#anyways this is like. a lot of words lol

[mxlooker]

feeling mentally ill over ani and obi tonight. listening 2 the playlist i made for them and just. screams and cries and throws up etc

specifically forest fire by brighton is making me want to bite my laptop thinking about ani tbh. like. the whole song !!!!!

song analysis / ramble below bc a girly can't shut the frick up !

okay i wasn't going to ramble idiotically, but this is my blog and i'll be mentally ill on the mentally ill about fictional characters webbed site.

the first verse is literally ani as a child having nightmares / visions of his future ("when you were young / you used to dream about fires") during his first few months / year at the temple. while obi was more distant during that time bc of his grief, i was the one who would shower him in affection out of my own.

he'd often come to me at night. sneaking out of his quarters because he just... couldn't sleep. the temple was different and cold and he missed his mom and he was struggling to adjust. i'd let him vent and talk and comfort / offer advice as needed before getting him to sleep, but even so, he'd still have nightmares. ("and scream into the night / to find me standing barefoot at your side")

("i used to whisper "it will be alright" / and lay down at your side / and take your tiny hands into mine") i'd lay with him when he had those nightmares, soothing and comforting him, until he'd drift back to sleep again... usually with his head on my chest. this only lasted upwards of that first year until he was starting to learn more "appropriate" ways to cope / began to adjust to life as a Padawan.

then the chorus : ("and how was i to know / that i'm not strong? / i should have saved you") is the guilt and sorrow and grief over not having preventing his fall to the dark side that i felt. maybe if i had been stronger, a better sister, a more competent friend... anything, really, it wouldn't have happened. ("and oh / i hope you know / that you're my home / but now i'm lost / so lost)

the second verse is... well, the aftermath of his fall. ("i keep imagining those flames that did rise / and blackened up the sky / the light that showed you barefoot in the snow"). i'm left imagining his pain, his sorrow, his anger, that led him down this path. how i didn't do enough. ("and then the fire started building up inside / exploding blinding lights")

("now i'm the one left screaming through the night") the irony, of being the one who'd dry his tears and comfort his nightmares... only to be left coping with my own all alone. everyone i knew as far as i was aware were dead and gone. i didn't even know that obi was alive.

the bridge is where im determined to fix things, to make them right. whether it's bringing him home or through helping the Rebels. it's where i turn my guilt and shame and pain, hiding it, into action. ("i'm going to carry your bones / i'm going to carry them all / i'm going to carry you home")

with that, i keep the legacy of what you were and could have been alive. my brother, my friend, my home. i do what i know that ani would have wanted, not vader. ("and oh, i'm gonna bury these bones / and write it in stone / that you were my home / my home")

... and try to swallow back the guilt like bile. to try and slowly forget what life was like, and to forge this new one as best as possible. ("forget about it")

[turtleblogatlast]

Love the thought of Leo just casually being well traveled to absurd degrees. Like one day they’re facing their new Big Bad of the year and like, Draxum or whoever says that the key to their fight is located somewhere in, like, Latvia or some place, but no one knows where to start.

Then Leo’s like “oh I know a place” and when asked how the heck he could know of one it smash cuts to Leo falling through the ceiling of said place due to a portal mishap.

Also love the idea of Leo, being as accidentally (and then later, purposefully) well traveled as he is, sometimes taking his family on outings to different places all over, maybe to some new Yokai spots he found along the way.

In these places, Leo 100% lets his bros get scammed by tourist traps.

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[qiu-yan]

wei wuxian vs. pragmatism: what MDZS intends to say about righteousness

copy/pasting most of my rather bitchy reply into its own individual post because i think it deserves to stand on its own.

so i think we can all agree that MXTX intends for us to read MDZS and conclude that wei wuxian is ultimately a deeply heroic and righteous person. whether you as the reader agree with this assessment of wei wuxian's moral character is another question entirely, but at the very least it is fairly obvious to all of us that MXTX intends for us to read him as a good person.

so why does MXTX call wei wuxian a good person? what aspects of his character and which of his choices make him a good person? what moral framework and what definition of morality does MXTX employ in order to call wei wuxian a good person?

i posit that MXTX argues that wei wuxian is heroic precisely because he is not pragmatic - because he adheres to his moral ideals despite the consequences, and because he did not make moral sacrifices at critical junctures of his life. the first half of this post will argue that wei wuxian is not pragmatic. the second half of this post will argue that this is exactly why wei wuxian is heroic, and that the moral framework employed by MXTX is deeply idealistic instead.

so let's begin.

let's start by establishing two things.

first: what MXTX argues about morality through the narrative of MDZS and the reader's own beliefs about morality are two different things. me saying "MDZS argues that xyz is righteousness" and me saying "i think xyz is righteousness" are two different statements. the following analysis is concerned not with what i myself consider to be righteous, but rather what MXTX argues through MDZS is righteous.

second: wei wuxian is not pragmatic.

what does it mean to be pragmatic? unless we are speaking about the school of philosophy specifically (which i am not here), being pragmatic means being grounded in reality and focused on practical outcomes. it means being result-oriented and considering the consequences of your actions before you act; it means acting only after you have considered the potential consequences of all possible courses of action and have then decided which outcomes are acceptable. being pragmatic also means recognizing when achieving everything you want is impossible. and, in such situations, being pragmatic thus entails compromising to achieve a desired outcome, even if that means you don’t get everything they want. to put it in edgier terms, being pragmatic means being able to make moral sacrifices.

an idealistic person attempts the impossible. a pragmatic person recognizes when something truly is impossible.

wei wuxian is not pragmatic.

first, wei wuxian is not someone who carefully considers the consequences of his actions before he acts. in fact, he displays a startling lack of consideration for consequences. it repeatedly falls upon other characters to either try (and fail) to hold him back.

when wei wuxian punched jin zixuan for insulting first jiang yanli and then jiang cheng, did he consider that jiang fengmian and jin guangshan might then dissolve the betrothal, and that jiang yanli might have wanted to make a decision regarding that on her own? no. he just punched jin zixuan because he was mad that jin zixuan had insulted two people he loved.

when wen chao threatened mianmian, and lan wangji and jin zixuan stood up for mianmian, and then wei wuxian stood up for them by holding wen chao hostage in turn - did he consider that there might be consequences for humiliating and threatening the life of the son of a warmongering great sect leader who has already proven capable of attacking other sects? no. did he stop and think "alright, wen ruohan has already attacked the cloud recesses, which proves that he's willing to wage war against the other sects. threatening the son of a sect leader is an easy way to earn any sect leader's ire, and since i'm the first disciple of the jiang sect, this puts not just me but the entire jiang sect on wen ruohan's shitlist"? no. it would be one thing if wei wuxian weighed this possibility and then decided that rescuing an innocent girl and the people who defended her was more important was worth the risk - that would show that he considered the consequences and then made his choice. but the thought simply never entered his mind. he acted simply because he wanted to save mianmian, jin zixuan, and lan wangji from the wens; he did not think beyond that.

when wei wuxian busted the wen remnants out of the qiongqi pass labor camp, did he have a clear plan as to how he was going to weather the political fallout? did he have a plan more detailed than "live quietly in the burial mounds until everyone forgets about us"? no. when jiang cheng challenged him as to how he was going to survive the situation, he did not in fact offer anything more concrete than "we'll just wait for everyone else to forget about us." he blustered about being a once-in-a-generation genius who could accomplish the impossible, but he provided no actual plan as to how he was going to do it. this leads me to conclude that wei wuxian did not in fact have a long-term plan for handling the consequences when he went ham at the qiongqi pass camp - that, instead of weighing the consequences and then making his decision, he instead decided immediately that this was something he had to do, consequences be damned.

and then - on top of this - all of his following actions then point in the exact opposite direction of his stated plan of waiting for everyone to forget about them. because instead of doing anything to fade into the background, everything wei wuxian did instead just convinced the jianghu he was an intolerable threat.

and this was not a sustainable strategy.

one thing i really appreciate about MXTX is that she does not make the rest of the jianghu into one-dimensional villainous morons. it's quite easy for lazy writers who want a persecution plotline to have the rest of the story's society magically start hating on the protagonist for no good reason, to make every background character in the story's world a three-braincell moron. but MXTX is not that author. it speaks to MXTX's skill as an author that, from the perspective of the rest of the jianghu, fearing wei wuxian as a mortal threat was an entirely reasonable conclusion for them to come to.

first, the gentry's most recent direct interaction with wei wuxian during this time period is him threatening to kill all of them. when jin zixun doesn't give him the information he wants, wei wuxian straight up says: "if i want to kill everyone here, who can stop me? who dares stop me?" this is a threat! and - surprise - threatening to kill people naturally makes people think that you want to kill them! 

next, wei wuxian refined wen ning's dead body into the first sentient fierce corpse in history, and also the strongest fierce corpse in living memory - and then took wen ning with him on night-hunts. that's where the reputation of "the yiling patriarch and his ghost general" comes from. this very naturally made the rest of society fear him even more, because now the guy who has just recently threatened to kill you has demonstrated even more of the power to easily do so! the unparalleled power to do so, which no one else possesses and it would be very hard for anyone else to counter! add in the fact that wei wuxian's activities were also attracting prospective disciples - people gathering outside the burial mounds because they wanted to learn demonic cultivation - and naturally the public is even more frightened, because now it looks like the guy who threatened to kill all of you is also gathering the political force to do so!

the public is incorrect about wei wuxian's intentions, of course. but what does wei wuxian do to correct these misconceptions? to rehabilitate his public image, because now his public image has the life of not just himself but also all the wen remnants under his protection riding on it? to prove to the public that he isn't an active threat to their lives - that he does not seek to murder them all in their beds - that it is safe for them to allow him to live, and that they can in fact survive if they don't kill him?

nothing.

it would be one thing if the story mentioned how wei wuxian tried to correct the malicious rumors about himself and failed. but that is not what happened. what happened is that wei wuxian sat on his corpse mountain and let everyone else say what they wanted to say. and when he left his corpse mountain, it was to bring his one-of-a-kind unparalleled sentient fierce corpse with him on night-hunts, which of course just fanned the flames of the rumors instead. he doesn't even tell the prospective pupils camped on his front door to fuck off - he just sneaks in through the back door.

this is not pragmatic behavior. though you can argue that wei wuxian's strategy here was to become so powerful and so scary that no one would dare try to fight him, anyone with a brain can tell you that this is not a sustainable solution in the long-term. first, if you want to use threats to keep someone from attacking you, you also need to promise stability - you need to give people the reassurance that if they don't start shit with you, then you'll leave them alone too. if you drive the "threat" factor too high, as wei wuxian did, you instead end up convincing people that if they do nothing you'll kill them anyways - that they have no choice but to kill you if they want to survive.

second, if you want to use threats to keep someone from attacking you, you also need to prepare for the inevitability that, if someone does end up getting hurt, everyone will blame you first and no one will want to hear your side of the story. after all, if someone gets hurt, then the first suspect everyone looks towards will be the guy who's been consistently saying "i'm strong enough to hurt you! i'm strong enough to hurt you! don't start shit with me because i'm strong enough to end you!" for the past few months. this is basic common sense. and yes, the society of MDZS is unfair - wei wuxian deserved a proper trial and investigation after the death of jin zixuan. but the fact that society is unfair is something a pragmatic person would have recognized and planned for.

wei wuxian did not recognize and plan for this reality. even after he accidentally kills jin zixuan, wei wuxian still insists that if only the jianghu investigates jin zixun's hundred holes curse, they'll see that wei wuxian didn't cast the hundred holes curse, they'll see that there was more scheming going on, etc etc. wen qing has to directly spell out for him that, at this point, society no longer cares about the truth of the matter. it seems that wei wuxian was actually oddly idealistic about the true nature of his society all the way until the very end.

all of this leads me to conclude that, when wei wuxian busted the wen remnants out of the qiongqi pass labor camp, he did so without considering the consequences of his actions. he assumed that he could improvise and weasel his way out of this situation, as he's always done in the past with his typical genius - only this time, he was wrong.

wei wuxian acts without considering the consequences of his actions. he does not make a decision only after carefully deliberating over all of the potential outcomes - not at all. instead, he acts in the moment - not out of any rational consideration of potential outcomes, but rather because it is simply something he must do. this by definition makes him a deeply unpragmatic person.

to put it into more familiar terms, for wei wuxian, the righteousness of an action comes not from its consequences, but are rather inherent to the action itself. even if he were doomed to fail, he could not give up on the wen remnants.

second, at critical junctures, wei wuxian is unable to make moral sacrifices. to be pragmatic is to know when you have to sacrifice: to know when, in order to achieve the most inalienable of your goals, you have to give up on some of your other goals. this is something wei wuxian is consistently unable to do.

of course, when it comes to his own wellbeing, wei wuxian is all too willing to sacrifice. he'll carve out any number of his internal organs to save those he loves. but this honestly speaks less to wei wuxian's moral framework and more to his lack of self-worth from a troubled upbringing.

because, when it comes to any moral cause, wei wuxian is entirely unable to sacrifice anything, even if being unable to sacrifice entails more negative consequences. wei wuxian could not sacrifice mianmian, jin zixuan, and lan wangji to wen chao and his goons, so he took action and took wen chao hostage himself. to sit back and do nothing as wen chao threatened the lives of those three was simply unthinkable for him - even if it meant taking a course of action that put yunmeng jiang in danger.

wei wuxian's relationship with jiang cheng deteriorated because jiang cheng did not know about the golden core transfer: because jiang cheng did not know that wei wuxian could no longer cultivate, from jiang cheng's point of view, it looked like wei wuxian was just refusing to help out and fulfill his promises for kicks. wei wuxian could have made things a lot easier for himself and also any wen remnants he chose to rescue had he simply told jiang cheng the truth - but he knew that finding out the truth of the golden core transfer would make jiang cheng miserable, and [jiang cheng's happiness] was not something he was willing to sacrifice.

wei wuxian's single most prominent moral decision is his refusal to allow the wen remnants to be sacrificed. anyone with a shred of political sense had to know that rescuing the wen remnants and then protecting them would be near impossible - that it entails making an enemy of the jin, and due to the jins' power, the entire jianghu. wei wuxian himself knew this; he is no moron. wei wuxian also had no long-term plan, no allies, and significantly less power than the rest of the world believed. yet, despite this all, he acted anyways, because he could not let the wen remnants be sacrificed.

the wen remnants wei wuxian rescued from the qiongqi pass labor camp included both regular civilians and cultivators. perhaps wei wuxian could have negotiated a proper release for the non-cultivating civilians, such as granny wen and a-yuan, had he chosen to give up on the cultivators. but - the question of whether this would have worked or not aside - this was not a sacrifice wei wuxian would be willing to make.

nor could wei wuxian sacrifice the safety of yunmeng jiang. i am firmly of the belief that, had yunmeng jiang formally stood by wei wuxian's side after wei wuxian attacked the jin-run labor camp, lanling jin would have eventually declared war on yunmeng jiang, and yunmeng jiang's would inevitably be destroyed. both wei wuxian and jiang cheng understood this as well - which is why wei wuxian told jiang cheng to let him go.

(you can argue - successfully - that wei wuxian did in fact sacrifice [his obligations to yunmeng jiang and his promise to jiang cheng] by leaving yunmeng jiang to protect the wen remnants. this is true. but i think that - from wei wuxian's point of view - this was not much of a sacrifice, because due to wei wuxian lacking a golden core, he already viewed himself as mostly useless to yunmeng jiang. so him leaving - in his view - is not really that much of a loss for yunmeng jiang.)

wei wuxian promised wen qing that he would return wen ning's consciousness to his corpse. when wei wuxian made this promise, he had no idea if he could actually pull it off or not. but then he did - and, in the process, created the most dangerous weapon the jianghu had seen in living memory. wen ning specifically, or moreso wei wuxian's inability to control him, leads to so much of wei wuxian's eventual downfall: wei wuxian loses control of wen ning and accidentally kills jin zixuan; when wen ning goes to turn himself in at jinlintai, he ends up going berserk again and killing another 10-20 jin and lan cultivators, which leads to the nightless city pledge conference. frankly, wei wuxian could have avoided a lot of trouble - or at the very least, a lot of the public's fear - had he not raised wen ning from the dead. it's not like he'd be completely defenseless without wen ning, either. but wei wuxian promised wen qing he would resurrect wen ning - and he could not sacrifice his promise to wen qing because of what wen qing had already done for him.

a pragmatic person is able to make sacrifices, including moral ones. at the very least, a pragmatic person recognizes when sacrifice is inevitable, when all paths lead to something being lost. a pragmatic person, put in the trolley problem, would recognize that there were only two options and that both options involve sacrifice: either he must kill one person, or he must allow five people to die. there is no path forwards in which all six people live.

wei wuxian is unable to make moral sacrifices. he clings on to all of these moral causes, all of these promises and obligations, and it is precisely because he attempts to hold onto all of them that he ends up losing everything. to reuse the previous example, wei wuxian in the trolley problem tried to save all six people because he could not accept any of the sacrifices made inevitable by the trolley problem.

to put this all together - wei wuxian is not a pragmatic person. he makes decisions with his gut, not his head - he does not consider the consequences of his actions before he acts. nor is wei wuxian able to make sacrifices - even necessary ones in order to avoid greater tragedies.

but. none of this means that wei wuxian is not a deeply heroic person. rather, to do what you believe to be righteous and attempt to live up to your ideals despite the consequences is exactly what MXTX lauds as moral. and to be unable to make a moral sacrifice when everyone else in your society easily does so is in fact deeply heroic.

it is precisely because wei wuxian is not pragmatic that MXTX declares him a hero.

some people, including myself, favor a moral framework that centers pragmatism and reason as virtues. to us, the ideal moral character is someone who makes decisions based on reason and not emotion, who considers the potential consequences of every course of action before making a decision, and who then, based on these inferred future consequences, uses reason to deduce which of all of the possible outcomes is the most preferable.

but this does not in fact describe wei wuxian, nor is this how wei wuxian views ethics. and to be honest, i don't think this is how MXTX views ethics either.

in all three of her stories, MXTX repeatedly comes down harder on the characters who make pragmatic decisions, the characters who are willing to sacrifice. in fact, killing sunshot soldiers while acting as wen ruohan's spy, and then killing nie mingjue's men in order to ensure a chance at killing wen ruohan and saving nie mingjue, was the pragmatic thing for meng yao to do, because that was the least bloody path forwards towards a sunshot victory over qishan wen. in fact, cutting ties with wei wuxian after he attacked the jin-run qiongqi pass labor camp was the pragmatic thing for jiang cheng to do, because it was the only path forward that did not put yunmeng jiang, his first and foremost responsibility, in the line of fire. and yet (though the situation is less clear with jin guangyao), MDZS as a narrative criticizes both jin guangyao and jiang cheng for these decisions - because, to MDZS, righteousness does not lie in pragmatism.

(this is a statement i personally disagree with. but we are here to discuss what MDZS wants to say about pragmatism and righteousness, not what i want to say about pragmatism and righteousness.)

by contrast, the one single act for which deeply controversial jiang cheng is ultimately lauded for in the narrative is also his single least pragmatic, most emotional act. the one single act of jiang cheng's that MDZS does not criticize is when, after the fall of lotus pier, jiang cheng ran out from his hiding spot to distract the wen soldiers from seeing wei wuxian. from a filial, duty-based point of view, this was a deeply stupid and unpragmatic course of action: jiang cheng's first and foremost duty, as the sole surviving jiang and new sect leader jiang, was to survive, rebuild his sect, and avenge his parents. from a consequentialist point of view, this impulsive choice is also what led to the domino-fall of tragedy that followed, since jiang cheng then got captured and had his golden core melted, which then led to everything else. yet this stupid, unpragmatic, and impulsive decision is ultimately the one act MDZS considers to be jiang cheng's single most heroic.

the key as to what MDZS considers to be heroic, what it considers to be righteous, lies in the jiang family motto: 明知不可而为之, attempt the impossible. this line, taken from the analects of confucius, can be considered to be a deeply deontological ideal. i find this twitter thread (warning to my followers: does kind of dunk on JC) to be rather helpful in elucidating this line's meaning. 

to attempt the impossible, to try what shouldn't be tried. "ask yourself not whether you can do it, but whether you should...consider not the result but rather the journey - have a clear conscience regardless of outcome." in other words, what matters is less whether you succeeded or failed, or what sort of outcome your actions brought about - what matters is that you tried. what matters is that, in the face of overwhelming odds, you tried to do what you think is right. and even if you end up failing - even if everyone you sought to protect ended up dying - the fact that you tried still has moral weight.

this is why it was righteous of wei wuxian to save the wen remnants - even though the ultimate consequences of that decision were overall negative, even though everyone wei wuxian tried to protect died. in fact, if wei wuxian had died immediately - if he had been shot down by jin archers at the qiongqi pass labor camp the moment he came within their range - if he had died before any wen in the labor camp realized someone wanted to save him - he would still be a righteous person. because, for MDZS, what makes an action righteous is not its consequences. for MDZS, what makes a person righteous is not what impact their actions have on the world, but rather that they have the sort of moral character that leads them to never give up on their ideals.

wei wuxian does not consider the consequences of his actions before he acts. or, should i say - wei wuxian makes decisions despite their consequences, because despite the consequences there are simply some moral causes he simply cannot give up on. wei wuxian did not save the wen remnants because it was pragmatic to do so. it was in fact deeply unpragmatic to do so. no - wei wuxian saved the wen remnants without a concrete long-term plan, without having thought through anything beforehand, with the knowledge of how weak he was in reality - because he could not give up on the wen remnants, consequences be damned.

to have some moral causes you simply cannot give up on, no matter the consequences - to MXTX, is deeply heroic. in this sense, MXTX's moral philosophy is not pragmatic at all, because to be pragmatic is to be concerned with practical consequences. instead, both wei wuxian and MXTX herself are deeply idealistic, because what matters to them are ideals and principles that extend beyond consequence.

as the linked twitter thread notes, this is why MXTX waits until the very end of the book to reveal that wen yuan, now lan sizhui, lived. this is why wangxian only meet mianmian and her family at the end of the book. this is why all of the cumulative positive impacts of wei wuxian's resurrection -  jin ling forgiving wei wuxian, jin guangyao, and wen ning, for one - are kept to the end of the story: because MDZS needs to move away from the consequentialist argument. MDZS needs to establish that wei wuxian's righteousness is separate from the impact of his actions: that wei wuxian isn't righteous merely because his actions had a positive impact for which others can thank him, but rather because the actions he undertook were inherently righteous on their own. that even if none of these positive impacts existed - if wen yuan had also died, if mianmian hadn't made it - then wei wuxian's choices would still be moral.

this is also why MDZS ultimately comes down harder on characters like jiang cheng and jin guangyao, even though a more results-oriented moral framework would instead laud such characters. both jiang cheng and jin guangyao are deeply pragmatic characters: they put concrete results before abstract moral ideals, and they're willing to compromise on their ideals in order to achieve better results. i am a JC stan and a jiggy apologist because of these exact traits. but MDZS is a narrative that criticizes such pragmatism and instead holds up wei wuxian's idealism as a moral ideal - so, in order to advance its themes, the MDZS narrative ends up criticizing both jiang cheng and jin guangyao.

ultimately, this idealism - this criticism of pragmatism - lies at the heart of MDZS's themes. wei wuxian's righteousness is directly connected to the fact that he is not pragmatic. the fact that wei wuxian makes moral decisions despite the consequences, and that he is unable to sacrifice any moral cause - is all part of what makes him at once deeply unpragmatic and deeply heroic.

---

you see, the funny thing here is that i personally disagree with this theme. as i've said before, i'm a utilitarian. to me, the morality of an action does in fact arise from its consequences; to me, someone who compromises on their ideals to achieve better results is preferable to someone who adheres to all of their ideals and then loses everything. the character i consider to have had the greatest positive impact on this story's world is jin guangyao. the character i consider to have most dutifully fulfilled his obligations is jiang cheng.

therefore, i disagree with basically everything i wrote up there about "trying": i think that if you try to do the right thing, fail epically, and in the process of your failure get a bunch of other people killed as well, the fact that you failed this badly does in fact matter quite a bit. the bulk of my more haterish posts are born from this fundamental disagreement with what MDZS posits is righteousness.

however. as a reader i must recognize that [what i consider to be moral] and [what the author of this story considers to be moral] are two different things. my own moral philosophy may be heavily results-oriented, but MXTX's is much less so. therefore, regardless of what i think of wei wuxian, i conclude that MXTX ultimately intends for us to read wei wuxian as a heroic figure for the exact reasons i gave above - and that fact must then inform every analysis of MDZS i write.

[deoidesign]

Hm... I'm feeling benevolent...

[meamiiikiii]

mira !!! :]

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[maaxverstappen]

Mandy… we must discuss max/oscar… what is the lore… what are the notes…. Im clocked in ma’am im ready to be deluded — wiz

ok so i called myself the unofficial head of this ship (lol) but actually looking through the tumblr tag i must denounce myself and crown @nyoomfruits instead bc she has been on it from day 1

max and oscar are just so similar i think they get each other!! they're both very down to earth and very focussed on the job. both of them hailed as extraordinary in lower formulas and quickly making their way up (ofc max's was very quick and oscar had his year out, but still all things considered). i feel like a lot of it is max being surprised about oscar, i dont think he expected that deadpan energy/serious but enjoying it/quick wit from him and now hes like oh i see, i get it. maybe also helps how much lando gets along with oscar and max obvs likes lando. trusts his opinion.

max praising oscar when he hardly ever praises anyone like this

oscar looking up at max with awe and eagerness (its a still from a video but let me have this)

this tho!!! max never sits on the floor but sees oscar doing it so joins him?! for no reason?! lando was in the chair it wouldve been so easy to sit next to him (as he then does later) "thank you mercedes" and then max's fond laugh and almost surprise. surprise that oscar can be witty like that!! max didnt expect it oscar turning around to watch the screen and being too late. max laughing at him, checking to see if lando is laughing too. if it isnt weird that max is laughing at oscar's joke/misfortune. max then doubling down and voicing what happened as if they didnt all just witness it right there.

like i said on the oscar discord too, i think oscar would indulge max's maxplaining!! he enables it and is like "Huh, I never thought about it like that. Have you considered that [x]" and then suddenly its 11pm and everyone else has left the paddock before they even look up from their convo

and

they would absolutely bicker over Everything but neither would really perceive it as bickering. thats just how they are

also they both have cat energy so

[zorionbbq]

"The morning lit his bedroom with tepid lilacs. Wherever light could reach, there were bulging cabinet handles, sallow sheets, flattened carpets; where it couldn’t, there was nothing at all. The pale spots of life, surrounded by pitch-black pits and corners, looked like a poorly printed photograph."

fanart for @cleveradjacent's fic "This Weapon Wants"! :^]

[beebfreeb]

do you have any docs about the conlang and/or conscript? i just found your art and that immediately stood out as incredibly cool. i wanna write some funny stuff

The majority of my conlang stuff is written on graph paper held together with a paperclip or a spreadsheet file on my computer, so I do not have much easily accessible to share. Hm...

The vocabulary is currently... quite measly ever since I bulldozed everything and killed it all dead. So fleshing out vocabulary and whatnot is what I have to work on next. Grammar is similarly rudimentary but it was never intended to be very complex. A lot of information wouldn't be encoded verbally, only through pheromones and body language.

[northern-passage]

if you noticed i updated the game yesterday it was just an editing update. i fixed some coding errors in the codex and i edited the character introductions so they no longer introduce themselves with their pronouns. i never really wanted to do that & it just didn't fit the flow for me so we're back to the hunter just getting everyone's pronouns beamed directly into their brain

[that-was-anticlimactic]

see a world so beautiful and strange (spinning off somewhere)

“Why? Why are you suppressing?”

“Because I can't tic,” Alya whispered, fingernails digging into the skin on her arm. “I know Tourette’s isn’t exactly uncommon, but it’s part of my identity as Alya Césaire. It can’t be a part of Rena Rouge, too. Someone could figure out who I am and then…”

And then she’d have to give up the coolest thing that’s ever happened to her, give up living her dreams.

[or, alya is suppresses as rena rogue in order to protect her identity, but neither ladybug nor trixx will let her hurt herself like that]

🦊2,345 words | alya-centric, alya & ladybug friendship🦊

happy tourette's awareness month!!!

[princessefemmelesbian]

Transandrophobia truthers are so damn racist and white oh my fucking god y'all actually piss me the fuck off every time you tokenize Black and brown men for your stupid as fuck "mra but make it trans-inclusive" ideology created by a creepy guy with a corrective rape fetish(something I'll never let up on for as long as I live, btw). If I ever see another one of y'all say "Black and brown men face discrimination because they're seen as overly masculine and that's why masculinity in men is oppressed in this society" I will literally kill myself. Stop using Black and brown men as brownie points for your bullshit arguments about misandry being real when you don't have the slightest idea how racialized oppression works. White boys are so annoying and dumb istfg.

@punkeropercyjackson @punknicodiangelo @pinkpinkstarlet

[apollo-just-ice]

Textpost time yay! :-)

[wiihtigo]

these frauds

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.