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#anyway enjoy these ramblings
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Thoughts on TBB 1x2 and 1x3
I'm back! I promise that I didn't forget about the whole Bad Batch rewatch analysis thing I just uh... haven't actually been watching TBB recently. In fact it's been a whole month since I made the last analysis post...
But I have some thoughts on the next two episodes! I was hoping to get this out earlier in the week but after writing essays for my exams I had no motivation to churn it out. But here it is!
(Also, I may have started rewatching The Tudors so I have absolutely no idea when I'm actually going to watch TBB again... this whole plan is going very well. I'll try and not wait an entire month again this time!)
1x2
Tech in the Pilot Seat
Straight away, seeing Tech in the pilot seat made me instantly think of that shot from the S2 finale of Echo looking at the empty seat next to him.
That image haunts me.
I will never be the same.
Omega and Dirt
I love the comparison between Omega in S1 and Omega in S2. By S2 you can definitely tell that she's settled into the flow of things and is much more accustomed to a life outside of Kamino. The scene of her discovering dirt for the first time is sweet and kind of funny (especially with Tech's comment) but also kind of sad. Her entire life she has grown up in a completely sterile environment with absolutely no idea about what the world around her was like. The fact that she doesn't even know what dirt is means that she probably wasn't taught about it either. It just proves that the Kaminoans never had any intention of letting her leave the labs. She was one of their experiments, one of their helpers and they were never going to give her the life that she deserved.
But I do love that her awe and desire to explore are still there in S2. if anything, I think taking her off Kamino just enhanced her desire to see more of the galaxy. When we first saw her at Tipoca City, she never showed any real desire to leave, not because I don't think she necessarily wanted to, but because she had resigned herself to the fact that this was her life and that this was in fact normal. She's a child experiment surrounded by millions of other child experiments. That is her normal. At that point, I don't think that she could even conceive just how different the universe outside of Kamino was. But now that she's had a taste for that adventure, she wants to chase that curiosity and explore wherever she can. They may be on the run from the empire, but it was still her first taste of what freedom actually was.
Batch Parenting
So there are multiple points in Cut and Run when they address the fact that the Batch aren't used to having a child around don't really know what to do with the whole situation: Wrecker initially going to take Omega's food, Hunter shouting at her etc. But there is one little detail that I noticed that immediately stuck out to me. When they are walking through the fields to Cut and Suu's house, they are all walking single file with Omega at the back. Now, if we've learnt anything from going on trips at school is that you do not leave children at the back of the line: you have at least one adult at the back and one at the front with the child(ren) sandwiched in the middle. She could've stopped walking and wandered off, or gotten lost, and none of them would've known (unless Hunter's senses picked it up).
It's just one of those little things that show that the Batch aren't used to this. They don't necessarily think that it might be a good idea to keep Omega between them, they just let her trail at the back and assume that nothing will happen.
Echo and Rex
I love how Echo immediately starts asking Cut and Suu questions when they bring up Rex. Personally, I would've liked to have seen a little bit more emotion from that revelation because at this point Rex is officially registered as deceased, but it still makes me happy to see Echo asking about his Captain. That's his older brother. Of course he'd want to know that he's okay. :')
Tech and Echo
My two favourite geniuses with half a brain cell <3
I missed the banter between these two so much when Echo left :(
But I do want to address how close those two are. For Echo, Tech is the other half that has been missing since Fives died. No, Tech will never be to Echo what Fives was, but he's the closest thing to a constant companion that Echo has. The Domino Twins were always paired up, always completing missions as a duo.
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And then Echo came back to find that Fives was gone and it would've been a massive empty space that Echo could always feel next to him. But then he ended up with the Batch and naturally partnered up with Tech. Like I said, Tech will never be Fives, but it's probably a great comfort to Echo to have someone by his side again, to have one person out of a group to be your partner in crime.
And I'm sure Tech really appreciated it too. Yes, he's always had his brothers, but it must've been nice for him to have someone who had similar technical capabilities (*thinks about Hunter and the lift*) that he could work with or just talk to. I headcanon that when Echo first joined, him and Tech became really close because Echo was one of the only ones to actually ask Tech about his ramblings and actively listen to them. Yes, they bicker with each other, but they are 100% a couple of little shits when paired up together (...I need Tech back).
Echo
Nothing to say here, I just really like this shot of Echo
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Wrecker Knocking Out Droids
So there's a shot of Wrecker knocking out an astromech to help Omega that is very much like the scene in S2 when he steps on the mouse droid. But what I like about the differences in these two scenes is that in S1, Omega needs help after she's wandered off by herself, but in S2 she's gone off alone because they trust her to do so.
It's a little parallel that shows how she's gone from being someone trying to prove her worth and ultimately getting herself into trouble, to being someone who they actively trust to do the things that she was trying to do in S1.
Hunter Didn't Tell Wrecker About Omega Leaving
Just before they get on The Marauder, Wrecker asks where Omega is, meaning that Hunter didn't tell him that she was going to be going with Cut and Suu. And honestly, that doesn't surprise me a whole lot. Hunter is very much a man who will try and avoid difficult situations where possible, so I think he was just hoping to break the news about Omega leaving as late as he could. If he had mentioned it beforehand, Wrecker would've been upset and probably would've tried to contest Hunter's decision. It was probably easier in Hunter's mind to tell everyone when they left (which would've caused it's own problems but Hunter doesn't actually do a particularly good job of avoiding trouble most of the time).
1x3
"Repairs would go faster if I had some help."
...Tech's not there to help him anymore *cries*
Also, the idea of Tech carrying out repairs for the first time after Echo left and that being the moment when it truly kicks in that he doesn't have his partner in crime there... *cries more*
"More squads like this being trained by skilled clones"
The Empire in all their dickish glory are really out here making the clones train the groups of soldiers who would eventually replace them. They clearly acknowledged the skills of the clones enough to use them as tools to teach all the elite teams they were recruiting, but didn't actually care enough to keep the clones around.
And while we're on the subject, there is something ironic about the Empire complaining about the clones lack of loyalty. The truth is, they are loyal. They are arguably the most loyal people that you will ever find, but they are loyal to what they believe is right. The Empire are just pissed that a bunch of highly skilled soldiers have to be brainwashed into thinking that they are not just a group of asshats.
"I'm angry at myself. We don't leave our own behind."
This line alone is all the evidence you need that they still care about Crosshair. They didn't just abandon him because they no longer care, they left because they had to and that decision continues to haunt them. I can imagine Rex saying this exact same thing after discovering that Echo was alive. Neither Rex nor Hunter were wrong for leaving their men behind in that moment, but knowing that they left them will always stick with them.
(Also, the same sentiment is definitely going to apply when they are reunited with Tech because he is 100% alive)
"Enjoy being a commander... for now. We'll see how things shake out."
Now Crosshair looks very put off by this comment, and I don't blame him, but tbf... the guy wasn't wrong. I think Crosshair always knew that the Empire would eventually screw him over, but he hoped that maybe, if he could prove himself enough, they wouldn't throw him out like trash. Being promoted to a commander was probably a tiny bit of hope for Crosshair that he could secure a position, be a more prominent figure.
But obviously we know from S2 that that didn't happen. That role didn't stick, it was only ever temporary and the Empire were fully willing to leave him behind, regardless of the position that he held. They never cared. And so as much as it was a dickish comment from the elite squad member at the time, it ended up being an accurate statement.
Not that it turned out much better for him seeing as Crosshair got rid of him soon as :)
Old Moon Dragon How???
Zoology ramble incoming.
WHY IS THERE AN ANIMAL THAT FEEDS OFF RAW ENERGY LIVING ON A DESOLATE ROCK IN THE MIDDLE OF NOWHERE??? DID I MISS SOMETHING??? HOW IS THAT THING STILL ALIVE??? DOES IT NEVER EAT??? HOW MANY PEOPLE HAVE TO BE CRASHING ON THAT ROCK FOR IT TO BE EVOLUTIONARILY ADVANTAGEOUS TO FEED OFF RAW ENERGY WHEN YOU LIVE ON A BARREN ROCK IN THE MIDDLE OF SPACE???
Crosshair vs The Batch
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*cries again* Someone give my poor boy, Cross, a hug :'(
But I do like what these two shots show. Despite being in a room with a group of people, Crosshair is alone. He doesn't feel like he has anyone, he's isolated, he doesn't have anyone around him to support him anymore. And then you have the Batch, who are all shown together. They are a family, a unit, they have each other there for support and despite everything being thrown at them, they will always have the squad.
I also appreciate the contrast in lighting. With Crosshair, everything is blue and grey and cold, while the lighting around the Batch is warm and yellow and comforting. It shows how calming and welcoming the environment with the Batch is, while Crosshair is currently alone and away from any of the warmth of his family.
One Final Point
Echo's little "you did good" nod to Wrecker at the end has my heart and is one of my favourite moments in the entire show <3
(Also, Hunter's face in the picture above made me laugh)
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lucabyte · 2 months
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On autonomy, and what it means to be Obliged to Help.
Bonus:
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#a homestuck walks into an antechamber and asks#hey is anybody going to make this dynamic wholly deterministic and thus dubiously consensual by its very nature#ANYWAY bigger ramble below. scroll down like usual#isat spoilers#isat#isat fanart#isat siffrin#isat loop#sifloop#THATS RIGHT WE'RE STILL SHIP TAGGING IT BABYYYY#in stars and time#in stars and time fanart#lucabyteart#RAMBLE START: anyway i think loop is wrong here. they have it backwards. as-- in my opinion--#the main reason they could be called back into existence postcanon is because *their* wish for help is still not complete#they still need help. siffrin still needs help. neither of them will ever stop needing help.#they will thus uphold the wish until the end of siffrin's natural lifespan.#that said. what does it mean that loop can be so wholly forced to abide by siffrin's wants?#(assuming the dagger cutscene posession is them being forced to uphold the 'help siffrin' wish via harsh universe logic)#[as opposed to something capricious and cruel the change god did. which feels out of character for the change god to me?]#much like how the island wish and duplicate objects are neutered by simply sliding off people's brains...#is loop subtly ushered toward their wish? obviously it's not a full override (see: the bossfight). but is there any interference?#and if so. so what? does it matter? if they don't notice? is it even real if they don't notice?#and even if they do notice. the universe leads we follow. how much do either of them value their free will in a belief system like that?#the whole game is dedicated to siffrin habitually NOT excersizing his free will. doing things the same Every Time.#Loop ESPECIALLY does this. predetermined predetermined predetermined even in the FACE OF CHANGE. REFUSING. ANY CHOICE.#Maybe they'd even be comforted by having a universe-ordained purpose even if it is subservient. even if its to Him.#(though. i can't see siffrin enjoying the idea that someone is subservient TO them... then all their suffering is his fault...)#loop got into this mess via WANTING too much. no more free will. can't be trusted with it. take it away from them.#but yeah. gets my greasy detective pony hands all over this. and everyone please do remember i like to make characters Outright Wrong A Lot
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aethersea · 24 days
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I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.
it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"
plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.
anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.
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raepliica · 5 months
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priest guy sending mixed signals, what is he up to?🤨🕶🤏
~~~
[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]
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fudgecake-charlie · 2 months
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to my IRL(s) who keeps sending me disco elysium memes despite the fact i haven't played it in months THIS IS BECAUSE OF YOU. HELP ME. If people have ideas on this AU feel free to have fun with it considering I. have only a few!
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rystiel · 15 days
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i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without
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ao3-shenanigans · 10 months
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Shout out to all the beginning authors, don’t be afraid to write badly and to write for yourself
we will love you regardless
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tarufai · 7 months
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mozart-the-meerkitten · 3 months
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*rolls up 15 years late with Avatar the Last Airbender thoughts*
So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.
So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".
And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.
And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)
But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭
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capseycartwright · 6 months
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every little thing the sun shows, well it’s worth it
ao3 link
Buck should – he should be freaking out, right? He’d lived thirty-two years of his life without coming close to kissing another man, and it should be making him freak out that tonight, he did – but Buck felt flooded with the oddest sense of calm he’d ever experienced in his life.
He’d kissed a man.
or - after his kiss with Tommy, Buck goes to Hen.
Buck can’t help but bring his hand to his lips as Tommy leaves, fingers brushing gently against where the other man’s lips had been just a few minutes previously.
The other man.
Buck should – he should be freaking out, right? He’d lived thirty-two years of his life without coming close to kissing another man, and it should be making him freak out that tonight, he did – but Buck felt flooded with the oddest sense of calm he’d ever experienced in his life.
He’d kissed a man.
He’d kissed Tommy Kinard.
The giggle escaped his mouth before Buck could even try and contain it, and one turning into a fit of laughter faster than he could control, Buck unable to wipe the smile from his face as he grinned. He’d just kissed Tommy Kinard – and he’d really fucking liked it, actually. It had been different, that much he was certain of – the way Tommy had tugged Buck closer, two fingers under Buck’s chin, purposeful and confident as he responded to Buck’s weak attempts at flirting with a kiss. Tommy had been solid, under his trembling hands, broad and big and nothing like Buck had ever experienced before.
And he’d liked it.
Buck was moving before he could even really think about it, his feet somehow knowing where to take him, on autopilot as he slid behind the wheel of his Jeep, too lost in his own thoughts to realise that the radio had been switched to some criminally bad pop music station (Eddie’s doing, he was sure), the music background noise as he drove, replaying that kiss over, and over, the phantom drag of Tommy’s facial hair against the sensitive skin of his upper lip a feeling he was sure he could come to get very used to, if he was allowed a little more kissing.
Buck was parking up in front of Hen and Karen’s house before he even realised where he was – but, now he was actually thinking about it, he wasn’t sure where else he would have gone, there and then. Hen was – Hen was another big sister, to him, and a lesbian big sister at that, so she was the right place to come in the midst of his –
Buck didn’t want to call it a crisis. He didn’t feel like he was having a crisis. But he was definitely experiencing something – and Hen would understand, he knew.
Knocking softly, so as not to wake up Denny, Buck waited patiently for someone to answer. He hoped Hen would answer. He wasn’t sure if he had the words to explain to Karen that he needed to speak to her wife because he’d kissed a boy for the first time in his life, and he’d liked it.
“Buck?” Hen answered the door with a raised eyebrow.
“Tommy Kinard kissed me,” Buck blurted, because why beat around the bush, right? He might as well dive right into it. “Tommy kissed me,” he repeated, in an effort to sound somewhat less manic. “And I liked it. I wanted him to kiss me.”
Hen’s surprised expression morphed into something softer, and she gestured for Buck to step inside, closing the door softly behind him. Gently – always gentle, because Hen was the gentlest soul Buck had ever known – she sat him down on her couch, bustling around the kitchen for a couple of minutes before she reappeared with a steaming cup of tea.
“Chamomile?” Buck breathed in the familiar smell, knowing that Hen would have added honey – the good one that Karen always bought at the farmers market – the sweetness a familiarity he had come to be grateful for over the years. “No tequila?”
“This is a tea conversation,” Hen replied firmly, sitting next to Buck on the couch. “So. You kissed Tommy.”
“He kissed me,” Buck corrected, because he didn’t want to take credit for the way Tommy had leaned in and kissed him, confident in a way that Buck wasn’t – not yet, at least.
“And you wanted him to?” Hen repeated Buck’s own words back to him, gentle even in the way she pried.
“I didn’t know I wanted him to until he did, if that makes sense,” Buck’s brow furrowed. “I – I didn’t know why I was so jealous, that he was spending so much time with Eddie. I thought I was jealous that he was replacing me in Eddie’s life.”
“But that wasn’t why you were jealous?”
“It was, a bit,” Buck admitted with a grin. Hen laughed, and Buck felt himself getting comfortable, genuinely comfortable. He – he’d never talked to anyone about his sexuality before. An hour ago, he thought he was straight. “But I – I think I was jealous that Tommy wanted to spend time with Eddie, and not me.”
Hen’s smile was soft, her expression new – it was new, he supposed. He was Hen’s annoying straight little brother, deep conversations about queer identity were new territory for them. “Was it a good kiss?”
Buck let out a spluttering breath. “Hen!”
“Oh, come on! You look like you’ve sat down and had a beer with God himself Buck, I’ve got to ask if it was a good kiss.”
Buck had been kissed a lot in his life. He didn’t say that to slut shame himself – that usually earned himself furious glances from Hen, and Eddie – it was the truth: he had been kissed a lot in his life, by people he loved and by people he’d only just met – and kissing Tommy had been nothing like he had ever experienced before.
“It was a good kiss,” he admitted, worrying the corner of his lip, his face burning as he spoke. “It was a really good kiss.”
“It sounds like there’s a but coming,” Hen drawled, taking a long sip of her tea. She knew Buck too well, sometimes. He supposed that was why he came here, to her – he could have gone to Maddie, or Eddie, or Bobby, even, but Hen had been the person he’d come to. He needed to be seen, there and then.
“But – how did I not know? How have I lived thirty something years of my life and not known I’m into guys that way?”
That was the confusing part, Buck had decided – he had never really even questioned his sexuality, shouldn’t he have questioned it long before now? Spent years being tortured with this great big queer secret he was carrying around?
Hen was quiet, for a second, contemplative. “There is no one queer experience,” she began, pausing again. “Some people – they don’t know until they know. There’s no requirement to have your big gay crisis when you’re fifteen, Buck.”
“That’s the thing – I don’t feel like I’m having a crisis,” Buck sighed. “That’s what makes it more confusing.”
At least – at least if he was having a crisis, he might be able to put words to the strange mix of feelings churning in the pit of his stomach, none of them bad, all of them unfamiliar.
“How do you feel?” Hen asked, giving Buck a gentle nudge.
He –
How did he feel?
Buck felt like he was on cloud nine, for one. He was still replaying the kiss with Tommy over, and over, in his head, remembering the way Tommy had lifted Buck’s chin, the way Buck’s heart had thudded to what had felt like a dramatic stop as the other man had moved closer, Buck forgetting how to breathe for a second when Tommy kissed him, soft, and gentle. He was excited, too, thinking about Saturday at eight. What would he wear? Where would Tommy decide to take him? Should Buck offer to pay?
Buck felt – well, he felt like every part of himself he had never understood had clicked into place, the puzzle that made up Evan Buckley finally taking shape and making a picture Buck could see himself in. Buck felt like everything in his life made infinitely more sense now, strange interactions and friendships making more sense as he looked back on his life with queer-tinted glasses, hindsight lifting a haze of confusion he’d carried with him for his entire life.
Buck felt –
“I feel like I can breathe properly, for the first time in my life,” he finally managed, tears rolling down his cheeks before he could even attempt to blink them away. That was the truth of it – Buck felt like he could breathe, his chest free of the strange tightness he’d felt for as long as he could remember. Buck felt like he was free.
Hen’s watery expression reflected his own, her voice gruff with tears as she spoke. “Welcome to the club, Buck,” she smiled, reaching for Buck’s free hand, giving it a tight squeeze. “We’re happy to have you.”
Buck couldn’t help the half sob, half giggle that escaped his throat as he let Hen’s words wash over him. All his life, he’d been searching for a place he belonged, bouncing from job to job, bed to bed, and state to state, all in a desperate search for belonging. He’d found it – mostly – with the 118, but there had always been something that was missing, something he’d never had the words for.
The something was this – queerness. He was a part of a community he knew would fill that missing piece in, colour it in liberation and freedom and wrap him up in something bigger than himself.
Buck leaned into Hen’s embrace, his tea long forgotten on the coffee table, Hen’s warmth more of a comfort than the chamomile could ever be. “I’m so happy to be here,” he replied wetly, Hen’s arms wrapped tightly around him, and, well -
It was the truth. He was happy. Happier than he’d been in a long time. The happiest he’d ever been in his life, maybe. Happy, and free – and bisexual. Evan Buckley was bisexual. A bisexual man who had a date on Saturday, but he’d have time to freak out about that later.
For now, he was going to enjoy the way breathing came easier than it ever had done before.
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itty-bitty-sunshine · 4 months
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"You said you love me exactly the way I am"
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lucabyte · 4 months
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So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
#'but lucabyte didnt you already do a comic with this exact same message? that loop has potentially killed their party intentionally before?'#yes i did absolutely do that thank you for noticing. that is what the cannibalism comic is about. no that was not a metaphor. lol#isat#in stars and time#isat spoilers#in stars and time spoilers#sifloop#isat siffrin#isat loop#in stars and time fanart#isat fanart#lucabyteart#ill ramble elsewhere some other time. maybe in a text post. but. long and short of it: even if you assume the answer to 'how do they know'#is that in sasasap isa got frozen once. theres still the fact that the loops are from sif being too distressed. how far gone does a siffrin#have to be before they can witness a party member die and notice it has no effect. how does loop feel to have planned to kill the party#during act 3. why did they NEED to show sif that. are they trying to preemtively stop them from getting the idea in their head#that maybe that might work? when they're out of all other options? when they just get so frustrated and at wits end?#loop helps in subtle ways through the whole game. and in less subtle ways like begging sif not to use the dagger. and while yes the#overarching reason you need to learn that the loops are tied to sif is because you need to figure out wish craft.... loop doesn't know the#actual mechanics of the loops themselves. just what didn't work. the power of friendship. getting the final hit in. being perfect. etc...#and besides all that.. how did loop feel during that hangout. being so deceitful. especially since before the other shoe drops#sif is enjoying themselves. but they know what's coming the whole time.#as for: why bathing? its the obvious imagery for blood on their hands/washing/never being clean. and is a bit of an inversion of the other#piece i just drew with the other casual closeness and nudity being kind. this one is cruel instead.#anyway tag ramble over ill do a masterpost of all my fanwork with some directors commentary sometime i promise. since i know im often vague
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yuzuuu4 · 2 years
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how did they even fit in the house??
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sandeewithtwoe · 7 months
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Wouldn’t be the first time Dream took a nap on someone’s shoulder
Dream belongs to Jokublog
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i would just liketo say i love the way you draw frank hes so sily
Thank You!
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rwuffles · 25 days
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chatters let's scare off the exclusionists together ♡
if you use good faith labels, whether you're usually open about them or not, share what they are! i'll start:
i'm a bi gay sapphillean!
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