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#art sure is something! had to get it out there! because otherwise ill never get it out there!
furkrum · 1 year
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"no way! shes too cool for me!!"
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corvidares · 1 month
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thoughts and feelings about fnaf: into the pit
(spoilers! talk of endings!)
so, while i enjoyed playing this game a lot, i am left feeling dissatisfied in a lot of ways, mostly in relation to what the hell just happened
on the side of things i LIKED:
the pixel style!!! good god this feels so perfect for fnaf. obviously we've always had the minigames in the retro style, and while fnaf has had a fine enough "look" for years, i really hope to see more stylization like this. the pixel art and animations are beautiful and full of character
there's a lot of visual detail, both in the sense of easter eggs (of course) and background clutter. fnaf games are always good at having gross settings, and this definitely does that. even the cloud of dust that pops up every time you jump in the ball pit is yucky, lmao
speaking of details, the sound design is also VERY good. it conveys a lot of what is not seen; the closer you get to a kid thats been captured by spring trap (pit trap? guys idk what to call him) the more you hear their cries and whimpers. of course, as always, sound is a part of the gameplay too, helping you know if spring trap is close and that you need to hide
the writing in terms of dialogue and such is good! i like that oswald is.. well, he's kinda dumb. rightfully so, for a kid! he does things that arent always logical, it takes him a hot minute to figure out that hes in the past, etc
its also genuinely distressing and sad to see him suffering, to see him try to tell his mom that something is deeply wrong, only to be brushed aside because (presumably) the possession magic is invisible to adults. to see his trauma get worse and worse as the days pass; nightmares, visions, straight up sleeping through his school day because he's been up all night! even his idle sprites are always sad and scared
the gameplay itself! the learning curve felt appropriate, i liked the strategy of using the noise makers, hiding, and the vents. fwiw i did play the "creepy" setting which is essentially easy mode. but i still died plenty, its not a complete cakewalk or anything.
the classic fnaf snark sense of humor is definitely here in this game, and i love it. the achievements? hilarious. the tips on the loading screens, jeff's entire character?? good stuff.
misc things i noticed:
for whatever reason, after night 1 i had a constant "bloody/strain" filter at the edges of my gameplay. not sure if this is like, random? game footage ive seen doesnt have it, and one even had a different filter. not sure what to make of it, it seems odd to just be a meaningless, randomized detail?
i got one glitch: after checking the cameras while the other kid is in security with me, oswald's sprite didnt reappear and i couldnt do anything. so i had to restart the game lol. not major, and i have no idea how common it is. otherwise everything was quite functional iirc
regarding the more critical side of things.. im mostly frustrated. now, i know fnaf, i know it never serves you answers on a platter. i know theres always an abundance of easter eggs and secrets (which i have tried to research, tho the game is still new). but upon finishing the game and seeing all the endings, i realized i didnt get answers about a lot of things i thought i would. for example;
where the hell is foxy??? the other core three are there and get added as enemies when you progress. his stage is present and some kids at the past party mention they miss seeing him. but he's not on ANY of the imagery throughout the pizzeria. in fact, we don't see him at all. if i didnt know who foxy was, i would only know his name. the only exception might be some empty masks in the backgrounds, but honestly i doubt it. this seems.. really strange to me. ill elaborate later
why did spring trap tie up oswald's dad? what was he going to do to him? did.. did anyone even die? oswald rescues everyone!
this is probably silly and i acknowledge that. but what was up with the giant spider jump scares..... i assumed itd be a new enemy or something but nah. THAT SPIDER WAS TOO BIG. WHY
what was oz's dad doing this whole time? was he trying to escape at some point? why is his shit all over the resturant?
onto just general critiques:
the gameplay did get a bit formulaic and sometimes fetch quests felt repetitive and/or like busy work. like why did i have to get five different sets of keys. bruh
the story has a lot of plotholes. and again, this is fnaf, these games have always looked like swiss goddamn cheese. but i can still be frustrated about it
for example, how is time passing in the past versus the present? IS it passing if we're not there? how do we affect the past? why does no one in the present acknowledge what happened here?? did spring trap get caught in this timeline? did anyone die? was oswald always a part of these events or did he change the timeline? this is presumably the first four/five murders, but a lot doesnt add up. is there a timeline where oz is one of the murdered kids? in the bad ending, he gets possessed, but not stuffed in a suit.
how does spring trap's possession even work? back then he was still alive and perfectly mortal... right? but then again, he supposedly strangles himself in the end, then leaps back to life to kill jeff? huh???
why is spring trap so animalistic? he doesnt seem human, and his eyes glow, which i dont think is something that suit can do (though i could definitely be remembering wrong)
speaking of which, i dont think the og four's eyes glow either, but they do in this game.
the "true good" ending does not make any fucking sense, first of all. second of all, considering the amount of work one would have to do to get it, it is extremely minimal. if i had done all that and only gotten a slight dialogue change as well as a "yay happy eating pizza at jeff's" scene i wouldve been PISSED.
also, speaking of not making sense, im sorry but oswald's lie to his dad about what happened is so obviously not true. why does he not question this at ALL? ESPECIALLY considering he has a fucking CHUNK OF HIS ARM BITTEN OFF. we see in jeff's ending that that shit bled a fucking lot! was his dad too concussed to call him on the obvious lie of "you fell and hit your head". and if he was, he would OBVIOUSLY NOTICE LATER THAT FIVE DAYS HAVE PASSED. AND THAT SOMEONE WAS WALKING AROUND PRETENDING TO BE HIM. WHAT (and dont say "oh he thinks he just lost his memory of those days" YOU DO NOT LOSE HUGE CHUNKS OF MEMORY UNLESS THERE IS MAJOR BRAIN DAMAGE OR TRAUMA. UH UH)
while talking to my gf, we came up with a couple theories.
one, she thinks its likely this game had more planned. and i agree - the missing presence of foxy is the biggest indicator, in my opinion, but theres other things too. for example, despite the fact that we're never able to enter the library or mill, both places have a map that can be pulled up when you press the map button outside those buildings.
the mill, especially, obviously has a ton of animatronic parts in the trash, and we all know that can be important... it seems to be too big a thing to be a simple easter egg, but what do i know.
another thing that feels way too big to be an easter egg is gabrielle; the girl who gives you a notebook with information about the animatronics (not foxy :( ) that provides hints for later. she mentions that her grandfather was a technician that worked with them back in the day. he never talks about it now though (the ONE acknowledgement we get in the present that bad shit went down!!!)
like.. is this henry? someone else? SURELY that is not a random guy. but it's a one and done interaction. i thought, when meeting her, that she would become a friend and ally, that we'd be able to learn more. the writing seemed to slant that way, but no. we're never able to talk to her again afaik
all this lends itself to the idea that the game was pushed. i can perfectly picture, like a year ago, someone telling the team "fnaf 10th anniversary is august 2024, get it out for then" and them having to cut stuff they had planned (but perhaps not developed, as afaik there are not missing assets showing foxy or the other things mentioned)
which is obviously a shame, and if thats the case i of course commend the team! this is a great game, especially if it was rushed. but this is becoming a pattern with fnaf games, and considering this is such a big successful franchise, that should not be the case.
anyway! overall, i truly did enjoy playing into the pit, and im very glad it was my first experience playing a fnaf game myself rather than watching a playthrough. and there are secrets that seem to be deliberately cliffhangers, in true fnaf game fashion. such as the photo that stuns spring trap, or the minigames.
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asterhaze · 1 year
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If you get this, answer w three random facts about yourself and send it to the last seven blogs in your notifs! Anon or not, doesn’t matter, let’s get to know the person behind the blog :)
Thank you for the ask! I have enjoyed talking about myself a little bit lately.
Serious: I also art! Though I haven't posted any of my newer stuff online because my tablet broke and some of my traditional work is stuff I want to eventually draw digitally and hopefully sell. I'm terrified of AI taking away my dream of being a super cool artist writer dream before I even have a chance. So yeah.
Silly Fact: I have a horrible phobia of mascots. It inspired a comic idea that I will probably end up writing about evil mascots that try to take over the world and cause the apocalypse. It's a pretty serious phobia that councilors and therapists have tried to help me with but nothing has worked because I've refused exposure therapy. There are some masks that trigger this phobia, but honestly it's mostly helmets!
Random: I only started writing seriously last October, and the amount of progress I have made this year shocks even myself. This is hard for me, but here is an example of my writing from last October versus something I wrote a few weeks ago.
October:
Glen stood beneath the willow tree in a small graveyard. He stated down at two small graves whose names had been worn away by time. But he knew them well and kept them close to his heart.
"Maria. My love. I miss you dearly, even still to this day." Glen began, going down on one knee to brush his hands across the grass. "I wish I was there with you. Wherever you are and whatever is beyind this life. I wish we could sit beneath our willow tree and I could tell you how much I love you again."
Last week - a longer piece that may or may not make it into a final draft-
“Now your suit really will be ruined. Your socks too.” But I have the money now to buy new clothes. Who cares, Maria, about suits and pants and socks and shoes? Who cares about arranged weddings? Who cares about any of that when you’re dead, dead, dead and I’m here, here, here? I’m still here, here, here… He reached out, brushing his fingertips along the front of the tombstone, weathered smooth by time. Faintly he could see the first letter of her first and last name but the rest was worn away. He traced the letters, very gently, before pulling his hand away and putting it back in his lap. Willow had cried and cried so many times sitting here before Maria’s grave. Mourning her, missing her, wishing desperately that she would come back to him and forgive him for everything and being left with only memories. The tears had dried decades ago, but the longing in his chest and the aching in his soul still remained. Now he just stared, his eyes glossed over, his lips moving without a voice as he spoke in his imaginary world where Maria was fussing at him for this, that, or the other. He knew he was crazy, or ill, or pretending, or at least that whatever he was doing was wrong but it made him feel better. Talking there, remembering things, it made him feel complete despite reminding him otherwise and he wasn’t sure why. Maybe it was that people left him alone at the graveyard, let him spend however long he wanted there, or maybe it was because he was close to her again. Eventually, when a headache was starting to form across his temple, he imagined Maria turning to him and smiling. Still wearing that horrible dress that flattered only her body, sickly yellow. Maria fluffed her skirt, slapping it when she was done, before turning to walk away. Won’t you take me with you this time? Can’t we go together? I’m tired of living without you, Maria. Maria looked over her shoulder, a sad look over her sunshine eyes, as she sighed and turned away. “You’re too good.” And with that, he imagined her walking away and fading from his vision in a great glowing light that blinded him until he closed his eyes so tightly shut he prayed he would never be able to open them again. Anything else he would see would just tarnish it. Tarnish his memory of her, but eventually he did open his eyes, and there was all that was left of her before him. Faded, worn, and nearly falling apart. Here Lies M….M…. Loved Forever.
Tagging: @mthollowell-writes @rainisawriter @doublegoblin @gummybugg @veetvoojagigthemagnificent
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sarcophagid · 2 years
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A few questions if you don't mind!
what are your favorite series that you have never drawn?
do you plan to make some kind of fanfic or whatever with your ocs? The lack of context is killing me
do you have anyone that inspires you in making art? Because your style is really unique
Also maybe weird side question did you get my ask and decided not to answer it (very understandable) or did you not get it? Normally i would not ask but i lost my internet connection while sending it eh
dw abt it man i dont mind :P
i used to be really into naruto (i hated naruto i still do but i was really obsessed with the little cannibal alien plant guy) but i dont draw naruto anymore. otherwise i dont think theres any series i like that i havent drawn much i dont like a lot of different media at once.
im happy you’re interested in the oc! theres a google doc with all my disjointed oc planning but its hardly digestible even to me 😭. i dont have the full plot and i use a weird comic scripting format because im not a good writer. maybe one day ill finish the script or extended summary, but flr now ill put up a short summary (it has "spoilers" for the ocs story but original content isnt really popular here so it probably doesnt matter lol). i will put out more content for it though because im really invested in the oc.
my inspiration just comes from whatever media i’ve seen probably. if i had to name something, i read golden kamuy a little while back and i subconciously emulated that a bit in my style. but i have a bunch of different styles, i think i mostly post cartoony drawings on here but i don’t really draw like that traditionally (i’m not that good w/ traditional though so i havent really posted any traditional art TOT)
i'm not sure which ask you're referring to sorry ;-; i do get some asks that i havent answered because it made me uncomfortable or sometimes i just dont quite know how to respond (ie. confusing or i cant rlly contribute anything), but i dont think that was you? i just have some asks i haven’t answered yet because i’m busy 👍
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gothtranshumanist · 3 months
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The Strain of Switching
I have type 1 Bi-polar disorder. This is made only slightly worse by the current economy, as I recently was off my meds until i had enough cash to buy them aagin, but thats only becauae I'm more prone to a sharp low after taking them for a while.
The thing they don't really emphasize about the condition to you until you figure it out yourself is that the background thoughts we have normally during the lows are just rejecting the want or need to put in effort. Depression isnt just being sad, its being mentally exhausted to the point of not wanting to put in effort to how you feel or what needs doing. Its like 4-Dimensional apathy, but instead of not caring its that you dont mentally or emotionally feel like caring will add anything positive or is worth the effort.
The lows suck because they suck the life out of wanting to make art, wanting to write and wanting much anything beyond survival and basic instant gratification. But for all the sludge that being under the lows creates, being dragged along by the highs is much more dangerous.
Mania is harder to pin down without feeling it because usually its tied to a specific drive or obsession and rarely just occurs out of extreme conditions like Borderline Personality or Bi-Polar. The closest common association beyond drugs would be the blind joy you have about something as a kid, because like a kid you dont know any better about the things you shouldnt do or how overexertion and overindulgence can ruin things not juat for youself but for those around you. Its worse than that, because you both silence the noises that know those things but also dont see dangers in new choices given what youve learned already.
Its easy to hurt friends, lose vital money, ignore personal needs and burn out hard when the highs have you. With cognitive behavioral therapy and medication you can work around these bad symptoms but it takes time and work to get there. But when you're creating? It feels like nothing can stop you. Any insecurities evaporate and you can always go back and reread what you wrote if its not good. And these are things you can do without being manic, but its easier to not second guess or doubt yourself and especially easier than being depressed.
I write when I have something I feel I need out of my system, and sharing that something has become a bit harder and harder to do because I have deleted twelve different blogs in my lows and even more books and word docs than I can comfortably want to remember.
I will never be consistent, its not possible, medicated or otherwise. All I can do is force myself, for good or ill, to not delete this one this time regardless of my state of mind. I started this blog because I was off my medication and was manic, so I felt extremely confident in my ideas for The Plante Co-op and talking on necromancy and transhumanism.
If I'm low, I might not write. If I'm neutral, which means Im medicated, I'll be self-motivating to the best of my ability. If I am Manic, am in a high, I will be writing consistently but only as long as that high lasts.
I dont have a "following" given what the site says, but if you're interested in sharing your won experiences with writing/art and Bi-Polar I would love talk or just hear from you.
Would that I could, I'd install a switch on my head that can turn it on and off, but its so stressful to switch between the two uncontrollably already, so often, that Im not sure I wouldnt just flip it faster and make it worse.
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lythbounddrama · 1 year
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Hello, yes, I’m the ‘nitpicki hoarder’ person.I’m going to preface this with I’ve known about this blog for a while. Like, how would I not? I’m sure people have seen drama blog tabs in a few of the screenshots I sent to the lyth server because I forget those are open. I’m not going to justify my reasons for looking at drama blogs other than it gives me a reminder of why I don’t do CS anymore.
I do want to correct the blog on one thing. Not counting adopts I bought from the other staff members(So just Jack’s designs, patreon, and the gem store), I spent 665 USD. It’d probably be closer to 700 if I included money spent on other staff member and GA adopts. Most of this was used for MYOs, with a portion spent on adopts and like….a frame and three pets. This is a lot of money for me, considering I work in retail as a janitor. So my paycheck is shit. I only afforded this because of a bonus program my workplace participated in, so I used that to get giftcards so I could eat but still load money into my paypal.
I didn’t actually notice the staff 'shafting’ me or anything like that. I’m not exactly the brightest sometimes and actually only found out that was probably what was going on via the blog. That shit did hurt to find out and let me tell you, it took a few days for me to come to terms to because I thought I had finally found a CS where the staff wasn’t going to be mean or even passive-aggressive to me because I don’t always know how to interact with other people. Which, I get it, I can get annoying or overstep boundaries without actually meaning to.
Honestly, the only things I noticed were weird were Jack dismissing certain suggestions, being called a whale(Which yes, did happen. I played it off as a joke if I remember), and Lechet going into one of my servers months after I posted the invite link. Which, I’m still working on the paranoia from that. Not going to go into what the paranoia was because it’s both irrelevant and I know that’ll just feed into it. Well, that and there was actually some nitpicking of my art and designs. It’s nothing I’m not used to, though, so it’s whatever.
I will admit that I’m probably why the freeplay update back in I think July was made. Particularly the labeling requirement. I did large 20+ nitpicki arts like every three months because it was fun. I did two with baby nitpicki(One you can probably still find onsite because according to a friend still in Lyth, forum threads don’t get deleted or otherwise marked.) and one with my entire hoard of nitpicki at the time. I will admit I loopholed it into being for a non-freeplay prompt because it was nearly 1k loons. I think it was 800-something? Not really enough loons for the literal months it took me to do, though. All three arts predated the freeplay update and the loopholing was purely because I didn’t want to lose out on most of the loons from that monster of a piece. I downplayed how upset I was when the update was made because I was working on a fighting-game themed art at the time it was made. I never finished it and I still have the file.
Now, those things stated, I do want to say that I had fun while I was in lyth. Mostly I left because I was bored and didn’t really care for the events mostly being the same thing every time. I kinda like a lot of variety and Lyth just didn’t scratch that itch for me. While I don’t get what the fuck Lyth is doing right now because it really makes no sense to me, I don’t actually hold any ill will.
And yes, I know about that chimefish. I forgot it existed. I can’t do anything about it, though. Cake has me blocked(Which, valid. I have offbrands of a CS I most definitely cannot afford to get into that they’re in) and I’m not going to go out of my way to bug the TH admin over a fish. It’s not worth my time and while it’s shitty cake didn’t credit me as a designer on TH, I have more important things to worry about.
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queenshelby · 3 years
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My Friend’s Father (Part Five)
Pairing: Cillian Murphy x Reader
Warning: Age Gap, Mild Sexual References
Words: 1,848
Notes:
I have decided to make this into a series.
Alright, no judgment. This was a dream of mine and I felt like I had to write it down. Everyone in this Fic is over the age of 18 and this Fic is in no way based on Cillian’s real family life. It’s pure filth.
 *************************
YOUR POV
Two weeks had passed since you visited your friend Denise in Dublin and it was time for the annual Galway Arts Festival.
Denise had been working on a photography project for the past year and had been nominated for a student award in Galway as part of which ten of her photographs were being displayed during the Arts Festival.
Whilst, as you had expected, Cillian didn’t contact you, you knew that he would be there to support his daughter. Being an artist himself, he was very proud of her and her work and he supported her projects not only mentally but also financially with the caveat that she would finish her degree at Trinity College.
Unlike him, he didn’t want her to drop out of university even though she hated it and you certainly understood his reasoning.
Contrary to Denise, you had no creative bone in your body. You enjoyed art and theatre, but weren’t an artist or performer yourself. Instead, you were an A Grade Law Student who had become rather bored in Galway and had recently applied for a scholarship to Oxford University.
Reading was your passion and you had always been known as a geek. In school, you were the girl that no one liked, nerdy, not interested in fashion or social media and wearing braces, which, luckily, had been removed three years ago.
You were shy and it was only for Denise that you came out of your shell. She was popular in school, mostly due to her name, but also because she was generally confident and, over the years, she helped you gain confidence especially after you had left high school.
But, today, you knew you would be questioning your gained confidence once again since, first of all, you would be seeing Cillian again and the truth was that you couldn’t stop thinking about him in an intimate way and, secondly, you were featured completely naked on some of Denise’s photographs.
Whilst the photographs were artistic and not sexual in any way and your most intimate part wasn’t visible on them, it bothered you knowing that people you disliked would see you so vulnerable and you couldn’t remember why you had agreed to being photographed like that.
The other woman who Denise chose to photograph was Amalie. She was 23 and had been Denise’s friend for a while as well but, unlike you, she began modelling professionally when she was just 16. You all went to the same private school together and, clearly, her lifestyle had been largely financed by her parents. She always wore expensive clothes and had no interest in pursuing a career other than modelling, which barely sustained her lifestyle considering the few small jobs she got.
***
Just as you served your last cup of coffee to an elderly lady sitting in the corner of the café you were working at, you saw Denise, Amalie and two other friends of Denise walk in.
‘Hey guys, take a seat. I will be right with you. I am just about to finish my shift’ you said as you hung up your apron.
‘Please tell me you will get changed before the Gallery opening tonight?’ Amalie asked somewhat weirdly and you couldn’t help but roll your eyes as you sat down at the table with her, Denise and the others before ordering some coffees for yourselves.
‘No, I thought I would go like this’ you said sarcastically, looking down at your coffee-stained clothes.
‘I bought a dress for tonight’ you then said, after Amalie didn’t seem to sense your sarcasm.
‘Right’ she then said as she flicked through Instagram and you simply looked at Denise who shrug her shoulders.
‘What are you looking for?’ you asked curiously as her eyes seemed to be glued to her phone.
‘She is looking to find more photos of my dad and Laura Jennings’ Denise said, rolling her eyes.
‘Laura Jennings, as in the actress?’ you asked, causing Amalie to nod.
‘Yes, apparently they have been dating’ Amalie then confirmed, causing you to swallow harshly. You knew that you shouldn’t care but you couldn’t help it. Knowing that Cillian was seeing someone made you feel ill.  
‘And you care about that why?’ you then asked Amalie after an uncomfortable shiver ran down your spine.
‘Apparently, just like you, Amalie thinks my dad is a DILF’ Denise huffed out before telling you how disgusting you all were.
‘Well, he is though…he is super hot’ Amalie then joked before carrying on. ‘And I don’t understand how you don’t know about Laura Jennings and whether this is true or not. You need to find out’ Amalie then said but Denise simply shook her head.
‘My father doesn’t share this sort of stuff with me and I certainly don’t want to know about his sex life, thank you very much. In so far as I am concerned, he doesn’t have sex, ever…yuck! Also, I would appreciate if you could not talk about my dad anymore, please. It grosses me out’ Denise said and you knew that, all of this had become a common occurrence ever since the day the first episode of Peaky Blinders aired on BBC, a show which Denise refuses to watch herself because of the heavy sexual content and a show which you, only a week ago, had begun to binge watch.
Cillian’s POV
When Cillian walked into the basement after you had left, he immediately saw the small folded up note you had left him but, reading it, made him somewhat uncomfortable.
He was torn about what to do with it and certainly knew that he should ignore it. He couldn’t see you again even if he wanted to.
The fact that you were 23 years younger than him and that you were his daughter’s best friend made it all wrong and highly inappropriate and he didn’t know what had gotten into him in the first place when he gave into you.
He had never felt attracted towards you in any sort of way until that last visit which was the first time had seen you since you and your family had moved away.
You changed in many ways and he wasn’t sure what it was that he liked about you. But what he knew was that it was more than just sexual attraction, which was usually something he knew how to supress.
With that in mind, he placed your note into his wallet and decided to ignore it for now. But he couldn’t quite bring himself to throw it out.
***
With his bags packed it was time for him to return to Manchester and resume filming of the final season of Peaky Blinders.
The first week of filming went well and Cillian decided to spend the weekend with his friend, fellow actress Laura Jennings. Cillian and her had developed a friend with benefits sort of relationship. No strings attached and no feelings involved. After his divorce from Denise’s mother, he wasn’t ready for anything else and Laura would certainly not have been the type of woman he would have wanted a relationship with in the first place.
Unlike him, she wasn’t press shy and, whilst they kept their arrangement a secret as best as they could, she was otherwise quite active on social media.
Cillian, on the other hand, only maintained a private Instagram account with the sole purpose of being able to check on his children. Whilst they were adults, he was still worried about them, especially Denise who had recently gotten herself in a lot of trouble after distancing herself from this Jeremy boy.
***
‘Another wine?’ Laura asked as Cillian was relaxing on top of the doonas, wearing nothing but his black Calvin Klein briefs, after they had spent the last hour doing exactly what friends with benefits would do after not having seen each other for over two weeks due to busy filming schedules.
‘Yes please…thanks’ he responded as he reached for his phone after a notification had popped up.
It was his daughter Denise who had posted on Instagram and, since she hadn’t posted for a while, he decided to check it out, hoping that she wasn’t with Jeremy again.
To his surprise, three new pictures of Denise and her friends showed up when he opened the APP and, one of them, there was you.
In the picture, you were wearing accompanied by a man in his late twenties, wearing a suit while you were wearing a dark blue dress and he couldn’t help but wonder who the man by your side was.
You looked simply stunning, with your hair long and open and your shoulders exposed. You were wearing only a little bit of make up and showed your beautiful smile.  
‘There you go Mr Murphy’ Laura then said as she returned to the bedroom with another glass of wine, pulling Cillian’s phone out of his hand and climbing on top of him.
‘Round Two?’ she then asked eagerly as she reached for another condom, but Cillian’s thoughts were elsewhere entirely.
‘Maybe tomorrow, I am tired. It has been a long week, sorry’ he explained, causing Laura to pout with disappointment.
But the second round never eventuated as Cillian left Laura’s house the following morning to drive back to Manchester to resume filming.
On his way back to Manchester, he called his daughter Denise to check on her and while he did, he enquired about your companion on the Instagram posts.
‘Why do you want to know?’ Denise asked somewhat confused but Cillian played it cool.
‘He looks familiar, that’s all. Didn’t he go to your school?’ he then asked, playing dumb.
‘Oh god no, he is 29. His name is Connor and he is an accountant. Y/N wouldn’t date anyone our age. You know she isn’t a normal 21-year-old’ Denise joked, referring to your nerdiness and intellect.
‘Apparently not’ Cillian chuckled before asking another question about the stranger on the picture. ‘So, they are dating?’ he asked.
‘I think they went on two or three dates or something. Why do you care?’ Denise asked.
‘No reason. I was just wondering’ Cillian confirmed before changing the topic.
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mimicofmodes · 4 years
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“The Ladies Waldegrave” by Joshua Reynolds, 1780 (NGS NG2171)
I’ve complained before about two very big pet peeves of mine - corset stuff and Regency women being dressed in 1770s-1780s clothes - but one that may dwarf them because of how frequently it comes up in historical and fantasy fiction is the oppression of embroidery.
That’s probably putting it a bit too strongly. It’s more like ... the annoyance of embroidery. Every character worth reading about knows instinctively that sewing is a) boring, b) difficult, c) mindless, and d) pointless. The author doesn’t have to say anything more than “Belinda threw down her needlework and looked out the window, sighing,” to signal that this is an independent woman whose values align with the modern reader, who’s probably not really understood by her mother or mother figure, and who probably will find an extraordinary man to “match” her rather than settling for someone ordinary. To look at an example from fantasy, GRRM uses embroidery in the very beginning of A Game of Thrones to show that the Stark sister who dislikes it is sympathetic and interesting, while the Stark sister who is competent at it is boring and conventional and obviously not deserving of a PoV (until later books, when her attention gets turned to higher matters); further into the book, of course, the pro-needlework sister proves to be weak-willed and naïve.
Rozsika Parker, in the groundbreaking 1996 work The Subversive Stitch, noted that “embroidery has become indelibly associated with stereotypes of femininity,” which is the core of the issue. "Instead embroidery and a stereotype of femininity have become collapsed into one another, characterised as mindless, decorative and delicate; like the icing on the cake, good to look at, adding taste and status, but devoid of significant content.” 
Parker also points out that the stereotype isn’t just one that was invented in the present day by feminists who hated the idea of being forced to do a certain craft. “The association between women and embroidery, craft and femininity, has meant that writers concerned with the status of women have often turned their attention towards this tangled, puzzling relationship. Feminists who have scorned embroidery tend to blame it for whatever constraint on women's lives they are committed to combat. Thus, for example, eighteenth-century critical commentators held embroidery responsible for the ill health which was claimed as evidence of women's natural weakness and inferiority.”
There are two basic problems I have with the trope, beyond the issue of it being incredibly cliché:
First: needlework was not just busywork
A big part of what drives the stereotype is the impression that what women were embroidering was either a sampler:
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sampler embroidered by Jane Wilson, 14, in 1791 (MMA 2010.47)
or a picture:
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unfinished embroidery of David and Abigail, British, 1640s-50s (MMA 64.101.1325)
That is, something meant to hang on the wall for no real purpose.
These are forms of schoolwork, basically. Samplers were made by young girls up to their early teens, and needlework pictures were usually something done while at school or under a governess as a showpiece of what was being learned - not just the stitching itself, but also often watercolors (which could be worked into the design), artistic sensibility, and the literature, history, or art that might be alluded to. And many needlework pictures made in schools were also done as mourning pieces, sometimes blank, for future use, and sometimes to commemorate a recent death in the family. A lot of them are awkward, clearly just done to pass the class, but others are really artwork.
Many schools for middle- and upper-class girls taught the making of these objects (and other “ornamental” subjects) alongside a more rigorous curriculum - geography, Latin, chemistry, etc. At some, sewing was also always accompanied by serious reading and discussion. (And it would often be done while someone read aloud or made conversation later in life, too.)
Once done with their education, women generally didn’t bother with purely decorative work. Some things that fabric could be embroidered for included:
Jackets 
Bed coverings and bedcurtains
Collars and undersleeves 
Pelerines 
Neck handkerchiefs and sleeve ruffles 
Screens
Upholstery
Handkerchiefs
Purses, wallets, and reticules
Boxes
Book covers
Plus other articles of clothing like waistcoats, caps, slippers, gown hems, chemises, etc. Women’s magazines of the nineteenth century often gave patterns and alphabets for personal use.
(Not to mention late nineteenth century female artists who worked in embroidery, but that’s something else.)
You could purchase all of these pre-embroidered, but many, many women chose to do it themselves. There are a number of reasons why: maybe they wanted something to do, maybe they felt like they should be doing needlework for moral/gender reasons, maybe they couldn’t afford to buy anything - and maybe they enjoyed it or wanted to give something they made to a person they loved. That firescreen above was embroidered by Marie Antoinette, someone who had any number of other activities to choose from. It’s no different than people today who like to knit their own hats and gloves or bake their own bread, except that it was way more mainstream.
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embroidery patterns from Ackermann’s Repository in 1827 - they could be used on dresses, collars, handkerchiefs, etc.
Second: needlework wasn’t the only “useless” thing women were expected to do
Ignoring the bulk of point one for now and the value of embroidery - I mentioned “ornamental subjects” above. As many people know, young women of the upper and middle classes were expected to be “accomplished” in order to be seen as marriageable. This could include skills like embroidery, drawing, painting, singing, playing the piano (as well as other instruments, like the harp or the mandolin), speaking French (if not also Italian and/or German), as well as broader knowledge and abilities like being well-versed in music, literature, and poetry, dancing and walking gracefully, writing good letters in an elegant hand, and being able to read out loud expressively and smoothly.
This wasn’t a checklist. As the famous discussion in Pride and Prejudice shows, individuals could have different views on what actually made a woman accomplished:
“How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! And so extremely accomplished for her age! Her performance on the pianoforte is exquisite.”
“It is amazing to me,” said Bingley, “how young ladies can have patience to be so very accomplished as they all are.”
“All young ladies accomplished! My dear Charles, what do you mean?”
“Yes, all of them, I think. They all paint tables, cover screens, and net purses. I scarcely know anyone who cannot do all this, and I am sure I never heard a young lady spoken of for the first time, without being informed that she was very accomplished.”
“Your list of the common extent of accomplishments,” said Darcy, “has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half-a-dozen, in the whole range of my acquaintance, that are really accomplished.”
“Nor I, I am sure,” said Miss Bingley.
“Then,” observed Elizabeth, “you must comprehend a great deal in your idea of an accomplished woman.”
“Yes, I do comprehend a great deal in it.”
“Oh! certainly,” cried his faithful assistant, “no one can be really esteemed accomplished who does not greatly surpass what is usually met with. A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half-deserved.”
“All this she must possess,” added Darcy, “and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.”
Mr. Bingley feels that a woman is accomplished if she has the ability to do a number of different arts and crafts. Miss Bingley feels (or says she feels) that it goes beyond specific skills and into branches of artistic attainment, plus broader personal qualities that could be imparted by well-bred governesses or mothers. And Mr. Darcy, of course, agrees with that but adds an academic angle as well.
But what ties all of these accomplishments together is their lack of value on the labor market. A woman could earn a living with any one accomplishment, if she worked hard enough at it to become a professional, but young ladies weren’t supposed to be professional-level good because they by definition weren’t going to earn a living. All together, they trained a woman for the social and domestic role of a married woman of the upper middle or upper class, or, if she couldn’t get married, a governess or teacher who would share her accomplishments with the next generation.
(To be fair, almost none of the trappings of an upper-middle/upper class male education had anything to do with the kind of career training that college frequently is today, either. Men were educated to know the cultural touchpoints of their class and fit in with their peers.)
There are reasons that an individual person/character might specifically object to embroidery, but it was far from the only “useless” thing that an unconventional heroine would be required to do against her inclination by her conventional mother/grandmother/aunt/chaperone. Embroidery stands out to modern audiences because most of the other accomplishments are now valued as gender-neutral arts and skills.
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“The Embroidery Frame”, by Mathilde Weil, ca. 1900 (LOC 98501309)
So, some thoughts for writers of historical fiction (or fantasy that’s supposed to be just like the 19th/18th/17th/etc century):
- If your heroine doesn’t like embroidery, she probably doesn’t like a number of other things she’s expected to do. Don’t pull out embroidery as either more expected or more onerous than them. Does she hate to sit still? I’d imagine she also dislikes drawing and practicing the piano. Would she prefer to do academic subjects? She probably also resents learning French instead of Latin, and music and dancing. Does she hate enforced femininity? Then she’d most likely have a problem with all of the accomplishments.
- If your heroine just and specifically doesn’t like embroidery, try to show in the narrative that that’s not because it’s objectively bad, and only able to be liked by the boring. Have another sympathetic character do it while talking to the heroine. Note that the hero carries a flame-stitched wallet that’s his sister’s work. Emphasize the heroine’s emotional connection to her deceased or absent mother through her affection for clothing or upholstery that her mother embroidered - or through a mourning picture commemorating her. There are all kinds of things you can do to show that it’s a personal preference rather than a stupid craft that doesn’t take talent and skill!
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mourning picture for Daniel Goodman, probably embroidered by a Miss Goodman, 1803 (MMA 56.66)
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swanlake1998 · 3 years
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Article: The Unbearable Whiteness of Ballet
Date: April 22, 2021
By: Chloe Angyal
In an exclusive excerpt from her new book Turning Pointe, contributing editor Chloe Angyal lays out the ways that white supremacy is embedded in ballet's most basic foundations.
Wilmara Manuel and her 11-year-old daughter, Sasha, were at the world finals of a ballet competition, the Youth America Grand Prix, in 2015 when it happened. Shortly before the competition began, the young dancers were on the performance stage with their parents, warming up and preparing to dance the solos they’d been rehearsing for months.
As Wilmara, who is Black and originally from Haiti, and Sasha, who is biracial, stood there, a young white dancer looked around the stage, checking out the competition. “And her eyes land on Sasha,” Wilmara remembers, “and I saw her look [Sasha] up and down, and then look at her mom.
“And her mom said, ‘Don’t worry. They’re never really good anyway.’ ”
Wilmara did her best to contain her shock. Sasha didn’t hear what the white mom had said, and Wilmara wasn’t about to tell her, because “that’s not the thing I want to discuss 10 minutes before she takes the stage.” But Sasha could sense that something was amiss. “Just the look on my face, she was like, ‘What? What happened? What did she say?’ ” Wilmara brushed her daughter off.
Don’t worry. They’re never really good anyway. An entire worldview of white resentment of Black progress and excellence passed quietly from mother to child in just seven words.
That white mother could not fathom that Sasha, a biracial child with a Black mother, might be really good—as in very good, or truly good—at a traditionally white art form at which her child was presumably also quite proficient. She could not imagine that Sasha might deserve to be at that competition, might have qualified on her merit—her talent and skill and persistence—rather than because of what she might consider a misguided or even unjust attempt to diversify ballet by lowering standards. They’re not really good, but they are allowed to be here. In this space that is rightfully yours, in this art form that is rightfully yours. They’re never as good as the white girls, a sweeping generalization that grants no individuality, no humanity, to any nonwhite dancer. They’re all the same, and they never deserve to be here. But don’t worry. Your excellence is a given. You belong here, while their presence is conditional or even ill-gotten.
A few minutes later, Sasha took the stage and performed her solo. She ended up placing ahead of that white dancer.
From then on, Wilmara traveled with Sasha to every competition, paying the additional travel costs to make sure that, if something like that ever happened again, she’d be there to support her daughter.
“That has stuck with me,” she says. “And it’s one of the reasons I make the sacrifice and I go with her everywhere. Even if there are others going, I feel like I need to be around should comments like that pop up. I just don’t feel like I can take that chance, you know? And what cracks me up is that . . . she doesn’t even look as dark as I do, which makes me feel like, ‘Oh my God, if you were darker, like, what else?’ ”
Sasha grew up in a suburb of Indianapolis and is now 16. She trains at the Royal Ballet School in London, an exclusive training ground that serves as a feeder school for the Royal Ballet. It’s widely acknowledged to be one of the best ballet schools in the world.
Wilmara says that people often express their surprise at the quality of Sasha’s training and technique. “Oh wow, you’re really good,” Wilmara says by way of example. “Where do you train? Have you been dancing for a long time?” She says that while she tries to give these white people the benefit of the doubt, she knows what they usually mean, and she’d prefer they just come out and say it: “I’m surprised you’re that good. You’re Black and you’re dancing and you’re good.”
Now that Sasha is a little older, Wilmara talks to her about the racist assumptions embedded in those surprised comments. “You know she’s asking because she doesn’t think a person of your color can do this,” she’s told Sasha, who now “gets it when she hears that tone of voice.”
And, she says, she’s been frank with her daughter about the kind of resistance she should expect from the overwhelmingly white ballet establishment if she keeps excelling—which she shows every sign of doing.
It’s moms who do the bulk of the work of ballet parenting: the sewing of costumes, the schedule keeping for rehearsals and recitals. And when you’re a ballet mom to a dancer of color, there’s an even higher price to pay.
“Not everybody’s gonna be thrilled,” Wilmara says, paraphrasing her conversations with Sasha. “Even if you’re not a dancer of color, it’s cutthroat. And on top of that, you are a dancer of color, and so that poses another threat in some ways. So you have to be mindful of your things and what you are doing, and know what things are okay, and [pay attention to] when you are uncomfortable.”
This emotional labor, the work of helping young dancers understand what “that tone of voice” means and why it’s being used—or the work of deciding whether to tell your child about the racist remark you just overheard or absorb it yourself and shield them from it—is a part of parenting not demanded of mothers of white dancers.
Then there’s the payment in time and money required of Wilmara to make sure that Sasha’s ballet experience is as fair and worry-free as possible. Once, at a competition, Wilmara forgot to color in the “nude” pale pink straps on one of Sasha’s competition costumes. Wilmara scrambled to find brown foundation because none of the vendors at the competition had a leotard in Sasha’s skin color.
“Come on, people, you are here,” Wilmara remembers thinking. “There may not be that many [dancers of color], but they are all here and you should be able to bring various shades of nude leos.”
Succeeding in ballet, or even just surviving, requires extra talent, extra work, extra resilience, and extra sacrifices from dancers of color, especially Black and brown dancers, and their parents. White ballet moms might have to talk to their white daughters about how cutthroat ballet is. But they don’t need to issue additional warnings about how a white girl’s success will be received by that cutthroat culture, because almost all the successful girls and women in ballet are white.
“They’ve had to grow up a lot faster,” Wilmara says of Black and brown ballet dancers. “I think the ballet world makes you grow up a lot faster, but on top of that,” there are the “extra hurdles that other dancers don’t have to think about.” There are the overtly racist comments backstage before a performance and the subtly racist “compliments” after. There is time spent frantically searching for the right leotard or adapting the default pink leotard. There is the knowledge, internalized first by parents and then by their kids, that if you make it over all those hurdles your success will be viewed with suspicion and resentment—that ballet does not have a “diversity” problem; it has a white supremacy problem.
“Our kids,” Wilmara says, “are thinking about this and thinking about it early on.”
The organizing principle of ballet—of training, of performance, of making a ballet body—is control. Control of your rigid torso while your foot shoots upward from the hip in a battement. Control of a silent and compliant class of otherwise giggly 9-year-old girls. “The traditional and classical Europeanist aesthetic for the dancing body is dominated and ruled by the erect spine,” wrote dance scholar Brenda Dixon Gottschild in her landmark book The Black Dancing Body. “Verticality is a prime value, with the torso held erect, knees straight, body in vertical alignment. . . . The torso is held still.”
It all demands control. Control of your smiling face as your feet scream in your pointe shoes at the end of a long pas de deux. Control of your weight, of your turnout, of your stretched and strengthened feet that now arch into a shape no ordinary foot can make. “The ballet audience, attuned and habituated to view control as a prime value, applaud its display and are embarrassed when it isn’t fulfilled,” Gottschild wrote.
Discipline, order, adherence to strict and unquestioned rules. That’s what ballet is. When Gottschild asked Seán Curran, a white dancer and choreographer who performed with the Bill T. Jones/Arnie Zane Company, what he pictured when he thought of white dance or white dancing bodies, he said, “Upright. . . . For some reason, ‘proper’ stuck in the head a bit, something that is built and made and constructed rather than is free or flows.” A body that is rigid, obedient, and disciplined, remade from something natural and unruly into something refined and well behaved. Proper. “Whiteness,” Curran said, “values precision and unison.”
Curran’s assessment identifies a central underlying prejudice of white supremacy: the belief that people of color, and their bodies, are wild. Uncivilized, animalistic, subhuman. That white people—who, by contrast, are assumed to be organized and civilized—have both a right and a responsibility to tame that which is untamed and impose order, precision, and unison on it. To suppress and control that which is savage; to press it into something that approaches whiteness but will never be truly white and thus never truly equal.
This is the logic that underpinned white colonization and American slavery. It is also the logic that makes racial segregation possible: that which is pure and organized must be kept separate from that which is profane and undisciplined. And central to this worldview is the idea that the work of white supremacy is unending, not because white supremacy is flawed, but because the very people it seeks to suppress are inherently inferior, naturally incapable of complying. Because of some inborn lack—of will, of understanding, of discipline—people of color will never fully obey, never properly assimilate, never be redeemed by whiteness. In this way, white supremacy perpetuates itself, justifying both its worldview and the permanent need for its existence.
It’s little wonder, then, that ballet—with its fixation on control, discipline, and uprightness—wraps itself so neatly around whiteness. It makes sense that white Americans, reared on the belief that whiteness is synonymous with order and refinement, also believe that people of color have no place, or a limited place, or a conditional place, in classical ballet.
Furthermore, it is easy to see how the ideal ballet body—so controlled, so upright—is everything that white supremacy imagines a Black body is not. And because of deeply ingrained American cultural associations with musculature, loose movement, brute force, and untamed sexuality, the Black body is believed to be everything a ballet body is not permitted to be.
“When we talk about the ballerina,” says Theresa Ruth Howard, a former dancer and a teacher, diversity strategist, and the founder and curator of the digital ballet history archive Memoirs of Blacks in Ballet (MoBBallet), “we’re talking about the ideal, our stereotype of the desirable woman, and that is reserved for white women.”
Howard has made a career of helping the people who run ballet companies and schools to examine their ideas about what makes for a “good” ballet body, asking them to question their biases about the inherent fitness of white bodies and unfitness of other bodies, especially Black bodies. She says that long-standing racist tropes about Black women’s bodies make Blackness and ballerinas seem antithetical.
“You have the trope of either the jezebel, the mammy, or the workhorse of the Black woman,” which are incompatible with desirability, fragility, and sexual purity, the ideal of white womanhood at the heart of the ballerina’s appeal.
“She’s desired. It’s the epitome of beauty, of grace, of elegance, and these are not adjectives that are assigned to Black women,” Howard says. “Especially not darker-skinned Black women. This is why the closer you look to the white European aesthetic as a Black woman, the better chance you have at occupying that role. Especially at a higher level.”
Despite the long tradition of Latin American dancers carving out successful professional careers in the U.S. and the enormous success of Misty Copeland—a light-skinned Black dancer whose ascent to the pinnacle of American ballet was a watershed moment for Black dancers and audiences alike—the archetypal ballerina is still a pale-skinned white woman with slender limbs, negligible breasts and hips, and long, sleek hair. In the American cultural imagination, the ballerina is still white.
George Balanchine famously said that “ballet is woman,” but that’s not the whole truth. Ballet is white woman, or, perhaps more precisely, white womanhood. Ballet is a stronghold of white womanhood, a place where whiteness is the default and white femininity reigns supreme.
Excerpted from Turning Pointe: How a New Generation of Dancers Is Saving Ballet from Itself by Chloe Angyal. Copyright © 2021. Available from Bold Type Books, an imprint of Hachette Book Group, Inc.
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yandere-sins · 3 years
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I feel like telling people that if they want more of specific content to "just write it" underestimates how difficult writing actually is, especially writing something that's actually good and reading your own art kinda sucks sometimes cause you're not thinking about it as a reader but instead as a writer
It's also just so dismissive of how much time and practice writers have to spend in order to hone their skill
It's an option though? Not sure if you got offended by me and the other anon saying writing is an option, but to be honest, creating is always an option. You don't even need to read it afterwards, writing it can already make you proud and get it out of your system. Make you happy that it exists. (That's the joy of creation after all no matter if you create or just consume.) Especially if you yearn for a change that you can prompt. However, I also offered commissioning and making proper requests as options on the same level as creating it yourself, as well as actually supporting the artists that create the things you like. What is not an option is bitterly complaining why no one is doing things for you the way you want them, out of their own free will.
Of course it takes time! Everything takes time, no one is talented, we are all just skilled because we are working on our craft and honing our skills! I never said that just because you create something you'll be automatically good at it or suddenly it'll change everything there is. Sometimes it does suck. Sometimes you take a break and lose your ability to focus so you have to do it all over again. And yet, even after all the struggle that is starting something new and creating things, it's still better than complaining. No one was dismissing the effort, in fact, we were trying to emphasize that it is a lot of effort and no one can just expect others to make the efforts and changes someone else wants.
I will end this here because I am not sure if you just wanted to state this or if you were offended. If it was the latter, let me just remind you that I am a non-native english speaker that never had even one course in writing available to her due to mental illness and is still far from being anywhere near good. Yet, I still write out of passion and post free stories for people and on their request because I like doing it. You don't see me going around complaining about the lack of certain stories despite not always wanting to write them myself out of fear of ruining them or not being able to pull them off. And guess what? I've only been doing this for 5 years of my life. I didn't start working on my writing when I was still very young and I wasn't encouraged to do so either. If you want to complain on my blog about how hard it is to achieve a certain level, then please be sure to choose your words wisely and not disrespect me and try to call me out because my opinion isn't what you want to hear. Because I know how it is, I really do. Otherwise I'd not share my opinion on these topics and share them publicly. Writers should not think it's dismissive of our skills to tell someone to create things on their own. We should always encourage new and old creators! But it is dismissive to keep hearing that we are not doing enough for other people and they won't even try.
If you want to see something and you can't be bothered to encourage other creators to do it, pay for it, or make your intentions known respectfully, then create it yourself.
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nillegible · 3 years
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the JGY amnesia Fic
[AN: Someday I will come up with decent titles for my fics... but not now XD I hope you like this fic, the premise is that the issue with XY and NMJ happens before JZX’s death, and so the argument and the stairs moves up in the timeline! And JGY hits his head and gets TV-show amnesia, and remembers no one, not even himself, but is otherwise his sharp, suspicious self...]
He wakes up sure that he is dying, nothing else could hurt so sharp, agonizing pain radiating out from the back of his head, stabbing sharply every time he is swung, and he forces his eyes open. The light burns, but he can make out an earth green and brown collar, and a strong jawline. He is being carried by this man.
He doesn’t know who this is, but he feels… safe. Even though every step this man takes makes his eyes water.
He blacks out.
*
His name is Jin Guangyao. It rolls smoothly off his tongue, but sits wrongly in his mind. “Temporary amnesia,” the doctor had informed him, when Jin Guangyao could not tell him the answers to any pf his questions; not his name, or the date, or where they were.
A fancy young master in white-and-gold robes, who introduces himself as Jin Zixuan, is the one who sits by his side and tells Jin Guangyao the basics of his life. There is such an obvious lack of detail that it leaves him intrigued. And Jin Zixuan looks ashamed when Jin Guangyao asked if he was Jin Zixuan’s uncle. “No, I’m your older brother,” he says. “We… we share a birthday, but you’re a day younger.”
Jin Guangyao watches him for a moment, and wonders at the source of his brother’s shame. “I’m a bastard, aren’t I?” he asks.
“My father legitimized you!” Jin Zixuan protests. “You’re my brother.”
Jin Guangyao smiles at him. This man is clearly naïve, but has no ill-intent. The man who had named Jin Guangyao Jin Guangyao, however? He is yet to ascertain that.
*
Jin Guangyao’s memory doesn’t return within the first week. With his head injury healed, though, he’s allowed to leave the infirmary which allows him to collect a lot more useful data.
There is a lot of work piled up in his room. Disorganized, as if someone had gone through it to take the important paperwork to work on while he is <infirm>. That he was assigned so much work that was non-essential makes him wonder if he was actually pretty low on the social ladder, here. He goes through all of them anyway, most of it is useful information, painting a picture of Jin sect’s activities, and the sorts of projects that they allow to drag on for weeks. Jin Guangyao has left meticulous notes in a separate notebook about how to put everything into a more sensible order. That such reworking was required
His accessories, or lack-there-of, are even more enlightening. There’s also a scholarly-sort of hat, and only a few cheap hair ribbons. Nothing at all like the intricate jade hairpins or crowns with intricate metalwork and precious stones that Jin Zixuan and Jin Zixun wore daily.
Jin Guangyao’s place here is… obvious.
He wonders who the man who had picked him up after his injury, was. No one tells him, not even Jin Zixuan, he just pats Jin Guangyao’s hand and says, “Don’t worry, you’re safe now.” The implications of that are obvious, of course, that the stranger was the one who had hurt him. And yet it’s a subject no one speaks of, of how Jin Guangyao had fallen down the thousand steps of Koi Tower, and he hadn’t asked after the first two times. He stays wary, watching everyone. Someone had tried to kill him, and he doesn’t even remember which of his acquaintances might want him dead.
*
Lan Xichen arrives two days after his release from the infirmary, Lan-Zongzhu, according to everyone else. He’s beautiful, the most beautiful person that Jin Guangyao has ever seen. Since he remembers all of a week, this doesn’t sound like a compliment, but Jin Guangyao could probably search for decades and not find anyone more beautiful. It would not be fair.
They have tea together, after Lan Xichen – “Call me er-ge, you are my sworn brother, A-Yao,” – has checked him over worriedly, and checked his meridians, and pressed his fingertips gently to the back of Jin Guangyao’s head, to where his head injury had been, and ascertained that he truly is well.
“They did not tell me you were injured,” he says. “Da-ge had to, and this is the week of new students for the summer lectures, I could not leave. Jin Zixuan promised me you were well, though,” he says. Sincerity shines through him, and Jin Guangyao wonders what on earth he, an unwelcome child in his own family, could have done to make this man care for him.
So he asks.
Lan Xichen describes a heroic young man, who gave him shelter when he needed it most, who had smiled and laughed at him, and helped him with chores he could not do, and gave him the strength to fight a war. Lan Xichen tells him that this kind young man had gone into a war that did not affect him, only to help, that he had turned spy against a raging mad man, and finally taken off his head.
“So that is why my father took me in,” says Jin Guangyao. There’s a flicker of pain on Lan Xichen’s face as Jin Guangyao tells him what he’s surmised about how he’s treated here. “Did you know?” asks Jin Guangyao.
“I suspected,” Lan Xichen says softly. “But you were too proud to tell me. You insisted you were happy here. I visited when I could, but I never… I’m so sorry.”
Jin Guangyao reaches out to pat Lan Xichen’s hand, it feels so familiar, even if Jin Guangyao can’t remember doing it before. He must have, Lan Xichen’s sad face cannot be borne. “I’m sure I didn’t want to bother you, er-ge. You’re overworking yourself even now.” The signs are there, even behind his flawless composure. “You look so tired.”
“I had to come,” says Lan Xichen. “I was so scared that you…” He trails off, then turns his hand, holding onto him tightly. “If you don’t remember your place at Koi tower, do you want to return with me until your memory recovers? We’re still reconstructing, but Cloud Rececsses is still an excellent place to ”
“This Jin Guangyao is honoured, but what if it doesn’t?” asks Jin Guangyao practically. “I can’t just leave my home like that.” More quietly, he adds, “There must have been some reason I didn’t leave before.”
“You never said, exactly, but I believe it was because of your mother,” says Lan Xichen. “She wished that you would gain your father’s recognition, and a place at Koi Tower.”
“Do you know anything about her?” Jin Guangyao is not an idiot, he knows from the snide remarks, the way that people try not to touch him that he is of low birth, that his mother’s occupation was. That. He wonders if Lan Xichen will lie to him.
“She was an educated woman,” he says. “A renowned beauty. You’ve told me that you take after her, in many ways. She was skilled in the arts. She never taught you art but she was your master in calligraphy and music. She loved you very much and wanted you to have a good education because she knew… she knew that A-Yao is so incredibly smart and destined for greater things.” He squeezes Jin Guangyao’s hand. “Her life was not easy. She suffered, but she loved you. She would be proud of you, to know how much you achieved.”
It should matter, it does matter, Jin Guangyao’s heart squeezes, but it is from sympathy for what Lan Xichen is feeling. The dark honey-gold eyes are bright with tears. Clearly Jin Guangyao had loved her very much, before. But Jin Guangyao cannot find in him any love for a woman that Jin Guangyao cannot imagine. A woman with his face, a prostitute, but educated, talented. And ambitious to have Jin Guangshan’s son.
“My father did not take her in, I gather?”
“He did not. She died of illness shortly before I met you.”
“Thank you for telling me,” says Jin Guangyao.
*
Lan Xichen stays an entire afternoon, and readies himself to leave at dusk. Jin Guangyao accompanies him to the sky-pavilion on Koi Tower that the Jin disciples use to take off from.
There’s a last nagging question that Jin Guangyao hadn’t managed to slide into the conversation, as it meandered into cultivation theory and Jin Guangyao and Lan Xichen had tried to piece out some kind of pattern in what kinds of cultivation knowledge he had retained, and what he had forgotten. It had been an interesting exercise.
“Er-ge, before you go,” says Jin Guangyao. He looks around cautiously, but no one is near enough to overhear. “You’re older than Jin Zixuan, aren’t you?” he asks, and Lan Xichen nods. “So our da-ge… you never said. Is he… did he die during the war?”
“No!” cries Lan Xichen. “A-Yao no, he’s not. He’s fine, he just could not find time to visit.”
Lie.
It’s the first time Lan Xichen has lied to him today, but Jin Guangyao is certain of it.
“No one talks about him, and I couldn’t find any letters from him. I did find a few of yours. No one even says his name. Who is he?”
“Nie Mingjue,” says Lan Xichen, sounding defeated. “Of course you would think to ask, but his name is Nie Mingjue.”
Everything falls into place. Jin Guangyao has seen some Nie disciple couriers on their way to private meetings with his father and the Jin council of elders. Hard faced and angry looking, they kept to themselves and departed the moment they could, without staying for a meal or entertainment.
“You think he pushed me down the stairs,” says Jin Guangyao.
“No,” says Lan Xichen. “We know he did. He kicked you down the stairs. He–”
“And you believe that?” asks Jin Guangyao.
“Of course I do,” says Lan Xichen. “Da-ge was the one who told me. I knew that things were difficult between the two of you, recently, but I had not imagined… It does not matter, we are looking through the records now, so that you can be free of your vows to him, and even if we can’t find something, he won’t visit Koi Tower again, Jin-zongzhu has forbidden it.”
“Oh,” says Jin Guangyao, mind whirring. “Okay then.”
“Is A-Yao afraid we’re covering something up?” asks Lan Xichen. Jin Guangyao is not sure what gave it away, he thought he’d kept his face smooth.
“Naturally I trust er-ge,” he says, smiling up at him. “I just remember him, vaguely. He picked me up. He saved me.”
It’s Jin Guangyao’s first memory, pained and fragmented though it is.
“He did take you up to the infirmary right after,” Lan Xichen agrees. He looks faintly puzzled, like he’s not sure why that matters to Jin Guangyao.
“I understand,” says Jin Guangyao. “Nie-zongzhu would of course regret his action after his moment of anger.”
“He does,” Lan Xichen assures him. “You should write to him, if you are willing to accept his apologies, but Da-ge is terribly sorry.”
“Thank you er-ge, I will,” Jin Guangyao promises. The relief on Lan Xichen’s face is too pure for this world.
He waves goodbye after Lan Xichen takes off, and steps back into the maze of Koi Tower, mulling over all the new knowledge that Lan Xichen had brought with him. He was right, he should write to Nie Mingjue.
But after some more research.
What could they have possibly quarrelled about so badly?
Jin Guangyao makes his way back to his rooms, keeping his face expressionless at the gilded opulence and overt unfriendliness of his home. He doesn’t understand his past self at all.
Why does he still live here, where he’s so clearly unwanted?
Why did he even care for the acknowledgement of Jin Guangshan, who from even just Jin Guangyao’s few interactions this week and the gossip he’s picked up, is a selfish, disgusting pervert who wouldn’t spit on Jin Guangyao if he was on fire.
Just because his mother wanted him to?
She was a good woman, he hears again, in Lan Xichen’s sincere voice. But Jin Guangyao doesn’t get it. She had to have been a fool, to believe in Jin Guangshan, or terribly cold and cruel to send him to Jin Guangshan knowing exactly what kind of derision would await him here. He is a war hero, and yet he’s treated like a servant.
Jin Guangyao is in the mood to be charitable, so he picks the former.
He still doesn’t know why he stayed.
[You can now read part 2 here!]
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suncakie · 3 years
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[Writing Essays is fun]
w/ Tendou Satori x fem!reader (ft. Shiratorizawa Vball club)
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@randomarmy19: I was wondering if you could write for Satori Tendou in high school, where you have an unrequited crush on him. He doesn’t want to acknowledge your feelings cause he feels like “the feelings will fade, cause how can anyone stick around him” kind of thing. So he’s insecure despite you constantly confessing to him, but then you keep reassuring him and he finally sees his self worth and stuff?! Basically tooth rotting fluff/comfort/slight angst I guess…
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Warnings. VERY SHORT(around 800 words), Fluff, Crack, angst if u squint, comfort??, not proofread.
Notes. Ngl- i rlly wanted to rewrite this to a headcanon instead a fic- but school said no, so here's the draft of the fic that i completed 2 days ago- AND IM VERY SORY IF U DONT LIKE IT- ISTG FEEL FREE TO SHARE FEEDBACKS LOL
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Writing essays is fun if your writing about the one you love. You caught feelings for Tendou during your second year together, and bc of that, you will never forget the hectic things you did to convince Tendou to date you.
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You had caught Tendou's eye when the two of you were partnered up during Arts class ,with your bubbly and respectful personality who wouldn't? Though what really Tendou first noticed about you was how excited you were when you introduced yourself to him.
The pure enjoyment you showed while talking to the boy behind the canvas was intoxicating at first, because the redhead thought you were trying to be friends with him so that you could manipulate him or to leave him after you got bored with him.
Though it turns out, you were a talented artist, Tendou never asked the question out loud but you answered anyways, saying something about you being excited to actually draw him up close and his unusual style of hair.
"You know? i am grateful to be partnered up with you! I hope you don't mind if i ask you your number? Or email at least?" You grinned up at him, your own phone in your hand.
"Hm? Asking me out already? Sorry, Im not interested" Tendou chuckled but took your phone and typed both his email and number on your contacts anyways. You on the other hand, had your cheeks fairly dusted up with a soft pink tint but your smirk says otherwise "what a bummer, I guess ill play lazer tag with someone else" 
Tendou panicked when you snatched your phone from his hand and clung himself onto you like a koala, while repeating the phrase  "you know you love me, let me join with you!
It was in your second year when you realized you had caught feelings for your bestfriend, you had thrown hints here and there and your not sure if the redhead notices heck you even went to Ushijima for advice to only get a response like " just tell him"
And you know what you did? You told him when the two of you were alone- who am i kidding, you told him during the match between seijoh and shiratorizawa, midway through the game when Tendou was switched in from his senpai you had shouted the words Tendou wanted to hear since he met you.
"I like you Tendou Satori<3" which made all his teammates look at you then at he redhead, as Ujishima had a faint grin on this face, Tendou himself smiled and raised both of his arms to his head making a heart while screaming an "I like you more!"
When the game ended you didn't know what are you smiling about, the fact that your school will go to nationals again, or the fact the feeling you held were neutral, but at the end of the day you had the thought that the two of you were now a couple.
Which was stupidly false "what? Why?" Tendou shifted his eyes anyware but to yours as he spoke "you deserve someone more than me yeah? So how about we go  to an arcade after practice hm?" Your eyes held a shimmer of hope "as a date?" Successfully sitting you on the bench Tendou laughed "what? No! As a friendship restoration hangout!"
And so, after the 'friendship restoration hangout' you had somehow dedicated yourself to covince the redhead that he is perfect for you- by of course leaving love letters in his shoe locker, your name proudly written in the envelope with an 5000 word essay about why he is perfect for you.
Istg, your timidness said 'bye-bye' and made room for your newly filled confidence.
Whenever Shiratorizawa had a match nor a practice match, you would scream all your love and support for both the team and the redhead while your friends tries to drag you out of the gym out of embarrassment.
"GO SHIRATORIZAWA! AND GO MY LOVELY SATORI<3" 
"Istg Y/n shut up"
During class you would pass out notes to the boy and whenever the teacher caught you, you would explain to them that Its for your french class and they would let it go easily, just don't get caught frequently.
"L/n-san care to explain what are you doing with Tendou-kun?" 
"Its notes for French class, we have a quiz today" 
And finally after the two hectic years of you practically convincing Tendou that he's the perfect boyfriend and reasons why he shouldn't be scared to date someone for the first time, around his third year you saw him waiting by his shoe locker waiting for you to send out your 5000 word essay on why he is worth your love.
"Tendou-chan! Hey! Your early"
"Y/n-chan pls go out with me"
"I- wah-"
"Pls go out with me"
"*sobbing* OF COURSE BBY"
Ig 2 years of compliments and reassurance and of course, loyalty really does the trick
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The Voice Inside My Head
Pairings: Poppy x MC (Bea Hughes)
Warnings: angst, mature language, mental illness, self-harm, domestic violence, rejection
Word count: 1901
"Kiss me."
Bea nearly choked on hearing those words from Poppy, who had not once turned or spoken in her direction since the beginning of the film. Now illuminated by the glow of the giant projector and with a dreamy expression on her face, she could easily command her to jump into the abyss and she would do so with pleasure.
"Yes, Princess," she replied, taking her face in her hands and greedily began to kiss her lips.
Princess? How long has it been since he called you that?
Ignoring the voice in the back of her head, Poppy gave herself fully to the magic of the kiss. Her face quickly began to burn as the other girl's curious hands began a slow roaming of her body, never crossing boundaries she didn't want to. Bea had always respected her, even if calling each other names was on their daily agenda.
The windows of Bea's car began to slowly steam up as the heat between them began to turn into a pure flame of desire, and Poppy's quiet whimpers echoed through the small space of the vehicle, turning Bea on even more. The blonde made herself as comfortable as she could in her seat and slid her hands into the girl's thick hair, which was begging for it.
Bea purred approvingly as she felt Poppy gently massage her scalp as she gave herself over to the skin of her neck. With her mouth, she felt the blonde's pulse quicken, just like her own, and if it weren't for her ribcage, her heart could have easily jumped for a walk.
Harder...
Poppy's body began to grow impatient as Bea made no further move, but continued to caress every easily accessible parts of her body with care. Otherwise she would have let her do it, but the thoughts swirling in the back of her head were starting to overwhelm her.
Make her punish you. Let her do what you deserve.
The blonde tightened the hands she held in Bea's hair, only for the girl to hiss and look at her questioningly. The blood-red blushing Poppy didn't even look at her, just to the side panting heavily, though the brunette didn't really do anything to that effect.
She could feel her adoring gaze on her.
Look at her Poppy. She's so vulnerable, so susceptible to your charm and grace, she doesn't even expect what a broken person you are inside.
T-that's not true.
No? And how many times did you hurt her before you agreed to go on that date with her? How many people have you hurt to realize that somewhere in your rotten depths you can feel something warm?
"Stop it," Poppy whispered unknowingly, but Bea, absorbed in trying to show how much she adored her, didn't even hear it.
You will hurt her. You WILL destroy her.
No, no, stop...
Just like you destroyed your family.
"Stop it! Just stop!" Poppy's body shuddered, tears hiding behind her eyelids that shouldn't have been there. Bea jumped away from her like she was on fire, pure terror mixed with shock on her face. She had no idea what had happened, but Poppy herself looked like someone who didn't know what was going on either.
"Jesus Christ Pops, I'm sorry!" Bea nervously began to adjust Poppy's clothing handling her like an egg so that the blonde wouldn't take it as any attempt to continue their little game. The brunette fingers trembled as she tried to fasten the buttons of her blouse.
Can't you see it? She hasn't even done anything wrong, yet she's the one apologizing to you because YOU are emotionally unstable. She is perfect, too perfect for someone as damaged as you. It's not her who doesn't deserve you Queen Bee, it's you who doesn't deserve her.
"Would you just shut up!"
Poppy was already almost panting from the strange fury bubbling up inside her that she could no longer contain within herself. Her scream was so loud that several people in the cars next to her turned toward them and began watching with interest. The blonde didn't even pay attention, her gaze still fixed on the brunette, whose face was full of so many mixed feelings that it was hard to determine what was really in her head.
The blonde sighed, letting half of the unnecessary rage float away and began to see more soberly with her eyes. What she began to notice was not at all to her liking, the pain she saw on the other's face was far more unbearable than the voice sitting in her head.
"Bea I..."
"It doesn't matter," escaped the brunette briefly. Turning around in her seat, she turned the key in the ignition as if nothing ever happened. "I'll take you home."
Poppy dug her long nails into her hand.
She always did this when she was mad at herself. However, now she was quickly losing control. Her brow furrowed as she stared blankly at the road in front of them, and her grip tightened, her nails slowly beginning to cut through her skin. Her breathing became labored, she knew another panic attack was coming. She clenched her jaw, feeling her body begin to tremble.
When she opened her eyes again, she no longer saw the road, but that cursed corridor from which it all began. Whenever she walked along it, it somehow magically got longer, only painfully delaying what was at the end. Instinctively, she looked to the side, towards the wall on which the pictures were hanging, and again she felt as if she were that little helpless girl from many years ago.
"Mommy?" her frightened voice echoed down the hallway as she again heard the thunder coming from outside, where a powerful storm was raging. Clutching her beloved teddy bear more tightly in her hands, she hurried toward the ajar door, from which raised voices began to ring out.
Before she could get there, her dad came out of the room looking shaken. He walked slowly to his daughter and squatted down, ruffling her hair. Poppy, however, did not return the smile when she saw tears in her dad's eyes.
"Remember I will always love you my little princess," were the last words she heard from him that day, the next and many more to come, because as he rose from his knees and grabbed the handle of the front door, his silhouette dissolved into a heavy wall of rain disappearing from her life once and for all.
Shortly after he disappeared, her drunken mother darted out of the room and ran towards the front door on wobbly legs. Instead of opening it, she simply banged on it violently and began sobbing, even louder than the raging thunder. "Art you coward!" her mother screamed towards the door, hitting it with an open fist every now and then. Poppy didn't even have to get close to her to smell the stench of strong alcohol. "You fucking coward..."
"M-mommy?" she said horrified at the state her mother was in. She immediately regretted it when her mother's glowing fury gaze fell on her and she started walking towards her. Poppy hugged her teddy bear tightly, trying to draw any comfort from it, and closed her eyes.
It didn't take Ana long to reach her daughter. She grabbed her firmly by the arm and began shrugging, out of control of her emotions. "This is all your fault," her screams were more terrible than the storm outside, her breath nearly parching Poppy's nostrils, who instinctively turned away from her mother. "You destroyed this family."
You were still so young, you couldn't understand that it was never your fault.
She drew in air heavily as she felt Bea's hand slip into her own, loosening it. It felt like ages had passed, but in fact her mind had locked her into the past for only a few minutes. With a scowl, she looked towards the brunette, who thankfully had her eyes on the road the whole time, her thumb gently caressing the skin of her palm.
The rest of the journey passed in pleasant silence, if that' s the way to put it. Poppy leaned against the window, mindlessly watching the trees fly by, and Bea kept a hand on her palm whenever she could, non-invasively trying to reassure her. In no time, Poppy was sitting on the couch at Bea's house, who had left her alone with herself for a while.
The blonde looked around the room, a little uneasy as she'd been here a few times before but had never paid attention to the scenery. She usually didn't have time for that when all she was thinking about was how much she wanted the brunette's touch on her.
"-- Sinclair is out, there is no option for her to stay here tonight."
A familiar voice reached her ears. She wasn't surprised that Zoey wasn't happy about her presence. The very fact that she had let her on her property was quite a surprise to her. She rose from the couch and wandered into the room where the two girls were discussing.
"Excuse me Bea, but Chlo called, there's some sort of accident at the sorority house and I need to get back. Thanks for today."
Lying is your second nature, but doing it in good faith? Impressive...
"I never expected to live the day when I'd hear a thank you from Sinclair," Zoey muttered, and despite her hostility, a spark of respect flashed in her eyes. "However, that doesn't change the fact that you're not welcome here, and I won't hide that," the girl crossed her arms over her chest looking down on Poppy.
"Sure, fine, I understand," she didn't have the strength to argue, besides deep down she knew the girl was right about that. "I'll go now."
"I can give you a ride!" Bea jumped in front of her briskly like a Golden Retriever pup, earning only a snort from Zoey, but Poppy just shook her head with a weak smile.
Before she left she rose on her tiptoes and placed one of the softest kisses of her life on Bea's cheek. Her lips stayed there for a moment longer than they should have, but Zoey's exaggerated grunt brought her back to gray reality. She left the building without looking back.
The night was chilly, so with every gust of wind Poppy covered herself tighter with the jacket Bea had wrapped her in when she wasn't even paying attention. Walking alone along the trees, she had the feeling that something was watching her and was about to jump out of the bushes at her in any moment. She quickened her step when she heard a rustle coming from around the corner.
She almost screamed when, to her terror, an actually tall figure emerged from the darkness. she cursed herself and Chlo in her mind for every horror she had made her watch. To her surprise, however, horror turned to confusion.
"Hello my little princess."
That voice...
"D-dad?"
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joe-england · 2 years
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The Anti-Muse.
That's what I call it.  It comes in various forms, whatever takes me away from my work.  Negative feelings, obsessive-compulsive distractions, or just mundane obligations.
You ever have one of those Summers when everything needs to be fixed?  The stove exploded, we had to sell a car, we're babysitting dogs, the deck needs painting, the gutters had to be repaired, the garage has to be emptied, and the backyard....
We have a pool.  And a spa.  Which makes it sound like we're rich or something, but we're not.  So when a huge branch fell on the pool cover during a winter storm and tore it all up, it was a headache.  But then we have to OPEN the pool when the weather turns, because otherwise the whole thing goes to Hell, and it's a chore.  Then it springs a leak that lowers the water level by several feet, which is a problem.  So then we have to order a water truck after getting someone to repair the lining, which is going to have to be entirely replaced next year, which is a bother.  Then the motor dies, so the algae grows, and we have to get a replacement, which is a nuisance.  Then the computer which controls the motor has to be replaced, which is a twist of the knife.  Then the water level stays low and I gotta fill it intermittently with a hose, which is a hassle.  Then I accidentally leave the hose on for too long at a stretch and our well gets drained so we have to avoid flushing the toilets for half a week, which is nasty.  Also, the spa somehow sprung a leak too and will also need to be repaired, which is a joke.  And we still haven't fixed the pool cover, because the pool company changed management and the people who work there got terrible, terrible illnesses, which is honestly tragic.  So now I'm struggling to talk with the pool cover company directly, but of course the thing is so old that no one can figure out when it was ordered and they won't return my messages and it'll be at LEAST another month before we can close this damn water hole for the winter, which is daunting.  And then the bills start coming, and that's some brutal money on top of NY State taxes.
I don't even LIKE having a pool.  I haven't set foot in it this whole year, but I have to go out and rescue bugs and animals that fall into it constantly.  I can flick the spiders and ants and beetles back onto the grass, but salamanders and frogs need to be relocated, so I gotta trudge through the backwoods all the way to a stream to deposit them in a better place, which is awkward since a big damn tree fell on the forest path and I gotta brave the tick-infested marsh to get around it.  Yeah, we need to take care of that tree, too.  Add it to the list.
Woof.
Hey, don't mind me.  I just feel awful about not giving you more content so I'm waving my arms in the air a little, but I'm hyping myself up to start the new comic before the year ends.  It still seems kind of impossible, but interim projects are helping me feel capable again.  Actually, I already started a comic, but I'm not sure you would approve.  It's fan art, which is something I really never do.  I hope it's alright with you, I'll show it off when it's closer to done.
I've also been writing the last footnotes of the Omnibus (believe it or not), and I've got a particular passion project for the Halloween season, which I hope you'll enjoy.  See, I'm working!  I'm not always posting, but I'm working!  On one thing or another!  You'll see the fruits of my labor soon.  If I can just beat the Anti-Muse.
That said, today is a heavy day for a lot of us for far more significant reasons than anything I listed above.  I can gripe about housework and art and distractions, but this is the anniversary of something that still affects many people very deeply.  If that's you, then I send my best wishes.
As usual, I'll provide a few links if you have the inclination and means to help make things a little better for someone, somewhere.
Thanks for listening.
Everytown for Gun Safety
Top-Rated Charities for Ukraine
The Trevor Project
National Abortion Funds
- Joe
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lokilickedme · 3 years
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The Way
I’m writing horror again.  I guess it’s that time, you know, that time that has nothing to do with Halloween or the seasons or whatever, that time when it just hits me for some reason.  And just like I always do, I’ll say I don’t know why.
Even though I know why, and you know I know why.
Because the truth is always so much weirder and worse and more disquieting than any excuse I could make up for it, and sometimes I just feel the need.
Today I felt the need, and I couldn’t make it go away.
And so I sat down, and words I didn’t want to write were written.
.
8592 words I would rate this Mature 18+ if it was a fic, strictly because of the subject matter.
Warnings: Death, mostly.  Religious trauma, brief descriptions of abuse, mentions of mental illness, domestic violence, grief, familial dysfunction, religious abuse, emotional abuse, medical conditions, brief mentions of drug use/abuse, mild gore in reference to corpse decomposition, psychological unease and mild terror, child abuse (mental/emotional/psychological), brief allusion to physical child abuse, cult references, loss of faith, attempted murder, possible actual murder.
A Note:  I love you guys, you’re always so quick and willing to be helpful and offer advice and suggestions and such, and I adore that about you.  But on this piece of work I ask that nobody offer any theories about what happened to my brother - medical, criminal, or otherwise - and please no suggestions on things we could do to pursue investigation, that ship has long sailed.  It’s been 23 years and he’s a cold case.  We spent years trying to sort it out but in the end it’s just something that happened, and we moved on because we had to.  There are a lot of open ends, a lot of question marks, a lot of suspicious details that never connected to anything - and we tried, we truly did.  If anyone out there knows the truth, they’ve never shown themselves to us.  We do have our theories, but my brother was a secretive person living a life none of us knew about, and the people he knew weren’t people we knew.  Everyone involved is either dead or moved on or got away with whatever it was they did, and there are only three of us who still care.  It’s over.
Until today, I’ve never put these events into words.
It was something I needed to do, finally.
This is PART ONE.  There may not be a part two, unless doing this ends up making me feel better.
Please feel free to comment if you wish.  As you can see, pretty much nothing triggers me.  I just ask that you please refrain from the type of comments noted above.
And thank you.
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This is, regrettably, a true story.  Nothing has been changed but the names, because the dead don’t like being talked about, and James was just enough of a shit to haunt me for it.
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They made up their minds And they started packing They left before the sun came up that day An exit to eternal summer slacking But where were they going without ever knowing the way
They drank up the wine And they got to talking They now had more important things to say And when the car broke down They started walking Where were they going without ever knowing the way
Anyone can see the road that they walk on is paved in gold And it's always summer They'll never get cold They'll never get hungry They'll never get old and gray You can see their shadows wandering off somewhere They won't make it home But they really don't care They wanted the highway They're happier there today, today
Their children woke up And they couldn't find them They left before the sun came up that day They just drove off and left it all behind them But where were they going without ever knowing the way?
Anyone can see the road that they walk on is paved in gold And it's always summer They'll never get cold They'll never get hungry They'll never get old and gray You can see their shadows wandering off somewhere They won't make it home But they really don't care They wanted the highway They're happier there today, today
You can see their shadows wandering off somewhere They won't make it home But they really don't care They wanted the highway They're happier there today, today
- The Way, Fastball, 1998
.
That was the year James died in his sleep.
Or that’s what they say, anyway.  Asthma, the likely cause based on his medical history, our first and least disturbing assumption.  Undetermined, the official determination based on the hastily scraped-together autopsy, the best that could be done under the circumstances.  We tell people he had breathing problems, and they nod their heads and agree because they knew he did, and now he’s been gone so long that nobody asks.  Most of the people who ever met him have long moved on or disappeared or died themselves, or just remember him as the enigmatic middle son from the Keithley family that nobody really knew very well.  You know, the odd one, the one that showed up at meetings maybe once a year and smiled nervously but didn’t really talk to anyone and always seemed anxious to leave?  The one who died under mysterious circumstances?  That one.
He left the way he always came in.  Quietly, unexpected, without anyone being aware of either his entrance or his exit.
But me and mom know some things, and she’s not talking.  She probably never will.
So maybe it’s time I did.
December 1998.  I’d gotten married two years previous and moved back to the family land with my new husband.  He hated it there, but we had an affordable place to live.  It wasn’t bad.  He’d tell you otherwise.  The land never sat right with him, but I’d lived there too many years to see it.  I’d been fifteen when my father uprooted his large family from the city and hauled us out to the great back door to nowhere, and even though I’d left several times to wander elsewhere, I always came back.
I didn’t realize why at the time, at any of the multiple times.  But now I know.  That place gets you, and it holds you, and unless you’re goddamned devoted to staying gone you will always be pulled back.  It took me till I was 49 to funnel the necessary amount of devotion away from the religious dedication I’d had jackbooted into me and turn it toward getting out, but against a great number of overwhelming odds I finally did it.
But this isn’t about that, not yet anyway.  This is about my brother James, and how he went to sleep one night and found his own way out.
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It was snowing, had been for days, a bit unusual but not unheard of.  The part of the state we lived in was notorious for extended ice storms and we knew a bad one was coming, but until it hit we played in the snow like it was a gift and we were deprived children who knew it was all going to be taken away soon.  My brothers and I were adults but you wouldn’t know it, watching us sneak around in the woods staging elaborate commando attacks on each other.  James was the best of us, a stealth king who could stand in the middle of a room for an hour without a single soul seeing him.  Perception bias, he said.  Your brain ignores me because I obviously don’t belong, like those puzzles where you circle what’s wrong but it takes you forever to find them.
He crept around in the forest scaring the shit out of people, dropping his long tall self out of trees, appearing from nowhere to administer a well aimed snowball to the face of whoever happened to cross his path and then disappearing just as quickly.  We called him a wraith and it wasn’t a good natured jibe.  We meant it.  He made people nervous.  He was the stealthy kind of quiet you associate with danger, and he knew how to do things an average person doesn’t ever have any need to know.  It was a quiet cool that we admired him for, because none of the rest of us had it.
The religion we were raised in kept a tight lid on us, but me and James, we never really let it get into our bones.  We were the smart ones, in retrospect.  I went through the motions by force of habit and a sense of self preservation, doing what was expected and demanded of me, following the rules and making myself a perfect example of a young member of the church so I wouldn’t bring shame on the congregation and my family.  But mostly the congregation.  It was always more important than anything else.  And I had behaving down to an art form, but mostly when people were looking.  Usually also when they weren’t.
But sometimes, not quite.
And then I prayed for forgiveness about it later because God was supposed to forgive you if you asked him to, right?  The tenet of willful sin being unforgivable never took root with me even though that was what the church conditioned into us through fear and constant repetition.  They said it from the stage two nights a week and again on Sunday to hammer it home.  Two nights a week and again on Sunday my head silently disagreed.  God’s not like that.  And then I did the praying for forgiveness thing even though I knew I was right, because I was disagreeing with the church, and the church was God’s channel here on Earth, wasn’t it?  I committed a mortal sin at least three times a week on that subject alone, and though the dread of divine punishment was hardwired into me, I never could reconcile the concept of a loving and forgiving God destroying me simply for knowing better.
I’m not sure the comprehension of an overwatching deity ever actually established itself in James’ brain.  A moral code, yes.  But isn’t that what God is, really?  Maybe he understood more about God and forgiveness than the rest of us.  But he was considered an unapproved fringe member of the church because he couldn’t suffer people and noise and being looked at and he refused to preach, and he was soft-shunned as a result.  Because if you weren’t all in to the point of being willing to die at any moment for your faith, you were as good as faithless.
And faithless meant condemned.  And the congregation couldn’t be bothered with condemned people, regardless of their reasons for not having both feet in the water.  The first and only option on their list was to put the person out and let them find their own way back once they realized they had nobody left in the world who cared about them.
James escaped that somehow.  He was supposed to be shunned whole scale, but he wasn’t trying to convince anyone to leave the faith and he presented no threat to anyone’s strength of belief, and so far as anyone knew he’d committed no grave sins other than disinterest.  So the rule that dictated we cast him out was bent enough to allow him to remain living on the family land, though at one point during a fit of overzealous righteousness my mother had tried to have a family meeting to vote on whether or not we were going to let him stay.  I refused to vote and when I walked out of the house the meeting fell apart.
I’ve never forgiven her for that.  Her son’s life being put to a vote with her presiding over the proceedings, vengeful and unfeeling and devoid of compassion on behalf of God himself.  It takes my breath away, the anger, still to this day.  The only thing I ever truly learned from my mother about parenting was a long and intensely detailed list of what not to do to my own children, and I suppose I should be grateful for that.  It’s a bitter thank-you to have to give, but it’s something.
We knew James as much as he would allow us to, and not an inch further.  Which meant the extent of our knowledge of him pretty much stretched to include the singular fact that he was different.  What that meant, I still don’t really know - but it was there from the day he was born, that slight off-ness, the oddly off center calibration that you can’t really see so much as sense in a person.  I know now he was likely on the autism spectrum and he walked through life seeing and reacting to everything differently than most of us, but that wasn’t a thing back then.  You were just weird, or you weren’t.  And I’m not convinced that was a bad thing for him, strictly speaking.  But in the confines of our religion and our family’s devout and sometimes violent dedication to it, it took its toll almost daily.
He stood out, and he was very much a person who didn’t want to.  He wanted to fade into the background, to not be seen, to not be known.  And our religion didn’t tolerate that kind of nonsense, because we were commanded to be bold bearers of The Word Of God, and no exceptions were made.
None.
I’m going to stop calling it a religion now.  I beg your indulgence as I shift to calling it what it is, because calling it a religion is an insult to actual religions that don’t destroy peoples’ lives with callous indifference and murderous glee.
We were raised in a doomsday death cult.  There’s no other name that fits.
And we were trapped in it and its ugly cycle of neverending mental and emotional manipulation and abuse until we were adults, and some of us are still bound to it.  My oldest brother worked his way up to the upper levels of oversight in the local congregation and was solidly entrenched in it until his death, which is a story for later.  My youngest brother, the last remaining living blood sibling I have, is still deeply in it to this day and will likely never leave it.
I took the hard way out, three years ago, by walking away.
James, though.  He took the easy way.  He simply closed his eyes, and he was free.
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December 22, 1998.  Three days before Christmas, though that meant nothing to us.  The cult told us Christmas was a filthy demonic pagan ritual that was condemned by God, so to us the season was just a nice chilly time of year with lots of time off from work.  We’d had an unusual amount of snow, the most we’d had in years.  The roads were impassable and everyone was home except my husband, who worked close enough that his boss at the glass shop came and picked him up that morning with chains on his tires.  Lots of windshields had shattered from the sudden violent cold that had struck the previous night and Scott had the only glass shop for sixty miles.
I think it must have been around noon, and likely my mother had sent my dad up the hill to see if James wanted to come down for the lunch she was making.  He and his wife had split up against the strict rules of the church after a few years of suffering through an ill advised marriage, an important detail to this story that will come into the tale later, and he was alone up there at the top of the hill a lot.  Sometimes he forgot to eat, or he got so busy that he just didn’t bother, so our mother always made something for him because even though he was in his 20′s he was still a kid who needed looking after and her zealous fervor against him had died down with time.  I think he let her believe he was helpless because it worked in his favor and there was always lunch waiting for him in her kitchen as a result.
He was different, he wasn’t dumb.
We all lived on the hill back then with the exception of our youngest brother.  He’d moved to the city with his new wife not long prior.  The locals jokingly called the place a commune, and I guess they weren’t completely wrong.  Thirty-eight acres of wooded land far beyond the city limits that we’d painstakingly spent years carving a livable space into, with five houses, all built from the ground up and inhabited by an extended family of well known culties from a well known cult.  It’s almost comical, looking back on it, knowing now how they kept an eye on us for years to make sure we weren’t doing anything weird up there.
They should have run us off with pitchforks and burning stakes at the very beginning.
Things might have ended differently for us if they had.
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My grandparents lived at one end of the property, an old couple as simple and solid as salted soup, devoutly religious and devoted to the cult and very much cut from the can survive anything and probably will cloth like so many old country folks of their generation.  They were waiting out the end of days up there in their little wooden house, expecting the final hour of this old system to come long before their own demise.  I liked my grandmother, she had a sweet smile and fell asleep every time granddad started talking about the Bible and she paid me five dollars every Wednesday to drive her into town to get groceries, and years later, when she was dying, she told me she’d had a dream where she met my unborn son.  I was four months pregnant and didn’t know yet that I was having a boy.  She died before he was born, but to this day, fifteen years later, he tells me he’s sure he met her, he just can’t remember when.
I was scared of my grandfather.  Not terrified, but there was nothing grandfatherly to him and I always suspected he never actually liked kids much.  He’d once told us a story about the great Fort Worth flood that wiped out most of the city when my mom was a baby, and how he had told my grandmother to let go of my 2-year-old mother while he was struggling to get them across a rushing flooded creek in water up to their shoulders.  My grandmother couldn’t swim.  We could make another Ruthie, he said.  But I couldn’t get another ‘Nita.
He said it proudly, like he was to be admired for his choice.  I was young when he told that story, but it settled into me that this was evil.
Even when he was old as dirt and dying of a brain tumor in hospice care, he made me uneasy.  I was never close to him.  But for some reason, in his final days, he forgot who everyone was except me.  I had been living in another state for years and he hadn’t seen me since before the tumor started taking his life.  But when I walked into the room he turned his head and looked at me, and he mouthed my name.
He couldn’t speak.  I don’t know what he was trying to say, struggling with words that nobody could hear.  And I felt bad.  I didn’t want to be the last person he recognized.  My cousins adored him and had spent the last few years constantly at his side, and they were angry, maybe justifiably, that I was the one he reached for.
I didn’t want that at all.
I don’t believe he was a bad man, but he never spoke of anything except the cult’s interpretation of the Bible, and it was as tiresome as it was terrifying.  Granddads are supposed to be fun.  Ours quoted doctrine at us in a deep loud commanding voice that you couldn’t interrupt and you couldn’t tune out, and once he got going you had to just settle in and wait for him to run out of zealous steam.  And then he would suddenly stop and command grandmother to turn on a John Wayne movie and bring him some ice cream, and it was over until the next time.
I know my mother resented him.  She knew grandmother was the one that had refused to let her go, the one that had held onto her even though she almost drowned by the simple act of holding on.  She knew her father had been willing to let her wash away and drown.  That he thought she was interchangeable with whatever baby they would have next.  How she could spend her entire life with that knowledge and not be deeply affected by it was something that never made sense to me, but now, when she’s in her 70′s and I’m in my 50′s, I finally understand.  It affected her.  She’ll just be damned if she’ll let anyone see it.  And she had stood there in that hospice room watching him mouth my name with resentment burning in her eyes, though she would have rather died than let anyone know what it was for.  He’d forgotten her weeks ago.
The house in the center of the hill was mom and dad.  The homestead.  The house we’d all lived in together, that we’d built with our own hands, the first thing that marked that wild overgrown hill as a place where people actually lived.  A long path through the woods connected it to the grandparents’ house, and it was the epicenter of everything in our lives.  James and I had lived in the upstairs rooms of that house until we both moved out and married our respective mates years later, a reprehensible act on our part that was never okay with my mother and that she never forgave either of us for.  She’d wanted us all to stay.  We can all live here together until the New System comes, she always said.  That’s how the Bible says it’s supposed to be.  We can all keep each other safe and on the right path until the end comes, and then we’ll all be here together forever.
A decade later when I sat up on the hill watching that house burn to the ground, there was as much relief as grief billowing into the sky with the black smoke.  It was the end of an era, and it was far beyond time for it.
Nobody saw it but me.  James was dead, had been for years.  Robbie was dead now too.  Dad was gone, so was granddad.  Me and my youngest brother David were the last two left of the kids, but he had moved to a neighboring city when he got married and he has never seen things the way I see them.  We were of different generations, we weren’t raised the same way, and he’d never experienced the abuse I lived with for the first half of my life.  And he had dedicated his own life to the cult with all the honesty and lack of guile that I didn’t have when I’d made my own dedication vows at the too-young age of sixteen.
It was the end of an era, but apparently only for me.
James’ house was up the hill, past a clearing where my dad used to keep old cars that he cannibalized for parts.  Our oldest brother Robbie, long married with kids of his own, lived at the bottom on the farthest corner of the land.  And my house was on the slope to the west, built on the spot where we’d cleared off an old half-fallen homestead from the late 1800′s, dutifully paying no mind to the fact that a grave was nestled into the slope, right where the yellow daffodils grew.  The cult told us superstition was tied up with the demons and false religion, so we didn’t have the built-in human instinct that tells most people to stay the hell away from certain things.
We just pretended it wasn’t there, and put no importance on it.  It was just an old grave.  The soil was good and the garden I planted next to it did well, though those strange daffodils always wound themselves through everything I put in the ground.  My husband said something wasn’t right about it, but I didn’t pay any attention to him.  He hadn’t been raised as devout as me.
My dad knocked on my door around lunchtime and I opened it.  He backed up, hands shoved deep into the pockets of his jacket, the fancy leather coat the dealership had awarded him when he was designated a five-star Chrysler technician and given the state’s first and only license to work on the new Vipers that had recently rolled off the prototype line.  It was a cool jacket.  Made him look like the old pictures my other grandmother had shown me of him from the early 1960′s, when he was young and very much a product of a fancier era.  He’d never stopped greasing his hair back and was still so thin that he and I wore the same size jeans.
I’ve never understood the look on his face when I opened the door.  To this day I can’t sort it.  It wasn’t a blankness like so many people who’ve seen death wear without awareness.  It wasn’t grief.  It wasn’t even shock.
He was sorry.
Those were the first words out of his mouth.
I’m sorry.
I stood there, not knowing what he was sorry for.  It was cold.  I couldn’t push the screen door open very far because of the snow blocking it.  And my father was standing at the bottom of the steps James had helped my husband build, his hands shoved down far into his pockets like a penitent child about to get in trouble, telling me he was sorry.
James is dead, he finally said.  He’s in his house.  I went up there and he’s dead.
I didn’t realize it at the time, but I do now - just now, this very moment in fact, I know that I was the first person he told.  He came straight from James’ house to mine and told me my brother was dead.
I don’t know what I said back to him, I just remember sitting down on the top step and feeling the cold bite of the snow through my pajama pants.  There’s a vague recollection of putting my face in my hands, and the embarrassing knowledge that I did that simply because I didn’t know what else to do.  And dad just stood there, nervously stepping from foot to foot in the snow, because he didn’t know what else to do either.
I think I asked How at some point.  He said he didn’t know.  He had something in his pocket but to this day I don’t know what it was.
I don’t know if it was important.  Something tells me it was.  Or maybe it was just the eternally present handkerchief he always kept on him.
I’m sorry, he said again.  He seemed to feel like it was his fault somehow.  I’m sorry.
What do we do?  I asked him.  I’ve never felt more blank.  What are we supposed to do?
I don’t remember what he said, other than he was going to get my older brother.  I remember thinking that was a good idea.  Robbie would know what to do.  He always did.  Brash and blustery and bigmouthed, he got things done while other people stood around debating how to do them.  He would get on it, whatever needed doing.  He would figure it out.
I went back in the house and dad walked away, headed down the path through the woods that connected my house to Robbie’s, hands still shoved deep in his pockets, the big retro vintage Chrysler emblem on the back of his jacket the last thing I saw before I pulled the screen door shut.  I stared down for a minute at the mound of snow it had scooped into my livingroom, still with no clue what I was supposed to do.
No clue at all.
I kicked the snow back outside and shut the door.
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It’s an odd thing, watching the coroner’s van drive away with someone you know inside it.  Someone you saw just yesterday.  Someone who was alive.  Someone who should still be alive but isn’t, somehow.  And since there’s really no way to earn a ride in a coroner’s van without dying, there’s an awful unsettling sensation to it that you can’t get away from.  The last time I saw James he was laughing that devious little laugh of his, his eyes red and bloodshot from the ever present asthma he’d suffered with his entire life.  I don’t count the sight of the coroner’s van leaving the hill via our long steep driveway with his cold corpse tucked into a black zippered bag, because I didn’t see him.  I never saw him.  I didn’t see him dead in his house and I didn’t see them carry him out, I didn’t see them put him in the van.  I didn’t see him later, when it was all over with.  And if I try hard enough I can imagine that van empty, with that long black bag tossed crumpled in the back without a body in it, and James somewhere else living his life however the hell he pleases.
I hold onto that.  Some days it helps.  And some days I think I see him, walking by the side of the road or getting out of a car in the post office parking lot, and it makes me happy thinking he escaped.  I see him in every hitchhiker, in every wandering traveler making his way down the interstate, in every tall thin man I glimpse from the corner of my eye as I go about my business in town.
He’s out there.
I hope he’s happy.
The ice storm hit the next day.
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For the next two weeks we were stuck on our hill.  Power out, no electricity, no heat, no lights, roads iced over and impassable.  We all piled up in mom and dad’s house, quietly grieving James, trying to stay warm.  Most of the state lost power for days, including the city 150 miles away where his body had been taken to the state coroner’s office.  There was no apparent cause of death, so the state ordered an autopsy.
His body had just been placed into cold storage to wait its turn when the power grid went down.  And then, by some unholy stroke of nightmarish luck, the facility’s generators failed.
Nobody could make it in to work because of the ice.  By the time someone finally got into the morgue the cold storage had been down for four days.
Six bodies melted, including James.
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No viable autopsy could be done, though they tried their best I suppose.  The end report was obtained two months later.  It was mostly inconclusive due to the long delay and resultant decomposition of tissue.  There was apparent scarring on James’ heart, but it was old scarring and had nothing to do with his death.  His lungs were scarred as well, but that was no surprise, he’d had severe asthma his entire life.  There was no determinable cause of death, no inflicted trauma, no presence of illicit drugs as far as they could tell from the limited toxicology report they managed with what they had to work with.
No reason.
He’d simply died.
It seemed fitting, to me at least, that the end of him be enshrouded in an unsolvable mystery.  He was a secretive person, intensely private.  He would have loved knowing nobody had a clue what happened to him.
And so we drew our own conclusion as a family.  He’d had an asthma attack in his sleep.  There had been an inhaler next to his bed, but it was new and still in the box.  He simply hadn’t woken up to use it.  Dad didn’t participate in the drawing of this conclusion, his input kept stoically to himself, like he knew something the rest of us didn’t.
We pretended not to see it.
He and mom braved the last of the ice a few days later to make the 150 mile drive to see James one last time.
They came back different.
You couldn’t tell it was him, my mother said.  He was melted, literally.  It was like one of those science fiction movies where they melt you with a laser beam and you turn to goo.
Dad had nothing to say.  He went to bed and stayed there until the next day.
You can go see him, mom told me.  I’ll go with you if you want to go.  But I don’t recommend it.
I decided not to go.
And so I never saw my brother dead.  I never saw any proof that he was gone.  He just wasn’t there anymore.  There was no funeral, he was cremated and his ashes were sent home weeks later, and I went on with my life with the image in my head of James, alive, somewhere else.
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Dad was different from that day on.  He’d always been stoic, terse, strict.  My childhood had been spent in fear of him, an eternal dread of making him mad and feeling his temper erupt keeping me from showing any hint of a personality during my formative years.  The cult had forced him to abide by the violent tenet of Spare the rod, spoil the child and there was never any risk of me being spoiled.
James being gone flipped a switch in him.  He was nicer suddenly.  Mellow.  Kind.  After the trauma wore off his humor discovered itself and he was funny.  The dour angry demeanor fell off and revealed a man that I was sad never to have known before.  He and I became friends.  I could sense in his new attitude toward me that he regretted how he’d raised me and respected the way I’d always stood up and been my own person despite it.  But my mother was falling off the deep end and for all the newfound easygoingness of my father, she counterbalanced it with an extremism born of the religious fervor of a mother determined to gain enough favor with God to see her dead child again.  And she was going to make sure the rest of us did too.
We all had to get good and straight on the path, get completely right and stay that way, or we’d never see James again.  He’d be in the New World and we wouldn’t, and how would she explain that to him?  She and I worked together in a law office at the time and as she became more unhinged and unpleasant, I reacted by becoming more outgoing and accomplished.  Our boss changed my work designation from receptionist to Executive Assistant and started teaching me how to do everything from filing papers at the courthouse to photographing accident scenes.  I no longer answered to my mother, the office manager.  I answered directly to the boss.
That didn’t go over well.  She was a control freak with heavy untreated trauma, and the one person in the world she felt the most obsessive need to control was suddenly no longer under her thumb in a workspace where she considered herself the supreme authority.  She countermanded every order the boss gave me and tried to load me up with general office chores that left me no time to do the important assignments he’d given me.  I had no choice but to tell her she wasn’t my superior anymore.
She chose that day to have her nervous breakdown over James, jumping out of my car at a red light on the way home and storming angrily through a shopping mall with me trailing frantically along behind her, yelling for security to arrest me while I tried to get her to calm down.  I ended up telling her she wasn’t the only person who lost James but that none of the rest of us were allowed to experience our own grief because we were too busy catering to hers.
She sat down on a bench outside the sporting goods store and glared at me with a cold hatred I’ve seen on very few other faces, ever.
I knew it would be you, she hissed at me.
That moment changed our relationship forever.  It changed me forever.  That was the day I decided my life was my own, that she not only didn’t have authority over me at work, she didn’t have authority over me anywhere else either.  She could no longer dictate my actions, my behavior, my thoughts and feelings.
For this she disowned me.  It was the first of several disownings over the next few years.  I got used to it.  We went to work the next day like nothing had happened, and I didn’t do a single thing on the task list she slapped down on my desk.  It was a metaphor for the rest of my life, but I didn’t know it yet.
My husband and I moved out of state a couple of months later, away from that hill, away from her increasingly controlling paranoia and bitterness, the first of many small steps toward freedom.
As we were driving away with our trailer full of personal belongings behind us, he said one thing that I tried to argue against, but that somewhere deep inside I knew was probably right.
That land is cursed, he said.
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A few weeks before we moved my youngest brother came to town and we went into James’ house together.  It was exactly like it had been the day my dad found him.  The only thing that stood out as different was the bare mattress on the bed - the men from the coroner had wrapped him up in the sheet he’d been laying on and took it with them, leaving just the naked springform mattress James had bought for Jessica right before her final breakdown and their subsequent separation.
It took me a while to go in the bedroom, but I knew from the moment I walked into the house that I was going to end up there.  I needed to see it, the place where James had closed his eyes and left us.
There was a small puddle of dried blood near the foot of the bed, brown and stained into the fabric.  James always slept backwards, with his head at the wrong end.  The blood had come from his nose.
I touched it.  I don’t know why.  It was dry.
He was gone.
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David and I laughed a lot that day.  James had been funny in a way that was distinctly him, quiet and of few words, but those words had always counted.  And as we sorted through his things and talked about him and moved some of his stuff into boxes to be stored away, I felt as much awed respect as befuddlement at what was around me.  He’d never been a conformist, which I knew was why the cult had never gotten a firm grasp on him.  He was unknowable and therefore unbindable.  But his house was proof that he didn’t conform to any human expectations either, and nothing in it made sense unless you’d spent time around him.
There was an engine in the bathtub.  I’m not sure what it went to.  Another engine, in the beginning stages of disassemblage, rested on a blue tarp in the center of the livingroom floor, obviously the last project he’d been working on.  There wasn’t much furniture - his wife had taken most of it when she left and it would have never entered his mind to replace any of it.  Jessica’s cookware was in the kitchen cabinets, unused, some of it still in the original boxes, some not even fully unwrapped from their wedding shower years before.  Jessica didn’t cook, she microwaved.  David asked me if I thought it would be okay for him to take a glass Pyrex measuring cup because he’d broken his.  I told him to take it.  It had never been used.
I didn’t want anything, but knew I needed to take something.  One of my husband’s solo CDs was sitting on the entertainment center and the cover, the cover I’d designed, caught my eye and brought me to the CD player to pop the tray open.
Inside was a CD single of The Way.
It was the only thing I took.
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My husband told me some time later that my dad and older brother had altered the scene before the police arrived.  After the phonecall from me his boss had rushed him home and he’d gone up to James’ house without my knowledge.  He’d thought it strange that he’d had to step around at least a dozen empty compressed air cans scattered haphazardly around the place as he entered, like they’d been used and tossed aside one after another.  There had been several more on the floor around the bed.  My father had told him to go back down and see how mom and I were doing, and when he returned to James’ house after the coroner’s departure, the cans were gone.  Other than that he said things seemed different, but he couldn’t say quite how.  Just not the same.
He told me my dad didn’t call the police until after he and Robbie had been in there at least an hour, alone with the body.
It’s not something we’ve talked about often, because there’s no satisfactory explanation for it that either of us can come up with.  My mother says they probably didn’t want the police to assume the cans meant he was huffing compression fluid and accidentally killed himself, because Look at the shame and reproach that would bring on the congregation if anyone thought such a thing!  We all knew he used the compressed air to clear the valves on the engines he was working on, all mechanics do, it’s common.  Wouldn’t the police have accepted that explanation?  Dad was the only one that spoke to them.  They wrote down whatever he said, and then they left, and then the coroner came and took James away and that was that.  My father, the most upright straight-and-narrow devoutly dedicated man I’ve ever known in my life, misled the police for a reason that he took with him to his own grave.
The only other person in the world who knew the truth about it took it to his grave too.
At the same time.
In the same car.
Four years later, on October 18, 2002.
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The big garbage bag of empty air cans and whatever else that was removed from James’ house that morning had been stashed in my dad’s garage and stayed there until a few weeks after he and Robbie’s joint funeral, when my mother asked my husband’s old boss to come and dispose of it.  Scott was a man who knew people who could do things.
The evidence, whatever it was evidence of, vanished.
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The mystery around James never dissolved and eventually no one talked about it anymore, I guess because there was no way we could ever truly find out what happened without him here to tell us.  There were a lot of details that we could never find a way to weave together into anything that made sense and a lot of it was probably inconsequential anyway.  There was a girlfriend that he’d tried to keep hidden from us, a woman that was quite a bit older than him who wasn’t a member of the cult and therefore needed to be kept a secret.  In the end she had convinced him to stop hiding their relationship and he’d bought her a ring.  We met her all of twice before he died, and within days of his passing she left town with her brother and never came back, taking whatever she might have known with her.
James’ ex Jessica had sneaked onto the hill and broken into his house to put a dead raccoon in his kitchen sink a few days prior to his death.  We were shocked when he told us she trespassed on the land often without anyone knowing, and my mother made my father fix the electric gate down at the road so that it wouldn’t open without one of three clickers in the possession of herself, my father, and me.  James would have to come to her house and get hers any time he needed to leave the hill, an arrangement he agreed to because Jessica stole things from his house all the time, she would absolutely take a gate opener if she saw it.
He told us the gate wouldn’t keep her out though, and that she didn’t come in that way anyway.  The only way to protect ourselves from her was to lock her up and he doubted even that would do it.
He died less than a week later, and twenty three years later we still don’t know how or why.
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We never felt safe on the hill again.  Jessica was deranged in the worst possible way, we’d known it for a while, and James was her obsession.  She’d threatened to kill him multiple times and had tried twice.  We hadn’t known this, because James, big strong stoic Clint Eastwood type that he was, wasn’t about to tell anyone he was violently abused for years by a skinny little woman that everyone believed was not much more than a meek dormouse with shyness issues and a case of painful awkwardness.  But we knew she was evil.  We just didn’t have any proof.
The first thing my mother said after the initial emotional breakdown of finding her son dead was Jessica did this, I don’t know how but I know she did it.
I believe she was probably right.  But if Jessica was anything she was wily and devious with a strong survival instinct and an uncanny ability to lie convincingly and draw sympathy onto herself.  She’d convinced us for years that she was the perfect combination of sweetly harmless and endearingly clueless, but that only lasted until the day she called 911 screaming that James was beating her and then threw herself face first into a tree in their front yard and sat, calmly singing and coloring in a coloring book on the porch with blood running down her forehead, waiting for the police to arrive.  The act she put on when they got there was one for the Academy, but the officers didn’t buy it.
James calmly rolled up his sleeves and showed them his scars where she’d burned him and slashed him with a kitchen knife.  He pulled up his shirt and pointed out the marks she’d left on him with her teeth and nails.  He hooked a finger into his mouth and showed them the empty hole where she’d knocked one of his teeth out with a baseball bat.  One of the officers asked him why he hadn’t killed her and buried her somewhere on the land already.
She left in the back of the squad car, and my mother took James to the courthouse to get divorce papers started two days later.
Jessica came to his memorial service when we finally had it, several weeks after his death.  She wasn’t invited but we couldn’t keep her from coming.  She wore black like a widow and created a dramatic disruption complete with loud wailing and declarations of undying love, and afterward she stood to one side of the room, smirking at us with the kind of icy malice that you only see on the dangerously deranged, and then usually only in the movies.  Several people commented in hushed voices, asking why she’d been allowed to come.  At one point she started wailing They killed him!!, but everyone with the exception of her mother ignored her.
Her mother, who was still in our congregation, flitted around the room chatting with everyone, sobbing her heart out like it was her own son we’d just memorialized.  She was an ER nurse and had been famously fired from her job at the hospital for taking locked-cabinet medications home by the purse load.  She claimed she put them in her pocket to use on her shift and forgot to return them to the cabinet before leaving.
Jessica had been staying with her for a while.
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We fed the crowd at mom’s later that afternoon with my husband and his boss guarding the gate, making sure she didn’t try to come into my mother’s house.  The police were called preemptively, and because this was a town of 300 with not much of anything else to do, a squad car was dispatched and stationed near the inlet to the main drive.
Jessica showed up not much later, like we knew she would.  She drove past the police and parked a few yards down from them in plain sight, just sitting there by the side of the road, far enough away from our property that we couldn’t legally do anything about it.  The officers got out and talked to her, warned her not to cause us any problems, and she fed them a woeful tale about being banned from her beloved husband’s memorial service and denied the right to say goodbye to him.
The officers knew there was no body at that service to say goodbye to.  They also knew her.
My husband came up the hill and told us she was down at the road and that Scott was blocking the driveway with his truck to keep her out.  I told my mother it was time to file a restraining order against her.  She was living in fear and Jessica was known to be trespassing on our property frequently.  No, she told me with tears in her eyes but not a sign of distress on her face.  It was a look I knew, because my mother rarely showed emotion unless she was angry and the rest of the time it was this cold detachment.  That would bring reproach on the congregation because everyone knows what we are.  I can’t do that.  I won’t let her win that way.  I won’t let her cause us to bring shame on God’s name.
God’s name.  I took it in vain that day.
More than once.
I was leaving in a few weeks, moving a thousand miles away.  My husband and I weren’t going to be there to help her keep an eye out, and thirty eight acres of heavily wooded land is impossible to protect and easy to sneak onto from a hundred different directions, James had shown us proof of that.
God will protect us as long as we do the right thing and leave it to him, she said.  He knows what she is.
I think it was just a coincidence that nothing terrible happened in the following weeks, because my faith was getting tenuous and a lot of prayers were going unanswered.  But Jessica quietly disappeared back to her own world after a couple of infuriating weeks of putting herself in our paths every chance she got, and not long after that my husband and I moved away, and as we left the driveway for what we thought would be the last time he sighed and shook his head with the exasperation of a man about to say I told you so.
“That land is cursed,” he said.
I tried to disagree, though I don’t know why.
----------
Less than a mile up the road we passed a man walking.  He was tall and thin and covered in the dust of a long journey with a ratty backpack strapped to his back, and as we passed him I caught his reflection in the side mirror.
It was James, I knew it in my heart every bit as strongly as I knew it couldn’t be.
He was walking away from the hill, toward the west.  The way we were going.  And I swear on whatever holy relic you wish to place under my hand that he raised his head and met eyes with me in the mirror, and he smiled.
.
Anyone can see the road that they walk on is paved in gold And it's always summer They'll never get cold They'll never get hungry They'll never get old and gray You can see their shadows wandering off somewhere They won't make it home But they really don't care They wanted the highway They're happier there today
.
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sooibian · 4 years
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Catch These Hands
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Pairing: Baekhyun x Fem!Reader
Description: Living with Baekhyun comes with its own challenges
Themes: Fluff (surprise!!!!), established relationship, make up artist and masseur Byun, a little bit of byuntae, and one (1) Eminem reference lol
Prompt: @/notyourenglishprofessor : You SAY you didn’t eat in bed but these crumbs say differently.
A/N: Happy Birthday @is-that-baekhyuns-shirt​ !!!! here’s your biggest pet peeve woven into a bbh fic! Hope you enjoy it XD
Word count: ~ 1.7k
Nights out have never agreed with you. It’s 2 a.m. and your feet hurt from the heels, your head hurts from the drinks, your little black dress (your best friend sure does have a penchant for party clichés) is mocking your food baby, your makeup feels clumpy - maybe you overused the setting powder but you wouldn’t know because the complex art of blending cosmetics has always eluded you. How do they make it look so easy in YouTube tutorials?
As you’re keying in the passcode to your apartment, despite all the malaise, a sudden surge of comfort courses through your veins at the thought of your adorable boyfriend asleep in a clean, cozy bed, engulfed in warm and fresh sheets that exude the fragrance of a spring meadow - courtesy of your brand new laundry detergent. You imagine he is dressed in his snuggly pajamas, with his lips slightly parted, dark hair tousled, and your ostrich plushie clutched to his chest. Ever since you started living with him, you’d never spent a night away from home but the one time you returned after a weekend long Neuroscience conference, you found your plushie resting in the comfort of his arms. The next morning he insisted that he didn’t know where it came from.  
‘Time to catch him red handed’, you smile to yourself.
Kicking off your heels and scraping your hair up in a bun, you tiptoe to your bedroom and the faint melody of Baekhyun singing in a highly expressive croon falls upon your ears.
Tell me you’ll love again, come back to me again..
He should’ve been long asleep and while you can’t wait to crash out either, you allow yourself the pleasure of eavesdropping on his heavenly vocals that always sound especially sweet when he’s wrestling sleep. Until..until you hear it.. the sharp crunch of plastic which sends you barging into the bedroom with exasperation painted across your features. 
Baekhyun clamps his mouth shut. 
Instead of jumping out of bed to wrap you in his arms, he uncharacteristically stays burrito-ed in his duvet, fixing you with an apologetic gaze. Elbow crushing the pillow underneath him, shoulders crouched, lips pursed, hair dishevelled, pajama bottoms scrunched up to his calves, he tries to blink away the very apparent guilt in his eyes. Your ostrich plushie lay on your side of the bed as if its neck had been snapped like a popsicle stick. 
As you loom over him, lower lip wobbling, he pushes his weight further down the pillow but the tail end of the red Orion choco pie wrapper teasingly peeks from underneath it, glimmering in the cozy golden lighting of the bedroom, already chuckling at the drama that is to ensue.
You’re too tired for this.
Without a word to him, you grab a bunch of blankets from the dresser, shut it with a loud bang and stomp out of the room while Baekhyun’s bearing is that of a frozen frame. As you’re questioning your life choices and are about to vent your frustration on the irreproachable couch, your weary gaze finds the bane of your existence again - crumbs. White, inelegant fragments of food conspicuous against your tan sofa.
They say the more you try to avoid something, the more you create it. This was unequivocally the worst quote you’d ever read. You created nothing! You were not the one to leave this slew of crumbs on the sofa neither did you leave a pile of crumbs on the bed! It was all Baekhyun! 
You’re way too tired for this.
Drowsy, you lie down on the floor, curled up in the many blankets, although still cautious as your piercing eyes doggedly probe for more evidence of Baekhyun’s insolence. Surprisingly, the rug was clean-ish. It was almost as if he had planned on you sleeping on the floor tonight. This thought fuels the rage bubbling in the pit of your stomach so you force your eyes shut to avoid a shouting match this late in the night. 
The shuffling sound of footsteps grows closer and you’re determined not to give him the satisfaction of even a glance. The sound comes to a halt and you feel a gentle caress of warm fingers ghosting over your cheeks which is quickly replaced with a smooth and cool touch of a cotton pad against your eyelids, cheekbones, jaw line, with a distinct scent of micellar water wafting in the little to no space between Baekhyun and you.
You continue to play dead as he’s quietly and deftly taking your makeup off while delicately holding you up by the back of your neck and you coyly move your face from side to side to allow him better access to every inch of your skin.
“Too much setting powder”, he whispers.
Darnit!
“Still so pretty”, he remarks in his dulcet voice. Your head now rests in his lap and he’s gently moving his thumbs in tiny circles under your brows, working his way from inside out and continuing the movement all around your eyes and ending back at the bridge of your nose, almost lulling you to sleep.   
At this point every cell in your body is waging a war against your now weakened spirit that’s continuing to disregard him yet you find yourself revelling in his mellow affections.
“It’s a rookie mistake. Not to worry, baby, I’ll help you get it right the next time.” He reassures, planting a soft kiss on your pout.
“Right”, eyes still wilfully shut, you chastise him, “maybe when you find the time from eating in bed.”
“Yah! Don’t be like that.” Baekhyun whines, prying your eyes open with his fingers, not-so-gently.
You smack the back of his hand and sit up cross legged facing him. He stretches his hand out to pat your head and you smack it again invoking a look of pure confusion in Baekhyun’s soft features. His hand is now barely an inch away from your lips and he commands with a raised brow, “Now kiss it better.” 
“Ew!” Your hand strikes the back of his, again. “How many times do I have to tell you not to -”
“Not to eat in bed!” Baekhyun completes your sentence with a deep sigh, “I know and I wasn’t -”
“Do not lie to me Byun Baekhyun!” Warning him, you wag your finger as annoyance betrays your voice, rendering your pitch shrill. Dusting the corners of his mouth with the pads of your fingers, you sneer, “These crumbs say otherwise. You know I hate it when you eat in bed! It’s ...It’s….disgusting! And -”
“And?” 
“You always ignore my post-its!”
Baekhyun huffs and runs a hand through his hair. Letting on a forced smile, he reasons, “We’ve been living together for three years now. I think it’s time you stopped leaving ‘do not eat’ post-it notes on everything you buy!”
Tilting your head to the side, you explain animatedly, “First of all, you won’t let me buy snacks on our grocery runs because they’re unhealthy or whatever and you want to bring about a stupid dietary reform in the household which, by the way, is failing miserably - ”
“Yah!! We’re still in January, don’t be such a pessimist!”
“Do not interrupt me! The few that I do manage to sneak into the cart are mine and mine alone!”
“It’s just that..the ones that you buy taste better”, he mumbles, unveiling the most powerful weapon in his artillery - the pout.
“That is the most ridiculous thing that’s come out of your mouth today aside from the crumbs! I imagined you’d be...”, it’s nearly 3 a.m. and you’re starting to descend into a fugue state, “you’d be...curled up in bed like a...like a... cooked shrimp with a plushie clutched to it’s chest!”
Visibly offended, he flicks your forehead and bellows, “Cooked shrimp!? It’s called the fetal position. Look it up!”
“I know what it’s called!” Your livid expression eases into a rather ill meaning smile, “My apologies, I took you for a grown man.”
“What in the world - I am a grown man!” His lips stretch into a wide grin and the tips of his fingers tease the sensitive spot on your neck, “would you like to see?”
“You’re disgusting, Byun Baekhyun! A grown man does not eat in bed!” You smack the back of his hand. Again.
“Strike four! You’re obligated to kiss it better now!” 
Tears start to well up in your eyes at the sight of his hand dangling so close to your face. “I’m tired”, you cry, burying your face in your hands as exhaustion and exasperation take over, “I really need you to stop eating in bed.” 
“Babe, I -” His eyes grow into large brown circles at the sight of your distressed state and he freezes.
“I feel like the crumbs will, like, turn into ferocious ants and nibble at my skin while I’m asleep”, you break into full blown sobs and Baekhyun takes you in his arms, holding you tight against his warm and comforting frame and patting your head to calm you down.
“Hush, baby”, he sing-songs, “I’m sorry, I’m so sorry! You go get changed into something comfortable and I’ll dust the bed, okay?”
“Can you change the sheets instead?” Sniffling, you ask him with wide, pleading eyes, a sly smile playing at your lips.
His eyebrows shoot upwards and he exclaims, “It’s three in the morn-”
“Please?” You sing-song, a little too loudly.
He lets out a deep sigh, “Okay! I’ll change the sheets.”
With his slightly dispirited face sandwiched between your hands, you ask cheerfully, “And you promise to never eat in bed again?” 
“I promise to never eat in bed again.” A dejected Baekhyun says to his knees. 
“And you won’t steal my snacks?”
You had now started to push your luck with him, but it was a risk you were willing to take.
He flicks your forehead a little harshly this time making you squeal. “Can you stop with the stupid post-its, already?”
Rubbing your forehead, you surrender and get up. “Fine! I’ll go shower now.”
Baekhyun wraps his arms around your waist. Nuzzling your neck, he coos seductively, "I’ll join you.” 
“Byun Baekhyun!”
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