there isn't any danger. Nobody needs to be doing that.

Meanwhile, the bad kids have quite literally saved the world three fucking times. The number of people who have directly benefitted from the actions of the bad kids is astronomical! And they have risked so goddamn much in the process. They have repeatedly put everything they have and are on the line, with the only beneficial reward they've gotten being their grades. Hell, mostly their success has just resulted in them being burdened with more work!

So when these fucking rat grinders show up and start complaining that the bad kids are getting favored unreasonably, they and we all know how absolutely bullshit it is, because the reality is, the bad kids have put in so much more work than the rat grinders have, for barely any reward.

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[spacelaserlulu]

The fact that MCR made “Vampire Money” in response to Stephenie Myer asking them to make a song for Twilight makes it so fucking funny that they let Renfield use “Na Na Na” for a car chase scene.

[reallyhardy]

the latest in clothing customisations by me... adding this very worn out muppets t-shirt graphic to my denim vest as a back patch. i don't mind a distressed look for a print however i thought their eyes had suffered so much damage that they all looked kinda bloodshot/demonic so i added just a liiiittle bit of paint here and there on the faces - then i went nuts and modpodged on a bunch of glitter. and modpodged on a lot of modpodge to keep the rest of that rapidly flaking original t-shirt print on.

[starsandwriting]

INK5OUL???

[essektheylyss]

It's been a full year since the Mighty Nein show announcement and I am honestly still laughing that we all inexplicably identified that the lines were re-recorded for the announcement in particular in .02 seconds flat. This is still my takeaway a year later.

[anonyanonymouse]

Considering what other things Malleus may have changed other than the timeline of events in Lilia's dream, and... What if the humans they fought weren't this degree of awful in reality?

In the dream, they invade the kingdom to mine resources out of greed, and they don't consider fae equals deserving of land or respect at all. Thus, Lilia defeating them easily and making everyone run away is very satisfying, but... What if that's the point?

What if, in reality, their reasons for invading were reasonable. They tried to explain themselves to the Draconias and failed to make their case, left no other choice but to take the land if they wanted to survive. We've seen this happen several times at NRC. The school and students need something that the fae have, and attempts to communicate go sour, so they have to fight or deceive their way to what they need. The school and students could be doing better and they're not blameless for the harm they ultimately cause fae, but they're not being unreasonably evil.

In Lilia's perfect fantasy dream, though, Malleus decided that Lilia killing hundreds of innocents just trying to feed their families and get home by the end of the day because of some misunderstandings isn't nearly as comforting of a dream as Lilia saving his country from the evil bad guys.

[mavspeed]

something that really pisses me off is this headcanon that ice would have been or was against mav pulling bradley’s papers for the academy.

like i’m sorry but I need some of you to think for a second. this is a man whose jet wash indirectly also led to the accident that resulted in goose’s death and probably carried that guilt for half his life too. this is also the man who was there to watch mav and carole grieve for the brother/husband they lost for YEARS. not to mention he was close to goose as well since they were both at the academy. like he would have wanted to protect bradley just as much as mav did when he made the decision to pull the papers. it’s a dumb moment for both of them but again. 100% they would have both thought they were doing the right thing for bradley.

[sketchy-scribs-n-doods]

i'm a little sad at how sparse steddyhands and stizzy art and writing is on here now after the finale (thankfully, i am still digging through the couple thousand fics up on ao3 so i'm not totally bereft)

because during the airing of the season there was new stuff in the tags every day, sometimes even every few hours, but i think the finale really punched all of us in the face

there's lots of good stuff from before s2 to go digging through of course, and ao3 and twitter still have some new art and fic and memes if you go looking for it, but the difference from before and now seems a bit stark

don't misunderstand me, this isn't me being defeatist, just being a bit melancholy (and mad at the s2 finale tbh lol) about it. shout out to the regulars i see in the tags still making stuff and posting jokes, ya'll are doing the most and i wish you all the passion and motivation and time to create in the world <3

[frnkiebby]

maybe today is a revenge frnk day~🎃

[billpottsismygf]

73 Yards

I have slightly mixed feelings on this one, but what it did well it did brilliantly. The episode was beautifully shot with a fantastically creepy atmosphere throughout. The Welsh landscape, the close shots, the out of focus semper distans, the mystery of what was being said. Millie Gibson's performance throughout was stellar and this is the most invested I've felt in her character so far. I did miss Ncuti's presence somewhat, but it says a lot that she was able to carry the episode on her own and I do love when the format gets shaken up occasionally and we get a Doctor-lite episode.

I loved Kate's brief appearance and the way it sold the fact that this was a very serious situation. You think UNIT might be able to help here, but Ruby is once again left alone. The themes of abandonment in this one were incredibly potent and really tie into the themes of the series. Unsurprisingly, one of the most effective and upsetting parts of the episode was Ruby's mum also being affected by the mysterious woman. Her anguished screams for her mum were really quite harrowing, as was that awful comment about her birth mother not wanting her.

It also got far darker than I would expect in a Doctor Who episode. The far-right politician and the threat of nuclear war was plenty, but what was done to Marti was absolutely chilling, as was Ruby's apology for not doing anything. It gets away with it because it's all through implication, but that almost makes it more hard hitting. You don't always need to see the monster in action to know what it's doing. It also reminds me of my much younger self not picking up on the Master beating Lucy Saxon until I was a teenager.

The way time began to speed along was actually quite shocking to begin with - I actually gasped when we saw the 25th birthday cards - and it kept bringing to mind various other episodes where companions have been abandoned either in the real world or another timeline/reality, especially things like The Girl Who Waited, Turn Left, Forest of the Dead, The Lie of the Land, World Enough and Time etc. That things get undone at the end was again a little reminiscent of a few of them, but this is also where we come to my criticisms of the episode, because - while I loved the experience of watching it - the ending feels tacked on in a way that is very unsatisfying.

There were a number of things that just never get explained. For a minor example, why did the Doctor disappear? Disturbing the fairy circle released Mad Jack (I'll come onto him) and also made the Doctor disappear? And also made the TARDIS lock in a way that couldn't be opened with Ruby's key? I'm not as bothered by this as the below, but it feels messy and like an attempt to do a Turn Left without an actual reason for the Doctor to be gone.

A bigger gripe is Ruby being the following lady. That on its own would have been fine, but that combined with other elements just frustrates me. Mainly, if the following lady was Ruby, what is it she says to get people to run away? I don't mind things being left to the imagination - for instance, I quite like that we don't get an explanation for why she has to be 73 yards away; I can infer that that's got something to do with the fairy circle - but it appears that whatever she says specifically makes people think there's something horrifying about Ruby.

What could Old Ruby possibly say to that end and why would she? And why would the same thing make a Prime Minister resign? If we had never found out who she was, I would have been perfectly happy to infer that she was a force of some kind that drives people mad, but it's Ruby! Knowing who she is but not what she does or how or why she does it is the worst way round. I want to know neither or both, or possibly the latter but not the former, but this way round just frustrates me.

On that note, the friend I was watching with pointed out that, as she was dying, elderly Ruby had very short hair and suddenly has long hair when she becomes the semper distans lady. A small detail, perhaps, but one that further muddles the conclusion. Why did her hair change? Where did the coat come from? It's a different actress as well and, even at that distance, you can kind of tell. Did Old Ruby just end up embodying an existing spirit to do with the fairy circle? If so, I would have liked that to be a lot clearer. If not, why does she look so different?

Okay, so, Mad Jack. Who or what is Mad Jack? Is he a spirit of some kind that possesses Roger ap Gwilliam? Was he always Roger ap Gwilliam? Does Roger ap Gwilliam exist without him? If Roger ap Gwilliam does not exist without Mad Jack, how come the Doctor still mentions him? If Roger ap Gwilliam does exist without Mad Jack, what is changed by the Doctor stepping on the fairy circle?

In the version of the timeline we end up on (where the Doctor doesn't step in the fairy circle but Roger ap Gwilliam is still mentioned by him as a dangerous Prime Minister), here are a few possibilities and why they don't work for me:

Does he still become Prime Minister and get taken down another way? Perhaps, but it's not like Turn Left where we know the problems would have been stopped by the Doctor (who's not here). Without Ruby's infiltration and semper distans lady, what stops him? And why was that not able to stop him in the timeline we witnessed?

Is he less dangerous? The second time around of the opening conversation we don't get the line about the brink of nuclear war, though only because Ruby interrupts him to point out the woman, but maybe we can infer that this time he's a dangerous Prime Minister but not that dangerous? That seems quite weak and unclear, though, and seems to disregard the horror of the Marti stuff.

Does the timeline only change after the Doctor's comments about him being a dangerous Prime Minister? He does say that before stepping (or not stepping) in the fairy circle both times. I might be happy to assume that Roger ap Gwilliam never comes to power after that diverging moment has passed, except that things have already changed before the Doctor mentions him because Ruby says she's been to Wales three times. Maybe they've changed a bit but not enough until the moment she stops him from stepping on it, but that is not at all clear.

If it's any of these (or none of them), that's really confusing! It's just so messy and unclear. It would have been a simple fix, too! Keep everything the same and just add in a line as they're walking away at the end along the lines of "thank goodness he never got into power; people never found him that convincing". That would have clarified a) things have changed since a few seconds ago b) that Mad Jack is what allowed him to get to power and c) in this timeline, that won't happen and Ruby won't need to stop him.

Despite all my complaints, I did really love watching this episode. It's just so carelessly wrapped up, as if they didn't think about the implications of the otherwise very well told story. I'll be interested to rewatch it and see if my complaints bother me more or less on second viewing. I really want to love this episode because there were so many fantastic elements, but it just makes all the inconsistencies and loose threads and muddled logic particularly frustrating because they were only another draft or two away from being solved.

Misc small things

No theme tune! I feel robbed! Maybe it was meant to be part of the vibe that we're not in the usual timeline, but come on. It could easily have been slotted in when she left the TARDIS the first time or before she got to the pub!

Other episodes I thought of: Extremis with warning other versions of yourself; The Hungry Earth/Cold Blood with waving at future versions of yourself that disappear when things change; Journey to the Centre of the TARDIS with weird timelines and future selves and things being undone; Last Christmas with the companion becoming elderly; Turn Left for the vibes of "there's something on your back"; Under the Lake/Before the Flood with a silent message, since it looked like the woman was trying to sign things to Ruby; and The Sound of Drums/Last of the Timelords with the triple whammy of the companion having to 1) set off on their own to 2) take down a prime minister and 3) have time reverse.

It's also got a good old bootsrap paradox in it, which doesn't bother me in the way of the above complaints, but for the sake of completionism: How was Ruby warned about the future when that future hasn't happened? Would have loved Twelve to briefly pop his head in and explain it for us.

It's interesting that the snow stopped throughout this version of her life. It also seemed to snow while she was on her way to the pub.

Kate's comment about how "this timeline might be suspended along your event" was interesting and I wonder if it connects with the snow stopping.

For the first time I actually recognised Susan Twist when she appeared, but I'm not sure I would have done without Ruby realising she recognised her. I liked that! It felt very Boom Town and recognising Bad Wolf coming up again.

There was a little cameo from Mrs Flood.

[idkaguyorsomething]

Sorry to any First Doctor stans out there, I just couldn’t add him in good conscience because of all the racism. The War Doctor is also not here because he doesn’t really do companions. ¿Do I need to explain why Ten’s not on here?

[something-about-sunflowers]

Hot take: The people who are STILL insisting that Izzy is homophobic (despite the NUMEROUS instances of the cast/crew/David himself saying that nobody on the show is being targeted for their identity and ‘it’s not “I can’t believe he’s with a guy” but “I can’t believe he’s with THAT guy”‘ ad nauseam) towards Stede, Lucius, or Ed (I don’t believe I’ve seen anyone say anything about Fang or Pete, though I could be wrong, but I’m gonna touch on that in a bit too*)? They’re, unironically, being homophobic by stereotyping the characters and reducing them to just their sexuality.

If you recognize that Stede is a multifaceted character and you recognize the ways in which he is multifaceted - He’s a man born into wealth and raised on classist, colonialist ideals. Yes, he’s also traumatized by how he was treated by his father and peers but trauma doesn’t exempt people from blame when participating in, embracing, enforcing, and benefiting from classist and colonialist ideals - you will understand that Izzy is not being homophobic towards him just because he hates him.

If you only view Stede as a gay man and ignore everything else about his character then the only motivation for Izzy to hate him MUST be because he’s a gay man and therefore Izzy MUST be homophobic.

If you recognize that Lucius is a multifaceted character and you recognize the ways in which he is multifaceted - He’s a man who likely was born into some level of the middle class, given that he can read and write (It’s also possible that he was born into a working class family and he learned to read and write there, but it’s the unlikely option by default. None of the rest of the working class crew know how to read or write save Jim who was raised by a nun and would have been taught by her.), he also avoids doing work which is necessary for the function of the ship that they live on and depend on for their livelihoods and encourages the rest of the crew to do the same with his insubordination. He’s also in an unorthodox relationship that people who have not experienced the concept of consensual non-monogamy would not understand and might interpret as cheating - you will understand that Izzy is not being homophobic towards him just because he hates him.

If you only view Lucius as a gay man and ignore everything else about his character then the only motivation for Izzy to hate him MUST be because he’s a gay man and therefore Izzy MUST be homophobic.

If you recognize that Ed is a multifaceted character and you recognize the ways in which he is multifaceted - He’s a man of color, born into a working class family who worked hard to make a name for himself, to the point where he did not have to endanger himself or his crew to earn their livelihoods. He’s also some level of neurodivergent and understimulated by the environment he’s in (because he excels at his job) which leads him to make irrational and dangerous decisions and puts the lives of himself and his crew in danger. He’s also been making increasingly out of character decisions (corroborated by Fang and Ivan) by the influence of Stede - you will understand that Izzy is not being homophobic towards him just because he’s angry about his relationship with Stede.

If you only view Ed as a gay man and ignore everything else about his character then the only motivation for Izzy to be angry about his relationship with Stede (and only Stede, because he had no qualms about Ed and Calico Jack’s involvement with one another given that he sent Jack to get Ed out of the way of the English, but that’s another post I don’t have the spoons to make) MUST be because he’s a gay man and therefore Izzy MUST be homophobic.

If you IGNORE that Izzy is a multifaceted character and you IGNORE the ways in which he is multifaceted - He’s a gay (we’re not having this argument) working class man who earned his high ranking position on an extremely respectable pirate’s crew. He’s capable and is rightfully angry when he’s looked down on because of his class. He recognizes the importance of ship maintenance and is rightfully angry when those tasks are ignored. He doesn’t understand Lucius’ relationship dynamic and thinks he can use (what he thought was) him cheating on his partner (seriously, how is ‘I’m going to tell the man you were fucking that you were fucking another man’ threatening to out him?) as a motivation to make him do the necessary ship work. He is rightfully angry when his orders are ignored because he’s the highest authority on the ship next to the captains. He is in love with Ed and is jealous because Ed is in love with Stede - you can pretend that Izzy is homophobic because of how he behaves towards the other gay men on the ship.

If you ignore that Izzy has valid reasons for his actions (which does not mean that the actions are all entirely justified) then the only motivation for them MUST be because he’s homophobic.

(* The persistent neglect of Fang and Pete in these discussions is also rooted in homophobia. Fang and Pete are the only explicitly gay men on the ship who don’t, at any point, present ‘femininely’** and therefore don’t fall so easily into the bubble of the stereotypical gay man and so they get ignored in these discussions because they aren’t suitable to push the narrative that Izzy only interacts negatively towards ‘feminine’/’gnc’** gay men.)

(** The insistence that Stede, Lucius, and Ed are in any way, at any point, LEGITIMATELY presenting ‘femininely’ or are ‘gender non-conforming’ is ALSO rooted in homophobia - and I’d argue a touch of racism via Ed’s hair and beard as they relate to his indigenous roots. The assumption/association with those three being considered feminine comes from their identity as gay men. That is homophobia.

Stede wears men’s clothes. He wears RICH men’s clothes. Bright, colorful, patterned fabrics are worn by RICH men in the 1700s - if you want to argue that, say, king George presented femininely or was gnc because of the way he dressed be my guest but you won’t because he doesn’t and he isn’t. Lucius wears men’s clothes. His clothes are perfectly at place amongst the rest of the crew’s clothes. Ed wears men’s clothes. His leather is in direct relation to gay leather-men which is a hyper-masculine aesthetic in the same way drag is - typically - a hyper-feminine aesthetic. His appreciation for Stede’s clothes comes from the wealth and privilege that centers around the easy possession of those types and quantities of fabrics.

None of them behave in ways that are stereotypically feminine. Having and expressing emotions is not a uniquely or inherently feminine trait. Caring for and maintaining your appearance is not a uniquely or inherently feminine trait. Even if they were, Izzy also does those things. Izzy frequently expresses his emotions - yes, anger, a stereotypically ‘masculine’ emotion, but others as well. He also puts a great deal of care into his appearance, aside from the materials, the only difference between his and Stede’s outfits are the type of shoes and the presence of a jacket. If those traits are to be considered inherently feminine then it is disingenuous to not apply that label to Izzy as well.)

[lab-gr0wn-lambs]

The queer comunity these days is OBSESSED with stereotyping people like it's some cute quirky lil thing it's infuriating. Lesbians looove frogs and mushrooms lmao, nonbinary people are all littol wittol rat creatures, asexuals love nothing but cake and garlic bread, transmasc little boy ukulele music, transfem TRIPPY WEIRD MUSIC, what do you mEAN you've never seen shitass lesbian film shitass lesbian film and shitass lesbian tv show what's wrong with you are you even a real QUEER? You HAVE to have seen- Shut up!! We're not a hivemind!! I'm going to puke!!

[hamartia-grander]

Wyll breaking up with the player character if Ulder dies so Wyll must become the Duke makes me wanna throw up sobbing because he actually thinks that just because his father's first duty being to Baldur's Gate made him a Bad Father that Wyll himself will inevitably be a Bad Lover because surely no one could match love with duty if his father couldn't, unknowing he has more love in one hand than his father had in his entire body. fuck

[kafkasmjjw]

this scene quite literally changed my life i don't know where id be without it