#anyway this is a very special moment

[nocribdoll]

Proud audhd moment: I allowed myself to stim on the train :))))))

[pierog]

tiny comic about eating toast with friends

[cursedzucchini]

DC x DP prompt #5

This is so dumb but Danny is Bruce's uncle.

And not in the Danny is old or whatever, no, my dude is 15 looks like he's 13 and when he was running away from home, he met this really really old lady which looked at him, looked at his wounds and went "aight I'm adopting u"

Danny thought she was a ghost and this was her obsession, so imagine his surprise when it turned out that not only this lady was alive, but also supposedly from very influential family??? Danny wasn't sure Abt that one, bc he himself never heard abt these "Waynes" like that just sounds weird, but hey. It made the lady happy so.

Anyway they part ways, bc the lady only wanted to adopt not care, and Danny decides, hey now that I have a new fam, maybe i should get to know them or something?

Well imagine his surprise when he found out some guy in his fifties is supposedly his nephew and has like bazillion kids.

Idk what happens next yada yada sheniganas happen and than Danny ends up in Gotham. And meets Bruce Wayne. Who obviously sees young child w si gns of abuse, black hair, blue eyes and is immidietly like "aight I'm adopting u" (like grandma like grandson huh)

Only this time, Danny is sure he isn't a ghost, and has a counter argument "u can't adopt me I'm ur uncle" and immidietly flees bc dealing w his problems isn't something he does.

Cue confused batfam or stuff idk, I'm so tired and this is just an excuse for crack

[kingofanemptyworld]

💥BNHA ENDING SPOILERS💥

mixed feelings about the final chapter BUT I am delighted by this final image of Todoroki looking fondly at Deku beside him, look at how cute they are together!!!

[autisticaradiamegido]

thoughts on dave and aradia (<>)?

day 356

BIG fan tbh. in this house we love and respect timerails

truly yall read this log and tell me theyre not cute

[t-u-i-t-c]

"You'll triumph someday, as long as you never yield. I'll take you on any time." "You never fail to piss me off, Geats."

[everyonesadoptivedad]

sketch dump from one of my favorite moments :> ✨

((done listening to this ))

[ineffectualbookseller]

The visual mirroring between these two moments is just so good.

The differnce between Crowley's genuine attempt to disuade Aziraphle thinking that he is doing good (soon he'll take off his glasses and show his eyes, the mark of his demonic nature, to Aziraphale as a threat - a reminder of what he is) and his warning reminder to Aziraphale that hell can't think this was a decision he made in his right mind (moving in close and tilting his head to look at Aziraphale over the top of his glasses, not as a threat but to remove a layer between them and show his seriousness unobstructed)

The differnce between the resolve in the set of Aziraphales jaw as he stares into the face of his supposed enemy (his belief in Crowley's goodness is so defiant, something we know Aziraphale needs to muster a lot of courage to bring about in himself) and his fond smile as his friend gives him the same admonishment he has hundreds - thousands? - of times before (he can count on Crowley's goodness as a given, the ease and softness he feels with Crowley is so natural to his character)

Just. So. Good.

[speakofcompersion]

[gomzdrawfr]

hugs

[lidoshka]

@feanorianweek Day 7: Miriel

Maybe Miriel wasn’t there physically, but she was present every small struggle and every tiny moment of joy in her grandchildren’s lives.

♡(ꈍ ᴗ ꈍ✿)

(part of the now camed “Eramos Felices y no lo Sabiamos” series, a.k.a. 5 times a Feanorian was not appreciating the moment and 1 time one did + 1)

°˖✧ Happy Feanorian Week! I hope you enjoyed it!! ✧˖° 

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@feanorianweek Día 7: Miriel

Tal vez Miriel no estaba físicamente ahí, pero ella estuvo presente en cada momento de conflicto y cada momento de alegría en la vida de sus nietos

♡(ꈍ ᴗ ꈍ✿)

(parte de la recién bautizada serie “Eramos Felices y no lo Sabiamos" a.k.a. 5 veces que un hijo de Feanor no disfruto el momento y 1 vez que sí + 1)

°˖✧ Feliz Semana de Feanorians! ✧˖°  

[gophergal]

Kids being kids

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[friendly-emerald-emily]

cgi emily is so underwhelming because she lost her assertiveness in this essay I will-

[hold-him-down]

🍉

For... anyone who you think has the funniest/best pet peeve lol

answered here and I think it's Link's! :) Excerpt below.

"I don't think either of them get under my skin all that often," he says. "For River, I guess it would be when he refuses help, even from Felix. Watching it from a distance can sometimes get really upsetting, even if it's understandable." He pauses, considering. "For Felix, hmm. Maybe when I come home and he's reprogrammed the remote to all these random documentaries and weird apps that he's found."

River, arms wrapped around his legs on the sofa opposite him, says, "That can't be a pet peeve. It's funny when he does that."

"I'm not saying it's not funny," Lincoln says, only a little defensive, "but when I get home at midnight and try to watch a game and he's got it programmed to bring me to some panda live-stream in Beijing, it takes a few years off my life."

The corner of River's lips twitch, just the smallest amount.

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

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