#art and feelings

[befooremoonrisee]

one of the dumbest opinions i've ever heard is that art which is semi-autobiographical is pretentious.

sorry that people have feelings and their experiences shape their art. sorry that humans want to channel their pain, their happiness, their love to the written page. sorry that some people are only able to proccess their emotions through art. sorry if someone creates from what they know in order to be truer to the human experience.

sorry if not every piece of media is a soulless product of corporate greed. sorry if art has a meaning beyond the profit. sorry if art makes you feel something. sorry that art makes you think.

[sylvies-kablooie]

i do unironically think the best artists of our generation are posting to get 20 notes and 3 reblogs btw. that fanfic with like 45 kudos is some of the best stuff ever written. those OCs you carry around have some of the richest backstories and worldbuilding someone has ever seen. please do not think that reaching only a few people when you post means your art isn't worth celebrating.

[batri-jopa]

world_of_engineering_75 on Instagram

[whaledocboi]

ai generated images make me increasingly sad and tired the more i see them in more and more casual contexts. i dont know how to explain, but it just fills the world with a bunch of nothing. no matter how visually stunning the pictures might be, there's nothing behind it for me. no dedication, no emotions, no feelings, no hard work or creativity, nothing i can truly think about, admire or enjoy. i dont think thats how art is supposed to be

[linktoo-doodles]

resurrection is sort of romantic, isnt it

[seagiri]

when she draw on my pile

[their-we-go]

[kaftan]

[ID: a screenshot of the “Bad Art” coloumn of the table shown in the original tweet.

The sections are: “makes you feel weird”, “saps energy”, “sets off a downward spiral”, “confuses the mind”, “produces stagnation”, “weed” (as a drug analogy), “unstructured and obsessively anti-rhythm”, “instinctively recognised as a scam”, “a malevolently bad map”, “obfuscation, lies, resentment”, “wises to destroy the canon”, “mocks the concept of values”, “enfeebles life”, “spits on beauty and actively celebrates ugliness”, and “bad art is whining, coping, seething, and a waste of time”.

End ID]

Tag yourself as this list of “bad art” features, according to a twitter fascist

[xekstrin]

One of the most memorable interactions was Saturday. Into our booth strolls a small family, tempted by free samples of freshly brewed tea. We chatter and give them the spiel, that the tea is character merch and we’re a cozy health-based app called Forage Friends.

The young girl zeroes in on our pride pins.

“They have my pin!” She says excitedly. “They have my flag!”

The dad blinks. He is surprised, but also calm and positive when he sees it’s the lesbian flag. “Oh. That’s… different from what you told me.”

“That was months ago, dad.” And she rolls her eyes. Definitely a teenager.

I turn to him and say, “Yeah, dad.” And we share a little laugh about it.

He says, “No, it’s great. That’s amazing, honey. It was just news to me.”

“Well, I guess I just decided to stop lying to myself. About liking guys. Like right now.”

A little lesbian just came out to her dad and he was super cool about it.

I’m standing there in my tie-dye mask and my cheery blue apron pouring tea and making small talk and I’m trying really hard not to cry or compare it to my experience, the fire & brimstone, the disgust, the conditional acceptance as long as I never bring it up.

So as this beautiful bonding is going on, the girl’s even younger brother turns his gaze around. He’s in a snorlax hoodie and bored and wants to go look at the swords across the hall. But on the other side of our booth….

“WHY DO PEOPLE DRAW THAT?” He asks loudly, and we all turn to our neighboring booth.

Our neighbors were extremely lovely people. Every time we had a break we would talk, and we became good friends over the weekend. They kept apologizing that their booth was next to ours and we kept repeating that it was totally fine. Their booth was great. I even bought their merchandise.

The thing that was so contentious, that they felt the need to apologize for, was that they were selling explicit titty hentai stickers of popular characters. They were censored with little yellow R18 labels but the content was very clear.

So back to the family: I freeze and immediately go somewhere else to let dad handle this question. With adult customers I’ve been loud and positive about our neighbors. (“Man, how has it been boothing next to them?” It’s been great! They bring a lot of foot traffic and they’re kind and wonderful professional neighbors. If anything it’s a fun juxtaposition. We believe in artistic freedom. I bought a sticker too!)

But this is a kid, it’s not my place to explain anything…. But I was extremely curious about what this chill dad would say.

“Well,” dad says with a long measured silence between each word. “Sometimes people are horny.”

[trudlejack]

(+part 2)

[moncuries]

guess what i watched on new years (a redraw kind of)

[cookiekappa]

Klimt + The Addams Family

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[jesncin]

"Who Is Superman? A Private Interview with Lois Lane" a fancomic about hope and connection. I've had this story in mind for so long and I'm very excited to be able to share it at last. Thank you for reading, and happy Lunar New Year!

[valentina-poem]

[soranker]

laios985