#anyway i have no arts to offer have silly comic instead

[bbq-potato-chip]

Nezuko learns…some words

[diminuel]

I know that the baby dragon (roger garp coparents) comics are so silly and fun and i ABSOLUTELY LOVE THEM but i was trying to remember all the characters in the crowd in the live action (im only in dressrosa in the anime) and then i thought too much about about your comics and now im SAD!!!

Garp and Roger at the very least being friends and co parents and Garp essentially KILLING HIM in front of DRAGON. Like roger may or may not be his bio dad but thats his PIRATE dad (a la shanks) and that being the dissolution of their family unit. Also fem!croc (possibly) being in the crowd???? Maybe they meet again there. Do you think roger looked at their "son" when he died? Do you think garp couldn't look at him?? And then for garp to stand there on an execution platform with ace???? His friends kid?? His grandson???? But this time instead of standing silently like dragon did, luffy refused to save himself.

And rayleigh, RAYLEIGH couldnt be there in his best friends final moments, couldnt be there for dragon, his nephew/godson/whatever. But finally he was able to help luffy after marineford. Finally he could help his family after so many years, even if luffy didnt know.

Anyways, love your comics and art, its all very fun and cute, even if the implications get me.

Also i guess this wasnt really a question, but i wanted you to know what you inspired in my brain and kinda get your thoughts!

I’m always happy to know that my silly comics get you to think! I do enjoy drawing fun stuff but as you said, most of them have more serious or angsty implications if you do continue spinning the universe a bit.

Like with the Baby on Board comics (the coparenting one) I imagine that even though Roger and Dagon’s relationship starts out easy and light-hearted, there eventually must be a moment where Dragon no longer feels welcome among the Roger Pirates (most likely when he joins the marines at a young age). I can imagine that Garp and Roger both (not very gently) teaching him that choices have consequences – he chose the path of the marine, which means that pirates like Roger will now be his enemy. And Garp is, his situationship with Roger aside, kind of hard-headed about his sense of justice.

Still, in an AU where he spent a portion of his childhood on Roger’s ship, he’d be upset about watching the execution, whether Garp is up there on the execution platform with Roger as in the live action or not. Maybe Dragon has to endure this without having gotten any closure with a man who had once claimed him as a son. And Rayleigh isn’t there to offer comfort or platitudes. Shanks and Buggy are too caught up in their own emotions to spare any thoughts on the feelings of a guy who occasionally looked after them.

I don’t know if it’s a spoiler to you, but we do know that Crocodile was for sure at the execution in the manga/ anime. So at least Dragon wouldn’t be entirely alone. I don’t know exactly which of my AUs the Baby on Board comics apply to (most of them?) but in some of the AUs this would certainly be a moment where Dragon and Crocodile meet/ see each other again/ enjoy a night together, toasting to the old era and welcoming a new one in their own way ;3

So if Dragon wants to drink his complicated feelings away, there’s someone there to do it with, even though I doubt he’d tell Crocodile that he knew the man who died today as more than just the King of Pirates.

And yes, of course I also like the idea of just how the Baby on Board concept would weave the threads of these people even closer together.

[animehouse-moe]

Jujutsu Kaisen Season 2 Episode 8: Shibuya Incident 3

This is what I was worried about, what I thought was arguably the worst case scenario for what we'd get for season 2. Thankfully, only a single battle falls to this effort, but we have no telling what the future may hold. Not entirely devoid of good, the episode is overwhelmingly still, but also oddly flashy. A brutal balance to strike, worsened by the ghosting and dimming imposed on it, I don't think it'll take long for me to explain what's going on with this episode.

So, first things first, the praise. This episode takes Geto's explanation of Domain Amplification and how to handle Gojo, and shapes it into something rather appealing compared to the manga. I think it's a good change, but one that I'm still curious about. The real fight between Gojo, and Hanami, Jogo, and Choso starts next episode. I'm unsure of the reasoning behind splitting up the explanation into parts that are stippled throughout. It would work equally well as a closer to prep the tension for the ensuing fight.

Gojo, the all powerful sorcerer, has a "weakness" that's being exploited, and so he rises to the challenge. Now, I'll state once more that it's not a critique of the anime's exposition, but just a question of why they chose to split it up instead of keeping it in line with the manga.

Anyways, here's Hanami, Dagon, and Mahito playing with the kids while Geto explains things.

Similarly, I think them condensing the respective fights was a good decision. With the pacing of them, consolidating them works much better to preserve pace and engagement.

Also, there's a good few ambitious scenes in the episode, that are arguably well done. I think disappointingly though, very few have to do with actual combat, and arguably fewer that are specifically animated.

Let's start with Yuji's reaction to Mahito being in Shibuya. Not quite the manga, but it's pretty comparable to his reactions from season 1. Because of the lack of animation though, you don't really feel that oomph like you did with S1 Yuji, which is somewhat saddening. Still, far from the worst.

You know, I think I might just speed things along. The very core of this episode is good layouts. Animation doesn't really follow, nor does it keep up with said LOs. Here's a few examples though, like Yuji's running cycle paired with his character acting. Solid and smooth, it's well done even though it's different from the first season.

Similarly, but arguably worse, is Choso's Slicing Exorcism. Solid idea, good boards, surprisingly good animation. Terrible composition and art. Which is a shame, it's a really solid approach to Choso's style of combat, and it's squandered by negative effort in its surroundings. Better than a blurred background, but still far from good.

But that's really as far as my praise can go. As I said to open, the episode is painfully still, but attempts to be incredibly flashy. Some boards work well, but they're largely limited to stills and non-combat sequences.

Grasshopper vs Yuji was nearly a complete letdown in that regard. Drawing out the comical/silly moments, quickening its pace while completely changing its scale, and offer a total lack of impact and weight. By all means, its a flunking score that even makes you doubt if what transpired in the previous episode was at all associated to the execution of today's.

And that doesn't even mention the weirdness of trying to mimic a JJK 0 fight scene of Yuta & Rika vs Geto. Choppy, sluggish, and the animation/choreography makes no sense. Completely changes the scale of Grasshopper as well as the limit of their abilities, as well as Yuji. Essentially what I said with the prior episode, the scale of combat has grown to an unreasonable scale that misrepresents their ability.

And then there's the whole rapid fire punching that takes place. Bad choreography in the first place (though a bit more forgivable in manga format) that's made completely unwatchable thanks to ghosting and dimming. No real words, so just watch this clip from an account on Twitter.

And I think that pretty well sums it up. Not a good episode, not a good fight. Praying for better times, and for that matter pacing. With the Kyoto Exchange Event as the benchmark for group battling as well as exposition, Shibuya is already struggle to keep on reasonable pacing. I think Shibuya moves fast in the first place, but I still believe that said pace has been quickened with the anime. For reference, this episode adapts "about" 5 chapters (some contents are piecemealed from other chapters and re-organized, so tough to perfectly gauge), while Kyoto Exchange averaged about 3 chapters an episode.

I refuse to say I'm ringing alarm bells, as I'd already done that before this season, let alone this part of it, began. This is just stating the facts of what unfolds in front of viewers now. I'm just disappointed that following the impressive work of the previous episode that we fall so far. Hopefully the following episode of next week can pick up the pieces once more.

[monsieuroverlord]

Spoilers for Marvel Infinity Comic #31

Snikt Family Road Trip Part 5!

written by Stephanie Williams, art by Alan Robinson

Spoilers:

The continuation of our tale opens with how Jonathan got captured in the first place! 

It provides a little insight into how Jonathan perceives the world -- for example, he actually only understands certain words instead of full sentences, much like a really smart dog would.

Anyway, he made his way back to the RV, but found himself unable to get in, because he has no thumbs. He takes a nap outside the RV, waking up to a delicious smell! The smell turns out to be a trail of (oddly colored) cookies. Jonathan happily munches on them, but alas, it turns out they were also drugged! 

Jonathan is bagged by a mysterious figure, and the scene shifts to him in a cage tossed in a basement. But luckily, he notices the RV pull up and calls out to his family!

Like a creepy cult, the family comes out dressed in all white and welcome the Snikt Fam to Honey Badger Heaven! Akihiro wastes no time and asks what’s up with the basement, because he hears weird noises. Laura agrees. But the Honey Badger Cult Family offers them a tour, which they agree to (so they can investigate what’s going on)

Jonathan, disappointed they didn’t hear him, strikes up a conversation with an actual honey badger in an adjacent cage (said honey badger spent a summer abroad, so he speaks wolverine, lol) The honey badger informs him that the cage bars are weak, and they haven’t filed his teeth down yet, s he should be able to bite through the cage. And he does! 

He promises the honey badgers he will return to free them, and sneaks his way out. It’s an adorable sequence of sneaking through air ducts, then expertly evading a guard through hiding in plain sight, before coming across a secret room with Snikt Fam-specific stuff! (a piece of flannel shirt, weapon X helmet, a set of Logan’s claws, etc. Turns out the family is double-dipping in honey badgers and our Snikt Family!) There’s also a portrait of the Honey Badger Family captioned as the Top Benefactors (was the commonwealth mine thing planned? Dun dun DUUUUNNNNNN)

Jonathan finally finds our Snikt Fam, knocked out and tied up in a tiny lab filled with surgical tools!

To be continued! 

This issue was very Jonathan-focused, had lots of cute visual gags -- “DP was here” in the vent was funny, Jonathan strikes a few cute poses. 

One small gripe I have is the animal designs.  For example, Jonathan’s teeth. I just don’t like how he basically has buck teeth like a beaver. Genetically-modified or no, he’s a predatory animal! Where are his canines. On a lesser note, the honey badgers noses are also built more like a mole than a honey badger. It just strikes me as a bit off.

There was also a couple more subtle Scooby-doo references. For example, Jonathan says “Ruh-oh” at the end and the hiding in plain sight thing (although it didn’t give way to a comical chase scene this time). The storytelling continues to be a bit silly and wholesome. It’s very fun!

Obligatory photo dump:

[404-art-found]

ramblings and lots of art of an Upturned AU: What if Traveler was a creature. a critter, even. normal guest behavior

very grateful Tumblr upped the image limit. because there sure are many images

[massive upturned spoilers + this is a long post in general]

[edit: that bar is there so any previews for this post don't show the first image]

this is in order of when it was drawn so it's MASSIVELY out of order timeline-wise and some of the early comics are outdated story-wise but they're cute/funny so they're staying in. I think it's very funny how you can see the moment I gave him silly little bunny ears.

(also note: in the image with the three critter-travelers in harnesses, the one on the left belongs to @/kasprawn39, and the one in the middle belongs to @/MicrowaveSentry on instragram. the critters are being introduced to each other <3)

anyways,

AU in which Sobbergritch gets his hands on the Traveler and turns him into a monster. creaches him. gritches him, even. transmorgifies him into a rabbit kangaroo thing. To mock Ik about ripping his only friend away from him, he shipped the Traveler's hat up to him, which was what finally broke Ik and made him flee the inn.

For a couple weeks, Sobs experimented on the Traveler, before giving up when the storm knocked out power once and for all, and tossed him down to the bottommost levels, where he'd hopefully be eaten by horrible nightmare guest-monsters. unfortunately for Sobs, the Traveler is very durable and scrambles out through the top of the elevator, climbing to safety. and they keep climbing. Because down is bad in their broken mind, so they go up, no matter the fact they're in terrible pain. He uses "attack first, ask questions later" tactics for survival

They remember a voice, one that makes them think of safely but also hurt and betrayal, and they know they'd once wanted to descent the inn. But he doesn't remember much else outside of emotions associating to concepts.

The Morning races down the elevator shaft before he can leave (or just as he collapses on the ground floor, I haven't settled on which)

(My dear dear followers. you have no idea the sheer amount of happy little headcanons I've crafted for myself about the Morning where they're dumped in Afterlife Two: The Cooler One where all the souls who never got to live full happy lives can exist in peace before moving on at their own pace. This idea is not exclusive to this AU)

He wakes up in a field, and it's beautiful, but the whole This Is New And Therefore Threatening mindest makes him on edge. He staves off rest in favor of scuttling about, just so happens to hear Ik calling out for someone, anyone, and darts over.

Cue them recognizing Ik has their hat, trying to wrestle it from him, and failing, because they feel bad hurting him and they're too weak to do much other than flail and gnaw. He follows Ik, who doesn't recognize him as the Traveler, and instead believes him to be some guest who hates him for what happened to the inn.

They travel together with no particular destination in mind; they find others, and the empty husk of a town (helpfully Morning-provided so all these sad miserable souls can enjoy living), which is immensely eerie but the few dozen guests + Ik are too drained to question a place to live. The Traveler regularly flees people at first, deeming the place a danger but also offering shelter, and becomes a cryptid alongside several other confused and angry/scared creature-guests. Ik still tries to befriend him and make him feel safe. Few people are too happy to have Ik around, recognizing him as someone who clearly knew something was up with the inn, yet sent them down to their demise anyways.

The guests were partially turned back to normal, depending on their state of mind. Some more human than others, with people retaining some shred of Sobbergritch's experimenting on them, while those still completely out of their mind without a true sense of self (like the Traveler) didn't change. There are 'growing pains' if/when they recover, but it's a long time before that happens to Mr. "exhausted 40 year old man in a 20-something year old body who hasn't felt safe in over a year and can't remember the last time he slept well".

Shrimp recognizes the Traveler as the Traveler. Ik does not. He feels awful when he does realize, and finally gives him his hat back. mmmm. reunions!

I have many more thoughts about this AU, but this is the gist of it. fun fun times all around

[punemy-spotted]

congrats on 400! 📝

this is a silly headcanon, but how do you think any character of your choice would react to you catching them watching their guilty pleasure tv show? (and what would the guilty pleasure show be?)

Thank you, Neptune!! 🥺🥺💖💖💖

I love this headcanon, it's not silly at all! I ended up... going a lottle overboard with it though, so please enjoy headcanons for: Helmut Zemo, Steve Rogers, Bucky Barnes, Sam Wilson, and Andy Barber, all under the cut because it's long and I'm... a lot.

Thank you for the opportunity to think too much about them, and now I wish I was curled up with all of them watching whatever show they want.

Helmut Zemo

Guilty Pleasure Show: Agatha Christie’s Poirot (featuring David Suchet)

He enjoys murder mysteries, things that puzzle the mind, and even though he insists the directors put enough clues into the episodes to help anyone solve them, he’s often frustrated when the twist makes no sense.

Catching him watching Poirot is an interesting experience — he’ll always invite you to watch, happy to let you curl up next to him on the couch even though Suchet’s voice inevitably makes you fall asleep. What will wake you is Helmut muttering curses under his breath at an absurd twist that derails the entire course of the mystery, suddenly pointing to a random element as the murderer instead of the person the show made you suspect all along. He very rarely loses his temper, especially not at a television show, but his disappointment in poor writing is often worse than his anger anyway.

Steve Rogers

Guilty Pleasure Show: Great British Bake-Off and Blown Away

Yes, both of these, because he vacillates between enjoying food shows — Great British Bake-Off is just an example, he’s completely find watching Anthony Bourdain and does not count anything by Alton Brown a guilty pleasure because he still uses those episodes to experiment in the kitchen when he insists on making dinner because he knows you’re too tired — and snickering under his breath at the fact that they call the glass ovens in Blown Away “glory holes” and other in-show innuendos.

He often watches guilty-pleasure shows like these as background noise, when he’s drawing or when he’s just settling down for bed and you’re working too late to join him, but on the occasion that you catch him watching, he’ll usually just flash you that perfect, sheepish smile and offer to change the show. You never agree, because why would you want to take away the thing that brings him joy, even if it’s secret between the both of you? You just offer to let him lay in your lap instead while he watches, so he can relax for once and you can play with his hair while you both watch — and critique the glass-art with all the cruelty of the judges (and sometimes more).

Bucky Barnes

Guilty Pleasure Show: Literally any space documentary and no, it doesn’t have to be recent

Though haunted by his past, Bucky Barnes does try to look towards the future, and there’s something hopeful about documentaries about space and the mysteries of the universe that make him feel… calm. He loves putting them on and just laying down, watching until he falls asleep and Netflix starts questioning whether he’s still paying attention.

Whenever you catch him like this, he’s honestly usually fast asleep. It’s actually adorable, really, how peaceful he looks. You usually just tell Netflix that yes he’s still watching and then proceed to tuck him into bed.

Sam Wilson

Guilty Pleasure Show: Crazy Ex-Girlfriend

He’s not actually guilty about this — he can and will shoehorn Crazy Ex-Girlfriend songs into everyday conversation with you and you will always roll your eyes at him when he does. He’s taken you to at least one Crazy Ex-Girlfriend concert live, and no he’s not sorry. In his defense, it was excellent and you thoroughly enjoyed it.

Usually, you’ll catch him watching the show late at night because he can’t sleep, and it’s always just the highlights of his favorite episodes instead of actually watching for the plot. Sometimes you’ll catch him singing but not always — you just put your headphones in and let your podcasts run when he gets really into it, tucking yourself against him and having a lazy night doing whatever you want. Doesn't matter, as long as the two of you are together.

Andy Barber

Guilty Pleasure Show: Boston Legal (yes, with William Shatner and James Spader)

Look. As a lawyer, I know other lawyers. We love to hate legal dramas because they’re unethical, get the law wrong, and usually result in us getting clients coming in saying, “Well I saw James Spader in Boston Legal and he did…” and they never believe us when we tell them it’s a show and that’s not how things actually work in the courtroom.

But he loves it.

He loves watching all the nonsense they get up to in the show, he loves roasting the bad legal theory — he has an entire notebook dedicated to the bad legal theory, it’s genuinely comical— and if you catch him watching it, he’ll usually just flash you a sheepish grin before inviting you to join in and mock the show with him.

He does slightly admire Spader’s gumption though — and occasionally gets ideas for how he wants to treat you in the office.

[gascon-en-exil]

Dark Deity Pre-Release Character Opinions

This isn't actually a tier list, but someone helpfully created a template for this game and it's as good a way as any to do a little visual showcase for this cast. Characters are listed by their class sets, which are fixed but offer a nice variety in terms of promotion options. My opinions on each are as follows, from left to right in each row. Most characters have introductory profiles written up on the DD subreddit, if you'd like to check them out yourself.

Warriors

Alexa

You know those buff female blacksmiths in Echoes and Three Houses that some people wish were playable characters? That's pretty much Alexa. Can't say I'm too hyped about her myself, but warrior + tomboyish female character will do that for me...or not do it, I suppose.

Benji

Seems to have been written to become a meme, and I still can't decide whether that's clever or stupid. Kind of like Raphael only with a bigger emphasis on training than on eating, and with brotherly devotion replaced with brotherly angst that might theoretically go somewhere if the character isn't reduced to being a goofy joke all the time.

Fenton

Doesn't have a character profile, so as far as I know he's just a generic dwarf because DD swaps out its inspiration's loli dragons and other vaguely fetishistic shapeshifters for the two most cliché non-human races in Western fantasy. I wonder whether his VA will voice him with a Scottish accent, to go all in on the (ironic?) laziness. There are a handful of elves in the playable cast, but Fenton is the only dwarf so for better or worse he's representing.

Helena

She's the embodiment of the FE exotic swordswoman archetype, but curiously DD seems to have turned that broad ethnic brush inward. Helena's last name is apparently a Japanese verb, her art shows her with a spear (as in the association of the naginata with women), and she studied and trained in a monastery that seems to blend elements of Buddhism and Shintoism. Not sure how all that fits into the larger setting yet, but at this point she's still got more background development than Petra.

Irving

Our Hero, the one front and center on the cover art. He sounds a bit on the blander side as far as lords or lord equivalents go, with his most promising hook for me being his established friendship with Garrick (see the ranger section). At best I can hope for a bit of a romantic friendship dynamic, although they sound a bit rougher overall as they're military academy schoolmates I wonder why DD went with that instead of lordlings of different territories.

Rogues

Brooke

Looks like Camilla; has a backstory like Niles. Cleavage aside though the sexual element of both is toned down here, and there might be some sapphic bodyguard shenanigans to be had as her current employers are a pair of highborn sisters further down this list.

Cia

For some reason she reminds me of Tressa from Octopath Traveler, only bustier and a bartender rather than a merchant. She's still just a small town girl with big city dreams, and this being a tactical war game following those dreams will inevitably involve stabbing people.

Corvan

Hard to judge him at the moment, as his profile was only the second written and so isn't terribly detailed. He's a moon elf with scholarly interests, apparently. Still, as of right now he's the only rogue who doesn't slot loosely into either a ninja/assassin or pirate aesthetic, so that's kind of neat. Also, he's one of several characters to have FEH-esque beach fanart made of them already, so clearly someone's into elf twinks.

Ford

A former officer at the military academy Irving attends and a smuggler who dotes on his niece, Ford has major dad energy. Per developer reveals he's also bi, and as I mentioned before I'm totally fine with that. More bear sex, please - but what guy in this cast would hop in the sack with Ford? Only time will tell. His personal skill makes him extra dodgy, which combined with the mug of booze in his art makes me think of WoW brewmasters who dodge-tank through the power of being wasted.

Wren

Like Brooke, he's an assassin from a foreign nation - in his case the same one as Helena so presumably he's a not!Japanese ninja. I'm not really feeling him at the moment. What is it about Hao'Fen (the city/territory he and Helena come from) and massive families? That comes up in both their backstories.

Rangers

Caius

I feel like this is the third or fourth character to grow up in some slum or other; at least they've all been in different towns so far. The relative rarity of noble characters is certainly different from FE, but it reduces the political stakes which leaves me wondering a bit about the story. Anyway, Caius is a small town desert hunter who learned how to make arrows out of animal bones. How aerodynamic is bone, I wonder?

Garrick

Irving's BFF and seemingly the Hector to Irving's Eliwood, only with more flirting (his intro doesn't specify that Garrick is flirting with women, but I'm not going so far as to say that indicates anything). He's the academy headmaster's son, with a strained relationship with his father for some of that hotheaded lead tension. Notably, his VA is the one I'm most familiar with in this cast, as he's the voice of Revali from Breath of the Wild as well as love interests in two different erotic gay dating sims I've played. In other words, I know what this guy sounds like making awkwardly simulated sex noises...and I have no idea what to do with that information.

Maeve

She's a half-elf with a very storied background, so much so that it's all rather hard to follow her exploits when little of what's being described has been fully revealed yet. I'm expecting her to be a mid/lategame recruit, unless she's dropped in early on to reveal that (sun) elves exist or something.

Rose

Imagine if Bernadetta were a commoner, although we can only hope they'll be less screaming. Alternatively, Neimi without an obvious boyfriend. She won the beach contest so now she has official swimsuit art, which I guess makes her a top-tier waifu in the eyes of players who care about such things.

Sophia

A ranger in the "has animal companions" sense, although whether that will come into play mechanically aside from her personal skill - Butter the ferret can attack with her! - remains to be seen. Her preference for the company of animals is explained by a lack of social graces, so prepare for klutz-related humor. Of note to those interested in F/F is that her introduction specifically brings up her connection with Sloane (see the mage section) and how close the two of them are.

Clerics

Faust

Doesn't have a profile yet, so not much to go off other than his decidedly unhinged look. The cleric class set does feature some darker-flavored options, so presumably he's more naturally aligned with those. His VA was announced to be the YouTuber behind So This is Basically Fire Emblem and other similar videos, so I'm picturing a kooky and somewhat demented Henry type.

Lincoln

Also lacks a profile at time of writing...clerics get so little love. The Discord has identified him a bland blond paladin sort, but as we know from the likes of Perceval and especially Dimitri that doesn't necessarily mean he'll be boring (or not gay).

Maren

The soft-spoken healer type, and also a childhood friend of Garrick although her intro sibling-zones him but then this game is inspired by FE so who knows if that'll stick. She may have some interesting thoughts on the theology of the setting, as there seem to be several faiths and she's said to have a complicated relationship with her own. I will be utterly shocked if she's not either Irving or Garrick's eventual love interest.

Samara

One of two princesses of the country of Aramor, which appears to be loosely inspired by the Middle East. Heaven help us if the Khalidstans ever get wind of this game. Unfortunately aside from her bond with her older sister (in the mage section) and the knowledge that Brooke has been hired as their bodyguard there's not much to Samara at the moment. Hopefully the clerics all do some comparative theology in their bond conversations, and this isn't like Sacred Stones where none of the clergy characters from different countries ever compare notes. The succession crisis involving Samara and her sister vs. their less-loved cousin the king's son might be a major plot hook? It's still too early to tell.

Vesta

Much like Maeve her backstory has entirely too much going on to really follow at the moment. Basically she's a human who grew up in a sun elf city because Reasons (seriously, I don't know what they are) and was called to a clerical vocation and also something about taking a journey. Has an unfortunate case of silly boob armor, which unlike a certain other character probably won't be rectified this close to release.

Mages

Alden

Maren's precocious younger brother, also basically Ricken up to and including the comically oversized hat. As a unit he follows the tradition of Donnel, Mozu, and Cyril of having a personal skill that buffs his stat gains, so it's safe to say he's a growth unit. At least he'll probably join early.

Liberty

Comes with dead brother angst and a connection to the "aspects" system that will hopefully make more sense once I've played the game and know how it functions both mechanically and from a storytelling perspective. Otherwise she looks to be a busty older - as in, not a teenage - mage in the vein of Calill.

Monroe

Got the first ever character profile, so it's really short. He's the son of a duke and sounds like a bit of a snob, albeit one that can make explosions happen to back up his haughtiness. He's got some scarring around his eye that surely must come with a story. Someone also made featured fanart of him in Heroes summer banner style, so I guess he's got somebody horny already.

Sara

Samara's half-sister, with comparable fantasy Middle Eastern flavoring. Has an interest in discovering magical artifacts and being a just ruler in the event she winds up on the throne (so, almost definitely), and she and Samara travel around with the assassin Brooke as their bodyguard. There's maybe some lesbian possibilities there? Either way, Sara has enough development where I could see her as a major supporting character.

Sloane

Comes with a genuinely fascinating backstory involving manipulative double-crossing parents, an education in the cruelties and deceptions of social life (reflected in her personal skill), and disinheritance - and yet it's all likely to be overshadowed because she may go down as DD's equivalent to Fates's face-touching. Her initial art is even more revealing than Camilla's, and while the developers later gave her a more modest redesign after negative feedback I get the feeling that this controversy may live on. Her introduction mentions her hunting for both heirs and heiresses and she's now been linked to Sophia, so safe to say she's another confirmed bi character.

Adepts

While the other class sets are standard fantasy fare adepts require a bit more explanation. They have innate magical abilities and appear to be feared and distrusted most places in the setting. Functionally they remind me of adepts from the Golden Sun series, if anyone is familiar with those games. The classes in the adept group tend more toward physical/magical hybridization than those of other sets, so that will probably be their mechanical niche. Oh, and their default weapon type is lances, which is a plus in my book.

Aurima

Along with Caius and the royal sisters, he's another one from the desert nation of Aramor. An arena fighter who got touched by a god in what I assume was a non-sexual way and came out of it with a new appearance and adept powers. Also, he's confirmed to be over 40 - how often do you see that in games like this?

Bianca

Looks like a more carefree Mathilda from Echoes. She's a ranking officer in the Delian army which sounds like it'd sit uneasily with her adept powers. Her profile describes Lincoln as her close friend, which is still about the most we know about him at this point.

Elias

This guy's writing plays more into the fairly standard coding that comes with adept powers, as we know they manifested shortly before he was going to confess his feelings to a male paramour and afterwards he was forced to flee his homeland and wander the world. He also spent time among dwarves, so insert short bear jokes here? In the present he's attached to Cia in what seems to be a platonic way; maybe she's a fruit fly, or maybe she just likes having a friend who can light drunken assholes on fire? Elias is definitely into guys, but I would still be a little surprised if he turned out to be totally gay as that's such a rarity in these sorts of things.

Iris

Oof, another lengthy and rough backstory. Iris had better parents than Sloane, but she also had to deal with permanent facial scarring (hence the mask) after a bandit kidnapping and the stigma of manifesting as an adept pretty much eliminating the prospects of her making a good political marriage. Also, she and Elias both come from Neullais, which is prominently featured on the continental map on the DD subreddit but doesn't seem to come up all too often in backstories. I think it's a not!France? Hard to tell.

Thae'lanel

A World of Warcraft blood elf, flowing anime hair and apostrophe'd name and all. I like WoW so that's not terribly grating, but as he has no profile yet there's little else I can say. Thae'lanel is mentioned in Maeve's introduction as a member of a sun elf group called the Exiled, which I'm guessing is tied to his adept status in some way. He and Maeve form yet another adventurer/bodyguard duo.

[mhalachai]

advance snippet: Updating Wednesdays on Patreon (The Untamed)

So. Do I need to write an Untamed modern!AU with a college twist (Lan Xichen is a music professor in Canada) in which Wei Wuxian attempts to self-therapy himself by creating a graphic novel fantasy AU version of his life (aka the real story of Grandmaster of Demonic Cultivation) and Lan Xichen attempts to rebuild his life after a toxic relationship ended? I mean probably not but has that ever stopped me?  here’s the intro snippet we’ll see how things go.

(Title is tentatively Updating Wednesdays on Patreon because i don’t know what to call this thing)

~~

The first day of August finds Lan Xichen in a coffee shop, tinkering with the syllabus for his new music theory course, when his phone pings with a message.

> Lan Wangji: Brother.

> Lan Wangji: Wei Ying has asked me to inform you that he will be publishing the first collection of pages in his new graphic novel on Patreon this afternoon.

Lan Xichen smiles at Lan Wangji's tone. For all that his little brother is more verbose in electronic communication than verbal, he's always so exact.

> To Lan Wangji: Can't wait! What's it about?

The little cursor blinks for a while as Lan Wangji continues to type. Lan Xichen just hopes that his brother-in-law's creative enthusiasm isn't running up against Lan Wangji's sensibilities.

Finally, a reply appears.

> Lan Wangji: Wei Ying wants me to tell you that it is completely fictional.

This gives Lan Xichen pause. Why on earth would Wei Wuxian, or Lan Wangji himself for that matter, need to make that declaration?

> Lan Wangji: It is a high fantasy xianxia story.

Before Lan Xichen can ask why that is causing this odd message exchange, another notification pops up on his phone.

> Wei Wuxian: Lan Xichen! Lan Zhan types so slow! It's just a different art style I wanted to try out and it snowballed from there!

> Wei Wuxian: I know you follow me on Patreon so you're going to get the notification this afternoon so I wanted to warn you hahaha

> Wei Wuxian: All names and places are purely fictional. I don't really have a sword.

Another message arrives, with all the information Lan Xichen needs.

> Lan Wangji: This matters a great deal with Wei Ying.

Lan Xichen smiles at his brother's words. Lan Wangji and Wei Wuxian have been together since their junior year of high school, through a great deal of personal difficulties on both sides, and are still as fiercely protective of each other as ever. He loves them both for it.

> To Lan Wangji: Thank you for the information. I'm sure it will be great.

> To Wei Wuxian: Can't wait to see it! Anything you do is always great.

No more messages arrive, so Lan Xichen goes back to considering how to change the quiz structure of his musical theory class to avoid a marking crisis with the evaluation of his ensemble class.

Finally, as Lan Wangji gathers up his papers to leave, one last message comes in on his phone.

> Lan Wangji: Thank you for your support. We all appreciate it.

Attached to the message is a photo taken of Lan Wangji's family, he and Wei Wuxian holding Lan Yuan between them. The toddler grins at the camera, his arms around Wei Wuxian's neck. Wei Wuxian's looks at the camera, dark circles under his eyes like he's working through the night again, while Lan Wangji only has eyes for his husband.

It's so wholesome and loving that a sliver of pain rakes through Lan Xichen's heart. He's happy for his brother. His brother deserves the world. Lan Wangji deserves being loved, and to love.

Not everyone gets that. Sometimes, that falls apart.

Sometimes, for some people, love is just an illusion.

Lan Xichen tucks his phone away and leaves the coffee shop.

~~

He gets home mid-afternoon, and spends a while stowing away the groceries he picked up on his walk. The neighbourhood has several Greek and Persian markets and he's able to buy most of what he needs on foot, saving the Chinese markets in Richmond for his weekly dim sum brunches with Lan Wangji's family when he can borrow the use of Lan Wangji's sensible and economical mini-van.

He doesn't drive any more, not since—

Lan Xichen stops and puts down the bag of avocados. His mind is a funny place, bringing up the oddest things at the most inconvenient of times.

He doesn't drive anymore. He doesn't need to, using the bus and the odd taxi to transport his instruments up to the university for performances. The public transit system is so much better.

Safer.

He goes back to putting away the vegetables, pulls out a cookbook (new, spine uncreased, bought for him by Lan Qiren for his birthday) and opens it at random. He's never had coconut curry salmon before, but he has all the ingredients.

Trying new things. He's supposed to be trying new things.

The recipes says it will only take half an hour to make, so he goes up to his office and turns on his computer to check his work email. The message fly fast and furious, some about the new department head, some about class enrollment, a few from students asking if they can get onto his waitlist. He replies to the most urgent, files the rest, then checks his personal email.

The notification from Wei Wuxian's Patreon is up, so Lan Xichen clicks it.

Then he sits back, frankly impressed. He's seen Wei Wuxian's comic style progress since the boy was drawing silly cartoons to entertain Lan Wangji in history class, but even he wasn't prepared for this.

The art is gorgeous. Stylized figures, intricate period costuming, rich backgrounds – it's truly a work of art.

Then he gets a better look the two characters' faces, and laughs out loud. It's Wei Wuxian and Lan Wangji, clear as day, with long hair and flowing robes. Wei Wuxian's even managed to capture that exasperated-yet-fond look Lan Wangji has whenever Wei Wuxian is being particularly loud.

The introduction is even better. "Join our hero Lan Wangji and dashing rogue Wei Wuxian as they battle deadly monsters and forge a path with demonic cultivation!"

Wei Wuxian hasn't even changed their names. True, he uses his mother's surname professionally, so Cangse Ying can't be easily tracked back, but still.

Lan Xichen wonders for a moment if Lan Wangji is okay with this, but then he notices that the project text is available in both English and in Chinese, with the Chinese written in Lan Wangji's style.

They worked on this together, then.

Trying not to think about why that makes his chest feel funny, Lan Xichen opens to the first page--

-- Which features a bruised and bloodied Wei Wuxian falling off a cliff while a horrified Lan Wangji screams after him.

Confused, Lan Xichen makes sure he hasn't accidentally read the last page first. No, this is the first. Still a little baffled, he clicks to the next page, sees the stylized banner that reads six years ago and relaxes. This is Wei Wuxian's style of using flashbacks to interrupt the narrative flow. Lan Xichen spent most of Lan Wangji's university years hearing his brother's despair for Wei Wuxian's artistic choices in essay form.

But enough about the past. Lan Xichen settles in to read the first chapter of the story, where Wei Wuxian and his siblings (Jiang Yanli drawn lovingly, Jiang Cheng with a bigger frown and more menacing eyebrows than Lan Xichen remembers) traveled to the Cloud Recesses (the sarcastic nickname Wei Wuxian gave to Lan Qiren's West Vancouver mansion) for cultivator lectures. Lan Xichen is there on the page, too, drawn taller and far more imposing than he is in real life.

The first encounter between Wei Wuxian and Lan Wangji is fantastical and improbable and, according to Lan Xichen's recollection, almost completely accurate. Wei Wuxian had mouthed off at Lan Wangji at the weekend orientation camp for their new arts high school, Lan Wangji glared the boy into submission, then later that night when Wei Wuxian tried to sneak back onto school grounds with alcohol, he and Lan Wangji had gotten into a fight. Verbal, instead of with swords, and without the supernatural murder victims, but Lan Xichen remembered everything else from Lan Wangji's indignant recitation on his return home.

He keeps reading, enjoying the art and the lyrical narration, and keeps enjoying it right up to the scene when Nie Huaisang appears on the page to offer Lan Qiren a present, Meng Yao standing right behind him.

Lan Xichen doesn't remember standing up, but here he is, two feet away from his computer, heart pounding. He hadn't—Why—

What was Meng Yao doing in a story about Wei Wuxian's high school years?

Taking a deep breath, Lan Xichen makes himself return to his desk. As far as he knew, he was the one who introduced Meng Yao to Wei Wuxian and Lan Wangji, when the boys were in university and after he and Meng Yao started dating--

Lan Xichen can feel his heartbeat slow, as he tries to breathe. He needs to stop this foolishness over Meng Yao. They dated before living together for a while, that was all. They broke up. It happens to people all the time.

Wei Wuxian and Lan Wangji were in college for most of that time, anyway, living their lives. They barely knew Meng Yao, even if Wei Wuxian's sister married Meng Yao's half-brother. They couldn't know how badly Lan Xichen had messed up their relationship, how terrible he had been to live with. It was his fault that—

Stop.

Stop.

It's over. In the past. A story that has Meng Yao as a minor character isn't going to mess with Lan Xichen's head. He's not going to let it.

He exhales and makes himself look back at the screen.

Meng Yao only shows up a few more times. For some reason, he's the only character who isn't tagged with his own name. He's there handing over the present to Lan Qiren, standing in front of Nie Huaisang when the Wens arrive, then in two last panels in which he tells the on-screen Lan Xichen that he has to return to Nie Mingjue's side.

Lan Xichen's stomach sours. He and Nie Mingjue had been close, before Meng Yao came into Lan Xichen's life. After that, Lan Xichen hadn't had much time for anyone else. That was normal, Meng Yao always said. People in love only needed each other.

Lan Xichen picks up his phone, then puts it down. He can't ask Lan Wangji about this. It would be weird. Wei Wuxian must just be making artistic narrative choices.

The chapter ends soon after, with Wen Qing and Wen Ning welcomed grudgingly into Cloud Recesses. The next chapter is due up in two weeks, the page declares, and welcomes any comments or feedback. A few people are already posting, gushing over the art work and discussing the teaser from the opening page.

Wanting to be supportive, Lan Xichen writes a small review, complimenting the artistic style, the intricacies of the outfits, poses a query as to the different colour palettes between the first page (dark, red, menacing) and the flashback scenes in Cloud Recesses (light, airy, hopeful), then translates the comment into English and posts both versions up. If Lan Wangji is going though all the trouble of ensuring a bilingual experience, then he will too.

He should go start dinner, he really should, but some part of him is drawn back to the first panel in which Meng Yao appears. He's shorter than Lan Xichen remembers in life, the long hair and braids suiting his face.

It's been so long since Lan Xichen last saw Meng Yao. He's not sure what he's thinking. Is he wistful? Mournful? Sad?

He doesn't know. He never knows what he feels about Meng Yao, which was the problem. He's not normal about feelings. Even Lan Wangji, whose brain is a unique and complicated thing, looking for order and reason and patterns in an illogical and messy world, loves fiercely, feels passionately. Maybe he got all the love in the family, and Lan Xichen got stuck with the stunted and undergrown heart.

Stirring, he pages back to the first appearance of his on-screen twin. The Lan Xichen on the screen looks patient, kind, a smile hiding behind his eyes.

He hadn't realized this is how Wei Wuxian sees him.

He picks up his phone.

> To Wei Wuxian: What an incredible achievement! The art is amazing!

> To Wei Wuxian: Where is the story from? As it's a work of fiction and has nothing to do with your real life ;)

> Wei Wuxian: Oh hahahha the story is a collaboration of a bunch of ideas! I can't tell u more (sworn to secrecy by my collaborators) but so glad you like it!!!!!!

> To Lan Wangji: Did you do the writing? I love the dialogue.

> Lan Wangji: Wei Wuxian did most of the English. I made it better and did the translation.

> To Lan Wangji: Have you told uncle about this project?

> Lan Wangji: He prefers to speak of my composition achievements.

Lan Xichen puts his phone down and rubs his eyes. The old tension between Lan Qiren and Lan Wangji never goes away. It started in high school with Lan Qiren's disapproval of Wei Wuxian, continued into university with Lan Qiren's disapproval of Wei Wuxian as well as Lan Wangji's decision to attend a local university for musical studies instead of going to Julliard in Lan Xichen's footsteps, and outrage at the news that Lan Wangji asked Wei Wuxian to marry him before they even finished their undergraduate degrees.

The resulting years had been a long-standing cold war, with Lan Xichen trying to mediate in the middle. Even the arrival of Lan Yuan on the scene twenty months previous hadn't softened both sides into anything resembling ease.

If Lan Wangji doesn't want to tell their uncle that he and his husband are collaborating on a semi-biographical graphic novel, Lan Xichen isn't going to muddy the waters.

> To Lan Wangji: It sounds like you're enjoying the project.

> Lan Wangji: Working with Wei Ying on any project is enjoyable. I read that couples with young children should try to engage in a mutual hobby outside of parenting.

> To Lan Wangji: Very wise.

He wonders if he should ask about Meng Yao, types out a message to that effect, then deletes it.

> To Lan Wangji: I should start dinner – see you on the weekend for brunch?

>Lan Wangji: Yes.

Lan Xichen puts his phone down. The days are long in August and the sun still bright, but he's tired and he doesn't know why.

~~

anyway that’s where this whole disaster is going. new fandoms are fun. 

[skekheck]

How about an urru rating list? Even though there's not much info on these guys, I like to hear what your opinions are on them. Thank you

FUCK YEAH LET’S GOOOO (and you’re welcome asdf)

1. urVa: Best mystic 10/10. But in all seriousness, the reason why I love him so much is because of the book series. He’s just a sweet grandpa hermit who lives in a hovel and offers you stew or tea. I love the scene where he’s showing Naia how to use a bow even though his was way to big for her. Or how protective he was of both her and Kylan when they saw Tavra’s silhouette from afar. I’m sure he was thinking that might have belonged to someone else. Although their scenes weren’t as plenty, their friendship was very sweet. Not to mention he’s a little more proactive in the gelfling resistance, even stopping other skeksis besides his counterpart (skekLi in Song). I just wish Flames allowed Naia to mourn over him properly. But I’m also not knocking his appearance in AOR: he’s great too I just wish he had more spotlight on him. I want to know more about his friendship with Aughra (how it extends from MalVa) and the complicated relationship he had with skekMal (because there are signs that he had conflicted feelings about his counterpart as he showed genuine sadness over “ending the Hunt”). Also the fact that even despite his age, he’s still strong and stealthy (and apparently good at martial arts) and that’s pretty rad. Also x 2 I love his design it’s really good. urVa is just *chefs kiss* the best. His sacrifice never fails to hurt me, though. Fuck you skekMal, urVa didn’t deserve this.

2. urLii: He’s a really close second. Honestly if he gets significant screen time in future seasons he may take urVa’s place. This is also mainly because of the books, but also from the few things I know about his appearance from the prequel comics. He a little senile cave gremlin taking care of Thra’s old artifacts. I’m still sad that in the comics only Maurda Argot knows about him because it just seems like urLii’s the Grottan’s silly grandpa who tells them stories about the artifacts in the Tomb of Relics. But I’m glad that the two have something similar to Aughra and urVa’s dynamic it’s great. I also seriously love his sense of humor. Like he lightly picks on Ordon for laughs and calls him Ordie.  In the books, it can get pretty dark (making death jokes at his expense) and I love the fact he shares that with skekLi. And speaking of, when urLii and urVa stopped skekLi, the Satirist called the Archer’s bluff when he warned he’d shoot the skeksis if he tried anything. He was playing on urVa’s feelings that the Storyteller would die too, but then urLii dangles himself off from the edge of the cliff like “I will not hesistate, bitch”. There’s a lot to love about urLii. Although I hope he gets his glasses back they looked so cute on him. 

3. urGoh: Gotta love this mystic stoner. To be honest, I think I like him only because I love the dynamic between him and skekGra. I’m not sure if I would like him on his own. But at the same time, I do really enjoy his character. I feel like despite smoking his brains out, he’s being intentionally slow to get on skekGra’s nerves. Also major props to urGoh for helping the Heretic reform because I know it wasn’t easy (he was one of the most dangerous skeksis apparently). Also I like how he used hookah smoke for dramatic fog for his and skekGra’s puppet show. That’s creative. 

4. urSan: She sounds so pretty. Like her outfit matches the color of the Silver Sea, her hair is indigo with white streaks, she’s just... I want to see her. I want to see what her puppet would look like. I like how she’s considered a folk legend among the Sifa and she lives in a lighthouse near by making star charts and maps. And apparently she had occasional visits from skekSa and that’s really interesting considering how fiercely independent the Mariner makes herself out to be. I feel bad for her: her skeksis counterpart is also a dumbass and urSan had to suffer a slow death because of her. Fuck you skekSa, urSan didn’t deserve that. 

5. urSu: So on one hand, urSu is probably the reason the mystics adopted a complacent philosophy and just let the skeksis destroy Thra instead of trying to work or co-exist with them. Also the fact he placed a heavy burden on Jen by basically having him fix their mess because of a prophecy.  So he and the other mystics are just as responsible for what happened on Thra. But on the other hand, I think he understands how much he fucked up and is trying to make amends along with the other mystics by protecting Jen. He didn’t tell the gelfling his destiny right away probably because the boy already had a traumatic experience losing his family he doesn’t want to add to that by telling him he alone must save the world. He wanted Jen to have a normal, happy childhood. UrSu really tried being a good dad to him and I appreciate that. 

6. urSol: I think I’m starting to like him more because of the headcanons I gave him but anyway. The sequel comics states he’s a rebel by mystic standards and after many years of doing nothing he suddenly gets involved with Thra. If Dark Heart is indeed SilSol, I think that’s really interesting that urSol deviates from the main group. I also like how it’s describe that urSol enriches the world around him through words as opposed to skekSil who manipulates it. I feel like urSol has a lot of potential being an interesting character. Also he’s just the softest looking mystic, like a cinnamon roll.

7. urTih: It really sucks being a mystic, but urTih probably got the worst of it besides urSol. Not only is his skeksis stupid, but said skeksis is also a self-mutilator... for science. He also has the funniest death he just blips out of existence because his dumbass counterpart fell down a shaft (which was also super funny). He didn’t deserve it: let him practice alchemy in peace. On the other hand, I also wish urTih was with skekTek because that guy needs something positive in his life (and also tell him to stop vivisecting and creating abominations). 

8. urUtt:

Also I like the fact he can just weave clothes using a system of knots instead of cutting cloth. Making use of all the material and not wasting it that’s rad. UrUtt is also one of the most cinnamon roll looking mystics of the bunch.  

9. urSen: Not going to lie when I read about his passage in the Dark Crystal bestiary I felt so sorry for him. He knew he’d die years in advance and he just isolated himself from the rest. Poor guy I hoped one of the mystics came by to visit him.

10. urAc: He’s pretty cute I like his lil hat. It sounds like he and urUtt work together since he’s the one that created patterns into cloth that incorporate the wearer’s thoughts. Seems very fitting considering their skeksis counterparts are friends.

11. urAmaj: As a common theme in this post I feel bad for him but for different reasons. He’s patient with how he cooks his food, making sure it has a nice balance of flavor and texture as well as nutritious. Yet he can’t make good gelfling food, according to Jen. He’s doing his best Jen leave him be. Also it’s cute that he’s close friends with urNol.

12: urNol: He has one of the most nice sounding names among the mystics. According to TDC Author’s Quest, urNol makes great elixirs and seeds that can grow into anything. Since the mystics are implied to have planted the Great Trees, I wonder if they were urNol’s creations. Also poor guy lost an eye and an arm, but I guess it could be much worse.

13: urIm: I like that he’s known for being a healer, but is the only mystic that knows something called a death trance. I just think that juxtaposition is very interesting. Also I’m wondering if he was the mystic responsible for teaching the Dousan the mystic ways?

14: urZah: Once again I feel bad for another mystic, the fact that he has to be associated with the absolute worst skeksis. Also I want to know why he’s so distrustful, even with the other mystics.

15: urYod: I always confuse his name with urNol’s for some reason, which is weird because his name kinda rhymes with “Shod”. So apparently ShodYod helped Aughra in her observatory? I wonder if urYod ever had a friendship with her at the beginning. 

16: urMa: Poor bastard there’s literally nothing about him. Hopefully he gets a page in the bestiary. 

17: urYa and urHom: Even more poor bastards they never even made it that far after the Great Division. For some reason, urHom is the only one with a confirmed title. 

[remnant-roses]

Issues with Issue 12

I've been seeing a lot of disdain directed at the RWBY DC comics lately, and was reluctant to throw my hat in that ring.

Sure, they weren't quite what I expected when I saw a name like DC on the cover. I'd hoped for a grand superhero adventure arc, with lots of cool action. And what we got was low stakes, one-off character explorations. But hey, I don't hate those! It's the kind of thing I like to delve into with my own fics and comics, so far be it from me to turn my nose up at canonical offerings. Besides, I find these character explorations far more relevant than the fanservicey silliness of the Official Manga Anthologies, and I still own all 4 of those anyways.

And yeah, there's been some continuity hiccups that make it clear that the writers/artists aren't 100% clear on actual RWBY canon (like showing Taiyang cheerfully waving goodbye as Ruby walks away with JNR, when we all know she ran away from home, much to her father's dismay), but I was willing to look past that. It's a lot of lore to get through, and they're busy people. They can't all hyperfocus on one franchise and let it consume their every waking thought, like... y'know, me...

But if there's one thing I can't look past, it's editing oversights. Issue 12 had two glaring mishaps in the form of miscolored panels that had the unfortunate effect of neutering absolutely all dramatic tension in the narrative.

The story this issue centers around Blake talking to a fellow cat Faunus, an older blonde woman with green eyes named Clementine.

Clearly, there were some miscommunications with the art direction. I've edited out the text to avoid spoilers, but that third panel below? That's supposed to still be Blake. It's her line being spoken, and arguably one of the most powerful lines she delivers in the issue. And it's... colored as if she were Clementine, instead.

The same problem happens in reverse a few pages later. The panel below is supposed to be Clementine (observe the wrinkles under the eyes, and different direction to the bangs), delivering a surprise twist in the narrative - completely undercut by the confusion that abounds as the reader wonders why the hell Blake is saying it.

Now, as an artist, I understand this. The pencils, inks, colors and lettering are all generally done by separate people. Without much context to go off of, it would be easy for the colorist to mix up which of the two extremely similar women are pictured.

However, somebody outside the pipeline absolutely should have caught the mixup before it went to print. The miscolored panels pop the reader out of the story and disrupt what was otherwise a well-written conversation about redemption and forgiveness.

Plus, just... typos.

Andrew, please. You're killing me here.

[hermannsthumb]

75, but kinda like a secuel to your fic for 3?

halloween is over which means it’s officially that time of year where i watch a bunch of shitty hallmark movies as background noise and imagine newt and hermann in all the romantic scenarios instead........AND revisit all my leftover winter ficlet prompts from last year! the op of the original prompt list has since moved to pillowfort so i’ll link the list from there instead. this one is a sequel to one i wrote last year (one of my favorites of my own imo) w/ cool uncle hermann and hot single middleschool science teacher newt found here

75. our first date is spent walking around our small town holding hands and talking as soft snow falls around us 

from winter writing prompts here

--------------------------------------------

It gets dark before long, and--following a quick text from Karla informing Hermann she’s finished her errands and is on her way to pick the three of them up--Hermann decides he ought to round up her kids. The string lights hung around the ice rink have flickered to life, and between them, the haze of the falling snow, and the fresh piles of it gathering atop the nearby pine trees, it makes for a strangely pretty picture.

The snow flecking Dr. Geiszler’s eyelashes makes for a pretty picture, too.

“I’ll get them,” he says, when Hermann stretches his stuff limbs with a groan and prepares to trek back across the snow. He stills Hermann with a hand to his arm. He’s still wearing the silly mittens. “No offense, dude, but they’ll definitely listen to me more than you.” He waggles his eyebrows and gestures to himself with his thumb. “Teacher.”

Hermann nods and sags back against the railing. He wasn’t fancying the idea of shaking life back into his frozen joints and shouting himself hoarse anyway. “Thank you, Dr. Geiszler.”’

“Newt,” Geiszler corrects with a wink. “You wanna hang back with me so we can get that coffee? My apartment’s only a few minutes away, I can give you a ride to your sister’s afterwards.”

“Oh,” Hermann says. “Yes, if you wouldn’t mind.” Truthfully, he hadn’t expected Geiszler to make good on his invitation. Hermann isn’t the sort who gets asked out on spur-of-the-moment dates, especially not by cute, scruffy strangers; it seemed too good to be true.

“Be a second,” Geiszler says, and then cups his hands around his mouth and bellows, “Hey, guys, over here in five minutes or you’re on lab clean-up duty for all of January!”

This gets their attention. Fast. After a minor setback involving a missing hat (found, as it were, in a snowbank on the other side of the railing), they’re ready to go with time to spare when Karla’s car pulls up at the curb. She rolls down the passenger window while her children (pushing aside shopping bags and flinging in wet coats) clamber into the backseat, and waves at Hermann. “Did you have fun?” she says.

“Oh, loads of it,” Hermann says, sarcastically. Karla grants him a small, amused smile. (You’d be hard-pressed to get much more out of a Gottlieb, really. Hermann often envies her children for how easily mirth comes to them.)

“Well, your torture is over at last,” Karla says. “Get in. I got Indian takeaway for dinner.”

Behind Hermann, Geiszler coughs, and Hermann flushes. He hadn’t forgotten Geiszler--not by any means--but he’s not quite sure how to explain I have a date to his sister in terms that don’t use the word date. Date carries an awful lot of baggage. “Ah, actually,” he says. His voice sounds falsely casual even to his own ears. “That won’t be--necessary. Dr. Geiszler has offered to take me home.”

“Hi,” Geiszler says.

Karla peers around Hermann and narrows her eyes. “You played the piano at the winter program,” she says.

“Sure did,” Geiszler says. “I organized the whole thing, too.”

“Dr. Geiszler is going on a date with Uncle Hermann,” Hermann’s niece informs her mother solemnly. 

“It’s coffee,” Hermann says quickly. “Only coffee.”

“Coffee and a ride back on my motorcycle,” Geiszler confirms.

Motorcycle? Karla nods slowly. “Of course.” The window rolls back up, but not before--like he’s still her kid brother, and she’s caught him sneaking out the back door at midnight to meet up with a boyfriend all over again--she calls out “Don’t stay out too late, Hermann!”

Her car peels away.

Geiszler sticks out his hand. Hermann takes it.

The coffee shop Geiszler takes him to is two blocks away on main street, kitschy and tacky as anything from the outside, and has, predictably, closed early by the time they get there. The sign in the window blames it on the inclement weather. Geiszler scuffs his unlaced boot against the snowy sidewalk and groans. “Well, fuck,” he says. “Sorry. I guess there’s always Starbucks. This place rocks, though, I wanted you to see it.”

Hermann gives his hand a consolatory squeeze. “Oh, I don’t need coffee, anyway,” he says. “The cup you bought me at the rink was just fine.”

“The cup I bought you at the rink tasted like shit,” Geiszler says.

“It was fine,” Hermann says.

“Dinner, then,” Geiszler says, peering up the street at whatever still has its lights on. Most of the businesses, Hermann realizes (from the Indian place Karla ordered from, the antique shop, the used bookstore) have closed early tonight. There’s a single diner, equally kitschy-looking, still lit up with neon. “Do you like…” He hums. “...Hamburgers?”

“Not particularly.”

“Neither do I,” Geiszler admits. “What about--”

“How about we just take a walk, Dr. Geiszler?” Hermann cuts across. “I’m really not that hungry, and it’s...a nice night.” It is, really: fluffy snow, and old-fashioned lamp posts, and not a car in sight. Geiszler’s rainbow flappy hat and lumpy mittens. 

“It’s Newt, dude. Newt,” Geiszler insists, but he links their arms together with a smile.

They make their way back down to the park that houses the skating rink--now also closed for the night--and start down a small, well-lit path. “So what’s the infamous Uncle Hermann doing in all the way over here?” Geiszler says. “The kids said you teach in England.” He nudges their shoulders together and grins. “You don’t exactly sound like a local, anyway.”

“Winter holiday,” Hermann says. “I’ve a month off of work, and nothing to do with myself, really, and I don’t see my sister all too often--well, she thought it’d be good for us if I came to stay. For me. What’s a scientist doing at a middleschool hosting winter programs?”

Geiszler laughs. “The arts are important, man!”

“But a middleschool--out of everything you could be doing--”

“I like it,” Geiszler says. “It’s--I don’t know. Fun. I like teaching kids. Like I’m shaping scientists of the future or whatever.” Hermann hums, skeptically, and Geiszler sticks his tongue out. “Okay, I know that was corny. Shut up.”

They loop the whole of the park, hand-in-hand, and talk about the most inconsequential things: the weather (the first snowfall Hermann’s witnessed this December), their research (Geiszler is astoundingly intelligent, with a comical amount of PhDs), Geiszler’s mittens (personally hand-knitted after all), how much longer Hermann is in town for (until mid-January), how Geiszler ended up at that middleschool in the first place (he moved to town to be near his father, and they were hiring for Earth Science and Music). Their footprints have entirely disappeared under fresh snow when they make it back to the ice rink. It’s far later than Hermann realized, too; the large clock hanging at the front booth reads a quarter past ten.

“I guess I should take you back to your sister’s,” Geiszler says. He points in the opposite direction of where they walked main street before. “I’m down that way. I--”

He doesn’t get to finish, because Hermann (feeling pleasant and bold) leans in and brushes a kiss against his cheek. It’s cold and scratchy with his stubble. “I would like to do this again,” Hermann says, while Geiszler blushes and gapes. His glasses have slid all the way down his nose. Hermann pushes them back up for him. “If you’re amenable.”

“Wow,” Geiszler says, giddily. “Sure. Okay. Hah!”

Then he steps directly onto a patch of ice and slips and falls on his face.

Luckily, he hits the snow, though he does lay there for some time and groan. It’s a bit dramatic. Hermann pokes the small of his back with his cane once he starts to get bored. “Are you alright, Newt?”

Geiszler groans again, though with a distinctly affirmative flair, and rolls over. “You called me Newt,” he says. He pushes his glasses back up again.

“I did,” Hermann says, with a very small smile. Then he shivers. The chilly air has gotten a lot more noticeable now that he’s standing still. “Now please get up and take me home before we both freeze to death.”

“Cool, okay.”

[mobius-prime]

192. Sonic the Hedgehog #124

Sonic Adventure 2.5: Λlphλ

Writer: Karl Bollers Pencils: J. Axer and Steven Butler Colors: Jason Jensen

All right everyone, we've finally made it to the "Endgame" of the fourth era! While it's not quite as epic and game-changing, this story, spanning this issue and the next, alters the setting and the plot quite a bit, and also sees the return of Shadow the Hedgehog, whom we only got to see a quick cameo of back in Sonic Adventure 2. Also, amusingly, the word "Alpha" in the title is actually spelled with the Greek letter Lambda, not the actual letter Alpha. I know it's for the Aesthetic™ and all, but it's still funny. But anyway, let's jump in and see what this era's finale has in store for us!

So first, we learn the story of how Shadow survived his fall from orbit. Turns out, he didn't actually fall at all! Before he entered the atmosphere, he was caught in a beam from an alien spaceship, and brought aboard.

Well now, isn't this interesting! These are the same aliens that transformed Eggman and Snively back to their organic forms a few issues ago. It seems they're quite interested in meddling in the affairs of the planet, for whatever reason, and now they're using Shadow as a method of escaping from a second spaceship full of different aliens who appear to be quite aggressive. Shadow tries to fight back against them, but the ship hits him with an energy beam, and he begins to lose consciousness once again, falling back towards the atmosphere just as before. Meanwhile back in Knothole, Sonic wakes up, seemingly excited about something big today. He races to Knothole Castle where he kisses Sally hello, the two now openly dating now that they've admitted their true feelings for each other. She asks him if he's ready to "pop the question," to which he says he… is… wait, what question is this, Sally?! You can't mean…

At the same time, in Station Square, the president finds himself contacted by Eggman, who tries to make him a deal to become allies in exchange for advanced technology and protection. Of course, he's trying to propose an alliance to the same people who literally nuked his city because they didn't like him, so this goes about as well as you expect. Naturally, Eggman doesn't like this response one bit.

Rouge swoops in to save the president and his driver as the car careens into a river, but just as they think they've escaped danger, the entire false sky above the city shatters under the attack from a mysterious foe… But before we find out who has done this, it's time to find out what question Sonic is supposed to be asking.

…okay, honestly, this is just bizarre to me. I get that absolute monarchies tend to want to marry their heirs off young to secure alliances, but really? These two haven't even properly dated yet, beyond a little these past months (as at least a couple months are implied to have passed since Sally's kidnapping), and now at the age of sixteen they're planning a future wedding? This entire bit seems so weirdly out of character for both Sally and Sonic, if you ask me. The comic has flirted with the idea of marriage between the two in the past, but that was mostly during the earlier issues when each story was only focused on being silly and telling a funny, self-contained story. Obviously, these two have had a deep crush on each other for years now, and have a lot of chemistry in their own way, but a de facto engagement between the two of them is just strange. Sally is much more pragmatic than that, having broken off a potential relationship once before in favor of focusing on her official duties, and as for Sonic, we've been directly shown before that he's flighty, afraid of commitment, and generally prefers casual friendships to heavily romantic relationships. Now, this might make more sense if you instead view it as an announcement of convenience, a plot concocted by the both of them to get Sally's parents off her back about being married off to a "suitable partner" as the future ruler of the kingdom. If it were portrayed this way, then maybe I could give this a pass. But we're given no such inkling that it's anything other than exactly what it appears to be. And that, to me, makes this plot point a completely bizarre departure from the usual attitudes of both these characters to romance and relationships. Even weirder, as we'll see, this doesn't even affect the plot of the comic at all in future issues - while there's a reference to it here and there, it's nothing plot-important and could have easily been written out without much trouble.

Anyway, Sonic runs out to investigate the boom only to find Shadow lying in a crater outside the castle. Man, lucky for him that he just so happened to land here instead of literally anywhere else, huh? Sonic approaches him and Shadow lashes out in confusion, knocking Sonic aside, before coming to and apologizing. All this does is rile Sonic up and he tries to attack Shadow in retaliation. Really, Sonic? You thought Shadow was freaking dead, and the moment you see him again you try to punch his lights out? Sally, luckily, steps in to reprimand him for his behavior, and Nicole contacts her, telling her there's an emergency message for them back at the castle. The Freedom Fighters, along with Shadow, follow her back in, where both Eggman and Rouge contact the royal family simultaneously, each claiming their cities have been attacked by an overwhelmingly strong foe. Shadow confirms that this is likely an attack from the same vessel he had just been fighting, but then… something happens. A telepathic message spreads out across the globe, echoing in the minds of every single sentient being on the planet, demanding the attention of the "inhabitants of planet Earth…"

Well, this is bad. And now, they're back to finish what they started… Eggman panics and tries to immediately get King Max to agree to an alliance of convenience, but Max cuts him off without another word, justifying his actions to his shocked onlookers as making sure Eggman is good and ready to accept a truce on his terms by making him sweat a bit first. Sonic expresses confusion that the aliens seem to be confusing Mobius with another planet called Earth, but they get a call from Angel Island at that moment where Locke offers his assistance. Of course the Freedom Fighters ask about Knuckles, and he sorrowfully informs them that he's dead. They're shocked and saddened, but don't have time to mourn, as they have to prove the Xorda wrong about their planet. Sally begins some research into the history of the planet, but Hope unexpectedly steps forward, offering her own insight into how the Xorda ended up here in the first place.

Oh boy, Shadow, I sense we're going to have some emotional turmoil over Hope in our future. Also, I just wanna note that this issue claims that the Xorda were last here three thousand years ago, but future issues retcon this into twelve thousand years. Anyway, Sally soon discovers something shocking in her research… Mobius and Earth are, in fact, the same planet!

This. Is. It! This is the big reveal that I've been so carefully dancing around for almost two hundred issues! I have been meticulously wording every reference to Mobius being an "Earth-like planet" to be spoiler-free but also totally accurate in the light of this reveal. Yes, ladies, gents and enbies, the Archie Sonic preboot takes place twelve thousand years into our own future. The first Xorda invasion was, in fact, the first recorded Day of Fury, which is why it's recorded as having wiped out nearly all life on the planet. And this is also the origin of the split between five fingered humans, and four fingered Overlanders. The humans survived underground, unaffected by the gene bombs dropped by the Xorda, while the Overlanders are the result of, essentially, re-evolved humans that were affected by the gene bombs. And as for Mobians? Well, we are talking about a weapon called a gene bomb, so Mobians obviously came about through severe mutations caused by said bombs, eventually becoming the dominant species of the planet! This is why the planet's continents look very similar to those of Earth, with the differences easily explained by not only twelve thousand years of continental drift, but the massive geographical alterations that such a dramatic cataclysm would have caused on the planet. All those old references to previous Earth civilizations exist because those things actually happened, even if the people making said references no longer know what the Confederate States were, or who the Aborigines were. I know this reveal wasn't particularly liked by a lot of readers, and certainly without the context of the previous two hundred issues it sounds downright absurd (hell, even with the context it kind of does), but in the end my personal opinion is that this was a bit of a masterstroke on Karl's part. It's a great way to tie a lot of old plot threads together and develop a more cohesive and solid history for Mobius as a planet, and ultimately provides us with a more clear timeline of events for the various races and civilizations of the world. And it's all thanks to a species of creepy vengeful Mother Brain octopus alien things deciding to commit genocide!

Afterlife (Part Four)

Writer: Ken Penders Pencils: Art Mawhinney Colors: J. Jensen

So, Kenders. With the big milestone issue fast approaching, is there anything you wanna add in this next installment of Afterlife? Like, perhaps, finally addressing what exactly is supposed to, y'know, happen in the afterlife? Knuckles certainly wants to know, having spent the last two issues doing nothing but reliving his entire previous life verbatim. Aurora explains that though he feels it's unfair that he died, it was unavoidable, as he simply came into his power too quickly and couldn't temper it or learn to control it quickly enough to pull off his saving-Dimitri stunt without essentially going supernova.

This part actually does interest me, because Knuckles' reaction implies that until now, the fact of his death hasn't fully sunken in. He seems to be under the impression that he can come back from it and just resume his life where he left off, instead of traveling onward into the next phase of life. Aurora apologizes and explains that everyone only gets one chance at life, and beckons him toward the mystical portal to the Chaos Force. Knuckles requests only one more thing, to become his normal red self once more, and when Aurora gently corrects him that he doesn't need her help for that, he finds himself instantly back to his old color scheme with a mere thought, which raises the minor question of whether he would have been able to revert back to red all along, or whether it's due to the malleable nature of existence in the afterlife that he's able to do so now. Regardless, the reign of Green Knuckles over the comic's B-stories has finally ended, and Rad Red steps into the portal, ready to claim his destiny. And thus, we get ready to say goodbye to our favorite echidna once and for all, as he takes his place amongst the… wait, hang on a second…

Good old Athair! I missed you, buddy. Aurora tries to argue that Knuckles should still advance forward into the Chaos Force, but Athair merely frowns and crosses his arms, leaving the ending of this story ambiguous… and ripe for a true conclusion next issue, as we hit another major milestone in the history of the comic!

[idontworkforsega]

Wow, how many did I scavenged?

And also, I should’ve done this in the first place (silly me)

“Sonic!Boom head canon: Sonic, with Valentines’ Day approaching, asks Sticks if Amy has mentioned anything to her about wanting Sonic to do something for her (and of course she has). Sticks, however, mixes up what Amy has said, and chaos ensues. (What do you think?)” | “Could you do a knuckles-and-sticks headcanon: possibly sticks needs someone to go on a hunt/chase after something whacky, and the others are too grounded to believe her? I’m intrigued as to how sticks will get along with the others ;) thanks!” | “For the prompt meme: #1 with SonAmy, please? And could I please have it in the cyborg Sonic AU I explained to you in message? Thank you <3” | “for a promp, how about the Sonic Boom Picnic? How did Amy convince Sonic(or maybe Sonic was the one to ask but wanted to act cool about it) to go on it? What happened before Orbot ruined it and after?” | “May I request something like Boom!Amy on the spotlight? Or anything that involves Amy taking the attention away. Believe me, we all had that phase where we want a character to be on the center stage. Your fics are awesome btw! :-)” | “Hi! I have a prompt, however it’s a little different than the ones you have been given. Here it goes: Sonic, Knuckles, Tails, and Amy venture to Blaze’s world to help her and Silver with something (you can feel free to be creative in regards to what this something is) It isn’t necessarily a SonAmy prompt, but some hints would be appreciated ;) Have fun with it! 😊” | “Oh, you’re doing a prompt! It’s really hard to choose, but I would ask for sonamy in #4 (amy is the angry one ofc haha) or #5 (sonic is saying that)? I can imagine a situation like those! :D and thanks!” | “Soooo I was wondering, maybe you could write a kinda story about Sonic and Amy being a lil bit older (so amy is not 12 lol, maybe shes 16?) and being secret lovers? I dont mind if they’re actually dating or not, but it would be so cool if they had these "make up sessions” in secret or something. If you can set it up in Modern, please? Thanks!“ | "ok ok hun, sweetie, you… you have to continue that prompt! please!!! you know the one with the new character in Sonic Forces and is evil and Amy Rose and Sonic coming for her BUT SHE IS NOT THERE HE TOOK HER WAY omg I need more of that!!! PLEASE I’LL GIVE YOU ANYTHING </3” | “What’s your ideal Sonamy hint that could be in Forces? Not like a love confession, something that is actually somewhat feasible to see in a Sonic game. Love your blog!” | “Can you do a boom sonamy prompt? Like sonic realizing he likes amy? And she is kinda like "whaaaats goin on?” just a collection of sonic acting adorable and embarassed around her is good for me :)“ | "I’ve had this idea for a while but imagine a more mature sonamy (& by mature i mean older like in their early adulthood or something xD) , like sonic coming to terms with his feelings for amy and deciding to do something about it perhaps? i trust you fully with this and your amazing capability to write! (You don’t have to do it if you don’t want to but i would just loveeeee to see it) You’re the best my pal !” | “Hi! If you aren’t too busy, would you mind writing a modern or classic (your pick) sonamy prompt? So, a new hedgehog arrives, and *somehow* falls madly in love with Amy. And Amy, being the person she is, is flustered, but is still loyal to Sonic. You know. 😅 And during this, Sonic is annoyed and maybe even a biy jelly. Again, please write this whenever you feel like, because I wouldn’t mind, and don’t want to be a burden. Thank you! :)” | “Ok, are you still doing Sonamy prompts? ‘cause if you are, here’s a 'silly’ one: Remember how you said you wanted to do an actual GOOD SonamyShad love triangle? Ok. Now, have you heard 'Satisfied’ from the Hamilton musical? There, see. Eliza is Amy, but if you want to, you can switch Sonic and Shadow for Alexander or Angelica, you can make Shadow the outcast or you can do a platonic/romantic Sonamy where he is the outcast! (not sonadow) IDK, I just love the feels. :’) You’re the best!” | “Hey this is kinda random, but how would Amy react to the custom character asking for love advice or something?” | “Here’s a sad Sonamy AU: Years later, Amy has move on from Sonic and only sees him as a close friend. While he just does his own thing, he ends up falling for her, but nobody knows this and he fakes his way through. He helps Amy and she ends up marrying, He’s sad but still can pull off a smile. She asks him to dance but he despises slow dances, she offers to teach him and he gives up. Some blushy moments later and he accidently confesses his love for her. What’s next is up to you. ;) (Not Boom)” | “Do you know that thing where people say if you ignore a guy they’ll notice you more? Do you think you could do a prompt of someone telling Amy that and she attempts it on Sonic, only to take it too far and have Sonic go in a downward spiral of longing?” | “Hey! I really love your prompts! They make my day! I was thinking…have you seen that boom!sonamy comic where they’re in a cave on a mission and Sonic is expecting Amy to maybe try to flirt with him? Could it be something along those lines? It’s ok if you don’t do this, I’m sure you have plenty other requests too lol I’ve been craving some good sonamy fics and who better to go to than you? ;)” | “If you’re still doing prompts off of pictures I was wondering if you could do one with this? It doesn’t have to follow it exactly, just the idea of Amy going super would be great ^^” (Art Prompt Trade from @mangaanonymous) | “OK so I need you to find some prompt memes that I can pick from for you to write shadamy and sonamy to cuz I got a craving now thanks to you 😃��� | “Amy kicked and squirmed, being held perfectly horizontal in the clutches of the giant robot…” <- first sentence of the prompt | “Tryin’ to keep it Canon” | “Can I have some more jealous boom!Sonic please? I like seeing him fuss over Amy, it’s quite adorable xD (btw your Sly Cooper au’s are the best things to happen to me :D)” | “Can you do a boom!sonamy prompt about sonic and amy raising a child? I don’t think you have done this before, have you?” | “Modern Amy: Just tell me! ~ Boom!Amy: I-pfft! I have no idea what you’re even talking about! -shifts in seat-” Does chats like this also counts? | “Could you maybe write a Boom!sonamy prompt where Sonic and Amy are flirting or arguing and knuckles and Tails are getting quite annoyed and so one of them yells "just start dating already” and things get awkward? Thank you!!“ | "Sonic: Tails? What even is Sonamy, anyway?” | “Maybe you could do a prompt of everyone playing a board game that Amy has." 

That’s all I got…

~For now *sneers

Stay awesome Miss Marya <3

---------------------------------------------------------

My dear, you are amazing, thank you!

However, can you please send me these in small turns? I’m afraid it’s too much and I can’t just go through Mayra’s stuff and find all these prompts and come back to this and remember which ones I have found and which I haven’t... I lose my spot.

If any of you wonderful Cuties (What Mayra call her followers) find any of these prompts and check the notes to see that ‘Idontworkforsega’ (Me) hasn’t reblogged them yet, could you please send a link or a way to search the prompt to me? I would be very grateful!

I know there are many prompts out there I haven’t gotten to yet, and your help means the world to me and Cutegirlmayra! But I just need help in sorting these out in smaller submissions or asks instead of all at once. And an easier way to find them would be appreciated!

Thank you for your hard work, you’re amazing, it truly shows we all want Mayra’s handiwork safe and sound somewhere. I’m hard at work right there with you!

[franeridart]

Oh man, I'm just imagining that there's so many close brushes with kiribaku almost realizing or almost being in positions to find out that the other is a vigilante-- an injury and no way to get into contact with Jack or Mina-- a rainstorm washing Kiri's dye away on the job. I think it'd be especially funny if he thought for a minute that Kiri was bleeding but then Kiri is like "UH GOTTA GO ITS NOT BLOOD" and he realizes it's red hair dye

Oh Kirishima sort of already suspects it’s Bakugou - more or less? He’s in the process of starting to suspect it, at least lol for being someone who really doesn’t want to be found out Bakugou’s more carefree in his disguise than Kirishima is (his hair is a pretty obvious giveaway, for example, thought Bakugou relies a lot on the ‘attacking and running’ strategy, so in his mind all he gotta do is just not be seen by anyone at all lol) compared to Kiri he gets bruised and beaten up way more too (Kiri’s hardening makes it easy for him to avoid that in general) - Kiri’s noticing Bakugou’s bruises and his vigilante friend’s bruises match up a whole damn lot, so he’s starting to figure that one out

Bakugou’s a dumbass tho (read: he doesn’t really look at people he isn’t particularly interested in) so for him it’s gonna take a while haha

Anon said: If in vigilantes au Bakugou and jirou are just friends why do they live together and hug like a couple?

They’re best friends, and sometimes when your best friend is going through a real rough heartbreak and he’s in literal tears over it, you might be nice enough to offer your back for him to hide his face in and let him pretend he isn’t currently breaking down on you. Sometimes, you like a person in a platonic way enough to emotionally support them as best as you can when they’re at their lowest. It. Sort of happens between best friends, now and again. You don’t really need to want in someone’s pants to care about them.

They live together cause they started working together as vigilantes when they were in high school, and once they moved up to college they found it a good idea to have someone back home who knew about what they were doing to treat eventual wounds, since they can’t go to the hospital! Also the rent is cheaper this way

Anon said:Can you draw more comics of childhood kiribaku? You’re art is sooo cute 💓

It’s something I’ve regularly kept on going back on for years by now, so sure, it’ll probably happen! And thank you!

Anon said:OH MY GOD. Please tell me you will make an official webcomic of your Vigilante AU. It’s so beautiful, cute and I definitely need more of this. It’s like a drug that I did not know I needed until I read your concept(????). BTW, your art is soooo pretty. Thank you so much for drawing KiriBaku ❤❤❤❤❤❤❤❤❤❤❤

Ahhh I’m really happy to hear you like it! For personal reasons I’ve decided that making a cohesive, coherent succession of comics isn’t something I want to do, but I think I’ll draw more of that AU soon enough, snapshots and things like that! I hope that’s good enogh for you~

Anon said:May I request a pissed kiri??

Didn’t I draw that less than 10 posts ago

Anon said:Hey, I rlly admire you! I wish we were friends, you seem rlly nice!!

Thank you!!! The few close friends I have might tell you I’m actually not that great at the whole friends thing, but I appreciate the feeling a lot! :D

Anon said:Were Kirishima’s eyes red in the last panel of the last comic??

Yep :( he really does like Bakugou, after all

Anon said:I saw you answering the other anon and if I may ask, why posting the gem au was a big mistake? Were pol rude with you? If it’s so, I’m sorry abt it

Anon said:You said that posting your SU AU stuff was the biggest mistake you ever made… is it because of something that we, as viewers and worshippers of your KiriBaku (damn, I’ll never stop telling you it’s cute and adorable and it hurts but it’s also sweet), can help NOT doing? Or is there anything we can do?

It’s okay, it just got in the hands of people who don’t particularly like Bakugou, and these people started talking about the AU in less than nice terms, which was honestly pretty ridiculous and made me wonder how people can survive being alive on this earth when they consider Steven Universe sensitive material but either way it brought around in my activities a bunch of people I would have preferred not to interact with ever, and that sort of took the fun out of the AU? Now every time I think about drawing for it those people come back up in my head and I get annoyed all over again, it’s no fun

Anon said:are you still doing the fusion au? id love to see kaminari and shinsou

I’m not, sorry! Though someone did ask about baku and mineta and I’ve been thinking about drawing that horrible monster since then, and I’ve also been wanting to redesign the krbk fusion, so maybe I might get back to it ??? I’ll add shin*kami to the list haha

Anon said:I really like the relationship Jack and Bakugou have, and the angst is nice too! I really like the vigilatne AU! I hope we can see more of it, only if you feel like it of course!

Thank you so much ;;;

Anon said:Silly question. If Kirishima activated his quirk being in water. Would he float like wood, or he’d drown like a rock? >//w//

Oh, I’m pretty sure he’d go down since his quirk makes him into a rock haha

Anon said:I think this is around the eighth anonymous ask I send you, but being a porn-making Tumblr user, it’s better if I don’t go public. I just wanted to say, once again, that I love your KiriBaku, it makes me both ache and feel so warm and fuzzy inside; but right now, the focus is that Bakugou’s crying face against Jack’s back is just so good, expressive and painful. I often hate his guts, but yours I can never hate. And the sheer intensity of that expression, and the environment too… so many feels

Aw, thank you!!! I’m glad I can make you enjoy my fav character, anon :D !!

Anon said:I have a question about the vigilante AU. What’s the relationship between jirou and bakugou? Because they don’t look like just friends

Why don’t they look like just friends tho

Anon said:Hypothetically. How would Bakugou react (or what would he do) if Kirishima stopped showing interest in him?

Are we talking about a specific AU or is this meant for the canon universe? Well, either way I’d say he’d be pretty hurt, but it’s not like he can force Kirishima to like him can he. Ah, in the vigilantes AU he’d probably think it’s for the best even if he’d hurt a lot over it, but in canon and most other AUs I like to think he’d try to fix it somehow? Unless he has other reasons to not act on his feelings for Kirishima… gosh this is a vague question, there are so many possibilities really!

Anon said:🧡Hi Fran! I’m pretty sure you’re the one who introduced this concept to me so I wanted to say thanks! Touch starved Bakugou and super cuddly Bakugou are totally my fave, especially when you have him all curled up with Jirou! Having them be Mina and Kiri level besties makes so much sense and I love you for introducing that thought to me!!!🧡

I’m!!!!!!!!!!! so happy to hear that!!!!!!!!!!!!! ;O;

Anon said:in your vigilante au, Kiri has a scar, does Bakugo ever notice the scar?(curious if it reminds him of Red or nah, love yur art btw~~

When he’s not doing vigilantes work it’s actually hidden by the hair, so Bakugou never noticed! But if he were to notice he’d probably mark it down as a Kiri thing and leave it at that, as I said he’s not the most observant when he’s not particularly interested in someone so he hasn’t really registered it on Red’s face anyway haha

Anon said:I RLLY LOVE YOUR AU!! I haven’t found an AU in this fandom I’m rlly into but THIS IS SOCUTE??? will there be more?

Heck I sure hope so!! Thank you for liking it!!!

Anon said:hey for the anon you were looking for an outrageous ship to draw to test out their theory, try Tokoyami and Link (legend of Zelda link) cuz I just saw cosplayers of them hardcore dancing at dragoncon and I die every time I think about it. You can find a video of it on quirk-registration-office​  

…………………..I’m probably never gonna draw that ngl LMAO BUT this ask made me wanna draw Tokoyami as a Rito so I guess that’s ???? something that might happen instead heck that’s a good concept I should have thought about earlier

Anon said:I absolutely love your art its soon amazing and I really like the vigilantly au but take care of yourself okay

I dunno what I did to make you worry about me but thank you so much for it? I’ll try my best !!!! And thank you for liking my doodles too!!! ;^;

Anon said:Do you know about any fanfics based in your art?? (Idk if that’s grammatically correct sorry 😅)

Hmmmmmmmmmm there are a few but the only one that comes to mind right now is such a funny pair !!! boy ellen’s fics are always so damn amazing, I still can’t believe she wrote for me ;^;

[pomegranate-salad]

Seeds of thought : DIE #2

Hey everyone ! So many works I need to be SOTing right now. I decided to prioritize this, because well, new comic, needs all the attention. Plus, everytime an issue gets sold out, we get a new cover from Stephanie Hans. I live for them now. Anyway, spoilers of course, enjoy my thoughts and opinion under the cut.

HINDSIGHT IS D20/D20

 When I was a kid, I had this French comic in which they had a page that asked : “what happens after a movie ends ?” and there were a series of vignettes that answered that question in a proper humorous fashion. For example, one of these vignettes showed the last scene of a movie where a car of the heroic lovers drove in the middle of the road into the sunset onto their bright future. The next panel showed the two lovers in court, and the judge saying : “bright future or not, you crossed the lane line and I’m revoking your licence”.

 When I was seven, as most things do when you’re seven, it blew my mind. Nevertheless, this silly comic highlighted the universal, unbreakable truth of all stories : when it’s over, it’s over. There’s no more. And even today, as fanfiction has become its own genre, as no comedy is complete without a fourth wall break, when you close a book, when you turn off the TV, nothing can happen anymore. There is what the story implies will or might happen next, but sooner or later, you reach the point where you exhaust whatever the story contains of foreseeing. Each story writes its own last will ; but whatever happens after that, the story is dead : it still exist, but it won’t move forward, it won’t go back, it won’t do anything at all because it has stopped being able to do anything with itself. The only way for more to happen is for the author to write more. But that inevitably means writing a different story.

And that’s why, as sad as I could have been to leave a story I loved behind, for me there was always a sort of relief that came with reaching the end of a story : the relief that came from complete stillness. Because there’s no more, there’s no more pain, there’s no more stress, there’s no more excitement even, there’s no more reason to be alarmed at all. No reason be involved at all. Only when we reach the end of a story, can we be free from it. Outside of the contraption of the story, the characters’ actions don’t exist. THEY don’t exist. And you definitely know where I’m going with this.

 The genius of DIE is not to take us to an elaborate gritty deconstructive fantasy RPG world. The genius of DIE is to take us back to it. Back to the story that’s already ended. Yes, I know I said in my last SOT that I didn’t think the characters were over their first visit in DIE by any means. The story of Ash and the gang is not over (by the way, I’m just going to call him Ash and use he/him pronouns until we get more on this issue, if needed I’ll edit accordingly). But functionally, narratively, the story of DIE the world, DIE the tabletop campaign, is over. The heroes arrived, the heroes did some shit, the heroes left. The story welcomed them and then the story ended. More than that, the story ended and nothing came to replace it. Sol’s speech is not the only thing that happens when thoughts curl up. The entire DIE world the gang is now in is nothing but a giant curl up. A new story did not emerge from the same setup. Sol just dug up the corpse of the old one and smeared make-up all over it.

The return of the heroes in a fantasy world they once knew is not a ground-breaking idea in fantasy by any means – I mean, Narnia did it. But in the usual take on this plot, the trigger element to the world the heroes return to is their leaving the world, not their being there in the first place – or in Sol’s case, staying. The second Narnia book showed us a world in shambles because the heroes saved it then left it, not because the heroes saved themselves and one of them was left behind. And maybe what I’m about to say will be disproved by future issues, but I’m not under the impression that the characters were particularly anything to the world of DIE, least of all heroes. They seem to mostly have been there. Some parts they barely set foot in, and the way they talk about the supposed “big bad” of the first game, the main reason they came after him seems to have been that they prevented them from going home. As a setup, the world of DIE seems to have been a bit underexploited. But come to think of it, was it really that great a setup ? Ash’s narration goes back and forth on the issue. Sol’s imagined world is either described as brilliant or the exact kind of pretentious overwritten stuff you’d expect from that particular breed of teenager (Elves but written by William Gibson is complicated… But is it, Ash ? Is it really ?)

 But all of that maybe-not-that-great world, all that hammered fantasy stuff, are rendered new and interesting in context. I’m not the first one to point out that this setting allows characters to offer perpetual commentary on their younger selves. My shots at teenage pretentiousness are fucking text. If nothing else, this is a genius move to deflect any and all criticism of the comic’s take on the RPG genre : if it’s overdone, if it’s overwritten, you’re not smart for pointing that out, that characters are way ahead of you. But more interestingly, this moves every single “big idea” of the “transported in a fantasy world” plot further up the road. The main example is the reality vs fantasy ethical debate. Think how many pages in how many books were dedicated to exploring the ethical ramifications of being in a fantasy world without knowing if what you did was “real” or not. Do you have to be ethical when you play a game ? Would Kant play Grand Theft Auto ? This is a massive debate. In DIE, it’s addressed in issue #2 on one page. But it would be a mistake to think DIE is selling this question short, or “getting it out of the way” : like often with Gillen, the form is the point. The underhandedness of this debate among the characters is what makes it interesting. Because it’s a debate they had before. This is something they decided on. They set rules. They built an ethics system. They also saw the limits of it. Because no matter how lawful good they decided to play that thing, there’s always one player to just do what they want, or there’s always not even that same player doing some stupid wordbinding spell because that’s just a throwaway romance secondary plot, and who hasn’t fucked with one of those before. All the time it would have taken the comic to establish the characters coming to terms with this debate, disagreeing, coming to a solution, is time that can be used to see this solution unfold in glorious consequences. And you know what ? I’m willing to bet that the characters weren’t even that bad the first time around. But they were there, and that’s really all consequences need. Another thing to think about ? Maybe the reason the characters came to having this debate was that at some point, they didn’t think they would ever go home. Maybe the world they moulded the first time around, was the world they thought they would spend their lives in. You’re welcome.

 So does that mean DIE is going to leapfrog every single of these important questions to simply present us with the consequences of the characters’ choices ? Probably not. But every single decision and facet of this new story is going to come with its own asterisk : this isn’t the first time around. Everything is loaded. Nothing is ever innocent. This is the Monty Hall problem halfway through : one door has been opened, will you change your choice ? And for us, who didn’t get to see which doors our heroes picked in the first place, that’s going to be a hell of a ride.

  WHAT I THOUGHT OF THE ISSUE

 The idea of this section was for me to get a bit more personal about my thoughts, without feeling like I needed to make a big point. So let’s get personal : I do not like Ash. By which I don’t mean I think he’s badly written, I mean I don’t like him as a person. As in, we would not be friends. I already had that feeling when issue #1 came out, but I tried to be generous because we’d seen so little of everyone, but now we’re two issues in, let me confirm : I do not like Ash. I do not like his fake self-flagellation hiding some very real condescension, I do not like his teenage angst with a twenty years old aging flavour, I do not like that he’s introspective in the least interesting way possible, and for someone who boasts that he learned to “tell stories”, good god is he an annoying narrator. Yes part of it is intentional. And no, I do not particularly like any of the other characters either. And you have to take into account protagonist bias, meaning that the character you spend the more time with is the one you have the biggest chance to like, but also the biggest chance to hate instead of simply dislike. But hey, I never claimed to be the perfect reader. And for now, Ash is annoying the shit out of me. To me, he feels as if you’d taken Laura from Wicdiv, kept her just as laborious and self-hating, but removed all the parts that actually made her likeable. Which leads me to ask the question : can I be honest about the quality of an issue if I’m that bothered by who’s telling it ? The answer, as always, is that I can be honest with myself : I’m probably not as high on this issue as many people are. And the principal reason for that is definitely the main character and narration. Don’t get me wrong, this issue is a thrill : the scene with Sol is chilling – I think he might be my favourite character, actually – the combat scene is narratively masterful, the ending is a bit of cheap shot (I’m fairly certain I’ve seen this eyes plotpoint in several other stories) but god damn if it isn’t effective. Oh, and let’s take a moment to praise the art, Lord knows Stephanie Hans needs me, whose stick figures make the Monkey Christ lady look like Michelangelo, to praise her. But jokes aside, I want to give credit to how Hans resisted the appeal of painting the classic huge detailed fantasy world first chance she got. Instead, her vision of DIE is one of a weirdly deserted, bright yet gloom world, which fits the mood perfectly. To borrow from the issue, her use of colour looks like fantasy feels, without feeling the need to overbear on the raw emotions of this issue with more detailed pencils (Ash’s digression about Maria is also probably incidentally the most I’ve ever liked his narration). Best panels for me are of course the ones where you can see the sides of the DIE. Probably because it manages to feel so small and so huge at the same time. I’m a sucker for intimate fantasy.

So, this issue, minus Ash, is nothing I don’t love. But on the other hand, this issue doesn’t really exist without Ash. Try as I may, I cannot deny that part of the appeal of the issue comes from his narration and his personality. Yeah, he’s a whiny controlling drama queen, but I put up with an entire issue of Woden monologuing and this was one of the best things I’ve ever read, so you know what, I can put up with a little bullshit. I don’t think Ash has to be a good person, or even someone I like, for DIE to be good. I guess at this point my problem with him is that I don’t find him interestingly unlikeable, as was the case with Woden. Maybe it’s because unlike Woden, there are several people in my life who remind me a lot of Ash, and since they’re not necessarily assholes, they’re not people I have an excuse to outright avoid and thus with whom I’m much more familiar with. So who knows, maybe I’ll make peace with Ash. Comic’s still young. Meanwhile, my opinion on issue #2 is pretty much the same as for issue #1 : this is remarkable work, brilliant in some aspects, almost irritating in how proficient it is at doing its own thing, and maybe just a touch overconfident in its ability to walk the line between profound and navel-gazing. But when DIE keeps it simple, when it just wants to touch you instead of punching you in the gut, then it’s fucking unstoppable. If you’re not on the DIE train yet – well first, I admire and fear the way you powered through this post, but also, jump in, like now. You won’t regret it.

[paulisweeabootrash]

Retrospective Review: Rewatching Azumanga Daioh as an Adult

This may seem hard to believe if you are a younger reader or one who got into anime only recently, but there was once a time when recommendations spread by word of mouth, it was absolutely commonplace for anime seasons to last longer than 13 episodes, and the vocabulary of the anime fandom wasn’t nearly as full of internet-originated in-jokes.  A time when the internet-savvy congregated on forums dedicated to specific topics instead of social networking sites, and the imageboards that generate so much of the internet meme landscape were just starting to take off among lonely nerds as an obscure haven for perverts, racists, and assholes instead of the role they have today as… uh… well... a well-known haven for perverts, racists, and assholes.  A time when there was no such term as “weeaboo trash” because that Perry Bible Fellowship comic hadn’t been published yet, let alone used for that meaning.  It wasn’t some golden age, but it was different, and today I’m taking a self-indulgent trip back to the end of that period, when I was in high school in the mid-2000s.

Azumanga Daioh (2002).

1. Why is this show important to me?

My introduction to anime consisted mostly of Pokémon and Sailor Moon, and took off with scattered episodes of several other shows that aired on WB and Cartoon Network, which were generally driven by action and combat.  I can’t remember the circumstances or even who did it, but someone who owned, or perhaps pirated, a copy of Azumanga Daioh must have shown me a few episodes at some point.

Here was a show that had been on the leading edge of the moe trend a few years earlier, and although certainly available, such things were not yet common.  Moe has, of course, taken over a large chunk of anime since, to mixed reception since it can range from innocently delightful to extraordinarily creepy.  Azumanga is close to the innocent end of the spectrum, and absolutely delightful (as, BTW, is the author’s current ongoing manga series Yotsuba&!), with a softer, cuter art style than I was accustomed to and instantly-lovable characters.

It was clearly in a different genre and had a different sensibility about how to make a show, too.  It had few repeated or filler elements, unlike any of the shows following the “monster of the week” formula.  It was broken up into several vignettes per episode — a practice that I was familiar with from the format of many Nicktoons, but while American shows with that format told multiple self-contained stories, the short segments here were typically parts of larger episode-long stories, often focusing on different parts of the same event or different anecdotes about the same character.  It showed us, the foreign audience, something about life in Japan, and at least for me was the first time I’d heard of distinctly Japanese school practices like applications for public high schools, students cleaning classrooms, or the particular kinds of seasonal festivals they have.  It lacked story arcs driven by overcoming some enemy and instead was driven by character relationships themselves and the instantly-relatable experience of school.  It was an encounter with something utterly different — and it made an excellent first impression.

Eventually, I bought a copy of the complete series of the manga it’s based on.  Azumanga Daioh was originally, well, a manga, written by Azuma Kiyohiko and originally published in the form of a 4-panel comic strip that ran in the magazine Dengeki Daioh.  See, it’s Azuma’s manga in Dengeki Daioh.  Azuma manga, Dengeki Daioh.  Azumanga Daioh.  Ha.  Clever.  Anyway, in there, I encountered largely the same characters and interactions, a mix of believable school life and quick gags, just presented in a different format.  I eventually got the DVD box set of the show, too, and I’ve rewatched a few favorite episodes several times, but this review is the first time I’ve revisited the whole series in years.

2. Who are all these people?

Rather than focusing on a small core friend group like Three Leaves, Three Colors, another much more recent adorable high school slice-of-life I greatly enjoy (and should maybe review?), Azumanga has a pretty large ensemble.  Most of them are students and the “story arc” such as it is follows them through three years, from entering to graduating from high school, over a single 26-episode season.  So rather than cover a plot synopsis, I think it would make more sense to dive into specific characters and their relationships.  The show its at its funniest and sweetest with the dynamics of certain combinations of the main characters, and there are a lot of combinations available.  Covering all of the recurring named characters approximately in the order we meet them (except a few characters who show up only in an episode or two each and another classmate named Chihiro who shows up on the periphery as a friend of Kaorin), let’s look at the relationships that stand out:

Yukari and Nyamo: Yukari Tanizaki, the English teacher who is the homeroom teacher to most of the cast, is unprofessional and insensitive from the first moment we see her, traits which are elaborated in later episodes into a sort of impulsive over-the-top-ness that clashes with the fact that she actually is a pretty good teacher.  Emphasizing her less-serious attitude, students even refer to or address her by her given name (although the subtitles exaggerate this a bit by consistently calling her “Miss Yukari” when she’s usually just addressed as “teacher”).  Minamo Kurasawa, the gym teacher, is a long-time friend of Yukari.  She and Yukari (who calls her “Nyamo”) were even classmates at the same high school they currently teach at.  In addition to being central to the gym class/sports-related episodes, she’s also Yukari’s more caring, approachable, and professional foil, which sets up interactions where Nyamo tries to be helpful and manage situations in the face of Yukari being antagonistic (and, outside of school hours, drunk) towards her and the students.  Yukari in particular prods at Nyamo’s sore spots: being single and having done embarrassing things in high school.

Tomo and Yomi: Tomo Takino is 100% genki girl.  I mean, come on, she’s the illustration for the TV Tropes article by that name.  She’s not only enthusiastic, but loud, intrusive, and pointlessly competitive to the point of being just plain mean.  She’s the kind of person who might mature into a less competent Yukari if she burnt out a bit.  Koyomi Mizuhara, on the other hand, is much more serious and self-conscious, and although she still genuinely is Tomo’s friend and goes along with some of her silliness, she barely puts up with Tomo’s teasing and flurry of bad ideas.  She is the Nyamo to Tomo’s Yukari, complete with Tomo enforcing a nickname on her, so she’s almost always called “Yomi” throughout.  Yomi is much more considerate than Tomo, too.  This often comes out in Yomi scolding Tomo’s insensitivity, but it’s also seen less directly when they are giving Chiyo (more on her below) birthday presents — Tomo offers first a joke that doesn’t go over well, then a magic wand she apparently expects Chiyo to believe will make her grow taller, which Chiyo dismisses, while Yomi offers a book which Chiyo enthusiastically accepts and says she expects to enjoy.

Osaka, Tomo, and Kagura: Ayumu Kasuga is a distractible and soft-spoken transfer student from Osaka whom Yukari, Tomo, and Yomi pester with misinformed questions and assumptions about her home city.  Tomo, naturally, saddles her with the nickname “Osaka” as if that is her entire identity.  The nickname quickly catches on, with even Yukari calling her that instead of her actual name in class.  She is accepted as a friend by the other students who still consider her eccentric and baffling, but not annoying or embarrassing like you might expect.  (In fact, the other girls react more and more to Tomo as the annoying and embarrassing one.)  During the second year of school,  she bonds with Tomo and Kagura (introduced as a star athlete from Nyamo’s homeroom during the first year, she becomes a major character in the second year) over their similar incredible forgetfulness and poor academics.  Yomi calls them “bonkura”, translated as “knuckleheads”, and the three of them adopt the name for themselves as they study together — an idea which is doomed from the outset.  The three of them together, or any two of them, play off each other wonderfully.

Chiyo and Osaka: Chiyo Mihama, a child prodigy who is only 10 years old at the beginning of the series, is so academically gifted it can upset and embarrass her classmates, but on the other hand is naive, and not just because she’s a child.  She is in fact clueless about the outside world.  She fails in the first summer break trip (ep. 5) to understand that the other characters’ families are nowhere near as rich as hers, and in the second summer break (ep. 14), even after a year and a half of being around high schoolers, she entirely fails to understand Nyamo’s off-screen explanation of “adult relationships” (kids innocently being oblivious to what sex is seems to be a common basis for jokes in Japanese media).  Chiyo being five years younger than her classmates — and on the other side of puberty from them — also makes her lag far behind them in athletics.  On the one hand, this makes her very self-conscious and afraid of being a burden on her classmates in team activities, and on the other, it sets up a running gag of Chiyo and Osaka teaming up to be by far the worst pair of athletes across the board.  Oh, and Osaka’s dream about Chiyo’s pigtails in the New Year’s episode is one of the weirdest and most authentically dreamlike dream sequences I’ve ever seen.  Although maybe that just says more about my own dreams than about the show.

Sakaki and Nobody (or, Multiple Kinds of Unrequited Feelings): Sakaki is considered effortlessly cool and somewhat intimidating — Kagura calls her a “silent lone wolf” — but she’s not big on that reputation.  Students openly admire her, especially for her athletic talent, and treat her with distance and respect by almost universally calling her “Miss Sakaki” (since this is apparently her family name, not given name).  She does not enjoy this treatment, but is also too private (and perhaps too insecure) to complain about or discuss it.  She is indifferent to sports despite excelling at them, and doesn’t even recognize Kagura when she proclaims herself Sakaki’s rival, presumably because the first-year sports festival just didn’t stick out in her memory the way it did in Kagura’s.  Despite calling it rivalry, however, Kagura quickly inserts herself into Sakaki’s life in a friendship that Sakaki responds to more with quiet tolerance than reciprocation.

Kaorin, meanwhile, mistakes Kagura’s one-sided friendly rivalry for a very different kind of attention, and accordingly treats her one-sidedly as a romantic rival (although she does eventually calm down about it).  Kaori (family name not mentioned), usually addressed by the more affectionate “Kaorin”, is shown at first to ambiguously admire Sakaki, but it quickly becomes clear that she is infatuated with her.  And, despite the insistence of many fanfic writers since, Sakaki never catches on to this, even with Kaorin gazing dreamily at her while dancing with her, or clinging to her arm while posing for a picture together.  I'm sure, given how over-the-top she is, that Kaorin’s unrequited feelings are supposed to be funny, but I find it sweet and sad and end up rooting for her.

Sakaki and Cute Animals: Sakaki is not unfriendly, or even very socially inept, though.  She gets along well with the main cast, especially Chiyo.  But she is aloof, not just because of shyness but because she has a secret love of all things cute, especially cats and dogs, and gets caught up in her own thoughts about cute things.  Although she loves animals, they don’t necessarily love her back.  There is a series-spanning running gag with a cat in the neighborhood whom she repeatedly tries to pet, no matter how many times it bites her for doing so.  In fact, in that very same episode where Kagura declares her rivalry, the strongest emotional reactions we see from Sakaki are horror directed at Kagura for scaring that cat away and, later, being moved to tears by a story she’s constructing in her head about another cat while Kagura is trying to talk to her.  Sakaki’s thoughts on cute animals also yield a second running gag: "Chiyo's dad".  An orange cat-like doll (evidently some kind of character or mascot in-universe?) that appears numerous times in the background early in the show appears in Sakaki’s New Year’s dream and introduces himself to her as Chiyo’s father, so Sakaki refers to the doll as “Chiyo’s dad” for the rest of the series without explanation, much to the confusion of the other characters.  While he’s an inanimate object in the background before the dream, afterwards he appears as alive and magical, sometimes in Sakaki’s imagination and sometimes intruding into the real world as short transition clips between scenes.

Kimura vs. Everyone (mostly Kaorin): Last and certainly least, let’s consider Mr. Kimura, the literature teacher.  Within a minute of the first time we the audience see him, Tomo asks him why he became a teacher and he blurts out that it’s because he likes high school girls.  Which a group of creepy boys in the class call “brave”.  Ugh.  This presages chronic inappropriateness of varying levels from Kimura — from unsolicited suggestions for cheerleading uniforms to hanging out during gym class to watch the girls swim to heaping unwanted “favors” on Kaorin, to whom he is obviously attracted.  Beyond the increasing variety of his inappropriateness, he doesn’t really develop as a character.  He is, interestingly, shown as an otherwise decent person outside of school, but this is not portrayed as excusing him.  Rather, it’s made clear that his creepiness is contextual, and his role throughout the series is consistently as a grotesque comic relief, not a sympathetic character.  Kaorin even consciously tries to improve her opinion of Kimura because his wife is so nice, leading her to believe that this means Kimura himself must have good points to deserve someone like that, only to be immediately shown otherwise.  We the audience are laughing at him, not with him, and at some points are genuinely upset at him on the girls’ behalf.  Or at least, I hope that’s how the rest of the audience takes him.

3. Yeah, but there's some kind of progression, right, even if it's not really a story arc?

Again, it's not the kind of show that has an overarching goal or conflict.  The goal, such as it is, is the characters' graduation from high school.  The topic of what they'll each do after graduating comes up several times, as you might expect, but isn't that much of a plot point.  Not all of the main characters even have clear plans laid out that we know of, but the plans we do know about match their established personalities well.  Tomo changes her mind repeatedly between several half-baked ideas.  Osaka decides at the last minute to try to become a teacher based on Chiyo straining to think of something fitting Osaka's... unique way of looking at things.  Chiyo is perhaps overconfident, planning to study abroad in America despite being only 13 when she graduates.  Sakaki anonymously showed interest in veterinary school early on, but didn't discuss it with her friends until much later, after she started showing her weakness for cuteness in front of them.

The main progression that happens is some evolution in the characters' relationships and attitudes.  There is of course the progression from strangers to friends among the main cast, but also some character development growing out of things that started as gags.  Osaka, for example, begins as the butt monkey of the class, but by the end of the first year, she is very well accepted by her classmates, and she even gets along particularly well with Tomo, who was originally shown teasing and stereotyping her the most but has now toned it down a bit.  Nyamo’s miserable singlehood, previously a running joke, leads her to open up to the idea of trying matchmaking instead of dating.  Sakaki becomes more willing to express her love of cute animals in front of the other girls, starting with Chiyo, and her running gag experiences with the hostile cat play out to a resolution when she adopts, of all things, an endangered wildcat which is the only cat that doesn’t bite her, then has a final encounter with the hostile cat where she tries to make amends.  Chiyo's academic talents were met with light irritation and mockery at first, but by the end, her new friends are grateful for her help and rise in applause when she is recognized for her grades during the graduation ceremony.  Kagura relaxes her Tomo-like tendencies more and more, and shows a degree of gratitude and sentimentality towards her new friend group that would’ve been shocking when she was first introduced.  Even Tomo, usually the show's last bastion of immaturity, shows tiny bits of improvement: self-reflection and regret during a serious conversation with Yomi over what American audiences would call "finding your passion", and later leading the applause for Chiyo.  To compare Azumanga to Three Leaves, Three Colors again, it’s true that this show doesn't go into as much depth in character relationships as that one despite running for more than twice the number of episodes, but I don’t think that’s a flaw in Azumanga so much as a combination of Azumanga’s larger main cast, gag comedy focus, and choice of a different “zoom level” on the main cast’s lives.

The show itself evolves a little bit, too.  As it goes on, more episodes have segments that flow together and they contain more references to events in previous episodes.  By the last few episodes, with graduation looming, it almost feels like it has become a conventional plot-driven show.  The shift from shorter to longer segments, shorter to longer jokes, etc., is seamless — and pretty typical of comic strips where perhaps the author hasn’t “figured out” their own characters at the beginning.  Surreal elements also get more common, like the “Chiyo’s dad” running gag and increasingly-elaborate looks into what characters are imagining.  As I recall, these changes reflect the stylistic evolution of the original manga, but... uh... my copy of the manga is with my parents at the moment so I didn’t check myself on that.

4. How is it different in retrospect?

As I said, I first saw this in high school, so I was about the age of the main cast.  Perhaps this was one of the things that made it so enjoyable.  The characters seemed relatable, and I lacked the aversion to depictions of ordinary life that some people had because I didn’t have a particularly negative high school experience despite being decidedly uncool.  (I was, in fact, neither interested in being cool nor in being self-consciously uncool, and was content with the set of people I got along with.  I was never really an angsty teenager so much as a sad one.)  My experience of the show is, if anything, even greater appreciation now.  Some of that difference comes from knowledge and some from aging.

I’ve become a bit less of a poser and/or snob about some things since then.  I’d seen a lot of obviously-atrocious dubs growing up, and they really put me off the idea that anyone actually cared about dubbing into English well.  Since then, I’ve lightened up a bit, partly because it seems like nowadays distributors do a lot less 4Kids-style butchery of shows when they’re translated and partly because I’ve realized that there is plenty of bad Japanese voice acting, too, so sometimes the English version is just plain easier on the ears.  So I’ve watched this mostly in the English dub this time around (some episodes in both to check the different versions of specific jokes) and I really enjoy it.  The voices are character-appropriate and the English lines fit the lip movements better than the original Japanese voice track while only rarely resulting in rhythms and stresses that sound unnatural in English, which really impresses me.

Just from the sort of vocabulary one picks up by being weeaboo trash, I occasionally notice differences in meaning between the dialogue and subtitles when watching the sub version.  And I even picked up on an interesting translation choice for a joke I hadn’t noticed before.  When Yomi tells Osaka that Chiyo is a child prodigy in ep. 2, Osaka responds comparing Chiyo to a boy she knew growing up, resulting in her expressing a different misunderstanding in each version about how the boy was described by adults.  In the English dub, Osaka says something about him “smarting off”, the joke being she thinks that means he’s smart.  In the English subtitles, she says he was “precocious”, to which Yomi says she doesn’t think that meant he was smart by calling him that.  This time around, I finally caught that the Japanese dialogue there clearly uses the phrase “otoko no ko”, insinuating that the boy is a crossdresser and/or gay.  Even though I don’t understand the full Japanese joke, the implication is clearer than it was in English (because I, um, also didn’t think of the double entendre on the word “precocious” until now), as is the degree of the misunderstanding.

I appreciate now how many scenes are psychologically-savvy.  Just in the episode in which the main cast of students move up to their second year of high school, we see two scenes that just click with me as “yes, people do this, and I don’t know why we don’t seem to notice it!”.  I mentioned above Kagura wanting to compete more because of the sports festival while Sakaki thinks nothing of it at all, which hinges on the simple difference in the sports festival having been a memorable event in Kagura’s life but not Sakaki’s.  That episode also features a scene in which Tomo eggs on her classmates to eat their lunches early because it’s a thing that (according to her) second-years do, which sets up Mr. Kimura to arrive the room for literature class, see everyone eating, and therefore assume he must be the one who has the time wrong and go back to the faculty lounge for his own lunch.  This tendency to defer to others in decisions in our own lives, not through peer pressure per se but through assuming that something done commonly or confidently must be correct, is just something I don’t see portrayed or acknowledged much in Japanese or American media.  And I love it.  For those two scenes alone, this is one of my favorite episodes in the whole series.

As far as the characters, I still find the students charming and relatable, and I’m willing to bet that everyone knows someone like most of them in real life.  They fit Japanese character archetypes to a certain extent, but are also developed enough especially in their interactions with each other that they come off as realistic to me.  So they hold up well.  But mainly, I find I have much more appreciation for the teacher characters as an adult.  I can think of times when I’ve been the Yukari in a situation, whether that means being overbearing and inconsiderate when I think I’m being funny or whether it means or digging through a messy desk swearing that I know exactly where something is before creating a landslide.  And I can think of times when I’ve been the Nyamo accidentally antagonizing the Yukari by trying to be helpful.  I even appreciate Kimura, not because I think he’s relatable or a good guy, but because he’s distressingly realistic.  His creepiness comes at the same time as genuine competence and, as far as we are aware, a normal and functional home life.  It is widely-acknowledged yet never stopped by the administration, even though it ranges from unprofessional obnoxiousness to genuinely alarming sexual harassment.  Kimura is unfortunately plausible and all-around frustratingly topical.

Revisiting these characters, I’ve also realized something about myself.  When I first watched this show (and read the manga), I got a serious crush on Osaka.  She would go solidly in the “endearingly pathetic” column if I were to evaluate her that way, and she also reminded me at the time of a few different confidently strange and spacy people I went to high school with.  And then, getting older, I realized…  She’s endlessly distractible by trivial things.  She asks weird hypotheticals and follows odd tangents to other topics.  She often misunderstands people.  She’s hopelessly unathletic and clumsy.  Oh no.  I'm the Osaka of my circle of friends.  So, uh, that’s a thing that happened, and I have no idea what to make of it.

Azumanga is relaxed, wholesome, and hilarious, and its characters and major events are believable even when highly stylized for comedic effect.  When it's not in hyper-simple comedy mode, the art can be downright beautiful.  It’s clearly an artifact of its time given, for example, the lack of cell phones (even basic ones) and persistence of film cameras, but that kind of aging happens to any show.  The situations are still relatable despite not being topical, which makes me think — or at least hope — that this can last well into the future as something new audiences find worth watching.

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W/A/S Scores: 8 / 3? / 3

Weeb: There are lots of little things that will seem odd if you go in believing that Japanese school schedules and activities are the same as American ones, but anime is so saturated with high school comedies nowadays that it is much less weeb now than it was then to expect that background knowledge.  Many non-school things like flower-gazing or the fact that seasonal fairs in Japan have different activities and expected clothing than in American ones will seem distinctly foreign but understandable to a naive audience, while a few episodes might need some looking up to “get” because they expect audience familiarity with things still obscure to most Western audiences, like lucky dreams in the New Year’s episode or the yōkai in the second culture festival episode.  Mostly, familiarity with the conventions of other anime or of Japanese culture will enhance enjoyment but aren’t strictly required to enjoy it.  The art style sometimes shifts for specific gags to a particular style of minimal-movement chibi characters on very simple backgrounds which is more at home in the 4-panel comic world in which Azumanga originated (and in pre-moe-era comedy anime, or at least the few I've seen) than in other manga formats or newer anime, creating an additional small hurdle even for those with different Japanese media exposure.

The show runs into more of a barrier with hard-to-translate jokes than anything else, leaving the viewer the choice between replacement jokes with similar general ideas in the dub vs. the occasional feeling that there should be a joke but you’re not quite getting it in the sub.  One particular joke that they made no attempt to adapt ended up being utter nonsense in both the sub and dub unless you get that "Mr. Yukichi" refers to 19th Century Westernization advocate Fukuzawa Yukichi, who is on the ¥10,000 bill, and I gave the show an entire extra point on the Weeb scale just because I had to look that up.

Ass: Unless you’re Mr. Kimura, probably no “ass” score at all as far as sexualizing the characters, but there is the occasional sexual joke or implication.  Even the obligatory beach episodes��aren’t fanservicey in the way or to the degree that a contemporary moe high school show often is.  Probably the single most sexual-looking thing is characters holding their skirts down in the intro, which is tame by comparison to anything released in the last decade.  Kimura, however, does make the show unsuitable for audiences… well… younger than the show’s main cast, probably.

Shit (writing): I have very little problem with the bulk of the content.  I think the show works and the characters are relatable and delightful.  But I do have some gripes about translation, mostly in the dub.  Although I still maintain the dub is unusually good in acting and synchronization, they do take more liberties than I’d like with changing jokes, and the dub and sub both lose some subtlety in how characters address each other, as mentioned before.

On top of that, there are some odd localization choices in the dub.  For example, the way Yukari, their English teacher in the original Japanese, is not portrayed as teaching a foreign language at all in the dub, while still making a big deal of her foreign language skills outside of class, or how characters repeatedly say “taiyaki pastry” in the dub instead of just establishing once for the English-speaking audience that taiyaki is the name of a specific style of pastry and using the name “taiyaki” from then on.  Also, I know this is very small and specific, but I noticed a place in ep. 17 where they inserted a strained pun in the dub where there was intentional awkward silence in the sub, so that’s just… weird.

Shit (other): The animation is often sparse, and although this is usually fine, it does sometimes come off as cheap.  The biggest problem visually is that the DVDs I’m watching have noticeable and pretty frequent combing, which I was able to reduce but not eliminate by fiddling with video player settings.  On the other hand, kudos to the director for hitting a sweet spot on shots that are lingered on or actions that are repeated for “too long” (e.g., Nyamo demonstrating chopstick use, or any of the scenes of Chiyo and Osaka failing at sports, or Osaka trying to wake up Yukari) because they end up hilarious when they could have been tedious.

Oh, and I love the soundtrack.  Some people may also find the frequent use of recorders annoying, but those people are (1) wrong and (2) not writing this blog.  The soundtrack is appropriately lighthearted and/or relaxing.  The opening theme “Soramimi Cake” is catchy and accompanied by an opening credits sequence that decently shows who the main characters are.  But “Raspberry Heaven”, the ending theme… ah… the sequence accompanying it is a beautiful dream and the music is movingly bittersweet for reasons I lack the music theory background to articulate.  Like, this is a really weird example, but it conveys my feelings: have you seen Soylent Green?  You know the scene where Sol is listening to a medley of classical music while he’s being euthanized?  If the last thing I ever heard were “Raspberry Heaven”, I would die totally content.

Content Warning: Kimura.

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Stray observations:

- I think Kaorin may have been the first unambiguously gay character I saw in any anime.  Sailor Moon or Cardcaptor Sakura would’ve beaten Azumanga to the punch with representation, but I grew up on the butchered-for-pearl-clutching-audiences versions of those shows.

- Kimura has, incidentally, produced one piece of lasting weeb culture.  While trying to save his illustration for a proposed magical girl cheerleading outfit, he drops a picture of a woman.  Tomo picks it up and wonders out loud who it is.  Kimura responds, in heavily-accented English, “my waifu”.  So… yup.  We have him to thank for the whole waifu/hasubando phenomenon.  Or, well, the terminology, since attraction to fictional characters is probably a phenomenon as old as fiction itself.

- More of a fun fact than a stray observation, Kuricorder Orchestra, who collaborated with Oranges & Lemons on the Azumanga soundtrack, recorded two Yotsuba-inspired concept albums, which are also adorable.  They’re hard to come by in official copies, but I can’t help but notice that nobody seems to be stopping anyone from uploading them to YouTube...

- The background music in the cheerleading scene in ep. 6 is the “Grandpa Polka”, a.k.a. “The Clarinet Polka”, which fans of various other weird geeky media may recognize as the melody for the Candy Mountain song in “Charlie the Unicorn” and/or as the song between “Love Shack” and “Pump Up the Jam” in Weird Al’s medley “Polka Your Eyes Out”.

- My junior high, oddly, did have sports festivals somewhat like those depicted in anime, but I don’t hear much about other American schools doing similar things.