#and..whatever this is ensues

[rivvyribbons]

good morning. suffer. goodbye (pspspsp more info in tags)

[jazzradio]

what do u call a group of scientists...

science cont by @mechncheese ! love these silly guys

[bleh1bleh2]

Red Lion <3

[zivazivc]

[poorly-drawn-mdzs]

Market based mistakes.

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[feelo-fick]

WHY DID I RUN MY MOUTH LIKE AN IDIOT?! I WAS JUST FINE BEFORE!

-

(dialogue inspired by legends of avantris)

yeah so idk what i was thinking with this one i heard this dialogue while listening to a compilation and then i blacked out and this happened

pushes him towards you. jealous chilchuck. kill him.

(part 2)

[ashlygraves]

i feel like reading Ashley’s crying fits as emotional manipulation falls into either misunderstanding or a bad faith reading of her personality. especially flashback childhood scenes. Ashley legitimately feels like if Andrew is not on board with her he hates her and wants nothing to do with her- look at her social life, the way her mother treats her. sure its not logical but her past experience with people would guide her to that conclusion. *person* doesn’t like something i do/say = i end up alone again. to hear these kinds of words come out of a child’s mouth, a responsible and mentally stable adult’s response would be to hold her hand and guide her through these feelings, and explain to her that the world does not operate in the black and white lenses she views them from…. now when is Ashley ever surrounded by someone of this description. this explanation would need to come from a parental figure, or a role model in the child’s life, somebody the child trusts and looks to for guidance. who is this person for Ashley??? Andrew. another child. not a well rounded, stable, emotionally mature adult with the past experiences to prove these thought patterns wrong. and how does he respond? by giving in. his little sister is crying, upset, and mom and dad don’t like dealing with her and explicitly tell him its his responsibility to placate her and make sure she’s taken care of and listening to them- whenever they decide they’re going to attempt at parenting that is. they never tell him how to do this, all they want is for their daughter to shut up and leave them alone. in this moment, his little sister is crying and that is unacceptable. based on his past experiences, the fastest (and only) way to solve this problem that nobody else wants to deal with is to do what she wants to do. give in. let her have her way. even in the most extreme of circumstances, because neither of them have reliable responsible role models. as they grow up, Andrew builds resentment towards his sister for this, he’s always doing whatever she wants and they’re acting on her whims because they never learned otherwise. misdirected anger that should have been angled at their parents.. so why isn’t it? because their mother was a hostile, volatile person, who punished him for straying an inch out of line. follow orders and keep up appearances, or else. make sure she does the same, or else. expressing any sort of resentment or anger towards anyone but Ashley would have resulted in an outburst from their mother. there is a line, though. Renee may not have given him any sound examples or advice to follow but she did tell him what not to do: resort to physical violence. she knows it’s not a solution to behavior, we can assume she has experience with this because of her reaction to Andrew trying it out on his sister. and in light of their parents deaths, what does Andrew resort to? physical violence. why? because he’s learned that while it may not change Ashley’s behavior (like their mother said), it makes her listen in the moment. and it feels good, to finally let out his frustrations and he won’t be punished for it. this is him ‘acting out’. he finally has the chance to act without punishment and he uses it to do the only thing that he was explicitly told not to do. why does Ashley act the way she does? because she has 2 decades of experience telling her that what she does effects everyone but herself. she has never dealt with punishment, or consequences, in her entire 20 years of life. she has never had to keep up appearances, or stay in line, because she was never given a reason to. Andrew was. soo.. Andrew’s girlfriend breaks up with him, they kill their parents, they’ve been socially isolated and starved for months with the threat of death right around the corner and then they’re both given a chance to take advantage of an object that ultimately would relieve them of consequences.. but what’s the catch? there doesn’t seem to be one, but Andrew knows better. At least in this instance.

[rooniearts]

How did pitaya come to be :0

Sonic didn't know T isn't birth control🥀

[asurrogateblog]

paul is dead trutherism isn't taking it far enough we need to invent even weirder conspiracies. suggestions include:

paul isn't dead because he never existed in the first place he's a symptom of mass hysteria and if we all just face reality and stop believing in him he'll finally disappear

paul did die in a car crash but the other three necromanced him back to life so it's basically a wash

paul did die in a car crash but after they hired billy shears to replace him they summoned paul's ghost and got billy possessed so it's basically a wash

paul is john's childhood imaginary friend that he imagined so vividly he came to life (this could also work in the reverse direction but john's current real-life occupation is already "paul's imaginary friend")

paul, john, george, and ringo are actually all the same guy who's in a closed-loop reincarnation situation as karmic punishment

[frozen-seagrass]

The WALL-E au no one asked for

[macksartblock]

I’ve been stressed about an upcoming family vacation so here’s some dumb work sketches that amuse me

[villain-byteniwoha]

once again calling out to all my fellow jaydick enjoyers to go listen to the album "Madra" by NewDad because it is the most perfect album to daydream about the tragedy of jason todd and dick grayson. the instrumentals? fucking FIRE, it's my kind of moody and the LYRICS????? I'll give y'all samples and you tell me if they don't scream jaydick fuckbuddies to lovers (+ mutual pining and denial) to you

You're kind, but I'm not // It seems that I forgot how to care // About anything but my own despair // And you have a good heart // But I'm sure mine's stopped // And it won't restart // I think it's broken // So you can't own it — Angel

You said I want you or something like that // You said you like me or something quite drab // It's all empty conversations // So we can't build a foundation // You said you love me, but you say that every time // You said you missed me, please forgive my crimes // Am I deluded? Could I really be that stupid? — Sickly Sweet

You don't want to be down here // You don't want to disappear // Engulfed in flames // Don't know your name // And there's so much to fear // And I think it's really nice that you, do fight my fights // But you should know, I can't just let go — Let Go

I wish you were // The monster under my bed // And not the one I want in it // I wish you were the bad guy inside of my head // Though it's hard to admit it // Want you to be everything that's wrong with me // Not the one who could fix this // I wish you were everything I hate in the world // Not the best person in it — Nightmares

[m1tchgp]

the weird-dream-turned-weird-au au

[ban--tam]

imagine splash mountain still existing in 800 UC

[zestyzigzagoon]

I won't write this because I'm still in a rut and I have other things to catch up on, but fun AU idea: famous person x normal person AU, except the normal person lives under a rock and has no fucking clue who the famous one is

[secretmellowblog]

@breadvidence recently wrote a great bit of Les Mis meta where they pointed out how Jean Valjean’s “compliments” to Javert in Montreuil-sur-Mer really are just..... conciliatory flattery, and don't reflect his real feelings about Javert at all. And that's a great point, and something I wish more people explored! Lines like "you are a good man and I esteem you" aren't Jean Valjean's earnest feelings towards Javert. Instead they’re examples of the way Jean Valjean often retreats into excessive deferential politeness to authority as a survival strategy. As I mentioned in another recent post— Jean Valjean is a genuinely kind person, but he’s also someone who often has literally no choice but to act overly polite to authorities/the police, because if he’s not polite enough they might start to find him suspicious. If he doesn't lick their boots enough, they might start investigating him. He's instinctively deferential out of fear of violence. He's flattering out of fear. He's polite "at gunpoint." He's polite to cops the way you're polite to an armed police officer who pulls you over.

And Jean Valjean's polite tranquil behavior towards Javert during Javert's "resignation"— saying things like “you are a good man and I esteem you, I want you to keep your job” and etc etc— is later explicitly confirmed to be at least somewhat of a calculated tactical decision Jean Valjean made out of terror:

He was carried away, at first, by the instinct of self-preservation; he rallied all his ideas in haste, stifled his emotions, took into consideration Javert’s presence, that great danger, postponed all decision with the firmness of terror, shook off thought as to what he had to do, and resumed his calmness as a warrior picks up his buckler.

I love the phrase "he resumed his calmness as a warrior picks up his buckler"-- it's such a great way of summarizing how Jean Valjean's ability to have polite conversations even when he's breaking down internally has been such a useful defense mechanism for him. I also love the contrast between the excessively polite way Jean Valjean talks to Javert when he’s acting out of terror/self-preservation….vs the more honest way he talks about Javert when he’s alone during Tempest in a Skull:

“That Javert, who has been annoying me so long; that terrible instinct which seemed to have divined me, which had divined me—good God! and which followed me everywhere; that frightful hunting-dog, always making a point at me, is thrown off the scent, engaged elsewhere, absolutely turned from the trail: henceforth he is satisfied; he will leave me in peace; he has his Jean Valjean. Who knows? it is even probable that he will wish to leave town! And all this has been brought about without any aid from me, and I count for nothing in it!”

It's just extremely funny. The contrast between “you are a good man and I esteem you” vs “that Javert, who has been annoying me so long” <3 The contrast between “you are an honest man” vs “that frightful hunting dog” <3 The contrast between “I want you to keep your job” vs Jean Valjean fantasizing enthusiastically about how hopefully Javert will leave town and never ever annoy him again. <3

It makes the “Punish Me, Monsieur le Maire” stuff even funnier. Jean Valjean is dissociating out of panic and saying whatever polite platitudes he thinks will flatter Javert....but those polite platitudes keep making Javert spiral further into long-winded deranged rants about how he dESPISES this kindness and it enRAGES him, as Jean Valjean just sits there very politely & quietly losing his mind. It’s peak comedy really.

I feel like Jean Valjean’s deeply weird thing with Javert often gets flattened in different directions, when people interpret it. Either Jean Valjean is an all-forgiving all-loving angel who thinks Javert did nothing wrong, and all of his flattery is sincere expressions of admiration—- or Jean Valjean is (like in the BBC version) the kind of violent pitiless person who would angrily order Javert to kill himself. It's rare for writers to get anything resembling the hilariously baffling ambiguous Weirdness of his relationship with Javert in the book. I think it's because adaptations often don't grasp the idea that a genuinely kind compassionate character can also (underneath it all) still be deeply tormented, broken, and angry-- and that their anger doesn't mean they're any less kind, or any less capable of pity and mercy.