#another museum picture

[daily-slugplush]

day 36: fit for a king

[aroacehanzawa]

i may be a hater of bad media but i cannot stand people who are haters of beauty in the everyday world

[ayyponine]

Conclusion of the museum poll aka baby's day out pt 2/2 thanks again fr helping me decide it worked out amazingly

[yepthatsacowalright]

Quality content.

[britishchick09]

here’s an obscure senpai fact that i forgot about until just now- senpai made a music box for addie! :’)

[joshuaalbert]

not that all of the production of tmp wasn’t fucking insane but the series of events surrounding the effects is so wild like. douglas trumbull turned down doing the effects for it originally bc he was working on close encounters of the third kind and they borderline shut down his effects house and hired someone else. the guy they hired could not scale his shit up to make things work and douglas trumbull came back to paramount and was like “hey so like. I Can Help You.” and they were like no it’s okay we’ve got it it’s FINE. and then in 1979 they had to make a december release date and the team doing effects literally didn’t have a couple seconds of workable material and they were like “🥺 hello doug we know we basically shut your effects house down but it turns out we do actually need you” and they pulled hundreds of shots out in SIX MONTHS!!! FUCK!!!!

and then part of the deal was him being released from his paramount contract which is why the effects in tmp look mmm vastly different than the ones in the subsequent films

[romeoows]

you cant count something as sightseeing when you've seen the sight about 600 times within the past two decades because i used to go to family reunions all the time 20 minutes away.

[spicysourchimken]

Interesting reunions

Tim and Danny are twins, Danny was given up for adoption by the Drakes when he was a baby and Tim was never told he has a brother.

After a reveal gone bad, Danny, Jazz, Sam and Tucker became thieves after closing the portal. They mainly target supernatural or cursed items. Their target, a necklace, is being held in a museum with their in being a private event to show off the piece before it's sent back to its owner.

The heist would've gone well if Tim hadn't also been in attendance.

------

'Lmao and here I thought you didn't want to be here'

It was a text from Dick.

Not exactly the strangest thing to happen when Tim was forced to attend an event.

He'd been benched after a mission resulted in a minor concussion. He'd personally been planning on going over his paperwork for Wayne Enterprises, but apparently that wasn't 'rest', instead he was sent off to be bored out of his mind at some art function. He didn't have time to prepare notes or even do any real research. But he still had Dick who had apparently been dragged along as his babysitter (And was fortunately interested in the items on display)

They'd been texting throughout the night. Dick fed him enough information to be mildly interested in topics of conversation, and when that failed the strange history of the main display. An old necklace that supposedly was connected to a string of deaths and all around misfortune.

So no, the text wasn't strange, but what was, was the photo attached. It was a picture of a man, grinning and chatting amicably with a woman whom he could barely make out as the collection's curator. His hair was longer than Tim's, tied neatly back to be clear of his glasses and to give clear view of the man's face.

Tim's face.

There was a clone at the event.

'can u get me another pic?'

Tim was now significantly more interested. Tim could identify the room they were in, housing the main display and it was about two rooms over from where he was currently hiding out. He could get there easily enough.

Dick sent him a thumbs up before replying with another, distinctly more uncomfortable photo of the man. He smiled awkwardly and Tim could finally get a better look at his face. Tim's brows scrunched together. A lichtenburg scar stretched up from beneath his collar and trailed along his jaw and in the light the man's eyes almost looked green.

He ran the photo through his facial recognition software, getting at least a few pings on himself before finally landing on Jonas Spencer, private security currently assigned to shadow one Morgan Deveraux. His history was solid, highschool records, even a spotty criminal history (points where he'd almost been arrested for bar fights) before he'd joined up with his firm.

So. not a clone. Probably.

Tim would still need to check it out. He pushed past a dark haired woman and entered the main show room. Dick, luckily had kept him in conversation but Jonas looked flighty, his eyes always drifting back to his charge.

Then he caught sight of Tim.

He froze. Staring at Tim for a moment before he tapped his ear- and what Tim assumed to be a comm. He made a move for Morgan, leaving Dick in the dust.

The lights flickered. Jonas reached for Megan, his hand wrapping around hers. Tim could've sworn his eyes darted upwards. Then there was a complete blackout. There was a clatter as a vent grate fell to the floor, shouts arose from the attendees.

Then the lights flickered back to life.

Jonas and Morgan had vanished, and so did the necklace as well as three other paintings.

Good news, its not a clone. Bad news, he might have a twin brother who is in a gang of thieves.

--

Daniel Fenton, or as his ID currently stated 'Jonas Spencer', wouldn't exactly call himself a thief- personally he was more of a collector. Or a curator, whatever the hell you might call a guy who grabs haunted and or cursed objects and dumps them in an alternate dimension.

And it wasn't exactly like he was normally the one stealing things either! That was mostly Sam, he'd done for a bit when they'd first started up (pushing his hands through the glass and taking a necklace with him, or making a painting completely invisible as he whisked it away) but then Sam started calling it 'cheating' and claimed 'his technique was lacking' and promptly took over his position.

(He didn't exactly mind, using his powers too often made his skin crawl. He may not have the GIW constantly hunting him, but he'd had enough run ins to make him sweat. He also didn't want to think about his parents.)

So maybe their entire deal wasn't completely altruistic. When you've been on the run since seventeen and had decided that you, your best friends and your older sister are going to become international thieves, sometimes you have to steal things so that you can have an income. And sometimes stealing is fun.

Unluckily their current job wasn't recreational. They'd heard word of a haunted necklace, there was a string of bad luck connected to it. Mirrors shattering, injuries popping up only days after interacting with the piece, lights falling out from the ceiling. There'd also been a case of near death.

Very clearly the latest display piece was cursed meaning they needed to grab it before it was shipped back into it private collection in France. That meant a time crunch, meaning they wouldn't be fully prepared. It was fine- they'd stolen the dagger of Amon Ra when they had half a day to plan, so three should've been fine.

He and Jazz manned the floor, Jazz kept to grifting while Danny worked as support if things went sideways on any front. Jazz, currently wealthy socialite 'Morgan Devereaux', draped an arm around a politician as he guided her through the collection. Jazz shot him a glance telling him to stay back, keep monitoring the main floor with the necklace.

That was fine. He could do that. He approached the curator and complimented the piece, letting her tell him about the struggles she had getting it overseas let alone her conversations with the owner. Ok, so definitely cursed.

Danny felt eyes on his back, and from the corner of his eye he saw someone take a photo. Tall, dark hair and a bright smile.

Sam pointed out that it was a Wayne.

At that point Danny made an attempt to leave, if he was going to get into a fight we wasn't going to do it there. He'd be too close to the necklace for Sam to get in and grab it without attention being drawn to her too. But Grayson cornered him impressively fast. He asked Danny for a photo, claiming that he looked just like his brother. Danny relented.

Then Tucker chimed in that someone had ran his face. Fuck. Dick kept him in conversation but Danny was eyeing their escape roots. Sam warned that another was coming through the left entrance and that she'd already lifted his phone. Danny turned, preparing himself for confrontation.

Then Danny saw him, his doppelganger.

Grayson hadn't been lying. That thought was terrifying.

Danny sent two taps into his earpiece and made his way towards Jazz. They couldn't risk staying any longer. Danny didn't know if they'd been made or not but he wasn't taking chances. He nodded to Sam who went for the jewels as Tucker cut the lights. Jazz and Danny took a painting each.

Sam went for the vents and Danny and Jazz disappeared through the front door.

[mariacallous]

Goldie Finkelstein was just 13 when she was sent to Wiener Graben, a work camp that later became a concentration camp. The youngster lost her entire family in the war, and among the things she never learned from them was how to cook. She had no family recipes and, according to her son, when she married Sol Finkelstein, also a Holocaust survivor, she didn’t know how to boil water or cook an egg.

Eventually, other survivors taught Goldie the necessary skills, and she was a quick learner. She soon became known for the copious amounts of baked goods she would provide for any occasion. Her recipes, some of which are included in the “Honey Cake and Latkes: Recipes from the Old World by the Auschwitz-Birkenau Survivors” cookbook, include cake mixes and other ingredients that wouldn’t have been used in pre-Holocaust Eastern Europe. Her whiskey cake, for example, calls for both yellow cake mix and vanilla pudding mix.

Goldie’s experience illustrates the ways in which recipes, including those we think of as quintessentially Ashkenazi Jewish, have changed over the years. Survivors lost the ancestors who passed along oral recipes. Families’ personal artifacts, such as handwritten recipes, were abandoned when Jews were forced to flee. 

Most significantly, perhaps, after the war, survivors had access to different ingredients in their new homes. Sometimes that was due to seasonality, such as was the case for those who moved from Eastern Europe to Israel and had access to more fruits and vegetables year-round, including dates and pomegranates. Other times, it reflected changing tastes or newfound wealth  — liver soup, pates with liver and offal were classic Eastern European dishes in the early 1900s, when there was an intention to use every part of the animal, but became increasingly uncommon. In other cases, like Goldie’s, packaged goods replaced homemade. Another survivor whose recipes appear in “Honey Cake and Latkes,”Lea Roth, detailed making noodles for Passover from the starch leftover at the bottom of a bowl after grating potatoes before the war. After the war, most people added “noodles” to the grocery list.

“Some of these recipes changed because of New World versus Old World,” explains Jeffrey Yoskowitz, author of “The Gefilte Manifesto: New Recipes for Old World Jewish Foods.” Yoskowitz and his co-author Liz Alpern work not to replicate pre-war Ashkenazi Jewish recipes, but to reclaim and modernize them. To do that, they’ve had to examine the ways in which recipes have changed.

In the Old World, for instance, almost every recipe called for breadcrumbs. At Passover, the leftover crumbs from the matzah were used to make matzah balls, leaving nothing to waste. But when immigrants in the U.S. could use Manischewitz pre-made matzah meal, then recipes started calling for it to make matzah balls.Today’s recipes for kugels with cream cheese, cottage cheese and sour cream would not have been made in the Old World, where dairy products were expensive. Again, ubiquitous cows in the New World made that “celebration of dairy” possible, Yoskowitz says.

At first, recipes may not seem like the most essential thing to recover from Holocaust survivors, but they paint a picture of what life was like before the war. It is essential to see the Jewish experience as one that is not solely as victims, and learning what people ate and cooked is part of that.

“Bringing back recipes can help bring people back to life,” says Edna Friedberg, a historian and senior curator with the U.S. Holocaust Memorial Museum. “In particular, it was women who were in the kitchen in this period, and so this is a way to make the lives of women very vivid and real for people.”

The idea is not to romanticize Eastern Europe, says Maria Zalewska, executive director of the Auschwitz-Birkenau Memorial Foundation, which published “Honey Cake and Latkes,” but to see the memories connected to togetherness, like picking fruit toward the end of the summer and using that fruit in a recipe, such as cold cherry soup with egg-white dumplings. 

In addition, examining recipes gives us a sense of what role cooking and food played in trauma processing, Zalewska says. “Remembering the foods and the food traditions of their lives before imprisonment were some of the ways that survivors coped with starvation,” Zalewska adds. These are things that survivors say they are not often asked about, but when asked they report remembering dreaming about food during incarceration. 

“We have quite a number of testimonies, where survivors talk about being in situations of starvation, and food deprivation and ghettos and camps and in hiding, and that dreaming about and remembering food from before gave them emotional sustenance,” explains Friedberg.

Exploring such memories have been meaningful for those survivors who were young when they lost their families.

New Orleans’ Chef Alon Shaya has been working for several years to recreate recipes from a book belonging to the family of Steven Fenves, a survivor and a volunteer for the museum. The book was rescued by the family cook, Maris, when the family was forced to flee their home on the Yugoslavia-Hungary border in 1944. The recipes are largely written without measurements, times or temperatures, and many of the ingredients are different from those used today. (Like the Fenves family, Goldie’s son, Joseph Finkelstein, says his mother wasn’t big on using measurements as we think of them in recipes today. She knew the quantity of an ingredient, for example, if it would fit in her palm.) Unlike Yoskowitz, who is looking to update recipes, Shaya has been working to replicate them as closely as possible  — and has come across a few surprises.

Many of the desserts use a lot of walnuts, for example, which, of course, are also used in contemporary baking. But Shaya is using what he says are “copious amounts of walnuts” in various ways, such as grilled walnuts and toasted walnuts. The Fenves family walnut cream cake, which includes both walnuts ground in the batter and in a cream in-between the cake layers, has featured on the menu at one of Shaya’s restaurants, Safta, in Denver.

For all the recreation, and Shaya’s goal to bring the tastes of his youth back to Fenves, he says “it is impossible that a recipe in New Orleans would be the same as one in Bulgaria. The seasons are different, what animals are butchered are different, and the spices taste different.”

Indeed, place matters, Yoskowitz says. Ashkenazi food has a reputation of being terrible, he says. Take mushroom soup, for example. “There is no good mushroom soup in a deli. It is made with mushrooms that don’t have much flavor. But if you have it somewhere made with mushrooms grown in the forest, then that is going to be good soup.”

Many Holocaust survivors settled in new lands with new ingredients, and little memory of how things were made before the war. They knew they used to eat mushroom soup but didn’t specifically remember the forest-grown and harvested fungi. So, dishes morphed depending on what survivors had in their new home. In Eastern Europe, veal was plentiful, but in the U.S. and Israel, schnitzel began being made with chicken instead (a process Yoskowitz calls the “chickentization” of cuisine). And the beloved Jewish pastrami on rye? The pastrami would have traditionally been made with kosher goose or lamb. It wasn’t until Jews came to the U.S. that beef was easily accessible. 

The same is true of what is likely the most iconic Jewish American dish. “Bagel and lox are what we think of as the most Jewish food. But the only thing that came over was the cured and smoked fish,” Yoskowitz says. “Cream cheese was a New York state invention. Capers were Italians. It was a completely new creation, and it became a taste associated with Jewish people.”

One of the most poignant recipes in the “Honey Cake and Latkes” book is a chocolate sandwich, a basic concoction of black bread, butter and shaved dark chocolate. Survivor Eugene Ginter remembers his mother making it for him in Germany after the war, to fatten him up after years of starvation.

Adds Shaya: “We have to continue to adapt, and I think that that is part of the beauty of it.”

[reasonsforhope]

"Chicago’s 82-story Aqua Tower appears to flutter with the wind. Its unusual, undulating facade has made it one of the most unique features of Chicago’s skyline, distinct from the many right-angled glass towers that surround it.

In designing it, the architect Jeanne Gang thought not only about how humans would see it, dancing against the sky, but also how it would look to the birds who fly past. The irregularity of the building’s face allows birds to see it more clearly and avoid fatal collisions. “It’s kind of designed to work for both humans and birds,” she said.

As many as 1 billion birds in the US die in building collisions each year. And Chicago, which sits along the Mississippi Flyway, one of the four major north-south migration routes, is among the riskiest places for birds. This year, at least 1,000 birds died in one day from colliding with a single glass-covered building. In New York, which lies along the Atlantic Flyway, hundreds of species traverse the skyline and tens of thousands die each year.

As awareness grows of the dangers posed by glistening towers and bright lights, architects are starting to reimagine city skylines to design buildings that are both aesthetically daring and bird-safe.

Pictured: Chicago's Aqua Tower was designed with birds in mind.

Some are experimenting with new types of patterned or coated glass that birds can see. Others are rethinking glass towers entirely, experimenting with exteriors that use wood, concrete or steel rods. Blurring lines between the indoors and outdoors, some architects are creating green roofs and facades, inviting birds to nest within the building.

“Many people think about bird-friendly design as yet another limitation on buildings, yet another requirement,” said Dan Piselli, director of sustainability at the New York-based architecture firm FXCollaborative. “But there are so many design-forward buildings that perfectly exemplify that this doesn’t have to limit your design, your freedom.”

How modern buildings put birds in danger

For Deborah Laurel, principal in the firm Prendergast Laurel Architects, the realization came a couple of decades ago. She was up for an award for her firm’s renovation of the Staten Island Children’s Museum when the museum’s director mentioned to her that a number of birds had been crashing into the new addition. “I was horrified,” she said.

She embarked on a frenzy of research to learn more about bird collisions. After several years of investigation, she found there was little in the way of practical tips for architects, and she teamed up with the conservation group NYC Audubon, to develop a bird-safe building guide.

The issue, she discovered, was that technological and architectural advancements over the last half-century had in some ways transformed New York City – and most other US skylines and suburbs – into death traps for birds...

At certain times of day, tall glass towers almost blend into the sky. At other times, windows appear so pristinely clear that they are imperceptible to birds, who might try to fly though them. During the day, trees and greenery reflected on shiny building facades can trick birds, whereas at night, brightly lit buildings can confuse and bewilder them...

Pictured: A green roof on the Javits Convention Center serves as a sanctuary for birds.

The changes that could save avian lives

About a decade ago, Piselli’s firm worked on a half-billion-dollar renovation of New York’s Jacob K Javits Convention Center, a gleaming glass-clad space frame structure that was killing 4,000-5,000 birds a year. “The building was this black Death Star in the urban landscape,” Piselli said.

To make it more bird friendly, FXCollaborative (which was then called FXFowle) reduced the amount of glass and replaced the rest of it with fritted glass, which has a ceramic pattern baked into it. Tiny, textured dots on the glass are barely perceptible to people – but birds can see them. The fritted glass can also help reduce heat from the sun, keeping the building cooler and lowering air conditioning costs. “This became kind of the poster child for bird-friendly design in the last decade,” Piselli said.

The renovation also included a green roof, monitored by the NYC Audubon. The roof now serves as a sanctuary for several species of birds, including a colony of herring gulls. Living roofs have since become popular in New York and other major cities, in an inversion of the decades-long practice of fortifying buildings with anti-bird spikes. In the Netherlands, the facade of the World Wildlife Fund headquarters, a futuristic structure that looks like an undulating blob of mercury, contains nest boxes and spaces for birds and bats to live.

The use of fritted glass has also become more common as a way to save the birds and energy.

Earlier this year, Azadeh Omidfar Sawyer, an assistant professor in building technology in the Carnegie Mellon School of Architecture, working with student researchers, used open-source software to help designers create bespoke, bird-friendly glass patterns. A book of 50 patterns that Sawyer published recently includes intricate geometric lattices and abstract arrays of lines and blobs. “Any architect can pick up this book and choose a pattern they like, or they can customize it,” she said.

Pictured: The fritted glass used in Studio Gang’s expansion of Kresge College at the University of California, Santa Cruz, depicts the animals in the local ecosystem.

Builders have also been experimenting with UV-printed patterns, which are invisible to humans but perceptible to most birds. At night, conservationists and architects are encouraging buildings turn off lights, especially during migration season, when the bright glow of a city skyline can disorient birds.

And architects are increasingly integrating screens or grates that provide shade as well as visibility for birds. The 52-floor New York Times building, for example, uses fritted glass clad with ceramic rods. The spacing between the rods increases toward the top of the building, to give the impression that the building is dissolving into the sky.

Gang’s work has incorporated structures that can also serve as blinds for birders, or perches from which to observe nature. A theater she designed in Glencoe, Illinois, for example, is surrounded by a walking path made of a wood lattice, where visitors can feel like they’re up in the canopy of trees.

Pictured: The Writers Theatre, designed by Studio Gang, includes a walking path encased in wood lattice.

Rejecting the idea of the iridescent, entirely mirrored-glass building, “where you can’t tell the difference between the habitat and the sky”, Gang aims for the opposite. “I always tried to make the buildings more visible with light and shadow and geometry, to have more of a solid presence,” she said.

Gang has been experimenting with adding bird feeders around her own home in an effort to reduce collisions with windows, and she encourages other homeowners to do the same.

“I’ve found that birds slow down and stop at feeders instead of trying to fly through the glass,” she said.

While high-rise buildings and massive urban projects receive the most attention, homes and low-rise buildings account for most bird collision deaths. “The huge challenge is that glass is everywhere.” said Christine Sheppard, who directs the glass collisions program at the American Bird Conservancy (ABC). “It’s hard to know what I know and not cringe when I look at it.”

Tips for improving your own home include using stained glass or patterned decals that can help birds see a window, she said. ABC has compiled a list of window treatments and materials, ranked by how bird-safe they are.

Whether they’re large or small, the challenge of designing buildings that are safe for birds can be “liberating”, said Gang, who has become an avid birdwatcher and now carries a pair of binoculars on her morning jogs. “It gives you another dimension to try to imagine.”"

-via The Guardian, December 27, 2023

[safetypinxtales]

Lonely with you | Azriel

summary: it seems like everyone's found their mates, except you. On a sleepless night you turn to your friend, in hopes that being alone, together, will feel slightly less lonely.

words: 1.5k

warnings: fluff, feelings of loneliness, thirsting over our boy az and his thighs, kind of just a drawn out drabble, some angst, generally just softness, Azriel with a book needs a warning in and of itself, very slight jealousy, neutrally described reader/no reader description, no use of y/n, PINING

notes: haven't written in years, and never befor for Azriel, or anyone from acotar, so bare with me. Not sure what I think of this, nor what the future might hold, but I had some time off uni and this idea that I just couldn't seem to get out of my head. Hope you enjoy it nonetheless!

part 2

You knew what picture was waiting for you in the living room of the House before you even rounded that corner. The distinct sound of pages turning, the hint of whiskey in the air, and him. 

That scent that was just so distinctly Azriel it almost made you forget that echoing emptiness in your chest. 

The sight that greeted you as you entered the room belonged in a museum, or at the very least at the front of some Day Court scribe’s lecture hall, being studied by the brightest minds in Prythian. You wanted to commission Feyre to paint it from your memories so it could be immortalized, even if just for your eyes. Because by the Gods, it was mesmerizing. 

Azriel sat – no, sprawled across one of the couches, those thick, muscled, sweatpant-clad thighs so deliciously, invitingly, teasingly spread apart. The book in his hand was not one you recognized, but then his taste in literature was slightly more… sophisticated than yours. But that just made it all so much more enticing didn’t it? The thought of this gorgeously dark, winged male consuming deep, meaningful art? It would make any sane person fall to their knees. 

The hazel of his eyes didn’t show any sign of surprise as his gaze met yours. He knew you were coming, most likely courtesy of the shadows leisurely curling around his shoulders. Cauldron, was he a sight…

… And your friend. Unfortunately.

“Are you just going to stand there all night or will you eventually move?” Right, right. How long had your feet been rooted to the floor? Judging by the humorous tone of his voice and that boyish sparkle in his eyes, probably a tad too long. 

Forcing your body to take a step, and another, you tried to think of something – anything to say. 

“Sorry, I–... I just didn’t expect you to be here is all,” liar, “I guess you caught me by surprise”. It wasn’t the best excuse in the world, but with the situation at hand it could have been a lot worse. Like, a lot. Besides, it’s not like you could have told him the truth.

Sorry Azriel, it’s just that I have been desperately yearning for you for the last couple of years and seeing you like this, looking all boyfriend-y, has me nearly swallowing my own tongue because of how perfect you look. I am just humiliatingly obsessed with every single little thing you do, as well as horrifyingly lonely to a default. In a non creepy way, of course. 

… You would rather free-dive off the dining room balcony before ever admitting that to him. 

His brows furrowed as he observed you, like he could see the lie written across your face, before humming lightly, almost as to himself. He reached a hand out to the glass resting on the coffee table and brought it to his lips, taking a sip of the amber liquid inside. Your eyes were trained on his mouth as he lowered the glass. Trained on the candlelight reflected in the alcohol wetting his lips. Those shiny, pouty, full–

His tongue slipped out and delicately swiped across his lower lip, licking off the remnants of the whiskey from the glass in his hand, and it took everything in you to not whimper at the sight. 

Cauldron boil you.

Needing something to ground yourself, you made your way over to pour yourself a glass of whatever Azriel was drinking and collapsed beside him on the couch, trying to roll that stubborn stiffness out of your shoulders.

”Can’t sleep either?” He asked you on a slight chuckle. 

“No, not with them going at it like bunnies,” you sighed, “how is it even possible for Cassian to… you know? I mean, not only is it day after day, but all night, non-stop? You need– I mean not you specifically, I don’t know anything about your sexual habits, just– just males in general,” oh Gods, “you– you need to rest, at some point – right?”

Azriel took in your flustered state, and pursed his lips as if to keep from laughing. His amusement did not help your case at all, only making the heat crawl further up your neck, your ears positively aflame. 

“I guess the mating bond has its perks,” he surmised, and you couldn’t escape the huff that exited your nose. 

That damned mating bond. The very one the Mother seemed to be handing out left to right lately, to everyone except you. And Azriel. But unlike you, he was a damn catch and could have anyone he’d like. 

“Am I an absolute wench for being jealous of Nesta? And Elain? And Feyre?” You whined as you threw your head back on the couch.

“Not at all,” Azriel’s raspy voice comforted you, easing the tightness in your stomach. You still felt like one though; Nesta was your best friend and you were happy for her, but still–

“It’s just so unfair! They were born like, yesterday! I have been suffering through a mostly miserable existence for over five centuries now and I have never even come close to a connection like they have,” you rolled your neck, “I am over the moon for them, don’t get me wrong, and I hate to make their happiness about me–“

“But being alone around people who… aren’t, can be very lonely,” Azriel finished and your heart clenched as you looked at him. Beautiful, kind, caring Azriel. One of your best friends, and the male you were hopelessly, devastatingly in love with. 

Knowing he, too, was hurting was painful in itself, but also slightly comforting. Knowing you weren’t alone in your loneliness. 

“You’re in pain,” he mumbled, and you opened your mouth to answer, but you couldn’t. Because it wasn’t really a question was it? “Your shoulders,” he noted, “they’re tense.”

“Oh, it’s fine, really. Nothing to worry about, just a small kink,” you tried to brush it off, but he looked at you with such intensity it made your whole body tingle.

“No it’s not,” it was like he could see right through you, “No, you have been worrying your neck ever since you sat down.” He pondered a moment before he sat up a little straighter beckoning for you to move closer. “Come on, let me help you with that.”

Your mouth fell open. 

Was he insinuating he wanted to rub your back? Your half naked, barely-nightgown-clad back. With his hands. Those magical, beautiful hands. Oh Gods.

Your attempt of a protest died in your throat at the slight raise of his eyebrows. He was not to argue with.

He marked the page he was on and placed his book down on the table in front of you, his eyes not straying from you once. Like he was afraid you would bolt if he looked away, even just for a second. 

In his defense, you very well might have.

A shaky breath released from your lungs as you put your glass down and readjusted your position on the couch until you were situated between his legs. With your back facing him, you carefully pulled your hair over one shoulder to give him better access, trying to block out the thoughts of how incredibly warm those bite-able thighs of his were.

The warm calluses of his hands on your skin set you ablaze, and as he carefully started to massage out the knots in your upper back you swore you could have melted, then and there. 

You couldn’t help leaning in to his skillful touch. You also couldn’t help the breathy groan that escaped you as he started to work on a particularly tense area. 

Or how your heart rate picked up as you heard what you swore was Azriel’s breath hitching in response. 

You basked in the intimacy of the moment, fully enjoying all of his undivided attention. 

The gesture, the moment, it all felt so domestic and comforting that the constant emptiness in your chest started to close over. Even if just for now. Even if it was all borrowed; a lovely, elusive fantasy – you let yourself feel whole. 

You barely registered his hands slowing to a stop, or the new found looseness in your shoulders. Barely registered as his hands slid down your arms and slowly tugged you back towards his chest. 

Not until you were engulfed in his warmth, his arms wrapped around you did you realize how well you fit together.

Like two pieces of a puzzle.

“Be lonely with me tonight,” his breath tickled your ear, “please.”

You knew it probably wasn’t wise. That tomorrow, when all of this would be gone, the hurt would resurface. The loneliness even heavier than before. But you couldn’t get yourself to care. To tell him no. Tell yourself no.

Instead you burrowed deeper in his embrace, closed your eyes, and even if just for tonight, you let his warmth fill the void in your chest. 

Until that void had been replaced by a vibrating, golden, glow.

[ayyponine]

free MoMu entry was great actually thanks

[dredgesnails]

stardew valley au where joel and skizz are new residents to pelican town (hermit town?). joel just inherited a large farm from his late grandfather and skizz is moving in with his old friend after reconnecting with him and wanting a fresh start. and the townspeople are like, kinda weird.

bdubs is fine enough - he’s a sweet man with a fun personality and he’s the local builder, but it’s almost frightening how fast he constructs new buildings when joel needs them. pearl, their resident postmaster, is also pretty normal other than the fact that skizz never seems to be awake early enough to catch her delivering mail. scar is lovely but he’s never available when joel wants another chicken. the mayor, xisuma, is pleasant too, if a little eccentric at times, but he doesn’t really seem to do much in town.

for the most part, skizz is settling in well. he’s moved in with impulse, who runs the local blacksmith in town, and he gets along well with most of the local townspeople. he’s started spending his evenings at the local saloon listening to ren regale the patrons with fantastical tales while he and stress serve up food and drinks, and he finds himself growing close with cleo, the local sculptor. he even gets a new wardrobe from hypno free of charge, and sometimes helps cub out with his totally scientific studies and creations.

skizz also joins forces with beef (who helps to supply the local general store that xb and keralis run) in terrorising the local manager of the corporate chain grocery store that no one likes. doc is a terrible manager but would make a fun supervillain (according to joe hills, the bookseller who appears once in a blue moon but seems to know doc more than anyone in town).

joel, on the other hand, seems to only be interacting with the strangest residents in town. he discovers the adventurer’s guild after only a couple weeks, and is only somewhat irritated by iskall’s refusal to pronounce his name correctly. false promises to give him prizes if he can kill enough monsters, which is not something joel had expected to be doing when he pictured farm life, but here he is. he stumbles upon a travelling cart one day, and the man inside insists he’s a knight from a faraway land, that he risked his life to make it all the way here to sell his wares. it’s all stuff joel can get cheaper elsewhere.

he’s pretty sure the local doctor has no real medical training, but then he passes out while fighting monsters and he wakes up completely fine, so zedaph probably knows what he’s doing. maybe. when joel isn’t passing out he sometimes makes trips to the library-slash-museum, which is probably almost completely empty because mumbo, who begs joel for anything to display, looks like he’s never fought a duggie in his life. eventually mumbo gives joel a key to the sewers, which are way cooler than they have any right to be, and that’s where he finds jevin’s secret sewer shop. jevin lives in town. he just also has a shop hidden underground. joel has stopped asking questions by now.

and then there are the three who live by the beach. etho spends most of his time tinkering around the fishing hut or hovering around bdubs, but sometimes he drives the bus to the desert. only sometimes. there might be something under his mask. no one knows for sure. gem runs the fish shop most days and she claims she’s a sailor, but joel has never seen a single working boat around despite all the ocean. she can also hold her breath underwater for an uncannily long amount of time, like, scarily so, and will sometimes disappear for a few days and return with an abundance of treasures. joel has never seen her leave by boat. grian fishes a lot and runs the shop when gem can’t, and he sometimes talks as though the sea can speak to him. skizz has caught him staring into space for extended periods of time. one time he waded into the water and just stood there, head down, muttering to himself.

apparently there used to be a lighthouse but “it’s gone now”. gem says if they ask bdubs nicely enough maybe they can build another one, but she and grian are banned from build requests after the last incident with their pet snails (joel has never seen the snails, but scar complains about them enough to convince him they’re real).

there also might be some kind of wizard who lives in the creepy tower in the woods. skizz has heard he’s the one who helps maintain the power in the valley, and joel’s convinced he hallucinated seeing him once until he recieves a letter from the wizard himself, and visits him only to find that the strange fire-creature he saw that one time was, in fact, tango, who is human for the most part, he just sets himself on fire sometimes.

[janovavalen]

Hi can you write a Percy Jackson x fem reader

The reader and Percy do not get along it’s like a love hate relationship.During episode 4 Percy sacrificing himself at St Luis arch the reader breaks down the door and sees him fall.she then jumps after him.When they get out the river they both have an argument about the whole incident.which leads to the reader admitting she cares about him.Happy ending pls.

an: OMG STOP STOP BC I ACTUALLY ACTIVELY SCREAMED AT THIS REQUEST ANONNNNN STOOOOP I LOVE THIS SM IM ABOUT TO WRITE IT RNNNNNRNRNRNRN

✧RECKLESS || percy jackson x fem!reader

summary: as the group go to their next destination they arrive at the arch, annabeth and y/n’s mom’s sanctuary for some time. just when they think they’re safe, things don’t go to plan.

word count: FUCKIN 5878 NO BC IVE BEEN WORKING ON THIS FOR THREE HOURSSSSS AHH

warnings: y/n and percy being in a enemies or lovers trope, annabeth and grover being third and fourth wheelers, arguing, near death experiences, slight blood warnings, poisoned percy, a bit of crying? LIKE A TINY BIT, y/n is very argumentative.

as the group made their way to the st. louis arch, they weren’t doing very good. at all.

on their way, the original plan was to get straight to las vegas, but thanks to the monsters and not wanting to take a break, their train got ruined by the mother of monsters.

as they walked into the front entrance of the arch that annabeth and y/n recommended. they had stated that monsters can’t get in and it will give them more time to find some way to get to las vegas a lot quicker than on foot.

‘six-hundred and thirty feet wide’ annabeth started—‘six-hundred and thirty feet tall, both two within an inch’

as they four of them walked fast enough to cause an old lady whiplash, percy and grover listened to the two of them explain their mothers sanctuary.

‘it’s got no internal support. each side is balanced perfectly against one another’ y/n states once more as annabeth nodded along with what she said.

‘the arch is held up by symmetry, it’s held up by math!’ annabeth expressed.

‘oh and it’s earthquake proof’ y/n added to annabeth’s comment, giving annabeth a small glance before they walked down the steps of the entrance into the small museum full of kids on a field trip.

‘it’s also high enough so poseidon can’t ruin it…but i don’t think mom would appreciate his child being in here, so.’ y/n looked over to percy who gave her a tight thin lipped smile before mumbling.

‘nice…’ annabeth and percy looked at the two before giving each other a look to soon squeeze themselves through the group kids.

‘excuse me’ annabeth mumbled to the boys and girls who turned and moved out of the way for the four.

‘this is how you show athena your love, a monument to the power of perfection’ annabeth told.

‘it’s a monument to some other stuff too’ grover added as they looked around and saw other things regarding more olden times, guns, head skeletons of buffalo and other things.

‘your talking about what some humans want this place to be about. we’re talking about what it actually is’ annabeth placed her hand over her own chest while looking at percy and grover who frowned but agreed nonetheless.

y/n rolled her eyes when she saw the amount of ‘skeletons’ and other things that litterd the walls and glass casing all around them. the people seeming to be pleased enough at what they saw to take a picture.

‘it’s sad to know they don’t know what it really means. very pathetic really.’ y/n mumbled to herself as she turned to annabeth. percy looked over at her and blinked before widening his eyes and choosing not to say anything about what she said.

‘whatever…we’re safe here, right?’ grover made sure to comprehend as they walked.

‘no monsters can enter…not even echidna’ y/n reassured grover who nodded nervously.

‘we’re safe’ annabeth added on.

‘great…well since our train exploded! i’m going to see if there’s another one we can get tickets on. we can’t stay here forever.’ grover looked over at the huge plastered picture of buffalo being attacked and hunted by hunters.

looking overly slowly at the three he said once more—‘just because we’re prey doesn’t mean we need to be helpless.’ turning around to leave, annabeth nervously cleared her throat and walked up to him.

‘wait! i’m going to go with you. you two wait here, don’t leave and don’t move’ annabeth ordered y/n and percy who frowned their eyebrows.

‘were would we go?’ y/n asked her with a raised eyebrow. annabeth rolled her eyes and caught up to grover who walked rather fast.

as the two of y/n and percy watched annabeth and grover walk away, percy decided now would probably be a good time to start a bit of conversation to stop the awkward silence.

‘he doesn't like it when people mess with animals,’ he added.

y/n didn’t both turn to his side but acknowledged his voice—‘yeah. i know.’

percy turned to y/n who kept her eyes focused on annabeth and grover even though they were long past the barrier of her eyesight.

‘…why are you so quiet?’ percy mumbled, his eyes looking over y/n’s frame that was unmoving from her standing position.

‘why does it matter?’ y/n turned to his presence now. seeing he was a bit away from here

‘it doesn't it’s just…you know…kind of awkward?’ percy nervously mumbled.

sighing percy didn’t want to really give up on the conversation knowing it would probably be best. the last thing he needed and had the time for was for y/n to snap at him, but it was worth the shot.

‘so, this is your moms place?’

y/n kept quiet and turned her eyes and head another direction from percy who kept speaking. clearing his throat he spoke—

‘be right down just going to the potty’ he said in a girly squeaky voice. this gained y/n’s attention.

as childish and stupid as it was, it was definitely an uplift from the previous mood. she lightly grinned but turned her head.

‘listen…me and you don’t get along and we both know that—‘

‘is it that obvious?’

‘shut up and listen okay?’ y/n sighed as percy nodded shamefully and let her continue .

‘i know you said it all in me and annabeth’s head…mostly mine? that i tell myself that our mother cares because it’s easier that way.’

percy let his eyebrows frown once more as he shook his head—‘i didn’t say that?’ he looked at y/n who turned her head to him and gave him a small look of which spoke—‘really?’

he shrugged it off and continued to talk—‘look ive been a demigod since…’ looking off to the side to calculate he finally came with an answer—‘last saturday. you shouldn’t listen to me.’ he told her as y/n let what he said soak in.

looking off to the side a bit she came up with some idea—plan for him to take, an offer.

‘you know, this is my mothers place. but? a temple is a temple. maybe you can say hi to your dad while your here?’ she explained.

percy seemed to almost take up her offer but quickly denied it. not wanting to really contact poseidon at the moment.

‘no thanks.’ he quickly shrugged off. this came undeniably confusing to y/n.

‘what could it hurt?’ she genuinely wanted her answer but he still shook his head.

‘your think with your mother…i get it, it’s different, it works for you. but my father…i don’t want anything from him. he had his chances—honestly you’ve done more for me in the past free days than my fathers done my entire life. if i have to stick with someone i—‘

trailing off as he caught himself y/n seemed to catch his slight slip up and tilted her head to the side a bit. her eyes looking him up and down before she smirked a bit—‘careful..i think you were about to call me a friend.’

before the beginning of the quest. before all of this. they had claimed in stone, they were and would never see themselves as friends. nothing more nothing less: the two of them simply didn’t see eye to eye. their priorities were set on two different things, and they both knew that.

but, things seemed to have change a bit on one end, and a lot on the other.

percy slightly looked down at the floor below as y/n turned her own head away from his.

‘somewhere around here the Oracle is laughing at us but you know—‘

as she said this percy seemed to feel insanely dizzy and instantly fell to the floor, y/n being there to catch him—‘whoa! percy? what’s going on?’ she asked him, being careful not to bombard him with too many questions given the fact he just fell out.

her arms being slightly wrapped around his shoulders he held onto her as he let her slowly let go of him. percy slightly sat down onto the floor as he caught his balance.

‘hey! what happened?’ grover and annabeth came running immediately when they saw him fall.

‘i think…i think those stinger things were poisonous…’ percy breathed heavily, his breath seeming to shorten on supply.

y/n looked around and it seemed to click for both the athena children—‘i have an idea’ the both of them claimed.

as the tie of them grabbed up on percy they found themself in the water that sat in front of the museum. with percy sitting down into it, the other three stood as they scooped and splashed percy from the head down with water.

he sat there and took it as they kept going scoop from scoop, hoping something would happen.

passers walked by and some stood to watch what they were doing and they their were kids sitting in the fountain but none took it upon themselves to stop it.

‘the water cured him back at camp! it should work with poison too!’ y/n found herself quickening her scoops of water while annabeth looked momentarily at her sister who wore a very worried expression.

if anything, she’s never seen her this worried. not for a while. not for percy.

‘you know—i think, i think this is working’ percy grabbed onto y/n’s hand who helped him stand—‘this was a great call’ he acknowledged their idea but only to end up stumbling back down into the water with even more dizziness.

‘or not.’ he breathed out.

‘maybe it needs to be naturally running water for Poseidon to heal him?’ y/n mumbled while she placed her hand comfortingly over percy’s shoulder.

grover looked to annabeth who went to speak but just then they heard crashing and sirens going down just ahead of them. they all went to look and seen a police car being flipped into another car.

‘we need to get back inside!’ annabeth went to pick up percy along with grover but y/n was quick to deny.

‘no we need to keep trying!’

‘ this isn’t working y/n—and she’s coming!’ grover sadly looked at y/n who stressed her expression of worry towards percy who looked up at her momentarily before the two of them looked ahead along with annabeth and grover to see echidna slowly strutting her way over to them with a grin.

y/n breathed out and quickly thought—‘okay look, we’ll take percy inside and we’ll go to the temples alter’ y/n went to pick up percy who grabbed onto her arm and hand as the other two helped to pick him up as well.

‘alter? where is there an alter?’ grover asked, frowning his eyebrows at the two.

‘the highest point—the best view!’

‘okay! but what good is that even going to do us?’ grover stressed once more.

y/n sighed and looked over to annabeth who looked at her and percy.

percy had his grip held tight on her as she equally had the same amount of strength being held onto him to secure him from falling.

‘we’re going to get to the top, and we’re going to ask my mom for help’ she breathed out. grover seemed to stop for a bit along with y/n who was nervous about this plan.

‘ask mom for help? annabeth are you insane?’

‘i thought we didn’t ask for help?’ percy put his two senses in making annabeth look over to him. seeing they didn’t have much time for anymore conversations, annabeth ushered the group to begin walking.

‘come on; we need to keep moving’ annabeth spoke in a hurry.

grover placed percy’s other arm over his shoulder to help balance out their walk and annabeth stayed to y/n’s side.

just as they began to walk and y/n with annabeth failed to walk a bit and happened to stumble behind. echidna began screeching to the two girl who turned and started—couldn’t help—but listen. their expressions becoming more flat, a bit worried.

percy took a heavy notice of y/n’s absence and turned to see mainly her with a saddened expression on her face.

why did she look like that? what was she seeing? what was she hearing? his thoughts raced. seeming to focus on her rather than himself being poisoned.

she let her eyes widen and she snapped out of some trance along with her sister who gripped her arm—‘guys? did you hear that?’ y/n looked over to annabeth who nodded immediately.

grover and percy however?

‘hear what?’ percy asked her with concern. grover shook his head and y/n looked at annabeth who sadly looked down.

‘come on—let’s keep walking—go help percy’ annabeth told y/n who jogged to percy’s side and grabbed only his arm once more.

ㆍ୨୧ㆍ

as the group hurried their way around the people who were mindlessly talking with themselves—completely unaware of the danger that was happening for the demigod children. they kept turning around to make sure their backs were clear.

some people would momentarily look at the group who carried one boy who looked like he just seen a ghost as they had their wet clothes tracing the floor as they walked.

the four of them getting into the small sitting elevator, they sat down—‘what was that back there? what did you guys hear?’ he asked the two sisters, but his main eyes trained on y/n who didn’t say a word. annabeth doing the same , she found her pinky slowly reaching over to y/n’s.

she got the hint and fully placed her hand over annabeth’s. percy looked down at their hands and came with the conclusion.

‘she spoke to you two’ percy breathed. his body was cold, and wet. the poison doing nothing more and adding onto his weakness and cold body.

‘alecto did that with me. back in the museum back in new york’ he recalled. annabeth and y/n still not speaking a word, only looking down and blinking momentarily.

percy didn’t really want to admit but he was becoming concerned for y/n’s mind. what did she hear that was bad?

‘what did she say?’ he asked once more.

just then, annabeth looked up in a hurry and squeezed y/n’s hand who looked up as well—and there she was. echidna.

she stood over the small metal balcony with her moneyed baby right behind her.

just as the doors shut they saw the two horns. y/n let her eyes widen along with the rest of the group’s.

grover gulped but began to talk—‘was that the chimera?’ he looked over to y/n who place she head in her hands and held them their in stress—percy looking over with frowned eyebrows as his wet hair dripped into his eye.

‘i—i think that was the chimera!’ grover worryingly spoke. percy let his focus set on y/n who kept nervously looking anywhere but the group.

‘how did the chimera even get inside here? how did any monster get inside here—‘

‘y/n?’ percy breathed out, his worry building up on y/n who kept quiet. annabeth looked over at her sister who didn’t even look at her either.

‘we’re in a secretary, athena would have to let her in but why would she do that?’

‘y/n!’ percy called out to her once more. seeing her eye finally set up upon his own he hoped they could keep their eyes trained on one another.

‘what did echidna say to you?’ he asked—demanded and answer.

she worryingly looked back down before shaking her head a bit, biting on the inside of her cheek.

‘she said my impertinence ruined our mother pride. and that that, would be our doom.’ she looked angrily over at percy who shook his head.

‘impertinence? what kind of—‘ finally recalling. medusa’s head.

giving y/n the look of knowing she gave him a look as well as annabeth and grover watched them talk.

‘ medusa’s head.’ he nodded while y/n shook her head, a frown setting upon her features.

‘i embarrassed my mother…’

percy shook his head while trying to clear up his running thoughts—‘but—i’m the one who sent the head to olympus? i sighed the note—‘

‘and i went along with it! it embarrassed her…now she’s angry. because if your impertinence, and because i was dumb enough to go along with it, we won’t get any help, we won’t get an answer from her!’ y/n shouted to percy who shook his head.

‘y/n—‘

‘no! annabeth, he needs to understand this isn’t some game, this isn’t camp, we can seriously die out here, and he can’t just go around sending dead body parts to the gods just because?’ y/n stressed even more as percy nervously looked at y/n who avoided his eye contact once more.

‘guys…what are we going to do?’ grover broke the silence as they seemed to be near the top of the arch.

‘she isn't going to help us when we get to the top to have percy’ annabeth expressed to grover who cut her off—‘no i mean what are we going to do about echidna and chimera? they're going to be right being us,’ he exclaimed.

as the four of them looked at each other—percy hoping to catch y/n’s eyes but failed he looked down at the floor.

ㆍ୨୧ㆍ

‘we’re not going to have much time’ as the group let themselves out of the elevator, y/n getting out first to leave percy with grover and annabeth to help him out.

percy took a hard notice to this but tried to shrug us off—‘they’ll be up here any minute. and if our mother isn’t going to protect us, then we’ll just have to fight it out up here’ y/n finished as they walked up the short amount of stairs to the top.

once they did was when y/n lost her confidence for a second and saw a huge crowd talking among themselves with phones taking pictures and smiles on their faces.

and when percy, grover and annabeth were behind her, they saw the extent of trouble they were in.

‘oh no…we gotta get everybody out of here’ grover expressed with worry as he held onto percy.

percy looked to y/n who seemed to smile a bit with her idea.

running to the fire alarm she pulled it, setting off a loud beep that got everybody's attention.

as everyone slightly panicked and walked their way down the hall with the others, y/n placed her hand onto annabeth’s shoulder and ushers them along the hall.

‘you guys follow the group down the steps—‘

‘what?’ percy hurried to look at y/n who momentarily look at him then back at grover who spoke.

‘no, no—we—were not spitting up’ grover expressed.

‘grover come on!’

‘y/n i’m not leaving you here!’ annabeth spoke to her sister who gave her a sad look.

‘no… no no no no we’re all getting out of here together’ percy breathed out, hoping to get y/n’s attention. once he did he kept their eyes focused on one another.

‘we won’t make it! the chimera is a demigod killer! someone has to stay back to slow her down and buy everyone some time’ y/n walked with her hand on annabeth’s back while they walked to the steps with everyone going down in a hurry.

once they got to them, grover, annabeth and percy turned to y/n who stood at the door to make sure she shut it before they left.

‘okay—once you get downstairs you need get him to the river. and don’t stop. not till you get to hades. not till you have the hold, do you understand?’ y/n looked at the three before looking at percy, he shook his head in denial.

‘y/n you can’t just stay here and say that and expect me to listen—‘

‘do what i saw annabeth! just this once, okay?’ she pleaded. annabeth shook her head with a frown upon her lips, forever going the same.

‘oaky go!’ she heard the footsteps of the two right behind and went to shut the door only for percy to speak.

not wanting to let her go he quickly came with a plan.

‘wait!—‘ taking the pen that formed into a sword out of his pocket he held it to y/n who looked at it.

flipping it around to make sure the handle would be in her touch, he held it out to her and spoke once more—‘take this’ he held out to her.

as she went to reach slowly, he waited for her grip to hold tightly onto it—only then did he switch sides, pushing her into the room and closing the door.

‘percy!’ y/n yelled out to percy who made sure the door was locked.

‘percy!?’ grover yelled. the three of them baging on the door as percy breathed heavily, his body weak and pale.

‘percy no! don’t do this! they’ll kill you!’ y/n yelled her voice becoming louder but more weak.

‘posiden never helped me before. he wasn’t gonna start now. i would’ve never made it to hades. but you can. and now you will.’ percy talked to them before he walked away from the foot. their banding never stopping.

‘percy! please?! you can’t do this!’ y/n cried out.

walking towards echidna and the chimera who walked their way to percy who’s eyesight blur more and more. causing him to stumble and his weakened grip on his sword.

‘this is the end sweetheart.’ echidna spoke softly, her motherly tone never wavered. ‘don’t fight it. you’ll only make her angry.’ she warned.

as the chimera walked over to percy he held his sword up higher with determination in his eyes. the chimera began to growl as she went to open her mouth, inside a small orange and red glow becoming prominent, percy swung his sword at the leg of the chimera, making it rawr out in anger and slight pain.

ㆍ୨୧ㆍ

behind the door y/n banged harder and harder, hoping somehow he would come back and change his mind.

annabeth couldn’t watch her sister be like this—hurt, confused, mainly disappointed. turning sound as she reached into her pocket to grab her own sword that extended, she let it change its form into a smaller pick pocket knife.

‘you two! go now, go to the bottom of the steps and wait outside, police are bound to show up, so stay with them and don’t move! i’ll meet you down there with percy!’ y/n demanded her sister and best friend who shook their head.

‘y/n please—‘

‘annabeth! listen to me! okay? i’ll be okay, i’ll see you guys down there, go!’ she pushed them slightly as they looked at y/n once more who nodded to the two, giving them a slight smile.

annabeth gave one back as she nodded and grabbed along of grover, the two of them making their way down the stairs.

as y/n turned around the let her knife be placed into the middle of the lock, letting it extend, it did just enough to to break the lock and break the metal of the door.

ㆍ୨୧ㆍ

pulling and pushing its paw up, she pushed percy far into the metal railing of the side of the wall, making him fall and yell out in pain. the chimera snarling at percy. as she walked over to percy once more he laid onto the floor with weak arms and body to see it open its mouth and their in the pit of her throat, fire. being bubbled and arousing through the back of her throat.

‘percy!’ y/n yelled. he turned around immediately to see y/n run towards him and pull him out of the way of the chimera’s fire that erupted through its throat and mouth, spreading and melting the floor below. y/n grabbed ahold of y/n as she pulled him away form the fire.

his grip holding onto her to make sure she was safe and unharmed, y/n quickly checked over percy as he nodded slightly.

in the distance, echidna raised her hand and flexed it towards the floor before them, a huge gaping hole being torn open into the carpet and metal floor. the wind from the highness of the arch blowing into the faces of y/n and percy who held each other.

the chimera roared loudly as y/n went to help percy stand up the two for them made their way over to the chimera with their swords in hand, y/n made her way in front of percy who noticed this and tired to quicken his pace so that he was in front of her.

swinging her sword the chimera dodged it and hit y/n so hard she passed out right onto the other side of the hole.

‘y/n! percy yelled—‘ soon percy tried his turn only to be hit with the chimera’s horns. throwing him back in the walk and down the gaping hole.

the chimera seeming pleased, it walked its way along with echidna to see percy still holding on.

‘y/n! wake up—‘ he grunted.

y/n paid along the side of the carpet ground with her head pounding.

‘so unfair. you never had a chance did you?’ echidna looked down at percy who was praying to whoever that y/n woke up right now.

‘if only someone cared enough about you to provide you with one’ she tilted her head as percy grunted and held onto the metal plate that was the only thing supporting him right now.

‘y/n?!’ he called out once more.

just afar, she grunted and let herself slowly wake up. just as she looked over and grabbed ahold of her sword. seeing echidna shake her head down into the hole she stumbled her way up, the blood on the head running down her eyebrow and down the side of her eye.

‘percy?’ she looked and saw he was nowhere to be found.

putting up all her strength, she stood up and hit echidna across the back of her head with her sword making echidna help out, the chimera turning around to her mother to her y/n had yelled out—

‘percy!’ she yelled seeing him reaching out to her as he fell, she took her jump and went right after him.

the two of them falling down further and further, y/n stretched her hand far enough for the two of them to be holding each other's hand.

as y/n felt herself lose consciousness once more from her injury, percy gripped her hand even tighter, and just as he turned a bit from the air around them, he saw a huge water thing, coming right towards them.

ㆍ୨୧ㆍ

when percy came to. he was under the green water. the small fish and thing around him, he hurried his eyes and head to turn and see y/n not too far from him. her eyes still closed and her hair clouding around her.

swimming out and going to pull her up to the surface, percy felt himself and her go back down a bit—looking to see her foot caught and stuck around something that held her in place.

swimming down a bit to held her foot get unstuck he grunted and strained as the bubbles from his mouth started to flow and go up to the surface. pulling and pulling he suddenly saw something.

something glowing in the green water—‘you are frightened.’ it claimed.

blinking his eyes to see what it was he frowned, but kept pulling at y/n’s foot, his only priority was to get her out.

‘it’s alright percy. your father sent me to tell you, it’s alright.’ he paused a bit at this and looked over at the flowing glow.

‘just breath.’ she instructed. going to do so—he abruptly stopped and went back to pull at y/n’s foot. her head still bleeding and her body still unconscious.

‘your father is here, he’s always been here’ she continued to talk as percy pulled at y/n’s foot.

‘it’s so hard for him to stand back, to see you struggle. it is so hard for us all. but he’s here, and he’s so very proud. trust him. trust yourself. stopping his movements and looking over at the flowing glow, he held onto y/n’s leg who started to shake awake.

her eyes slowly opened and focused to see her and percy and somehow ended up into the water. she looked to see percy looking over at something, following his gaze she saw what he was seeing and frowned.

‘just breath.’ she told once more and when y/n turned down to percy, he breathed in and seemed to be breathing just fine under the water.

looking up at y/n he saw her holding her breath and went right back to pulling her foot with all his might, this time she was there to help. pulling up her foot, percy came with an idea, one that she definitely wouldn’t like.

going up to her, face to face, he placed his hand on her shoulder then soon her neck—if y/n couldn’t speak with her words, she definitely would with her expressions. with one that woke—‘what are you doing?’

he looked down with his eyes at her mouth and she immediately shook her head knowing exactly what he was implying. he looked at her and grabbed ahold of her cheek while she looked down to pull at her foot, her lungs burning and screaming for air.

percy gaining her attention, she blinked the water going in and out of her eyes and she held his eyes with her own. frowning she nodded her head slightly and let percy lean in under the water—his lips setting upon hers he breathed in his air to buy her more time. once they retracted, y/n and percy held eye contact before he kept his hand held on her own.

once he was down to her foot, he tugged as she pulled and soon she was free.

grabbing only y/n, the two of them hurried and swam to the top.

ㆍ୨୧ㆍ

when they got to the surface, they swam to the concrete surface and pulled themselves along the metal rails. y/n got the helping hand of percy who pulled her with the two of his hands.

‘your okay, are you okay? your okay, right!?’ percy rushed to ask y/n who caught her breath and immediately reached up to touch the blood and wound that happened to close up.

looking at percy who half his hand on y/n’s arm and neck he checked her body and she took note of how he was healed as well.

‘percy! i’m okay…im okay’ she soothed him as he slowled his movements and looked into her eyes.

‘you jumped after me…you followed me down not knowing what would happen—‘

‘how could i not percy! how could i not? you are so careless, reckless and so selfish to think nobody would think of you and how you could have died! you left me— us, behind in the staircase to go off on our own and save your mom from the underworld!? how messed up is that percy! she would want to see her son! not two kids who she doesn’t know!’ y/n percy in his chest who stumbles back.

he looked nervously up at y/n trying to grab her hand only for her to slap it away—‘your selfish, greedy, reckless and so so stupid percy jackson! and i’m stupid enough…’ when he heard this he looked at her from the ground to see her slowly shaking her head at percy who looked up at her with hope.

‘i’m stupid enough to be the idiot one as well and jump after you. and i’m stupid enough to have cared so much. too much about you. percy…you can’t do things like that…not now, not even. not as long as i’m alive.’ she felt her eyes water a bit with the amount of worry he put her through when she was behind that door and out of his reach.

percy took note to this and hurried to grab her up and hug her tightly. she arms immediately finding their way around his body and his wrapped along her body as well. the two of them held each other so tightly they forgot about the world around them.

when they let go from the hug that seemed to have lasted forever, sorry nervously laughed. y/n looked confusingly at him with a small grin on her face.

‘so…what happened underwater—‘

‘don’t!’ y/n placed her hands over percy’s mouth who smiled at her as she shook her head in a hurry, her cheeks seeming to redden.

‘y/n!’

‘percy!’ two voices yelled from behind them. the two of them turned around to see grover and annabeth running to them.

‘annabeth!’ y/n happily yelled. as they embraced each other, percy hugged grover who hugged him tightly.

‘your safe’ annabeth breathed out’—but how—‘

‘doesn't matter! what matters…is that we’re together, safe.’ y/n smiled as she turned around to grover and percy. her eyes lingering on percy a bit more which seemed to not go unnoticed by grover and annabeth.

‘come on! we need to get moving’ annabeth held her hand along y/n’s back who walked with her.

as they walked, annabeth and y/n talked amongst themselves while grover and percy walked.

grover noticed how percy’s eyes never left y/n’s form and his focus never left her.

‘so..’ he started. percy let his eyes linger but his head turn to grover before his eyes focused on him.

‘what happened under water?’ grover finished making percy abruptly stopped, pulling grover with him laughed.

‘what—how do you—‘

‘my ears hear many things dude’ he smiled at percy whose face was grew redder by the second.

turning to see y/n and annabeth still walking and talking he turned to grover, turning him around so their backs were friend to the girls.

‘under the water…i found out i can breath. but y/n was stuck so…to give her more air— i had to share my air—‘

‘so you kissed?’ grover interrupted making percy grow red all over—‘don’t say it like that and don’t let her you know! she’ll kill me…she also. happened to tell me she actually cares about me, a lot’ percy smiled at the recalling of what she said.

‘so…she basically confessed she likes you?’ grover added once more. percy looked to the side as he nodded slowly.

‘dude!’

‘grover please! don’t tell her—‘

‘i won’t i won’t!’

percy nervously breathed out before letting go of grover who straightened his jacket.

as the two turned around to see the girl waiting but still taking, grover turned it percy and yelled with a smile—‘so y/n what happened!?’ he ran over to y/n making percy run after him

‘grover!’ percy yelled.

[authorhjk1]

A request for Sana's delicious tiddies please!

https://www.instagram.com/p/C0dZRXrvuyU/?igshid=NTc4MTIwNjQ2YQ==

The Roman goddess

Minatozaki Sana X Male Reader

The museum you are strolling through is called Castel Sant' Angelo. It used to be tomb for the Roman Emperor Hadrian and his family. Now, it's a very well known museum in Rome.

You admire the architecture and the sculptures standing around. The ceilings are quite high. All the walls are painted, the gorgeous colors bringing the ancient scenes to life.

You are not only here for fun though. It started around two years ago. Your career as an author. Until December two years ago, you did write, but it was more for yourself. You finally made your breakthrough with your first novel "The Roman eagle", about a lowly born Roman legionary, who rises through the ranks. You never thought this would make you big. And you didn't expect so many people wanting more. You didn't plan on it, but that one book is slowly turning into a series.

The second book came out at the end of last year. "The curse of Neptune". And now, you are working on your third. Since you didn't plan on writing a series, you have started to introduce several main characters with their own life stories.

You are now sitting on your third part. Not having a title yet, you keep wandering around the museum. You have already written quite a few pages, but the new character you want to introduce is hard to picture. It's supposed to be a woman. A woman, who is deceitful and ambitious, not caring about the ones around her. She only married her husband for his status and is now aspiring to climb the ranks. With or with out him.

You enter another room. The ceiling is high as well. The painted scenes show several different parts of day to day life from the Romans and their gods. The center of the room is reserved for a tall, almost life-size statue. Being an expert in history, especially Roman history, you can tell immediately that that's Venus. The goddess of love.

Wanting to have a closer look, you step forward. But your gaze is caught by the woman who is standing between you and the piece of art, her back turned towards you.

Her posture is flawless and you can't help but admire how straight her back looks, due to the white high heels she is wearing. The black skirt is quite long, almost reaching the floor. As you walk past her right, you see that it has a large slit in the front. Her naked leg is more than just captivating.

Glancing at the statue, you've always wondered how Venus would look like, if she was real. It feels like you might be able to paint a picture now.

The woman's white top is highlighting her chest, the fabric stretching over her tits. The turtle neck and the tied back hair make her look elegant and strict. Like a teacher or a rich man's wife.

Standing next to her, you smell her scent. Definitely flowers. Maybe roses? You were never the flower expert. Would Venus smell like this too? Roses are always considered the flowers of love. The idea doesn't seem too far fetched.

You notice that the young woman is standing quite close to the statue, holding a brochure in her hand. Usually, knowing about history isn't really a great turn on for women. But being in a museum, you might give it a try. She does have that classy look. So maybe she could be interested?

"Art and war should always be studied from a healthy distance."

You see her react. Not her face, since you are still standing two steps behind her, but the slight turn of her head. You could swear the corners of her mouth turned upwards, before she turns back towards the statue.

One step. Two steps. Her heels disrupt the silence in the otherwise empty room.

"A lot of people think that Venus and Aphrodite are the same goddess."

You were able to take a quick peek at the brochure she is holding. The people who work here should do a better job.

"But they have quite a couple of differences."

You wait a couple of moments. She doesn't say something or turns around. But she didn't run, which is at least a good start.

"While Aphrodite is the goddess of love, beauty and sex, Venus has to offer more than just that."

You walk behind the young woman, starting to feel comfortable, talking about a topic you are very familiar with.

"She actually started out as the goddess of gardens and vineyards. Before the Romans merged her with her Greek counterpart. And even then, she represents not just lust and sex. But also motherhood. You could say that she is a more loyal woman."

You glance at the woman, whom you are standing next to now. Her left side profile almost makes you stutter. She really must be a goddess.

Knowing that you might never meet someone like her ever again, you decide to shoot your shot. What's the worst that could happen? She could scream and run away. But it's only the two of you anyway.

"Which form is the one you can more easily identify with? The Roman, or the Greek one?"

You stand next to her, your shoulders almost touching. Turning your head towards her you almost whisper.

"Loyal? Or promiscuous?"

A smirk plays around the brunette's lips. She is not running yet.

But to your huge disappointment, she raises her right arm, her hand on the same hight as her chest. You are only distracted for a second, before you see the golden ring on her finger. It's decorated with a huge diamond in the center and a couple of smaller ones all around.

Of course she is married. A woman like her? Come on. You sigh internally. You should've figured.

"Promiscuous."

You were about to turn around as you hear her sweet voice. It takes you a second to realize what she says.

"I think I would be more like Aphrodite."

Is she saying you still have a shot? Even when she just showed you that she is married?

"Tell me more. I'm not sure if I can make a decision yet."

And she wants you to keep talking?

You take a deep breath, not wanting to screw this up.

"Venus has a more elevated status than Aphrodite. Her arguably most famous human son is Aeneas. The man who established Rome. A lot of emperors' wifes identified with Venus."

You see the woman tug a strand of her brown hair behind her ear.

"And you are saying that the Greek form wasn't as important?"

It's the first time she actually looks at you. Her beautiful features make her look way more elegant than from the side. Her lipstick makes her look stricter than she might usually would. You can tell that she is Asian, but not from which country.

"She was important. But not in the same way as Venus. She did have her own celebrations though."

The brunette is now fully turning towards you. It takes a lot of willpower to not look at her chest. It's almost as if she could sense your struggle. She places her hands on her hips, barely leaning forward. It makes her tits look just a little bigger.

"What kind of celebration?"

Her voice has changed. Until now, she spoke quiet. Just like someone should, while visiting a museum. But she is now whispering. Just like you did before. Her captivating gaze makes you stare into her eyes.

"A big part of the celebrations were Aphrodite's priestesses. The Greeks used a suiting form of worship for the goddess of love."

You take a step closer. Your shoe grazes hers. The smell of roses becomes a little stronger.

"They slept with her priestesses. That's how they worshipped her."

The brunette is unable to hold back her chuckle.

"And you are sure you didn't just make that up?"

For a moment her cute side shines through. She looks adorable when she smiles.

"I didn't. You can look it up."

"I don't want to though. I like listening to you."

"Well..."

You are too surprised to give a good answer. And there is not much more to say about the topic anyways.

The brunette seems to have caught up on that.

"What do you think about worshiping her now?"

"What?"

Your surprised face makes her almost moan out. You looked quite confident while hitting on her. The fact that you are getting shy is a turn on for her.

"There aren't many people here. And I think we should do it in front of the statue. You know? To pay our respects."

A million reasons why you shouldn't do this rush through your head. More than enough to say no. And yet, you can't help but catch yourself, leaning forward.

Your lips meet and you can immediately feel her hands wrap around your back. The kiss turns sloppy very fast. Pure lust and want radiate from her lips.

Once she breaks away, you can see that her lipstick is a little smeared. She seems to have recognized the worry in your eyes.

"Don't worry about my husband. Didn't Aphrodite constantly cheat on hers too?"

She got a point there. She did very much so.

Her lips meet yours once again. And this time your hands start to explore her body as well.

You still can't believe you've managed to come this far. She is probably the most beautiful woman you've ever seen. She could be the human form of the goddess.

"How bad do you want my tits?"

The fact that she caught you doesn't even bother you. Your mind too focused on taking in her flawless body.

"Really bad."

Her lips meet your neck, definitely leaving a hickey there.

"Show me."

You start pulling at the white fabric, getting it out of her skirt. Your hands dive underneath as the brunette locks lips with you again.

The smoothness of her skin is intoxicating. Her tight midriff feels well toned and cared for. Your fingertips reach her bra as you continue your quest.

Her hands are not idle either. You feel one of them opening the button of your pants, while the other has taken a fistful of your shirt. It's as if she is pulling you into her. Her hand sneaks into your pants, her fingers searching for the waistband of your underwear.

At the same time, you've finally gotten rid of her bra. It slides down her clothed frame, before it falls to the ground. It's white.

Her tits feel amazing. They are just as smooth as her skin. You start to knead them, still unable to understand how you got here.

She is a goddess. How are you able to stand in some museum, while you play with her tits? A mystery you don't even want to uncover. Some things are better left unknown.

The brunette's hand has found it's way into your boxers by now. Her slim fingers dance along the length of your shaft.

A moan escapes her lips. It's one of the most beautiful sounds you've ever heard. You didn't know that a person could sound so perfect.

"That cock of yours...."

She trails off, slightly biting your lower lip.

"It feels so big."

Her words make you even harder. A normal reaction to a goddess like beauty telling you that you have a big dick. Something you thought you would never ever experience in your life.

Your hands become a little rougher as your animalistic instincts slowly take over. You never felt so uncontrollable before.

Pinching her nipples, you hope for another moan. You get one. She moans into your mouth, closing her hand around your cock.

"I want this in my mouth."

You feel her pulling away. Your hands regretfully leave her tits and her top. But when she starts to kneel down, a wave of pure happiness washes through your body.

An excited tingle rushes through every fiber of your being as you watch her pulling down your pants. Your boxers following quickly after.

A gasp escapes her mouth, when she sees your cock for the first time.

"My husband isn't even half as big."

With a big smile, her face turns into something very cute. She gives your tip a kiss.

"A cock worthy of fucking my tits."

Her words turn you on even more. Her lips slowly wrap around your tip.

It takes her a while to pick up the pace. But once the brunette is there, her blowjob is quick and effective. You remember that you are still in a museum, standing pants down in front of a statue of Venus.

You are not a very religious person. But in that moment, you pray to that goddess, thanking her for this incredible experience.

Your prayer is interrupted by the brunette's slurping sounds. Her wet blowjob has ruined her lipstick completely by now. She looks so hot with your cock in her mouth. She places both her hands flat on your hips, before starting to fuck her face onto your cock.

You can't help but let out a loud groan, your hand automatically wanders to the back of her head. You don't start to dictate the pace. But you feel her head going a little faster.

With a woman like her, it's obvious that you won't last long. Especially if said woman fucks her face with your cock. You feel your orgasm approaching. The familiar tug in your lower regions makes you groan.

The brunette seems to have felt you twitch inside her mouth. She moves away, letting your dick fall out off her lips.

"You have a very delicious cock, you know?"

Not waiting for an answer, she starts to pull up her top. It's bunched up above her breasts. You are finally able to see them now. They seem perfectly shaped. Flawless like the ones of a goddess. Not too small, but not too big either. Just perfect handfuls.

"Try not to cum so fast."

Her wink turns her into something cute for just a moment. Then, her goddess like aura is back.

You feel her soft mounds wrap around you. She presses them together, making your cock disappear between them. As soon as she seems ready, you start to thrust upwards. You see her bite her lip as your tip appears in her cleavage.

Fucking her tits feels amazing. It feels better than anything you've experienced before. There is no comparison at all. Her soft mounds feel like they are made for you. Her warmth makes you feel hot and horny.

Eventually, she starts to stick out her tongue. It touches your tip whenever you thrust upwards. The new wetness on your tip makes you remember that your orgasm is close. It also helps with sliding trough her chest.

You have to hold onto her hair again, unable to stand by yourself.

"Your cock feels so good."

You hear her sigh as she stares down at it.

She suddenly looks up, opening her mouth, while sticking her tongue out. Her spit slowly starts to drip down her tongue. You watch as she drools all over her own cleavage. Her saliva starts to coat your cock. It makes her tits feel even smoother.

The young woman let's out another moan.

"I bet you would feel so good in my pussy."

You close you eyes, imagining yourself inside of her. The thought alone, almost makes you orgasm.

"My husband is so small, I'm practically a virgin."

She continues her talking, knowing what it does to you.

"I've never felt the pleasure of someone just pounding into me. I want to feel it. I want to feel how you rearrange my guts."

You hiss out, unable to silence the pleasure that is building up in your system. Only a little longer. You only want to hold out a little longer.

"I have such a tight pussy. You would love it."

Your grip in her hair strengthens as you approach your climax.

"That's it. Cum on my tits. Make Venus proud."

You glance at the statue for just a second. It feels like the woman on her knees is the real goddess. A beauty, too much for you to handle.

"I'm gonna cum."

You grunt out, unable to hold on any longer.

"That's good, honey. Cum on my tits. Use them like a canvas."

You groan one last time.

"Give me all of it."

You explode in her cleavage. Your cum hits her throat and chin, while some coats her tits. It feels like this is the strongest orgasm you've ever had. More cum than usual leaves your body.

In the end, her tits are covered in your semen, just like she wanted. Some is dripping down her chin. You see that her hands didn't get away without some, either. A few drops of your cum stain the big diamond on her ring. She notices it as well.

You watch in awe as she starts to lick her ring clean, after letting your spent cock leave her tits.

"Wow. That's a great load."

She scoops up some of your cum with her finger.

"And it tastes good, too."

She licks it off, before looking at you.

"What do you say? Right here? Or a hotel room?"

The option to say no doesn't even enter your brain. Still afraid of getting caught, you choose the hotel.

The brunette gets off her knees. You watch her pull her top down and putting the hem back into her skirt. Slowly, your cum starts to leave wet spots on the fabric. You pick up her bra, offering it to her.

"Keep it. Maybe you are lucky and you can complete the set."

With those words still lingering in your mind, she takes your hand, leading you towards the exit.

You've never head a clear picture of Venus or Aphrodite in your mind. Now you do. It's the woman who is holding your hand, her chest covered with your cum.

The fact that she is taking you to a hotel is making you hard again.

With one last glance at the statue, you finally know how to continue your next book.

The third part "The Roman goddess" will certainly become a bestseller.

________

Thank you for the ask. I unfortunately don't have the time to write much more.

The introduction seems a little long to me. Please keep sending short requests guys, I'm trying to shorten the part where I set the scene. With limited success as you can see.

Sana in that outfit definitely deserves a proper story, which I'm unable to write at the moment. I hope you are satisfied with that. I might be able to write the follow up somewhere in the future.

Have a nice day!

[hotvintagepoll]

Propaganda

Lilian Bond (The Old Dark House)—no propaganda submitted

Fay Wray (King Kong)— the original scream queen!! she started acting in silent comedies as a teenager and got her first big break when erich von stroheim cast her as the lead in the wedding march. her career started to take off starring in silent movies at paramount, and she survived the transition to sound smoothly - josef von sternberg’s weird proto-noir thunderbolt was one of her first sound films. she began to make horror movies in the early 1930s, such as doctor x and mystery of the wax museum, both filmed in beautiful two-strip technicolor (which looked like this if you're curious. i just think it's neat!), as well as the vampire bat, the most dangerous game, and of course the boy himself, king kong. a little on how she worked with her most famous costar: “Although Kong appeared huge, the full figure was a model covered with rabbit hair, standing only 18 inches tall, that was filmed one frame at a time by stop-motion photography artist Willis O'Brien and his crew. The 5ft 3in Wray only knew one part of the ape's body when she was grasped in an articulated 8ft long hand. Hence the title of her 1989 autobiography, On The Other Hand. ‘I would stand on the floor,’ she recalled, ‘and they would bring this arm down and cinch it around my waist, then pull me up in the air. Every time I moved, one of the fingers would loosen, so it would look like I was trying to get away. Actually, I was trying not to slip through his hand.’” (link)

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Fay Wray:

Actress prominently known for starring in horror, she was one of cinema's original "scream queens". She knocks it out of the park whenever she's with the horror genre, bringing a depth and likability to characters that would other be flat and boring characters.

An early scream queen, name me another woman who could look so beautiful while so disheveled and scared for her life

She was name-dropped not once but TWICE in the Rocky Horror Picture Show. She's arguably the original Scream Queen.